Fine art under low illuminance: Gamut and tint. Mundinger, J & Houser, K Lighting Research & Technology, June, 2023. ![Fine art under low illuminance: Gamut and tint [link]](https://bibbase.org/img/filetypes/link.svg "link")
Paper doi abstract bibtex Museum conservation guidelines restrict illuminance for sensitive artwork to levels that can cause objects to be perceived as less colourful, a phenomenon known as the Hunt effect. Previous colour rendering research identified red saturating gamuts that consistently increased perceived saturation and personal preference. A study was conducted to evaluate the visual experience of fine art illuminated by a red saturating gamut family constrained to be uniquely identified by their TM-30 gamut scores (denoted as [Formula: see text]) and position above or below the blackbody locus ( D uv ). [Formula: see text] and D uv were systematically varied according to response surface methodology, designed to map second-order terms and interactions, with 96 ⩽ [Formula: see text] ⩽ 124 and −0.0212 ⩽ D uv ⩽ 0.0036, all at 3000 K and 50 lx. Thirty-one naïve participants each evaluated a pair of paintings in a mock art gallery under nine independently presented scenes along semantic scales corresponding to preference, saturation and naturalness. The study identified a response surface for preference that maps an interaction between [Formula: see text] and D uv , predicting D uv = −0.013 was preferred at [Formula: see text] and D uv = −0.005 was preferred at [Formula: see text]. Increasing [Formula: see text] consistently increased both personal preference and perceived saturation.
@article{mundinger_fine_2023,
title = {Fine art under low illuminance: {Gamut} and tint},
issn = {1477-1535, 1477-0938},
shorttitle = {Fine art under low illuminance},
url = {http://journals.sagepub.com/doi/10.1177/14771535231172100},
doi = {10.1177/14771535231172100},
abstract = {Museum conservation guidelines restrict illuminance for sensitive artwork to levels that can cause objects to be perceived as less colourful, a phenomenon known as the Hunt effect. Previous colour rendering research identified red saturating gamuts that consistently increased perceived saturation and personal preference. A study was conducted to evaluate the visual experience of fine art illuminated by a red saturating gamut family constrained to be uniquely identified by their TM-30 gamut scores (denoted as [Formula: see text]) and position above or below the blackbody locus ( D
uv
). [Formula: see text] and D
uv
were systematically varied according to response surface methodology, designed to map second-order terms and interactions, with 96 ⩽ [Formula: see text] ⩽ 124 and −0.0212 ⩽ D
uv
⩽ 0.0036, all at 3000 K and 50 lx. Thirty-one naïve participants each evaluated a pair of paintings in a mock art gallery under nine independently presented scenes along semantic scales corresponding to preference, saturation and naturalness. The study identified a response surface for preference that maps an interaction between [Formula: see text] and D
uv
, predicting D
uv
= −0.013 was preferred at [Formula: see text] and D
uv
= −0.005 was preferred at [Formula: see text]. Increasing [Formula: see text] consistently increased both personal preference and perceived saturation.},
language = {en},
urldate = {2023-12-11},
journal = {Lighting Research \& Technology},
author = {Mundinger, J and Houser, K},
month = jun,
year = {2023},
pages = {14771535231172100},
}
Downloads: 0
{"_id":"DNKQRRLvAzG4RNjWK","bibbaseid":"mundinger-houser-fineartunderlowilluminancegamutandtint-2023","author_short":["Mundinger, J","Houser, K"],"bibdata":{"bibtype":"article","type":"article","title":"Fine art under low illuminance: Gamut and tint","issn":"1477-1535, 1477-0938","shorttitle":"Fine art under low illuminance","url":"http://journals.sagepub.com/doi/10.1177/14771535231172100","doi":"10.1177/14771535231172100","abstract":"Museum conservation guidelines restrict illuminance for sensitive artwork to levels that can cause objects to be perceived as less colourful, a phenomenon known as the Hunt effect. Previous colour rendering research identified red saturating gamuts that consistently increased perceived saturation and personal preference. A study was conducted to evaluate the visual experience of fine art illuminated by a red saturating gamut family constrained to be uniquely identified by their TM-30 gamut scores (denoted as [Formula: see text]) and position above or below the blackbody locus ( D uv ). [Formula: see text] and D uv were systematically varied according to response surface methodology, designed to map second-order terms and interactions, with 96 ⩽ [Formula: see text] ⩽ 124 and −0.0212 ⩽ D uv ⩽ 0.0036, all at 3000 K and 50 lx. Thirty-one naïve participants each evaluated a pair of paintings in a mock art gallery under nine independently presented scenes along semantic scales corresponding to preference, saturation and naturalness. The study identified a response surface for preference that maps an interaction between [Formula: see text] and D uv , predicting D uv = −0.013 was preferred at [Formula: see text] and D uv = −0.005 was preferred at [Formula: see text]. Increasing [Formula: see text] consistently increased both personal preference and perceived saturation.","language":"en","urldate":"2023-12-11","journal":"Lighting Research & Technology","author":[{"propositions":[],"lastnames":["Mundinger"],"firstnames":["J"],"suffixes":[]},{"propositions":[],"lastnames":["Houser"],"firstnames":["K"],"suffixes":[]}],"month":"June","year":"2023","pages":"14771535231172100","bibtex":"@article{mundinger_fine_2023,\n\ttitle = {Fine art under low illuminance: {Gamut} and tint},\n\tissn = {1477-1535, 1477-0938},\n\tshorttitle = {Fine art under low illuminance},\n\turl = {http://journals.sagepub.com/doi/10.1177/14771535231172100},\n\tdoi = {10.1177/14771535231172100},\n\tabstract = {Museum conservation guidelines restrict illuminance for sensitive artwork to levels that can cause objects to be perceived as less colourful, a phenomenon known as the Hunt effect. Previous colour rendering research identified red saturating gamuts that consistently increased perceived saturation and personal preference. A study was conducted to evaluate the visual experience of fine art illuminated by a red saturating gamut family constrained to be uniquely identified by their TM-30 gamut scores (denoted as [Formula: see text]) and position above or below the blackbody locus ( D\n uv\n ). [Formula: see text] and D\n uv\n were systematically varied according to response surface methodology, designed to map second-order terms and interactions, with 96 ⩽ [Formula: see text] ⩽ 124 and −0.0212 ⩽ D\n uv\n ⩽ 0.0036, all at 3000 K and 50 lx. Thirty-one naïve participants each evaluated a pair of paintings in a mock art gallery under nine independently presented scenes along semantic scales corresponding to preference, saturation and naturalness. The study identified a response surface for preference that maps an interaction between [Formula: see text] and D\n uv\n , predicting D\n uv\n = −0.013 was preferred at [Formula: see text] and D\n uv\n = −0.005 was preferred at [Formula: see text]. Increasing [Formula: see text] consistently increased both personal preference and perceived saturation.},\n\tlanguage = {en},\n\turldate = {2023-12-11},\n\tjournal = {Lighting Research \\& Technology},\n\tauthor = {Mundinger, J and Houser, K},\n\tmonth = jun,\n\tyear = {2023},\n\tpages = {14771535231172100},\n}\n\n","author_short":["Mundinger, J","Houser, K"],"key":"mundinger_fine_2023","id":"mundinger_fine_2023","bibbaseid":"mundinger-houser-fineartunderlowilluminancegamutandtint-2023","role":"author","urls":{"Paper":"http://journals.sagepub.com/doi/10.1177/14771535231172100"},"metadata":{"authorlinks":{}}},"bibtype":"article","biburl":"api.zotero.org/groups/1039914/items?format=bibtex&limit=99","dataSources":["zNy3kwoq6oZdS8oiR"],"keywords":[],"search_terms":["fine","art","under","low","illuminance","gamut","tint","mundinger","houser"],"title":"Fine art under low illuminance: Gamut and tint","year":2023}