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\n  \n 2024\n \n \n (9)\n \n \n
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\n \n\n \n \n \n \n \n Time Is a Plant.\n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n Brill, 2024.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n Being Algae: Transformations in Water, Plants.\n \n \n \n\n\n \n Hale Hendlin, Y.; Weggelaar, J.; Derossi, N.; and Mugnai, S.,\n editors.\n \n\n\n \n\n\n\n Brill, 2024.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Being Algae: Transformations in Water, Plants},\n type = {book},\n year = {2024},\n publisher = {Brill},\n city = {Boston},\n id = {c7de6c54-6cc6-3fe2-b56a-d9ac9dd860a1},\n created = {2024-08-04T22:50:15.167Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:24:54.978Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Hale Hendlin, Yogi and Weggelaar, Johanna and Derossi, Natalia and Mugnai, Sergio},\n doi = {10.1163/9789004683310}\n}
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\n \n\n \n \n \n \n \n Contemporanea: A Glossary for the Twenty-First Century.\n \n \n \n\n\n \n Marder, M.; and Tusa, G.\n\n\n \n\n\n\n The MIT Press, 2024.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n Dark Botany: The Herbarium Tales.\n \n \n \n\n\n \n Gibson, P.; Jöttkandt, S.; Sierra, M.; and Westbrook, A.\n\n\n \n\n\n\n Open Humanities Press, 2024.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus.\n \n \n \n\n\n \n Schoene, B.\n\n\n \n\n\n\n Critique: Studies in Contemporary Fiction,1-13. 1 2024.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n Plants as Trans Ecologies: Artifice and Deformation in Bertrand Mandico’s The Wild Boys (2017).\n \n \n \n\n\n \n Miller, A.\n\n\n \n\n\n\n Open Cultural Studies, 8(1). 7 2024.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Plants as Trans Ecologies: Artifice and Deformation in Bertrand Mandico’s <i>The Wild Boys</i> (2017)},\n type = {article},\n year = {2024},\n volume = {8},\n month = {7},\n day = {23},\n id = {da5f341f-673e-3bb9-ae6e-f75944fe8123},\n created = {2024-08-04T23:10:18.184Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:10:18.184Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p> This essay explores how artifice and queer form in Bertrand Mandico’s film The Wild Boys (2017. <italic>Dir. Bertrand Mandico</italic> . Ecce Films) interrogate more-than-human entanglements to orient viewers toward a trans ecology. In Mandico’s botanical imaginary, he crafts a world of excessive artifice where both the characters and the land in which they inhabit are entirely mutable. By creating a polymorphously perverse world where there is no such thing as a hermetically sealed body, Mandico uses plants to explore the possibilities of transness and how it may provide a focus for epistemological positions, knowledge, and orientations toward a post-anthropocentric future. </p>},\n bibtype = {article},\n author = {Miller, Audrey},\n doi = {10.1515/culture-2024-0017},\n journal = {Open Cultural Studies},\n number = {1}\n}
\n
\n\n\n
\n

This essay explores how artifice and queer form in Bertrand Mandico’s film The Wild Boys (2017. Dir. Bertrand Mandico . Ecce Films) interrogate more-than-human entanglements to orient viewers toward a trans ecology. In Mandico’s botanical imaginary, he crafts a world of excessive artifice where both the characters and the land in which they inhabit are entirely mutable. By creating a polymorphously perverse world where there is no such thing as a hermetically sealed body, Mandico uses plants to explore the possibilities of transness and how it may provide a focus for epistemological positions, knowledge, and orientations toward a post-anthropocentric future.

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\n \n\n \n \n \n \n \n Tobacco for the Flower Garden: Plant Collecting and Plantation Crops in Nineteenth‐Century Britain.\n \n \n \n\n\n \n Wells, L.\n\n\n \n\n\n\n Literature Compass, 21(1-3). 1 2024.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Tobacco for the Flower Garden: Plant Collecting and Plantation Crops in Nineteenth‐Century Britain},\n type = {article},\n year = {2024},\n volume = {21},\n month = {1},\n day = {16},\n id = {a7a4284e-9054-3a30-af1a-eb74f06668b8},\n created = {2024-08-04T23:56:23.495Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:56:23.495Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p>This essay analyzes the understudied practice of collecting, marketing, and displaying colonial plant commodities as garden ornaments in nineteenth‐century Britain. From the early modern period onward, British garden writers discussed tobacco, sugarcane, coffee, tea, and other colonial crops in their books and magazines, often citing colonial agriculture as a point of interest to curious gardeners. As I will argue, this mode of collecting and aestheticizing plants discloses the deep ambivalence of the British horticultural press toward the realities of plantation agriculture. Building on previous analyses of plants and empire, I show how the cultivation of tobacco in nineteenth‐century flower gardens contributed to a broader mediation of Britain's colonial past in horticultural literature. Paying attention to this collecting trend will not only recover an overlooked chapter in the history of British horticulture, but also show how nineteenth‐century garden writing operated as a space for transmitting (and manipulating) narratives about colonial agriculture.</p>},\n bibtype = {article},\n author = {Wells, Lindsay},\n doi = {10.1111/lic3.12705},\n journal = {Literature Compass},\n number = {1-3}\n}
\n
\n\n\n
\n

This essay analyzes the understudied practice of collecting, marketing, and displaying colonial plant commodities as garden ornaments in nineteenth‐century Britain. From the early modern period onward, British garden writers discussed tobacco, sugarcane, coffee, tea, and other colonial crops in their books and magazines, often citing colonial agriculture as a point of interest to curious gardeners. As I will argue, this mode of collecting and aestheticizing plants discloses the deep ambivalence of the British horticultural press toward the realities of plantation agriculture. Building on previous analyses of plants and empire, I show how the cultivation of tobacco in nineteenth‐century flower gardens contributed to a broader mediation of Britain's colonial past in horticultural literature. Paying attention to this collecting trend will not only recover an overlooked chapter in the history of British horticulture, but also show how nineteenth‐century garden writing operated as a space for transmitting (and manipulating) narratives about colonial agriculture.

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\n \n\n \n \n \n \n \n Entre les feuilles: Explorations de l'imaginaire botanique contemporain.\n \n \n \n\n\n \n Bouvet, R.; Posthumus, S.; Bilodeau, J.; and Dubé, N.\n\n\n \n\n\n\n Presses de l'Université du Québec, 2024.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Entre les feuilles: Explorations de l'imaginaire botanique contemporain},\n type = {book},\n year = {2024},\n publisher = {Presses de l'Université du Québec},\n city = {Quebec City},\n id = {eae48c5c-97ee-33b9-8bd2-990e060e356f},\n created = {2024-08-05T02:28:49.807Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:28:49.807Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bouvet, Rachel and Posthumus, Stéphanie and Bilodeau, Jean-Pascal and Dubé, Noémie},\n doi = {10.2307/jj.15478399}\n}
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\n \n\n \n \n \n \n \n Zwischen Mensch und Pflanze: Vegetabile Hybriden in literarischen und grafischen Texten des 20. und 21. Jahrhunderts.\n \n \n \n\n\n \n Becher, C.\n\n\n \n\n\n\n Wallstein, 2024.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Zwischen Mensch und Pflanze: Vegetabile Hybriden in literarischen und grafischen Texten des 20. und 21. Jahrhunderts},\n type = {book},\n year = {2024},\n publisher = {Wallstein},\n city = {Göttingen},\n id = {36311a6a-6d42-3614-ab5e-c55fc79136ef},\n created = {2024-10-14T19:46:40.431Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-10-14T19:46:40.431Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Becher, Christina}\n}
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\n  \n 2023\n \n \n (19)\n \n \n
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\n \n\n \n \n \n \n \n Planta Sapiens: The New Science of Plant Intelligence.\n \n \n \n\n\n \n Calvo, P.; and Lawrence, N.\n\n\n \n\n\n\n W. W. Norton, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Planta Sapiens: The New Science of Plant Intelligence},\n type = {book},\n year = {2023},\n publisher = {W. W. Norton},\n city = {New York City},\n id = {2c34f0db-0b59-35bb-bb2f-da0ab4012a8c},\n created = {2024-08-04T22:39:06.278Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T22:39:06.278Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Calvo, Paco and Lawrence, Natalie}\n}
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\n \n\n \n \n \n \n \n Zur Semantik des Gartens in Mittelalter und Früher Neuzeit.\n \n \n \n\n\n \n Bobineau, J.; Klein, D.; and Penzkofer, G.,\n editors.\n \n\n\n \n\n\n\n Königshausen & Neumann, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Zur Semantik des Gartens in Mittelalter und Früher Neuzeit},\n type = {book},\n year = {2023},\n publisher = {Königshausen & Neumann},\n city = {Würzburg},\n id = {50f58c89-73da-37b6-953b-311096505050},\n created = {2024-08-04T22:59:42.243Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T22:59:42.243Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Bobineau, Julien and Klein, Dorothea and Penzkofer, Gerhard}\n}
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\n \n\n \n \n \n \n \n The Grammar of Belonging: Bodies, Borders and Kin in the Belarusian-Polish Border Crisis.\n \n \n \n\n\n \n Cielemęcka, O.\n\n\n \n\n\n\n Feminist Review, 134(1): 1-20. 7 2023.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {The Grammar of Belonging: Bodies, Borders and Kin in the Belarusian-Polish Border Crisis},\n type = {article},\n year = {2023},\n pages = {1-20},\n volume = {134},\n month = {7},\n day = {11},\n id = {8b47587b-d06d-3bb3-bb4c-1fd35c3076b4},\n created = {2024-08-04T23:07:50.181Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:07:50.181Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p>This article aims to be what Jasbir Puar referred to as ‘an unfolding archive’. It makes a critical intervention at a historical crisis point as it is unfolding. It sets out to examine the logic that writes the relations between bodies, borders and kin during the political crisis that transpired at the border of Belarus and Poland in 2021. I think of this logic in terms of a ‘grammar’, drawing on the idea articulated by Hortense J. Spillers, where ‘American grammar’ fleshes out the connection between slavery, kinship, nation-building and the processes of gendering. I examine the rubrics of the hegemonic national grammatics in contemporary Poland, which establishes who counts as kin and who belongs to the nation in the context of the border crisis. I offer the concept of ‘declining’ kinship to seek generative (im)possibilities to articulate affinities and solidarities running against the dominant system of reproductive nationalism.</p>},\n bibtype = {article},\n author = {Cielemęcka, Olga},\n doi = {10.1177/01417789231166700},\n journal = {Feminist Review},\n number = {1}\n}
\n
\n\n\n
\n

This article aims to be what Jasbir Puar referred to as ‘an unfolding archive’. It makes a critical intervention at a historical crisis point as it is unfolding. It sets out to examine the logic that writes the relations between bodies, borders and kin during the political crisis that transpired at the border of Belarus and Poland in 2021. I think of this logic in terms of a ‘grammar’, drawing on the idea articulated by Hortense J. Spillers, where ‘American grammar’ fleshes out the connection between slavery, kinship, nation-building and the processes of gendering. I examine the rubrics of the hegemonic national grammatics in contemporary Poland, which establishes who counts as kin and who belongs to the nation in the context of the border crisis. I offer the concept of ‘declining’ kinship to seek generative (im)possibilities to articulate affinities and solidarities running against the dominant system of reproductive nationalism.

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\n \n\n \n \n \n \n \n Regenerating Romanticism: Botany, Sensibility, and Originality in British Literature, 1750-1830.\n \n \n \n\n\n \n Bailes, M.\n\n\n \n\n\n\n University of Virginia Press, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Regenerating Romanticism: Botany, Sensibility, and Originality in British Literature, 1750-1830},\n type = {book},\n year = {2023},\n publisher = {University of Virginia Press},\n city = {Charlottesville},\n id = {a8f8af46-0992-39aa-b87b-1757409b91ef},\n created = {2024-08-04T23:08:59.024Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:08:59.024Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bailes, Melissa}\n}
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\n \n\n \n \n \n \n \n Plants Matter: Exploring the Becomings of Plants and People.\n \n \n \n\n\n \n Attala, L.; and Steel, L.,\n editors.\n \n\n\n \n\n\n\n University of Wales Press, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plants Matter: Exploring the Becomings of Plants and People},\n type = {book},\n year = {2023},\n publisher = {University of Wales Press},\n city = {Cardiff},\n id = {e0fb77d2-b1cb-3af5-96d9-1b1a8e68b899},\n created = {2024-08-04T23:37:06.602Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:37:06.602Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Attala, Luci and Steel, Louise}\n}
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\n \n\n \n \n \n \n \n The Language of Trees: A Rewilding of Literature and Landscape.\n \n \n \n\n\n \n Holton, K.\n\n\n \n\n\n\n Tin House, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Language of Trees: A Rewilding of Literature and Landscape},\n type = {book},\n year = {2023},\n publisher = {Tin House},\n city = {Portland, OR},\n id = {58e02905-9bb8-3226-9d31-5d953d1cf5ea},\n created = {2024-08-04T23:46:13.678Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:46:13.678Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Holton, Katie}\n}
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\n \n\n \n \n \n \n \n In the Herbarium: The Hidden World of Collecting and Preserving Plants.\n \n \n \n\n\n \n Flannery, M., C.\n\n\n \n\n\n\n Yale University Press, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {In the Herbarium: The Hidden World of Collecting and Preserving Plants},\n type = {book},\n year = {2023},\n publisher = {Yale University Press},\n city = {New Haven},\n id = {7d557905-ceef-3052-998e-2e8314a7a1ef},\n created = {2024-08-04T23:58:03.257Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:58:03.257Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Flannery, Maura C.}\n}
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\n \n\n \n \n \n \n \n The Green Middle Ages: The Depiction and Use of Plants in the Western World 600-1600.\n \n \n \n\n\n \n Chavannes-Mazel, C.; and IJpelaar, L.,\n editors.\n \n\n\n \n\n\n\n Amsterdam University Press, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Green Middle Ages: The Depiction and Use of Plants in the Western World 600-1600},\n type = {book},\n year = {2023},\n publisher = {Amsterdam University Press},\n city = {Amsterdam},\n id = {91f2f475-d381-3d98-ae06-952ec819d385},\n created = {2024-08-04T23:59:42.943Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:59:42.943Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Chavannes-Mazel, Claudine and IJpelaar, Linda}\n}
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\n \n\n \n \n \n \n \n South American Maize and Political Economy of the Middle and Late Formative Soconusco Region of Guatemala.\n \n \n \n\n\n \n Hart, T., C.; Duncan, N., A.; Pearsall, D., M.; and Love, M., W.\n\n\n \n\n\n\n Latin American Antiquity,1-14. 6 2023.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {South American Maize and Political Economy of the Middle and Late Formative Soconusco Region of Guatemala},\n type = {article},\n year = {2023},\n pages = {1-14},\n month = {6},\n day = {15},\n id = {e0a61765-9a8b-3037-aed0-6f4671c1ed91},\n created = {2024-08-05T00:00:41.377Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:00:41.377Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p> We present macrobotanical, starch, and phytolith data from artifacts and sediments from Middle Formative La Blanca (1000–600 cal BC) and Late Formative El Ujuxte (600 cal BC–cal AD 115 ) in the Soconusco region in Guatemala. Potential economic plants identified included palm (cf. Arecaceae), two varieties of maize ( <italic>Zea mays</italic> ), guava ( <italic>Psidium guajava</italic> ), bean (Phaseolus), chili peppers ( <italic>Capsicum</italic> ), squash (Cucurbitaceae), custard apple (Annonaceae), coco plum (Chrysobalanaceae), lerén ( <italic>Calathea</italic> ), arrowroot ( <italic>Maranta</italic> ), and bird-of-paradise ( <italic>Heliconia</italic> ). The results suggest that control of food production and consumption was critical for the transition from complex chiefdoms during the Middle Formative to the archaic state in the Late Formative. The arrival of a more productive South American variety of maize at El Ujuxte (about 2549 BP) allowed elites to exploit an already existing broad-based economic system and to use the maize-based religious system to increase control over maize agricultural practices and maintain power through ideology and disciplinary power. These data suggest that the arrival of fully domesticated South American maize likely influenced the overall development of Mesoamerican state-level societies. </p>},\n bibtype = {article},\n author = {Hart, Thomas C. and Duncan, Neil A. and Pearsall, Deborah M. and Love, Michael W.},\n doi = {10.1017/laq.2023.3},\n journal = {Latin American Antiquity}\n}
\n
\n\n\n
\n

We present macrobotanical, starch, and phytolith data from artifacts and sediments from Middle Formative La Blanca (1000–600 cal BC) and Late Formative El Ujuxte (600 cal BC–cal AD 115 ) in the Soconusco region in Guatemala. Potential economic plants identified included palm (cf. Arecaceae), two varieties of maize ( Zea mays ), guava ( Psidium guajava ), bean (Phaseolus), chili peppers ( Capsicum ), squash (Cucurbitaceae), custard apple (Annonaceae), coco plum (Chrysobalanaceae), lerén ( Calathea ), arrowroot ( Maranta ), and bird-of-paradise ( Heliconia ). The results suggest that control of food production and consumption was critical for the transition from complex chiefdoms during the Middle Formative to the archaic state in the Late Formative. The arrival of a more productive South American variety of maize at El Ujuxte (about 2549 BP) allowed elites to exploit an already existing broad-based economic system and to use the maize-based religious system to increase control over maize agricultural practices and maintain power through ideology and disciplinary power. These data suggest that the arrival of fully domesticated South American maize likely influenced the overall development of Mesoamerican state-level societies.

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\n \n\n \n \n \n \n \n Animals and Plants in Chinese Religions and Science.\n \n \n \n\n\n \n Chen, H.\n\n\n \n\n\n\n Anthem Press, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Vegetal Entwinements in Philosophy and Art: A Reader.\n \n \n \n\n\n \n Aloi, G.; and Marder, M.,\n editors.\n \n\n\n \n\n\n\n MIT Press, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Vegetal Entwinements in Philosophy and Art: A Reader},\n type = {book},\n year = {2023},\n publisher = {MIT Press},\n city = {Cambridge},\n id = {7fcfd82a-e359-3c7a-b245-f32810eac3d0},\n created = {2024-08-05T00:13:56.313Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:13:56.313Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Aloi, Giovanni and Marder, Michael}\n}
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\n \n\n \n \n \n \n \n Plants, Places, and Power: Toward Social and Ecological Justice in German Literature and Film.\n \n \n \n\n\n \n Stehle, M.\n\n\n \n\n\n\n Camden House, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plants, Places, and Power: Toward Social and Ecological Justice in German Literature and Film},\n type = {book},\n year = {2023},\n publisher = {Camden House},\n city = {Rochester},\n id = {dc717ae6-2971-3751-92cd-ba1f986f7e64},\n created = {2024-08-05T00:55:52.415Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:55:52.415Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Stehle, Maria}\n}
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\n \n\n \n \n \n \n \n The Poem, the Garden, and the World: Poetry and Performativity in Elizabethan England.\n \n \n \n\n\n \n Ellis, J.\n\n\n \n\n\n\n Northwestern University Press, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Poem, the Garden, and the World: Poetry and Performativity in Elizabethan England},\n type = {book},\n year = {2023},\n publisher = {Northwestern University Press},\n city = {Evanston},\n id = {b3d89083-df02-3d73-87b2-7907df26b04b},\n created = {2024-08-05T01:01:29.113Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:01:29.113Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ellis, Jim}\n}
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\n \n\n \n \n \n \n \n From Plant Behavior to Plant Intelligence?.\n \n \n \n\n\n \n Hiernaux, Q.\n\n\n \n\n\n\n Editions Quae, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {From Plant Behavior to Plant Intelligence?},\n type = {book},\n year = {2023},\n publisher = {Editions Quae},\n city = {Versailles},\n id = {cc4cd6c6-9ff9-3805-9ec2-7bbc5cf14502},\n created = {2024-08-05T02:04:55.478Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:04:55.478Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {French edition 2020},\n bibtype = {book},\n author = {Hiernaux, Quentin}\n}
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\n French edition 2020\n
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\n \n\n \n \n \n \n \n Andrea Cesalpino's De plantis libri XVI (1583) and the Transformation of Medical Botany in the 16th Century. .\n \n \n \n\n\n \n Hiernaux, Q.; and Tresnie, C.,\n editors.\n \n\n\n \n\n\n\n De Gruyter, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Andrea Cesalpino's De plantis libri XVI (1583) and the Transformation of Medical Botany in the 16th Century. },\n type = {book},\n year = {2023},\n publisher = {De Gruyter},\n city = {Berlin},\n id = {12d85be0-76b3-3dc7-a608-f5135f16b25e},\n created = {2024-08-05T02:07:49.517Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:07:49.517Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Editors, translators, commentators},\n bibtype = {book},\n author = {},\n editor = {Hiernaux, Quentin and Tresnie, Corentin}\n}
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\n \n\n \n \n \n \n \n Phytopoetics.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n The Routledge Companion to Ecopoetics, pages 117-126. Routledge, 9 2023.\n \n\n\n\n
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\n 
@inbook{\n type = {inbook},\n year = {2023},\n pages = {117-126},\n month = {9},\n publisher = {Routledge},\n day = {15},\n city = {New York},\n id = {0d5fb5f8-a381-3df8-84f1-607bba78b27a},\n created = {2024-08-05T02:38:02.454Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:38:02.454Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inbook},\n author = {Ryan, John Charles},\n doi = {10.4324/9781003187028-15},\n chapter = {Phytopoetics},\n title = {The Routledge Companion to Ecopoetics}\n}
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\n \n\n \n \n \n \n \n Understories: Plants and Culture in the American Tropics.\n \n \n \n\n\n \n Wylie, L.,\n editor.\n \n\n\n \n\n\n\n Liverpool University Press, 2023.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Understories: Plants and Culture in the American Tropics},\n type = {book},\n year = {2023},\n publisher = {Liverpool University Press},\n city = {Liverpool},\n id = {7e08c6de-acd1-392c-9479-45b7adb81b33},\n created = {2024-08-05T02:39:10.944Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:39:10.944Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Wylie, Lesley}\n}
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\n \n\n \n \n \n \n \n \n Greenhouse Stories: A Critical Re-Examination of Transparent Microcosms.\n \n \n \n \n\n\n \n Lacrouts, O.; Drouet, L.; and d-o-t-s,\n editors.\n \n\n\n \n\n\n\n Onomatopee, 2023.\n \n\n\n\n
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\n 
@book{\n title = {Greenhouse Stories: A Critical Re-Examination of Transparent Microcosms},\n type = {book},\n year = {2023},\n websites = {https://digitalcommons.wayne.edu/narrative/vol10/iss2/},\n publisher = {Onomatopee},\n city = {Eindhoven},\n id = {683fc44a-bd83-3725-a220-7e6f98adf901},\n created = {2024-08-05T03:02:13.696Z},\n accessed = {2024-08-04},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T03:20:49.879Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Lacrouts, Olivier and Drouet, Laura and d-o-t-s, undefined}\n}
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\n \n\n \n \n \n \n \n The Stories Plants Tell.\n \n \n \n\n\n \n Middelhoff, F.; and Peselmann, A.\n\n\n \n\n\n\n Narrative Culture, Special Issue: The Stories Plants Tell, 10(2). 2023.\n \n\n\n\n
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\n 
@article{\n title = {The Stories Plants Tell},\n type = {article},\n year = {2023},\n volume = {10},\n id = {a31a03a5-1f2d-325b-bc6a-93d6ccc9af69},\n created = {2024-08-05T03:20:53.449Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T03:20:53.449Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Middelhoff, Frederike and Peselmann, Arnika},\n journal = {Narrative Culture, Special Issue: The Stories Plants Tell},\n number = {2}\n}
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\n  \n 2022\n \n \n (20)\n \n \n
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\n \n\n \n \n \n \n \n Talking (With) Trees: Arboreal Articulation and Poetics.\n \n \n \n\n\n \n Cooke, S.\n\n\n \n\n\n\n Green Letters,1-18. 1 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Literaturen und Kulturen des Vegetabilen: Plant Studies – kulturwissenschaftliche Pflanzenforschung.\n \n \n \n\n\n \n Stobbe, U.; Kramer, A.; and Wanning, B.\n\n\n \n\n\n\n Peter Lang, 2022.\n \n\n\n\n
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\n 
@book{\n title = {Literaturen und Kulturen des Vegetabilen: Plant Studies – kulturwissenschaftliche Pflanzenforschung},\n type = {book},\n year = {2022},\n publisher = {Peter Lang},\n city = {Berlin},\n id = {7e75e589-6a8b-3ec6-b373-80a9e8c9faa0},\n created = {2022-06-09T21:54:46.467Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-06-09T21:54:46.467Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Stobbe, Urte and Kramer, Anke and Wanning, Berbeli}\n}
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\n \n\n \n \n \n \n \n Spiritual Vegetation: Vegetal Nature in Religious Contexts Across Medieval and Early Modern Europe.\n \n \n \n\n\n \n Lamsechi, G.; and Trînca, B.\n\n\n \n\n\n\n Vandenhoeck & Ruprecht, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n The Representation of Plants in Children’s And Young Adult Literature.\n \n \n \n\n\n \n Duckworth, M.; and Guanio-Uluru, L.\n\n\n \n\n\n\n Routledge, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n \n Queer Ecologies.\n \n \n \n \n\n\n \n Kinkaid, E.\n\n\n \n\n\n\n You Are Here: The Journal of Creative Geography, special issue: Queer Ecologies. 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science.\n \n \n \n\n\n \n Hernandez, J.\n\n\n \n\n\n\n North Atlantic Books, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n The Globalization of Wheat: A Critical History of the Green Revolution.\n \n \n \n\n\n \n Baranski, M., R.\n\n\n \n\n\n\n University of Pittsburgh Press, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Botanical Entanglements: Women, Natural Science, and the Arts in Eighteenth-Century England.\n \n \n \n\n\n \n Sagal, A., K.\n\n\n \n\n\n\n University of Virginia Press, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n The Sounds of Life: How Digital Technology Is Bringing Us Closer to the Worlds of Animals and Plants.\n \n \n \n\n\n \n Bakker, K.\n\n\n \n\n\n\n Princeton University Press, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Botanical Discipline.\n \n \n \n\n\n \n Calkins, S.; and Ertl, C.\n\n\n \n\n\n\n Affect, Power, and Institutions, pages 125-143. Routledge, 11 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Libertine Botany.\n \n \n \n\n\n \n Meeker, N.; and Szabari, A.\n\n\n \n\n\n\n L'Esprit Créateur, Special Issue: Libertine Botany, 62(4). 12 2022.\n \n\n\n\n
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@article{\n title = {Libertine Botany},\n type = {article},\n year = {2022},\n volume = {62},\n month = {12},\n id = {63011b39-cc19-32c6-9269-488e5a8dc62a},\n created = {2024-08-04T23:54:50.688Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:54:50.688Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Meeker, Natania and Szabari, Antónia},\n journal = {L'Esprit Créateur, Special Issue: Libertine Botany},\n number = {4}\n}
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\n \n\n \n \n \n \n \n The Botany of Beer: An Illustrated Guide to More Than 500 Plants Used in Brewing.\n \n \n \n\n\n \n Caruso, G.\n\n\n \n\n\n\n Columbia University Press, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Plant Life: The Entangled Politics of Afforestation.\n \n \n \n\n\n \n Elkin, R., S.\n\n\n \n\n\n\n University of Minnesota Press, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Forest Mind: On the Interconnection of All Life.\n \n \n \n\n\n \n Biemann, U.\n\n\n \n\n\n\n Spector Books, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Slaves for Peanuts: A Story of Conquest, Liberation, and a Crop That Changed History.\n \n \n \n\n\n \n Lewis, J.\n\n\n \n\n\n\n The New Press, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Elderflora: A Modern History of Ancient Trees.\n \n \n \n\n\n \n Farmer, J.\n\n\n \n\n\n\n Basic Books, 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Record of a Multispecies Creative Exploration in the Austral Forests.\n \n \n \n\n\n \n Soto Hormazábal, M.; and Tolosa, M.\n\n\n \n\n\n\n Artistic Cartography and Design Explorations Towards the Pluriverse, pages 17-27. Routledge, 12 2022.\n \n\n\n\n
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\n \n\n \n \n \n \n \n “These Lusting, Incestuous, Perverse Creatures”: A Phytopoetic History of Plants and Sexuality.\n \n \n \n\n\n \n Jacobs, J.\n\n\n \n\n\n\n Environmental Humanities, 14(3): 602-617. 11 2022.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {“These Lusting, Incestuous, Perverse Creatures”: A Phytopoetic History of Plants and Sexuality},\n type = {article},\n year = {2022},\n pages = {602-617},\n volume = {14},\n month = {11},\n day = {1},\n id = {79af19f8-0436-3cee-a84a-d97387f0b06e},\n created = {2024-08-05T01:50:31.521Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:50:31.521Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p>This article traces the emergence of and shifts in ideas about plant sexuality in European literature from the late seventeenth century to the present, with a particular focus on influential British and a few less well-known German texts. Positioned as a specifically phytopoetic history of plants and sexuality, it demonstrates with the help of literature how plants have been shaping human culture—in this context, the sociocultural norms and understandings of sex, gender, and sexuality. Moving from vegetal visions of virtuous, virginal women-plants and their corruption by pollen and “plant prostitutes” to concerns about “crimes against nature” and the persecution of male same-sex desire, this history ultimately arrives at queer reproduction and pleasure as a collective endeavor.</p>},\n bibtype = {article},\n author = {Jacobs, Joela},\n doi = {10.1215/22011919-9962926},\n journal = {Environmental Humanities},\n number = {3}\n}
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\n

This article traces the emergence of and shifts in ideas about plant sexuality in European literature from the late seventeenth century to the present, with a particular focus on influential British and a few less well-known German texts. Positioned as a specifically phytopoetic history of plants and sexuality, it demonstrates with the help of literature how plants have been shaping human culture—in this context, the sociocultural norms and understandings of sex, gender, and sexuality. Moving from vegetal visions of virtuous, virginal women-plants and their corruption by pollen and “plant prostitutes” to concerns about “crimes against nature” and the persecution of male same-sex desire, this history ultimately arrives at queer reproduction and pleasure as a collective endeavor.

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\n \n\n \n \n \n \n \n Woodland Imagery in Northern Art, c.1500-1800: Poetry and Ecology.\n \n \n \n\n\n \n van Hogendorp Prosperetti, L.\n\n\n \n\n\n\n Lund Humphries, 2022.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Woodland Imagery in Northern Art, c.1500-1800: Poetry and Ecology},\n type = {book},\n year = {2022},\n publisher = {Lund Humphries},\n city = {London},\n id = {2909361e-4e89-35f1-bc7a-a7cb89ea6f4f},\n created = {2024-08-05T01:55:09.807Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:55:09.807Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {van Hogendorp Prosperetti, Leopoldine}\n}
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\n \n\n \n \n \n \n \n Botanical Discipline.\n \n \n \n\n\n \n Calkins, S.; and Ertl, C.\n\n\n \n\n\n\n Affect, Power, and Institutions, pages 125-143. Routledge, 11 2022.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@inbook{\n type = {inbook},\n year = {2022},\n pages = {125-143},\n month = {11},\n publisher = {Routledge},\n day = {24},\n city = {London},\n id = {e281c3db-cf4b-3a76-90e4-5a913aa5202d},\n created = {2024-08-05T02:57:35.209Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:57:35.209Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inbook},\n author = {Calkins, Sandra and Ertl, Cornelia},\n doi = {10.4324/9781003303770-9},\n chapter = {Botanical Discipline},\n title = {Affect, Power, and Institutions}\n}
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\n  \n 2021\n \n \n (26)\n \n \n
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\n \n\n \n \n \n \n \n Trees in Literatures and the Arts: HumanArboreal Perspectives in the Anthropocene.\n \n \n \n\n\n \n Concilio, C.; and Fargione, D.,\n editors.\n \n\n\n \n\n\n\n Rowman & Littlefield, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Trees in Literatures and the Arts: HumanArboreal Perspectives in the Anthropocene},\n type = {book},\n year = {2021},\n publisher = {Rowman & Littlefield},\n city = {Lanham, MD},\n id = {006f6607-ebe7-3a0b-9dc8-d36e20fff72b},\n created = {2021-06-24T19:33:42.848Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:42.848Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Concilio, Carmen and Fargione, Daniela}\n}
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\n \n\n \n \n \n \n \n Baobab: Ein Portrait.\n \n \n \n\n\n \n Engelhardt, M.\n\n\n \n\n\n\n Matthes & Seitz, Naturkunden, Bd. 70 edition, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Baobab: Ein Portrait},\n type = {book},\n year = {2021},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n edition = {Naturkunden, Bd. 70},\n id = {815cb361-4274-36df-b0b3-822b483f7685},\n created = {2021-06-28T14:05:38.114Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:38.114Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Engelhardt, Marc},\n editor = {Schalansky, Judith}\n}
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\n \n\n \n \n \n \n \n Like a Tree: How Trees, Women, and Tree People Can Save the Planet.\n \n \n \n\n\n \n Bolen, J., S.\n\n\n \n\n\n\n Conari Press, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Like a Tree: How Trees, Women, and Tree People Can Save the Planet},\n type = {book},\n year = {2021},\n publisher = {Conari Press},\n city = {San Francisco},\n id = {c89f38c0-ced5-3b9d-9bb9-52e6950f51d5},\n created = {2021-06-28T14:05:40.040Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:40.040Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bolen, Jean Shinoda}\n}
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\n \n\n \n \n \n \n \n \n Vegetal Entanglements.\n \n \n \n \n\n\n \n Aloi, G.,\n editor.\n \n\n\n \n\n\n\n Volume 53 Antennae, 2021.\n \n\n\n\n
\n\n\n\n \n \n \"VegetalWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Vegetal Entanglements},\n type = {book},\n year = {2021},\n volume = {53},\n websites = {https://www.dropbox.com/s/y8tpxcy9syhj4zq/ANTENNAE%20ISSUE%2053.pdf?dl=1},\n publisher = {Antennae},\n city = {Chicago},\n id = {194d570c-cecb-3fc8-a317-ab7271a76b97},\n created = {2021-11-24T22:07:19.083Z},\n accessed = {2021-11-24},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:18:09.510Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Aloi, Giovanni}\n}
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\n \n\n \n \n \n \n \n \n The Mind of Plants: Narratives of Vegetal Intelligence.\n \n \n \n \n\n\n \n Ryan, J., C.; Gagliano, M.; and Vieira, P.,\n editors.\n \n\n\n \n\n\n\n Synergetic Press, 2021.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Mind of Plants: Narratives of Vegetal Intelligence},\n type = {book},\n year = {2021},\n websites = {https://synergeticpress.com/catalog/the-mind-of-plants/},\n publisher = {Synergetic Press},\n city = {Santa Fe/London},\n id = {8ebc4f9f-adb9-3933-8110-349fcb542dbb},\n created = {2022-01-27T14:08:16.617Z},\n accessed = {2022-01-27},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:16.617Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Ryan, John Charles and Gagliano, Monica and Vieira, Patricia}\n}
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\n \n\n \n \n \n \n \n Vegetable Violence: The Agency, Personhood, and Rhetorical Role of Vegetables in Andy Griffiths and Terry Denton's The 52-Storey Treehouse.\n \n \n \n\n\n \n Guanio-Uluru, L.\n\n\n \n\n\n\n Plants in Children's and Young Adult Literature. Guanio-Uluru, L.; and Duckworth, M., editor(s). Routledge, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inbook{\n type = {inbook},\n year = {2021},\n publisher = {Routledge},\n city = {New York City},\n id = {82f570af-728b-32ae-8ca8-c6118139ee81},\n created = {2022-01-27T14:08:16.984Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:16.984Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {With their bestselling illustrated book series about a multi-storied treehouse, Australians Andy Griffiths (author) and Terry Denton (illustrator) have reached an international audience. The books have been criticized for “their use of subversive and scatological humour, irreverence for authority figures, and perceived encouragement of young readers toward bad behaviour” (Hately, 2016). This chapter focuses on the fourth book in the series of (currently) nine books, The 52-Storey Treehouse, which features multiple episodes of violence by and against vegetables. With reference to the field of critical plant studies and drawing on Kerry Mallan’s discussion of humour in children’s literature (1993) and on Kai Mikkonen’s discussions of the narratology of comic art (2017), this chapter analyses the personhood, agency and rhetorical role of vegetables in Griffith’s and Denton’s book, with an emphasis on acts of vegetable violence. The analysis shows that The 52-Storey Treehouse leads the reader through a multifaceted exploration of the moral standing of plants.},\n bibtype = {inbook},\n author = {Guanio-Uluru, Lykke},\n editor = {Guanio-Uluru, Lykke and Duckworth, Melanie},\n chapter = {Vegetable Violence: The Agency, Personhood, and Rhetorical Role of Vegetables in Andy Griffiths and Terry Denton's The 52-Storey Treehouse},\n title = {Plants in Children's and Young Adult Literature}\n}
\n
\n\n\n
\n With their bestselling illustrated book series about a multi-storied treehouse, Australians Andy Griffiths (author) and Terry Denton (illustrator) have reached an international audience. The books have been criticized for “their use of subversive and scatological humour, irreverence for authority figures, and perceived encouragement of young readers toward bad behaviour” (Hately, 2016). This chapter focuses on the fourth book in the series of (currently) nine books, The 52-Storey Treehouse, which features multiple episodes of violence by and against vegetables. With reference to the field of critical plant studies and drawing on Kerry Mallan’s discussion of humour in children’s literature (1993) and on Kai Mikkonen’s discussions of the narratology of comic art (2017), this chapter analyses the personhood, agency and rhetorical role of vegetables in Griffith’s and Denton’s book, with an emphasis on acts of vegetable violence. The analysis shows that The 52-Storey Treehouse leads the reader through a multifaceted exploration of the moral standing of plants.\n
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\n \n\n \n \n \n \n \n Plants and Politics in Padua During the Age of Revolution, 1820–1848.\n \n \n \n\n\n \n Dröscher, A.\n\n\n \n\n\n\n Palgrave Macmillan, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plants and Politics in Padua During the Age of Revolution, 1820–1848},\n type = {book},\n year = {2021},\n publisher = {Palgrave Macmillan},\n city = {Cham},\n id = {4df4554f-f90a-3431-b405-68995e3f7c7a},\n created = {2022-01-27T14:08:17.476Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:17.476Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Dröscher, Ariane},\n doi = {10.1007/978-3-030-85343-3}\n}
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\n \n\n \n \n \n \n \n Listening to Plants: Conversations Between Critical Plant Studies and Vegetal Geography.\n \n \n \n\n\n \n Lawrence, A., M.\n\n\n \n\n\n\n Progress in Human Geography. 12 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Listening to Plants: Conversations Between Critical Plant Studies and Vegetal Geography},\n type = {article},\n year = {2021},\n month = {12},\n day = {27},\n id = {4e9f1b0f-74dc-3529-8e99-bce29366f9e6},\n created = {2022-01-27T14:08:17.805Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:17.805Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Attention to plant life is currently flourishing across the social sciences and humanities. This paper introduces recent work in the informal sub-discipline of ‘vegetal geography’, placing it into conversation with the transdisciplinary field of ‘critical plant studies’ [CPS], a broad framework for re-evaluating plants and human-plant interactions informed by principles of agency, ethics, cognition and language. I explore three key themes of interest to multispecies scholars looking to attend more closely to vegetal life, namely: (1) plant otherness; (2) plant ethics; (3) plant-human attunements, in the hope of encouraging greater cross-pollination between more-than-human geography and critical plant studies.},\n bibtype = {article},\n author = {Lawrence, Anna M},\n doi = {10.1177/03091325211062167},\n journal = {Progress in Human Geography}\n}
\n
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\n Attention to plant life is currently flourishing across the social sciences and humanities. This paper introduces recent work in the informal sub-discipline of ‘vegetal geography’, placing it into conversation with the transdisciplinary field of ‘critical plant studies’ [CPS], a broad framework for re-evaluating plants and human-plant interactions informed by principles of agency, ethics, cognition and language. I explore three key themes of interest to multispecies scholars looking to attend more closely to vegetal life, namely: (1) plant otherness; (2) plant ethics; (3) plant-human attunements, in the hope of encouraging greater cross-pollination between more-than-human geography and critical plant studies.\n
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\n \n\n \n \n \n \n \n Arborealism, or Do Novels Do Trees?.\n \n \n \n\n\n \n Schoene, B.\n\n\n \n\n\n\n Textual Practice,1-24. 3 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Arborealism, or Do Novels Do Trees?},\n type = {article},\n year = {2021},\n pages = {1-24},\n month = {3},\n day = {11},\n id = {fecef0c3-6758-3911-b665-2de18952faf1},\n created = {2022-01-27T14:08:18.121Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:18.121Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Schoene, Berthold},\n doi = {10.1080/0950236X.2021.1900379},\n journal = {Textual Practice}\n}
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\n \n\n \n \n \n \n \n Reisende Minerale und Pflanzensporen: Kurd Laßwitz' 'Weltwanderer'.\n \n \n \n\n\n \n Becher, C.\n\n\n \n\n\n\n Berliner Debatte Initial, 32(4): 76-87. 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Reisende Minerale und Pflanzensporen: Kurd Laßwitz' 'Weltwanderer'},\n type = {article},\n year = {2021},\n pages = {76-87},\n volume = {32},\n id = {d8d10223-f334-3ce3-a82c-3b9462fd80eb},\n created = {2022-01-27T14:08:18.856Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:18.856Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Der Aufsatz widmete sich nicht-menschlichen Kleinstpartikeln in der Prosa von Kurd Laßwitz. Ihre chronotopische Potenz und die Verschränkung verschiedener Skalierungen zwischen Mikro- und Makroperspektive machen Vorstellungen von Zeitspannen und Raumdimensionen, die menschliche Maßstäbe weit übersteigen, im Medium der Literatur erfahrbar. Zunächst widmet sich der Aufsatz der Kurzgeschichte "Stäubchen", in der es zwei Mineralpartikel sind, anhand derer Kulturgeschichte erzählbar wird. Anschließend wird gezeigt, wie im Roman "Sternentau" pflanzliche Sporen die potentielle Unendlichkeit des Weltraums vermitteln und wie die Theorie der Panspermie und die botanischen Besonderheiten dieser pflanzlichen Kleinstelemente funktionalisiert werden. In einem letzten Schritt wird eine durch das Paradigma des Material Ecocriticism informierte Lektüre der beiden Texte vorgeschlagen, die sowohl Materialität als auch Mobilität der Kleinstelemente berücksichtigt und dadurch den Blick schärft für die Beziehung zwischen Mensch und nicht-menschlicher Umwelt.},\n bibtype = {article},\n author = {Becher, Christina},\n journal = {Berliner Debatte Initial},\n number = {4}\n}
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\n Der Aufsatz widmete sich nicht-menschlichen Kleinstpartikeln in der Prosa von Kurd Laßwitz. Ihre chronotopische Potenz und die Verschränkung verschiedener Skalierungen zwischen Mikro- und Makroperspektive machen Vorstellungen von Zeitspannen und Raumdimensionen, die menschliche Maßstäbe weit übersteigen, im Medium der Literatur erfahrbar. Zunächst widmet sich der Aufsatz der Kurzgeschichte \"Stäubchen\", in der es zwei Mineralpartikel sind, anhand derer Kulturgeschichte erzählbar wird. Anschließend wird gezeigt, wie im Roman \"Sternentau\" pflanzliche Sporen die potentielle Unendlichkeit des Weltraums vermitteln und wie die Theorie der Panspermie und die botanischen Besonderheiten dieser pflanzlichen Kleinstelemente funktionalisiert werden. In einem letzten Schritt wird eine durch das Paradigma des Material Ecocriticism informierte Lektüre der beiden Texte vorgeschlagen, die sowohl Materialität als auch Mobilität der Kleinstelemente berücksichtigt und dadurch den Blick schärft für die Beziehung zwischen Mensch und nicht-menschlicher Umwelt.\n
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\n \n\n \n \n \n \n \n \n Rethinking the Human in a Multispecies World.\n \n \n \n \n\n\n \n Ducros, H., B.\n\n\n \n\n\n\n Council for European Studies, EuropeNow Journal edition, 11 2021.\n \n\n\n\n
\n\n\n\n \n \n \"RethinkingWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Rethinking the Human in a Multispecies World},\n type = {book},\n year = {2021},\n websites = {https://www.europenowjournal.org/2021/11/07/rethinking-the-human-in-a-multispecies-world/},\n month = {11},\n publisher = {Council for European Studies},\n day = {9},\n edition = {EuropeNow Journal},\n id = {b0a065a7-ceb3-3ff8-a998-1b56fc4d73c2},\n created = {2022-02-14T23:07:58.699Z},\n accessed = {2022-02-14},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:07:58.699Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ducros, Héléne B.}\n}
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\n \n\n \n \n \n \n \n Ayahuasca and Arabidopsis: The Philosopher Plant and the Scientist’s Specimen.\n \n \n \n\n\n \n Goldstein, R.\n\n\n \n\n\n\n Ethnos, 86(2): 245-272. 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Ayahuasca and Arabidopsis: The Philosopher Plant and the Scientist’s Specimen},\n type = {article},\n year = {2021},\n keywords = {Ayahuasca,Brazilian Amazon,ethnobotany,indigenous intellectual property rights,phytocommunicability},\n pages = {245-272},\n volume = {86},\n publisher = {Routledge},\n id = {07e68585-1577-3940-84e0-60f102b3b2fe},\n created = {2022-02-14T23:08:00.772Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:08:00.772Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Moving among the laboratory, the Brazilian Amazon, and herbaria, this article cultivates a theoretical grafting of phytocommunicable strategies that stem from human interactions with ayahuasca and Arabidopsis, two plants that appear–at least geographically–worlds apart. Ayahuasca, a psychedelic Amazonian vine, represents the ‘Philosopher Plant’, guiding imbibers to greater self-knowledge and facilitating embodiment across species divides. It also links Amazonian indigenous claims to land and political sovereignty through cultural patrimony. Arabidopsis, also known as the ‘Botanical Drosophila’ and ‘rat-plant’ for its role as an experimental organism, is a ‘scientist’s specimen’ in laboratory research. These two plants demonstrate different ways that humans think, interact and communicate with or about plants, shaping and shaped by different conceptions of ‘the human’ in relation to other organisms. I take a ‘rhizomatic’ approach to provide multiple modes of analytical entry to phytocommunicable models, arguing for a cross-pollination of ideas in fertilising futures of human-plant collaborative survival.},\n bibtype = {article},\n author = {Goldstein, Ruth},\n doi = {10.1080/00141844.2019.1631872},\n journal = {Ethnos},\n number = {2}\n}
\n
\n\n\n
\n Moving among the laboratory, the Brazilian Amazon, and herbaria, this article cultivates a theoretical grafting of phytocommunicable strategies that stem from human interactions with ayahuasca and Arabidopsis, two plants that appear–at least geographically–worlds apart. Ayahuasca, a psychedelic Amazonian vine, represents the ‘Philosopher Plant’, guiding imbibers to greater self-knowledge and facilitating embodiment across species divides. It also links Amazonian indigenous claims to land and political sovereignty through cultural patrimony. Arabidopsis, also known as the ‘Botanical Drosophila’ and ‘rat-plant’ for its role as an experimental organism, is a ‘scientist’s specimen’ in laboratory research. These two plants demonstrate different ways that humans think, interact and communicate with or about plants, shaping and shaped by different conceptions of ‘the human’ in relation to other organisms. I take a ‘rhizomatic’ approach to provide multiple modes of analytical entry to phytocommunicable models, arguing for a cross-pollination of ideas in fertilising futures of human-plant collaborative survival.\n
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\n \n\n \n \n \n \n \n From Progressive Extractivism to Phyto-Socialism: Trees, Bodies, and Discrepant Phytocommunicabilities in a Mysterious Epidemic.\n \n \n \n\n\n \n Briggs, C., L.\n\n\n \n\n\n\n Ethnos, 86(2): 207-227. 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {From Progressive Extractivism to Phyto-Socialism: Trees, Bodies, and Discrepant Phytocommunicabilities in a Mysterious Epidemic},\n type = {article},\n year = {2021},\n keywords = {Phytotherapy,communicability,indigeneity,multispecies ethnography,rabies},\n pages = {207-227},\n volume = {86},\n publisher = {Routledge},\n id = {d732c1c7-def4-33f0-8e30-8a0c73fdb8cb},\n created = {2022-02-14T23:08:01.497Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:08:01.497Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This essay engages Michael Marder’s Plant-Thinking ethnographically and philosophically. As a bat-transmitted rabies epidemic in 2007–2008 claimed 38 children and young adults in the Delta Amacuro rainforest of Venezuela, residents confronted contractors who were cutting trees to build ecologically inappropriate dwellings. Rejecting progressive extractivism, residents demanded that trees be consulted as to how they would be harvested and transformed into houses. Women drew on their knowledge of plants and diseased bodies in explaining the deaths and seeking effective treatments. The analysis details how discrepant phytocommunicabilities–ways that plants, humans, and other species produce and exchange knowledge–informed human-nonhuman relations and fostered a proposal for phyto-socialism that would counter environmental destruction and long-standing racialized inequalities. The result is a phyto-ontology that replaces projections of the muteness and silence of plants in favour of an exploration of possibilities for intimacy and conviviality with plants springing from a multiplicity of creative phytocommunicabilities.},\n bibtype = {article},\n author = {Briggs, Charles L.},\n doi = {10.1080/00141844.2019.1627478},\n journal = {Ethnos},\n number = {2}\n}
\n
\n\n\n
\n This essay engages Michael Marder’s Plant-Thinking ethnographically and philosophically. As a bat-transmitted rabies epidemic in 2007–2008 claimed 38 children and young adults in the Delta Amacuro rainforest of Venezuela, residents confronted contractors who were cutting trees to build ecologically inappropriate dwellings. Rejecting progressive extractivism, residents demanded that trees be consulted as to how they would be harvested and transformed into houses. Women drew on their knowledge of plants and diseased bodies in explaining the deaths and seeking effective treatments. The analysis details how discrepant phytocommunicabilities–ways that plants, humans, and other species produce and exchange knowledge–informed human-nonhuman relations and fostered a proposal for phyto-socialism that would counter environmental destruction and long-standing racialized inequalities. The result is a phyto-ontology that replaces projections of the muteness and silence of plants in favour of an exploration of possibilities for intimacy and conviviality with plants springing from a multiplicity of creative phytocommunicabilities.\n
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\n \n\n \n \n \n \n \n Phytocommunicability and Cross-Species Sociality.\n \n \n \n\n\n \n Schulthies, B.\n\n\n \n\n\n\n Ethnos, 86(2): 199-206. 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Phytocommunicability and Cross-Species Sociality},\n type = {article},\n year = {2021},\n pages = {199-206},\n volume = {86},\n publisher = {Routledge},\n id = {f049bfc5-3d62-33dc-894e-4e88f7240649},\n created = {2022-02-14T23:08:02.208Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:08:02.208Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {What vegetal modalities and botanic intertwinings situate cross-species communications and collectivities, and for whom? In much anthropological writing of previous eras, plants have served as a medium for analysing human sociality. Their ubiquitous presence and seemingly sessile silence, invisibility, anosmia and backgrounding have been one of the key posts of twentieth-century social and economic theory, despite the voices arguing for otherwise socialities. Recent work has moved plants to the fore to rethink our understandings of many core anthropological themes. This special issue adds to that work by foregrounding phytocommunicability, the ideologies about cross-species interaction shaping the kinds of work we do, observe, and make visible ethnographically.},\n bibtype = {article},\n author = {Schulthies, Becky},\n doi = {10.1080/00141844.2020.1765834},\n journal = {Ethnos},\n number = {2}\n}
\n
\n\n\n
\n What vegetal modalities and botanic intertwinings situate cross-species communications and collectivities, and for whom? In much anthropological writing of previous eras, plants have served as a medium for analysing human sociality. Their ubiquitous presence and seemingly sessile silence, invisibility, anosmia and backgrounding have been one of the key posts of twentieth-century social and economic theory, despite the voices arguing for otherwise socialities. Recent work has moved plants to the fore to rethink our understandings of many core anthropological themes. This special issue adds to that work by foregrounding phytocommunicability, the ideologies about cross-species interaction shaping the kinds of work we do, observe, and make visible ethnographically.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Plants in Children's and Young Adult Literature.\n \n \n \n\n\n \n Duckworth, M.; and Guanio-Uluru, L.,\n editors.\n \n\n\n \n\n\n\n Routledge, 10 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n People, Flowers and the Conceptualization of Beauty.\n \n \n \n\n\n \n Cavalcanti, F.\n\n\n \n\n\n\n Academia Letters,1-4. 6 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {People, Flowers and the Conceptualization of Beauty},\n type = {article},\n year = {2021},\n pages = {1-4},\n month = {6},\n day = {18},\n id = {a054b009-2467-3fd9-8f64-362da6c6d774},\n created = {2022-02-15T19:07:28.998Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-15T19:07:28.998Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Cavalcanti, Fernanda},\n doi = {10.20935/AL1210},\n journal = {Academia Letters}\n}
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\n \n\n \n \n \n \n \n \n Arboreal Imaginaries.\n \n \n \n \n\n\n \n Nitzke, S.; and Braunbeck, H., G.\n\n\n \n\n\n\n Green Letters, Special Issue: Arboreal Imaginaries, 25(4). 2021.\n \n\n\n\n
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\n 
@article{\n title = {Arboreal Imaginaries},\n type = {article},\n year = {2021},\n volume = {25},\n websites = {https://www.tandfonline.com/toc/rgrl20/25/4},\n id = {21355641-e55d-37df-86b8-cf2a3738f0af},\n created = {2022-06-09T21:47:36.765Z},\n accessed = {2022-06-09},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-06-09T21:48:12.685Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Nitzke, Solvejg and Braunbeck, Helga G.},\n doi = {10.1080/14688417.2021.2072633},\n journal = {Green Letters, Special Issue: Arboreal Imaginaries},\n number = {4}\n}
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\n \n\n \n \n \n \n \n Fear and Nature: Ecohorror Studies in the Anthropocene.\n \n \n \n\n\n \n Tidwell, C.; and Soles, C.\n\n\n \n\n\n\n Penn State University Press, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n Plant Performance.\n \n \n \n \n\n\n \n Gibson, P.; and Sandilands, C.\n\n\n \n\n\n\n Performance Philosophy, special issue: Plant Performance, 6(2). 2021.\n \n\n\n\n
\n\n\n\n \n \n \"PlantWebsite\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Plant Performance},\n type = {article},\n year = {2021},\n volume = {6},\n websites = {https://www.performancephilosophy.org/journal/article/view/372},\n id = {09812719-d9c2-32d8-b030-f7a2ab916df5},\n created = {2022-06-10T14:11:19.165Z},\n accessed = {2022-06-10},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-06-10T14:56:06.712Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gibson, Prudence and Sandilands, Catriona},\n doi = {10.21476/PP.2021.62372},\n journal = {Performance Philosophy, special issue: Plant Performance},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Trees in Nineteenth-Century English Fiction: The Silvicultural Novel.\n \n \n \n\n\n \n Burton, A.\n\n\n \n\n\n\n Routledge, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Lessons from Plants.\n \n \n \n\n\n \n Montgomery, B., L.\n\n\n \n\n\n\n Harvard University Press, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Oil Palm: A Global History.\n \n \n \n\n\n \n Robins, J.\n\n\n \n\n\n\n University of North Carolina Press, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Die Pflanzenwelt im Fokus der Environmental Humanities: Deutsch-französische Perspektiven / Le végétal au défi des Humanités environnementales: Perspectives franco-allemandes.\n \n \n \n\n\n \n Choné, A.; and Hamman, P.,\n editors.\n \n\n\n \n\n\n\n Peter Lang, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Die Pflanzenwelt im Fokus der Environmental Humanities: Deutsch-französische Perspektiven / Le végétal au défi des Humanités environnementales: Perspectives franco-allemandes},\n type = {book},\n year = {2021},\n publisher = {Peter Lang},\n city = {Berlin},\n id = {e7322cde-f17d-3094-8daf-d0c4aabfe7ac},\n created = {2024-08-05T01:48:05.724Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:48:05.724Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Choné, Aurélie and Hamman, Philippe},\n doi = {10.3726/b18753}\n}
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\n \n\n \n \n \n \n \n Textes-clés de philosophie du végétal: Botanique, épistémologie, ontologie.\n \n \n \n\n\n \n Hiernaux, Q.\n\n\n \n\n\n\n Vrin, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Textes-clés de philosophie du végétal: Botanique, épistémologie, ontologie},\n type = {book},\n year = {2021},\n publisher = {Vrin},\n city = {Paris},\n id = {9a0c32d0-96a9-3590-bb9b-fa79ec258c8a},\n created = {2024-08-05T02:05:55.165Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:05:55.165Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Hiernaux, Quentin}\n}
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\n \n\n \n \n \n \n \n The Work That Plants Do: Life, Labour and the Future of Vegetal Economies.\n \n \n \n\n\n \n Ernwein, M.; Ginn, F.; and Palmer, J.,\n editors.\n \n\n\n \n\n\n\n transcript, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {The Work That Plants Do: Life, Labour and the Future of Vegetal Economies},\n type = {book},\n year = {2021},\n publisher = {transcript},\n city = {Bielefeld},\n id = {bb47871a-f3f3-3871-a80f-9f8d29dbc498},\n created = {2024-08-05T02:33:28.675Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:33:28.675Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Ernwein, Marion and Ginn, Franklin and Palmer, James}\n}
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\n \n\n \n \n \n \n \n On Thoreau’s Ecoerotics.\n \n \n \n\n\n \n Ellis, C.\n\n\n \n\n\n\n Dispersion. Bloomsbury Academic, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@inbook{\n type = {inbook},\n year = {2021},\n publisher = {Bloomsbury Academic},\n id = {83092c19-73fa-3902-8e97-92e4ae2244db},\n created = {2024-08-05T02:58:12.743Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:58:12.743Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inbook},\n author = {Ellis, Cristin},\n doi = {10.5040/9781501370618.ch-9},\n chapter = {On Thoreau’s Ecoerotics},\n title = {Dispersion}\n}
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\n  \n 2020\n \n \n (54)\n \n \n
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\n \n\n \n \n \n \n \n Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures.\n \n \n \n\n\n \n Sheldrake, M.\n\n\n \n\n\n\n Bodley Head, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures},\n type = {book},\n year = {2020},\n publisher = {Bodley Head},\n city = {London},\n id = {507fed3b-271f-333f-b14e-582fa4dd61fd},\n created = {2021-04-02T00:00:14.103Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:14.103Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Sheldrake, Merlin}\n}
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\n \n\n \n \n \n \n \n The Wardian Case: How a Simple Box Moved Plants and Changed the World.\n \n \n \n\n\n \n Keogh, L.\n\n\n \n\n\n\n University of Chicago Press, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Wardian Case: How a Simple Box Moved Plants and Changed the World},\n type = {book},\n year = {2020},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {2af22924-41cd-3514-9528-890778aad7b3},\n created = {2021-04-02T00:00:25.151Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:25.151Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Keogh, Luke}\n}
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\n \n\n \n \n \n \n \n Flower: Exploring the World in Bloom.\n \n \n \n\n\n \n Aloi, G.\n\n\n \n\n\n\n Phaidon, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Flower: Exploring the World in Bloom},\n type = {book},\n year = {2020},\n publisher = {Phaidon},\n city = {New York City / London},\n id = {6e51a20e-ec2a-3c3a-b893-a85d5adf50a0},\n created = {2021-04-02T00:00:26.898Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:26.898Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {A comprehensive and sumptuous survey that celebrates the beauty and appeal of flowers throughout art, history, and culture The latest installment in the bestselling Explorer Series takes readers on a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. Showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media ― from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles ― and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them.},\n bibtype = {book},\n author = {Aloi, Giovanni}\n}
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\n A comprehensive and sumptuous survey that celebrates the beauty and appeal of flowers throughout art, history, and culture The latest installment in the bestselling Explorer Series takes readers on a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. Showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media ― from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles ― and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them.\n
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\n \n\n \n \n \n \n \n Suburban Herbarium.\n \n \n \n\n\n \n Arnold, W.\n\n\n \n\n\n\n Uniformbooks, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Suburban Herbarium},\n type = {book},\n year = {2020},\n publisher = {Uniformbooks},\n city = {Devon},\n id = {bf2086e2-98ce-3fd1-a0ae-8fe0583fa84b},\n created = {2021-04-02T00:00:29.721Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:29.721Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This collection of plant portraits is not bounded by an ecologist’s quadrat, but by what has been gathered during the length of a regular lunchtime walk. The one hundred photographic specimens form a homage to Victorian botany from “the rear-garden cut-through, waste-ground, marshes and still rural in character back-lanes of the City of Truro’s rural-urban fringe”.\nWith a foreword by nature writer Mark Cocker, and an essay by Val Williams placing the work within the historical context of botanical photography.},\n bibtype = {book},\n author = {Arnold, William}\n}
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\n This collection of plant portraits is not bounded by an ecologist’s quadrat, but by what has been gathered during the length of a regular lunchtime walk. The one hundred photographic specimens form a homage to Victorian botany from “the rear-garden cut-through, waste-ground, marshes and still rural in character back-lanes of the City of Truro’s rural-urban fringe”.\nWith a foreword by nature writer Mark Cocker, and an essay by Val Williams placing the work within the historical context of botanical photography.\n
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\n \n\n \n \n \n \n \n The Language of Flowers and the (Re)productive Female Body in Hedwig Dohm's \"Werde, die Du bist!\".\n \n \n \n\n\n \n Nossett, L.; and Pixner, L.\n\n\n \n\n\n\n Feminist German Studies, 36(1): 144-165. 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Language of Flowers and the (Re)productive Female Body in Hedwig Dohm's "Werde, die Du bist!"},\n type = {article},\n year = {2020},\n pages = {144-165},\n volume = {36},\n id = {ac14db11-205b-3145-95d8-07fa6f674897},\n created = {2021-04-02T00:00:33.405Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:33.405Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {In this article, we examine the popularity of nineteenth-century language-of-flower books and floral symbols alongside contemporary discourses that align women with flowers and ascribe significance to a woman's reproductive years while devaluing the life and contributions of the old woman. Through an examination of the natural world in Hedwig Dohm's Werde, die Du bist! (1894), we argue that Dohm repurposes the female sexual metaphor of the flower to emphasize the elements needed for a mature woman to continue her development after her reproductive years.},\n bibtype = {article},\n author = {Nossett, Lauren and Pixner, Luca},\n doi = {10.5250/femigermstud.36.1.0144},\n journal = {Feminist German Studies},\n number = {1}\n}
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\n In this article, we examine the popularity of nineteenth-century language-of-flower books and floral symbols alongside contemporary discourses that align women with flowers and ascribe significance to a woman's reproductive years while devaluing the life and contributions of the old woman. Through an examination of the natural world in Hedwig Dohm's Werde, die Du bist! (1894), we argue that Dohm repurposes the female sexual metaphor of the flower to emphasize the elements needed for a mature woman to continue her development after her reproductive years.\n
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\n \n\n \n \n \n \n \n Nach dem Kollaps: Pflanzliches Aufbegehren in Frauke Bergers ‘Grün’.\n \n \n \n\n\n \n Becher, C.\n\n\n \n\n\n\n Closure: Kieler e-Journal für Comicforschung, 7: 66-89. 11 2020.\n \n\n\n\n
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\n 
@article{\n title = {Nach dem Kollaps: Pflanzliches Aufbegehren in Frauke Bergers ‘Grün’},\n type = {article},\n year = {2020},\n pages = {66-89},\n volume = {7},\n month = {11},\n id = {282f79a9-d42b-3f84-bcde-11c6338d54f1},\n created = {2021-04-02T00:00:36.914Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:42:42.993Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Open Access Publication: https://www.closure.uni-kiel.de/data/pdf/closure7/closure7_becher.pdf},\n bibtype = {article},\n author = {Becher, Christina},\n journal = {Closure: Kieler e-Journal für Comicforschung}\n}
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\n Open Access Publication: https://www.closure.uni-kiel.de/data/pdf/closure7/closure7_becher.pdf\n
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\n \n\n \n \n \n \n \n Ein blumiger Tod: Alfred Doeblins vegetative Poetik des Todes in \"Die Ermordung einer Butterblume\".\n \n \n \n\n\n \n Bartelmus, M.\n\n\n \n\n\n\n Expressionismus, 12(Fall): 79-90. 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Ein blumiger Tod: Alfred Doeblins vegetative Poetik des Todes in "Die Ermordung einer Butterblume"},\n type = {article},\n year = {2020},\n pages = {79-90},\n volume = {12},\n id = {dc742bc3-40ec-322e-81a7-c3ea1545ed7e},\n created = {2021-04-02T00:00:37.876Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:37.876Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Issue titled: Tod\nEdited by Kristin Eichhorn / Johannes S. Lorenzen\nURL: https://neofelis-verlag.de/verlagsprogramm/wissenschaft/kunst-fotografie/1017/tod?c=340},\n bibtype = {article},\n author = {Bartelmus, Martin},\n journal = {Expressionismus},\n number = {Fall}\n}
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\n Issue titled: Tod\nEdited by Kristin Eichhorn / Johannes S. Lorenzen\nURL: https://neofelis-verlag.de/verlagsprogramm/wissenschaft/kunst-fotografie/1017/tod?c=340\n
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\n \n\n \n \n \n \n \n Disziplinierung der Pflanzen: Bildvorlagen zwischen Ästhetik und Zweck.\n \n \n \n\n\n \n Weiss, J., E.\n\n\n \n\n\n\n Deutscher Kunstverlag, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Disziplinierung der Pflanzen: Bildvorlagen zwischen Ästhetik und Zweck},\n type = {book},\n year = {2020},\n publisher = {Deutscher Kunstverlag},\n city = {Berlin},\n id = {d2938779-333e-3cc1-ac75-bc44baa317bb},\n created = {2021-04-02T00:00:38.767Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:38.767Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {ISBN: 978-3-422-98293-2\nContent: https://www.zfl-berlin.org/files/zfl/downloads/publikationen/buecher/Disziplinierung%20der%20Pflanzen/Inhaltsverzeichnis.pdf},\n bibtype = {book},\n author = {Weiss, Judith Elisabeth}\n}
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\n ISBN: 978-3-422-98293-2\nContent: https://www.zfl-berlin.org/files/zfl/downloads/publikationen/buecher/Disziplinierung%20der%20Pflanzen/Inhaltsverzeichnis.pdf\n
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\n \n\n \n \n \n \n \n Should (Bleeding) Trees have Standing?.\n \n \n \n\n\n \n Campana, J.\n\n\n \n\n\n\n In Curran, K., editor(s), Renaissance Personhood: Materiality, Taxonomy, Process, pages 87-116, 2020. Edinburgh University Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@inproceedings{\n title = {Should (Bleeding) Trees have Standing?},\n type = {inproceedings},\n year = {2020},\n pages = {87-116},\n publisher = {Edinburgh University Press},\n city = {Edinburgh},\n id = {76e32619-e9ea-3c93-91b7-0c1458f9f4e7},\n created = {2021-04-02T00:00:44.820Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:44.820Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Campana, Joseph},\n editor = {Curran, Kevin},\n booktitle = {Renaissance Personhood: Materiality, Taxonomy, Process}\n}
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\n \n\n \n \n \n \n \n Berries.\n \n \n \n\n\n \n Dickenson, V.\n\n\n \n\n\n\n Reaktion Books, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Berries},\n type = {book},\n year = {2020},\n publisher = {Reaktion Books},\n city = {London},\n id = {9e702c66-ca5b-396d-a915-5936ef4fc39e},\n created = {2021-04-02T00:00:49.403Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:49.403Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Forthcoming.\r\nWhat is it about the small fruits of field and wood that encourages rapture? These gifts of the earth – flagrant in hedgerows, carpeting the forest floor or colouring the uplands – are so ubiquitous as to be commonplace and so extraordinary that we have woven them into our folklore, fables and art. Strawberries, brambles, blueberries and raspberries were painted in the frescoes of Pompeii, twined into the borders of medieval miniatures and embroidered on silks and linens. Today the huge demand for these nutrient-rich fruits is pushing berry cultivation into new territories, from South America to Scandinavia, and changing the nature of our relationship with these much-loved fruits. In this delightful, surprising and occasionally juicy exploration, Victoria Dickenson traces the humble berry’s journey across cultures and through centuries with humour and passion.},\n bibtype = {book},\n author = {Dickenson, Victoria}\n}
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\n Forthcoming.\r\nWhat is it about the small fruits of field and wood that encourages rapture? These gifts of the earth – flagrant in hedgerows, carpeting the forest floor or colouring the uplands – are so ubiquitous as to be commonplace and so extraordinary that we have woven them into our folklore, fables and art. Strawberries, brambles, blueberries and raspberries were painted in the frescoes of Pompeii, twined into the borders of medieval miniatures and embroidered on silks and linens. Today the huge demand for these nutrient-rich fruits is pushing berry cultivation into new territories, from South America to Scandinavia, and changing the nature of our relationship with these much-loved fruits. In this delightful, surprising and occasionally juicy exploration, Victoria Dickenson traces the humble berry’s journey across cultures and through centuries with humour and passion.\n
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\n \n\n \n \n \n \n \n Chrysanthemum.\n \n \n \n\n\n \n Way, T.\n\n\n \n\n\n\n Reaktion Books, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Chrysanthemum},\n type = {book},\n year = {2020},\n publisher = {Reaktion Books},\n city = {London},\n id = {2475cdf6-f698-3325-873b-27543d5fda31},\n created = {2021-04-02T00:00:54.788Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:54.788Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Forthcoming. \r\nDrawing its allure from the gold of the sun and the rule of emperors, the chrysanthemum winds its way through ancient Chinese culture into the gardens of French Impressionist painters and onto the pages of American novels. The flower signifies both life and death, as parts of Europe associate it with mourning while others celebrate it for its golden rays that light the autumnal gloom. In this fascinating book, Twigs Way follows the fortunes of the flower through philosophy, art, literature and death, recounting the stories of the men and women who became captivated by it. With a range of vibrant illustrations, including works by Hiroshige, Monet and Mondrian, it will appeal to lovers of art, flowers, history and culture.},\n bibtype = {book},\n author = {Way, Twigs}\n}
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\n Forthcoming. \r\nDrawing its allure from the gold of the sun and the rule of emperors, the chrysanthemum winds its way through ancient Chinese culture into the gardens of French Impressionist painters and onto the pages of American novels. The flower signifies both life and death, as parts of Europe associate it with mourning while others celebrate it for its golden rays that light the autumnal gloom. In this fascinating book, Twigs Way follows the fortunes of the flower through philosophy, art, literature and death, recounting the stories of the men and women who became captivated by it. With a range of vibrant illustrations, including works by Hiroshige, Monet and Mondrian, it will appeal to lovers of art, flowers, history and culture.\n
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\n \n\n \n \n \n \n \n \n Trees (VR Magazine).\n \n \n \n \n\n\n \n Vaughan-Lee, E.; Quinn, S., Q.; and Ritz, B.\n\n\n \n\n\n\n 2020.\n \n\n\n\n
\n\n\n\n \n \n \"TreesWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {Trees (VR Magazine)},\n type = {misc},\n year = {2020},\n websites = {https://emergencemagazine.org/issue/trees/},\n publisher = {Emergence Magazine},\n city = {Inverness, CA},\n id = {cb43f98a-4efd-3c6a-9431-3928ff22d766},\n created = {2021-04-02T00:01:21.425Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:21.425Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Emergence Magazine: Issue 7–Trees: Contents:\r\n"The Atomic Tree" by Adam Loften & Emmanuel Vaughan-Lee is a virtual reality journey into the memories of a 400-year-old Japanese white pine bonsai that survived the atomic blast in Hiroshima.\r\nEssay: "One Hundred and Eleven Trees" by Chelsea Steinauer-Scudder\r\nEssay: "Dead Wood" by Nick Hunt\r\nEssay: "Woods Work "by William Bryant Logan\r\nPodcast: "Kinship, Community, and Consciousness: An Interview with Richard Powers"\r\n"The Church Forests of Ethiopia" A Mystical Geography Film by Jeremy Seifert, Essay by Fred Bahnson\r\nEssay: "On Survival: the Dead, the Sapling, and the Ancients" by Lauren E. Oakes\r\nEssay: "Eleven Ways of Smelling a Tree" by David G. Haskell\r\nPoem: "The Mostly Everything That Everyone Is" by Brenda Hillmann\r\nEssay: "Among the Trees" by Carl Phillips\r\nEssay: "Felling Light" by Amaud Jamaul Johnson\r\n"Forest" by Forrest Gander & Katie Holten\r\n"meristem" by Alisha Anderson\r\nEssay: "East to Eden" by Roger Deakin, with Robert Macfarlane\r\nEssay: "The Poet and the Palm Tree" by Chelsea Steinauer-Scudder\r\nPractice No.7 by David G. Haskell: "The Aromas of Trees: Five Practices"},\n bibtype = {misc},\n author = {Vaughan-Lee, Emmanuel and Quinn, Seana Quinn and Ritz, Bethany}\n}
\n
\n\n\n
\n Emergence Magazine: Issue 7–Trees: Contents:\r\n\"The Atomic Tree\" by Adam Loften & Emmanuel Vaughan-Lee is a virtual reality journey into the memories of a 400-year-old Japanese white pine bonsai that survived the atomic blast in Hiroshima.\r\nEssay: \"One Hundred and Eleven Trees\" by Chelsea Steinauer-Scudder\r\nEssay: \"Dead Wood\" by Nick Hunt\r\nEssay: \"Woods Work \"by William Bryant Logan\r\nPodcast: \"Kinship, Community, and Consciousness: An Interview with Richard Powers\"\r\n\"The Church Forests of Ethiopia\" A Mystical Geography Film by Jeremy Seifert, Essay by Fred Bahnson\r\nEssay: \"On Survival: the Dead, the Sapling, and the Ancients\" by Lauren E. Oakes\r\nEssay: \"Eleven Ways of Smelling a Tree\" by David G. Haskell\r\nPoem: \"The Mostly Everything That Everyone Is\" by Brenda Hillmann\r\nEssay: \"Among the Trees\" by Carl Phillips\r\nEssay: \"Felling Light\" by Amaud Jamaul Johnson\r\n\"Forest\" by Forrest Gander & Katie Holten\r\n\"meristem\" by Alisha Anderson\r\nEssay: \"East to Eden\" by Roger Deakin, with Robert Macfarlane\r\nEssay: \"The Poet and the Palm Tree\" by Chelsea Steinauer-Scudder\r\nPractice No.7 by David G. Haskell: \"The Aromas of Trees: Five Practices\"\n
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\n \n\n \n \n \n \n \n \n Plants.\n \n \n \n \n\n\n \n Babin, S.\n\n\n \n\n\n\n esse arts + opinions, 2020.\n \n\n\n\n
\n\n\n\n \n \n \"PlantsWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plants},\n type = {book},\n year = {2020},\n websites = {https://esse.ca/en/plants},\n publisher = {esse arts + opinions},\n city = {Montréal},\n id = {c5030e52-fb60-34b0-955d-8015baf9ace8},\n created = {2021-04-02T00:01:22.332Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:22.332Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {As science demystifies the complex universe of plants, we become more open to their sensitivity, intelligence, and agency. This issue appeals to interdisciplinarity more than ever before, taking its references from the fields of science, anthropology, and botany. Inevitably, environmental concerns and the impact of human intervention on plant biodiversity have a significant presence in the topics covered. As for the artworks, by closely observing the non-individualistic behaviour of plants, they propose, without moralizing, various ways of communicating with nature. Generally solicited for what they are, but also for their metaphorical meanings, the flowers, stalks, roots, fruit, and leaves that appear in these pages sometimes evoke human exploitation, domination, and the collapse of ecosystems, but also, more optimistically, resistance, solidarity, collaboration, and hope for renewal.},\n bibtype = {book},\n author = {Babin, Sylvette},\n editor = {Babin, Sylvette}\n}
\n
\n\n\n
\n As science demystifies the complex universe of plants, we become more open to their sensitivity, intelligence, and agency. This issue appeals to interdisciplinarity more than ever before, taking its references from the fields of science, anthropology, and botany. Inevitably, environmental concerns and the impact of human intervention on plant biodiversity have a significant presence in the topics covered. As for the artworks, by closely observing the non-individualistic behaviour of plants, they propose, without moralizing, various ways of communicating with nature. Generally solicited for what they are, but also for their metaphorical meanings, the flowers, stalks, roots, fruit, and leaves that appear in these pages sometimes evoke human exploitation, domination, and the collapse of ecosystems, but also, more optimistically, resistance, solidarity, collaboration, and hope for renewal.\n
\n\n\n
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\n \n\n \n \n \n \n \n Baum und Text: Neue Perspektiven auf verzweigte Beziehungen.\n \n \n \n\n\n \n Heimgartner, S.; Nitzke, S.; and Sauer-Kretschmer, S.\n\n\n \n\n\n\n Ch. A. Bachmann Verlag, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Baum und Text: Neue Perspektiven auf verzweigte Beziehungen},\n type = {book},\n year = {2020},\n publisher = {Ch. A. Bachmann Verlag},\n city = {Berlin},\n id = {464db852-1b05-3082-a0c0-54d9bde39842},\n created = {2021-04-02T00:01:35.703Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:35.703Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {forthcoming.\r\nBäume und Texte sind so eng miteinander verwandt, dass sie manchmal kaum zu unterscheiden sind. Nicht nur, weil Bäume nach wie vor die Rohstoffe für die Papierproduktion liefern, sondern auch, weil sie zu\r\nModellen, Anlass und Akteuren in Texten werden. Bäume regen zum Schreiben an; sie sind den Menschen gerade ähnlich genug, dass diese sich in jenen wieder erkennen können und doch so fremd, dass sie sich der Vereinnahmung widersetzen. In der Folge werden sie zu heiligen Wesen überhöht, vermenschlicht, kapitalisiert, zum Symbol erhoben und in zunehmendem Maße zerstört. Verfügbar werden sie trotzdem nicht, sie bleiben eigensinnig. Die Aufsätze dieses Bandes gehen den verzweigten Beziehungen zwischen Menschen und Bäumen anhand der Texte nach, die diese Verhältnisse ermöglichen und strukturieren. Ihre komparatistische Herangehensweise ermöglicht neue Perspektiven jenseits der Vereinnahmung und lädt dazu ein, die Beziehungsgeschichte von Bäumen und Menschen neu zu schreiben. Claudia Klodt, Monika Schmitz-Emans, Jana Kittelmann, Klara Schubenz, Stephanie Heimgartner, Simone Sauer-Kretschmer und Solvejg Nitzke erkunden in ihren Beiträgen Baumtexte, die von römischen Gärten, über Realismus, Romantik und zukünftige Wälder bis in die innersten Räume der (Familien-)Psyche der Menschen führen.},\n bibtype = {book},\n author = {Heimgartner, Stephanie and Nitzke, Solvejg and Sauer-Kretschmer, Simone}\n}
\n
\n\n\n
\n forthcoming.\r\nBäume und Texte sind so eng miteinander verwandt, dass sie manchmal kaum zu unterscheiden sind. Nicht nur, weil Bäume nach wie vor die Rohstoffe für die Papierproduktion liefern, sondern auch, weil sie zu\r\nModellen, Anlass und Akteuren in Texten werden. Bäume regen zum Schreiben an; sie sind den Menschen gerade ähnlich genug, dass diese sich in jenen wieder erkennen können und doch so fremd, dass sie sich der Vereinnahmung widersetzen. In der Folge werden sie zu heiligen Wesen überhöht, vermenschlicht, kapitalisiert, zum Symbol erhoben und in zunehmendem Maße zerstört. Verfügbar werden sie trotzdem nicht, sie bleiben eigensinnig. Die Aufsätze dieses Bandes gehen den verzweigten Beziehungen zwischen Menschen und Bäumen anhand der Texte nach, die diese Verhältnisse ermöglichen und strukturieren. Ihre komparatistische Herangehensweise ermöglicht neue Perspektiven jenseits der Vereinnahmung und lädt dazu ein, die Beziehungsgeschichte von Bäumen und Menschen neu zu schreiben. Claudia Klodt, Monika Schmitz-Emans, Jana Kittelmann, Klara Schubenz, Stephanie Heimgartner, Simone Sauer-Kretschmer und Solvejg Nitzke erkunden in ihren Beiträgen Baumtexte, die von römischen Gärten, über Realismus, Romantik und zukünftige Wälder bis in die innersten Räume der (Familien-)Psyche der Menschen führen.\n
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\n \n\n \n \n \n \n \n Two Trees Make a Forest: Travels Among Taiwan’s Mountains and Coasts in Search of My Family’s Past.\n \n \n \n\n\n \n Lee, J., J.\n\n\n \n\n\n\n catapult, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Two Trees Make a Forest: Travels Among Taiwan’s Mountains and Coasts in Search of My Family’s Past},\n type = {book},\n year = {2020},\n publisher = {catapult},\n city = {Portland;New York City},\n id = {9dc3a8e2-ed97-31b2-9053-a82269b65e3d},\n created = {2021-04-02T00:01:45.404Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:45.404Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {An exhilarating, anti-colonial reclamation of nature writing and memoir, rooted in the forests and flatlands of Taiwan, perfect for fans of Margaret Renkl's Late Migrations and William Finnegan's Barbarian Days.\r\nforthcoming in August 2020},\n bibtype = {book},\n author = {Lee, Jessica J.}\n}
\n
\n\n\n
\n An exhilarating, anti-colonial reclamation of nature writing and memoir, rooted in the forests and flatlands of Taiwan, perfect for fans of Margaret Renkl's Late Migrations and William Finnegan's Barbarian Days.\r\nforthcoming in August 2020\n
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\n \n\n \n \n \n \n \n \n Plant Poetics.\n \n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Plumwood Mountain: An Australian Journal of Ecopoetics and Ecopoetry, Special Issue: Plant Poetics, 7(1). 2020.\n \n\n\n\n
\n\n\n\n \n \n \"PlantWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Plant Poetics},\n type = {article},\n year = {2020},\n volume = {7},\n websites = {https://plumwoodmountain.com/plumwood-mountain-volume-7-number-1/},\n id = {ed322ec5-68d3-3273-9db4-afa12707bb9d},\n created = {2021-04-02T00:02:05.300Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-06-09T21:48:58.658Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Special Issue},\n bibtype = {article},\n author = {Ryan, John C.},\n journal = {Plumwood Mountain: An Australian Journal of Ecopoetics and Ecopoetry, Special Issue: Plant Poetics},\n number = {1}\n}
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\n Special Issue\n
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\n \n\n \n \n \n \n \n The Ancient Woods of the Helford River.\n \n \n \n\n\n \n Rackham, O.\n\n\n \n\n\n\n Little Toller Books, Reprint edition, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Ancient Woods of the Helford River},\n type = {book},\n year = {2020},\n publisher = {Little Toller Books},\n city = {Dorset},\n edition = {Reprint},\n id = {8eac7d47-eff0-3fb7-8984-70a247b62c03},\n created = {2021-04-02T00:02:42.430Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:42.430Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The Helford River, Cornwall, is one of the very few places in England where ancient woodland meets the sea. It also has a curious industrial and cultural history. Describing the geology, history and flora of twenty-five individual woods, the book explains how these special places have survived the centuries and what the future may hold for them. With this posthumous publication, we explore one of Oliver Rackham’s favourite places to carry out fieldwork in the British Isles and celebrate the life and work.},\n bibtype = {book},\n author = {Rackham, Oliver}\n}
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\n The Helford River, Cornwall, is one of the very few places in England where ancient woodland meets the sea. It also has a curious industrial and cultural history. Describing the geology, history and flora of twenty-five individual woods, the book explains how these special places have survived the centuries and what the future may hold for them. With this posthumous publication, we explore one of Oliver Rackham’s favourite places to carry out fieldwork in the British Isles and celebrate the life and work.\n
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\n \n\n \n \n \n \n \n Living with Trees.\n \n \n \n\n\n \n Walter, R.\n\n\n \n\n\n\n Little Toller Books, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Living with Trees},\n type = {book},\n year = {2020},\n publisher = {Little Toller Books},\n city = {Dorset},\n id = {b5328641-78a5-3ef6-a8fc-908ee5273d20},\n created = {2021-04-02T00:02:43.418Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:53:27.647Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Trees and woods offer great potential for rebuilding our wider relationship with nature, reinforcing local identity and sustaining wildlife. Living with Trees is a powerful call for more trees in our lives. It is a cornucopia of artwork, useful information, poetry and new ideas: a book that is both practical and inspirational. It aims to re-engage individuals and communities with their local trees and woods, and demonstrates how caring for trees and woods can enhance local biodiversity alongside community cohesion and well-being. Foreword by Dame Judi Dench.},\n bibtype = {book},\n author = {Walter, Robin}\n}
\n
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\n Trees and woods offer great potential for rebuilding our wider relationship with nature, reinforcing local identity and sustaining wildlife. Living with Trees is a powerful call for more trees in our lives. It is a cornucopia of artwork, useful information, poetry and new ideas: a book that is both practical and inspirational. It aims to re-engage individuals and communities with their local trees and woods, and demonstrates how caring for trees and woods can enhance local biodiversity alongside community cohesion and well-being. Foreword by Dame Judi Dench.\n
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\n \n\n \n \n \n \n \n Zur Poetik der Pflanzennamen in der Botanik: Carl von Linné.\n \n \n \n\n\n \n Kranz, I.\n\n\n \n\n\n\n Poetica, 50(1-2). 2 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Zur Poetik der Pflanzennamen in der Botanik: Carl von Linné},\n type = {article},\n year = {2020},\n volume = {50},\n month = {2},\n day = {21},\n id = {7bf625a5-3ee7-30d4-aa40-94bac73e822e},\n created = {2021-04-05T19:32:07.740Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T19:32:07.740Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The aim of the following paper is to highlight the poetics of plant names in non-literary texts, namely in the writings of Carl Linnaeus. The first part of the article presents an overview of research on the question of whether plant names have (semantic) meaning. It details the systematics of botanical and vernacular nomenclature and interrogates the relationship between plant names and proper names. The following two parts are devoted to the founder of modern botany, Carl Linnaeus, whose lasting importance lies in systematizing existing plant names as well as establishing a code of rules for future nomenclature. By analyzing a scene in which a plant is (re)named as well as some of the naming rules in his "Philosophia botanica" (1751), the paper shows that the Swedish nomenclator botanicus already took the poetic dimensions of plant names into account.},\n bibtype = {article},\n author = {Kranz, Isabel},\n doi = {10.30965/25890530-05001005},\n journal = {Poetica},\n number = {1-2}\n}
\n
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\n The aim of the following paper is to highlight the poetics of plant names in non-literary texts, namely in the writings of Carl Linnaeus. The first part of the article presents an overview of research on the question of whether plant names have (semantic) meaning. It details the systematics of botanical and vernacular nomenclature and interrogates the relationship between plant names and proper names. The following two parts are devoted to the founder of modern botany, Carl Linnaeus, whose lasting importance lies in systematizing existing plant names as well as establishing a code of rules for future nomenclature. By analyzing a scene in which a plant is (re)named as well as some of the naming rules in his \"Philosophia botanica\" (1751), the paper shows that the Swedish nomenclator botanicus already took the poetic dimensions of plant names into account.\n
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\n \n\n \n \n \n \n \n \n Botschafter des Lebens: Was Bäume in Städten erzählen.\n \n \n \n \n\n\n \n Ring, C.\n\n\n \n\n\n\n Berlin Verlag, 2020.\n \n\n\n\n
\n\n\n\n \n \n \"BotschafterWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Botschafter des Lebens: Was Bäume in Städten erzählen},\n type = {book},\n year = {2020},\n websites = {https://caroline-ring.de/buch},\n publisher = {Berlin Verlag},\n city = {Berlin},\n id = {d5d6ef5b-aa82-3f09-bd04-8b0213d6b5c4},\n created = {2021-04-05T19:37:43.234Z},\n accessed = {2021-04-05},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T19:37:43.234Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ring, Caroline}\n}
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\n \n\n \n \n \n \n \n \n The Oak Papers.\n \n \n \n \n\n\n \n Canton, J.\n\n\n \n\n\n\n Canon Gate, 2020.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Oak Papers},\n type = {book},\n year = {2020},\n websites = {https://canongate.co.uk/books/3347-the-oak-papers/},\n publisher = {Canon Gate},\n city = {Edinburgh/London},\n id = {0e5cb1be-7952-3932-940e-c7cca7720a66},\n created = {2021-06-17T18:41:08.459Z},\n accessed = {2021-06-17},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-17T18:41:08.459Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Canton, James}\n}
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\n \n\n \n \n \n \n \n Das Gedächtnis der Welt: Vom Finden und Ordnen der Pflanzen.\n \n \n \n\n\n \n Jeanson, M.; and Fauve, C.\n\n\n \n\n\n\n Aufbau Verlag, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Das Gedächtnis der Welt: Vom Finden und Ordnen der Pflanzen},\n type = {book},\n year = {2020},\n publisher = {Aufbau Verlag},\n city = {Berlin},\n id = {4ecd8c1e-0eae-3cd4-8783-de7aa0dd7bc6},\n created = {2021-06-17T18:41:08.984Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-17T18:41:08.984Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {"Eine Hymne an die Natur." Le Point. Der junge Botaniker Marc Jeanson leitet das größte Herbarium der Welt: ein magischer Ort mitten in Paris, der das Wissen von Jahrtausenden birgt. Gesammelt von Naturforschern wie Lamarck und Linné, die die Flora im 18. Jahrhundert erstmals kartografierten. In „Das Gedächtnis der Welt“ nehmen uns Marc Jeanson und Charlotte Fauve mit auf die Expeditionen der großen Gelehrten – und auf die eigene abenteuerliche Suche nach unbekannten Pflanzen, die benannt und vor dem Vergessen bewahrt werden wollen. Ein Buch voller Poesie, das die Augen dafür öffnet, wie das Leben der Pflanzen untrennbar mit dem unseren verbunden ist.},\n bibtype = {book},\n author = {Jeanson, Marc and Fauve, Charlotte}\n}
\n
\n\n\n
\n \"Eine Hymne an die Natur.\" Le Point. Der junge Botaniker Marc Jeanson leitet das größte Herbarium der Welt: ein magischer Ort mitten in Paris, der das Wissen von Jahrtausenden birgt. Gesammelt von Naturforschern wie Lamarck und Linné, die die Flora im 18. Jahrhundert erstmals kartografierten. In „Das Gedächtnis der Welt“ nehmen uns Marc Jeanson und Charlotte Fauve mit auf die Expeditionen der großen Gelehrten – und auf die eigene abenteuerliche Suche nach unbekannten Pflanzen, die benannt und vor dem Vergessen bewahrt werden wollen. Ein Buch voller Poesie, das die Augen dafür öffnet, wie das Leben der Pflanzen untrennbar mit dem unseren verbunden ist.\n
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\n \n\n \n \n \n \n \n Writing the Lives of Plants: Phytography and the Botanical Imagination.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n a/b: Auto/Biography Studies, 35(1). 1 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Writing the Lives of Plants: Phytography and the Botanical Imagination},\n type = {article},\n year = {2020},\n volume = {35},\n month = {1},\n day = {2},\n id = {2241eb40-be34-3d69-a291-28fcba3f0e0f},\n created = {2021-06-17T18:41:10.323Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-17T18:41:10.323Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n doi = {10.1080/08989575.2020.1720181},\n journal = {a/b: Auto/Biography Studies},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Imagining Climate Change: The Representation of Plants in Three Nordic Climate Fictions for Young Adults.\n \n \n \n\n\n \n Guanio-Uluru, L.\n\n\n \n\n\n\n Children's Literature in Education, 51(3). 9 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Imagining Climate Change: The Representation of Plants in Three Nordic Climate Fictions for Young Adults},\n type = {article},\n year = {2020},\n volume = {51},\n month = {9},\n day = {17},\n id = {2cb856e8-ba40-38dc-95f0-dba00199e90d},\n created = {2021-06-17T18:41:10.577Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:26:17.258Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Guanio-Uluru, Lykke},\n doi = {10.1007/s10583-019-09387-4},\n journal = {Children's Literature in Education},\n number = {3}\n}
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\n \n\n \n \n \n \n \n \n Fir and Empire: The Transformation of Forests in Early Modern China.\n \n \n \n \n\n\n \n Miller, I., M.\n\n\n \n\n\n\n University of Washington Press, 2020.\n \n\n\n\n
\n\n\n\n \n \n \"FirWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Fir and Empire: The Transformation of Forests in Early Modern China},\n type = {book},\n year = {2020},\n websites = {https://uwapress.uw.edu/book/9780295747330/fir-and-empire/},\n publisher = {University of Washington Press},\n city = {Seattle},\n id = {24b263f0-f89e-3245-9967-954743df43a8},\n created = {2021-06-17T18:41:10.839Z},\n accessed = {2021-06-17},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-17T18:41:10.839Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The disappearance of China’s naturally occurring forests is one of the most significant environmental shifts in the country’s history, one often blamed on imperial demand for lumber. China’s early modern forest history is typically viewed as a centuries-long process of environmental decline, culminating in a nineteenth-century social and ecological crisis. Pushing back against this narrative of deforestation, Ian Miller charts the rise of timber plantations between about 1000 and 1700, when natural forests were replaced with anthropogenic ones. Miller demonstrates that this form of forest management generally rested on private ownership under relatively distant state oversight and taxation. He further draws on in-depth case studies of shipbuilding and imperial logging to argue that this novel landscape was not created through simple extractive pressures, but by attempts to incorporate institutional and ecological complexity into a unified imperial state.\n\nMiller uses the emergence of anthropogenic forests in south China to rethink both temporal and spatial frameworks for Chinese history and the nature of Chinese empire. Because dominant European forestry models do not neatly overlap with the non-Western world, China’s history is often left out of global conversations about them; Miller’s work rectifies this omission and suggests that in some ways, China’s forest system may have worked better than the more familiar European institutions.},\n bibtype = {book},\n author = {Miller, Ian M}\n}
\n
\n\n\n
\n The disappearance of China’s naturally occurring forests is one of the most significant environmental shifts in the country’s history, one often blamed on imperial demand for lumber. China’s early modern forest history is typically viewed as a centuries-long process of environmental decline, culminating in a nineteenth-century social and ecological crisis. Pushing back against this narrative of deforestation, Ian Miller charts the rise of timber plantations between about 1000 and 1700, when natural forests were replaced with anthropogenic ones. Miller demonstrates that this form of forest management generally rested on private ownership under relatively distant state oversight and taxation. He further draws on in-depth case studies of shipbuilding and imperial logging to argue that this novel landscape was not created through simple extractive pressures, but by attempts to incorporate institutional and ecological complexity into a unified imperial state.\n\nMiller uses the emergence of anthropogenic forests in south China to rethink both temporal and spatial frameworks for Chinese history and the nature of Chinese empire. Because dominant European forestry models do not neatly overlap with the non-Western world, China’s history is often left out of global conversations about them; Miller’s work rectifies this omission and suggests that in some ways, China’s forest system may have worked better than the more familiar European institutions.\n
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\n \n\n \n \n \n \n \n Nature Obscura: A City’s Hidden Natural World (Audiobook).\n \n \n \n\n\n \n Brenner, K.\n\n\n \n\n\n\n 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {Nature Obscura: A City’s Hidden Natural World (Audiobook)},\n type = {misc},\n year = {2020},\n publisher = {Blackstone Publishing},\n city = {Ashland, OR},\n id = {3c54bfdb-9cd9-3846-bf2b-c796d42a120f},\n created = {2021-06-21T17:21:27.620Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-21T17:21:27.620Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n source_type = {Audiobook, read by Erica Sullivan},\n private_publication = {false},\n bibtype = {misc},\n author = {Brenner, Kelly}\n}
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\n \n\n \n \n \n \n \n \n Holzfrevel und Heilsverlust: Die ökologische Dichtung der Annette von Droste-Hülshoff.\n \n \n \n \n\n\n \n Detering, H.\n\n\n \n\n\n\n Wallstein Verlag, 2020.\n \n\n\n\n
\n\n\n\n \n \n \"HolzfrevelWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Holzfrevel und Heilsverlust: Die ökologische Dichtung der Annette von Droste-Hülshoff},\n type = {book},\n year = {2020},\n websites = {https://www.wallstein-verlag.de/9783835337596-holzfrevel-und-heilsverlust.html},\n publisher = {Wallstein Verlag},\n city = {Göttingen},\n id = {9e16e5b9-7b0c-3e9b-a454-9f2c9654b941},\n created = {2021-06-21T17:21:27.900Z},\n accessed = {2021-06-21},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:10:27.451Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Detering, Heinrich}\n}
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\n \n\n \n \n \n \n \n Tree Story: The History of the World Written in Rings.\n \n \n \n\n\n \n Trouet, V.\n\n\n \n\n\n\n Johns Hopkins University Press, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Tree Story: The History of the World Written in Rings},\n type = {book},\n year = {2020},\n publisher = {Johns Hopkins University Press},\n city = {Baltimore, MD},\n id = {697741ed-27e3-344a-89ae-df71eeb20b79},\n created = {2021-06-21T17:21:28.426Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-21T17:21:28.426Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Trouet, Valerie}\n}
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\n \n\n \n \n \n \n \n \n Eternal Forest Manifesto Artist's Book.\n \n \n \n \n\n\n \n Emets, E.\n\n\n \n\n\n\n 2020.\n \n\n\n\n
\n\n\n\n \n \n \"EternalWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Eternal Forest Manifesto Artist's Book},\n type = {book},\n year = {2020},\n websites = {http://www.evgeniaemets.vision/2020/04/eternal-forest-manifesto-artists-book.html},\n city = {Coruche, Portugal},\n id = {21781a3a-6b79-30e0-987f-dd9948973c1a},\n created = {2021-06-24T19:33:41.289Z},\n accessed = {2021-06-24},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:41.289Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Emets, Evgenia}\n}
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\n \n\n \n \n \n \n \n Ökonomien botanischen Wissens: Praktiken der Gelehrsamkeit in Basel um 1600.\n \n \n \n\n\n \n Benkert, D.\n\n\n \n\n\n\n Schwabe Verlag, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Ökonomien botanischen Wissens: Praktiken der Gelehrsamkeit in Basel um 1600},\n type = {book},\n year = {2020},\n publisher = {Schwabe Verlag},\n city = {Basel},\n id = {b5d6423d-9361-303e-b835-391807850ba3},\n created = {2021-06-24T19:33:42.368Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:42.368Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Die Entdeckung des amerikanischen Kontinents im 16. Jahrhundert ging einher mit der Erkundung einer neuen botanischen Welt. Die Erforschung neuer Pflanzen liess in Europa das Interesse an Botanik erstarken und machte diese am Ende des Jahrhunderts zur Leitdisziplin.\n\nDieser Band untersucht Strategien und Praktiken von Basler Gelehrten und Apothekern im Umgang mit botanischem Wissen und seiner Erzeugung. Die Autorin zeigt, wie die Beschäftigung mit der exotischen wie auch mit der lokalen Flora in Basel einen Boom auslöste und zu einer neuen Art der botanischen Kennerschaft führte. Diese machte die Basler Botanik weit über die Stadtgrenzen hinaus bekannt. Anhand eines vielfältigen Quellenbestandes zeichnet das Buch ein differenziertes Bild des botanischen Basels um 1600.},\n bibtype = {book},\n author = {Benkert, Davina}\n}
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\n\n\n
\n Die Entdeckung des amerikanischen Kontinents im 16. Jahrhundert ging einher mit der Erkundung einer neuen botanischen Welt. Die Erforschung neuer Pflanzen liess in Europa das Interesse an Botanik erstarken und machte diese am Ende des Jahrhunderts zur Leitdisziplin.\n\nDieser Band untersucht Strategien und Praktiken von Basler Gelehrten und Apothekern im Umgang mit botanischem Wissen und seiner Erzeugung. Die Autorin zeigt, wie die Beschäftigung mit der exotischen wie auch mit der lokalen Flora in Basel einen Boom auslöste und zu einer neuen Art der botanischen Kennerschaft führte. Diese machte die Basler Botanik weit über die Stadtgrenzen hinaus bekannt. Anhand eines vielfältigen Quellenbestandes zeichnet das Buch ein differenziertes Bild des botanischen Basels um 1600.\n
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\n \n\n \n \n \n \n \n Kulturowe herbarium: Polityka, etyka i estetyka roślin.\n \n \n \n\n\n \n Zamorska, M.\n\n\n \n\n\n\n Prace Kulturoznawcze, 24(3). 11 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Kulturowe herbarium: Polityka, etyka i estetyka roślin},\n type = {article},\n year = {2020},\n volume = {24},\n month = {11},\n day = {24},\n id = {a5f68079-6b6c-3a54-bbf3-274186df18b0},\n created = {2021-06-24T19:33:43.095Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:12:25.557Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Zamorska, Magdalena},\n doi = {10.19195/0860-6668.24.3.1},\n journal = {Prace Kulturoznawcze},\n number = {3}\n}
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\n \n\n \n \n \n \n \n Co-teaching Botany and History: An Interdisciplinary Model for a More Inclusive Curriculum.\n \n \n \n\n\n \n Bowcutt, F.; and Caulkins, T.\n\n\n \n\n\n\n Isis, 111(3). 9 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Co-teaching Botany and History: An Interdisciplinary Model for a More Inclusive Curriculum},\n type = {article},\n year = {2020},\n volume = {111},\n month = {9},\n day = {1},\n id = {2d14f77f-4fbe-3bc0-adc7-a674b53a73f4},\n created = {2021-06-24T19:33:43.350Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:43.350Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This essay offers numerous ideas on how to integrate science and history into classroom pedagogy in a way that acknowledges the contributions of women and other groups underrepresented in science by highlighting the cultural and political contexts in which science developed rather than by adding token individuals to a history of science still largely defined by the achievements of a few great men. It details how students in a General Education class co-taught by a botanist and a historian of science at the Evergreen State College not only gained skills in field botany and vegetation analysis but also became more informed about how modern scientific disciplines took shape. Recognizing that race, class, and gender have played a role in how science developed, the students’ understanding of the complicated legacy of scientific inquiry gave them tools to be more rigorous in their thinking about scientific practice. This interdisciplinary approach, so crucial in fostering inclusivity in scientific disciplines, also promoted a deeper engagement with historical inquiry.},\n bibtype = {article},\n author = {Bowcutt, Frederica and Caulkins, Tamara},\n doi = {10.1086/711071},\n journal = {Isis},\n number = {3}\n}
\n
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\n This essay offers numerous ideas on how to integrate science and history into classroom pedagogy in a way that acknowledges the contributions of women and other groups underrepresented in science by highlighting the cultural and political contexts in which science developed rather than by adding token individuals to a history of science still largely defined by the achievements of a few great men. It details how students in a General Education class co-taught by a botanist and a historian of science at the Evergreen State College not only gained skills in field botany and vegetation analysis but also became more informed about how modern scientific disciplines took shape. Recognizing that race, class, and gender have played a role in how science developed, the students’ understanding of the complicated legacy of scientific inquiry gave them tools to be more rigorous in their thinking about scientific practice. This interdisciplinary approach, so crucial in fostering inclusivity in scientific disciplines, also promoted a deeper engagement with historical inquiry.\n
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\n \n\n \n \n \n \n \n Plant Fever: Vers un design phyto-centré / Towards a Phyto-centred Design.\n \n \n \n\n\n \n Drouet, L.; and Lacrouts, O.,\n editors.\n \n\n\n \n\n\n\n Stichting Kunstboek, CID au Grand-Hornu, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant Fever: Vers un design phyto-centré / Towards a Phyto-centred Design},\n type = {book},\n year = {2020},\n publisher = {Stichting Kunstboek, CID au Grand-Hornu},\n city = {Oostkamp / Hornu, Belgium},\n id = {cab59a80-b71e-3e5b-95d4-1b8987950f8d},\n created = {2021-06-24T19:33:43.608Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:43.608Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Drouet, Laura and Lacrouts, Olivier}\n}
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\n \n\n \n \n \n \n \n The Forest and the EcoGothic: The Deep Dark Woods in the Popular Imagination.\n \n \n \n\n\n \n Parker, E.\n\n\n \n\n\n\n Palgrave Macmillan, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {The Forest and the EcoGothic: The Deep Dark Woods in the Popular Imagination},\n type = {book},\n year = {2020},\n publisher = {Palgrave Macmillan},\n city = {Basingstoke, UK},\n id = {4d9c765a-0a15-385e-835b-6de4365cc55e},\n created = {2021-06-24T19:33:43.863Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:43.863Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Provides the first full-length study on the archetypal symbol of the Gothic forest, an often overlooked area of literary criticismLooks in detail at ‘the ecoGothic’, an increasingly relevant field of research which seeks to examine the intersection between ecocriticism and Gothic studies. \n\nExamines a varied cross-section of key titles in literature and film in order to explore the significance and resonance of the enduringly ubiquitous Gothic environment.},\n bibtype = {book},\n author = {Parker, Elizabeth}\n}
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\n Provides the first full-length study on the archetypal symbol of the Gothic forest, an often overlooked area of literary criticismLooks in detail at ‘the ecoGothic’, an increasingly relevant field of research which seeks to examine the intersection between ecocriticism and Gothic studies. \n\nExamines a varied cross-section of key titles in literature and film in order to explore the significance and resonance of the enduringly ubiquitous Gothic environment.\n
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\n \n\n \n \n \n \n \n Hanf: Ein Portrait.\n \n \n \n\n\n \n Woltron, U.\n\n\n \n\n\n\n Matthes & Seitz, Naturkunden, Bd. 61 edition, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Hanf: Ein Portrait},\n type = {book},\n year = {2020},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n edition = {Naturkunden, Bd. 61},\n id = {392a7686-96c1-33e4-ba51-1cf98bb7a1c9},\n created = {2021-06-28T14:05:37.858Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:37.858Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Woltron, Ute},\n editor = {Schalansky, Judith}\n}
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\n \n\n \n \n \n \n \n Tannen: Ein Portrait.\n \n \n \n\n\n \n Bode, W.\n\n\n \n\n\n\n Matthes & Seitz, Naturkunden, Bd. 67 edition, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Tannen: Ein Portrait},\n type = {book},\n year = {2020},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n edition = {Naturkunden, Bd. 67},\n id = {f4a236f9-ac08-33ec-be33-820370999802},\n created = {2021-06-28T14:05:38.617Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:38.617Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bode, Wilhelm},\n editor = {Schalansky, Judith}\n}
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\n \n\n \n \n \n \n \n The Poetics of Plants in Spanish American Literature.\n \n \n \n\n\n \n Wylie, L.\n\n\n \n\n\n\n Pittsburgh University Press, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Poetics of Plants in Spanish American Literature},\n type = {book},\n year = {2020},\n publisher = {Pittsburgh University Press},\n city = {Pittsburgh},\n id = {2f740bfc-e446-3568-b09c-12ec472def1f},\n created = {2021-06-28T14:05:39.290Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:39.290Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Pitt Illuminations Series},\n bibtype = {book},\n author = {Wylie, Lesley}\n}
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\n Pitt Illuminations Series\n
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\n \n\n \n \n \n \n \n \n Vegetal Horrors: Blair Witch, Darkwood and Non-human Turn Game Studies.\n \n \n \n \n\n\n \n Seller, M.\n\n\n \n\n\n\n In Proceedings of the 2020 DiGRA International Conference: Play Everywhere, 2020. \n \n\n\n\n
\n\n\n\n \n \n \"VegetalWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Vegetal Horrors: Blair Witch, Darkwood and Non-human Turn Game Studies},\n type = {inproceedings},\n year = {2020},\n websites = {http://www.digra.org/wp-content/uploads/digital-library/DiGRA_2020_paper_126.pdf},\n id = {a341c4a8-c94a-3c72-b1d2-0c5ebb3ec9c2},\n created = {2021-06-28T14:05:39.778Z},\n accessed = {2021-06-28},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:39.778Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Seller, Merlin},\n booktitle = {Proceedings of the 2020 DiGRA International Conference: Play Everywhere}\n}
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\n \n\n \n \n \n \n \n ‘Cultivating an Ability to Imagine’: Ryan Walsh's Reckonings and the Poetics of Toxicity.\n \n \n \n\n\n \n Slovic, S.\n\n\n \n\n\n\n Ecozon@: European Journal of Literature, Culture and Environment, 11(2): 154-161. 9 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {‘Cultivating an Ability to Imagine’: Ryan Walsh's Reckonings and the Poetics of Toxicity},\n type = {article},\n year = {2020},\n pages = {154-161},\n volume = {11},\n month = {9},\n day = {22},\n id = {09126696-cc8a-3801-9f4b-8ecc0fe9f46d},\n created = {2021-11-24T15:12:07.413Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:25:58.766Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {For nearly two decades since Lawrence Buell defined and anatomized “toxic discourse” in Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond (2001), the storying of toxic experience has received fruitful theoretical and literary attention. Throughout the world, citizens have come to terms with the reality that we live on a poisoned planet and the poisons in our environment are also in ourselves—the poisons our industrial activities spew into the air, water, soil, and food are almost imperceptibly (“slowly,” as Rob Nixon would put it) absorbed into all of our bodies (through the process Stacy Alaimo described as “transcorporeality”). Biologist and literary activist Sandra Steingraber stated in Living Downstream: A Scientist’s Personal Investigation of Cancer and the Environment (1997) that we must “cultivat[e] an ability to imagine” in order to appreciate the meaning of our post-industrial lives. In this essay, I focus on Ryan Walsh’s new collection of poetry, Reckonings (2019), and on Pramod K. Nayar’s recent ecocritical study, Bhopal’s Ecological Gothic: Disaster, Precarity, and the Biopolitical Uncanny (2017), in order to propose and define an evolving “poetics of toxicity.”},\n bibtype = {article},\n author = {Slovic, Scott},\n doi = {10.37536/ECOZONA.2020.11.2.3467},\n journal = {Ecozon@: European Journal of Literature, Culture and Environment},\n number = {2}\n}
\n
\n\n\n
\n For nearly two decades since Lawrence Buell defined and anatomized “toxic discourse” in Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond (2001), the storying of toxic experience has received fruitful theoretical and literary attention. Throughout the world, citizens have come to terms with the reality that we live on a poisoned planet and the poisons in our environment are also in ourselves—the poisons our industrial activities spew into the air, water, soil, and food are almost imperceptibly (“slowly,” as Rob Nixon would put it) absorbed into all of our bodies (through the process Stacy Alaimo described as “transcorporeality”). Biologist and literary activist Sandra Steingraber stated in Living Downstream: A Scientist’s Personal Investigation of Cancer and the Environment (1997) that we must “cultivat[e] an ability to imagine” in order to appreciate the meaning of our post-industrial lives. In this essay, I focus on Ryan Walsh’s new collection of poetry, Reckonings (2019), and on Pramod K. Nayar’s recent ecocritical study, Bhopal’s Ecological Gothic: Disaster, Precarity, and the Biopolitical Uncanny (2017), in order to propose and define an evolving “poetics of toxicity.”\n
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\n \n\n \n \n \n \n \n Vegetal Scale in the Anthropocene: The Dark Green.\n \n \n \n\n\n \n Sullivan, H., I.\n\n\n \n\n\n\n Ecozon@: European Journal of Literature, Culture and Environment, 11(2): 92-100. 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Vegetal Scale in the Anthropocene: The Dark Green},\n type = {article},\n year = {2020},\n pages = {92-100},\n volume = {11},\n id = {4b925227-f9a9-3353-96fd-eceddde3530b},\n created = {2021-11-24T15:12:07.669Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-24T15:12:07.669Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Sullivan, Heather Isabella},\n journal = {Ecozon@: European Journal of Literature, Culture and Environment},\n number = {2}\n}
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\n \n\n \n \n \n \n \n \n Vegetal Entanglements.\n \n \n \n \n\n\n \n Aloi, G.,\n editor.\n \n\n\n \n\n\n\n Volume 51 Antennae, 2020.\n \n\n\n\n
\n\n\n\n \n \n \"VegetalWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Vegetal Entanglements},\n type = {book},\n year = {2020},\n volume = {51},\n websites = {https://www.dropbox.com/s/s7djlkzixixmkls/ANTENNAE%20ISSUE%2051.pdf?dl=1},\n publisher = {Antennae},\n city = {Chicago },\n id = {5f9d93a7-7e85-38b5-bbee-3accbabcce4e},\n created = {2021-11-24T22:07:18.553Z},\n accessed = {2021-11-24},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:17:29.504Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Aloi, Giovanni}\n}
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\n \n\n \n \n \n \n \n \n Vegetal Entanglements.\n \n \n \n \n\n\n \n Aloi, G.,\n editor.\n \n\n\n \n\n\n\n Volume 52 Antennae, 2020.\n \n\n\n\n
\n\n\n\n \n \n \"VegetalWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Vegetal Entanglements},\n type = {book},\n year = {2020},\n volume = {52},\n websites = {https://www.dropbox.com/s/ked2zje11pal7s4/ANTENNAE%20ISSUE%2052.pdf?dl=1},\n publisher = {Antennae},\n city = {Chicago},\n id = {357d8d0a-432d-3e30-a126-f90db6d13cba},\n created = {2021-11-24T22:07:18.815Z},\n accessed = {2021-11-24},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:17:48.697Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Aloi, Giovanni}\n}
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\n \n\n \n \n \n \n \n Glass Flowers: Marvels of Art and Science at Harvard.\n \n \n \n\n\n \n Brown, J.; Fulton, S., E.; and Pfister, D., H.,\n editors.\n \n\n\n \n\n\n\n Scala Arts Publishers, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Glass Flowers: Marvels of Art and Science at Harvard},\n type = {book},\n year = {2020},\n publisher = {Scala Arts Publishers},\n city = {London},\n id = {13386349-6e89-353d-bcaf-e1da20bc9d4e},\n created = {2021-11-25T16:29:18.393Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-25T16:29:18.393Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Stunning, all new photography illuminates the collection like never before- Follows the successful book Sea Creatures in Glass: The Blaschka Marine Animals at Harvard, published in 2016- The Harvard Museums of Science & Culture welcome more than 300,000 visitors per year One of Harvard University's most famous treasures is the internationally acclaimed Ware Collection of Blaschka Glass Models of Plants, the 'Glass Flowers'. From orchids to bananas, rhododendrons to lilies, Leopold and Rudolf Blaschka created a stunning array of glass models of plants from around the world. Working exclusively for Harvard in the late 19th and early 20th centuries, the Blaschkas applied their artistic expertise and botanical knowledge to craft a meticulously portrayed collection for Harvard students, researchers and the public. Exquisite detail is captured in this dazzling new publication, featuring new photography of models that inspire wonder and blur the line between the real and man-made. The collection demonstrates the majesty of plants and the artistry and scientific acumen of this father and son team, and is the only one of its kind in the world.},\n bibtype = {book},\n author = {},\n editor = {Brown, Jennifer and Fulton, Scott E. and Pfister, Donald H.}\n}
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\n Stunning, all new photography illuminates the collection like never before- Follows the successful book Sea Creatures in Glass: The Blaschka Marine Animals at Harvard, published in 2016- The Harvard Museums of Science & Culture welcome more than 300,000 visitors per year One of Harvard University's most famous treasures is the internationally acclaimed Ware Collection of Blaschka Glass Models of Plants, the 'Glass Flowers'. From orchids to bananas, rhododendrons to lilies, Leopold and Rudolf Blaschka created a stunning array of glass models of plants from around the world. Working exclusively for Harvard in the late 19th and early 20th centuries, the Blaschkas applied their artistic expertise and botanical knowledge to craft a meticulously portrayed collection for Harvard students, researchers and the public. Exquisite detail is captured in this dazzling new publication, featuring new photography of models that inspire wonder and blur the line between the real and man-made. The collection demonstrates the majesty of plants and the artistry and scientific acumen of this father and son team, and is the only one of its kind in the world.\n
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\n \n\n \n \n \n \n \n Responding as Composing: Towards a Post-Anthropocentric, Feminist Ethics for the Anthropocene.\n \n \n \n\n\n \n Hoppe, K.\n\n\n \n\n\n\n Distinktion, 21(2): 125-142. 5 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Responding as Composing: Towards a Post-Anthropocentric, Feminist Ethics for the Anthropocene},\n type = {article},\n year = {2020},\n keywords = {Anthropocene,affirmation,ethics,political ontology,post-anthropocentrism,response-ability,vulnerability},\n pages = {125-142},\n volume = {21},\n month = {5},\n publisher = {Taylor and Francis Ltd.},\n day = {3},\n id = {61e992a6-b3ff-3a45-a016-b287e5860cbd},\n created = {2022-02-14T23:07:59.343Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:07:59.343Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Problems posed by the ‘Anthropocene’ have caused many feminists to rethink a feminist ethics in a post-anthropocentric vein. In this context, a reconceptualization of the notion of responsibility as response-ability or ability to respond has gained crucial relevance. This article reads ethics of response as feminist takes on problems posed by the Anthropocene, but also as attempts to conceptualize a non-normativist ethics working with and beyond post-structuralism. The theoretical challenge faced by a feminist post-anthropocentric ethics, the article argues, was posed by feminist philosopher Rosi Braidotti as a confrontation of ‘affirmation versus vulnerability’. In revisiting this debate, the article situates the notion of response-ability and outlines the theoretical questions which must be dealt with by an ethics of response: an integration of affirmation and negativity on one hand, and the question of the ethical and political implications of thinking from constitutive relationality on the other hand. By drawing on the work of Isabelle Stengers, the article maps out one possible conceptualization of an ethics of response-ability in more detail. It introduces the etho-ecological practice of responding as composing with otherness, which enables us to conceptualize the notion of response-ability as a concept underpinning a post-anthropocentric, feminist ethics for the Anthropocene.},\n bibtype = {article},\n author = {Hoppe, Katharina},\n doi = {10.1080/1600910X.2019.1618360},\n journal = {Distinktion},\n number = {2}\n}
\n
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\n Problems posed by the ‘Anthropocene’ have caused many feminists to rethink a feminist ethics in a post-anthropocentric vein. In this context, a reconceptualization of the notion of responsibility as response-ability or ability to respond has gained crucial relevance. This article reads ethics of response as feminist takes on problems posed by the Anthropocene, but also as attempts to conceptualize a non-normativist ethics working with and beyond post-structuralism. The theoretical challenge faced by a feminist post-anthropocentric ethics, the article argues, was posed by feminist philosopher Rosi Braidotti as a confrontation of ‘affirmation versus vulnerability’. In revisiting this debate, the article situates the notion of response-ability and outlines the theoretical questions which must be dealt with by an ethics of response: an integration of affirmation and negativity on one hand, and the question of the ethical and political implications of thinking from constitutive relationality on the other hand. By drawing on the work of Isabelle Stengers, the article maps out one possible conceptualization of an ethics of response-ability in more detail. It introduces the etho-ecological practice of responding as composing with otherness, which enables us to conceptualize the notion of response-ability as a concept underpinning a post-anthropocentric, feminist ethics for the Anthropocene.\n
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\n \n\n \n \n \n \n \n Seeing the Trees for the (Urban) Forest: More-than-human Geographies and Urban Greening.\n \n \n \n\n\n \n Phillips, C.; and Atchison, J.\n\n\n \n\n\n\n Australian Geographer, 51(2): 155-168. 4 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Seeing the Trees for the (Urban) Forest: More-than-human Geographies and Urban Greening},\n type = {article},\n year = {2020},\n keywords = {Australia,Greening,human–plant relations,more-than-human geographies,urban trees},\n pages = {155-168},\n volume = {51},\n month = {4},\n publisher = {Routledge},\n day = {2},\n id = {8e044fc4-6c35-34c3-9ab1-7821c39a2d9b},\n created = {2022-02-14T23:08:04.155Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:08:04.155Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Urban spaces have long been places to think through human relationships with nature. The recent shift in thinking from urban green space as outcome to urban greening as a process provides an opportunity to consider more explicitly how we engage with more-than-human worlds in urban spaces, in more differentiated ways, and for what ends. In this paper we contribute to growing interest in improved urban sustainability and well-being by bringing human geography perspectives on more-than-human worlds into conversation with the literature on urban greening. Drawing on key examples oriented around urban trees, we consider two main themes: sensibilities and belonging. We argue for an understanding of urban places as collective achievements that not only involve knowing and living with diverse humans and non-humans but also involve the re/making of sensibilities and belongings. Through this paper, we aim to open dialogue about how more-than-human geographies might help us to differently understand urban trees, contemporary urban greening, and people–plant relations.},\n bibtype = {article},\n author = {Phillips, Catherine and Atchison, Jennifer},\n doi = {10.1080/00049182.2018.1505285},\n journal = {Australian Geographer},\n number = {2}\n}
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\n Urban spaces have long been places to think through human relationships with nature. The recent shift in thinking from urban green space as outcome to urban greening as a process provides an opportunity to consider more explicitly how we engage with more-than-human worlds in urban spaces, in more differentiated ways, and for what ends. In this paper we contribute to growing interest in improved urban sustainability and well-being by bringing human geography perspectives on more-than-human worlds into conversation with the literature on urban greening. Drawing on key examples oriented around urban trees, we consider two main themes: sensibilities and belonging. We argue for an understanding of urban places as collective achievements that not only involve knowing and living with diverse humans and non-humans but also involve the re/making of sensibilities and belongings. Through this paper, we aim to open dialogue about how more-than-human geographies might help us to differently understand urban trees, contemporary urban greening, and people–plant relations.\n
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\n \n\n \n \n \n \n \n \n Animal Narratology.\n \n \n \n \n\n\n \n Jacobs, J.,\n editor.\n \n\n\n \n\n\n\n MDPI, 12 2020.\n \n\n\n\n
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\n 
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\n \n\n \n \n \n \n \n The Fruits of Empire: Art, Food, and the Politics of Race in the Age of American Expansion.\n \n \n \n\n\n \n Klein, S.\n\n\n \n\n\n\n University of California Press, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n \n Plant Studies/Études végétales.\n \n \n \n \n\n\n \n Bouvet, R.; and Posthumus, S.\n\n\n \n\n\n\n l'esprit créateur, 60(4). 2020.\n \n\n\n\n
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@article{\n title = {Plant Studies/Études végétales},\n type = {article},\n year = {2020},\n volume = {60},\n websites = {https://espritcreateur.org/issue/plant-studies-%C3%A9tudes-v%C3%A9g%C3%A9tales},\n id = {1f5bc396-0ff3-3387-ae28-3657014d6f49},\n created = {2022-06-10T14:17:11.332Z},\n accessed = {2022-06-10},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-06-10T14:55:23.849Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Bouvet, Rachel and Posthumus, Stéphanie},\n journal = {l'esprit créateur},\n number = {4}\n}
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\n \n\n \n \n \n \n \n Speculative Vegetation: Plants in Science Fiction.\n \n \n \n\n\n \n Bishop, K., E.; Määttä, J.; and Higgins, D.\n\n\n \n\n\n\n University of Wales Press, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Speculative Vegetation: Plants in Science Fiction},\n type = {book},\n year = {2020},\n publisher = {University of Wales Press},\n city = {Cardiff},\n id = {9a19876a-b9a1-39e5-a392-8f3a477c33ad},\n created = {2022-06-10T14:20:20.207Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-06-10T14:20:20.207Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bishop, Katherine E. and Määttä, Jerry and Higgins, David}\n}
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\n \n\n \n \n \n \n \n \n Trees.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n Emergence Magazine, special issue: Trees, 7. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"TreesWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Trees},\n type = {article},\n year = {2020},\n volume = {7},\n websites = {https://emergencemagazine.org/archive/issue/trees/},\n id = {b1f5c3a2-6461-353f-bf28-5b35797ba0fa},\n created = {2022-06-10T14:34:01.272Z},\n accessed = {2022-06-10},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-06-10T14:34:01.272Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {},\n journal = {Emergence Magazine, special issue: Trees}\n}
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\n \n\n \n \n \n \n \n \n Engaging Vegetation in the Arts.\n \n \n \n \n\n\n \n Arlander, A.; Määttä, J.; and Lobell, M.\n\n\n \n\n\n\n Ruukku, Special Issue: Engaging Vegetation in the Arts, (16). 2020.\n \n\n\n\n
\n\n\n\n \n \n \"EngagingWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Engaging Vegetation in the Arts},\n type = {article},\n year = {2020},\n websites = {http://ruukku-journal.fi/en/issues/16/editorial},\n id = {99a825f8-4c31-3d65-8954-45c2c7291842},\n created = {2024-08-04T23:31:21.981Z},\n accessed = {2024-08-04},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:31:21.981Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Arlander, Annette and Määttä, Jerry and Lobell, Malin},\n journal = {Ruukku, Special Issue: Engaging Vegetation in the Arts},\n number = {16}\n}
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\n \n\n \n \n \n \n \n Zur Poetik der Pflanzennamen in der Botanik: Carl von Linné.\n \n \n \n\n\n \n Kranz, I.\n\n\n \n\n\n\n Poetica, 50(1-2): 96-118. 2 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Zur Poetik der Pflanzennamen in der Botanik: Carl von Linné},\n type = {article},\n year = {2020},\n pages = {96-118},\n volume = {50},\n month = {2},\n day = {21},\n id = {2208d872-4903-386a-8954-bfffd32c05b2},\n created = {2024-08-05T01:08:41.083Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:08:41.083Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p> The aim of the following paper is to highlight the poetics of plant names in non-literary texts, namely in the writings of Carl Linnaeus. The first part of the article presents an overview of research on the question of whether plant names have (semantic) meaning. It details the systematics of botanical and vernacular nomenclature and interrogates the relationship between plant names and proper names. The following two parts are devoted to the founder of modern botany, Carl Linnaeus, whose lasting importance lies in systematizing existing plant names as well as establishing a code of rules for future nomenclature. By analyzing a scene in which a plant is (re)named as well as some of the naming rules in his <italic>Philosophia botanica</italic> (1751), the paper shows that the Swedish <italic>nomenclator botanicus</italic> already took the poetic dimensions of plant names into account. </p>},\n bibtype = {article},\n author = {Kranz, Isabel},\n doi = {10.30965/25890530-05001005},\n journal = {Poetica},\n number = {1-2}\n}
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The aim of the following paper is to highlight the poetics of plant names in non-literary texts, namely in the writings of Carl Linnaeus. The first part of the article presents an overview of research on the question of whether plant names have (semantic) meaning. It details the systematics of botanical and vernacular nomenclature and interrogates the relationship between plant names and proper names. The following two parts are devoted to the founder of modern botany, Carl Linnaeus, whose lasting importance lies in systematizing existing plant names as well as establishing a code of rules for future nomenclature. By analyzing a scene in which a plant is (re)named as well as some of the naming rules in his Philosophia botanica (1751), the paper shows that the Swedish nomenclator botanicus already took the poetic dimensions of plant names into account.

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\n \n\n \n \n \n \n \n EcoGothic Gardens in the Long Nineteenth Century: Phantoms, Fantasy and Uncanny Flowers.\n \n \n \n\n\n \n Edney, S.,\n editor.\n \n\n\n \n\n\n\n Manchester University Press, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Vegetal Scale in the Anthropocene: The Dark Green.\n \n \n \n\n\n \n Sullivan, H., I.\n\n\n \n\n\n\n Ecozon@: European Journal of Literature, Culture and Environment, 11(2): 92-100. 9 2020.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Vegetal Scale in the Anthropocene: The Dark Green},\n type = {article},\n year = {2020},\n pages = {92-100},\n volume = {11},\n month = {9},\n day = {20},\n id = {54cf1589-fefc-3eae-9c08-5b654826c618},\n created = {2024-08-05T03:25:14.558Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T03:25:14.558Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p>      When exploring the problem of delineating possible “scales” useful to describe the Anthropocene’s ecological changes, I suggest plant-human relations as the basis of our models rather than solely Human impact with a capital “H” as if a stand-alone species. Instead, human beings are a species within the photosynthesis-shaped, oxygen-infused atmosphere, and countering the ongoing industrial ecocide means seeking multispecies justice. One may claim that the “vegetal” stands as the ontological antithesis of being “animal,” but that view expresses a one-dimensional disregard for the essential work and bodies of plants and their fellow photosynthesizers that produce oxygen, drive the carbon cycle, feed terrestrial life, and influence water cycles. Indeed, “animal” is an emergence from the vegetal context. But our plant stories are shifting with the anthropocenic inflection. This dark green project explores narratives, both scientific and creative, of plant-human interactions in time of planetary change; and these interactions are not always peaceful or on an easily comprehended scale. As an example, I consider the 2015 short science-fiction story from Alan Dean Foster, “That Creeping Sensation,” that portrays how plant-human relations take on frightening new forms in a climate-changed world altered by heat, carbon dioxide, and the not-always-supportive activities of plants. With all the heat and carbon dioxide, plant life explodes and produces a massive increase in oxygen. In response, insects grow enormous and specialized first-responders must battle the bugs. Foster’s texts portray scales of non-human agency larger than the human whose power encompasses, enables, and sometimes threatens human life. His “cli fi” tale of giant bugs presents human beings as inextricably enmeshed in a plant-dominated existence. To paraphrase Derrida, there is no outside the vegetal.</p>},\n bibtype = {article},\n author = {Sullivan, Heather Isabella},\n doi = {10.37536/ECOZONA.2020.11.2.3480},\n journal = {Ecozon@: European Journal of Literature, Culture and Environment},\n number = {2}\n}
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      When exploring the problem of delineating possible “scales” useful to describe the Anthropocene’s ecological changes, I suggest plant-human relations as the basis of our models rather than solely Human impact with a capital “H” as if a stand-alone species. Instead, human beings are a species within the photosynthesis-shaped, oxygen-infused atmosphere, and countering the ongoing industrial ecocide means seeking multispecies justice. One may claim that the “vegetal” stands as the ontological antithesis of being “animal,” but that view expresses a one-dimensional disregard for the essential work and bodies of plants and their fellow photosynthesizers that produce oxygen, drive the carbon cycle, feed terrestrial life, and influence water cycles. Indeed, “animal” is an emergence from the vegetal context. But our plant stories are shifting with the anthropocenic inflection. This dark green project explores narratives, both scientific and creative, of plant-human interactions in time of planetary change; and these interactions are not always peaceful or on an easily comprehended scale. As an example, I consider the 2015 short science-fiction story from Alan Dean Foster, “That Creeping Sensation,” that portrays how plant-human relations take on frightening new forms in a climate-changed world altered by heat, carbon dioxide, and the not-always-supportive activities of plants. With all the heat and carbon dioxide, plant life explodes and produces a massive increase in oxygen. In response, insects grow enormous and specialized first-responders must battle the bugs. Foster’s texts portray scales of non-human agency larger than the human whose power encompasses, enables, and sometimes threatens human life. His “cli fi” tale of giant bugs presents human beings as inextricably enmeshed in a plant-dominated existence. To paraphrase Derrida, there is no outside the vegetal.

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\n  \n 2019\n \n \n (50)\n \n \n
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\n \n\n \n \n \n \n \n \n The Mediated Plant.\n \n \n \n \n\n\n \n Castro, T.\n\n\n \n\n\n\n e-flux Journal, 102. 9 2019.\n \n\n\n\n
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@article{\n title = {The Mediated Plant},\n type = {article},\n year = {2019},\n volume = {102},\n websites = {https://www.e-flux.com/journal/102/283819/the-mediated-plant/},\n month = {9},\n id = {39c05c2e-a383-3db5-b0b8-542c717a31b3},\n created = {2021-04-02T00:00:36.021Z},\n accessed = {2021-01-06},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:36.021Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Castro, Teresa},\n journal = {e-flux Journal}\n}
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\n \n\n \n \n \n \n \n Ness.\n \n \n \n\n\n \n MacFarlane, R.; and Donwood, S.\n\n\n \n\n\n\n Penguin Books Ltd., 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Ness},\n type = {book},\n year = {2019},\n publisher = {Penguin Books Ltd.},\n city = {London},\n id = {71c36d10-33e5-3fdf-8a1a-a4ea2818b1d3},\n created = {2021-04-02T00:00:42.268Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:42.268Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {MacFarlane, Robert and Donwood, Stanley}\n}
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\n \n\n \n \n \n \n \n \n Becoming Botanical: Entanglements of Plant Life and Human Subjectivity in Modern Japan.\n \n \n \n \n\n\n \n Pitt, J.\n\n\n \n\n\n\n Dissertation Thesis, University of California, Berkeley, 2019.\n \n\n\n\n
\n\n\n\n \n \n \"BecomingWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Becoming Botanical: Entanglements of Plant Life and Human Subjectivity in Modern Japan},\n type = {book},\n year = {2019},\n websites = {https://digitalassets.lib.berkeley.edu/etd/ucb/text/Pitt_berkeley_0028E_19271.pdf},\n publisher = {Dissertation Thesis, University of California, Berkeley},\n id = {51071b6f-408b-389f-97af-8886d7e36248},\n created = {2021-04-02T00:00:43.918Z},\n accessed = {2021-01-05},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:43.918Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {URL: https://digitalassets.lib.berkeley.edu/etd/ucb/text/Pitt_berkeley_0028E_19271.pdf\n\nThis dissertation argues that plant life offered a number of modern Japanese writers and filmmakers a model through which to rethink human subjectivity in response to turbulent historical events. Informed by the adaptability and resilience of vegetal life (so-called phenotypic plasticity, in which plants change in response to changes in their environments), the authors and\ndirectors I discuss posit a form of destructive plasticity available to humans in the face of crises brought on by war, colonial violence, natural disaster, and economic depression. Across genres and media—in poetry, novels, scientific writing, and films—subjectivity is reconfigured beyond the confines of the human body, beyond conventional sense perception, and beyond human\ntemporality. Drawing from Gilles Deleuze and Félix Guattari in A Thousand Plateaus, I call the reconfiguration of subjectivity in cultural texts inspired by plant life “becoming botanical.” },\n bibtype = {book},\n author = {Pitt, Jon}\n}
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\n URL: https://digitalassets.lib.berkeley.edu/etd/ucb/text/Pitt_berkeley_0028E_19271.pdf\n\nThis dissertation argues that plant life offered a number of modern Japanese writers and filmmakers a model through which to rethink human subjectivity in response to turbulent historical events. Informed by the adaptability and resilience of vegetal life (so-called phenotypic plasticity, in which plants change in response to changes in their environments), the authors and\ndirectors I discuss posit a form of destructive plasticity available to humans in the face of crises brought on by war, colonial violence, natural disaster, and economic depression. Across genres and media—in poetry, novels, scientific writing, and films—subjectivity is reconfigured beyond the confines of the human body, beyond conventional sense perception, and beyond human\ntemporality. Drawing from Gilles Deleuze and Félix Guattari in A Thousand Plateaus, I call the reconfiguration of subjectivity in cultural texts inspired by plant life “becoming botanical.” \n
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\n \n\n \n \n \n \n \n Carnivorous Plants.\n \n \n \n\n\n \n Torre, D.\n\n\n \n\n\n\n Reaktion Books, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Carnivorous Plants},\n type = {book},\n year = {2019},\n publisher = {Reaktion Books},\n city = {London},\n id = {99cef567-ed18-3980-bb2f-2fc564a56022},\n created = {2021-04-02T00:00:53.521Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:53.521Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Carnivorous plants are a unique group, possessing modified leaves to trap, kill and consume small creatures. As a result they are often depicted as killers in films and literature, yet others regard them as exotic and beautiful specimens to collect and display. In this abundantly illustrated and highly entertaining book, Dan Torre describes the evolution, structure and scientific background of carnivorous plants. He also shows how they have inspired our imagination, examining their cultural and social history, and how they have been represented in art, literature, cinema, animation and popular culture.},\n bibtype = {book},\n author = {Torre, Dan}\n}
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\n Carnivorous plants are a unique group, possessing modified leaves to trap, kill and consume small creatures. As a result they are often depicted as killers in films and literature, yet others regard them as exotic and beautiful specimens to collect and display. In this abundantly illustrated and highly entertaining book, Dan Torre describes the evolution, structure and scientific background of carnivorous plants. He also shows how they have inspired our imagination, examining their cultural and social history, and how they have been represented in art, literature, cinema, animation and popular culture.\n
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\n \n\n \n \n \n \n \n Mulberry.\n \n \n \n\n\n \n Coles, P.\n\n\n \n\n\n\n Reaktion Books, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Mulberry},\n type = {book},\n year = {2019},\n publisher = {Reaktion Books},\n city = {London},\n id = {3db78269-17a7-3674-874c-d134fc14d751},\n created = {2021-04-02T00:00:58.079Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:58.079Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Since Antiquity few trees have had a greater impact on the world’s culture and economy than the mulberry. The sole food of the silkworm, the leaves of the mulberry brought prosperity not only to ancient China, but to all nations that learned the art of silk production. Mulberry bark was used to make the first paper and the succulent, blood-red fruit of the Black Mulberry has inspired poets from Ovid to Shakespeare. The medicinal properties of all parts of the tree have been known for millennia, making it a tree of choice for medieval monastery gardens, while its anti-diabetic effects are opening exciting avenues of research today. This sumptuously illustrated book tells the remarkable story of the mulberry tree and its migrations from China and Central Asia to almost every continent of the globe. It will appeal to all who wish to know more of the rich history of this emblematic tree.},\n bibtype = {book},\n author = {Coles, Peter}\n}
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\n Since Antiquity few trees have had a greater impact on the world’s culture and economy than the mulberry. The sole food of the silkworm, the leaves of the mulberry brought prosperity not only to ancient China, but to all nations that learned the art of silk production. Mulberry bark was used to make the first paper and the succulent, blood-red fruit of the Black Mulberry has inspired poets from Ovid to Shakespeare. The medicinal properties of all parts of the tree have been known for millennia, making it a tree of choice for medieval monastery gardens, while its anti-diabetic effects are opening exciting avenues of research today. This sumptuously illustrated book tells the remarkable story of the mulberry tree and its migrations from China and Central Asia to almost every continent of the globe. It will appeal to all who wish to know more of the rich history of this emblematic tree.\n
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\n \n\n \n \n \n \n \n Primrose.\n \n \n \n\n\n \n Lawson, E.\n\n\n \n\n\n\n Reaktion Books, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Primrose},\n type = {book},\n year = {2019},\n publisher = {Reaktion Books},\n city = {London},\n id = {cbbc07c0-bc5f-3332-a91e-89daa1e56a89},\n created = {2021-04-02T00:01:01.900Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:01.900Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {For centuries the common primrose has spread breathtaking carpets of pale lemon yellow across the globe. They are flowers of the field, hedgerow and meadow, and one of the most important garden flowers. Abundant, edible and beneficial for many ailments, they have supported civilization’s social and cultural foundations. As harbingers of spring, they have captured the attention of gardeners, plant breeders and scientists, while artists and poets have found them essential as both subject matter and muse; William Shakespeare introduced us to the ‘the primrose path’, a pleasurable but destructive route, in several of his plays, and Charles Darwin spent over 30 years working with primroses to solve an elegant evolutionary mystery. This is the story of how primroses became so successful, circling the Earth, adapting to human civilization, and yet holding their own on inaccessible craggy summits where they may never be seen. Bringing together stories, facts and folklore from around the world, this is a delightful guide to this hugely popular flower.},\n bibtype = {book},\n author = {Lawson, Elizabeth}\n}
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\n For centuries the common primrose has spread breathtaking carpets of pale lemon yellow across the globe. They are flowers of the field, hedgerow and meadow, and one of the most important garden flowers. Abundant, edible and beneficial for many ailments, they have supported civilization’s social and cultural foundations. As harbingers of spring, they have captured the attention of gardeners, plant breeders and scientists, while artists and poets have found them essential as both subject matter and muse; William Shakespeare introduced us to the ‘the primrose path’, a pleasurable but destructive route, in several of his plays, and Charles Darwin spent over 30 years working with primroses to solve an elegant evolutionary mystery. This is the story of how primroses became so successful, circling the Earth, adapting to human civilization, and yet holding their own on inaccessible craggy summits where they may never be seen. Bringing together stories, facts and folklore from around the world, this is a delightful guide to this hugely popular flower.\n
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\n \n\n \n \n \n \n \n A Tree Walks through the Forest: Milkwoods and other Botanical Witnesses.\n \n \n \n\n\n \n Ellis, W.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience, 5(2): 1-4. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {A Tree Walks through the Forest: Milkwoods and other Botanical Witnesses},\n type = {article},\n year = {2019},\n pages = {1-4},\n volume = {5},\n id = {b307c557-2da9-3050-8176-cc24924d2641},\n created = {2021-04-02T00:01:24.154Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:24.154Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ellis, William},\n journal = {Catalyst: Feminism, Theory, Technoscience},\n number = {2}\n}
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\n \n\n \n \n \n \n \n ‘More-than-Human’ and ‘Less-than-Human’: Race, Botany, and the Challenge of Multispecies Ethnography.\n \n \n \n\n\n \n Ives, S.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience, 5(2): 1-5. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {‘More-than-Human’ and ‘Less-than-Human’: Race, Botany, and the Challenge of Multispecies Ethnography},\n type = {article},\n year = {2019},\n pages = {1-5},\n volume = {5},\n id = {935b618a-c626-34c8-b147-f5ac86cfada9},\n created = {2021-04-02T00:01:25.067Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:28:41.397Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ives, Sarah},\n journal = {Catalyst: Feminism, Theory, Technoscience},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Critical Perspectives on Plants, Race, and Colonialism: An Introduction.\n \n \n \n\n\n \n Foster, L., A.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience, 5(2): 1-6. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Critical Perspectives on Plants, Race, and Colonialism:  An Introduction},\n type = {article},\n year = {2019},\n pages = {1-6},\n volume = {5},\n id = {8826b297-c1ad-3bb2-bb07-71fe8a38d712},\n created = {2021-04-02T00:01:26.003Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:26.003Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Foster, Laura A.},\n journal = {Catalyst: Feminism, Theory, Technoscience},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Introduction to Special Section: Plantarium: Human–Vegetal Ecologies.\n \n \n \n\n\n \n Szczygielska, M.; and Cielemęcka, O.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience, 5(2): 1-12. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Introduction to Special Section: Plantarium: Human–Vegetal Ecologies},\n type = {article},\n year = {2019},\n pages = {1-12},\n volume = {5},\n id = {6e2591ec-7f2b-3fd6-a5e7-564838109050},\n created = {2021-04-02T00:01:27.897Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:27.897Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Szczygielska, Marianna and Cielemęcka, Olga},\n journal = {Catalyst: Feminism, Theory, Technoscience},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Phytopoetics: Upending the Passive Paradigm with Vegetal Violence and Eroticism.\n \n \n \n\n\n \n Jacobs, J.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience, 5(2): 1-18. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Phytopoetics: Upending the Passive Paradigm with Vegetal Violence and Eroticism},\n type = {article},\n year = {2019},\n pages = {1-18},\n volume = {5},\n id = {3a13bfe1-4a15-3593-a3c8-2b05f744db51},\n created = {2021-04-02T00:01:28.757Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:28.757Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This article develops the notion of phytopoetics, which describes the role of plant agency in literary creations and the cultural imaginary. In order to show how plants prompt poetic productions, the article engages with narratives by modernist German authors Oskar Panizza, Hanns Heinz Ewers, and Alfred Döblin that feature vegetal eroticism and violence. By close reading these texts and their contexts, the article maps the role of plant agency in the co-constitution of a cultural imaginary of the vegetal that results in literary works as well as societal consequences.},\n bibtype = {article},\n author = {Jacobs, Joela},\n journal = {Catalyst: Feminism, Theory, Technoscience},\n number = {2}\n}
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\n This article develops the notion of phytopoetics, which describes the role of plant agency in literary creations and the cultural imaginary. In order to show how plants prompt poetic productions, the article engages with narratives by modernist German authors Oskar Panizza, Hanns Heinz Ewers, and Alfred Döblin that feature vegetal eroticism and violence. By close reading these texts and their contexts, the article maps the role of plant agency in the co-constitution of a cultural imaginary of the vegetal that results in literary works as well as societal consequences.\n
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\n \n\n \n \n \n \n \n ‘Impressions of Plants Themselves’: Materializing Eco-Archival Practices with Anna Atkins’s ‘Photographs of British Algae’.\n \n \n \n\n\n \n Garascia, A.\n\n\n \n\n\n\n Victorian Literature and Culture, 47(2): 267-303. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {‘Impressions of Plants Themselves’: Materializing Eco-Archival Practices with Anna Atkins’s ‘Photographs of British Algae’},\n type = {article},\n year = {2019},\n pages = {267-303},\n volume = {47},\n id = {9de1903c-2d6f-302f-a71d-02796df56a34},\n created = {2021-04-02T00:01:36.736Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:32:02.267Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {2020 Emerging Scholars Award from The Nineteenth Century Studies Association},\n bibtype = {article},\n author = {Garascia, Ann},\n journal = {Victorian Literature and Culture},\n number = {2}\n}
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\n 2020 Emerging Scholars Award from The Nineteenth Century Studies Association\n
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\n \n\n \n \n \n \n \n Plantsex.\n \n \n \n\n\n \n Dimitrova, M.; Pietroiusti, L.; Ramos, F.; and Stasinopoulos, K.\n\n\n \n\n\n\n In Dimitrova, M.; Pietroiusti, L.; Ramos, F.; and Stasinopoulos, K., editor(s), Mal a Journal of Sexuality and Erotics, 2019. Serpentine Galleries\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@inproceedings{\n title = {Plantsex},\n type = {inproceedings},\n year = {2019},\n issue = {3},\n publisher = {Serpentine Galleries},\n city = {London},\n id = {592306a7-13b6-37bb-843f-222b1a215f02},\n created = {2021-04-02T00:01:39.632Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:39.632Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Mal Journal Issue 3: PLANTSEX focuses on the complex intersections of plant life and sex life, from anthropomorphised sacred trees to 18th century botanical classification and pornography. This issue brings together many of these contemporary and ancient strands, from gardening as an act of active looking and queer disruption to botanical nursery rhymes moulded on the structure of medieval song. PLANTSEX features an essay by novelist Chloe Aridjis on Mexican flora and its foreigners, a sequence of floral poems by Bhanu Kapil, an essay on the sex lives of plants by author of The Life of Plants Emanuele Coccia, a personal exploration of the queerness of gardening by Julia Bell, an essay on queer botanics by film critic Teresa Castro, a sequence of botanical nursery rhymes and artworks by artist, poet and gardener Alex Cecchetti, a new poem (and somatic poetry ritual) by CAConrad, and an essay by writer and poet Daisy Lafarge asking ‘Can you be a revolutionary & still love flowers?’ Included in the issue are also three excerpts from antiquity – Sumerian poetry, the Song of Songs and Ovid’s Fasti V and Metamorphoses. The issue features original illustrations by Australian artist Yi Xiao Chen.\r\nIt can be purchased here: https://serpentine-galleries.myshopify.com/products/mal-journal-plantsex},\n bibtype = {inproceedings},\n author = {Dimitrova, Maria and Pietroiusti, Lucia and Ramos, Filipa and Stasinopoulos, Kostas},\n editor = {Dimitrova, Maria and Pietroiusti, Lucia and Ramos, Filipa and Stasinopoulos, Kostas},\n booktitle = {Mal a Journal of Sexuality and Erotics}\n}
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\n Mal Journal Issue 3: PLANTSEX focuses on the complex intersections of plant life and sex life, from anthropomorphised sacred trees to 18th century botanical classification and pornography. This issue brings together many of these contemporary and ancient strands, from gardening as an act of active looking and queer disruption to botanical nursery rhymes moulded on the structure of medieval song. PLANTSEX features an essay by novelist Chloe Aridjis on Mexican flora and its foreigners, a sequence of floral poems by Bhanu Kapil, an essay on the sex lives of plants by author of The Life of Plants Emanuele Coccia, a personal exploration of the queerness of gardening by Julia Bell, an essay on queer botanics by film critic Teresa Castro, a sequence of botanical nursery rhymes and artworks by artist, poet and gardener Alex Cecchetti, a new poem (and somatic poetry ritual) by CAConrad, and an essay by writer and poet Daisy Lafarge asking ‘Can you be a revolutionary & still love flowers?’ Included in the issue are also three excerpts from antiquity – Sumerian poetry, the Song of Songs and Ovid’s Fasti V and Metamorphoses. The issue features original illustrations by Australian artist Yi Xiao Chen.\r\nIt can be purchased here: https://serpentine-galleries.myshopify.com/products/mal-journal-plantsex\n
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\n \n\n \n \n \n \n \n From the South Seas to Soho Square: Joseph Banks's Library, Collection and Kingdom of Natural History.\n \n \n \n\n\n \n Rose, E., D.\n\n\n \n\n\n\n Notes and Records: The Royal Society Journal of the History of Science, 73: 499-526. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {From the South Seas to Soho Square: Joseph Banks's Library, Collection and Kingdom of Natural History},\n type = {article},\n year = {2019},\n pages = {499-526},\n volume = {73},\n id = {03ea1643-6bf1-3d21-9372-a559d0c24ffc},\n created = {2021-04-02T00:01:47.493Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:47.493Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Rose, Edwin D.},\n doi = {10.1098 / rsnr.2018.0059},\n journal = {Notes and Records: The Royal Society Journal of the History of Science}\n}
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\n \n\n \n \n \n \n \n The Aesthetics of Classification and the Politics of Taxonomy: Blandowski’s Encyclopedia as Theater, 1849 – 1859.\n \n \n \n\n\n \n Zinnenburg Carroll, K., v.\n\n\n \n\n\n\n In Kockelkorn, A.; and Zschocke, N., editor(s), Productive Universals, Specific Situations: Critical Engagements in Art, Architecture, and Urbanism, pages 40-69, 2019. Sternberg Press\n \n\n\n\n
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@inproceedings{\n title = {The Aesthetics of Classification and the Politics of Taxonomy: Blandowski’s Encyclopedia as Theater, 1849 – 1859},\n type = {inproceedings},\n year = {2019},\n pages = {40-69},\n publisher = {Sternberg Press},\n city = {Berlin},\n id = {22897066-ee31-3b6a-a496-5f48954d35ba},\n created = {2021-04-02T00:01:48.428Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:48.428Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Zinnenburg Carroll, Khadija von},\n editor = {Kockelkorn, Anne and Zschocke, Nina},\n booktitle = {Productive Universals, Specific Situations: Critical Engagements in Art, Architecture, and Urbanism}\n}
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\n \n\n \n \n \n \n \n ‘Keeping is not safe’: Zur kulturellen Bedeutung von Saatenbanken am Beispiel von Ruth Ozeki’s ‘All Over Creation’ und Margaret Atwoods ‘The Year of the Flood’.\n \n \n \n\n\n \n Grewe-Volpp, C.\n\n\n \n\n\n\n In Assmann, D., editor(s), Narrative der Deponie: Kulturwissenschaftliche Analysen beseitigter Materialitäten, pages 167-184, 2019. Springer Verlag\n \n\n\n\n
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@inproceedings{\n title = {‘Keeping is not safe’: Zur kulturellen Bedeutung von Saatenbanken am Beispiel von Ruth Ozeki’s ‘All Over Creation’ und Margaret Atwoods ‘The Year of the Flood’},\n type = {inproceedings},\n year = {2019},\n pages = {167-184},\n publisher = {Springer Verlag},\n city = {Heidelberg},\n id = {87cfda2f-2b41-3876-bd9e-bc39d6dcad11},\n created = {2021-04-02T00:01:50.514Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:25:01.636Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Grewe-Volpp, Christa},\n editor = {Assmann, David-Christopher},\n booktitle = {Narrative der Deponie: Kulturwissenschaftliche Analysen beseitigter Materialitäten}\n}
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\n \n\n \n \n \n \n \n Botanical Inspiration: Nature in Art and Illustration.\n \n \n \n\n\n \n Victionary\n\n\n \n\n\n\n viction:ary, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Botanical Inspiration: Nature in Art and Illustration},\n type = {book},\n year = {2019},\n publisher = {viction:ary},\n city = {North Point, Hong Kong},\n id = {72c95b16-2607-3b10-a739-f85861efd2ec},\n created = {2021-04-02T00:02:08.008Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:08.008Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {A world without plants is a world without life, both literally and figuratively. Besides forming the very basis of human survival on Earth, they are also an important source of creative inspiration, ingenuity, and expression. From scientific explorers like Sir Joseph Banks who travelled across the globe in search of never-seen-before species to impressionist painters like Édouard Manet who sought to capture the subtle beauty of everyday objects, many artists and illustrators have used flora as a powerful means to convey the essence of our very existence. "Botanical Inspiration" is a timeless collection of artwork and illustrations that feature flora and its many facets through a variety of visual concepts, styles, and techniques. It speaks to lovers of both nature and creativity as a universal language in itself, thoughtfully interpreted by some of today’s most intriguing and interesting talents.},\n bibtype = {book},\n author = {Victionary, undefined}\n}
\n
\n\n\n
\n A world without plants is a world without life, both literally and figuratively. Besides forming the very basis of human survival on Earth, they are also an important source of creative inspiration, ingenuity, and expression. From scientific explorers like Sir Joseph Banks who travelled across the globe in search of never-seen-before species to impressionist painters like Édouard Manet who sought to capture the subtle beauty of everyday objects, many artists and illustrators have used flora as a powerful means to convey the essence of our very existence. \"Botanical Inspiration\" is a timeless collection of artwork and illustrations that feature flora and its many facets through a variety of visual concepts, styles, and techniques. It speaks to lovers of both nature and creativity as a universal language in itself, thoughtfully interpreted by some of today’s most intriguing and interesting talents.\n
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\n \n\n \n \n \n \n \n \n To Be A Weed.\n \n \n \n \n\n\n \n Lawrence, A.\n\n\n \n\n\n\n The Ethnobotanical Assembly, (4). 2019.\n \n\n\n\n
\n\n\n\n \n \n \"ToWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {To Be A Weed},\n type = {article},\n year = {2019},\n websites = {https://www.tea-assembly.com/issues/2019/9/29/to-be-a-weed},\n id = {f19758a9-c859-3ef9-9679-5ac23fcedcd4},\n created = {2021-04-02T00:02:09.013Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:09.013Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Lawrence, Anna},\n journal = {The Ethnobotanical Assembly},\n number = {4}\n}
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\n \n\n \n \n \n \n \n Trees.\n \n \n \n\n\n \n Fondation Cartier pour l’art contemporain Paris\n\n\n \n\n\n\n 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Trees},\n type = {book},\n year = {2019},\n city = {Paris},\n id = {356c499f-4fd1-3b6a-b8b4-54b30d2b5a1a},\n created = {2021-04-02T00:02:09.747Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:09.747Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Omnipresent, essential to life, the little-known living organisms that are trees have begun to generate a growing interest on behalf of the public, as evidenced by the international success of several recent books and movies devoted to the subject. Underestimated by biologists for a long time—like the entirety of the plant kingdom—in recent years they have been the subject of scientific discoveries that have allowed us to see these organisms in a new light. Interestingly, some of these are amongst the oldest and largest members of this community of living things. Boasting sensory and motor skills, capable of communication, existing in symbiosis with other species and the climate, trees are equipped with unexpected faculties whose discovery confirms what traditional knowledge has long since incorporated. The veil has been lifted on a fascinating world—the world of ‘plant intelligence’—which could be the answer to many of today’s technological and environmental problems.\r\n\r\nThe Fondation Cartier is publishing a catalogue allowing readers to discover all of the works presented in the exhibition through almost 500 images, as well as a rich ensemble of scientific and critical texts. Combining the work of painters, photographers, architects, sculptors, philosophers, botanists and climatology specialists, this publication highlights the beauty, ingenuity and biological wealth of trees, plunging the reader into the fascinating world of these heroes of the living world.\r\nExhibition: July 12th to November 10th, 2019},\n bibtype = {book},\n author = {Fondation Cartier pour l’art contemporain Paris, undefined}\n}
\n
\n\n\n
\n Omnipresent, essential to life, the little-known living organisms that are trees have begun to generate a growing interest on behalf of the public, as evidenced by the international success of several recent books and movies devoted to the subject. Underestimated by biologists for a long time—like the entirety of the plant kingdom—in recent years they have been the subject of scientific discoveries that have allowed us to see these organisms in a new light. Interestingly, some of these are amongst the oldest and largest members of this community of living things. Boasting sensory and motor skills, capable of communication, existing in symbiosis with other species and the climate, trees are equipped with unexpected faculties whose discovery confirms what traditional knowledge has long since incorporated. The veil has been lifted on a fascinating world—the world of ‘plant intelligence’—which could be the answer to many of today’s technological and environmental problems.\r\n\r\nThe Fondation Cartier is publishing a catalogue allowing readers to discover all of the works presented in the exhibition through almost 500 images, as well as a rich ensemble of scientific and critical texts. Combining the work of painters, photographers, architects, sculptors, philosophers, botanists and climatology specialists, this publication highlights the beauty, ingenuity and biological wealth of trees, plunging the reader into the fascinating world of these heroes of the living world.\r\nExhibition: July 12th to November 10th, 2019\n
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\n \n\n \n \n \n \n \n Gewächse der Seele: Pflanzenfantasien zwischen Symbolismus und Outsider Art / Floral Fantasies between Symbolism and Outsider Art.\n \n \n \n\n\n \n Wilhelm-Hack-Museum Ludwigshafen\n\n\n \n\n\n\n Hatje Cantz Verlag, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Gewächse der Seele: Pflanzenfantasien zwischen Symbolismus und Outsider Art / Floral Fantasies between Symbolism and Outsider Art},\n type = {book},\n year = {2019},\n publisher = {Hatje Cantz Verlag},\n city = {Berlin},\n id = {d3e3528a-97da-32a2-90ca-66ff4a3f8bf3},\n created = {2021-04-02T00:02:10.413Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:10.413Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {In der »Outsider Art« oder der »Art brut«, die nicht selten auf psychische Ausnahmeerfahrungen zurückgeht, gibt es ein breites Spektrum an Beschäftigungen mit Pflanzen, Pflanzenwesen, beseelten Pflanzen bis hin zu Pflanzen-Tier-Wesen. Die Pflanze als Metapher und Projektionsfläche der Psyche findet sich darüber hinaus auch in der Kunstgeschichte, insbesondere in Symbolismus und Surrealismus. In einem interdisziplinären Projekt mehrerer Institutionen wird die Pflanze in ihren aktuellen künstlerischen Erscheinungsformen der Outsider Art anhand von inklusiven Ausstellungen, Installationen sowie Performance-, Tanz- und Theaterproduktionen ausgewählten Werken des Kunstkanons gegenübergestellt. Zugleich hinterfragt der Band die feste Abgrenzung von In- und Outsider Art und unterstreicht die fließenden Übergänge der Kunstproduktionen unter ganz unterschiedlichen Voraussetzungen.\r\nWilhelm-Hack-Museum, Ludwigshafen; Sammlung Prinzhorn, Heidelberg; Museum Haus Cajeth, Heidelberg; Galerie Alte Turnhalle, Bad Dürkheim; zeitraumexit, Mannheim, 30.3.–4.8.2019},\n bibtype = {book},\n author = {Wilhelm-Hack-Museum Ludwigshafen, undefined}\n}
\n
\n\n\n
\n In der »Outsider Art« oder der »Art brut«, die nicht selten auf psychische Ausnahmeerfahrungen zurückgeht, gibt es ein breites Spektrum an Beschäftigungen mit Pflanzen, Pflanzenwesen, beseelten Pflanzen bis hin zu Pflanzen-Tier-Wesen. Die Pflanze als Metapher und Projektionsfläche der Psyche findet sich darüber hinaus auch in der Kunstgeschichte, insbesondere in Symbolismus und Surrealismus. In einem interdisziplinären Projekt mehrerer Institutionen wird die Pflanze in ihren aktuellen künstlerischen Erscheinungsformen der Outsider Art anhand von inklusiven Ausstellungen, Installationen sowie Performance-, Tanz- und Theaterproduktionen ausgewählten Werken des Kunstkanons gegenübergestellt. Zugleich hinterfragt der Band die feste Abgrenzung von In- und Outsider Art und unterstreicht die fließenden Übergänge der Kunstproduktionen unter ganz unterschiedlichen Voraussetzungen.\r\nWilhelm-Hack-Museum, Ludwigshafen; Sammlung Prinzhorn, Heidelberg; Museum Haus Cajeth, Heidelberg; Galerie Alte Turnhalle, Bad Dürkheim; zeitraumexit, Mannheim, 30.3.–4.8.2019\n
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\n \n\n \n \n \n \n \n Seeing Trees: A History of Street Trees in New York City and Berlin.\n \n \n \n\n\n \n Dümpelmann, S.\n\n\n \n\n\n\n Yale University Press, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Seeing Trees: A History of Street Trees in New York City and Berlin},\n type = {book},\n year = {2019},\n publisher = {Yale University Press},\n city = {New Haven, CT; London},\n id = {b2c5f46f-b4dd-375f-8374-ab24b2dfb19d},\n created = {2021-04-02T00:02:12.709Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:12.709Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Dümpelmann, Sonja}\n}
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\n \n\n \n \n \n \n \n Botanophilie: Mensch und Pflanze in der aufklärerisch-bürgerlichen Gesellschaft um 1800.\n \n \n \n\n\n \n Ruppel, S.\n\n\n \n\n\n\n Böhlau, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Botanophilie: Mensch und Pflanze in der aufklärerisch-bürgerlichen Gesellschaft um 1800},\n type = {book},\n year = {2019},\n publisher = {Böhlau},\n city = {Cologne},\n id = {a7ba39fc-6244-3690-935a-f126d85785be},\n created = {2021-04-02T00:02:17.303Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:17.303Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ruppel, Sophie}\n}
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\n \n\n \n \n \n \n \n becoming-Botanical.\n \n \n \n\n\n \n Armstrong, J.; and Lakind, A.\n\n\n \n\n\n\n Objet-a Creative Studio, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {becoming-Botanical},\n type = {book},\n year = {2019},\n publisher = {Objet-a Creative Studio},\n city = {Glasgow},\n id = {bfaaa3c7-55fe-3796-8689-ee889f1120a8},\n created = {2021-04-02T00:02:18.926Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:18.926Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {becoming-Botanical is a long-term antidisciplinary project aiming to investigate and re-imagine the human/plant relationship with a view towards a sustainable future. We believe that new experiences with and deeper understanding of nonhuman life garners an ecocentric and empathetic perspective crucial to living sustainably in a shifting climate. Central to the first phase of becoming-Botanical is the curation and publication of an herbal encyclopaedia (liber herbalis) which asks contributors and readers to contemplate in what ways we interact and depend on plant-life in a post-modern era and what future interactions and dependencies may be. The book comprises a selection of short provocative entries from practitioners of a myriad of scientific and artistic disciplines, accompanied by found, submitted and illustrated visual imagery to disrupt, contradict, or compliment the entries. It is imagined that this collection of disparate ideas can act as a catalyst for creative thinking and artistic practice in the widening field of sustainability and performance ecologies. The book features 46 entries from over 50 international artists, researchers and practitioners spanning 6 continents–beautifully fusing academia, scientific and ecological research, art, and creative practice. },\n bibtype = {book},\n author = {Armstrong, Josh and Lakind, Alexandra}\n}
\n
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\n becoming-Botanical is a long-term antidisciplinary project aiming to investigate and re-imagine the human/plant relationship with a view towards a sustainable future. We believe that new experiences with and deeper understanding of nonhuman life garners an ecocentric and empathetic perspective crucial to living sustainably in a shifting climate. Central to the first phase of becoming-Botanical is the curation and publication of an herbal encyclopaedia (liber herbalis) which asks contributors and readers to contemplate in what ways we interact and depend on plant-life in a post-modern era and what future interactions and dependencies may be. The book comprises a selection of short provocative entries from practitioners of a myriad of scientific and artistic disciplines, accompanied by found, submitted and illustrated visual imagery to disrupt, contradict, or compliment the entries. It is imagined that this collection of disparate ideas can act as a catalyst for creative thinking and artistic practice in the widening field of sustainability and performance ecologies. The book features 46 entries from over 50 international artists, researchers and practitioners spanning 6 continents–beautifully fusing academia, scientific and ecological research, art, and creative practice. \n
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\n \n\n \n \n \n \n \n Cultural Analysis of Microbial Worlds.\n \n \n \n\n\n \n Hartigan Jr., J.\n\n\n \n\n\n\n In Besky, S.; and Blanchette, A., editor(s), How Nature Works : Rethinking Labor on a Troubled Planet, pages 171-189, 2019. University of New Mexico Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Cultural Analysis of Microbial Worlds},\n type = {inproceedings},\n year = {2019},\n pages = {171-189},\n publisher = {University of New Mexico Press},\n city = {Albuquerque, NM},\n id = {6eaf56a5-da5e-3e6b-8975-0a76126ff208},\n created = {2021-04-02T00:02:23.606Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:23.606Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Hartigan Jr., John},\n editor = {Besky, Sarah and Blanchette, Alex},\n booktitle = {How Nature Works : Rethinking Labor on a Troubled Planet}\n}
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\n \n\n \n \n \n \n \n Plants as Ethnographic Subjects.\n \n \n \n\n\n \n Hartigan Jr., J.\n\n\n \n\n\n\n Anthropology Today, 35(2): 1-3. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Plants as Ethnographic Subjects},\n type = {article},\n year = {2019},\n pages = {1-3},\n volume = {35},\n id = {19329a00-72e8-37f4-960c-a26f0d252714},\n created = {2021-04-02T00:02:24.556Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:24.556Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Guest Editorial.\r\nPlants can be intriguing, challenging ethnographic subjects. Plants are communicative, agential and social. Engaging them ethnographically possibly expands the scope and relevance of ethnographic methods and theorizing. The phenotypic plasticity of plants makes them strikingly attuned to ethnographic concerns with place and its constitutions; they also actively constitute place through niche construction. There are various intellectual resources available for this kind of engagement through the long‐established disciplines of phytosociology and botany, which, like ethnography, is a field‐based practice.},\n bibtype = {article},\n author = {Hartigan Jr., John},\n journal = {Anthropology Today},\n number = {2}\n}
\n
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\n Guest Editorial.\r\nPlants can be intriguing, challenging ethnographic subjects. Plants are communicative, agential and social. Engaging them ethnographically possibly expands the scope and relevance of ethnographic methods and theorizing. The phenotypic plasticity of plants makes them strikingly attuned to ethnographic concerns with place and its constitutions; they also actively constitute place through niche construction. There are various intellectual resources available for this kind of engagement through the long‐established disciplines of phytosociology and botany, which, like ethnography, is a field‐based practice.\n
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\n \n\n \n \n \n \n \n Material Provocations in the Archives.\n \n \n \n\n\n \n Stuchel, D.\n\n\n \n\n\n\n Journal of Critical Library & Information Studies, 2(3). 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Material Provocations in the Archives},\n type = {article},\n year = {2019},\n volume = {2},\n id = {384b4b7a-77bc-354a-a478-764aa6b2121f},\n created = {2021-04-02T00:02:52.196Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:52.196Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {As a name, "Anthropocene" would seem to signal that this geologic epoch is both because of humans and about humans. The latter implication draws on pervasive cultural ideas about nature which underlie the Anthropocene and its climatic impacts, namely nature as an extractable, endlessly-renewable resource. While scholars in the environmental humanities, animal studies, and critical plant studies have been quick to both diagnose and propose new directions for our engagements with the material universe, scholarship on archival materiality has continued to focus on the archives as an institution for and about human intellectual endeavors. In other words, the archives continue to be an extractable resource. Within the archives, animal, plant, and abiotic changes which work against projects of human history are seen as failures, infestations, or disasters-they can never be properly archival. This essay offers a potential corrective to anthropocentric archiving, by bringing together Jane Bennett's new materialist project of "vibrant matter," Michael Marder's vegetal philosophy, and Caitlin DeSilvey's curation of decay to suggest avenues of engaging archival materiality as meaningful and provocative. As an analytic schema, this focus on the "vibrant archives" does not aim to save records from planetary changes but to begin the work of rethinking archival materiality (and its destruction) within the context of the Anthropocene. 2 Image 1. Fruit of the Tribulus terrestris plant. Photograph by Steve Hurst.},\n bibtype = {article},\n author = {Stuchel, Dani},\n journal = {Journal of Critical Library & Information Studies},\n number = {3}\n}
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\n As a name, \"Anthropocene\" would seem to signal that this geologic epoch is both because of humans and about humans. The latter implication draws on pervasive cultural ideas about nature which underlie the Anthropocene and its climatic impacts, namely nature as an extractable, endlessly-renewable resource. While scholars in the environmental humanities, animal studies, and critical plant studies have been quick to both diagnose and propose new directions for our engagements with the material universe, scholarship on archival materiality has continued to focus on the archives as an institution for and about human intellectual endeavors. In other words, the archives continue to be an extractable resource. Within the archives, animal, plant, and abiotic changes which work against projects of human history are seen as failures, infestations, or disasters-they can never be properly archival. This essay offers a potential corrective to anthropocentric archiving, by bringing together Jane Bennett's new materialist project of \"vibrant matter,\" Michael Marder's vegetal philosophy, and Caitlin DeSilvey's curation of decay to suggest avenues of engaging archival materiality as meaningful and provocative. As an analytic schema, this focus on the \"vibrant archives\" does not aim to save records from planetary changes but to begin the work of rethinking archival materiality (and its destruction) within the context of the Anthropocene. 2 Image 1. Fruit of the Tribulus terrestris plant. Photograph by Steve Hurst.\n
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\n \n\n \n \n \n \n \n \n Uprooting a Renter's Garden.\n \n \n \n \n\n\n \n Stuchel, D.\n\n\n \n\n\n\n 2019.\n \n\n\n\n
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\n 
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\n \n\n \n \n \n \n \n Evil Roots: Killer Tales of the Botanical Gothic.\n \n \n \n\n\n \n Butcher, D.\n\n\n \n\n\n\n The British Library, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n \n Das literarische Leben der Pflanzen: Poetiken des Botanischen.\n \n \n \n \n\n\n \n Jacobs, J.; and Kranz, I.\n\n\n \n\n\n\n literatur für leser, special issue: Das literarische Leben der Pflanzen: Poetiken des Botanischen/The Literary Lives of Plants: Poetics of the Botanical. 2019.\n \n\n\n\n
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@article{\n title = {Das literarische Leben der Pflanzen: Poetiken des Botanischen},\n type = {article},\n year = {2019},\n websites = {https://www.peterlang.com/fileasset/Journals/LFL022017_ebook.pdf},\n edition = {literatur für leser},\n id = {39418411-3116-3752-9edd-1116d832bb3f},\n created = {2021-04-02T00:02:55.770Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-06-09T21:50:30.429Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Bilingual special issue of "Literatur für Leser" journal, published as 2/2017 in August 2019.\r\n\r\nTOC:\r\n\r\nJoela Jacobs & Isabel Kranz,\r\nEinleitung: Das literarische Leben der Pflanzen: Poetiken des Botanischen.\r\n\r\nTove Holmes,\r\n“Beweglich und bildsam”: Goethe, Plants, and Literature.\r\n\r\nHelga G. Braunbeck,\r\nZarte Empirie, Schreiben mit grüner Tinte und die agenziellen Kräfte der Natur: Klaus Modicks Novelle Moos.\r\n\r\nAnna-Lisa Baumeister,\r\nHerder’s Kritische Wälder: A Vegetal Topography of Critique.\r\n\r\nJohannes Wankhammer,\r\nAnthropomorphism, Trope, and the Hidden Life of Trees: On Peter Wohlleben’s Rhetoric.\r\n\r\nCarla Swiderski,\r\nRestaurationsarbeiten im imaginierten Garten in Hilde Domins Das zweite Paradies.\r\n\r\nVera Kaulbarsch,\r\n„Apparent Life“: Botanik, Visualität und Literatur bei Erasmus Darwin.\r\n\r\nBarbara Thums,\r\nfleurs: Friederike Mayröckers Blumensprache.},\n bibtype = {article},\n author = {Jacobs, Joela and Kranz, Isabel},\n journal = {literatur für leser, special issue: Das literarische Leben der Pflanzen: Poetiken des Botanischen/The Literary Lives of Plants: Poetics of the Botanical}\n}
\n
\n\n\n
\n Bilingual special issue of \"Literatur für Leser\" journal, published as 2/2017 in August 2019.\r\n\r\nTOC:\r\n\r\nJoela Jacobs & Isabel Kranz,\r\nEinleitung: Das literarische Leben der Pflanzen: Poetiken des Botanischen.\r\n\r\nTove Holmes,\r\n“Beweglich und bildsam”: Goethe, Plants, and Literature.\r\n\r\nHelga G. Braunbeck,\r\nZarte Empirie, Schreiben mit grüner Tinte und die agenziellen Kräfte der Natur: Klaus Modicks Novelle Moos.\r\n\r\nAnna-Lisa Baumeister,\r\nHerder’s Kritische Wälder: A Vegetal Topography of Critique.\r\n\r\nJohannes Wankhammer,\r\nAnthropomorphism, Trope, and the Hidden Life of Trees: On Peter Wohlleben’s Rhetoric.\r\n\r\nCarla Swiderski,\r\nRestaurationsarbeiten im imaginierten Garten in Hilde Domins Das zweite Paradies.\r\n\r\nVera Kaulbarsch,\r\n„Apparent Life“: Botanik, Visualität und Literatur bei Erasmus Darwin.\r\n\r\nBarbara Thums,\r\nfleurs: Friederike Mayröckers Blumensprache.\n
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\n \n\n \n \n \n \n \n \n Radical Botany: Plants and Speculative Fiction.\n \n \n \n \n\n\n \n Meeker, N.; and Szabari, A.\n\n\n \n\n\n\n Fordham University Press, 2019.\n \n\n\n\n
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\n 
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\n \n\n \n \n \n \n \n Ein Garten.\n \n \n \n\n\n \n l'Aigle, A., d.\n\n\n \n\n\n\n Matthes & Seitz, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n Von Pflanzen und Menschen: Leben auf dem grünen Planeten.\n \n \n \n \n\n\n \n Meyer, K.; and Weiss, J., E.\n\n\n \n\n\n\n Wallstein, 2019.\n \n\n\n\n
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\n 
@book{\n title = {Von Pflanzen und Menschen: Leben auf dem grünen Planeten},\n type = {book},\n year = {2019},\n websites = {http://www.zfl-berlin.org/publikationen-detail/items/von-pflanzen-und-menschen.html},\n publisher = {Wallstein},\n city = {Göttingen},\n id = {bcf861cb-85e9-3da2-b9c5-17a2ac3e5593},\n created = {2021-04-02T00:04:28.871Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:28.871Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Begleitband zur Ausstellung: Von Pflanzen und Menschen im Deutschen Hygiene-Museum Dresden (19.04.2019–19.04.2020)},\n bibtype = {book},\n author = {Meyer, Kathrin and Weiss, Judith Elisabeth}\n}
\n
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\n Begleitband zur Ausstellung: Von Pflanzen und Menschen im Deutschen Hygiene-Museum Dresden (19.04.2019–19.04.2020)\n
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\n \n\n \n \n \n \n \n \n Novel Cultivations: Plants in British Literature of the Global Nineteenth Century.\n \n \n \n \n\n\n \n Chang, E., H.\n\n\n \n\n\n\n The University of Virginia Press, 2019.\n \n\n\n\n
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\n 
@book{\n title = {Novel Cultivations: Plants in British Literature of the Global Nineteenth Century},\n type = {book},\n year = {2019},\n websites = {https://www.upress.virginia.edu/title/5364},\n publisher = {The University of Virginia Press},\n city = {Charlottesville},\n id = {866da69d-7818-3f3b-9a54-b539bd95caf7},\n created = {2021-04-02T00:04:51.364Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:51.364Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Chang, Elizabeth Hope}\n}
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\n \n\n \n \n \n \n \n \n Eden's Heirs: Biopolitics and Vegetal Affinities in the Gardens of Literature.\n \n \n \n \n\n\n \n Jacobs, J.\n\n\n \n\n\n\n In Giovanni Aloi, editor(s), Why Look at Plants? The Botanical Emergence in Contemporary Art, pages 120-123, 2019. Brill/Rodopi\n \n\n\n\n
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\n 
@inproceedings{\n title = {Eden's Heirs: Biopolitics and Vegetal Affinities in the Gardens of Literature},\n type = {inproceedings},\n year = {2019},\n pages = {120-123},\n websites = {https://brill.com/abstract/title/33086},\n publisher = {Brill/Rodopi},\n id = {4c8851b8-0a52-3850-a440-f3084b250543},\n created = {2021-04-02T00:04:52.334Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:52.334Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Jacobs, Joela},\n editor = {Giovanni Aloi, undefined},\n booktitle = {Why Look at Plants? The Botanical Emergence in Contemporary Art}\n}
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\n \n\n \n \n \n \n \n Why Look at Plants? The Botanical Emergence in Contemporary Art.\n \n \n \n\n\n \n Aloi, G.\n\n\n \n\n\n\n Brill | Rodopi, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Why Look at Plants? The Botanical Emergence in Contemporary Art},\n type = {book},\n year = {2019},\n publisher = {Brill | Rodopi},\n city = {Leiden},\n id = {610e4c26-e56d-3aa0-8f59-c83d6cdf1119},\n created = {2021-04-05T16:39:15.515Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:15.515Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n abstract = {Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene.\r\nPlant’s fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers’ pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.\r\nWinner of the 2019 Choice Outstanding Academic Title},\n bibtype = {book},\n author = {Aloi, Giovanni}\n}
\n
\n\n\n
\n Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene.\r\nPlant’s fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers’ pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.\r\nWinner of the 2019 Choice Outstanding Academic Title\n
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\n \n\n \n \n \n \n \n Ungras im Paradies.\n \n \n \n\n\n \n Pumhösel, B.\n\n\n \n\n\n\n Edition Thurnhof, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n Roses from Kenya: Labor, Environment, and the Global Trade in Cut Flowers.\n \n \n \n \n\n\n \n Styles, M., A.\n\n\n \n\n\n\n University of Washington Press, 2019.\n \n\n\n\n
\n\n\n\n \n \n \"RosesWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Roses from Kenya: Labor, Environment, and the Global Trade in Cut Flowers},\n type = {book},\n year = {2019},\n websites = {https://uwapress.uw.edu/book/9780295746500/roses-from-kenya/},\n publisher = {University of Washington Press},\n city = {Seattle},\n id = {73b64a4c-bbda-32a5-8066-122d6555c56f},\n created = {2021-06-17T18:41:09.766Z},\n accessed = {2021-06-17},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-17T18:41:09.766Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Styles, Megan A}\n}
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\n \n\n \n \n \n \n \n Vergil's Green Thoughts: Plants, Humans, and the Divine.\n \n \n \n\n\n \n Armstrong, R.\n\n\n \n\n\n\n Oxford University Press, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Vergil's Green Thoughts: Plants, Humans, and the Divine},\n type = {book},\n year = {2019},\n publisher = {Oxford University Press},\n city = {Oxford},\n id = {f63f4563-8164-3245-b2c8-bc0c7b582a75},\n created = {2021-06-21T17:21:28.694Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-21T17:21:28.694Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The Eclogues, Georgics, and Aeneid abound with plants, yet much Vergilian criticism underestimates their significance beyond attractive background detail or the occasional symbolic set-piece. This volume joins the growing field of nature-centred studies of literature, looking head-on at Vergil's plants and trees to reveal how fundamental they are to an understanding of the poet's outlook on religion, culture, and mankind's place within the world.\n\nDivided into two parts, the first explores the religious and more diffusely numinous aspects of Vergil's plants, from awe-inspiring sacred groves to divinely promoted fields of corn, and shows how both cultivated and uncultivated plants fit within and help to shape the complex landscape of Vergilian (and, more broadly, Roman) religious thought. In the second half of the book, the focus shifts towards human interactions with plants from the perspectives of both cultivation and relaxation, exploring the love-hate relationship with vegetation which sometimes supports and sometimes contests the human self-image as the world's dominant species. Combining a series of close readings of a wide range of passages with the identification of broader patterns of association, Vergil's Green Thoughts appositely reveals and celebrates the complexity and variety of Vergilian flora.},\n bibtype = {book},\n author = {Armstrong, Rebecca}\n}
\n
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\n The Eclogues, Georgics, and Aeneid abound with plants, yet much Vergilian criticism underestimates their significance beyond attractive background detail or the occasional symbolic set-piece. This volume joins the growing field of nature-centred studies of literature, looking head-on at Vergil's plants and trees to reveal how fundamental they are to an understanding of the poet's outlook on religion, culture, and mankind's place within the world.\n\nDivided into two parts, the first explores the religious and more diffusely numinous aspects of Vergil's plants, from awe-inspiring sacred groves to divinely promoted fields of corn, and shows how both cultivated and uncultivated plants fit within and help to shape the complex landscape of Vergilian (and, more broadly, Roman) religious thought. In the second half of the book, the focus shifts towards human interactions with plants from the perspectives of both cultivation and relaxation, exploring the love-hate relationship with vegetation which sometimes supports and sometimes contests the human self-image as the world's dominant species. Combining a series of close readings of a wide range of passages with the identification of broader patterns of association, Vergil's Green Thoughts appositely reveals and celebrates the complexity and variety of Vergilian flora.\n
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\n \n\n \n \n \n \n \n Echte Bäume weinen nicht: Warum wir die Natur Natur sein lassen sollten.\n \n \n \n\n\n \n Bakker, G.\n\n\n \n\n\n\n Suhrkamp, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n ‘Es flüstern und sprechen die Blumen’: Eine Blütenlese in Bild und Gedicht.\n \n \n \n\n\n \n Göttert, K.,\n editor.\n \n\n\n \n\n\n\n Reclam, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {‘Es flüstern und sprechen die Blumen’: Eine Blütenlese in Bild und Gedicht},\n type = {book},\n year = {2019},\n publisher = {Reclam},\n city = {Stuttgart},\n id = {a7fe90ae-ebc6-35ab-a3bb-c6f35f3b8eea},\n created = {2021-11-16T23:27:53.279Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:28:11.299Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Göttert, Karl-Heinz}\n}
\n
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\n\n\n
\n \n\n \n \n \n \n \n Oh, eine Pflanze!.\n \n \n \n\n\n \n Bork, F.\n\n\n \n\n\n\n Eichborn Verlag, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Oh, eine Pflanze!},\n type = {book},\n year = {2019},\n publisher = {Eichborn Verlag},\n city = {Köln},\n id = {fd687d6e-0afc-3d51-aebd-c43bb1aed224},\n created = {2021-11-16T23:27:53.523Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-16T23:27:53.523Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bork, Felix}\n}
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Thinking the Feminist Vegetal Turn in the Shadow of Douglas-firs: An Interview with Catriona Sandilands.\n \n \n \n\n\n \n Cielemęcka, O.; and Szczygielska, M.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience, 5(2): 1-19. 12 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Thinking the Feminist Vegetal Turn in the Shadow of Douglas-firs: An Interview with Catriona Sandilands},\n type = {article},\n year = {2019},\n pages = {1-19},\n volume = {5},\n month = {12},\n day = {11},\n id = {9ea2de3b-567b-3812-8eaa-0252ecef4382},\n created = {2021-11-25T16:29:17.671Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-25T16:29:17.671Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The interview brings to fore the recent vegetal turn in the humanities, feminist commitments to critical plant studies, and the lessons to be learned from paying close attention to the plants around us.},\n bibtype = {article},\n author = {Cielemęcka, Olga and Szczygielska, Marianna},\n journal = {Catalyst: Feminism, Theory, Technoscience},\n number = {2}\n}
\n
\n\n\n
\n The interview brings to fore the recent vegetal turn in the humanities, feminist commitments to critical plant studies, and the lessons to be learned from paying close attention to the plants around us.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Plant/Woman Encounters in Contemporary Fairy-Tale Adaptations.\n \n \n \n\n\n \n Kato, D.\n\n\n \n\n\n\n Volume 12 . Representing the Exotic and the Familiar, pages 323-335. Bharat, M.; and Grover, M., editor(s). John Benjamins Publishing Company, 11 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inbook{\n type = {inbook},\n year = {2019},\n pages = {323-335},\n volume = {12},\n month = {11},\n publisher = {John Benjamins Publishing Company},\n day = {28},\n city = {Amsterdam},\n id = {07d50d66-2f74-379b-9e1f-310dbefd695c},\n created = {2022-01-27T14:08:16.332Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:16.332Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inbook},\n author = {Kato, Daniela},\n editor = {Bharat, Meenakshi and Grover, Madhu},\n doi = {10.1075/fillm.12},\n chapter = {Plant/Woman Encounters in Contemporary Fairy-Tale Adaptations},\n title = {Representing the Exotic and the Familiar}\n}
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n ‘‘Petro-texts, Plants, and People in the Anthropocene: the Dark Green’’.\n \n \n \n\n\n \n Sullivan, H., I.\n\n\n \n\n\n\n Green Letters, 23(2): 152-167. 4 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {‘‘Petro-texts, Plants, and People in the Anthropocene: the Dark Green’’},\n type = {article},\n year = {2019},\n keywords = {Bacigalupi’s Windup Girl,Critical plant studies,Herbert’s Dune,McCarthy’s The Road,the ‘dark green’},\n pages = {152-167},\n volume = {23},\n month = {4},\n publisher = {Routledge},\n day = {3},\n id = {d3e8edee-9f9d-3f9b-a5e4-c608e5337fbb},\n created = {2022-02-14T23:07:59.959Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:07:59.959Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The ‘dark green’ refers to the green plant-human relationships that undergird human cultures as well as the darkly petroleum-fueled industrialization, mass species extinctions, and strange new ecosystems in the Anthropocene. I consider briefly three petro-culture novels based on various ‘road trips’ that explicitly address both the long-term and massive, albeit oft-ignored, ecological power of plants whether in living vegetal form or in their rotted, processed form of petroleum products: Frank Herbert’s Dune, portraying worm ‘spice’ as a stand-in for oil; Cormac McCarthy’s The Road, eliminating all energy and plant life leaving only hungry humans; and Paolo Bacigalupi’s cli fi novel focusing on calories and virulent plant diseases, The Windup Girl. These novels reveal the overlooked plant power, whether of mutant vegetal diseases, the inevitable death of all human and non-human animals without plants, or the sheer power of plant-based petroleum calories fueling our world in its drive into darkness.},\n bibtype = {article},\n author = {Sullivan, Heather I.},\n doi = {10.1080/14688417.2019.1650663},\n journal = {Green Letters},\n number = {2}\n}
\n
\n\n\n
\n The ‘dark green’ refers to the green plant-human relationships that undergird human cultures as well as the darkly petroleum-fueled industrialization, mass species extinctions, and strange new ecosystems in the Anthropocene. I consider briefly three petro-culture novels based on various ‘road trips’ that explicitly address both the long-term and massive, albeit oft-ignored, ecological power of plants whether in living vegetal form or in their rotted, processed form of petroleum products: Frank Herbert’s Dune, portraying worm ‘spice’ as a stand-in for oil; Cormac McCarthy’s The Road, eliminating all energy and plant life leaving only hungry humans; and Paolo Bacigalupi’s cli fi novel focusing on calories and virulent plant diseases, The Windup Girl. These novels reveal the overlooked plant power, whether of mutant vegetal diseases, the inevitable death of all human and non-human animals without plants, or the sheer power of plant-based petroleum calories fueling our world in its drive into darkness.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Illegal Wildlife Trade and the Persistence of “Plant Blindness”.\n \n \n \n\n\n \n Margulies, J., D.; Bullough, L., A.; Hinsley, A.; Ingram, D., J.; Cowell, C.; Goettsch, B.; Klitgård, B., B.; Lavorgna, A.; Sinovas, P.; and Phelps, J.\n\n\n \n\n\n\n Plants People Planet, 1(3): 173-182. 7 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Illegal Wildlife Trade and the Persistence of “Plant Blindness”},\n type = {article},\n year = {2019},\n keywords = {Lacey Act,illegal wildlife trade (IWT),plant blindness,plant conservation,research bias,wildlife trafficking},\n pages = {173-182},\n volume = {1},\n month = {7},\n publisher = {Blackwell Publishing Ltd},\n day = {1},\n id = {e57b0055-5e0c-3685-bcd7-aba67b688317},\n created = {2022-02-14T23:08:04.777Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:08:04.777Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {A wide variety of plant species are threatened by illegal wildlife trade (IWT), and yet plants receive scant attention in IWT policy and research, a matter of pressing global concern. This review examines how “plant blindness” manifests within policy and research on IWT, with serious and detrimental effects for biodiversity conservation. We suggest several key points: (a) perhaps with the exception of the illegal timber market, plants are overlooked in IWT policy and research; (b) there is insufficient attention from funding agencies to the presence and persistence of illegal trade in plants; and (c) these absences are at least in part resultant from plant blindness as codified in governmental laws defining the meaning of “wildlife.”. Summary. This review investigates the ways in which “plant blindness,” first described by Wandersee and Schussler (1999, p. 82) as “the misguided anthropocentric ranking of plants as inferior to animals,” intersects with the contemporary boom in research and policy on illegal wildlife trade (IWT). We argue that plants have been largely ignored within this emerging conservation arena, with serious and detrimental effects for biodiversity conservation. With the exception of the illegal trade in timber, we show that plants are absent from much emerging scholarship, and receive scant attention by US and UK funding agencies often driving global efforts to address illegal wildlife trade, despite the high levels of threat many plants face. Our article concludes by discussing current challenges posed by plant blindness in IWT policy and research, but also suggests reasons for cautious optimism in addressing this critical issue for plant conservation.},\n bibtype = {article},\n author = {Margulies, Jared D. and Bullough, Leigh Anne and Hinsley, Amy and Ingram, Daniel J. and Cowell, Carly and Goettsch, Bárbara and Klitgård, Bente B. and Lavorgna, Anita and Sinovas, Pablo and Phelps, Jacob},\n doi = {10.1002/ppp3.10053},\n journal = {Plants People Planet},\n number = {3}\n}
\n
\n\n\n
\n A wide variety of plant species are threatened by illegal wildlife trade (IWT), and yet plants receive scant attention in IWT policy and research, a matter of pressing global concern. This review examines how “plant blindness” manifests within policy and research on IWT, with serious and detrimental effects for biodiversity conservation. We suggest several key points: (a) perhaps with the exception of the illegal timber market, plants are overlooked in IWT policy and research; (b) there is insufficient attention from funding agencies to the presence and persistence of illegal trade in plants; and (c) these absences are at least in part resultant from plant blindness as codified in governmental laws defining the meaning of “wildlife.”. Summary. This review investigates the ways in which “plant blindness,” first described by Wandersee and Schussler (1999, p. 82) as “the misguided anthropocentric ranking of plants as inferior to animals,” intersects with the contemporary boom in research and policy on illegal wildlife trade (IWT). We argue that plants have been largely ignored within this emerging conservation arena, with serious and detrimental effects for biodiversity conservation. With the exception of the illegal trade in timber, we show that plants are absent from much emerging scholarship, and receive scant attention by US and UK funding agencies often driving global efforts to address illegal wildlife trade, despite the high levels of threat many plants face. Our article concludes by discussing current challenges posed by plant blindness in IWT policy and research, but also suggests reasons for cautious optimism in addressing this critical issue for plant conservation.\n
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\n \n\n \n \n \n \n \n The Meaning of Flora.\n \n \n \n\n\n \n Berrens, D.\n\n\n \n\n\n\n Humanistica Lovaniensia, 68(1): 237-249. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Meaning of Flora},\n type = {article},\n year = {2019},\n pages = {237-249},\n volume = {68},\n id = {5bd63113-a1d4-3e5b-a7f1-1dd11997346a},\n created = {2024-08-05T01:57:40.665Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:57:40.665Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Berrens, Dominik},\n journal = {Humanistica Lovaniensia},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Philosophie du végétal.\n \n \n \n\n\n \n Hiernaux, Q.; and Timmermans, B.,\n editors.\n \n\n\n \n\n\n\n Vrin, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Philosophie du végétal},\n type = {book},\n year = {2019},\n publisher = {Vrin},\n city = {Paris},\n id = {f2dd2927-6e0d-3bff-8fd9-bbb8e47088bb},\n created = {2024-08-05T02:01:40.081Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:01:40.081Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Hiernaux, Quentin and Timmermans, Benoît}\n}
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\n \n\n \n \n \n \n \n Critical Perspectives on Plants, Race, and Colonialism: An Introduction.\n \n \n \n\n\n \n Foster, L.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience, 5(2). 12 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Critical Perspectives on Plants, Race, and Colonialism: An Introduction},\n type = {article},\n year = {2019},\n volume = {5},\n month = {12},\n day = {10},\n id = {30186476-1bdd-36ce-9e10-52d5646bb577},\n created = {2024-08-05T02:40:46.969Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:40:46.969Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Foster, Laura},\n doi = {10.28968/cftt.v5i2.32309},\n journal = {Catalyst: Feminism, Theory, Technoscience},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Catalyst.\n \n \n \n\n\n \n Szczygielska, M.; and Cielemęcka, O.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience; Special Issue: Plantarium, 5(2). 12 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Catalyst},\n type = {article},\n year = {2019},\n volume = {5},\n month = {12},\n day = {9},\n id = {05ecc50c-632c-3512-9cb1-f6e909716396},\n created = {2024-08-05T02:43:45.099Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:43:45.099Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p>This is the introduction to the special section.</p>},\n bibtype = {article},\n author = {Szczygielska, Marianna and Cielemęcka, Olga},\n doi = {10.28968/cftt.v5i2.32875},\n journal = {Catalyst: Feminism, Theory, Technoscience; Special Issue: Plantarium},\n number = {2}\n}
\n
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\n

This is the introduction to the special section.

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\n \n\n \n \n \n \n \n \n becoming-Botanical.\n \n \n \n \n\n\n \n Armstrong, J.,\n editor.\n \n\n\n \n\n\n\n Objet-a Creative Studio, 2019.\n \n\n\n\n
\n\n\n\n \n \n \"becoming-BotanicalWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {becoming-Botanical},\n type = {book},\n year = {2019},\n websites = {https://becoming.ink/becoming-botanical/},\n publisher = {Objet-a Creative Studio},\n city = {Glasgow},\n id = {75468a8f-6fb7-3a5d-b2c3-b9ee2759ae8f},\n created = {2024-08-05T03:16:11.706Z},\n accessed = {2024-08-04},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T03:16:11.706Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Armstrong, Josh}\n}
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\n  \n 2018\n \n \n (80)\n \n \n
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\n \n\n \n \n \n \n \n Public Parks, Private Gardens: Paris to Provence.\n \n \n \n\n\n \n Ives, C.\n\n\n \n\n\n\n The Metropolitan Museum, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Public Parks, Private Gardens: Paris to Provence},\n type = {book},\n year = {2018},\n publisher = {The Metropolitan Museum},\n city = {New York City},\n id = {54218798-482b-31e3-8d9d-5a28c7e5adac},\n created = {2021-04-02T00:00:26.018Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:26.018Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The spectacular transformation of Paris during the 19th century into a city of tree-lined boulevards and public parks both redesigned the capital and inspired the era’s great Impressionist artists. The renewed landscape gave crowded, displaced urban dwellers green spaces to enjoy, while suburbanites and country-dwellers began cultivating their own flower gardens. As public engagement with gardening grew, artists increasingly featured flowers and parks in their work.\n\nPublic Parks, Private Gardens includes masterworks by artists such as Bonnard, Cassatt, Cézanne, Corot, Daumier, Van Gogh, Manet, Matisse, Monet, and Seurat. Many of these artists were themselves avid gardeners, and they painted parks and gardens as the distinctive scenery of contemporary life. Writing from the perspective of both a distinguished art historian and a trained landscape designer, Colta Ives provides new insights not only into these essential works, but also into this extraordinarily creative period in France’s history.},\n bibtype = {book},\n author = {Ives, Colta}\n}
\n
\n\n\n
\n The spectacular transformation of Paris during the 19th century into a city of tree-lined boulevards and public parks both redesigned the capital and inspired the era’s great Impressionist artists. The renewed landscape gave crowded, displaced urban dwellers green spaces to enjoy, while suburbanites and country-dwellers began cultivating their own flower gardens. As public engagement with gardening grew, artists increasingly featured flowers and parks in their work.\n\nPublic Parks, Private Gardens includes masterworks by artists such as Bonnard, Cassatt, Cézanne, Corot, Daumier, Van Gogh, Manet, Matisse, Monet, and Seurat. Many of these artists were themselves avid gardeners, and they painted parks and gardens as the distinctive scenery of contemporary life. Writing from the perspective of both a distinguished art historian and a trained landscape designer, Colta Ives provides new insights not only into these essential works, but also into this extraordinarily creative period in France’s history.\n
\n\n\n
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\n \n\n \n \n \n \n \n Gardenland: Nature, Fantasy, and Everyday Practice.\n \n \n \n\n\n \n Wren Atkinson, J.\n\n\n \n\n\n\n University of Georgia Press, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Gardenland: Nature, Fantasy, and Everyday Practice},\n type = {book},\n year = {2018},\n publisher = {University of Georgia Press},\n city = {Atlanta},\n id = {240df82f-be29-35ff-8ce0-6f17383c31b3},\n created = {2021-04-02T00:00:32.464Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:32.464Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Garden writing is not just a place to find advice about roses and rutabagas; it also contains hidden histories of desire, hope, and frustration and tells a story about how Americans have invested grand fantasies in the common soil of everyday life. Gardenland chronicles the development of this genre across key moments in American literature and history, from nineteenth-century industrialization and urbanization to the twentieth-century rise of factory farming and environmental advocacy to contemporary debates about public space and social justice―even to the consideration of the future of humanity’s place on earth.\n\nIn exploring the hidden landscape of desire in American gardens, Gardenland examines literary fiction, horticultural publications, and environmental writing, including works by Charles Dudley Warner, Henry David Thoreau, Willa Cather, Jamaica Kincaid, John McPhee, and Leslie Marmon Silko. Ultimately, Gardenland asks what the past century and a half of garden writing might tell us about our current social and ecological moment, and it offers surprising insight into our changing views about the natural world, along with realms that may otherwise seem remote from the world of leeks and hollyhocks.},\n bibtype = {book},\n author = {Wren Atkinson, Jennifer}\n}
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\n Garden writing is not just a place to find advice about roses and rutabagas; it also contains hidden histories of desire, hope, and frustration and tells a story about how Americans have invested grand fantasies in the common soil of everyday life. Gardenland chronicles the development of this genre across key moments in American literature and history, from nineteenth-century industrialization and urbanization to the twentieth-century rise of factory farming and environmental advocacy to contemporary debates about public space and social justice―even to the consideration of the future of humanity’s place on earth.\n\nIn exploring the hidden landscape of desire in American gardens, Gardenland examines literary fiction, horticultural publications, and environmental writing, including works by Charles Dudley Warner, Henry David Thoreau, Willa Cather, Jamaica Kincaid, John McPhee, and Leslie Marmon Silko. Ultimately, Gardenland asks what the past century and a half of garden writing might tell us about our current social and ecological moment, and it offers surprising insight into our changing views about the natural world, along with realms that may otherwise seem remote from the world of leeks and hollyhocks.\n
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\n \n\n \n \n \n \n \n Birch.\n \n \n \n\n\n \n Lewington, A.\n\n\n \n\n\n\n Reaktion Books, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Birch},\n type = {book},\n year = {2018},\n publisher = {Reaktion Books},\n city = {London},\n id = {87b9390b-dddd-35ca-8cd5-f636625e4bfd},\n created = {2021-04-02T00:00:50.319Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:50.319Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Elegant and beautiful, rich in history and supremely useful, birches have played an extraordinary yet largely unrecognized part in shaping both our natural environment and the material culture and beliefs of millions of people around the world. For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to housing and transport, musical instruments and medicines, as well as a means to communicate and record sacred beliefs: some of our most ancient Buddhist texts and other historic documents are written on birch bark. Birches have not only shaped regional cultures – creating, for example, the Native American wigwam and the birch bark canoe – but continue to supply raw materials of global economic importance today.},\n bibtype = {book},\n author = {Lewington, Anna}\n}
\n
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\n Elegant and beautiful, rich in history and supremely useful, birches have played an extraordinary yet largely unrecognized part in shaping both our natural environment and the material culture and beliefs of millions of people around the world. For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to housing and transport, musical instruments and medicines, as well as a means to communicate and record sacred beliefs: some of our most ancient Buddhist texts and other historic documents are written on birch bark. Birches have not only shaped regional cultures – creating, for example, the Native American wigwam and the birch bark canoe – but continue to supply raw materials of global economic importance today.\n
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\n \n\n \n \n \n \n \n Palm.\n \n \n \n\n\n \n Gray, F.\n\n\n \n\n\n\n Reaktion Books, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Palm},\n type = {book},\n year = {2018},\n publisher = {Reaktion Books},\n city = {London},\n id = {7f62d8ad-d1a3-39eb-9218-fdc5fbeba727},\n created = {2021-04-02T00:00:59.664Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:59.664Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The extraordinary palm: diverse, prolific, essential, symbolic and often sacred, exotic – and at times erotic – exploited and controversial. The signature plant of the tropics and subtropics, these record-breaking botanicals produce the world’s biggest and heaviest seed, the longest leaf and the longest stem. Over thousands of years, palms sustained rainforest communities and were bound up with the development of ancient civilizations. They gained mystical and religious meanings and became a plant of abstractions and fantasies, a symbol of being at leisure, away from civilization and closer to nature – and at times of danger and devastation. In the nineteenth century capitalism used palm products to lubricate industry and cleanse empires. Iconic palm houses put on show this exceptional vegetative performer. Far from its natural homelands, it nowadays clothes and glamorizes an astonishing diversity of landscapes. Today oils from palms are consumed daily by millions of people worldwide. The plant is embedded in modern consumer societies, but mired in environmental controversy over the destruction of rainforests. },\n bibtype = {book},\n author = {Gray, Fred}\n}
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\n The extraordinary palm: diverse, prolific, essential, symbolic and often sacred, exotic – and at times erotic – exploited and controversial. The signature plant of the tropics and subtropics, these record-breaking botanicals produce the world’s biggest and heaviest seed, the longest leaf and the longest stem. Over thousands of years, palms sustained rainforest communities and were bound up with the development of ancient civilizations. They gained mystical and religious meanings and became a plant of abstractions and fantasies, a symbol of being at leisure, away from civilization and closer to nature – and at times of danger and devastation. In the nineteenth century capitalism used palm products to lubricate industry and cleanse empires. Iconic palm houses put on show this exceptional vegetative performer. Far from its natural homelands, it nowadays clothes and glamorizes an astonishing diversity of landscapes. Today oils from palms are consumed daily by millions of people worldwide. The plant is embedded in modern consumer societies, but mired in environmental controversy over the destruction of rainforests. \n
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\n \n\n \n \n \n \n \n Rose.\n \n \n \n\n\n \n Horwood, C.\n\n\n \n\n\n\n Reaktion Books, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Rose},\n type = {book},\n year = {2018},\n publisher = {Reaktion Books},\n city = {London},\n id = {7617c002-f7b4-3519-9bd9-532e67b85567},\n created = {2021-04-02T00:01:03.450Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:03.450Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The rose is the world’s favourite flower – and always has been. It is the greatest floral symbol of love and romance the world over, and touches people’s hearts at many points in their lives as the flower most often chosen to celebrate significant milestones – weddings, anniversaries, births and deaths. This book traces the journey of the rose across the centuries, from battles to bouquets, charting its botanical, religious, literary and artistic history. From Cleopatra’s rose-petal-filled bed to Nijinsky’s Spectre de la rose, from the highly prized attar of rose oil so beloved by the ancient Persians to top-brand perfume labels today, and from Shakespearean myths about the Wars of the Roses to the significance of Queen Elizabeth i’s embroidered dresses, Rose encapsulates the story of what makes this botanical family so loved. Using historical, literary and botanical sources from the world’s major rose-growing nations, with vibrant illustrations from across the centuries and tales of medieval best-sellers, nurserymen’s rivalries and changing tastes in the flower bed, Rose will be a delight to read for both the gardener and non-gardener alike.},\n bibtype = {book},\n author = {Horwood, Catherine}\n}
\n
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\n The rose is the world’s favourite flower – and always has been. It is the greatest floral symbol of love and romance the world over, and touches people’s hearts at many points in their lives as the flower most often chosen to celebrate significant milestones – weddings, anniversaries, births and deaths. This book traces the journey of the rose across the centuries, from battles to bouquets, charting its botanical, religious, literary and artistic history. From Cleopatra’s rose-petal-filled bed to Nijinsky’s Spectre de la rose, from the highly prized attar of rose oil so beloved by the ancient Persians to top-brand perfume labels today, and from Shakespearean myths about the Wars of the Roses to the significance of Queen Elizabeth i’s embroidered dresses, Rose encapsulates the story of what makes this botanical family so loved. Using historical, literary and botanical sources from the world’s major rose-growing nations, with vibrant illustrations from across the centuries and tales of medieval best-sellers, nurserymen’s rivalries and changing tastes in the flower bed, Rose will be a delight to read for both the gardener and non-gardener alike.\n
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\n \n\n \n \n \n \n \n Sunflowers.\n \n \n \n\n\n \n Harris, S., A.\n\n\n \n\n\n\n Reaktion Books, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Sunflowers},\n type = {book},\n year = {2018},\n publisher = {Reaktion Books},\n city = {London},\n id = {51a483a1-ef43-3e15-87ea-df52735b16dc},\n created = {2021-04-02T00:01:04.899Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:04.899Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {"Sunflowers" are the most recognizable members of the world’s largest family of plants, Asteraceae, which includes lettuce, chrysanthemums, asters, dahlias and weeds. The sunflower family is found in almost all habitats, from the driest deserts through grasslands and the tallest mountains to urban wastelands, and includes more than 32,000 species. The family has become a part of our literary and visual cultures, inspiring artists such as Vincent van Gogh, and is used by advertisers to promote countless products. It produces hugely popular and economically valuable ornamental flowers, as well as familiar flavourings such as tarragon and artemisia, and sunflowers are also used in the production of antimalarial drugs, artificial sweeteners, insecticides and fish poisons. "Sunflowers" unravels the interplay between the biology of sunflowers and human cultures over the last 6,000 years. It explores our fascination with the family and how our uses of the plants have changed over millennia. Illustrated with many rarely seen images of the sunflower family, this beautiful volume will appeal to those looking for a new, surprising perspective on familiar flowers.},\n bibtype = {book},\n author = {Harris, Stephen A.}\n}
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\n \"Sunflowers\" are the most recognizable members of the world’s largest family of plants, Asteraceae, which includes lettuce, chrysanthemums, asters, dahlias and weeds. The sunflower family is found in almost all habitats, from the driest deserts through grasslands and the tallest mountains to urban wastelands, and includes more than 32,000 species. The family has become a part of our literary and visual cultures, inspiring artists such as Vincent van Gogh, and is used by advertisers to promote countless products. It produces hugely popular and economically valuable ornamental flowers, as well as familiar flavourings such as tarragon and artemisia, and sunflowers are also used in the production of antimalarial drugs, artificial sweeteners, insecticides and fish poisons. \"Sunflowers\" unravels the interplay between the biology of sunflowers and human cultures over the last 6,000 years. It explores our fascination with the family and how our uses of the plants have changed over millennia. Illustrated with many rarely seen images of the sunflower family, this beautiful volume will appeal to those looking for a new, surprising perspective on familiar flowers.\n
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\n \n\n \n \n \n \n \n Posthuman Power: The Magic of Hybridity in the Harry Potter Series.\n \n \n \n\n\n \n Harrison, J.\n\n\n \n\n\n\n Children's Literature Association Quarterly, 43(3): 325-343. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Posthuman Power: The Magic of Hybridity in the Harry Potter Series},\n type = {article},\n year = {2018},\n pages = {325-343},\n volume = {43},\n id = {038c61c9-d40f-3358-9862-9887d23c73e6},\n created = {2021-04-02T00:01:12.778Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:12.778Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Harrison, Jen},\n journal = {Children's Literature Association Quarterly},\n number = {3}\n}
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\n \n\n \n \n \n \n \n 'We Are All Nature': Young Children’s Statements About Nature.\n \n \n \n\n\n \n Hallås, B., O.; and Presthus Heggen, M.\n\n\n \n\n\n\n In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 259-275, 2018. Palgrave Macmillan\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {'We Are All Nature': Young Children’s Statements About Nature},\n type = {inproceedings},\n year = {2018},\n pages = {259-275},\n publisher = {Palgrave Macmillan},\n city = {Basingstoke},\n id = {ac6fe54b-2af3-3ab6-8018-644345db79f5},\n created = {2021-04-02T00:01:13.709Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:31:06.341Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Hallås, Bjørg Oddrun and Presthus Heggen, Marianne},\n editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},\n booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}\n}
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\n \n\n \n \n \n \n \n The Wilderness Children: Arctic Adventures, Gender and Ecocultural Criticism.\n \n \n \n\n\n \n Gurholt, K., P.\n\n\n \n\n\n\n In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 241-257, 2018. Palgrave Macmillan\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {The Wilderness Children: Arctic Adventures, Gender and Ecocultural Criticism},\n type = {inproceedings},\n year = {2018},\n pages = {241-257},\n publisher = {Palgrave Macmillan},\n city = {Basingstoke},\n id = {dd1058d0-376a-32b6-bd17-30e89dcd090f},\n created = {2021-04-02T00:01:14.621Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:14.621Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Gurholt, Kirsti Pedersen},\n editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},\n booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}\n}
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\n \n\n \n \n \n \n \n Poetic Constructions of Nature: The Forest in Recent Visual Poetry for Children.\n \n \n \n\n\n \n Skyggebjerg, A., K.\n\n\n \n\n\n\n In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 141-155, 2018. Palgrave Macmillan\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Poetic Constructions of Nature: The Forest in Recent Visual Poetry for Children},\n type = {inproceedings},\n year = {2018},\n pages = {141-155},\n publisher = {Palgrave Macmillan},\n city = {Basingstoke},\n id = {a009eb2f-1d10-3276-9c23-f774b8208d1f},\n created = {2021-04-02T00:01:15.699Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:15.699Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Skyggebjerg, Anna Karlskov},\n editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},\n booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}\n}
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\n \n\n \n \n \n \n \n Children’s Literature as an Exercise in Ecological Thinking.\n \n \n \n\n\n \n Goga, N.\n\n\n \n\n\n\n In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 57-71, 2018. Palgrave Macmillan\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Children’s Literature as an Exercise in Ecological Thinking},\n type = {inproceedings},\n year = {2018},\n pages = {57-71},\n publisher = {Palgrave Macmillan},\n city = {Basingstoke},\n id = {c6e58685-fd77-34c0-be57-f436c720e7b4},\n created = {2021-04-02T00:01:16.709Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:16.709Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Goga, Nina},\n editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},\n booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}\n}
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\n \n\n \n \n \n \n \n Plant-Human Hybridity in the Story World of Kubbe.\n \n \n \n\n\n \n Guanio-Uluru, L.\n\n\n \n\n\n\n In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 125-140, 2018. Palgrave Macmillan\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Plant-Human Hybridity in the Story World of Kubbe},\n type = {inproceedings},\n year = {2018},\n pages = {125-140},\n publisher = {Palgrave Macmillan},\n city = {Basingstoke},\n id = {83d92e5f-a5f6-305e-99a9-293b6281ae3f},\n created = {2021-04-02T00:01:17.758Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:17.758Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Guanio-Uluru, Lykke},\n editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},\n booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}\n}
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\n \n\n \n \n \n \n \n Before and After Plants.\n \n \n \n\n\n \n Rosenberg, J.\n\n\n \n\n\n\n Postmedieval, 9(4): 467–477. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Before and After Plants},\n type = {article},\n year = {2018},\n pages = {467–477},\n volume = {9},\n id = {370b642c-def7-39b9-a456-b2a07e0d02e5},\n created = {2021-04-02T00:01:29.678Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:29.678Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This essay explores how early modern English gardening books train their readers to encounter the future. These works are plotted with the rhetoric of anticipation, teaching planting in an environment of risk, promise, disappointment, and decay, and folding readers and gardeners into the inhuman rhythms of plant time. Through an investigation of ideas about lifespan, memory, and survival in the works of orchardists William Lawson and Ralph Austen, I show how these practical engagements with planting imagine a version of time that depends as much on the recursive attachments of touch as the linear progress of sequence.},\n bibtype = {article},\n author = {Rosenberg, Jessica},\n journal = {Postmedieval},\n number = {4}\n}
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\n This essay explores how early modern English gardening books train their readers to encounter the future. These works are plotted with the rhetoric of anticipation, teaching planting in an environment of risk, promise, disappointment, and decay, and folding readers and gardeners into the inhuman rhythms of plant time. Through an investigation of ideas about lifespan, memory, and survival in the works of orchardists William Lawson and Ralph Austen, I show how these practical engagements with planting imagine a version of time that depends as much on the recursive attachments of touch as the linear progress of sequence.\n
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\n \n\n \n \n \n \n \n Fruit and Rot: Vegetal Theology in Perceforest.\n \n \n \n\n\n \n Findley, B., H.\n\n\n \n\n\n\n postmedieval: a journal of medieval cultural studies, 9(4): 455-466. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Fruit and Rot: Vegetal Theology in Perceforest},\n type = {article},\n year = {2018},\n pages = {455-466},\n volume = {9},\n id = {d7f731bd-73ad-3522-b4e5-ccfdbd6e1ec9},\n created = {2021-04-02T00:01:30.719Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:30.719Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Findley, Brooke Heidenreich},\n journal = {postmedieval: a journal of medieval cultural studies},\n number = {4}\n}
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\n \n\n \n \n \n \n \n Written in Trees.\n \n \n \n\n\n \n White, T.\n\n\n \n\n\n\n postmedieval: a journal of medieval cultural studies, 9(4): 444-454. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Written in Trees},\n type = {article},\n year = {2018},\n pages = {444-454},\n volume = {9},\n id = {01a9ea26-88b6-325f-b96d-765e70deac19},\n created = {2021-04-02T00:01:31.621Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:31.621Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {White, Tom},\n journal = {postmedieval: a journal of medieval cultural studies},\n number = {4}\n}
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\n \n\n \n \n \n \n \n The Sacrificial Herb: Gathering Prayers in Medieval Pharmacy.\n \n \n \n\n\n \n Richey, S.\n\n\n \n\n\n\n postmedieval: a journal of medieval cultural studies, 9(4): 432–443. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {The Sacrificial Herb: Gathering Prayers in Medieval Pharmacy},\n type = {article},\n year = {2018},\n pages = {432–443},\n volume = {9},\n id = {83ba8c67-30ba-3992-b179-e9ecbea6056c},\n created = {2021-04-02T00:01:32.525Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:32.525Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Richey, Sara},\n journal = {postmedieval: a journal of medieval cultural studies},\n number = {4}\n}
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\n \n\n \n \n \n \n \n Vegetal Continuity and the Naming of Species.\n \n \n \n\n\n \n Farina, L.\n\n\n \n\n\n\n Postmedieval: a journal of medieval cultural studies, 9(4): 420–431. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Vegetal Continuity and the Naming of Species},\n type = {article},\n year = {2018},\n pages = {420–431},\n volume = {9},\n id = {dec6a6aa-d6f7-30d0-8598-ffd24bf19282},\n created = {2021-04-02T00:01:33.424Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:33.424Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Farina, Lara},\n journal = {Postmedieval: a journal of medieval cultural studies},\n number = {4}\n}
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\n \n\n \n \n \n \n \n ‘Farewel my bok’: Paying Attention to Flowers in Chaucer’s Prologues to 'The Legend of Good Women'.\n \n \n \n\n\n \n Rudd, G.\n\n\n \n\n\n\n postmedieval: a journal of medieval cultural studies, 9(4): 410–419. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {‘Farewel my bok’: Paying Attention to Flowers in Chaucer’s Prologues to 'The Legend of Good Women'},\n type = {article},\n year = {2018},\n pages = {410–419},\n volume = {9},\n id = {50c44b62-212f-3388-9e56-2e1a7542f2cb},\n created = {2021-04-02T00:01:34.708Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:34.708Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Rudd, Gilian},\n journal = {postmedieval: a journal of medieval cultural studies},\n number = {4}\n}
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\n \n\n \n \n \n \n \n Gregor Mendel and the History of Heredity.\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n In Dietrich, M.; Borrello, M.; and Harman, O., editor(s), Handbook of the Historiography of Biology: Historiography of Science, Vol. 1, pages 1-22, 2018. Springer\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Gregor Mendel and the History of Heredity},\n type = {inproceedings},\n year = {2018},\n pages = {1-22},\n publisher = {Springer},\n city = {Cham},\n id = {2ebac8eb-95d8-39c8-b664-1cd208ff1fcb},\n created = {2021-04-02T00:01:42.622Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:42.622Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Müller-Wille, Staffan},\n editor = {Dietrich, M. and Borrello, M. and Harman, O.},\n booktitle = {Handbook of the Historiography of Biology: Historiography of Science, Vol. 1}\n}
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\n \n\n \n \n \n \n \n Linnaeus and the Love Lives of Plants.\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n In Hopwood, N.; Fleming, R.; and Kassell, L., editor(s), Reproduction: Antiquity to the Present Day, 2018. Cambridge University Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@inproceedings{\n title = {Linnaeus and the Love Lives of Plants},\n type = {inproceedings},\n year = {2018},\n publisher = {Cambridge University Press},\n city = {Cambridge},\n id = {791e3bf2-ac9b-32df-9785-dedde00e7538},\n created = {2021-04-02T00:01:44.251Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:44.251Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Müller-Wille, Staffan},\n editor = {Hopwood, Nick and Fleming, Rebecca and Kassell, Lauren},\n booktitle = {Reproduction: Antiquity to the Present Day}\n}
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\n \n\n \n \n \n \n \n Sensing Lichens: From Ecological Microcosms to Environmental Subjects.\n \n \n \n\n\n \n Gabrys, J.\n\n\n \n\n\n\n Third Text, 32(2-3): 350-367. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Sensing Lichens: From Ecological Microcosms to Environmental Subjects},\n type = {article},\n year = {2018},\n pages = {350-367},\n volume = {32},\n id = {098cbf4f-5a4c-3cb1-86bd-833e874473b2},\n created = {2021-04-02T00:01:54.865Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:54.865Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gabrys, Jennifer},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n Cultivating Colour: Making Mayan Blue from Woad.\n \n \n \n\n\n \n Holmwood, S.\n\n\n \n\n\n\n Third Text, 32(2-3): 330-349. 2018.\n \n\n\n\n
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@article{\n title = {Cultivating Colour: Making Mayan Blue from Woad},\n type = {article},\n year = {2018},\n pages = {330-349},\n volume = {32},\n id = {6117860a-b170-3644-ac48-7f18950d5018},\n created = {2021-04-02T00:01:55.863Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:55.863Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Holmwood, Sigrid},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n The Order of Potatoes: On Purity and Variation in Plant Breeding.\n \n \n \n\n\n \n Sonjasdotter, Å.\n\n\n \n\n\n\n Third Text, 32(2-3): 311-329. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {The Order of Potatoes: On Purity and Variation in Plant Breeding},\n type = {article},\n year = {2018},\n pages = {311-329},\n volume = {32},\n id = {80d99666-3959-32e1-a64c-ceb8134a8ed7},\n created = {2021-04-02T00:01:56.911Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:56.911Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Sonjasdotter, Åsa},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n NonWest by North: Marianne North and William Colenso’s Responses to Plant Life and the Classification of Economic Botany.\n \n \n \n\n\n \n Zinnenburg Carroll, K., v.\n\n\n \n\n\n\n Third Text, 32(2-3): 290-310. 2018.\n \n\n\n\n
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@article{\n title = {NonWest by North: Marianne North and William Colenso’s Responses to Plant Life and the Classification of Economic Botany},\n type = {article},\n year = {2018},\n pages = {290-310},\n volume = {32},\n id = {83573d41-3555-38ec-b023-d6f37ccea242},\n created = {2021-04-02T00:01:58.085Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:58.085Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Zinnenburg Carroll, Khadija von},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n Borderless Histories: The Botanical Art of Maria Thereza Alves.\n \n \n \n\n\n \n Hill, R., W.\n\n\n \n\n\n\n Third Text, 32(2-3): 273-289. 2018.\n \n\n\n\n
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@article{\n title = {Borderless Histories: The Botanical Art of Maria Thereza Alves},\n type = {article},\n year = {2018},\n pages = {273-289},\n volume = {32},\n id = {053f9a2b-bc63-37b4-b94c-9f407fd46b7c},\n created = {2021-04-02T00:01:59.036Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:59.036Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Hill, Richard William},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n Meteorisations: Reading Amílcar Cabral’s Agronomy of Liberation.\n \n \n \n\n\n \n Fílipa, C.\n\n\n \n\n\n\n Third Text, 32(2-3): 254-272. 2018.\n \n\n\n\n
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@article{\n title = {Meteorisations: Reading Amílcar Cabral’s Agronomy of Liberation},\n type = {article},\n year = {2018},\n pages = {254-272},\n volume = {32},\n id = {ae38c2c7-5cb2-35a9-b470-fc498dc0f1b0},\n created = {2021-04-02T00:02:00.033Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:00.033Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Fílipa, Cesar},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n ‘Defoliating the World’: Ecocide, Visual Evidence and ‘Earthly Memory’.\n \n \n \n\n\n \n Meszaros Martin, H.\n\n\n \n\n\n\n Third Text, 32(2-3): 230-253. 2018.\n \n\n\n\n
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@article{\n title = {‘Defoliating the World’: Ecocide, Visual Evidence and ‘Earthly Memory’},\n type = {article},\n year = {2018},\n pages = {230-253},\n volume = {32},\n id = {c09fe195-9188-3b71-b466-abcb1a472fef},\n created = {2021-04-02T00:02:00.955Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:00.955Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Meszaros Martin, Hannah},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n ‘Planting Seeds/The Fires of War’: The Geopolitics of Seed Saving in Jumana Manna’s Wild Relatives.\n \n \n \n\n\n \n Sheikh, S.\n\n\n \n\n\n\n Third Text, 32(2-3): 200-229. 2018.\n \n\n\n\n
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@article{\n title = {‘Planting Seeds/The Fires of War’: The Geopolitics of Seed Saving in Jumana Manna’s Wild Relatives},\n type = {article},\n year = {2018},\n pages = {200-229},\n volume = {32},\n id = {a55512f4-9497-3144-905c-a9d7a69fae35},\n created = {2021-04-02T00:02:01.910Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:01.910Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Sheikh, Shela},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n The Poetics of Entanglement in Zina Saro-Wiwa’s Food Interventions.\n \n \n \n\n\n \n Makhubu, N.\n\n\n \n\n\n\n Third Text, 32(2-3): 176-199. 2018.\n \n\n\n\n
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@article{\n title = {The Poetics of Entanglement in Zina Saro-Wiwa’s Food Interventions},\n type = {article},\n year = {2018},\n pages = {176-199},\n volume = {32},\n id = {ecb560ea-180a-395c-a2f6-8663e812e3c6},\n created = {2021-04-02T00:02:03.265Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:03.265Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Makhubu, Nomusa},\n journal = {Third Text},\n number = {2-3}\n}
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\n \n\n \n \n \n \n \n \n The Wretched Earth: Botanical Conflicts and Artistic Interventions.\n \n \n \n \n\n\n \n Sheikh, S.; and Gray, R.\n\n\n \n\n\n\n Third Text, 32(2-3): 163-175. 2018.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {The Wretched Earth: Botanical Conflicts and Artistic Interventions},\n type = {article},\n year = {2018},\n pages = {163-175},\n volume = {32},\n websites = {https://www.tandfonline.com/toc/ctte20/32/2-3?nav=tocList},\n id = {6bc50fa2-a223-3d06-ac1d-d7d9f02a6dd6},\n created = {2021-04-02T00:02:04.254Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:04.254Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Introduction to the Special Issue},\n bibtype = {article},\n author = {Sheikh, Shela and Gray, Ros},\n doi = {10.1080/09528822.2018.1483881},\n journal = {Third Text},\n number = {2-3}\n}
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\n Introduction to the Special Issue\n
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\n \n\n \n \n \n \n \n Ruderal Ecologies: Rethinking Nature, Migration, and the Urban Landscape in Berlin.\n \n \n \n\n\n \n Stoetzer, B.\n\n\n \n\n\n\n Cultural Anthropology, 33(2): 295–323. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Ruderal Ecologies: Rethinking Nature, Migration, and the Urban Landscape in Berlin},\n type = {article},\n year = {2018},\n pages = {295–323},\n volume = {33},\n id = {de8738d6-651a-3a34-a047-3524c95045d1},\n created = {2021-04-02T00:02:16.223Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:16.223Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Engaging with a series of human–plant encounters in Berlin, this article explores possibilities for rethinking the heterogeneity of urban life in the ruins of European nationalism and capitalism. Drawing on ethnographic fieldwork and revisiting Berlin’s postwar history of botanical research, I develop the concept of the ruderal and expand it for an anthropological inquiry of urban life. The term ruderal was originally used by Berlin ecologists after the Second World War to refer to ecologies that spontaneously inhabit disturbed environments: the spaces alongside train tracks or roads, wastelands, or rubble. Exploring Berlin as a ruderal city, I direct attention to the often unnoticed, cosmopolitan, and unruly ways of remaking the urban fabric at a time of increased nationalism and ecological destruction. Tracing human–plant socialities in encounters between scientists and rubble plants, in public culture, and among immigrants and their makeshift urban gardens, the lens of the ruderal directs ethnographic analysis toward the city’s unintended ecologies as these are produced in the context of nation-making, war, xenophobia, migration, environmental change, and contemporary austerity policies. Attending to ruderal worlds, I argue, requires telling stories that do not easily add up but that combine environmental perspectives with the study of migration, race, and social inequality—in the interest of mapping out possibilities for change. This framework thus expands a recent anthropological focus on ruins, infrastructure, and urban landscapes by highlighting questions of social justice that are at stake in emerging urban ecologies and an era of inhospitable environments.},\n bibtype = {article},\n author = {Stoetzer, Bettina},\n doi = {10.14506/ca33.2.09},\n journal = {Cultural Anthropology},\n number = {2}\n}
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\n Engaging with a series of human–plant encounters in Berlin, this article explores possibilities for rethinking the heterogeneity of urban life in the ruins of European nationalism and capitalism. Drawing on ethnographic fieldwork and revisiting Berlin’s postwar history of botanical research, I develop the concept of the ruderal and expand it for an anthropological inquiry of urban life. The term ruderal was originally used by Berlin ecologists after the Second World War to refer to ecologies that spontaneously inhabit disturbed environments: the spaces alongside train tracks or roads, wastelands, or rubble. Exploring Berlin as a ruderal city, I direct attention to the often unnoticed, cosmopolitan, and unruly ways of remaking the urban fabric at a time of increased nationalism and ecological destruction. Tracing human–plant socialities in encounters between scientists and rubble plants, in public culture, and among immigrants and their makeshift urban gardens, the lens of the ruderal directs ethnographic analysis toward the city’s unintended ecologies as these are produced in the context of nation-making, war, xenophobia, migration, environmental change, and contemporary austerity policies. Attending to ruderal worlds, I argue, requires telling stories that do not easily add up but that combine environmental perspectives with the study of migration, race, and social inequality—in the interest of mapping out possibilities for change. This framework thus expands a recent anthropological focus on ruins, infrastructure, and urban landscapes by highlighting questions of social justice that are at stake in emerging urban ecologies and an era of inhospitable environments.\n
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\n \n\n \n \n \n \n \n Wurzeln: Die trügerischen Mythen der Identität.\n \n \n \n\n\n \n Bettini, M.\n\n\n \n\n\n\n Verlag Antje Kunstmann, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Wurzeln: Die trügerischen Mythen der Identität},\n type = {book},\n year = {2018},\n publisher = {Verlag Antje Kunstmann},\n city = {Munich},\n id = {d7f37935-9630-31cd-b066-a1b09e564350},\n created = {2021-04-02T00:02:18.222Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:18.222Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Translated into the German by Rita Seuß},\n bibtype = {book},\n author = {Bettini, Maurizio}\n}
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\n Translated into the German by Rita Seuß\n
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\n \n\n \n \n \n \n \n Urban Arboreal: A Modern Glossary of City Trees.\n \n \n \n\n\n \n Jordan, M.\n\n\n \n\n\n\n White Lion Publishing, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Urban Arboreal: A Modern Glossary of City Trees},\n type = {book},\n year = {2018},\n publisher = {White Lion Publishing},\n city = {London},\n id = {611ba9d9-f6dc-33dd-800e-9a7caf8cf00b},\n created = {2021-04-02T00:02:27.411Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:27.411Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Travel the cities of the world alongside some of their oldest citizens, exploring the trees of Buenos Aires to Berlin, San Francisco to Sydney, in this visually stunning, modern glossary of our city trees. Through finding a Kentucky yellowwood in Hannover, the 1,000-year-old olive trees in Athens or even the world’s tallest trees that line the West Coast of North America, we come to learn the hidden histories of places that are wrapped up in these botanical giants. Brought to life by beautiful artwork, Urban Arboreal is an ode to urban trees and the cherished place they hold in the hearts of city dwellers – not least because they are vital to the very air we breathe.},\n bibtype = {book},\n author = {Jordan, Michael}\n}
\n
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\n Travel the cities of the world alongside some of their oldest citizens, exploring the trees of Buenos Aires to Berlin, San Francisco to Sydney, in this visually stunning, modern glossary of our city trees. Through finding a Kentucky yellowwood in Hannover, the 1,000-year-old olive trees in Athens or even the world’s tallest trees that line the West Coast of North America, we come to learn the hidden histories of places that are wrapped up in these botanical giants. Brought to life by beautiful artwork, Urban Arboreal is an ode to urban trees and the cherished place they hold in the hearts of city dwellers – not least because they are vital to the very air we breathe.\n
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\n \n\n \n \n \n \n \n Epistemic Images and Vital Nature: Darwin's Botanic Garden as Image Text Book.\n \n \n \n\n\n \n Porter, D.\n\n\n \n\n\n\n European Romantic Review, 29(3): 295-308. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Epistemic Images and Vital Nature: Darwin's Botanic Garden as Image Text Book},\n type = {article},\n year = {2018},\n pages = {295-308},\n volume = {29},\n id = {7379b86c-4781-30d9-9ee8-ebeac3453855},\n created = {2021-04-02T00:02:29.156Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:29.156Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This essay considers the function of images in Erasmus Darwin’sBotanic  Garden (1789, 1791) by drawing on recent work in the history of science. I argue that the full-page intaglio prints of plants in Darwin’s book function as “epistemic images” by propounding a visual argument about organic life. The epistemic values embedded in the images of  plants—specifically,  the appearance of life and motion—are the result of artists’ engraving techniques deployed in the service of eighteenth-century aesthetic conventions. These conventions allow the images to align theknowledge claims of Darwin’s allegorical verse with those put forward in the prose notes. In conclusion, I suggest this method of unearthing the epistemic values of images could be productively extended to literary texts less obviously engaged with scientific debates of the time.},\n bibtype = {article},\n author = {Porter, Dahlia},\n doi = {https://doi.org/10.1080/10509585.2018.1465717},\n journal = {European Romantic Review},\n number = {3}\n}
\n
\n\n\n
\n This essay considers the function of images in Erasmus Darwin’sBotanic Garden (1789, 1791) by drawing on recent work in the history of science. I argue that the full-page intaglio prints of plants in Darwin’s book function as “epistemic images” by propounding a visual argument about organic life. The epistemic values embedded in the images of plants—specifically, the appearance of life and motion—are the result of artists’ engraving techniques deployed in the service of eighteenth-century aesthetic conventions. These conventions allow the images to align theknowledge claims of Darwin’s allegorical verse with those put forward in the prose notes. In conclusion, I suggest this method of unearthing the epistemic values of images could be productively extended to literary texts less obviously engaged with scientific debates of the time.\n
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\n \n\n \n \n \n \n \n Der Diskurs um ›Wildnis‹: Von mythischen Wäldern, malerischen Orten und dynamischer Natur.\n \n \n \n\n\n \n Kangler, G.\n\n\n \n\n\n\n Transcript, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Der Diskurs um ›Wildnis‹: Von mythischen Wäldern, malerischen Orten und dynamischer Natur},\n type = {book},\n year = {2018},\n publisher = {Transcript},\n city = {Bielefeld},\n id = {a6874533-a003-3abb-ac74-ed6accf78246},\n created = {2021-04-02T00:02:34.201Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:34.201Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Kangler, Gisela}\n}
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\n \n\n \n \n \n \n \n Herbaceous.\n \n \n \n\n\n \n Evans, P.\n\n\n \n\n\n\n Little Toller Books, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Herbaceous},\n type = {book},\n year = {2018},\n publisher = {Little Toller Books},\n city = {Dorset},\n id = {e390ff45-6eca-3c25-83ce-3d43560b0615},\n created = {2021-04-02T00:02:40.558Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:40.558Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Herbaceous is a journey which follows the colour pulse of plants throughout the year, it is gardening with words.It is a book of audacious botany and poetic vision which asks us to look at anew at our relationship with plants and celebrates their power to nourish the human spirit.},\n bibtype = {book},\n author = {Evans, Paul}\n}
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\n Herbaceous is a journey which follows the colour pulse of plants throughout the year, it is gardening with words.It is a book of audacious botany and poetic vision which asks us to look at anew at our relationship with plants and celebrates their power to nourish the human spirit.\n
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\n \n\n \n \n \n \n \n Heartwood: Poems for the Love of Trees.\n \n \n \n\n\n \n Strutt, L.\n\n\n \n\n\n\n League of Canadian Poets, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@book{\n title = {Heartwood: Poems for the Love of Trees},\n type = {book},\n year = {2018},\n publisher = {League of Canadian Poets},\n city = {Toronto},\n id = {cd648c3b-096e-3e01-9362-eb2968687c71},\n created = {2021-04-02T00:02:47.325Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:47.325Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Heartwood is a Canadian anthology of poems that celebrates trees. Published by the League of Canadian Poets, this anthology features poets from every province and territory celebrating the immeasurable value trees have for the environment and for the soul.Poets wrote about a tree they loved as a child, a park they sat in, or a forest they go to for invigoration and inspiration. The planet needs trees to survive. Poets from across Canada have written poems to ensure that the message is heard. Compiled and edited by Lesley Strutt. Foreword by Diana Beresford-Kroger. Original photographs by Chuck Willemsen.},\n bibtype = {book},\n author = {Strutt, Lesley},\n keywords = {anthology,canada,poetry}\n}
\n
\n\n\n
\n Heartwood is a Canadian anthology of poems that celebrates trees. Published by the League of Canadian Poets, this anthology features poets from every province and territory celebrating the immeasurable value trees have for the environment and for the soul.Poets wrote about a tree they loved as a child, a park they sat in, or a forest they go to for invigoration and inspiration. The planet needs trees to survive. Poets from across Canada have written poems to ensure that the message is heard. Compiled and edited by Lesley Strutt. Foreword by Diana Beresford-Kroger. Original photographs by Chuck Willemsen.\n
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\n \n\n \n \n \n \n \n Theatrum Botanicum.\n \n \n \n\n\n \n Orlow, U.; Sheikh, S.; Balani, S.; Boehi, M.; Flint, K.; van Marle, K.; von Zinnenburg, K.; Coussonnet, C.; Makhubu, N.; Malcomess, B.; and Irving, J.\n\n\n \n\n\n\n Sternberg Press, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Theatrum Botanicum},\n type = {book},\n year = {2018},\n publisher = {Sternberg Press},\n city = {Berlin},\n id = {c55d6feb-6371-3e22-aead-1bb27af8114f},\n created = {2021-04-02T00:02:49.980Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:49.980Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n abstract = {This publication emerges from Uriel Orlow’s Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge—exploring the variety of curative, spiritual, and economic powers of plants. The project addresses “botanical nationalism” and “flower diplomacy” during apartheid; plant migration; the role and legacies of the imperial classification and naming of plants; bioprospecting and biopiracy; and the garden planted by Nelson Mandela and his fellow inmates at Robben Island prison. This publication is made up of two intertwining books: one documents the works of Theatrum Botanicum, including the scripts for two films; the second is a compendium of brief, commissioned essays that aims to offer an accessible snapshot of the complex and multifaceted issues that inform and are raised by the artworks. The independent but interrelated essays, which either speak directly to the artworks or follow lines of inquiry alongside them, cover perspectives from postcolonial cultural studies; art criticism and art history; natural history, botany (including ethnobotany and economic botany), and conservation; jurisprudence and critical legal studies; and critical race studies.},\n bibtype = {book},\n author = {Orlow, U and Sheikh, S and Balani, S and Boehi, M and Flint, K and van Marle, K and von Zinnenburg, K and Coussonnet, C and Makhubu, N and Malcomess, B and Irving, J},\n editor = {Orlow, Uriel and Sheikh, Shela}\n}
\n
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\n This publication emerges from Uriel Orlow’s Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge—exploring the variety of curative, spiritual, and economic powers of plants. The project addresses “botanical nationalism” and “flower diplomacy” during apartheid; plant migration; the role and legacies of the imperial classification and naming of plants; bioprospecting and biopiracy; and the garden planted by Nelson Mandela and his fellow inmates at Robben Island prison. This publication is made up of two intertwining books: one documents the works of Theatrum Botanicum, including the scripts for two films; the second is a compendium of brief, commissioned essays that aims to offer an accessible snapshot of the complex and multifaceted issues that inform and are raised by the artworks. The independent but interrelated essays, which either speak directly to the artworks or follow lines of inquiry alongside them, cover perspectives from postcolonial cultural studies; art criticism and art history; natural history, botany (including ethnobotany and economic botany), and conservation; jurisprudence and critical legal studies; and critical race studies.\n
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\n \n\n \n \n \n \n \n Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening.\n \n \n \n\n\n \n Myers, N.\n\n\n \n\n\n\n Catalyst: Feminism, Theory, Technoscience. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening},\n type = {article},\n year = {2018},\n id = {9c2d5f12-647c-3d59-8752-73397e3f0bcd},\n created = {2021-04-02T00:03:35.170Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:35.170Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n abstract = {In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.},\n bibtype = {article},\n author = {Myers, Natasha},\n doi = {10.28968/cftt.v3i2.28848},\n journal = {Catalyst: Feminism, Theory, Technoscience}\n}
\n
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\n In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.\n
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\n \n\n \n \n \n \n \n Worlds of Natural History.\n \n \n \n\n\n \n Curry, H., A.; Jardine, N.; Secord, J., A.; and Spary, E., C.\n\n\n \n\n\n\n Cambridge University Press, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
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@book{\n title = {Worlds of Natural History},\n type = {book},\n year = {2018},\n keywords = {Natural history},\n publisher = {Cambridge University Press},\n city = {Cambridge, United Kingdom},\n id = {4793c623-ca96-37cf-a438-b24016dad410},\n created = {2021-04-02T00:03:38.967Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:38.967Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {2018Wonh},\n source_type = {book},\n private_publication = {false},\n bibtype = {book},\n author = {Curry, Helen Anne and Jardine, Nicholas and Secord, James A. and Spary, Emma C.}\n}
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\n \n\n \n \n \n \n \n Libertine Botany: Vegetal Sexualities, Vegetal Forms.\n \n \n \n\n\n \n Meeker, N.; and Szabari, A.\n\n\n \n\n\n\n Postmedieval, 9(4): 478-489. 2018.\n \n\n\n\n
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\n 
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\n \n\n \n \n \n \n \n Nelken: Ein Portrait.\n \n \n \n\n\n \n Stephan, S.\n\n\n \n\n\n\n Matthes & Seitz, 2018.\n \n\n\n\n
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\n 
@book{\n title = {Nelken: Ein Portrait},\n type = {book},\n year = {2018},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n id = {9fad5af7-9ff0-34e6-815a-2938398e5790},\n created = {2021-04-02T00:04:01.068Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:01.068Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Stephan, Susanne},\n editor = {Schalansky, Judith}\n}
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\n \n\n \n \n \n \n \n Plants Learn and Remember: Lets Get Used to it.\n \n \n \n\n\n \n Gagliano, M.; Abramson, C., I.; and Depczynski, M.\n\n\n \n\n\n\n Oecologia, 186(1): 29-31. 2018.\n \n\n\n\n
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\n 
@article{\n title = {Plants Learn and Remember: Lets Get Used to it},\n type = {article},\n year = {2018},\n pages = {29-31},\n volume = {186},\n id = {73caf8a2-6cc5-3f6e-b33c-46272d2ae900},\n created = {2021-04-02T00:04:24.875Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:24.875Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gagliano, Monica and Abramson, Charles I. and Depczynski, Martial},\n journal = {Oecologia},\n number = {1}\n}
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\n \n\n \n \n \n \n \n \n Inside the Vegetal Mind: On the Cognitive Abilities of Plants.\n \n \n \n \n\n\n \n Gagliano, M.\n\n\n \n\n\n\n In Baluska. Frantisek; Gagliano. Monica; and Witzany, G., editor(s), Memory and Learning in Plants, pages 215-220, 2018. Springer\n \n\n\n\n
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\n 
@inproceedings{\n title = {Inside the Vegetal Mind: On the Cognitive Abilities of Plants},\n type = {inproceedings},\n year = {2018},\n pages = {215-220},\n websites = {https://link.springer.com/book/10.1007/978-3-319-75596-0},\n publisher = {Springer},\n city = {Cham},\n id = {d0549bf2-7a69-36ab-883b-1127441029c5},\n created = {2021-04-02T00:04:25.815Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:25.815Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Gagliano, Monica},\n editor = {Baluska. Frantisek, undefined and Gagliano. Monica, undefined and Witzany, Guenther},\n booktitle = {Memory and Learning in Plants}\n}
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\n \n\n \n \n \n \n \n \n Thus Spoke The Plant: A Remarkable Journey of Groundbreaking Scientific Discoveries and Personal Encounters with Plants.\n \n \n \n \n\n\n \n Gagliano, M.\n\n\n \n\n\n\n North Atlantic Books, 2018.\n \n\n\n\n
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\n \n\n \n \n \n \n \n \n Mesquite: An Arboreal Love Affair.\n \n \n \n \n\n\n \n Nabhan, G., P.\n\n\n \n\n\n\n Chelsea Green Publishing, 2018.\n \n\n\n\n
\n\n\n\n \n \n \"Mesquite:Website\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Mesquite: An Arboreal Love Affair},\n type = {book},\n year = {2018},\n websites = {https://www.amazon.com/Mesquite-Arboreal-Gary-Paul-Nabhan/dp/1603588302},\n publisher = {Chelsea Green Publishing},\n city = {Hartford, VT},\n id = {d24866d0-d31e-38bb-9e63-5970190ff486},\n created = {2021-04-02T00:04:32.578Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:32.578Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Nabhan, Gary Paul}\n}
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\n \n\n \n \n \n \n \n \n The Overstory.\n \n \n \n \n\n\n \n Powers, R.\n\n\n \n\n\n\n W.W. Norton, 2018.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Overstory},\n type = {book},\n year = {2018},\n websites = {http://www.richardpowers.net/the-overstory/},\n publisher = {W.W. Norton},\n city = {New York City},\n id = {008b7d3f-6d53-31b8-9061-7c004264ee1b},\n created = {2021-04-02T00:04:35.439Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:35.439Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Powers, Richard}\n}
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\n \n\n \n \n \n \n \n Knowing Plants, Knowing Form: Probing the Poetics of Phyto-Centric Life.\n \n \n \n\n\n \n Roxburgh, N.; and Sprang, F.\n\n\n \n\n\n\n European Journal of English Studies, 22(3): 224-240. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Knowing Plants, Knowing Form: Probing the Poetics of Phyto-Centric Life},\n type = {article},\n year = {2018},\n pages = {224-240},\n volume = {22},\n id = {163f9012-4d9e-361c-9428-817160badc12},\n created = {2021-04-02T00:04:49.554Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:49.554Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {In this paper the authors trace and challenge the legacy of Erasmus Darwin’s conviction that ‘[s]cience is best delivered in prose, as its mode of reasoning is from stricter analogies than metaphors and similes’. Arguing that poetry is an undervalued mode of making knowledge, the authors highlight forays in poetry that address plants as autopoietic organisms with agency, a feature of plants that is marginalised in the Western scientific tradition. Pointing to couplet rhyming as a form of thinking in the eighteenth century, and looking at the form of John Clare’s ‘Evening Primrose’ (1820) as well as Alice Oswald’s ‘Woman in a Mustard Field’ (1996), the authors bring to the fore poetics of botanical knowledge that are centred on particular formal techniques, on sensual experience and on implicit knowledge of plant life: an implicit knowledge which they suggest hinges on experience rather than empirical data. In so doing, they describe how poetic form, such as the dynamic thinking process that couplet rhyming endorses, can address the problem of an anthropocentric cause-and-effect logic that may fall short of capturing the qualities of organic life generally and of plants in particular.},\n bibtype = {article},\n author = {Roxburgh, Natalie and Sprang, Felix},\n doi = {https://doi.org/10.1080/13825577.2018.1513722},\n journal = {European Journal of English Studies},\n number = {3}\n}
\n
\n\n\n
\n In this paper the authors trace and challenge the legacy of Erasmus Darwin’s conviction that ‘[s]cience is best delivered in prose, as its mode of reasoning is from stricter analogies than metaphors and similes’. Arguing that poetry is an undervalued mode of making knowledge, the authors highlight forays in poetry that address plants as autopoietic organisms with agency, a feature of plants that is marginalised in the Western scientific tradition. Pointing to couplet rhyming as a form of thinking in the eighteenth century, and looking at the form of John Clare’s ‘Evening Primrose’ (1820) as well as Alice Oswald’s ‘Woman in a Mustard Field’ (1996), the authors bring to the fore poetics of botanical knowledge that are centred on particular formal techniques, on sensual experience and on implicit knowledge of plant life: an implicit knowledge which they suggest hinges on experience rather than empirical data. In so doing, they describe how poetic form, such as the dynamic thinking process that couplet rhyming endorses, can address the problem of an anthropocentric cause-and-effect logic that may fall short of capturing the qualities of organic life generally and of plants in particular.\n
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\n \n\n \n \n \n \n \n \n Botanik und Ästhetik.\n \n \n \n \n\n\n \n Kittelmann, J.\n\n\n \n\n\n\n Universitätsverlag Göttingen, 2018.\n \n\n\n\n
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\n 
@book{\n title = {Botanik und Ästhetik},\n type = {book},\n year = {2018},\n websites = {https://www.univerlag.uni-goettingen.de/bitstream/handle/3/isbn-978-3-86395-378-2/Annals22_vorwort.pdf?sequence=4&isAllowed=y},\n publisher = {Universitätsverlag Göttingen},\n city = {Göttingen},\n id = {c12e1871-c4fd-3499-8f5b-7bb9a3c46daf},\n created = {2021-04-02T00:04:50.503Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:50.503Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Annals of the History and Philosophy of Biology; 22/2017},\n bibtype = {book},\n author = {Kittelmann, Jana},\n doi = {https://doi.org/10.17875/gup2018-1110}\n}
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\n Annals of the History and Philosophy of Biology; 22/2017\n
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\n \n\n \n \n \n \n \n 'Leaves and Berries': Agatha Christie and the Herbal Revival.\n \n \n \n\n\n \n Carroll, A.\n\n\n \n\n\n\n Green Letters, 22(1): 20-30. 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {'Leaves and Berries': Agatha Christie and the Herbal Revival},\n type = {article},\n year = {2018},\n pages = {20-30},\n volume = {22},\n id = {1f4eba03-14d1-3855-a382-5c8bb9332da4},\n created = {2021-04-02T00:04:54.179Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:54.179Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Carroll, Alicia},\n doi = {10.1080/14688417.2018.1438303},\n journal = {Green Letters},\n number = {1}\n}
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\n \n\n \n \n \n \n \n The Brief Life of Flowers.\n \n \n \n\n\n \n Stafford, F.\n\n\n \n\n\n\n Hodder & Stoughton, 2018.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Botanical Speculations: Plants in Contemporary Art.\n \n \n \n\n\n \n Aloi, G.\n\n\n \n\n\n\n Cambridge Scholars Publishing, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n \n Host-Driven Morphological Variability in Orobanche Crenata (Orobanchaceae).\n \n \n \n \n\n\n \n Domina, G.\n\n\n \n\n\n\n Turkish Journal of Botany. 2018.\n \n\n\n\n
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\n 
@article{\n title = {Host-Driven Morphological Variability in Orobanche Crenata (Orobanchaceae)},\n type = {article},\n year = {2018},\n websites = {https://www.researchgate.net/publication/326603292_Host-driven_morphological_variability_in_Orobanche_crenata_Orobanchaceae},\n id = {7deec581-5b07-3a44-9d73-d8318fd890c8},\n created = {2021-04-02T00:04:57.019Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:57.019Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Domina, Gianniantonio},\n doi = {10.3906/bot-1712-25},\n journal = {Turkish Journal of Botany}\n}
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\n \n\n \n \n \n \n \n Golden Fruit: A Cultural History of Oranges in Italy.\n \n \n \n\n\n \n Mazzoni, C.\n\n\n \n\n\n\n University of Toronto Press, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n \n I See My Garden as a Barometer of Climate Change.\n \n \n \n \n\n\n \n Sandilands, C.\n\n\n \n\n\n\n 7 2018.\n \n\n\n\n
\n\n\n\n \n \n \"IWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {I See My Garden as a Barometer of Climate Change},\n type = {misc},\n year = {2018},\n source = {The Guardian},\n websites = {https://www.theguardian.com/commentisfree/2018/jul/09/i-see-my-garden-as-a-barometer-of-climate-change},\n month = {7},\n day = {9},\n id = {1d0ca565-c25b-3426-91a2-fcb11970b725},\n created = {2021-04-05T16:36:10.396Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:10.396Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Sandilands, Catriona}\n}
\n
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\n \n\n \n \n \n \n \n Covert Plants: Vegetal Consciousness and Agency in an Anthropocentric World.\n \n \n \n\n\n \n Brits, B.; and Gibson, P.\n\n\n \n\n\n\n Punctum/Brainstorm Books, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Covert Plants: Vegetal Consciousness and Agency in an Anthropocentric World},\n type = {book},\n year = {2018},\n publisher = {Punctum/Brainstorm Books},\n city = {Goleta, CA},\n id = {2b3d1897-b619-33e8-bf8a-54f557a0318f},\n created = {2021-04-05T16:36:12.860Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:12.860Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Brits, Baylee and Gibson, Prudence}\n}
\n
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\n \n\n \n \n \n \n \n Managing Northern Europe’s Forests: Histories from the Age of Improvement to the Age of Ecology.\n \n \n \n\n\n \n Oosthoek, K., J.; and Hölzl, R.\n\n\n \n\n\n\n Berghahn, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Managing Northern Europe’s Forests: Histories from the Age of Improvement to the Age of Ecology},\n type = {book},\n year = {2018},\n publisher = {Berghahn},\n city = {Oxford},\n id = {38fd2786-e498-3e87-aa45-9b5b897bea21},\n created = {2021-04-05T16:36:23.420Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:23.420Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {A podcast about the topic, featuring the editors, can be found here: https://www.eh-resources.org/podcast-79/},\n bibtype = {book},\n author = {Oosthoek, K. Jan and Hölzl, Richard}\n}
\n
\n\n\n
\n A podcast about the topic, featuring the editors, can be found here: https://www.eh-resources.org/podcast-79/\n
\n\n\n
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\n \n\n \n \n \n \n \n The Plant Contract: Art's Return to Vegetal Life.\n \n \n \n\n\n \n Gibson, P.\n\n\n \n\n\n\n Brill, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Plant Contract: Art's Return to Vegetal Life},\n type = {book},\n year = {2018},\n publisher = {Brill},\n id = {a1afbe27-ecca-3615-98ba-b6d96a2f098c},\n created = {2021-04-05T16:36:33.731Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:33.731Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Gibson, Prudence}\n}
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\n \n\n \n \n \n \n \n The Revolutionary Genius of Plants: A New Understanding of Plant Intelligence and Behavior.\n \n \n \n\n\n \n Mancuso, S.\n\n\n \n\n\n\n Atria Books, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Revolutionary Genius of Plants: A New Understanding of Plant Intelligence and Behavior},\n type = {book},\n year = {2018},\n publisher = {Atria Books},\n id = {93d9a178-1293-3ccf-89bc-eb6026f9119b},\n created = {2021-04-05T16:36:35.444Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:35.444Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Mancuso, Stefano}\n}
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\n \n\n \n \n \n \n \n \n Big Botany: Conversations with the Plant World.\n \n \n \n \n\n\n \n Goddard, S., H.\n\n\n \n\n\n\n University of Kansas Spencer Museum of Art, 2018.\n \n\n\n\n
\n\n\n\n \n \n \"BigWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Big Botany: Conversations with the Plant World},\n type = {book},\n year = {2018},\n websites = {https://indd.adobe.com/view/abf1ec41-5c41-4ce1-9096-757b03b75d66},\n publisher = {University of Kansas Spencer Museum of Art},\n city = {Lawrence, KS},\n id = {a05a8449-fb9e-33d3-9907-5dfa2d6f0128},\n created = {2021-04-05T16:37:29.238Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:29.238Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This extensive exhibition catalog explores humankind’s deep connections and fascination with the plant kingdom through artworks from the Spencer Museum’s permanent collection, a number of significant loans, and site-specific commissions by four artists-in-residence: Ackroyd & Harvey, Sandy Winters, and Mathias Kessler. The exhibition is organized through several themes: artists' studies of plant forms; historic and contemporary plant lore; ecological sustainability and biomechanical plant hybrids; plants in a post-human world; and works dealing with scientific research on how plants sense the world and communicate. One aim of the exhibition is to cultivate viewers’ empathy for plants by addressing the tendency of humans to dismiss plants as a static backdrop to their fast-paced lives. Themes in Big Botany are explored further through an exhibition catalogue published by the Museum that includes short contributions from a variety of artists, curators, poets, philosophers, ecologists, and more. Additionally, a research symposium coinciding with the exhibition’s opening brought scholars and researchers together to share their work on plant studies.},\n bibtype = {book},\n author = {Goddard, Stephen H.}\n}
\n
\n\n\n
\n This extensive exhibition catalog explores humankind’s deep connections and fascination with the plant kingdom through artworks from the Spencer Museum’s permanent collection, a number of significant loans, and site-specific commissions by four artists-in-residence: Ackroyd & Harvey, Sandy Winters, and Mathias Kessler. The exhibition is organized through several themes: artists' studies of plant forms; historic and contemporary plant lore; ecological sustainability and biomechanical plant hybrids; plants in a post-human world; and works dealing with scientific research on how plants sense the world and communicate. One aim of the exhibition is to cultivate viewers’ empathy for plants by addressing the tendency of humans to dismiss plants as a static backdrop to their fast-paced lives. Themes in Big Botany are explored further through an exhibition catalogue published by the Museum that includes short contributions from a variety of artists, curators, poets, philosophers, ecologists, and more. Additionally, a research symposium coinciding with the exhibition’s opening brought scholars and researchers together to share their work on plant studies.\n
\n\n\n
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\n \n\n \n \n \n \n \n \n Public Parks, Private Gardens: Paris to Provence.\n \n \n \n \n\n\n \n Metropolitan Museum of Art\n\n\n \n\n\n\n 2018.\n \n\n\n\n
\n\n\n\n \n \n \"PublicWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n 
@misc{\n title = {Public Parks, Private Gardens: Paris to Provence},\n type = {misc},\n year = {2018},\n websites = {https://www.metmuseum.org/exhibitions/listings/2018/public-parks-private-gardens},\n city = {New York},\n id = {d8221cb3-c995-3667-b2ed-f58b07ad1204},\n created = {2021-04-05T16:37:30.181Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:30.181Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Metropolitan Museum of Art, undefined},\n keywords = {art project,exhibit}\n}
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\n\n\n
\n \n\n \n \n \n \n \n \n The Book of Seeds: A Life-Sized Guide to Six Hundred Species from around the World.\n \n \n \n \n\n\n \n Smith, P.\n\n\n \n\n\n\n University of Chicago Press, 2018.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Book of Seeds: A Life-Sized Guide to Six Hundred Species from around the World},\n type = {book},\n year = {2018},\n websites = {http://press.uchicago.edu/ucp/books/book/chicago/B/bo28265826.html},\n publisher = {University of Chicago Press},\n id = {633c8c57-9f70-36dd-8584-faa6617e8611},\n created = {2021-04-05T16:38:39.001Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:39.001Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Smith, Paul}\n}
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\n \n\n \n \n \n \n \n \n Plants in Contemporary Poetry: Ecocriticism and the Botanical Imagination.\n \n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Routledge, 2018.\n \n\n\n\n
\n\n\n\n \n \n \"PlantsWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plants in Contemporary Poetry: Ecocriticism and the Botanical Imagination},\n type = {book},\n year = {2018},\n websites = {https://www.routledge.com/Plants-in-Contemporary-Poetry-Ecocriticism-and-the-Botanical-Imagination/Ryan/p/book/9781138186286},\n publisher = {Routledge},\n city = {New York, NY},\n id = {865d6cac-c54f-3bf5-ad80-e89be9a25643},\n created = {2021-04-05T16:39:01.146Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:01.146Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {ELEC},\n language = {English},\n private_publication = {false},\n abstract = {"Positioned within current ecocritical scholarship, this volume is the first book-length study of the representations of plants in contemporary American, English, and Australian poetry. Through readings of botanically-minded writers including Les Murray, Louise Glück, and Alice Oswald, it addresses the relationship between language and the subjectivity, agency, sentience, consciousness, and intelligence of vegetal life. Scientific, philosophical, and literary frameworks enable the author to develop an interdisciplinary approach to examining the role of plants in poetry. Drawing from recent plant science and contributing to the exciting new field of critical plant studies, the author develops a methodology he calls "botanical criticism" that aims to redress the lack of emphasis on plant life in studies of poetry. As a subset of ecocriticism, botanical criticism investigates how poets engage with plants literally and figuratively, materially and symbolically, in their works. Key themes covered in this volume include plants as invasives and weeds in human settings; as sources of physical and spiritual nourishment; as signifiers of region, home, and identity; as objects of aesthetics and objectivism; and, crucially, as beings with their own perspectives, voices, and modes of dialogue. Ryan demonstrates that poetic imagination is as essential as scientific rationality to elucidating and appreciating the mysteries of plant-being. This book will appeal to a multidisciplinary readership in the fields of ecocriticism, ecopoetry, environmental humanities, and ecocultural studies, and will be of interest to researchers in the emerging area of critical plant studies."--Provided by publisher.},\n bibtype = {book},\n author = {Ryan, John Charles}\n}
\n
\n\n\n
\n \"Positioned within current ecocritical scholarship, this volume is the first book-length study of the representations of plants in contemporary American, English, and Australian poetry. Through readings of botanically-minded writers including Les Murray, Louise Glück, and Alice Oswald, it addresses the relationship between language and the subjectivity, agency, sentience, consciousness, and intelligence of vegetal life. Scientific, philosophical, and literary frameworks enable the author to develop an interdisciplinary approach to examining the role of plants in poetry. Drawing from recent plant science and contributing to the exciting new field of critical plant studies, the author develops a methodology he calls \"botanical criticism\" that aims to redress the lack of emphasis on plant life in studies of poetry. As a subset of ecocriticism, botanical criticism investigates how poets engage with plants literally and figuratively, materially and symbolically, in their works. Key themes covered in this volume include plants as invasives and weeds in human settings; as sources of physical and spiritual nourishment; as signifiers of region, home, and identity; as objects of aesthetics and objectivism; and, crucially, as beings with their own perspectives, voices, and modes of dialogue. Ryan demonstrates that poetic imagination is as essential as scientific rationality to elucidating and appreciating the mysteries of plant-being. This book will appeal to a multidisciplinary readership in the fields of ecocriticism, ecopoetry, environmental humanities, and ecocultural studies, and will be of interest to researchers in the emerging area of critical plant studies.\"--Provided by publisher.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n ‘When ‘tis Night, Death is Green’: Vegetal Time in Nineteenth-Century Econoir.\n \n \n \n\n\n \n Bishop, K., E.\n\n\n \n\n\n\n Green Letters, 22(1). 1 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {‘When ‘tis Night, Death is Green’: Vegetal Time in Nineteenth-Century Econoir},\n type = {article},\n year = {2018},\n volume = {22},\n month = {1},\n day = {2},\n id = {5300dba0-9a89-35b8-ba4e-76d1a4ffa6b6},\n created = {2021-06-17T18:41:10.046Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-17T18:41:10.046Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Bishop, Katherine E.},\n doi = {10.1080/14688417.2017.1413990},\n journal = {Green Letters},\n number = {1}\n}
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\n \n\n \n \n \n \n \n In the Shadow of a Willow Tree: A Community Garden Experiment in Decolonising, Multispecies Research.\n \n \n \n\n\n \n Wright, K.\n\n\n \n\n\n\n Cultural Studies Review, 24(1). 4 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {In the Shadow of a Willow Tree: A Community Garden Experiment in Decolonising, Multispecies Research},\n type = {article},\n year = {2018},\n volume = {24},\n month = {4},\n day = {20},\n id = {58546a8c-f93a-3b3a-bc0b-e40ba6e127b2},\n created = {2021-06-21T17:21:26.285Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-21T17:21:26.285Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {In 2014, Kate Wright commenced a postdoctoral project that involved collaboratively planting and maintaining a community garden on a block of land that was once part of the East Armidale Aboriginal Reserve in the so-called New England Tableland region of New South Wales, Australia. At the edge of this block of land is an introduced, invasive willow tree. In this article, Kate Wright writes with and alongside the willow tree to interrogate the potential and limitations of anticolonial projects undertaken from colonial subject positions predicated on relations of social and environmental privilege. Anticolonial scholarly activism demands a critique of individual and institutional complicity with ongoing colonial power structures. The following analysis offers a personal narrative of what it has been like to be involved in an anticolonial multispecies research project while working within the confines of the neoliberal university. Exploring the intersection of academic, social and environmental ecologies, Wright positions the community garden as an alternative pedagogical and public environmental humanities research site that interrupts the reproduction of settler colonial power relations by cultivating tactics of collective resistance in alliance with the nonhuman world.},\n bibtype = {article},\n author = {Wright, Kate},\n doi = {10.5130/csr.v24i1.4700},\n journal = {Cultural Studies Review},\n number = {1}\n}
\n
\n\n\n
\n In 2014, Kate Wright commenced a postdoctoral project that involved collaboratively planting and maintaining a community garden on a block of land that was once part of the East Armidale Aboriginal Reserve in the so-called New England Tableland region of New South Wales, Australia. At the edge of this block of land is an introduced, invasive willow tree. In this article, Kate Wright writes with and alongside the willow tree to interrogate the potential and limitations of anticolonial projects undertaken from colonial subject positions predicated on relations of social and environmental privilege. Anticolonial scholarly activism demands a critique of individual and institutional complicity with ongoing colonial power structures. The following analysis offers a personal narrative of what it has been like to be involved in an anticolonial multispecies research project while working within the confines of the neoliberal university. Exploring the intersection of academic, social and environmental ecologies, Wright positions the community garden as an alternative pedagogical and public environmental humanities research site that interrupts the reproduction of settler colonial power relations by cultivating tactics of collective resistance in alliance with the nonhuman world.\n
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\n \n\n \n \n \n \n \n Blooming Marvel: The Garlic Flower in Bram Stoker's Hermeneutic Garden.\n \n \n \n\n\n \n Stewart, J.\n\n\n \n\n\n\n Gothic Studies, 20(1-2). 11 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Blooming Marvel: The Garlic Flower in Bram Stoker's Hermeneutic Garden},\n type = {article},\n year = {2018},\n volume = {20},\n month = {11},\n id = {9cec02bd-51ed-3830-ba36-20b55f716ec2},\n created = {2021-06-21T17:21:27.361Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-21T17:21:27.361Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Stewart, Jemma},\n doi = {10.7227/GS.0052},\n journal = {Gothic Studies},\n number = {1-2}\n}
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\n \n\n \n \n \n \n \n Saint Hildegard’s Vegetal Psycho-Physio-Theology.\n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n Religions, 9(11). 11 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Saint Hildegard’s Vegetal Psycho-Physio-Theology},\n type = {article},\n year = {2018},\n volume = {9},\n month = {11},\n day = {13},\n id = {058ee289-559d-337a-83cb-a5fe4c01f543},\n created = {2021-06-24T19:33:40.555Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:40.555Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Besides a series of psycho-physiological correspondences between parts of the soul and physical processes, one finds in Hildegard’s corpus an entire hagiography and a theography mapped onto parts of plants in a sort of spiritual botany. The analogies mixed together with the non-analogical emanations of viriditas are complex, insofar as they involve particular species of plants or plant organs, psychic faculties, and chief actors in the Judeo-Christian theological drama.},\n bibtype = {article},\n author = {Marder, Michael},\n doi = {10.3390/rel9110353},\n journal = {Religions},\n number = {11}\n}
\n
\n\n\n
\n Besides a series of psycho-physiological correspondences between parts of the soul and physical processes, one finds in Hildegard’s corpus an entire hagiography and a theography mapped onto parts of plants in a sort of spiritual botany. The analogies mixed together with the non-analogical emanations of viriditas are complex, insofar as they involve particular species of plants or plant organs, psychic faculties, and chief actors in the Judeo-Christian theological drama.\n
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\n\n\n
\n \n\n \n \n \n \n \n \n Eternal Forest Artist Book.\n \n \n \n \n\n\n \n Emets, E.\n\n\n \n\n\n\n 2018.\n \n\n\n\n
\n\n\n\n \n \n \"EternalWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Survivor Trees and memorial groves: Vegetal commemoration of victims of terrorism in Europe and the United States.\n \n \n \n\n\n \n Heath-Kelly, C.\n\n\n \n\n\n\n Political Geography, 64. 5 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Survivor Trees and memorial groves: Vegetal commemoration of victims of terrorism in Europe and the United States},\n type = {article},\n year = {2018},\n volume = {64},\n month = {5},\n id = {756ee88e-eb01-36ae-81c9-869934300adc},\n created = {2021-06-24T19:33:42.038Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:42.038Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Heath-Kelly, Charlotte},\n doi = {10.1016/j.polgeo.2018.03.003},\n journal = {Political Geography}\n}
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\n \n\n \n \n \n \n \n The Plant Contract: Art’s Return to Vegetal Life.\n \n \n \n\n\n \n Gibson, P.\n\n\n \n\n\n\n Brill, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Pilze: Ein Lesebuch.\n \n \n \n\n\n \n Kraus, C.\n\n\n \n\n\n\n Insel Verlag, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Around the World in 80 Trees.\n \n \n \n\n\n \n Drori, J.\n\n\n \n\n\n\n Laurence King Publishing, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n ‘When ‘tis Night, Death is Green’: Vegetal Time in Nineteenth-Century Econoir.\n \n \n \n\n\n \n Bishop, K., E.\n\n\n \n\n\n\n Green Letters, 22(1): 7-19. 1 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {‘When ‘tis Night, Death is Green’: Vegetal Time in Nineteenth-Century Econoir},\n type = {article},\n year = {2018},\n pages = {7-19},\n volume = {22},\n month = {1},\n day = {2},\n id = {2ab0b654-5606-3353-b5c9-7576a35b403f},\n created = {2021-11-24T15:12:06.602Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-24T15:12:06.602Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Bishop, Katherine E.},\n doi = {10.1080/14688417.2017.1413990},\n journal = {Green Letters},\n number = {1}\n}
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\n \n\n \n \n \n \n \n A Feminist Companion to the Posthumanities.\n \n \n \n\n\n \n Åsberg, C.; and Braidotti, R.\n\n\n \n\n\n\n Springer International Publishing, 5 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {A Feminist Companion to the Posthumanities},\n type = {book},\n year = {2018},\n source = {A Feminist Companion to the Posthumanities},\n pages = {1-245},\n month = {5},\n publisher = {Springer International Publishing},\n day = {17},\n id = {e871bb83-95cc-339e-8b7c-bbfdf7574939},\n created = {2022-02-14T23:08:02.870Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:08:02.870Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This companion is a cutting-edge primer to critical forms of the posthumanities and the feminist posthumanities, aimed at students and researchers who want to catch up with the recent theoretical developments in various fields in the humanities, such as new media studies, gender studies, cultural studies, science and technology studies, human animal studies, postcolonial critique, philosophy and environmental humanities. It contains a collection of nineteen new and original short chapters introducing influential concepts, ideas and approaches that have shaped and developed new materialism, inhuman theory, critical posthumanism, feminist materialism, and posthuman philosophy. A resource for students and teachers, this comprehensive volume brings together established international scholars and emerging theorists, for timely and astute definitions of a moving target - posthuman humanities and feminist posthumanities.},\n bibtype = {book},\n author = {Åsberg, Cecilia and Braidotti, Rosi},\n doi = {10.1007/978-3-319-62140-1}\n}
\n
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\n This companion is a cutting-edge primer to critical forms of the posthumanities and the feminist posthumanities, aimed at students and researchers who want to catch up with the recent theoretical developments in various fields in the humanities, such as new media studies, gender studies, cultural studies, science and technology studies, human animal studies, postcolonial critique, philosophy and environmental humanities. It contains a collection of nineteen new and original short chapters introducing influential concepts, ideas and approaches that have shaped and developed new materialism, inhuman theory, critical posthumanism, feminist materialism, and posthuman philosophy. A resource for students and teachers, this comprehensive volume brings together established international scholars and emerging theorists, for timely and astute definitions of a moving target - posthuman humanities and feminist posthumanities.\n
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\n \n\n \n \n \n \n \n A Visit to Biotopia: Genre, Genetics and Gardening in the Early Twentieth Century.\n \n \n \n\n\n \n Endersby, J.\n\n\n \n\n\n\n British Journal for the History of Science, 51(3): 423-455. 9 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {A Visit to Biotopia: Genre, Genetics and Gardening in the Early Twentieth Century},\n type = {article},\n year = {2018},\n pages = {423-455},\n volume = {51},\n month = {9},\n publisher = {Cambridge University Press},\n day = {1},\n id = {d25285a0-18ba-3298-bb16-a6a9ac14a2e3},\n created = {2022-02-14T23:08:03.537Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-14T23:08:03.537Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The early decades of the twentieth century were marked by widespread optimism about biology and its ability to improve the world. A major catalyst for this enthusiasm was new theories about inheritance and evolution (particularly Hugo de Vries's mutation theory and Mendel's newly rediscovered ideas). In Britain and the USA particularly, an astonishingly diverse variety of writers (from elite scientists to journalists and writers of fiction) took up the task of interpreting these new biological ideas, using a wide range of genres to help their fellow citizens make sense of biology's promise. From these miscellaneous writings a new and distinctive kind of utopianism emerged - the biotopia. Biotopias offered the dream of a perfect, post-natural world, or the nightmare of violated nature (often in the same text), but above all they conveyed a sense that biology was - for the first time - offering humanity unprecedented control over life. Biotopias often visualized the world as a garden perfected for human use, but this vision was tinged with gendered violence, as it became clear that realizing it entailed dispossessing, or even killing, 'Mother Nature'. Biotopian themes are apparent in journalism, scientific reports and even textbooks, and these non-fiction sources shared many characteristics with intentionally prophetic or utopian fictions. Biotopian themes can be traced back and forth across the porous boundaries between popular and elite writing, showing how biology came to function as public culture. This analysis reveals not only how the historical significance of science is invariably determined outside the scientific world, but also that the ways in which biology was debated during this period continue to characterize today's debates over new biological breakthroughs.},\n bibtype = {article},\n author = {Endersby, Jim},\n doi = {10.1017/S000708741800047X},\n journal = {British Journal for the History of Science},\n number = {3}\n}
\n
\n\n\n
\n The early decades of the twentieth century were marked by widespread optimism about biology and its ability to improve the world. A major catalyst for this enthusiasm was new theories about inheritance and evolution (particularly Hugo de Vries's mutation theory and Mendel's newly rediscovered ideas). In Britain and the USA particularly, an astonishingly diverse variety of writers (from elite scientists to journalists and writers of fiction) took up the task of interpreting these new biological ideas, using a wide range of genres to help their fellow citizens make sense of biology's promise. From these miscellaneous writings a new and distinctive kind of utopianism emerged - the biotopia. Biotopias offered the dream of a perfect, post-natural world, or the nightmare of violated nature (often in the same text), but above all they conveyed a sense that biology was - for the first time - offering humanity unprecedented control over life. Biotopias often visualized the world as a garden perfected for human use, but this vision was tinged with gendered violence, as it became clear that realizing it entailed dispossessing, or even killing, 'Mother Nature'. Biotopian themes are apparent in journalism, scientific reports and even textbooks, and these non-fiction sources shared many characteristics with intentionally prophetic or utopian fictions. Biotopian themes can be traced back and forth across the porous boundaries between popular and elite writing, showing how biology came to function as public culture. This analysis reveals not only how the historical significance of science is invariably determined outside the scientific world, but also that the ways in which biology was debated during this period continue to characterize today's debates over new biological breakthroughs.\n
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\n \n\n \n \n \n \n \n Introduction: Queering Ecopoetics.\n \n \n \n\n\n \n Hume, A.; and Rahimtoola, S.\n\n\n \n\n\n\n ISLE: Interdisciplinary Studies in Literature and Environment, 25(1): 134-149. 5 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Introduction: Queering Ecopoetics},\n type = {article},\n year = {2018},\n pages = {134-149},\n volume = {25},\n month = {5},\n day = {1},\n id = {5ba1c03c-8264-3f31-8628-b79e749f9b24},\n created = {2022-02-15T19:07:28.374Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-15T19:07:28.374Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Hume, Angela and Rahimtoola, Samia},\n doi = {10.1093/isle/isy014},\n journal = {ISLE: Interdisciplinary Studies in Literature and Environment},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Sacred Seeds: New World Plants in Early Modern English Literature. Early Modern Cultural Studies Series.\n \n \n \n\n\n \n McLean Test, E.\n\n\n \n\n\n\n University of Nebraska Press, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Sacred Seeds: New World Plants in Early Modern English Literature. Early Modern Cultural Studies Series},\n type = {book},\n year = {2018},\n publisher = {University of Nebraska Press},\n city = {Lincoln},\n id = {9ad34e72-f111-3b48-9354-ed875aa79cb4},\n created = {2024-08-05T00:50:20.259Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:50:20.259Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {McLean Test, Edward}\n}
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\n \n\n \n \n \n \n \n Botanics in Dystopian Environments: Human-Plant Encounters in Contemporary Finnish-Language Dystopian Fiction.\n \n \n \n\n\n \n Samola, H.\n\n\n \n\n\n\n Nordic Narratives of Nature and the Environment: Ecocritical Approaches to Northern European Literatures and Cultures, pages 137-157. Hennig, R.; Jonasson, A.; and Degerman, P., editor(s). Lexington Books, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inbook{\n type = {inbook},\n year = {2018},\n pages = {137-157},\n publisher = {Lexington Books},\n city = {Lanham},\n id = {24544c2a-29f3-326d-971b-2747bee58114},\n created = {2024-08-05T00:54:29.392Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:54:29.392Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inbook},\n author = {Samola, Hanna},\n editor = {Hennig, Reinhard and Jonasson, Anna-Karin and Degerman, Peter},\n chapter = {Botanics in Dystopian Environments: Human-Plant Encounters in Contemporary Finnish-Language Dystopian Fiction},\n title = {Nordic Narratives of Nature and the Environment: Ecocritical Approaches to Northern European Literatures and Cultures}\n}
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\n \n\n \n \n \n \n \n Plant Ethics: Concepts and Applications.\n \n \n \n\n\n \n Kallhoff, A.; Di Paola, M.; and Schörgenhumer, M.,\n editors.\n \n\n\n \n\n\n\n Routledge, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant Ethics: Concepts and Applications},\n type = {book},\n year = {2018},\n publisher = {Routledge},\n city = {New York},\n id = {f31e7740-65fe-33ee-80fc-b86ec34cc996},\n created = {2024-08-05T01:42:54.780Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:42:54.780Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Kallhoff, Angela and Di Paola, Marcello and Schörgenhumer, Maria}\n}
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\n \n\n \n \n \n \n \n Ruderal Ecologies: Rethinking Nature, Migration, and the Urban Landscape in Berlin.\n \n \n \n\n\n \n Stoetzer, B.\n\n\n \n\n\n\n Cultural Anthropology, 33(2): 295-323. 5 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Ruderal Ecologies: Rethinking Nature, Migration, and the Urban Landscape in Berlin},\n type = {article},\n year = {2018},\n pages = {295-323},\n volume = {33},\n month = {5},\n day = {21},\n id = {1e90e203-45af-39e6-be02-8760fba483c3},\n created = {2024-08-05T19:30:21.669Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T19:30:21.669Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p>Engaging with a series of human–plant encounters in Berlin, this article explores possibilities for rethinking the heterogeneity of urban life in the ruins of European nationalism and capitalism. Drawing on ethnographic fieldwork and revisiting Berlin’s postwar history of botanical research, I develop the concept of the ruderal and expand it for an anthropological inquiry of urban life. The term ruderal was originally used by Berlin ecologists after the Second World War to refer to ecologies that spontaneously inhabit disturbed environments: the spaces alongside train tracks or roads, wastelands, or rubble. Exploring Berlin as a ruderal city, I direct attention to the often unnoticed, cosmopolitan, and unruly ways of remaking the urban fabric at a time of increased nationalism and ecological destruction. Tracing human–plant socialities in encounters between scientists and rubble plants, in public culture, and among immigrants and their makeshift urban gardens, the lens of the ruderal directs ethnographic analysis toward the city’s unintended ecologies as these are produced in the context of nation-making, war, xenophobia, migration, environmental change, and contemporary austerity policies. Attending to ruderal worlds, I argue, requires telling stories that do not easily add up but that combine environmental perspectives with the study of migration, race, and social inequality—in the interest of mapping out possibilities for change. This framework thus expands a recent anthropological focus on ruins, infrastructure, and urban landscapes by highlighting questions of social justice that are at stake in emerging urban ecologies and an era of inhospitable environments.</p>},\n bibtype = {article},\n author = {Stoetzer, Bettina},\n doi = {10.14506/ca33.2.09},\n journal = {Cultural Anthropology},\n number = {2}\n}
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Engaging with a series of human–plant encounters in Berlin, this article explores possibilities for rethinking the heterogeneity of urban life in the ruins of European nationalism and capitalism. Drawing on ethnographic fieldwork and revisiting Berlin’s postwar history of botanical research, I develop the concept of the ruderal and expand it for an anthropological inquiry of urban life. The term ruderal was originally used by Berlin ecologists after the Second World War to refer to ecologies that spontaneously inhabit disturbed environments: the spaces alongside train tracks or roads, wastelands, or rubble. Exploring Berlin as a ruderal city, I direct attention to the often unnoticed, cosmopolitan, and unruly ways of remaking the urban fabric at a time of increased nationalism and ecological destruction. Tracing human–plant socialities in encounters between scientists and rubble plants, in public culture, and among immigrants and their makeshift urban gardens, the lens of the ruderal directs ethnographic analysis toward the city’s unintended ecologies as these are produced in the context of nation-making, war, xenophobia, migration, environmental change, and contemporary austerity policies. Attending to ruderal worlds, I argue, requires telling stories that do not easily add up but that combine environmental perspectives with the study of migration, race, and social inequality—in the interest of mapping out possibilities for change. This framework thus expands a recent anthropological focus on ruins, infrastructure, and urban landscapes by highlighting questions of social justice that are at stake in emerging urban ecologies and an era of inhospitable environments.

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\n  \n 2017\n \n \n (56)\n \n \n
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\n \n\n \n \n \n \n \n \n How I Became a Tree.\n \n \n \n \n\n\n \n Roy, S.\n\n\n \n\n\n\n Aleph Book Company, 2017.\n \n\n\n\n
\n\n\n\n \n \n \"HowWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {How I Became a Tree},\n type = {book},\n year = {2017},\n websites = {http://sumanaroy.co.in/book.html},\n publisher = {Aleph Book Company},\n city = {New Delhi},\n id = {b3ef0ec9-9ebb-31f0-841a-a03826122325},\n created = {2021-04-02T00:00:45.714Z},\n accessed = {2021-01-05},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:45.714Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Roy, Sumana}\n}
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\n \n\n \n \n \n \n \n Cactus.\n \n \n \n\n\n \n Torre, D.\n\n\n \n\n\n\n Reaktion Books, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Cactus},\n type = {book},\n year = {2017},\n publisher = {Reaktion Books},\n city = {London},\n id = {4210df61-1b09-37f4-bd1a-80a65f7eca6f},\n created = {2021-04-02T00:00:51.016Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:51.016Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Cacti are full of contradictions. They can be found in some of the harshest, driest and most barren environments on earth, yet some are delicate tropical plants that grow high among the branches of the rainforest canopy. Many cacti bristle with ferocious-looking spines, while others are completely bare. Nearly all exhibit remarkable floral displays – some having flowers that are even larger than the plant itself. Cacti have played a prominent role in human history for thousands of years. Some species were revered by ancient civilizations, playing a part in their religious ceremonies; other varieties have been heavily cultivated for food or for the production of the bright red dye cochineal – which is actually derived from a parasitic insect that feeds on the prickly pear cactus. Native to the American continents, cacti have spread worldwide and have become an important feature in many gardens and collections. Although not often in the culinary forefront of people’s minds, a number of varieties of cacti are delicious to eat – ‘dragon fruit’, produced by the cactus species Hylocereus undatus, is fast becoming one of the world’s most popular tropical treats.},\n bibtype = {book},\n author = {Torre, Dan}\n}
\n
\n\n\n
\n Cacti are full of contradictions. They can be found in some of the harshest, driest and most barren environments on earth, yet some are delicate tropical plants that grow high among the branches of the rainforest canopy. Many cacti bristle with ferocious-looking spines, while others are completely bare. Nearly all exhibit remarkable floral displays – some having flowers that are even larger than the plant itself. Cacti have played a prominent role in human history for thousands of years. Some species were revered by ancient civilizations, playing a part in their religious ceremonies; other varieties have been heavily cultivated for food or for the production of the bright red dye cochineal – which is actually derived from a parasitic insect that feeds on the prickly pear cactus. Native to the American continents, cacti have spread worldwide and have become an important feature in many gardens and collections. Although not often in the culinary forefront of people’s minds, a number of varieties of cacti are delicious to eat – ‘dragon fruit’, produced by the cactus species Hylocereus undatus, is fast becoming one of the world’s most popular tropical treats.\n
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\n \n\n \n \n \n \n \n Rhododendron.\n \n \n \n\n\n \n Milne, R.\n\n\n \n\n\n\n Reaktion Books, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Rhododendron},\n type = {book},\n year = {2017},\n publisher = {Reaktion Books},\n city = {London},\n id = {c0c3267c-bd53-3243-90b9-3ce47a900755},\n created = {2021-04-02T00:01:02.605Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:02.605Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Has a group of plants ever inspired such love in some, and hatred in others, as rhododendrons? Their propensity towards sexual infidelity makes them popular with horticultural breeders, and early plant collectors faced mortal peril to bring stunning new species back to life. They can clothe whole hillsides or gardens with colour. But there is a darker side to these plants. Numerous Chinese folk tales link them with tragedy and death. They can poison livestock and intoxicate humans, and their narcotic honey has been used as a weapon of war. Rhododendron ponticum has run riot across the British countryside, but the full story of this implacable invader contains many surprises. Richard Milne explores the many ways in which rhododendrons have influenced human societies, relating this to the extraordinary story of the plants’ evolution. Tales are told of mythical figures, intrepid collectors and eccentric plant breeders. Over a thousand species exist, ranging from rugged trees on Himalayan slopes to rock-hugging alpines. However much you know about rhododendrons, this book will tell you something new.},\n bibtype = {book},\n author = {Milne, Richard}\n}
\n
\n\n\n
\n Has a group of plants ever inspired such love in some, and hatred in others, as rhododendrons? Their propensity towards sexual infidelity makes them popular with horticultural breeders, and early plant collectors faced mortal peril to bring stunning new species back to life. They can clothe whole hillsides or gardens with colour. But there is a darker side to these plants. Numerous Chinese folk tales link them with tragedy and death. They can poison livestock and intoxicate humans, and their narcotic honey has been used as a weapon of war. Rhododendron ponticum has run riot across the British countryside, but the full story of this implacable invader contains many surprises. Richard Milne explores the many ways in which rhododendrons have influenced human societies, relating this to the extraordinary story of the plants’ evolution. Tales are told of mythical figures, intrepid collectors and eccentric plant breeders. Over a thousand species exist, ranging from rugged trees on Himalayan slopes to rock-hugging alpines. However much you know about rhododendrons, this book will tell you something new.\n
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\n \n\n \n \n \n \n \n Tulip.\n \n \n \n\n\n \n Fisher, C.\n\n\n \n\n\n\n Reaktion Books, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Tulip},\n type = {book},\n year = {2017},\n publisher = {Reaktion Books},\n city = {London},\n id = {4c1cd0f1-8978-30f5-a105-ed9da245cdbc},\n created = {2021-04-02T00:01:05.702Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:05.702Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Wild tulips originally grew across Asia, often on the slopes of remote mountain ranges; the malleable genes of these progenitors gave rise to tulips’ unrivalled variety of colour and form. In Tulip, Celia Fisher traces the story of this important and highly popular plant, from its mountain beginnings to its cultivation in the gardens of Mughal, Persian and Ottoman potentates, and its migration from East to West along the silk trading routes. Cultivated oriental hybrids reached European gardens in the sixteenth century, and their unique, intensely saturated petal colour, combined with their rarity, meant that they rapidly became a coveted luxury item in the Netherlands. Tulips in fact inspired such a frenzy among aristocratic collectors that they caused the first economic bubble, which peaked in 1637 and became known as ‘tulipomania’. The book explores the art and literature that tulips have inspired through history, from Dutch Masters, to Alexandre Dumas’ novel The Black Tulip, to the contemporary artist Gordon Cheung setting exotically streaked tulips alongside the Financial Times. Fisher also describes the tulip’s botanical characteristics, as well as the main, and most intriguing, species (which are still being counted, and well over a hundred have been named). Tulips may yet have the last laugh, however, because recent genetic studies have raised questions about their origins and classification. Tulip is a stunningly illustrated botanical and cultural history of the much-loved bloom, and will appeal to all who admire and grow this beautiful flower.},\n bibtype = {book},\n author = {Fisher, Celia}\n}
\n
\n\n\n
\n Wild tulips originally grew across Asia, often on the slopes of remote mountain ranges; the malleable genes of these progenitors gave rise to tulips’ unrivalled variety of colour and form. In Tulip, Celia Fisher traces the story of this important and highly popular plant, from its mountain beginnings to its cultivation in the gardens of Mughal, Persian and Ottoman potentates, and its migration from East to West along the silk trading routes. Cultivated oriental hybrids reached European gardens in the sixteenth century, and their unique, intensely saturated petal colour, combined with their rarity, meant that they rapidly became a coveted luxury item in the Netherlands. Tulips in fact inspired such a frenzy among aristocratic collectors that they caused the first economic bubble, which peaked in 1637 and became known as ‘tulipomania’. The book explores the art and literature that tulips have inspired through history, from Dutch Masters, to Alexandre Dumas’ novel The Black Tulip, to the contemporary artist Gordon Cheung setting exotically streaked tulips alongside the Financial Times. Fisher also describes the tulip’s botanical characteristics, as well as the main, and most intriguing, species (which are still being counted, and well over a hundred have been named). Tulips may yet have the last laugh, however, because recent genetic studies have raised questions about their origins and classification. Tulip is a stunningly illustrated botanical and cultural history of the much-loved bloom, and will appeal to all who admire and grow this beautiful flower.\n
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\n \n\n \n \n \n \n \n Vegetal Haunting: The Gothic Plant in Nineteenth-Century American Fiction.\n \n \n \n\n\n \n Sivils, M.\n\n\n \n\n\n\n In Keetley, D.; and Sivils, M., editor(s), Ecogothic in Nineteenth-Century American Literature, pages 253-274, 2017. Routledge\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Vegetal Haunting: The Gothic Plant in Nineteenth-Century American Fiction},\n type = {inproceedings},\n year = {2017},\n pages = {253-274},\n publisher = {Routledge},\n city = {London; New York City},\n id = {ae7ab5fa-db26-3fff-be43-07628fd408dd},\n created = {2021-04-02T00:01:53.631Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:53.631Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Sivils, Matthew},\n editor = {Keetley, Dawn and Sivils, Matthew},\n booktitle = {Ecogothic in Nineteenth-Century American Literature}\n}
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\n \n\n \n \n \n \n \n The Metamorphoses of Ottilie: Goethe's Wahlverwandtschaften and the Botany of the Eighteenth Century.\n \n \n \n\n\n \n Zumbusch, C.\n\n\n \n\n\n\n European Romantic Review, 28(1): 7-20. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Metamorphoses of Ottilie: Goethe's Wahlverwandtschaften and the Botany of the Eighteenth Century},\n type = {article},\n year = {2017},\n pages = {7-20},\n volume = {28},\n id = {5a25f31d-ff8d-37e2-b033-67236f830ad2},\n created = {2021-04-02T00:02:06.163Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:06.163Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Zumbusch, Cornelia},\n doi = {10.1080/10509585.2016.1272846},\n journal = {European Romantic Review},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Strange Science: Investigating the Limits of Knowledge in the Victorian Age.\n \n \n \n\n\n \n Karpenko, L.; and Claggett, S.\n\n\n \n\n\n\n The University of Michigan Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Strange Science: Investigating the Limits of Knowledge in the Victorian Age},\n type = {book},\n year = {2017},\n publisher = {The University of Michigan Press},\n city = {Ann Arbor, MI},\n id = {6ccaec1d-b19e-3c0c-b506-100d3fd6faf2},\n created = {2021-04-02T00:02:14.383Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:14.383Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The essays in Strange Science examine marginal, fringe, and unconventional forms of scientific inquiry, as well as their cultural representations, in the Victorian period. Although now relegated to the category of the pseudoscientific, fields like mesmerism and psychical research captured the imagination of the Victorian public. Conversely, many branches of science now viewed as uncontroversial, such as physics and botany, were often associated with unorthodox methods of inquiry. Whether ultimately incorporated into mainstream scientific thought or categorized by 21st century historians as pseudo- or even anti-scientific, these sciences generated conversation, enthusiasm, and controversy within Victorian society. To date, scholarship addressing Victorian pseudoscience tends to focus either on a particular popular science within its social context or on how mainstream scientific practice distinguished itself from more contested forms.Strange Science takes a different approach by placing a range of sciences in conversation with one another and examining the similar unconventional methods of inquiry adopted by both now-established scientific fields and their marginalized counterparts during the Victorian period. In doing so, Strange Science reveals the degree to which scientific discourse of this period was radically speculative, frequently attempting to challenge or extend the apparent boundaries of the natural world. This interdisciplinary collection will appeal to scholars in the fields of Victorian literature, cultural studies, the history of the body, and the history of science.},\n bibtype = {book},\n author = {Karpenko, Lara and Claggett, Shalyn},\n doi = {10.2307/j.ctt1qv5ncp}\n}
\n
\n\n\n
\n The essays in Strange Science examine marginal, fringe, and unconventional forms of scientific inquiry, as well as their cultural representations, in the Victorian period. Although now relegated to the category of the pseudoscientific, fields like mesmerism and psychical research captured the imagination of the Victorian public. Conversely, many branches of science now viewed as uncontroversial, such as physics and botany, were often associated with unorthodox methods of inquiry. Whether ultimately incorporated into mainstream scientific thought or categorized by 21st century historians as pseudo- or even anti-scientific, these sciences generated conversation, enthusiasm, and controversy within Victorian society. To date, scholarship addressing Victorian pseudoscience tends to focus either on a particular popular science within its social context or on how mainstream scientific practice distinguished itself from more contested forms.Strange Science takes a different approach by placing a range of sciences in conversation with one another and examining the similar unconventional methods of inquiry adopted by both now-established scientific fields and their marginalized counterparts during the Victorian period. In doing so, Strange Science reveals the degree to which scientific discourse of this period was radically speculative, frequently attempting to challenge or extend the apparent boundaries of the natural world. This interdisciplinary collection will appeal to scholars in the fields of Victorian literature, cultural studies, the history of the body, and the history of science.\n
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\n \n\n \n \n \n \n \n On the Marshes: A Journey into England's Waterlands.\n \n \n \n\n\n \n Donalson, C.\n\n\n \n\n\n\n Little Toller Books, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {On the Marshes: A Journey into England's Waterlands},\n type = {book},\n year = {2017},\n publisher = {Little Toller Books},\n city = {Dorset},\n id = {47aa1523-50cb-3b66-92b0-e5ec16a192bf},\n created = {2021-04-02T00:02:26.454Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:26.454Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {What would happen if you decided to live simply within your means in a caravan or a cabin in the woods? It’s a question for our times. When Carol Donaldson walked across the marshlands of north Kent, travelling from Gravesend to Whitstable, she was still coming to terms with being evicted from her home and the break-up of a long-term relationship. What begins as a walk away from her troubled past becomes a journey of self-discovery, a pilgrimage in search of people who have chosen to live on the edge of England in this lonely, beautiful waterland. She meets plot-holders, houseboat owners and cabin dwellers who are all drawn to the watery margins by an urge to escape the expectations, comforts and costs of twenty-first-century life.},\n bibtype = {book},\n author = {Donalson, Carol}\n}
\n
\n\n\n
\n What would happen if you decided to live simply within your means in a caravan or a cabin in the woods? It’s a question for our times. When Carol Donaldson walked across the marshlands of north Kent, travelling from Gravesend to Whitstable, she was still coming to terms with being evicted from her home and the break-up of a long-term relationship. What begins as a walk away from her troubled past becomes a journey of self-discovery, a pilgrimage in search of people who have chosen to live on the edge of England in this lonely, beautiful waterland. She meets plot-holders, houseboat owners and cabin dwellers who are all drawn to the watery margins by an urge to escape the expectations, comforts and costs of twenty-first-century life.\n
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\n \n\n \n \n \n \n \n Specimen Poetics: Botany, Reanimation, and the Romantic Collection.\n \n \n \n\n\n \n Porter, D.\n\n\n \n\n\n\n Representations, (139): 60-94. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Specimen Poetics: Botany, Reanimation, and the Romantic Collection},\n type = {article},\n year = {2017},\n pages = {60-94},\n id = {106abf75-625a-34c5-96cc-288e0605c6e1},\n created = {2021-04-02T00:02:30.354Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:30.354Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This essay argues that the modern literary anthology—and specifically its aspiration todelimit both aesthetic merit and historical representativeness—emerged as a response to changes ineighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanicalmetaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, andrepresentational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked,pressed specimens with a new vitality. Erasmus Darwin’s\r\n Botanic Garden \r\n (1789, 1791) translated theaesthetic reanimations of visual art into a collection of poetic specimens, spurring compilations that promote a vitalist standard of literary value. By rejecting aesthetic reanimation as the figurative groundfor poetic collecting, Charlotte Smith and Robert Southey forward an alternative historical model of literary merit, one grounded in the succession and continuity of representative literary types. Thesecompeting metrics for selection and valuation underwrite the anthology as we know it today.},\n bibtype = {article},\n author = {Porter, Dahlia},\n journal = {Representations},\n number = {139}\n}
\n
\n\n\n
\n This essay argues that the modern literary anthology—and specifically its aspiration todelimit both aesthetic merit and historical representativeness—emerged as a response to changes ineighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanicalmetaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, andrepresentational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked,pressed specimens with a new vitality. Erasmus Darwin’s\r\n Botanic Garden \r\n (1789, 1791) translated theaesthetic reanimations of visual art into a collection of poetic specimens, spurring compilations that promote a vitalist standard of literary value. By rejecting aesthetic reanimation as the figurative groundfor poetic collecting, Charlotte Smith and Robert Southey forward an alternative historical model of literary merit, one grounded in the succession and continuity of representative literary types. Thesecompeting metrics for selection and valuation underwrite the anthology as we know it today.\n
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\n \n\n \n \n \n \n \n Care of the Species: Races of Corn and the Science of Plant Biodiversity.\n \n \n \n\n\n \n Hartigan Jr, J.\n\n\n \n\n\n\n University of Minnesota Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Care of the Species: Races of Corn and the Science of Plant Biodiversity},\n type = {book},\n year = {2017},\n publisher = {University of Minnesota Press},\n city = {Minneapolis},\n id = {fdf2b149-aeb6-3932-83db-74f699ae0ea6},\n created = {2021-04-02T00:02:33.180Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:33.180Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = { Darwin meets Foucault in this engrossing ethnography of plants, race, and biodiversity\r\n\r\nCare of the Species contributes to debates about the concept of species through vivid ethnography, examining infrastructures of care—labs and gardens in Spain and Mexico—where plant scientists grapple with the complexities of evolution and domestication. In tackling the racial dimension of efforts to go “beyond the human,” this book reveals a far greater stratum of sameness than commonly assumed.},\n bibtype = {book},\n author = {Hartigan Jr, John}\n}
\n
\n\n\n
\n Darwin meets Foucault in this engrossing ethnography of plants, race, and biodiversity\r\n\r\nCare of the Species contributes to debates about the concept of species through vivid ethnography, examining infrastructures of care—labs and gardens in Spain and Mexico—where plant scientists grapple with the complexities of evolution and domestication. In tackling the racial dimension of efforts to go “beyond the human,” this book reveals a far greater stratum of sameness than commonly assumed.\n
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\n \n\n \n \n \n \n \n Arboreal: A Collection of Woodland Writing.\n \n \n \n\n\n \n Cooper, A.\n\n\n \n\n\n\n Little Toller Books, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Arboreal: A Collection of Woodland Writing},\n type = {book},\n year = {2017},\n publisher = {Little Toller Books},\n city = {Dorset},\n id = {2cc5a2b1-970e-3cb9-bf4c-6523cdf52c84},\n created = {2021-04-02T00:02:39.614Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:39.614Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {A landmark publication of new writing from woodlands across the British Isles. In memory of the great historical ecologist, Oliver Rackham, the book gathers a variety of voices – novelists, teachers, ecologists, poets, artists, architects and foresters – to explore why woods still matter and mean so much.\r\nContributors: Ali Smith, Simon Armitage, Simon Leatherdale, Alan Garner, Alec Finlay, David Nash, Fiona Stafford, Sara Maitland, George Peterken, Helen Dunmore, Jen Hadfield, Philip Marsden, Nina Lyon, Paul Kingsnorth, Paul Evans, Richard Skelton, Tobias Jones, Germaine Greer, Fiona Reynolds, Jay Griffiths, Richard Mabey, Peter Marren, Philip Hoare, Deborah Wilenski, Jim Crumley, Rob Penn, Neil Sinden, Piers Taylor, Madeleine Bunting, Kathleen Jamie, William Boyd, Tim Dee, Evie Wyld, Will Ashon, Seán Lysaght, Robin Walter.},\n bibtype = {book},\n author = {Cooper, Adrian}\n}
\n
\n\n\n
\n A landmark publication of new writing from woodlands across the British Isles. In memory of the great historical ecologist, Oliver Rackham, the book gathers a variety of voices – novelists, teachers, ecologists, poets, artists, architects and foresters – to explore why woods still matter and mean so much.\r\nContributors: Ali Smith, Simon Armitage, Simon Leatherdale, Alan Garner, Alec Finlay, David Nash, Fiona Stafford, Sara Maitland, George Peterken, Helen Dunmore, Jen Hadfield, Philip Marsden, Nina Lyon, Paul Kingsnorth, Paul Evans, Richard Skelton, Tobias Jones, Germaine Greer, Fiona Reynolds, Jay Griffiths, Richard Mabey, Peter Marren, Philip Hoare, Deborah Wilenski, Jim Crumley, Rob Penn, Neil Sinden, Piers Taylor, Madeleine Bunting, Kathleen Jamie, William Boyd, Tim Dee, Evie Wyld, Will Ashon, Seán Lysaght, Robin Walter.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n The Botany of Empire in the Long Eighteenth Century.\n \n \n \n\n\n \n Batsaki, Y.; Burke Cahalan, S.; and Tchikine, A.\n\n\n \n\n\n\n Harvard University Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Botany of Empire in the Long Eighteenth Century},\n type = {book},\n year = {2017},\n publisher = {Harvard University Press},\n city = {Cambridge, MA},\n id = {431f6bfb-8435-32ac-9b12-fc68f630692a},\n created = {2021-04-02T00:02:45.516Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:45.516Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This book brings together an international body of scholars working on eighteenth-century botany within the context of imperial expansion. The eighteenth century saw widespread exploration, a tremendous increase in the traffic in botanical specimens, taxonomic breakthroughs, and horticultural experimentation. The contributors to this volume compare the impact of new developments and discoveries across several regions, broadening the geographical scope of their inquiries to encompass imperial powers that did not have overseas colonial possessions—such as the Russian, Ottoman, and Qing empires and the Tokugawa shogunate—as well as politically borderline regions such as South Africa, Yemen, and New Zealand. The essays in this volume examine the botanical ambitions of eighteenth-century empires; the figure of the botanical explorer; the links between imperial ambition and the impulse to survey, map, and collect botanical specimens in “new” territories; and the relationships among botanical knowledge, self-representation, and material culture.},\n bibtype = {book},\n author = {Batsaki, Yota and Burke Cahalan, Sarah and Tchikine, Anatole}\n}
\n
\n\n\n
\n This book brings together an international body of scholars working on eighteenth-century botany within the context of imperial expansion. The eighteenth century saw widespread exploration, a tremendous increase in the traffic in botanical specimens, taxonomic breakthroughs, and horticultural experimentation. The contributors to this volume compare the impact of new developments and discoveries across several regions, broadening the geographical scope of their inquiries to encompass imperial powers that did not have overseas colonial possessions—such as the Russian, Ottoman, and Qing empires and the Tokugawa shogunate—as well as politically borderline regions such as South Africa, Yemen, and New Zealand. The essays in this volume examine the botanical ambitions of eighteenth-century empires; the figure of the botanical explorer; the links between imperial ambition and the impulse to survey, map, and collect botanical specimens in “new” territories; and the relationships among botanical knowledge, self-representation, and material culture.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Botanical Drift: Protagonists of the Invasive Herbarium.\n \n \n \n\n\n \n Carroll, K., v., Z.\n\n\n \n\n\n\n Sternberg Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Botanical Drift: Protagonists of the Invasive Herbarium},\n type = {book},\n year = {2017},\n publisher = {Sternberg Press},\n city = {Berlin},\n id = {bdfb70ef-4c3e-323e-99d6-29ccd550b931},\n created = {2021-04-02T00:02:51.379Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:51.379Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n abstract = {Botanical Drift explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection. Contributions by David Edward Allen & Maria Buzhor, Rebecca Anderson, Bergit Arends & Sunoj D, Connie Butler & Hazel Dowling, Caroline Cornish & Mark Nesbitt, Alfred Döblin, Natasha Eaton, Germaine Greer, Kim Berit Heppelmann, Emma Waltraud Howes, Melanie Jackson, Alana Jelinek, Philip Kerrigan, Kay Evelina Lewis-Jones, Claire Loussouarn, Wietske Maas, Natasha Myers, Matteo Pasquinelli, Raqs Media Collective, herman de vries, Khadija von Zinnenburg Carroll.},\n bibtype = {book},\n author = {Carroll, Khadija von Zinnenburg},\n editor = {Carroll, Khadija von Zinnenburg}\n}
\n
\n\n\n
\n Botanical Drift explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection. Contributions by David Edward Allen & Maria Buzhor, Rebecca Anderson, Bergit Arends & Sunoj D, Connie Butler & Hazel Dowling, Caroline Cornish & Mark Nesbitt, Alfred Döblin, Natasha Eaton, Germaine Greer, Kim Berit Heppelmann, Emma Waltraud Howes, Melanie Jackson, Alana Jelinek, Philip Kerrigan, Kay Evelina Lewis-Jones, Claire Loussouarn, Wietske Maas, Natasha Myers, Matteo Pasquinelli, Raqs Media Collective, herman de vries, Khadija von Zinnenburg Carroll.\n
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\n\n\n
\n \n\n \n \n \n \n \n \n Tribulus Troubles: Wildflowers in the Edward Palmer Papers at the National Anthropological Archives.\n \n \n \n \n\n\n \n Stuchel, D.\n\n\n \n\n\n\n 2017.\n \n\n\n\n
\n\n\n\n \n \n \"TribulusWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {Tribulus Troubles: Wildflowers in the Edward Palmer Papers at the National Anthropological Archives},\n type = {misc},\n year = {2017},\n source = {Smithsonian Collections Blog},\n websites = {http://si-siris.blogspot.com/2017/08/tribulus-troubles-wildflowers-in-edward.html},\n id = {39a51081-b1a2-3f0f-9463-f43f9f77a4f7},\n created = {2021-04-02T00:02:53.159Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:53.159Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Stuchel, Dani}\n}
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\n \n\n \n \n \n \n \n Arts of Living on a Damaged Planet.\n \n \n \n\n\n \n Tsing, A., L.; Swanson, H., A.; Gan, E.; and Bubandt, N.\n\n\n \n\n\n\n University of Minnesota Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {Arts of Living on a Damaged Planet},\n type = {book},\n year = {2017},\n keywords = {Effect of human beings on Nature},\n publisher = {University of Minnesota Press},\n city = {Minneapolis London},\n id = {c052e352-3bb5-3aa1-87f7-50813cfc969f},\n created = {2021-04-02T00:03:13.931Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:13.931Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {2017Aolo},\n source_type = {book},\n private_publication = {false},\n abstract = {volume 1. Ghosts. Introduction: haunted landscapes of the Anthropocene / Elaine Gan, Nils Bubandt, Anna Tsing, and Heather Swanson -- A garden or a grave? : the canyonic landscape of the Tijuana-San Diego region / Lesley Stern -- Marie Curie's fingerprint : nuclear spelunking in the Chernobyl zone / Kate Brown -- Shimmer : when all you love is being trashed / Deborah Bird Rose -- Future megafaunas : a historical perspective on the scope for a wilder Anthropocene / Jens-Christian Svenning -- Ladders, trees, complexity, and other metaphors in evolutionary thinking / Andreas Hejnol -- No small matter : mushroom clouds, ecologies of nothingness, and strange topologies of spacetimemattering / Karen Barad -- Haunted geologies : spirits, stones, and the necropolitics of the Anthropocene / Nils Bubandt -- Ghostly forms and forest histories / Andrew S. Mathews -- Establishing new worlds : the lichens of Petersham / Anne Pringle -- Coda : concept and chronotope / Mary Louise Pratt},\n bibtype = {book},\n author = {Tsing, Anna Lowenhaupt and Swanson, Heather Anne and Gan, Elaine and Bubandt, Nils}\n}
\n
\n\n\n
\n volume 1. Ghosts. Introduction: haunted landscapes of the Anthropocene / Elaine Gan, Nils Bubandt, Anna Tsing, and Heather Swanson -- A garden or a grave? : the canyonic landscape of the Tijuana-San Diego region / Lesley Stern -- Marie Curie's fingerprint : nuclear spelunking in the Chernobyl zone / Kate Brown -- Shimmer : when all you love is being trashed / Deborah Bird Rose -- Future megafaunas : a historical perspective on the scope for a wilder Anthropocene / Jens-Christian Svenning -- Ladders, trees, complexity, and other metaphors in evolutionary thinking / Andreas Hejnol -- No small matter : mushroom clouds, ecologies of nothingness, and strange topologies of spacetimemattering / Karen Barad -- Haunted geologies : spirits, stones, and the necropolitics of the Anthropocene / Nils Bubandt -- Ghostly forms and forest histories / Andrew S. Mathews -- Establishing new worlds : the lichens of Petersham / Anne Pringle -- Coda : concept and chronotope / Mary Louise Pratt\n
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\n \n\n \n \n \n \n \n Names and Numbers: 'Data' in Classical Natural History, 1758–1859.\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n Osiris, 32(1): 109-128. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Names and Numbers: 'Data' in Classical Natural History, 1758–1859},\n type = {article},\n year = {2017},\n pages = {109-128},\n volume = {32},\n publisher = {University of Chicago Press},\n id = {f8748ca1-408d-3e3f-a28d-43edef6d1356},\n created = {2021-04-02T00:03:43.060Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:43.060Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {Müller-WilleStaffan2017NaND},\n source_type = {article},\n private_publication = {false},\n abstract = {The late eighteenth and early nineteenth centuries saw the transition from natural history to the history of nature. This essay analyzes institutional, social, and technological changes in natural history associated with this epochal change. Focusing on the many posthumous reeditions of Carl Linnaeus’s Systema Naturae that began to appear throughout Europe and beyond from the 1760s onward, I will argue that Linnaean nomenclature and classification reorganized and enhanced flows of data—a term already used in natural history—among individual naturalists and institutions. Plant and animal species became units that could be “slotted” into collections and publications, reshuffled and exchanged, kept track of in lists and catalogs, and counted and distributed in new ways. On two fronts—biogeography and the search for the “natural system”—this brought to the fore new, intriguing relationships among organisms of diverse kinds. By letting nature speak through the “artificial” means and media of early systematics, I argue, new and powerful visions of an unruly nature emerged that became the object of early evolutionary theories. Natural history was an “information science” that processed growing quantities of data and held the same potential for surprising insights as today’s data-intensive sciences.},\n bibtype = {article},\n author = {Müller-Wille, Staffan},\n journal = {Osiris},\n number = {1}\n}
\n
\n\n\n
\n The late eighteenth and early nineteenth centuries saw the transition from natural history to the history of nature. This essay analyzes institutional, social, and technological changes in natural history associated with this epochal change. Focusing on the many posthumous reeditions of Carl Linnaeus’s Systema Naturae that began to appear throughout Europe and beyond from the 1760s onward, I will argue that Linnaean nomenclature and classification reorganized and enhanced flows of data—a term already used in natural history—among individual naturalists and institutions. Plant and animal species became units that could be “slotted” into collections and publications, reshuffled and exchanged, kept track of in lists and catalogs, and counted and distributed in new ways. On two fronts—biogeography and the search for the “natural system”—this brought to the fore new, intriguing relationships among organisms of diverse kinds. By letting nature speak through the “artificial” means and media of early systematics, I argue, new and powerful visions of an unruly nature emerged that became the object of early evolutionary theories. Natural history was an “information science” that processed growing quantities of data and held the same potential for surprising insights as today’s data-intensive sciences.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Botany.\n \n \n \n\n\n \n Meeker, N.; and Szabari, A.\n\n\n \n\n\n\n In Hoogland, R., C., editor(s), Gender: Matter (Macmillan Interdisciplinary Handbooks), pages 153-169, 2017. Macmillan\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Botany},\n type = {inproceedings},\n year = {2017},\n pages = {153-169},\n publisher = {Macmillan},\n id = {20b7680a-7859-3b44-8fb7-e111c045c47f},\n created = {2021-04-02T00:03:48.287Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:48.287Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Meeker, Natania and Szabari, Antónia},\n editor = {Hoogland, Renée C.},\n booktitle = {Gender: Matter (Macmillan Interdisciplinary Handbooks)}\n}
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\n \n\n \n \n \n \n \n Brennnesseln: Ein Portrait.\n \n \n \n\n\n \n Fischer, L.\n\n\n \n\n\n\n Matthes & Seitz, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Brennnesseln: Ein Portrait},\n type = {book},\n year = {2017},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n id = {2d26395b-012d-340e-9a7d-b3e4154fcf60},\n created = {2021-04-02T00:04:00.174Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:00.174Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Fischer, Ludwig}\n}
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\n \n\n \n \n \n \n \n Voiceless Speech, or Vegetal Logos without Logos.\n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n Qui Parle: Critical Humanities and Social Sciences, 26(2): 367-369. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Voiceless Speech, or Vegetal Logos without Logos},\n type = {article},\n year = {2017},\n pages = {367-369},\n volume = {26},\n id = {66a2ad38-77f7-364b-86e1-98257197cc10},\n created = {2021-04-02T00:04:08.835Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:08.835Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Marder, Michael},\n journal = {Qui Parle: Critical Humanities and Social Sciences},\n number = {2}\n}
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\n \n\n \n \n \n \n \n The Feminist Plant: Changing Relations with the Water Lily.\n \n \n \n\n\n \n Gibson, P.; and Gagliano, M.\n\n\n \n\n\n\n Ethics and the Environment, 22(2): 125-147. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Feminist Plant: Changing Relations with the Water Lily},\n type = {article},\n year = {2017},\n pages = {125-147},\n volume = {22},\n id = {5f843bf0-23a1-3f38-b497-04a18664a950},\n created = {2021-04-02T00:04:10.664Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:10.664Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gibson, Prue and Gagliano, Monica},\n doi = {10.2979/ethicsenviro.22.2.06},\n journal = {Ethics and the Environment},\n number = {2}\n}
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\n \n\n \n \n \n \n \n 'Seh’ ich der Pflanze gleich den Mensch erstehn': Mensch-Pflanze-Analogien und Pflanzenwissen bei Shakespeare.\n \n \n \n\n\n \n Sprang, F.\n\n\n \n\n\n\n Shakespeare Jahrbuch, 153: 31-55. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {'Seh’ ich der Pflanze gleich den Mensch erstehn': Mensch-Pflanze-Analogien und Pflanzenwissen bei Shakespeare},\n type = {article},\n year = {2017},\n pages = {31-55},\n volume = {153},\n id = {d765fc78-19f4-3585-ba2d-b6b4820f8145},\n created = {2021-04-02T00:04:47.941Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:47.941Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Sprang, Felix},\n journal = {Shakespeare Jahrbuch}\n}
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\n \n\n \n \n \n \n \n Aeroponic Gardens and Their Magic: Plants/Persons/Ethics in Suspension.\n \n \n \n\n\n \n Battaglia, D.\n\n\n \n\n\n\n History and Anthropology, 28(3): 263-292. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Aeroponic Gardens and Their Magic: Plants/Persons/Ethics in Suspension},\n type = {article},\n year = {2017},\n pages = {263-292},\n volume = {28},\n id = {13715094-c542-39b3-b30b-553039e8b755},\n created = {2021-04-05T16:36:09.545Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:09.545Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Battaglia, Debbora},\n journal = {History and Anthropology},\n number = {3}\n}
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\n \n\n \n \n \n \n \n \n On Plants: Interview with Emanuele Coccia.\n \n \n \n \n\n\n \n Coccia, E.; and Zahm, O.\n\n\n \n\n\n\n Purple. 2017.\n \n\n\n\n
\n\n\n\n \n \n \"OnWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n The Minds of Plants.\n \n \n \n \n\n\n \n Ruggles, L.\n\n\n \n\n\n\n Aeon. 12 2017.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {The Minds of Plants},\n type = {article},\n year = {2017},\n websites = {https://aeon.co/essays/beyond-the-animal-brain-plants-have-cognitive-capacities-too},\n month = {12},\n id = {4bae5636-7469-321a-98cd-b6bce91c2de1},\n created = {2021-04-05T16:36:22.582Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:22.582Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ruggles, Laura},\n journal = {Aeon}\n}
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\n \n\n \n \n \n \n \n Bark.\n \n \n \n\n\n \n Didi-Huberman, G.\n\n\n \n\n\n\n MIT Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n The Songs of Trees: Stories from Nature's Great Connectors.\n \n \n \n\n\n \n Haskell, D., G.\n\n\n \n\n\n\n Viking, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {The Songs of Trees: Stories from Nature's Great Connectors},\n type = {book},\n year = {2017},\n publisher = {Viking},\n city = {New York},\n id = {0b3ee9b2-ec6f-3c6a-ac09-ab5793e1a4b7},\n created = {2021-04-05T16:36:32.689Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:32.689Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Haskell, David George}\n}
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\n \n\n \n \n \n \n \n German Ecocriticism in the Anthropocene.\n \n \n \n\n\n \n Schaumann, C.; and Sullivan, H.\n\n\n \n\n\n\n Palgrave Macmillan, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {German Ecocriticism in the Anthropocene},\n type = {book},\n year = {2017},\n publisher = {Palgrave Macmillan},\n city = {New York},\n id = {812cb066-4797-358b-ae6d-7dcc1b61e6af},\n created = {2021-04-05T16:36:34.556Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:34.556Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Schaumann, Caroline and Sullivan, Heather}\n}
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\n \n\n \n \n \n \n \n Ecological Thought in German Literature and Culture.\n \n \n \n\n\n \n Dürbeck, G.; Stobbe, U.; Zapf, H.; and Zemanek, E.\n\n\n \n\n\n\n Lexington, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Ecological Thought in German Literature and Culture},\n type = {book},\n year = {2017},\n publisher = {Lexington},\n city = {Lanham},\n id = {94da85a8-26c8-314f-9e57-24ec98a13fa6},\n created = {2021-04-05T16:36:38.187Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:38.187Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Dürbeck, Gabriele and Stobbe, Urte and Zapf, Hubert and Zemanek, Evi}\n}
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\n \n\n \n \n \n \n \n The Court of Lilacs, The Studio of Roses, The Garden at Réveillon: Madeleine Lemaire’s Empire of Flowers.\n \n \n \n\n\n \n Ringelberg, K.\n\n\n \n\n\n\n Marcel Proust Aujourd’hui: Revue Annuelle Bilingue/Annual Bilingual Review, 14: 178-188. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Court of Lilacs, The Studio of Roses, The Garden at Réveillon: Madeleine Lemaire’s Empire of Flowers},\n type = {article},\n year = {2017},\n pages = {178-188},\n volume = {14},\n id = {51a3bda5-ed28-3b9c-a841-69bce9ff2d0d},\n created = {2021-04-05T16:36:54.477Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:54.477Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ringelberg, Kirstin},\n doi = {https://doi.org/10.1163/ 9789004352674_015},\n journal = {Marcel Proust Aujourd’hui: Revue Annuelle Bilingue/Annual Bilingual Review}\n}
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\n \n\n \n \n \n \n \n Color in the Age of Impressionism: Commerce, Technology, and Art.\n \n \n \n\n\n \n Kalba, L., A.\n\n\n \n\n\n\n Pennsylvania State University Press, 2017.\n \n\n\n\n
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\n 
@book{\n title = {Color in the Age of Impressionism: Commerce, Technology, and Art},\n type = {book},\n year = {2017},\n publisher = {Pennsylvania State University Press},\n city = {University Park},\n id = {41e65bbe-554a-3cda-97ab-f2d77a087273},\n created = {2021-04-05T16:36:59.867Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:59.867Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {See 43-67: From Blue Roses to Yellow Violets: Flowers and the Cultivation of Color},\n bibtype = {book},\n author = {Kalba, Laura Ann}\n}
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\n\n\n
\n See 43-67: From Blue Roses to Yellow Violets: Flowers and the Cultivation of Color\n
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\n \n\n \n \n \n \n \n Gardens of Renaissance Europe and the Islamic Empires: Encounters and Confluences.\n \n \n \n\n\n \n Gharipour, M.\n\n\n \n\n\n\n Pennsylvania State University Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Gardens of Renaissance Europe and the Islamic Empires: Encounters and Confluences},\n type = {book},\n year = {2017},\n publisher = {Pennsylvania State University Press},\n city = {University Park},\n id = {8c2e5b13-8e44-3ffd-b3d6-c1d2b3b7500b},\n created = {2021-04-05T16:37:02.487Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:02.487Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Gharipour, Mohammad}\n}
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\n \n\n \n \n \n \n \n French Ecocriticism: From the Early Modern Period to the Twenty-First Century.\n \n \n \n\n\n \n Posthumus, S.; and Finch-Race, D.\n\n\n \n\n\n\n Peter Lang, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Of Monarchical Climates and Republican Soil: French Plants and American Gardens in the Revolutionary Era.\n \n \n \n\n\n \n Hyde, E.\n\n\n \n\n\n\n In Giannetto, R., F., editor(s), Foreign Trends on American Soil, 2017. University of Virginia Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Of Monarchical Climates and Republican Soil: French Plants and American Gardens in the Revolutionary Era},\n type = {inproceedings},\n year = {2017},\n publisher = {University of Virginia Press},\n city = {Charlottesville},\n id = {cb372146-9210-34d9-9b34-2735afc24bba},\n created = {2021-04-05T16:37:23.564Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:23.564Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Hyde, Elizabeth},\n editor = {Giannetto, Raffaella Fabiani},\n booktitle = {Foreign Trends on American Soil}\n}
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\n \n\n \n \n \n \n \n Sound and Scent in the Garden.\n \n \n \n\n\n \n Fairchild Ruggles, D.\n\n\n \n\n\n\n Dumbarton Oaks Research Library and Collection, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Rousseau, Reverie, and the Spectacle of Botany in the Eighteenth-Century French Garden.\n \n \n \n\n\n \n Hyde, E.\n\n\n \n\n\n\n Site/Lines: A Journal of Place, 12(1): 9-12. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Rousseau, Reverie, and the Spectacle of Botany in the Eighteenth-Century French Garden},\n type = {article},\n year = {2017},\n pages = {9-12},\n volume = {12},\n id = {cbe0c658-1783-35a4-8311-a806b6a771b4},\n created = {2021-04-05T16:37:25.289Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:25.289Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Hyde, Elizabeth},\n journal = {Site/Lines: A Journal of Place},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Cryptogamic Phylogeny: Moss and Family Lineage in Adalbert Stifter’s ‘Der Kuß von Sentze’.\n \n \n \n\n\n \n Frederick, S.\n\n\n \n\n\n\n In Bies, M.; Franzel, S.; and Oschmann, D., editor(s), Flüchtigkeit der Moderne: Eigenzeiten des Ephemeren im langen 19. Jahrhundert, pages 157-181, 2017. Wehrhahn Verlag\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Cryptogamic Phylogeny: Moss and Family Lineage in Adalbert Stifter’s ‘Der Kuß von Sentze’},\n type = {inproceedings},\n year = {2017},\n pages = {157-181},\n publisher = {Wehrhahn Verlag},\n id = {9636ba12-67cf-3ef9-88d3-e088cbca661b},\n created = {2021-04-05T16:37:28.552Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:28.552Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Frederick, Samuel},\n editor = {Bies, Michael and Franzel, Sean and Oschmann, Dirk},\n booktitle = {Flüchtigkeit der Moderne: Eigenzeiten des Ephemeren im langen 19. Jahrhundert}\n}
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\n \n\n \n \n \n \n \n From the Anthropocene to the Planthroposcene: Designing Gardens for Plant/People Involution.\n \n \n \n\n\n \n Myers, N.\n\n\n \n\n\n\n History and Anthropology,297-301. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {From the Anthropocene to the Planthroposcene: Designing Gardens for Plant/People Involution},\n type = {article},\n year = {2017},\n pages = {297-301},\n id = {61c5f5ea-513b-35fb-9fae-ae632ddd0725},\n created = {2021-04-05T16:37:44.639Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:44.639Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Myers, Natasha},\n doi = {https://doi.org/10.1080/02757206.2017.1289934},\n journal = {History and Anthropology}\n}
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\n \n\n \n \n \n \n \n Moving Plants.\n \n \n \n\n\n \n Thorsen, L., M.\n\n\n \n\n\n\n Rønnebæksholm, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Moving Plants},\n type = {book},\n year = {2017},\n publisher = {Rønnebæksholm},\n city = {Næstved},\n id = {bc3fbe4c-0886-3533-97dc-bc8a6176c00f},\n created = {2021-04-05T16:37:45.458Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:45.458Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Thorsen, Line Marie}\n}
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\n \n\n \n \n \n \n \n \n Tree.\n \n \n \n \n\n\n \n Battles, M.\n\n\n \n\n\n\n Bloomsbury Academic, 2017.\n \n\n\n\n
\n\n\n\n \n \n \"TreeWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Tree},\n type = {book},\n year = {2017},\n websites = {https://www.bloomsbury.com/us/tree-9781628920536/},\n publisher = {Bloomsbury Academic},\n city = {New York},\n id = {ac3545bb-04da-36b9-9b24-a8ff9c3e0f6e},\n created = {2021-04-05T16:37:53.047Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:53.047Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. \r\n\r\nTree explores the forms, uses, and alliances of this living object's entanglement with humanity, from antiquity to the present. Trees tower over us and yet fade into background. Their lifespan outstrips ours, and yet their wisdom remains inscrutable, treasured up in the heartwood. They serve us in many ways-as keel, lodgepole, and execution site-and yet to become human, we had to come down from their limbs. In this book Matthew Battles follows the tree's branches across art, poetry, and landscape, marking the edges of imagination with wildness and shadow. \r\n\r\nObject Lessons is published in partnership with an essay series in the The Atlantic.},\n bibtype = {book},\n author = {Battles, Matthew}\n}
\n
\n\n\n
\n Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. \r\n\r\nTree explores the forms, uses, and alliances of this living object's entanglement with humanity, from antiquity to the present. Trees tower over us and yet fade into background. Their lifespan outstrips ours, and yet their wisdom remains inscrutable, treasured up in the heartwood. They serve us in many ways-as keel, lodgepole, and execution site-and yet to become human, we had to come down from their limbs. In this book Matthew Battles follows the tree's branches across art, poetry, and landscape, marking the edges of imagination with wildness and shadow. \r\n\r\nObject Lessons is published in partnership with an essay series in the The Atlantic.\n
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\n \n\n \n \n \n \n \n The Fungus among Us: Zoosemiotics and Fuzzy Bodily Boundaries in Science Fiction Horror Cinema.\n \n \n \n\n\n \n Walter, B., S., G.\n\n\n \n\n\n\n Trespassing Bodies, 6. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Fungus among Us: Zoosemiotics and Fuzzy Bodily Boundaries in Science Fiction Horror Cinema},\n type = {article},\n year = {2017},\n volume = {6},\n id = {cca01a80-b877-30a4-b51a-e8ebb70db378},\n created = {2021-04-05T16:37:58.441Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:58.441Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Walter, Brenda S. Gardenour},\n journal = {Trespassing Bodies}\n}
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\n \n\n \n \n \n \n \n Flora Unveiled: The Discovery and Denial of Sex in Plants.\n \n \n \n\n\n \n Taiz, L.; and Taiz, L.\n\n\n \n\n\n\n Oxford University Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Flora Unveiled: The Discovery and Denial of Sex in Plants},\n type = {book},\n year = {2017},\n publisher = {Oxford University Press},\n city = {New York},\n id = {769e1297-88fd-34e4-83ff-919488c9b280},\n created = {2021-04-05T16:37:59.806Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:59.806Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Taiz, Lee and Taiz, Lincoln}\n}
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\n \n\n \n \n \n \n \n Vegetate.\n \n \n \n\n\n \n Sandilands, C.\n\n\n \n\n\n\n In Cohen, J., J.; and Duckert, L., editor(s), Veer Ecology: A Companion for Environmental Thinking, 2017. University of Minnesota Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Vegetate},\n type = {inproceedings},\n year = {2017},\n publisher = {University of Minnesota Press},\n city = {Minneapolis},\n id = {58ce36d0-fb27-38af-95e2-72f25c0aca85},\n created = {2021-04-05T16:38:04.794Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:04.794Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Sandilands, Catriona},\n editor = {Cohen, Jeffrey Jerome and Duckert, Lowell},\n booktitle = {Veer Ecology: A Companion for Environmental Thinking}\n}
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\n \n\n \n \n \n \n \n Killer Plants of the Late Nineteenth Century.\n \n \n \n\n\n \n Chang, E.\n\n\n \n\n\n\n In Claggett, S., R.; and Karpenko, L., P., editor(s), Strange Science: Investigating the Limits of Knowledge in the Victorian Age, pages 81-104, 2017. University of Michigan Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Killer Plants of the Late Nineteenth Century},\n type = {inproceedings},\n year = {2017},\n pages = {81-104},\n publisher = {University of Michigan Press},\n city = {Ann Arbor},\n id = {1f329edd-a72b-3e50-b84f-0921940c7b32},\n created = {2021-04-05T16:38:16.514Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:16.514Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {.},\n bibtype = {inproceedings},\n author = {Chang, Elizabeth},\n editor = {Claggett, Shalyn Rae and Karpenko, Lara Pauline},\n booktitle = {Strange Science: Investigating the Limits of Knowledge in the Victorian Age}\n}
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\n \n\n \n \n \n \n \n A War against Weeds: Combating Climate Change with Polycultural Pacifism.\n \n \n \n\n\n \n Carruthers, D.\n\n\n \n\n\n\n In Wallace, M.; and Carruthers, D., editor(s), Perma/Culture: Imagining Alternatives in the Age of Crisis, pages 133-152, 2017. Routledge\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {A War against Weeds: Combating Climate Change with Polycultural Pacifism},\n type = {inproceedings},\n year = {2017},\n pages = {133-152},\n publisher = {Routledge},\n id = {10eac1ef-aa33-3bab-85a3-a4b22072d4ee},\n created = {2021-04-05T16:38:24.771Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:24.771Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Carruthers, David},\n editor = {Wallace, Molly and Carruthers, David},\n booktitle = {Perma/Culture: Imagining Alternatives in the Age of Crisis}\n}
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\n \n\n \n \n \n \n \n Secret Cures of Slaves: People, Plants, and Medicine in the Eighteenth-Century Atlantic World.\n \n \n \n\n\n \n Schiebinger, L.\n\n\n \n\n\n\n Stanford University Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n Matter in Motion and the Mysticism of Nature´s Colour.\n \n \n \n \n\n\n \n Schäring, J.\n\n\n \n\n\n\n 284 Publishers, 2017.\n \n\n\n\n
\n\n\n\n \n \n \"MatterWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Matter in Motion and the Mysticism of Nature´s Colour},\n type = {book},\n year = {2017},\n websites = {http://www.jeanettescharing.net/matter-in-motion-and-the-mysticism-of-natures-colour/},\n publisher = {284 Publishers},\n id = {3f93ecf7-7b48-39cb-8e0b-9a7b54b11621},\n created = {2021-04-05T16:38:39.808Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:39.808Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Schäring, Jeanette}\n}
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\n \n\n \n \n \n \n \n Plant Minds: A Philosophical Defense.\n \n \n \n\n\n \n Maher, C.\n\n\n \n\n\n\n Routledge, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Of Sheep, Oranges, and Yeast: A Multispecies Impression.\n \n \n \n\n\n \n Yates, J.\n\n\n \n\n\n\n University of Minnesota Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Of Sheep, Oranges, and Yeast: A Multispecies Impression},\n type = {book},\n year = {2017},\n publisher = {University of Minnesota Press},\n city = {Minneapolis},\n id = {e0565889-5680-3b52-9f21-35b5a5cc0b5c},\n created = {2021-04-05T16:38:51.389Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:51.389Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Yates, Julian}\n}
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\n \n\n \n \n \n \n \n The Language of Plants: Science, Philosophy, and Literature.\n \n \n \n\n\n \n Vieira, P.; Gagliano, M.; and Ryan, J., C.\n\n\n \n\n\n\n University of Minnesota Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Language of Plants: Science, Philosophy, and Literature},\n type = {book},\n year = {2017},\n publisher = {University of Minnesota Press},\n city = {Minneapolis},\n id = {ca7562a4-0353-3ced-8db0-17b690c697c1},\n created = {2021-04-05T16:38:52.448Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:52.448Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Vieira, Patrícia and Gagliano, Monica and Ryan, John Charles}\n}
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\n \n\n \n \n \n \n \n Pernicious Plants: Imitation and Uncanny Ecocritical Thought in Gustav Meyrink's 'Die Pflanzen des Dr. Cinderella'.\n \n \n \n\n\n \n Etzler, M.\n\n\n \n\n\n\n German Quarterly, 90(4): 459-475. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Pernicious Plants: Imitation and Uncanny Ecocritical Thought in Gustav Meyrink's 'Die Pflanzen des Dr. Cinderella'},\n type = {article},\n year = {2017},\n pages = {459-475},\n volume = {90},\n id = {a3715ecc-8fdb-34ba-bff0-55d1227c885b},\n created = {2021-04-05T16:38:53.354Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:53.354Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Etzler, Melissa},\n journal = {German Quarterly},\n number = {4}\n}
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\n \n\n \n \n \n \n \n The Long, Long Life of Trees.\n \n \n \n\n\n \n Stafford, F., J.\n\n\n \n\n\n\n Yale University Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Long, Long Life of Trees},\n type = {book},\n year = {2017},\n publisher = {Yale University Press},\n city = {New Haven, CT},\n id = {c13a0f63-64d9-31f9-91e8-aef7c609d39c},\n created = {2021-04-05T16:39:01.887Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:01.887Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n abstract = {"Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols. In this beautifully illustrated volume Fiona Stafford offers intimate, detailed explorations of seventeen common trees, from ash and apple to pine, oak, cypress, and willow. The author also pays homage to particular trees, such as the fabled Ankerwyke Yew, under which Henry VIII courted Anne Boleyn, and the spectacular cherry trees of Washington, D.C. Stafford discusses practical uses of wood past and present, tree diseases and environmental threats, and trees' potential contributions toward slowing global climate change. Brimming with unusual topics and intriguing facts, this book celebrates trees and their long, long lives as our inspiring and beloved natural companions"--},\n bibtype = {book},\n author = {Stafford, Fiona J}\n}
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\n \"Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols. In this beautifully illustrated volume Fiona Stafford offers intimate, detailed explorations of seventeen common trees, from ash and apple to pine, oak, cypress, and willow. The author also pays homage to particular trees, such as the fabled Ankerwyke Yew, under which Henry VIII courted Anne Boleyn, and the spectacular cherry trees of Washington, D.C. Stafford discusses practical uses of wood past and present, tree diseases and environmental threats, and trees' potential contributions toward slowing global climate change. Brimming with unusual topics and intriguing facts, this book celebrates trees and their long, long lives as our inspiring and beloved natural companions\"--\n
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\n \n\n \n \n \n \n \n A Comparative History of Resurrection Plants.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n CLCWeb: Comparative Literature and Culture, 19(2). 6 2017.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n Botanical Shakespeare: An Illustrated Compendium of All the Flowers, Fruits, Herbs, Trees, Seeds, and Grasses Cited by the World's Greatest Playwright.\n \n \n \n \n\n\n \n Quealy, G.; and Haegawa Collins, S.\n\n\n \n\n\n\n Harper Design, 2017.\n \n\n\n\n
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\n 
@book{\n title = {Botanical Shakespeare: An Illustrated Compendium of All the Flowers, Fruits, Herbs, Trees, Seeds, and Grasses Cited by the World's Greatest Playwright},\n type = {book},\n year = {2017},\n websites = {https://www.botanicalshakespeare.com/},\n publisher = {Harper Design},\n city = {New York},\n id = {149e2404-50a3-35ad-a167-34572eb2a5c3},\n created = {2021-06-28T14:05:36.850Z},\n accessed = {2021-06-28},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:36.850Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Quealy, Gerit and Haegawa Collins, Sumie}\n}
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\n \n\n \n \n \n \n \n Specimen Poetics: Botany, Reanimation, and the Romantic Collection.\n \n \n \n\n\n \n Porter, D.\n\n\n \n\n\n\n Representations, (139): 60-94. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Specimen Poetics: Botany, Reanimation, and the Romantic Collection},\n type = {article},\n year = {2017},\n pages = {60-94},\n id = {c684ef18-b8fd-32b4-b3be-798eff87e31a},\n created = {2021-11-26T20:01:02.164Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-26T20:01:02.164Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This essay argues that the modern literary anthology—and specifically its aspiration todelimit both aesthetic merit and historical representativeness—emerged as a response to changes ineighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanicalmetaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, andrepresentational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked,pressed specimens with a new vitality. Erasmus Darwin’s\n Botanic Garden \n (1789, 1791) translated theaesthetic reanimations of visual art into a collection of poetic specimens, spurring compilations that promote a vitalist standard of literary value. By rejecting aesthetic reanimation as the figurative groundfor poetic collecting, Charlotte Smith and Robert Southey forward an alternative historical model of literary merit, one grounded in the succession and continuity of representative literary types. Thesecompeting metrics for selection and valuation underwrite the anthology as we know it today.},\n bibtype = {article},\n author = {Porter, Dahlia},\n journal = {Representations},\n number = {139}\n}
\n
\n\n\n
\n This essay argues that the modern literary anthology—and specifically its aspiration todelimit both aesthetic merit and historical representativeness—emerged as a response to changes ineighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanicalmetaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, andrepresentational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked,pressed specimens with a new vitality. Erasmus Darwin’s\n Botanic Garden \n (1789, 1791) translated theaesthetic reanimations of visual art into a collection of poetic specimens, spurring compilations that promote a vitalist standard of literary value. By rejecting aesthetic reanimation as the figurative groundfor poetic collecting, Charlotte Smith and Robert Southey forward an alternative historical model of literary merit, one grounded in the succession and continuity of representative literary types. Thesecompeting metrics for selection and valuation underwrite the anthology as we know it today.\n
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\n \n\n \n \n \n \n \n The Botany of Empire in the Long Eighteenth Century.\n \n \n \n\n\n \n Batsaki, Y.; Burke Cahalan, S.; and Tchikine, A.\n\n\n \n\n\n\n Dumbarton Oaks, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Botany of Empire in the Long Eighteenth Century},\n type = {book},\n year = {2017},\n publisher = {Dumbarton Oaks},\n city = {Washington, DC},\n id = {8ad36cd7-f7e4-3e8a-b0aa-6c10cf67af4f},\n created = {2024-08-04T22:57:31.773Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T22:57:31.773Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Batsaki, Yota and Burke Cahalan, Sarah and Tchikine, Anatole},\n editor = {Batsaki, Yota and Burke Cahalan, Sarah and Tchikine, Anatole}\n}
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\n \n\n \n \n \n \n \n Eye for Detail: Images of Plants and Animals in Art and Science, 1500-1630.\n \n \n \n\n\n \n Egmond, F.\n\n\n \n\n\n\n University of Chicago Press, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Eye for Detail: Images of Plants and Animals in Art and Science, 1500-1630},\n type = {book},\n year = {2017},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {8f016c9b-cb39-30a3-a527-a782f9ca0991},\n created = {2024-08-05T01:04:25.882Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:04:25.882Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Egmond, Florike}\n}
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\n  \n 2016\n \n \n (53)\n \n \n
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\n \n\n \n \n \n \n \n Rootedness: The Ramifications of a Metaphor.\n \n \n \n\n\n \n Wampole, C.\n\n\n \n\n\n\n University of Chicago Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Rootedness: The Ramifications of a Metaphor},\n type = {book},\n year = {2016},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {728fca6d-8e66-3f09-aace-32a9095e277e},\n created = {2021-04-02T00:00:28.756Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:28.756Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {People have long imagined themselves as rooted creatures, bound to the earth—and nations—from which they came. In Rootedness, Christy Wampole looks toward philosophy, ecology, literature, history, and politics to demonstrate how the metaphor of the root—surfacing often in an unexpected variety of places, from the family tree to folk etymology to the language of exile—developed in twentieth-century Europe.\n\nWampole examines both the philosophical implications of this metaphor and its political evolution. From the root as home to the root as genealogical origin to the root as the past itself, rootedness has survived in part through its ability to subsume other compelling metaphors, such as the foundation, the source, and the seed. With a focus on this concept’s history in France and Germany, Wampole traces its influence in diverse areas such as the search for the mystical origins of words, land worship, and nationalist rhetoric, including the disturbing portrayal of the Jews as an unrooted, and thus unrighteous, people. Exploring the works of Martin Heidegger, Simone Weil, Jean-Paul Sartre, Paul Celan, and many more, Rootedness is a groundbreaking study of a figure of speech that has had wide-reaching—and at times dire—political and social consequences.},\n bibtype = {book},\n author = {Wampole, Christy}\n}
\n
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\n People have long imagined themselves as rooted creatures, bound to the earth—and nations—from which they came. In Rootedness, Christy Wampole looks toward philosophy, ecology, literature, history, and politics to demonstrate how the metaphor of the root—surfacing often in an unexpected variety of places, from the family tree to folk etymology to the language of exile—developed in twentieth-century Europe.\n\nWampole examines both the philosophical implications of this metaphor and its political evolution. From the root as home to the root as genealogical origin to the root as the past itself, rootedness has survived in part through its ability to subsume other compelling metaphors, such as the foundation, the source, and the seed. With a focus on this concept’s history in France and Germany, Wampole traces its influence in diverse areas such as the search for the mystical origins of words, land worship, and nationalist rhetoric, including the disturbing portrayal of the Jews as an unrooted, and thus unrighteous, people. Exploring the works of Martin Heidegger, Simone Weil, Jean-Paul Sartre, Paul Celan, and many more, Rootedness is a groundbreaking study of a figure of speech that has had wide-reaching—and at times dire—political and social consequences.\n
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\n \n\n \n \n \n \n \n Decolonizing Nature: Contemporary Art and the Politics of Ecology.\n \n \n \n\n\n \n Demos, T.\n\n\n \n\n\n\n Sternberg Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Decolonizing Nature: Contemporary Art and the Politics of Ecology},\n type = {book},\n year = {2016},\n publisher = {Sternberg Press},\n city = {Berlin},\n id = {7fb87a28-a3db-3b50-be20-b8b4741de519},\n created = {2021-04-02T00:00:43.174Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:43.174Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Demos, T.J.}\n}
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\n \n\n \n \n \n \n \n Carnation.\n \n \n \n\n\n \n Way, T.\n\n\n \n\n\n\n Reaktion Books, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Carnation},\n type = {book},\n year = {2016},\n publisher = {Reaktion Books},\n city = {London},\n id = {fd4cab11-54d0-3e08-9a91-cb8091cb4208},\n created = {2021-04-02T00:00:52.618Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:52.618Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Carnations permeate our culture from the wedding bed to the funeral wreath. Derided in Shakespeare as ‘nature’s bastards’, they challenged the tulip as the florist’s favourite flower, and went on to give their blessing to both a military coup and a Soho night club. Spanning the world from the gardens of the Ottoman Empire to the Mothers’ Day traditions of America via Chinese medicines and French empresses, Carnation is the first book to tell the cultural history of this hugely important flower. Twigs Way traces the trials and tribulations of early breeders, the florists’ fascination with striped and spotted varieties, delightful names such as the ‘Lustie Gallant’ and the ‘Bleeding Swain’, and the symbolism of the red, white and even the green carnation, which was made famous by Oscar Wilde. Those who appreciate the carnation’s glorious scent, both sensuous and soothing, will delight in the knowledge that the carnation can heal body and mind, used by herbalists in Europe and China. As it ranges from the traditions of the medieval marriage bed to Renaissance paintings of the Madonna and Child, this lavishly illustrated book will entertain anyone with an interest in history, art or culture. It is full of unexpected delights that will charm the mind and invigorate the senses – just like the carnation itself.},\n bibtype = {book},\n author = {Way, Twigs}\n}
\n
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\n Carnations permeate our culture from the wedding bed to the funeral wreath. Derided in Shakespeare as ‘nature’s bastards’, they challenged the tulip as the florist’s favourite flower, and went on to give their blessing to both a military coup and a Soho night club. Spanning the world from the gardens of the Ottoman Empire to the Mothers’ Day traditions of America via Chinese medicines and French empresses, Carnation is the first book to tell the cultural history of this hugely important flower. Twigs Way traces the trials and tribulations of early breeders, the florists’ fascination with striped and spotted varieties, delightful names such as the ‘Lustie Gallant’ and the ‘Bleeding Swain’, and the symbolism of the red, white and even the green carnation, which was made famous by Oscar Wilde. Those who appreciate the carnation’s glorious scent, both sensuous and soothing, will delight in the knowledge that the carnation can heal body and mind, used by herbalists in Europe and China. As it ranges from the traditions of the medieval marriage bed to Renaissance paintings of the Madonna and Child, this lavishly illustrated book will entertain anyone with an interest in history, art or culture. It is full of unexpected delights that will charm the mind and invigorate the senses – just like the carnation itself.\n
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\n \n\n \n \n \n \n \n Poppy.\n \n \n \n\n\n \n Lack, A.\n\n\n \n\n\n\n Reaktion Books, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Poppy},\n type = {book},\n year = {2016},\n publisher = {Reaktion Books},\n city = {London},\n id = {89f1bd3a-a984-31f0-ba5d-80409208bd50},\n created = {2021-04-02T00:01:01.130Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:01.130Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The poppy is the classic cornfield plant. Throughout history it has been one of the most successful of all agricultural weeds. Its brilliant colour has made it one of our best-known plants – it is beloved of artists and poets, though often hated by farmers. But its origins are obscure; it seems entirely confined to agricultural and marginal land, wherever it is found. Where was it before the inception of agriculture? And how is it that it is almost unique in its colour among the flowers of northern Europe? In "Poppy" Andrew Lack explores all aspects of one of our most familiar but declining flowers, combining history and biology with symbolic associations and connections with the arts. He describes why the poppy is so intimately associated with war and remembrance, and tells remarkable stories about the different varieties: the opium poppy, one of the oldest of narcotics, has had a profound influence on human history; the phrase ‘tall poppy syndrome’ is now used to describe envy of the success of a peer; and in many countries the poppy has come to symbolize weddings or death.},\n bibtype = {book},\n author = {Lack, Andrew}\n}
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\n The poppy is the classic cornfield plant. Throughout history it has been one of the most successful of all agricultural weeds. Its brilliant colour has made it one of our best-known plants – it is beloved of artists and poets, though often hated by farmers. But its origins are obscure; it seems entirely confined to agricultural and marginal land, wherever it is found. Where was it before the inception of agriculture? And how is it that it is almost unique in its colour among the flowers of northern Europe? In \"Poppy\" Andrew Lack explores all aspects of one of our most familiar but declining flowers, combining history and biology with symbolic associations and connections with the arts. He describes why the poppy is so intimately associated with war and remembrance, and tells remarkable stories about the different varieties: the opium poppy, one of the oldest of narcotics, has had a profound influence on human history; the phrase ‘tall poppy syndrome’ is now used to describe envy of the success of a peer; and in many countries the poppy has come to symbolize weddings or death.\n
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\n \n\n \n \n \n \n \n Snowdrop.\n \n \n \n\n\n \n Harland, G.\n\n\n \n\n\n\n Reaktion, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Snowdrop},\n type = {book},\n year = {2016},\n publisher = {Reaktion},\n city = {London},\n id = {901ffbc8-243b-3ebc-bde3-e6866f6d1fe6},\n created = {2021-04-02T00:01:04.194Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:04.194Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Quietly elegant flowers dressed in simple white and green, snowdrops look too fragile to cope with wintery weather. They are however very resilient and are treasured by gardeners for their ability to flower early in the horticultural year. In Snowdrop Gail Harland explores how they have been used by non-gardeners too, as symbols of purity and of hope and consolation. In Victorian Britain snowdrop bands encouraged chastity among young women; today snowdrops are used as the symbols of several charities. Snowdrops are commonly found in flower paintings from the sixteenth century onwards and frequently appear in poetry and prose. Medicinally they are a source of galantamine, used in the treatment of Alzheimer’s disease. The gentle beauty of the snowdrop may have attracted the attention of poets and artists for centuries but today snowdrops are more popular than ever before, with record-breaking sums being reached for individual bulbs. The rise of snowdrop enthusiasts, known as galanthophiles, has been much commented on and an expanding number of snowdrop events draw fans from around the world to discuss, admire and buy specimens of these enchanting plants.},\n bibtype = {book},\n author = {Harland, Gail}\n}
\n
\n\n\n
\n Quietly elegant flowers dressed in simple white and green, snowdrops look too fragile to cope with wintery weather. They are however very resilient and are treasured by gardeners for their ability to flower early in the horticultural year. In Snowdrop Gail Harland explores how they have been used by non-gardeners too, as symbols of purity and of hope and consolation. In Victorian Britain snowdrop bands encouraged chastity among young women; today snowdrops are used as the symbols of several charities. Snowdrops are commonly found in flower paintings from the sixteenth century onwards and frequently appear in poetry and prose. Medicinally they are a source of galantamine, used in the treatment of Alzheimer’s disease. The gentle beauty of the snowdrop may have attracted the attention of poets and artists for centuries but today snowdrops are more popular than ever before, with record-breaking sums being reached for individual bulbs. The rise of snowdrop enthusiasts, known as galanthophiles, has been much commented on and an expanding number of snowdrop events draw fans from around the world to discuss, admire and buy specimens of these enchanting plants.\n
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\n \n\n \n \n \n \n \n The Natural History of Colonial Science: Joseph-François Lafitau's Discovery of Ginseng and Its Afterlives.\n \n \n \n\n\n \n Parsons, C., M.\n\n\n \n\n\n\n The William and Mary Quarterly, 73(1): 37-72. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Natural History of Colonial Science: Joseph-François Lafitau's Discovery of Ginseng and Its Afterlives},\n type = {article},\n year = {2016},\n pages = {37-72},\n volume = {73},\n id = {d5a73904-0b3c-3bd2-abbb-f6461215803e},\n created = {2021-04-02T00:01:38.716Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:38.716Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Parsons, Christopher M.},\n doi = {10.5309/willmaryquar.73.1.0037},\n journal = {The William and Mary Quarterly},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Heredity Explored: Between Public Domain and Experimental Science, 1850–1930.\n \n \n \n\n\n \n Müller-Wille, S.; and Brandt, C.\n\n\n \n\n\n\n MIT Press, 2016.\n \n\n\n\n
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@book{\n title = {Heredity Explored: Between Public Domain and Experimental Science, 1850–1930},\n type = {book},\n year = {2016},\n publisher = {MIT Press},\n city = {Cambridge, Mass.},\n id = {30c70830-0396-356b-a246-8cebadcf1547},\n created = {2021-04-02T00:01:40.528Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:40.528Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Müller-Wille, Staffan and Brandt, Christina}\n}
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\n \n\n \n \n \n \n \n Echoes of Empire: Redefining the Botanical Garden in Eighteenth-Century Tuscany.\n \n \n \n\n\n \n Tchikine, A.\n\n\n \n\n\n\n In Batsaki, Y.; Burke, S.; and Tchikine, A., editor(s), The Botany of Empire in the Long Eighteenth Century, pages 93-130, 2016. Dumbarton Oaks\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Echoes of Empire: Redefining the Botanical Garden in Eighteenth-Century Tuscany},\n type = {inproceedings},\n year = {2016},\n pages = {93-130},\n publisher = {Dumbarton Oaks},\n city = {Washington D.C.},\n id = {84bdfcbf-438f-340e-ae2b-4628283cbe9d},\n created = {2021-04-02T00:01:46.533Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:46.533Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Tchikine, Anatole},\n editor = {Batsaki, Yota and Burke, Sarah and Tchikine, Anatole},\n booktitle = {The Botany of  Empire in the  Long Eighteenth Century}\n}
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\n \n\n \n \n \n \n \n Deceived by Orchids: Sex, Science, Fiction and Darwin.\n \n \n \n\n\n \n Endersby, J.\n\n\n \n\n\n\n The British Journal for the History of Science, 49(2): 205-229. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Deceived by Orchids: Sex, Science, Fiction and Darwin},\n type = {article},\n year = {2016},\n pages = {205-229},\n volume = {49},\n id = {48aa39bc-cb5f-3fcd-8998-4aa53ff39e7b},\n created = {2021-04-02T00:01:51.514Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:51.514Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Between 1916 and 1927, botanists in several countries independently resolved three problems that had mystified earlier naturalists – including Charles Darwin: how did the many species of orchid that did not produce nectar persuade insects to pollinate them? Why did some orchid flowers seem to mimic insects? And why should a native British orchid suffer ‘attacks’ from a bee? Half a century after Darwin's death, these three mysteries were shown to be aspects of a phenomenon now known as pseudocopulation, whereby male insects are deceived into attempting to mate with the orchid's flowers, which mimic female insects; the males then carry the flower's pollen with them when they move on to try the next deceptive orchid. Early twentieth-century botanists were able to see what their predecessors had not because orchids (along with other plants) had undergone an imaginative re-creation: Darwin's science was appropriated by popular interpreters of science, including the novelist Grant Allen; then H.G. Wells imagined orchids as killers (inspiring a number of imitators), to produce a genre of orchid stories that reflected significant cultural shifts, not least in the presentation of female sexuality. It was only after these changes that scientists were able to see plants as equipped with agency, actively able to pursue their own, cunning reproductive strategies – and to outwit animals in the process. This paper traces the movement of a set of ideas that were created in a context that was recognizably scientific; they then became popular non-fiction, then popular fiction, and then inspired a new science, which in turn inspired a new generation of fiction writers. Long after clear barriers between elite and popular science had supposedly been established in the early twentieth century, they remained porous because a variety of imaginative writers kept destabilizing them. The fluidity of the boundaries between makers, interpreters and publics of scientific knowledge was a highly productive one; it helped biology become a vital part of public culture in the twentieth century and beyond.},\n bibtype = {article},\n author = {Endersby, Jim},\n journal = {The British Journal for the History of Science},\n number = {2}\n}
\n
\n\n\n
\n Between 1916 and 1927, botanists in several countries independently resolved three problems that had mystified earlier naturalists – including Charles Darwin: how did the many species of orchid that did not produce nectar persuade insects to pollinate them? Why did some orchid flowers seem to mimic insects? And why should a native British orchid suffer ‘attacks’ from a bee? Half a century after Darwin's death, these three mysteries were shown to be aspects of a phenomenon now known as pseudocopulation, whereby male insects are deceived into attempting to mate with the orchid's flowers, which mimic female insects; the males then carry the flower's pollen with them when they move on to try the next deceptive orchid. Early twentieth-century botanists were able to see what their predecessors had not because orchids (along with other plants) had undergone an imaginative re-creation: Darwin's science was appropriated by popular interpreters of science, including the novelist Grant Allen; then H.G. Wells imagined orchids as killers (inspiring a number of imitators), to produce a genre of orchid stories that reflected significant cultural shifts, not least in the presentation of female sexuality. It was only after these changes that scientists were able to see plants as equipped with agency, actively able to pursue their own, cunning reproductive strategies – and to outwit animals in the process. This paper traces the movement of a set of ideas that were created in a context that was recognizably scientific; they then became popular non-fiction, then popular fiction, and then inspired a new science, which in turn inspired a new generation of fiction writers. Long after clear barriers between elite and popular science had supposedly been established in the early twentieth century, they remained porous because a variety of imaginative writers kept destabilizing them. The fluidity of the boundaries between makers, interpreters and publics of scientific knowledge was a highly productive one; it helped biology become a vital part of public culture in the twentieth century and beyond.\n
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\n \n\n \n \n \n \n \n The Tree.\n \n \n \n\n\n \n Fowles, J.\n\n\n \n\n\n\n Little Toller Books, Reprint edition, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Tree},\n type = {book},\n year = {2016},\n publisher = {Little Toller Books},\n city = {Dorset},\n edition = {Reprint},\n id = {11414cce-e5bd-3b2b-a84c-3665a1f1d18a},\n created = {2021-04-02T00:02:41.472Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:41.472Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The writing life of John Fowles was dominated by trees. From the orchards of his childhood in suburban Essex to the woodlands of wartime-Devon, trees filled his imagination and enriched his many best selling and acclaimed novels. Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, John Fowles’ The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, originally published in 1979.},\n bibtype = {book},\n author = {Fowles, John}\n}
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\n The writing life of John Fowles was dominated by trees. From the orchards of his childhood in suburban Essex to the woodlands of wartime-Devon, trees filled his imagination and enriched his many best selling and acclaimed novels. Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, John Fowles’ The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, originally published in 1979.\n
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\n \n\n \n \n \n \n \n \n Call of the Forest: The Forgotten Wisdom of Trees (Documentary).\n \n \n \n \n\n\n \n Beresford-Kroeger, D.; and McKay, J.\n\n\n \n\n\n\n 2016.\n \n\n\n\n
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\n 
@misc{\n title = {Call of the Forest: The Forgotten Wisdom of Trees (Documentary)},\n type = {misc},\n year = {2016},\n websites = {http://calloftheforest.ca/},\n publisher = {Treespeak Films Canada},\n id = {219682c3-231b-3b1c-872d-5d9079215241},\n created = {2021-04-02T00:02:46.414Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:46.414Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {A documentary about the ancient forests of the northern hemisphere, deals with the connection between trees and human life.},\n bibtype = {misc},\n author = {Beresford-Kroeger, Diana and McKay, Jeffrey}\n}
\n
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\n A documentary about the ancient forests of the northern hemisphere, deals with the connection between trees and human life.\n
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\n \n\n \n \n \n \n \n Program Earth: Environmental Sensing Technology and the Making of a Computational Planet.\n \n \n \n\n\n \n Gabrys, J.\n\n\n \n\n\n\n of Electronic mediations ; 49University of Minnesota Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {Program Earth: Environmental Sensing Technology and the Making of a Computational Planet},\n type = {book},\n year = {2016},\n keywords = {Environmental monitoring},\n publisher = {University of Minnesota Press},\n city = {Minneapolis London},\n series = {Electronic mediations ; 49},\n id = {7d361e53-071f-3da8-be69-cd9e53b4663b},\n created = {2021-04-02T00:03:13.114Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:13.114Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {GabrysJennifer2016Pe:e},\n source_type = {book},\n private_publication = {false},\n bibtype = {book},\n author = {Gabrys, Jennifer}\n}
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\n \n\n \n \n \n \n \n \n Symbiosen: Das erstaunliche Miteinander in der Natur.\n \n \n \n \n\n\n \n Reichholf, J., H.\n\n\n \n\n\n\n Matthes & Seitz, 2016.\n \n\n\n\n
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\n 
@book{\n title = {Symbiosen: Das erstaunliche Miteinander in der Natur},\n type = {book},\n year = {2016},\n websites = {https://d-nb.info/1120033438/04},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n id = {8b8a8925-0447-31dd-bc42-f130c592c8f7},\n created = {2021-04-02T00:03:53.958Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:53.958Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Reichholf, Josef H}\n}
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\n \n\n \n \n \n \n \n On the Death of Plants: John Kinsella’s Radical Pastoralism and the Weight of Botanical Melancholia.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Ecozon@: European Journal of Literature, Culture and Environment, 7(2): 113-133. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {On the Death of Plants: John Kinsella’s Radical Pastoralism and the Weight of Botanical Melancholia},\n type = {article},\n year = {2016},\n pages = {113-133},\n volume = {7},\n id = {6e55a297-adb4-3a19-ac67-b06a18d7bebf},\n created = {2021-04-02T00:04:11.658Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:11.658Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n journal = {Ecozon@: European Journal of Literature, Culture and Environment},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Planting the Eco-Humanities? Climate Change, Poetic Narratives and Botanical Lives.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Rupkatha Journal on Interdisciplinary Studies in the Humanities, 8(2): 61-70. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Planting the Eco-Humanities? Climate Change, Poetic Narratives and Botanical Lives},\n type = {article},\n year = {2016},\n pages = {61-70},\n volume = {8},\n id = {5aac19f0-2acf-3f25-92f4-14da39cd3074},\n created = {2021-04-02T00:04:13.037Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:13.037Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n doi = {10.21659/rupkatha.v8n3.08},\n journal = {Rupkatha Journal on Interdisciplinary Studies in the Humanities},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Sacred Ecology of Plants: The Vegetative Soul in the Botanical Poetry of Les Murray.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Journal for the Study of Religion, Nature and Culture, 10(4): 459–484. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Sacred Ecology of Plants: The Vegetative Soul in the Botanical Poetry of Les Murray},\n type = {article},\n year = {2016},\n pages = {459–484},\n volume = {10},\n id = {6518a8a4-cd60-3e37-9897-117fdfa1c0e6},\n created = {2021-04-02T00:04:13.922Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:13.922Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n doi = {10.1558/jsrnc.v10i4.30855},\n journal = {Journal for the Study of Religion, Nature and Culture},\n number = {4}\n}
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\n \n\n \n \n \n \n \n Plant Parenthood, or the Fear of Vegetal Eroticism.\n \n \n \n\n\n \n Jacobs, J.\n\n\n \n\n\n\n In Imperceptibly and Slowly Opening, pages 166-173, 2016. The Green Lantern Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Plant Parenthood, or the Fear of Vegetal Eroticism},\n type = {inproceedings},\n year = {2016},\n pages = {166-173},\n publisher = {The Green Lantern Press},\n city = {Chicago},\n id = {16eafca2-0317-3ad8-8dbd-50f42db83b43},\n created = {2021-04-02T00:04:53.217Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:53.217Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Jacobs, Joela},\n booktitle = {Imperceptibly and Slowly Opening}\n}
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\n \n\n \n \n \n \n \n Contiguous Creatures: Literary Ecology, 'Organic Poetry' and Jon Silkin’s Flower Poems.\n \n \n \n\n\n \n Trott, E.\n\n\n \n\n\n\n Anglistik, 27(2): 125-145. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Contiguous Creatures: Literary Ecology, 'Organic Poetry' and Jon Silkin’s Flower Poems},\n type = {article},\n year = {2016},\n pages = {125-145},\n volume = {27},\n id = {b44a3edc-355a-3d50-bfee-bf92d2d35494},\n created = {2021-04-02T00:04:58.070Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:58.070Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Trott, Emma},\n journal = {Anglistik},\n number = {2}\n}
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\n \n\n \n \n \n \n \n La vie des plantes: Une métaphysique du mélange.\n \n \n \n\n\n \n Coccia, E.\n\n\n \n\n\n\n Éditions Rivages, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {La vie des plantes: Une métaphysique du mélange},\n type = {book},\n year = {2016},\n publisher = {Éditions Rivages},\n city = {Paris},\n id = {4e392780-45f0-3080-8ec8-ec491286fa58},\n created = {2021-04-02T00:05:05.451Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:05.451Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Coccia, Emanuele}\n}
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\n \n\n \n \n \n \n \n \n Saving the Gene Pool for the Future: Seed Banks as Archives.\n \n \n \n \n\n\n \n Peres, S.\n\n\n \n\n\n\n Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences, 55: 96-104. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"SavingWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Saving the Gene Pool for the Future: Seed Banks as Archives},\n type = {article},\n year = {2016},\n pages = {96-104},\n volume = {55},\n websites = {https://www.sciencedirect.com/science/article/pii/S1369848615001284},\n id = {2173eb98-d915-3b46-b316-1fd9ca22a776},\n created = {2021-04-05T16:36:07.841Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:07.841Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Peres, Sara},\n journal = {Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences}\n}
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\n \n\n \n \n \n \n \n Flowery Porn: Form and Desire in Erasmus Darwin’s 'The Loves of the Plants'.\n \n \n \n\n\n \n Connolly, T.\n\n\n \n\n\n\n Literature Compass, 13(10): 604-616. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Flowery Porn: Form and Desire in Erasmus Darwin’s 'The Loves of the Plants'},\n type = {article},\n year = {2016},\n pages = {604-616},\n volume = {13},\n id = {becb3350-ca2a-328f-abb6-5fe9f986e757},\n created = {2021-04-05T16:36:12.028Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:12.028Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Connolly, Tristanne},\n journal = {Literature Compass},\n number = {10}\n}
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\n \n\n \n \n \n \n \n \n Intelligent Plants (Film).\n \n \n \n \n\n\n \n Wohlleben, P., v.; and Simard, S.\n\n\n \n\n\n\n 2016.\n \n\n\n\n
\n\n\n\n \n \n \"IntelligentWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {Intelligent Plants (Film)},\n type = {misc},\n year = {2016},\n websites = {http://intelligenttrees.vhx.tv/},\n publisher = {Dorcon Films},\n id = {4bfbe63c-68c0-3c99-aabd-2d663e77c1fd},\n created = {2021-04-05T16:36:24.217Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:24.217Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {With accompanying web series.},\n bibtype = {misc},\n author = {Wohlleben, Peter von and Simard, Suzanne}\n}
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\n With accompanying web series.\n
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\n \n\n \n \n \n \n \n The Botanical Treasury: Celebrating 40 of the World’s Most Fascinating Plants through Historical Art and Manuscripts.\n \n \n \n\n\n \n Mills, C.\n\n\n \n\n\n\n André Deutsch, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Botanical Treasury: Celebrating 40 of the World’s Most Fascinating Plants through Historical Art and Manuscripts},\n type = {book},\n year = {2016},\n publisher = {André Deutsch},\n city = {London},\n id = {b053b3e9-8988-32c2-b943-55ecb81d5bd4},\n created = {2021-04-05T16:36:28.353Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:28.353Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Mills, Christopher}\n}
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\n \n\n \n \n \n \n \n Botanical Art from the Golden Age of Scientific Discovery.\n \n \n \n\n\n \n Laurent, A.\n\n\n \n\n\n\n University of Chicago Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Botanical Art from the Golden Age of Scientific Discovery},\n type = {book},\n year = {2016},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {5ff958b4-37b6-30ac-a3c4-ded77f4f1cb2},\n created = {2021-04-05T16:36:29.189Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:29.189Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Laurent, Anna}\n}
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\n \n\n \n \n \n \n \n The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination.\n \n \n \n\n\n \n Mabey, R.\n\n\n \n\n\n\n Norton, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination},\n type = {book},\n year = {2016},\n publisher = {Norton},\n city = {New York},\n id = {3f4f4602-7ee0-338f-a764-c56d62967cc2},\n created = {2021-04-05T16:37:15.116Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:15.116Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Mabey, Richard}\n}
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\n \n\n \n \n \n \n \n \n Photosynthesis.\n \n \n \n \n\n\n \n Myers, N.\n\n\n \n\n\n\n 2016.\n \n\n\n\n
\n\n\n\n \n \n \"PhotosynthesisWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {Photosynthesis},\n type = {misc},\n year = {2016},\n source = {Lexicon for an Anthropocene Yet Unseen},\n websites = {https://culanth.org/fieldsights/photosynthesis},\n publisher = {Society for Cultural Anthropology},\n id = {7041dd4c-eca9-3268-a45f-e65f88897e66},\n created = {2021-04-05T16:37:48.022Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:48.022Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Theorizing the Contemporary, Fieldsights.\r\n\r\nFieldsights is a short-form web publication by the Society for Cultural Anthropology, featuring timely interventions across a range of media.},\n bibtype = {misc},\n author = {Myers, Natasha}\n}
\n
\n\n\n
\n Theorizing the Contemporary, Fieldsights.\r\n\r\nFieldsights is a short-form web publication by the Society for Cultural Anthropology, featuring timely interventions across a range of media.\n
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\n \n\n \n \n \n \n \n Floral Sensations: Plant Biopolitcs.\n \n \n \n\n\n \n Sandilands, C.\n\n\n \n\n\n\n In Gabrielson, T., editor(s), The Oxford Handbook of Environmental Political Theory, pages 226-237, 2016. Oxford University Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Floral Sensations: Plant Biopolitcs},\n type = {inproceedings},\n year = {2016},\n pages = {226-237},\n publisher = {Oxford University Press},\n city = {Oxford},\n id = {b16576ee-d536-3194-879f-e38c22de00a7},\n created = {2021-04-05T16:38:05.870Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:05.870Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Sandilands, Catriona},\n editor = {Gabrielson, Teena},\n booktitle = {The Oxford Handbook of Environmental Political Theory}\n}
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\n \n\n \n \n \n \n \n Grafts: Writings on Plants.\n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n Univocal, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Grafts: Writings on Plants},\n type = {book},\n year = {2016},\n publisher = {Univocal},\n city = {Minneapolis},\n id = {b96e7239-97d1-303f-9770-b4df68bc9eeb},\n created = {2021-04-05T16:38:17.404Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:17.404Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Marder, Michael}\n}
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\n \n\n \n \n \n \n \n \n Contexts and Implications of Plant Symbolism in the Early Polish Novel: Maria Wirtemberska's Malvina, or the Heart's Intuition (1816).\n \n \n \n \n\n\n \n Ożarska, M.\n\n\n \n\n\n\n European Romantic Review, 27(6): 791-814. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"ContextsWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Contexts and Implications of Plant Symbolism in the Early Polish Novel: Maria Wirtemberska's Malvina, or the Heart's Intuition (1816)},\n type = {article},\n year = {2016},\n pages = {791-814},\n volume = {27},\n websites = {http://www.tandfonline.com/eprint/XspaVmyHuIbPpjHnc9TU/full},\n id = {ad03ddb8-0d4f-33db-9c46-879180bc3b66},\n created = {2021-04-05T16:38:22.778Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:22.778Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ożarska, Magdalena},\n journal = {European Romantic Review},\n number = {6}\n}
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\n \n\n \n \n \n \n \n Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film.\n \n \n \n\n\n \n Keetley, D.; and Tenga, A.\n\n\n \n\n\n\n Palgrave, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film},\n type = {book},\n year = {2016},\n publisher = {Palgrave},\n city = {New York},\n id = {c718610e-be64-3096-9249-d3b2cfab22e5},\n created = {2021-04-05T16:38:25.659Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:25.659Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {See especially the introduction: Dawn Keetley, "Six Theses on Plant Horror; or, Why Are Plants Horrifying," in Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film (New York: Palgrave, 2016): 1-30.},\n bibtype = {book},\n author = {Keetley, Dawn and Tenga, Angela}\n}
\n
\n\n\n
\n See especially the introduction: Dawn Keetley, \"Six Theses on Plant Horror; or, Why Are Plants Horrifying,\" in Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film (New York: Palgrave, 2016): 1-30.\n
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\n \n\n \n \n \n \n \n \n Vegetal Ecologies.\n \n \n \n \n\n\n \n Cielemecka, O.; and Szczygielska, M.\n\n\n \n\n\n\n 2016.\n \n\n\n\n
\n\n\n\n \n \n \"VegetalWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {Vegetal Ecologies},\n type = {misc},\n year = {2016},\n source = {New Materialist Almanac 2016/2017},\n websites = {http://newmaterialism.eu/almanac/v/vegetal-ecologies},\n id = {6960ec8d-6414-38d2-bc84-0a44566f9563},\n created = {2021-04-05T16:38:28.499Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:28.499Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Cielemecka, Olga and Szczygielska, Marianna}\n}
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\n \n\n \n \n \n \n \n \n In the Forest Ruins.\n \n \n \n \n\n\n \n Tavares, P.\n\n\n \n\n\n\n e-flux architecture, 76(12). 2016.\n \n\n\n\n
\n\n\n\n \n \n \"InWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {In the Forest Ruins},\n type = {article},\n year = {2016},\n volume = {76},\n websites = {http://www.e-flux.com/architecture/superhumanity/68688/in-the-forest-ruins/},\n id = {664bf142-fef8-3548-b1f4-b86e6e586ab6},\n created = {2021-04-05T16:38:32.890Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:32.890Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Tavares, Paulo},\n journal = {e-flux architecture},\n number = {12}\n}
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\n \n\n \n \n \n \n \n The Chernobyl Herbarium: Fragments of an Exploded Consciousness.\n \n \n \n\n\n \n Marder, M.; and Tonduer, A.\n\n\n \n\n\n\n Open Humanities Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Chernobyl Herbarium: Fragments of an Exploded Consciousness},\n type = {book},\n year = {2016},\n publisher = {Open Humanities Press},\n city = {London},\n id = {04a68d7e-a7c6-394e-b37b-60f5573211e5},\n created = {2021-04-05T16:38:33.813Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:33.813Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Marder, Michael and Tonduer, Anaïs}\n}
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\n \n\n \n \n \n \n \n Decolonizing Patent Law: Postcolonial Technoscience and Indigenous Knowledge in South Africa.\n \n \n \n\n\n \n Foster, L., A.\n\n\n \n\n\n\n Feminist Formations, 28(3): 148-173. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Decolonizing Patent Law: Postcolonial Technoscience and Indigenous Knowledge in South Africa},\n type = {article},\n year = {2016},\n pages = {148-173},\n volume = {28},\n id = {7678af16-84c4-3da8-aa8e-c974a4755714},\n created = {2021-04-05T16:38:35.612Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:35.612Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Foster, Laura A.},\n journal = {Feminist Formations},\n number = {3}\n}
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\n \n\n \n \n \n \n \n Orchid: A Cultural History.\n \n \n \n\n\n \n Endersby, J.\n\n\n \n\n\n\n University of Chicago Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Orchid: A Cultural History},\n type = {book},\n year = {2016},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {a82244db-7804-3169-a9f2-735c62c4d42d},\n created = {2021-04-05T16:38:37.183Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:37.183Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Endersby, Jim}\n}
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\n \n\n \n \n \n \n \n Der deutsche Wald: Eine Ideengeschichte zwischen Poesie und Ideologie: 1800-1945.\n \n \n \n\n\n \n Zechner, J.\n\n\n \n\n\n\n Philipp von Zabern Verlag, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Der deutsche Wald: Eine Ideengeschichte zwischen Poesie und Ideologie: 1800-1945},\n type = {book},\n year = {2016},\n publisher = {Philipp von Zabern Verlag},\n city = {Darmstadt},\n id = {77e27fd0-c09d-3415-b60f-875515d0e1a4},\n created = {2021-04-05T16:38:42.667Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:42.667Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Zechner, Johannes}\n}
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\n \n\n \n \n \n \n \n Arboreal Attachments: Interacting with Trees in Early Nineteenth-Century France.\n \n \n \n\n\n \n Pacini, G.\n\n\n \n\n\n\n Configurations, 24(2): 173-195. 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Arboreal Attachments: Interacting with Trees in Early Nineteenth-Century France},\n type = {article},\n year = {2016},\n pages = {173-195},\n volume = {24},\n id = {651a09fd-1e97-3bce-ad2b-8c3b0a1780d7},\n created = {2021-04-05T16:38:50.437Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:50.437Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Pacini, Giulia},\n journal = {Configurations},\n number = {2}\n}
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\n \n\n \n \n \n \n \n \n Gespräche über Bäume: Wurzel- und Pflanzenmetaphern in der Exilliteratur.\n \n \n \n \n\n\n \n Walter A. Berendsohn Forschungsstelle für deutsche Exilliteratur\n\n\n \n\n\n\n Exilograph, 25. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"GesprächeWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Gespräche über Bäume: Wurzel- und Pflanzenmetaphern in der Exilliteratur},\n type = {article},\n year = {2016},\n volume = {25},\n websites = {https://www.exilforschung.uni-hamburg.de/forschung/publikationen/exilograph/pdf/exilograph25.pdf},\n id = {b8944eb1-05db-3cce-955a-9884a0f11e18},\n created = {2021-04-05T16:38:54.288Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:54.288Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Special issue.},\n bibtype = {article},\n author = {Walter A. Berendsohn Forschungsstelle für deutsche Exilliteratur, undefined},\n journal = {Exilograph}\n}
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\n Special issue.\n
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\n \n\n \n \n \n \n \n Media, Modernity, and Dynamic Plants in Early 20th Century German Culture.\n \n \n \n\n\n \n Janzen, J., L.\n\n\n \n\n\n\n Brill/Rodopi, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Media, Modernity, and Dynamic Plants in Early 20th Century German Culture},\n type = {book},\n year = {2016},\n publisher = {Brill/Rodopi},\n city = {Leiden},\n id = {373574f2-d82e-36a8-a961-5fc1c214c769},\n created = {2021-04-05T16:38:56.838Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:56.838Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n abstract = {"In Media, Modernity and Dynamic Plants, Janet Janzen traces the motif of the "dynamic plant" through film and literature in early 20th century German culture. Often discussed solely as symbols or metaphors of the human experience, plants become here the primary focus and their role in literature and film is extended beyond their symbolic function. Plants have been (and still are) seen as closer to static objects than to living, moving beings. Making use of examples from film and literature, Janet Janzen demonstrates a shift in the perception of plants-as-objects to plants-as-living-beings that can be attributed to new technology and also to the return of Romantic and Vitalistic discourses on nature."--},\n bibtype = {book},\n author = {Janzen, Janet Lindeblad}\n}
\n
\n\n\n
\n \"In Media, Modernity and Dynamic Plants, Janet Janzen traces the motif of the \"dynamic plant\" through film and literature in early 20th century German culture. Often discussed solely as symbols or metaphors of the human experience, plants become here the primary focus and their role in literature and film is extended beyond their symbolic function. Plants have been (and still are) seen as closer to static objects than to living, moving beings. Making use of examples from film and literature, Janet Janzen demonstrates a shift in the perception of plants-as-objects to plants-as-living-beings that can be attributed to new technology and also to the return of Romantic and Vitalistic discourses on nature.\"--\n
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\n \n\n \n \n \n \n \n The Green Thread: Dialogues with the Vegetal World.\n \n \n \n\n\n \n Vieira, P.; Gagliano, M.; and Ryan, J., C.\n\n\n \n\n\n\n Rowman & Littlefield, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Green Thread: Dialogues with the Vegetal World},\n type = {book},\n year = {2016},\n publisher = {Rowman & Littlefield},\n city = {Lanham, Maryland},\n id = {db75a41b-9c31-3e8f-991c-c3622a4dd5d1},\n created = {2021-04-05T16:38:59.542Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:59.542Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n bibtype = {book},\n author = {Vieira, Patrícia and Gagliano, Monica and Ryan, John Charles}\n}
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\n \n\n \n \n \n \n \n Plant Theory: Biopower and Vegetable Life.\n \n \n \n\n\n \n Nealon, J., T.\n\n\n \n\n\n\n Stanford University Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant Theory: Biopower and Vegetable Life},\n type = {book},\n year = {2016},\n publisher = {Stanford University Press},\n city = {Stanford, CA},\n id = {cddd5868-dcb4-3ba1-ae72-ba8384d31ce8},\n created = {2021-04-05T16:39:04.967Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:04.967Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {ELEC},\n language = {English},\n private_publication = {false},\n bibtype = {book},\n author = {Nealon, Jeffrey T}\n}
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\n \n\n \n \n \n \n \n Through Vegetal Being: Two Philosophical Perspectives.\n \n \n \n\n\n \n Irigaray, L.; and Marder, M.\n\n\n \n\n\n\n Columbia University Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Through Vegetal Being: Two Philosophical Perspectives},\n type = {book},\n year = {2016},\n publisher = {Columbia University Press},\n city = {New York},\n id = {371e2c26-0c10-36ee-b9c8-6a188855868d},\n created = {2021-04-05T16:39:05.836Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:05.836Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n bibtype = {book},\n author = {Irigaray, Luce. and Marder, Michael.}\n}
\n
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\n \n\n \n \n \n \n \n The Hidden Life of Trees: What They Feel, How They Communicate―Discoveries from a Secret World.\n \n \n \n\n\n \n Wohlleben, P.\n\n\n \n\n\n\n Greystone Books, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Hidden Life of Trees: What They Feel, How They Communicate―Discoveries from a Secret World},\n type = {book},\n year = {2016},\n publisher = {Greystone Books},\n city = {Vancouver},\n id = {4afeda63-6a24-369b-9d68-70d41139b3b0},\n created = {2021-04-05T16:39:08.609Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:08.609Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Original (Munich: Ludwig, 2015): Das geheime Leben der Bäume: Was sie fühlen, wie sie kommunizieren - die Entdeckung einer verborgenen Welt},\n bibtype = {book},\n author = {Wohlleben, Peter}\n}
\n
\n\n\n
\n Original (Munich: Ludwig, 2015): Das geheime Leben der Bäume: Was sie fühlen, wie sie kommunizieren - die Entdeckung einer verborgenen Welt\n
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\n \n\n \n \n \n \n \n \n Imperceptibly and Slowly Opening.\n \n \n \n \n\n\n \n Picard, C.\n\n\n \n\n\n\n Green Lantern Press, 2016.\n \n\n\n\n
\n\n\n\n \n \n \"ImperceptiblyWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Imperceptibly and Slowly Opening},\n type = {book},\n year = {2016},\n websites = {http://sector2337.com/exhibits/?filter=past#imperceptibly-slowly-opening},\n publisher = {Green Lantern Press},\n city = {Chicago, IL},\n id = {0dbc8d46-3aa9-3deb-9528-0f97078b6806},\n created = {2021-04-05T16:39:10.452Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:10.452Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Picard, Caroline}\n}
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\n \n\n \n \n \n \n \n Plant Evolution: An Introduction to the History of Life.\n \n \n \n\n\n \n Niklas, K., J.\n\n\n \n\n\n\n University of Chicago Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant Evolution: An Introduction to the History of Life},\n type = {book},\n year = {2016},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {fc699c75-d54d-3edf-a996-cbdc9ee72768},\n created = {2021-04-05T16:39:11.081Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:11.081Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Although plants comprise more than 90% of all visible life, and land plants and algae collectively make up the most morphologically, physiologically, and ecologically diverse group of organisms on earth, books on evolution instead tend to focus on animals. This organismal bias has led to an incomplete and often erroneous understanding of evolutionary theory. Because plants grow and reproduce differently than animals, they have evolved differently, and generally accepted evolutionary views—as, for example, the standard models of speciation—often fail to hold when applied to them.\r\n\r\nTapping such wide-ranging topics as genetics, gene regulatory networks, phenotype mapping, and multicellularity, as well as paleobotany, Karl J. Niklas’s Plant Evolution offers fresh insight into these differences. Following up on his landmark book The Evolutionary Biology of Plants—in which he drew on cutting-edge computer simulations that used plants as models to illuminate key evolutionary theories—Niklas incorporates data from more than a decade of new research in the flourishing field of molecular biology, conveying not only why the study of evolution is so important, but also why the study of plants is essential to our understanding of evolutionary processes. Niklas shows us that investigating the intricacies of plant development, the diversification of early vascular land plants, and larger patterns in plant evolution is not just a botanical pursuit: it is vital to our comprehension of the history of all life on this green planet.},\n bibtype = {book},\n author = {Niklas, Karl J.}\n}
\n
\n\n\n
\n Although plants comprise more than 90% of all visible life, and land plants and algae collectively make up the most morphologically, physiologically, and ecologically diverse group of organisms on earth, books on evolution instead tend to focus on animals. This organismal bias has led to an incomplete and often erroneous understanding of evolutionary theory. Because plants grow and reproduce differently than animals, they have evolved differently, and generally accepted evolutionary views—as, for example, the standard models of speciation—often fail to hold when applied to them.\r\n\r\nTapping such wide-ranging topics as genetics, gene regulatory networks, phenotype mapping, and multicellularity, as well as paleobotany, Karl J. Niklas’s Plant Evolution offers fresh insight into these differences. Following up on his landmark book The Evolutionary Biology of Plants—in which he drew on cutting-edge computer simulations that used plants as models to illuminate key evolutionary theories—Niklas incorporates data from more than a decade of new research in the flourishing field of molecular biology, conveying not only why the study of evolution is so important, but also why the study of plants is essential to our understanding of evolutionary processes. Niklas shows us that investigating the intricacies of plant development, the diversification of early vascular land plants, and larger patterns in plant evolution is not just a botanical pursuit: it is vital to our comprehension of the history of all life on this green planet.\n
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\n \n\n \n \n \n \n \n Janet Laurence: The Pharmacy of Plants.\n \n \n \n\n\n \n Gibson, P.\n\n\n \n\n\n\n NewSouth Books, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Janet Laurence: The Pharmacy of Plants},\n type = {book},\n year = {2016},\n publisher = {NewSouth Books},\n city = {Moorebank, NSW},\n id = {57503ce4-4391-3571-b64e-013ea5b8db53},\n created = {2021-04-05T16:39:12.857Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:12.857Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {\t\r\nWell-known for her installations and public art commissions that engage with architectural and biological forms, Janet Laurence is fascinated by the interplay of plant species, animals and people. In her work, represented in all major collections in Australia, Laurence constructs atmospheric spaces that allow for deep reflection on questions of ecology and extinction. Here, Prudence Gibson surveys Laurence's BioArt, and her radical interpretation of humanity's relationship with the world.},\n bibtype = {book},\n author = {Gibson, Prudence}\n}
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\n \t\r\nWell-known for her installations and public art commissions that engage with architectural and biological forms, Janet Laurence is fascinated by the interplay of plant species, animals and people. In her work, represented in all major collections in Australia, Laurence constructs atmospheric spaces that allow for deep reflection on questions of ecology and extinction. Here, Prudence Gibson surveys Laurence's BioArt, and her radical interpretation of humanity's relationship with the world.\n
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\n \n\n \n \n \n \n \n Floriographie: Die Sprache der Blumen.\n \n \n \n\n\n \n Kranz, I.; and Schwan, A.\n\n\n \n\n\n\n Wilhelm Fink, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Floriographie: Die Sprache der Blumen},\n type = {book},\n year = {2016},\n publisher = {Wilhelm Fink},\n city = {Paderborn},\n id = {0ff13ed7-6554-3753-aa00-3069ea286370},\n created = {2021-04-05T16:39:16.536Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:16.536Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Kranz, Isabel and Schwan, Alexander},\n editor = {Wittrock, Eike}\n}
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\n \n\n \n \n \n \n \n Lab Girl.\n \n \n \n\n\n \n Jahren, H.\n\n\n \n\n\n\n Knopf, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Lab Girl},\n type = {book},\n year = {2016},\n publisher = {Knopf},\n city = {New York},\n id = {a181e7e5-ce25-3176-9b08-ccbea67fe527},\n created = {2021-06-24T19:33:40.798Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:40.798Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Jahren, Hope}\n}
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\n \n\n \n \n \n \n \n Plant: Exploring the Botanical World.\n \n \n \n\n\n \n Phaidon Editors,\n editor.\n \n\n\n \n\n\n\n Phaidon Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant: Exploring the Botanical World},\n type = {book},\n year = {2016},\n publisher = {Phaidon Press},\n city = {London},\n id = {ea9bd9df-e5e3-3d9c-913b-e28ffb227593},\n created = {2021-11-16T23:27:53.026Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-16T23:27:53.026Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Phaidon Editors, undefined}\n}
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\n \n\n \n \n \n \n \n \n Inhabiting Flower Worlds: The Botanical Art of Madeleine Françoise Basseporte.\n \n \n \n \n\n\n \n Meeker, N.; and Szabari, A.\n\n\n \n\n\n\n Arts et Savoirs, (6): 1-15. 7 2016.\n \n\n\n\n
\n\n\n\n \n \n \"InhabitingPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Inhabiting Flower Worlds: The Botanical Art of Madeleine Françoise Basseporte},\n type = {article},\n year = {2016},\n pages = {1-15},\n month = {7},\n day = {6},\n id = {29409097-9fdb-35a0-b944-43707161598b},\n created = {2021-11-24T15:12:06.268Z},\n file_attached = {true},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-24T15:12:08.690Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Meeker, Natania and Szabari, Antónia},\n doi = {10.4000/aes.757},\n journal = {Arts et Savoirs},\n number = {6}\n}
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\n \n\n \n \n \n \n \n Chinese Flowers and the Idea of Cultivation in Early-Nineteenth-Century British Word and Image.\n \n \n \n\n\n \n Chang, E.\n\n\n \n\n\n\n European Romantic Review, 27(1): 9-24. 1 2016.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Chinese Flowers and the Idea of Cultivation in Early-Nineteenth-Century British Word and Image},\n type = {article},\n year = {2016},\n pages = {9-24},\n volume = {27},\n month = {1},\n day = {2},\n id = {53112ee0-5bff-3261-a89b-b657d5121fe8},\n created = {2021-11-26T20:01:01.858Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-26T20:01:01.858Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Chang, Elizabeth},\n doi = {10.1080/10509585.2015.1124571},\n journal = {European Romantic Review},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Placing Plants in Territory.\n \n \n \n\n\n \n Besky, S.; and Padwe, J.\n\n\n \n\n\n\n Environment and Society, 7(1): 9-28. 9 2016.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Placing Plants in Territory},\n type = {article},\n year = {2016},\n pages = {9-28},\n volume = {7},\n month = {9},\n day = {1},\n id = {add9b62e-6416-3c39-8cb4-4aa61c09cf67},\n created = {2021-11-26T20:01:02.425Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-26T20:01:02.425Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {In this article, we use plants to think about territory, a concept that is at once a bulwark of social theory and an under-theorized category of social analysis. Scholarship on plants brings together three overlapping approaches to territory: biological and behaviorist theories; representational and cartographic perspectives; and more-than-human analysis. We argue that these three approaches are not mutually exclusive. Rather, different epistemologies of territory overlap and are imbricated within each other. We further argue that these three approaches to territory inform three distinct domains of territoriality: legibility and surveillance; ordering and classification; and exclusion and inclusion. Through examples of how plants operate in these three domains, we illustrate the analytical potential that a more-than-human approach to territory provides. We conclude, however, that attention to the particularities of plant ecologies can help move multispecies discussions more firmly into the realm of the political economic.},\n bibtype = {article},\n author = {Besky, Sarah and Padwe, Jonathan},\n doi = {10.3167/ares.2016.070102},\n journal = {Environment and Society},\n number = {1}\n}
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\n In this article, we use plants to think about territory, a concept that is at once a bulwark of social theory and an under-theorized category of social analysis. Scholarship on plants brings together three overlapping approaches to territory: biological and behaviorist theories; representational and cartographic perspectives; and more-than-human analysis. We argue that these three approaches are not mutually exclusive. Rather, different epistemologies of territory overlap and are imbricated within each other. We further argue that these three approaches to territory inform three distinct domains of territoriality: legibility and surveillance; ordering and classification; and exclusion and inclusion. Through examples of how plants operate in these three domains, we illustrate the analytical potential that a more-than-human approach to territory provides. We conclude, however, that attention to the particularities of plant ecologies can help move multispecies discussions more firmly into the realm of the political economic.\n
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\n \n\n \n \n \n \n \n Rootedness: The Ramifications of a Metaphor.\n \n \n \n\n\n \n Wampole, C.\n\n\n \n\n\n\n University of Chicago Press, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n  \n 2015\n \n \n (32)\n \n \n
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\n \n\n \n \n \n \n \n Quand l’esprit vient aux plantes: Botanique sensible et subversion libertine (XVIe-XVIIe siècles).\n \n \n \n\n\n \n Brancher, D.\n\n\n \n\n\n\n Librairie Droz, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Quand l’esprit vient aux plantes: Botanique sensible et subversion libertine (XVIe-XVIIe siècles)},\n type = {book},\n year = {2015},\n publisher = {Librairie Droz},\n city = {Genéve},\n id = {ecc93360-59d8-34fa-a9f5-4b2670edbf60},\n created = {2021-04-02T00:00:27.761Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:27.761Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Brancher, Dominique}\n}
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\n \n\n \n \n \n \n \n The Good Gardener? Nature, Humanity and the Garden.\n \n \n \n\n\n \n Giesecke, A.; and Jacobs, N.,\n editors.\n \n\n\n \n\n\n\n Artifice Press, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Good Gardener? Nature, Humanity and the Garden},\n type = {book},\n year = {2015},\n publisher = {Artifice Press},\n city = {London},\n id = {56aec095-1cb3-3c5e-8b3d-db566469921b},\n created = {2021-04-02T00:00:41.367Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:30:34.217Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {"The Good Gardener? Nature, Humanity, and the Garden" illuminates both the foundations and after-effects of humanity's deep-rooted impulse to manipulate the natural environment and create garden spaces of diverse kinds. Gardens range from subsistence plots to sites of philosophical speculation, refuge, and self-expression. Gardens may serve as projections of personal or national identity. They may result from individual or collective enterprises. They may shape the fabric of the dwelling house or city. They may be real or imagined, literary constructs or visions of paradise rendered in paint. Some result from a delicate negotiation between creator and medium. Others, in turn, readily reveal the underlying paradox of every garden's creation: the garden, so often viewed as a kinder, gentler, 'second nature,' results from violence done to what was once wilderness. Designed as a companion volume to Earth Perfect? Nature, Utopia, and the Garden, this richly illustrated collection of provocative essays is edited by Annette Giesecke, Professor of Classics at the University of Delaware, and Naomi Jacobs, Professor of English at the University of Maine. Contributors to this wide-ranging volume include photographer Margaret Morton, landscape ethicist Rick Darke, philosopher David Cooper, environmental journalist Emma Marris, and food historian William Rubel.},\n bibtype = {book},\n author = {},\n editor = {Giesecke, Annette and Jacobs, Naomi}\n}
\n
\n\n\n
\n \"The Good Gardener? Nature, Humanity, and the Garden\" illuminates both the foundations and after-effects of humanity's deep-rooted impulse to manipulate the natural environment and create garden spaces of diverse kinds. Gardens range from subsistence plots to sites of philosophical speculation, refuge, and self-expression. Gardens may serve as projections of personal or national identity. They may result from individual or collective enterprises. They may shape the fabric of the dwelling house or city. They may be real or imagined, literary constructs or visions of paradise rendered in paint. Some result from a delicate negotiation between creator and medium. Others, in turn, readily reveal the underlying paradox of every garden's creation: the garden, so often viewed as a kinder, gentler, 'second nature,' results from violence done to what was once wilderness. Designed as a companion volume to Earth Perfect? Nature, Utopia, and the Garden, this richly illustrated collection of provocative essays is edited by Annette Giesecke, Professor of Classics at the University of Delaware, and Naomi Jacobs, Professor of English at the University of Maine. Contributors to this wide-ranging volume include photographer Margaret Morton, landscape ethicist Rick Darke, philosopher David Cooper, environmental journalist Emma Marris, and food historian William Rubel.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Weeds.\n \n \n \n\n\n \n Edwards, N.\n\n\n \n\n\n\n Reaktion Books, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Weeds},\n type = {book},\n year = {2015},\n publisher = {Reaktion Books},\n city = {London},\n id = {cf031ee4-0f77-3e32-90ec-4dea98c8e9c4},\n created = {2021-04-02T00:01:06.546Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:06.546Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {We spray them, pluck them and bury them under mulch, and we curse their resilience when they spring back into place. To most of us, weeds can seem nothing more than intruders in gardens, farms and city streets. They spring up unwanted and are hastily removed without a second thought. Superweeds are characterized as malevolent trespassers, intent on destroying humanity’s carefully cultivated allotments and trails. But the idea of the weed is a slippery one, constantly changing according to different needs, fashions and contexts. In a well-ordered field of corn, a scarlet poppy is a bright red intruder, but in other parts of the world it is an important cultural symbol, a potent and lucrative pharmaceutical source, or simply a beautiful ornament. Fat hen, which today we consider a pest, was in Neolithic times a staple crop, its seeds an important source of nutrition. Weeds sketches the history of the fashions and attitudes that have shaped our fields and gardens, showing that what we keep out of them is just as fascinating as what we put in.},\n bibtype = {book},\n author = {Edwards, Nina}\n}
\n
\n\n\n
\n We spray them, pluck them and bury them under mulch, and we curse their resilience when they spring back into place. To most of us, weeds can seem nothing more than intruders in gardens, farms and city streets. They spring up unwanted and are hastily removed without a second thought. Superweeds are characterized as malevolent trespassers, intent on destroying humanity’s carefully cultivated allotments and trails. But the idea of the weed is a slippery one, constantly changing according to different needs, fashions and contexts. In a well-ordered field of corn, a scarlet poppy is a bright red intruder, but in other parts of the world it is an important cultural symbol, a potent and lucrative pharmaceutical source, or simply a beautiful ornament. Fat hen, which today we consider a pest, was in Neolithic times a staple crop, its seeds an important source of nutrition. Weeds sketches the history of the fashions and attitudes that have shaped our fields and gardens, showing that what we keep out of them is just as fascinating as what we put in.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Ethics and Form in Fantasy Literature: Tolkien, Rowling and Meyer.\n \n \n \n\n\n \n Guanio-Uluru, L.\n\n\n \n\n\n\n Palgrave Macmillan, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n About Trees.\n \n \n \n\n\n \n Holten, K.\n\n\n \n\n\n\n Broken Dimanche Press, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {About Trees},\n type = {book},\n year = {2015},\n publisher = {Broken Dimanche Press},\n city = {Berlin},\n id = {a8221667-7cc6-3219-9f82-ddc70c16b9a5},\n created = {2021-04-02T00:02:11.781Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:11.781Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {In ABOUT TREES, Katie Holten invites us to enter some of these forests. She has created a Tree Alphabet and used it to translate a compendium of well known, loved, lost and new writing. She takes readers on a journey from ‘primeval atoms’ and cave paintings to the death of a 3,500 year-old cypress tree, from Tree Clocks in Mongolia and forest fragments in the Amazon to Emerson’s language of fossil poetry, unearthing a grove of beautiful stories along the way.},\n bibtype = {book},\n author = {Holten, Katie}\n}
\n
\n\n\n
\n In ABOUT TREES, Katie Holten invites us to enter some of these forests. She has created a Tree Alphabet and used it to translate a compendium of well known, loved, lost and new writing. She takes readers on a journey from ‘primeval atoms’ and cave paintings to the death of a 3,500 year-old cypress tree, from Tree Clocks in Mongolia and forest fragments in the Amazon to Emerson’s language of fossil poetry, unearthing a grove of beautiful stories along the way.\n
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\n \n\n \n \n \n \n \n Plant Publics: Multispecies Relating in Spanish Botanical Gardens.\n \n \n \n\n\n \n Hartigan Jr., J.\n\n\n \n\n\n\n Anthropological Quarterly, 88(2): 481-507. 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins.\n \n \n \n\n\n \n Tsing Lowenhaupt, A.\n\n\n \n\n\n\n Princeton University Press, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n Staging the Knowledge of Plants: Goethe’s Elegy 'The Metamorphosis of Plants'.\n \n \n \n \n\n\n \n Bies, M.\n\n\n \n\n\n\n In Dupree, M., H.; and Franzel, S., B., editor(s), Performing Knowledge, 1750-1850, pages 247-267, 2015. De Gruyter\n \n\n\n\n
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\n 
@inproceedings{\n title = {Staging the Knowledge of Plants: Goethe’s Elegy 'The Metamorphosis of Plants'},\n type = {inproceedings},\n year = {2015},\n pages = {247-267},\n websites = {https://www.degruyter.com/view/product/447868},\n publisher = {De Gruyter},\n city = {Berlin, Boston},\n id = {fd2b44c0-0b97-35f1-abfc-5452ceaa4d4d},\n created = {2021-04-02T00:03:50.147Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:50.147Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Bies, Michael},\n editor = {Dupree, Mary Helen and Franzel, Sean B.},\n booktitle = {Performing Knowledge, 1750-1850}\n}
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\n \n\n \n \n \n \n \n \n Pilze.\n \n \n \n \n\n\n \n Fabre, J.\n\n\n \n\n\n\n Matthes & Seitz, 2015.\n \n\n\n\n
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\n 
@book{\n title = {Pilze},\n type = {book},\n year = {2015},\n websites = {https://www.matthes-seitz-berlin.de/buch/pilze.html},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n id = {22bc97ba-3bfd-39c5-91af-a0ea3cfc4d3c},\n created = {2021-04-02T00:03:58.377Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:58.377Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Translated from the French by Thomas Schestag},\n bibtype = {book},\n author = {Fabre, Jean-Henri},\n editor = {Schalansky, Judith}\n}
\n
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\n Translated from the French by Thomas Schestag\n
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\n \n\n \n \n \n \n \n \n 'A Very Striking Parasite': The Cultural History of the Christmas Tree.\n \n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Griffith Review, (47): 191-199. 2015.\n \n\n\n\n
\n\n\n\n \n \n \"'AWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {'A Very Striking Parasite': The Cultural History of the Christmas Tree},\n type = {article},\n year = {2015},\n pages = {191-199},\n websites = {https://griffithreview.com/articles/striking-parasite/},\n id = {5dd2cfb0-c0fa-3008-adec-0c7510e100bd},\n created = {2021-04-02T00:04:14.821Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:14.821Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n journal = {Griffith Review},\n number = {47}\n}
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\n \n\n \n \n \n \n \n \n The Sentience of Plants: Toward a New Regime of Plant Rights, or the Intersection of Animal Rights and Rights of Nature?.\n \n \n \n \n\n\n \n Pelizzon, A.; and Gagliano, M.\n\n\n \n\n\n\n AAPLJ, 11: 5-13. 2015.\n \n\n\n\n
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\n 
@article{\n title = {The Sentience of Plants: Toward a New Regime of Plant Rights, or the Intersection of Animal Rights and Rights of Nature?},\n type = {article},\n year = {2015},\n pages = {5-13},\n volume = {11},\n websites = {http://www.esalq.usp.br/lepse/imgs/conteudo_thumb/mini/The-Sentience-of-Plants---Animal-Rights-and-Rights-of-Nature-Intersecting.pdf},\n id = {14b01cc0-b64d-314c-ad47-6e6fa4dd5243},\n created = {2021-04-02T00:04:21.970Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:21.970Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Pelizzon, Alessandro and Gagliano, Monica},\n journal = {AAPLJ}\n}
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\n \n\n \n \n \n \n \n \n Breaking the Silence: Language and the Making of Meaning in Plants.\n \n \n \n \n\n\n \n Gagliano, M.; and Grimonprez, M.\n\n\n \n\n\n\n Ecopsychology, 7(3): 143-152. 2015.\n \n\n\n\n
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\n 
@article{\n title = {Breaking the Silence: Language and the Making of Meaning in Plants},\n type = {article},\n year = {2015},\n pages = {143-152},\n volume = {7},\n websites = {https://www.liebertpub.com/doi/pdfplus/10.1089/eco.2015.0023},\n id = {99c4bd8d-9dc5-3f14-83b2-d603cb6da31e},\n created = {2021-04-02T00:04:22.884Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:22.884Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gagliano, Monica and Grimonprez, Mavra},\n journal = {Ecopsychology},\n number = {3}\n}
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\n \n\n \n \n \n \n \n \n Das Leben der Mächtigen: Reisen zu alten Bäumen.\n \n \n \n \n\n\n \n Del Buono, Z.\n\n\n \n\n\n\n Matthes & Seitz, 2015.\n \n\n\n\n
\n\n\n\n \n \n \"DasWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Das Leben der Mächtigen: Reisen zu alten Bäumen},\n type = {book},\n year = {2015},\n websites = {https://www.matthes-seitz-berlin.de/buch/das-leben-der-maechtigen.html},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n id = {a4d098dc-8189-39d6-8472-1d061a6d0109},\n created = {2021-04-02T00:04:39.941Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:39.941Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Del Buono, Zora}\n}
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\n \n\n \n \n \n \n \n \n From Feminized Flora to Floral Feminism: Gender Representation and Botany.\n \n \n \n \n\n\n \n McLeod, K.\n\n\n \n\n\n\n 8 2015.\n \n\n\n\n
\n\n\n\n \n \n \"FromWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {From Feminized Flora to Floral Feminism: Gender Representation and Botany},\n type = {misc},\n year = {2015},\n source = {New Mind's Eye},\n websites = {https://newmindseye.wordpress.com/2015/08/29/from-feminized-flora-to-floral-feminism-gender-representation-and-botany/},\n month = {8},\n id = {b14ccc0b-b8b2-32f8-9bcc-434954617b01},\n created = {2021-04-02T00:05:12.811Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:12.811Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {McLeod, Kelly}\n}
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\n \n\n \n \n \n \n \n Ecocriticism: Eine Einführung.\n \n \n \n\n\n \n Dürbeck Gabriele; and Stobbe, U.\n\n\n \n\n\n\n Boehlau, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Ecocriticism: Eine Einführung},\n type = {book},\n year = {2015},\n publisher = {Boehlau},\n city = {Vienna},\n id = {030b4058-834b-3e4a-add1-add559b0f535},\n created = {2021-04-05T16:36:39.033Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:39.033Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Dürbeck Gabriele, undefined and Stobbe, Urte}\n}
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\n \n\n \n \n \n \n \n Planning the Greenspaces of Nineteenth-Century Paris.\n \n \n \n\n\n \n Hopkins, R., S.\n\n\n \n\n\n\n Louisiana State University Press, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Planning the Greenspaces of Nineteenth-Century Paris},\n type = {book},\n year = {2015},\n publisher = {Louisiana State University Press},\n city = {Baton Rouge},\n id = {f2e86e7a-fc90-3af7-84a4-1c6caf5138fc},\n created = {2021-04-05T16:37:00.815Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:00.815Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Hopkins, Richard S}\n}
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\n \n\n \n \n \n \n \n Posthuman Plants: Rethinking the Vegetal Through Culture, Art, and Poetry.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Common Ground Publishing, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Posthuman Plants: Rethinking the Vegetal Through Culture, Art, and Poetry},\n type = {book},\n year = {2015},\n publisher = {Common Ground Publishing},\n city = {Champaign},\n id = {813c3f51-8362-3f4c-af7e-058b04926b8d},\n created = {2021-04-05T16:37:13.410Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:13.410Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ryan, John Charles}\n}
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\n \n\n \n \n \n \n \n Animal, Vegetable, Mineral? How Eighteenth-Century Science Disrupted the Natural Order.\n \n \n \n\n\n \n Gibson, S.\n\n\n \n\n\n\n Oxford University Press, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Animal, Vegetable, Mineral? How Eighteenth-Century Science Disrupted the Natural Order},\n type = {book},\n year = {2015},\n publisher = {Oxford University Press},\n city = {Oxford},\n id = {7745c6ca-857d-33af-8338-0b1f4732c5be},\n created = {2021-04-05T16:37:18.506Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:18.506Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Gibson, Susannah}\n}
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\n \n\n \n \n \n \n \n \n Amplifying the Gaps between Climate Science and Forest Policy: The Write2Know Project and Participatory Dissent.\n \n \n \n \n\n\n \n Myers, N.\n\n\n \n\n\n\n Canada Watch,18-21. 2015.\n \n\n\n\n
\n\n\n\n \n \n \"AmplifyingWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Amplifying the Gaps between Climate Science and Forest Policy: The Write2Know Project and Participatory Dissent},\n type = {article},\n year = {2015},\n pages = {18-21},\n websites = {https://politicsofevidence.files.wordpress.com/2014/12/cw_fall2015_final.pdf},\n id = {090925a5-563d-3447-adb4-ad32ec9e1d0c},\n created = {2021-04-05T16:37:47.167Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:47.167Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Myers, Natasha},\n journal = {Canada Watch}\n}
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\n \n\n \n \n \n \n \n \n Edenic Apocalypse: A Photo Essay on Singapore's End-of-Time Botanical Tourism.\n \n \n \n \n\n\n \n Myers, N.\n\n\n \n\n\n\n In Davis, H.; and Turpin, E., editor(s), Art in the Anthropocene, pages 31-42, 2015. Open Humanities Press\n \n\n\n\n
\n\n\n\n \n \n \"EdenicWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Edenic Apocalypse: A Photo Essay on Singapore's End-of-Time Botanical Tourism},\n type = {inproceedings},\n year = {2015},\n pages = {31-42},\n websites = {http://openhumanitiespress.org/books/download/Davis-Turpin_2015_Art-in-the-Anthropocene.pdf},\n publisher = {Open Humanities Press},\n id = {1c51d6fb-12a9-317a-94a4-1382f7c50eee},\n created = {2021-04-05T16:37:48.835Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:48.835Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Myers, Natasha},\n editor = {Davis, Heather and Turpin, Etienne},\n booktitle = {Art in the Anthropocene}\n}
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\n \n\n \n \n \n \n \n Conversations on Plant Sensing: Notes from the Field.\n \n \n \n\n\n \n Myers, N.\n\n\n \n\n\n\n NatureCulture, 3: 35-66. 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Conversations on Plant Sensing: Notes from the Field},\n type = {article},\n year = {2015},\n pages = {35-66},\n volume = {3},\n id = {bb5b62fd-0514-381e-8962-28769994e345},\n created = {2021-04-05T16:37:52.192Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:52.192Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Myers, Natasha},\n journal = {NatureCulture}\n}
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\n \n\n \n \n \n \n \n Brilliant Green: The Surprising History and Science of Plant Intelligence.\n \n \n \n\n\n \n Mancuso, S.; and Viola, A.\n\n\n \n\n\n\n Island Press, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Brilliant Green: The Surprising History and Science of Plant Intelligence},\n type = {book},\n year = {2015},\n publisher = {Island Press},\n city = {Washington, DC},\n id = {6696d57b-9f11-3338-823a-d32e71f58da2},\n created = {2021-04-05T16:38:18.344Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:18.344Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Trans. Joan Benham. },\n bibtype = {book},\n author = {Mancuso, Stefano and Viola, Alessandra}\n}
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\n Trans. Joan Benham. \n
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\n \n\n \n \n \n \n \n Lines of Flight of the Deadly Nightshade: An Enquiry into the Properties of the Magical Plant, its Literature and History.\n \n \n \n\n\n \n Carruthers, D.\n\n\n \n\n\n\n Mosaic, 48(2): 119-132. 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Lines of Flight of the Deadly Nightshade: An Enquiry into the Properties of the Magical Plant, its Literature and History},\n type = {article},\n year = {2015},\n pages = {119-132},\n volume = {48},\n id = {9cbba582-6c47-3047-a464-edeede62d18b},\n created = {2021-04-05T16:38:23.904Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:23.904Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Carruthers, David},\n journal = {Mosaic},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Plant Sensing and Communication.\n \n \n \n\n\n \n Karban, R.\n\n\n \n\n\n\n University of Chicago Press, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant Sensing and Communication},\n type = {book},\n year = {2015},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {d5f7638f-b353-30ce-9953-11fe865686b6},\n created = {2021-04-05T16:38:41.778Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:41.778Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Karban, Richard}\n}
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\n \n\n \n \n \n \n \n \n The Philosopher's Plant: An Intellectual Herbarium.\n \n \n \n \n\n\n \n Marder, M.; and Roussel, M.\n\n\n \n\n\n\n Columbia University Press, 2015.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Philosopher's Plant: An Intellectual Herbarium},\n type = {book},\n year = {2015},\n websites = {http://dx.doi.org/10.7312/columbia/9780231169035.001.0001},\n publisher = {Columbia University Press},\n city = {New York, NY},\n id = {423a0526-f755-31d1-844d-bf89e6327b96},\n created = {2021-04-05T16:39:02.815Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:02.815Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {ELEC},\n language = {English},\n private_publication = {false},\n abstract = {Despite their conceptual allergy to vegetal life, philosophers have used germination, growth, blossoming, fruition, reproduction, and decay as illustrations of abstract concepts; mentioned plants in passing as the natural backdrops for dialogues, letters, and other compositions; spun elaborate allegories out of flowers, trees, and even grass; and recommended appropriate medicinal, dietary, and aesthetic approaches to select species of plants. This book illuminates the vegetal centerpieces and hidden kernels that have powered theoretical discourse for centuries. Choosing twelve botanical specimens that correspond to twelve significant philosophers, it recasts the development of philosophy through the evolution of human and plant relations.},\n bibtype = {book},\n author = {Marder, Michael and Roussel, Mathilde}\n}
\n
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\n Despite their conceptual allergy to vegetal life, philosophers have used germination, growth, blossoming, fruition, reproduction, and decay as illustrations of abstract concepts; mentioned plants in passing as the natural backdrops for dialogues, letters, and other compositions; spun elaborate allegories out of flowers, trees, and even grass; and recommended appropriate medicinal, dietary, and aesthetic approaches to select species of plants. This book illuminates the vegetal centerpieces and hidden kernels that have powered theoretical discourse for centuries. Choosing twelve botanical specimens that correspond to twelve significant philosophers, it recasts the development of philosophy through the evolution of human and plant relations.\n
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\n \n\n \n \n \n \n \n Deleuze and Critical Plant Studies.\n \n \n \n\n\n \n Stark, H.\n\n\n \n\n\n\n In Deleuze and the Non/Human, pages 180-196, 2015. Palgrave Macmillan\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Deleuze and Critical Plant Studies},\n type = {inproceedings},\n year = {2015},\n pages = {180-196},\n publisher = {Palgrave Macmillan},\n city = {London},\n chapter = {10},\n id = {04b816fa-ac06-34c0-bdb6-1c08906839bf},\n created = {2021-04-05T16:39:09.492Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:09.492Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Stark, Hannah},\n doi = {10.1057/9781137453693_11},\n booktitle = {Deleuze and the Non/Human}\n}
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\n \n\n \n \n \n \n \n \n 'Verbrechen wider die Natur': Oskar Panizza's First Encounter with Censorship.\n \n \n \n \n\n\n \n Jacobs, J.\n\n\n \n\n\n\n In Godela Weiss-Sussex; and Charlotte Woodford, editor(s), Protest and Reform in German Literature and Visual Culture, 1871-1918, pages 125-138, 2015. Iudicum\n \n\n\n\n
\n\n\n\n \n \n \"'VerbrechenWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {'Verbrechen wider die Natur': Oskar Panizza's First Encounter with Censorship},\n type = {inproceedings},\n year = {2015},\n pages = {125-138},\n websites = {http://www.iudicium.de/katalog/86205-402.htm},\n publisher = {Iudicum},\n id = {7969a548-fa5e-3801-9fbe-d794914c4e14},\n created = {2021-04-05T16:39:13.804Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:13.804Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Jacobs, Joela},\n editor = {Godela Weiss-Sussex, undefined and Charlotte Woodford, undefined},\n booktitle = {Protest and Reform in German Literature and Visual Culture, 1871-1918}\n}
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\n \n\n \n \n \n \n \n Rights of Nature: The Art and Politics of Earth Jurisprudence (Exhibit).\n \n \n \n\n\n \n Demos, T.\n\n\n \n\n\n\n 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {Rights of Nature: The Art and Politics of Earth Jurisprudence (Exhibit)},\n type = {misc},\n year = {2015},\n source = {Nottingham Contemporary},\n city = {Nottingham},\n id = {f0c65742-21f4-3256-b00c-f63bc11c17da},\n created = {2021-04-05T16:39:14.739Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:14.739Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {Catalogue essay},\n private_publication = {false},\n abstract = {T.J. Demos’s current work explores the intersection of visual culture, art, environmental and indigenous activism, and the recent biocentric turn in law, particularly as it relates to political ecology in the Americas. His research accompanied the preparation for Rights of Nature: Art and Ecology in the Americas, a 2015 exhibition he co-curated at Nottingham Contemporary in the U.K.},\n bibtype = {misc},\n author = {Demos, TJ}\n}
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\n T.J. Demos’s current work explores the intersection of visual culture, art, environmental and indigenous activism, and the recent biocentric turn in law, particularly as it relates to political ecology in the Americas. His research accompanied the preparation for Rights of Nature: Art and Ecology in the Americas, a 2015 exhibition he co-curated at Nottingham Contemporary in the U.K.\n
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\n \n\n \n \n \n \n \n Biophilia.\n \n \n \n\n\n \n Marley, C.\n\n\n \n\n\n\n Abrams & Chronicle Books, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Biophilia},\n type = {book},\n year = {2015},\n publisher = {Abrams & Chronicle Books},\n city = {London},\n id = {09e916bf-0cad-37ff-b810-15b65532537f},\n created = {2021-06-24T19:33:41.533Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:41.533Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Marley, Christopher}\n}
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\n \n\n \n \n \n \n \n The Reason for Flowers: Their History, Culture, Biology, and How They Change Our Lives.\n \n \n \n\n\n \n Buchmann, S.\n\n\n \n\n\n\n Scribner Books from Simon & Schuster, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Reason for Flowers: Their History, Culture, Biology, and How They Change Our Lives},\n type = {book},\n year = {2015},\n publisher = {Scribner Books from Simon & Schuster},\n city = {New York},\n id = {f040f442-9621-3928-ab54-6e3f81b09454},\n created = {2021-06-28T14:05:41.182Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:41.182Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Buchmann, Stephen}\n}
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\n \n\n \n \n \n \n \n Plant Publics: Multispecies Relating in Spanish Botanical Gardens.\n \n \n \n\n\n \n Hartigan, J.\n\n\n \n\n\n\n Anthropological Quarterly, 88(2): 481-507. 2015.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Plant Publics: Multispecies Relating in Spanish Botanical Gardens},\n type = {article},\n year = {2015},\n pages = {481-507},\n volume = {88},\n id = {01ff8873-62da-3bd3-8f1a-c8033c0ff0c1},\n created = {2021-11-24T15:12:05.939Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-24T15:12:05.939Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Hartigan, John},\n doi = {10.1353/anq.2015.0024},\n journal = {Anthropological Quarterly},\n number = {2}\n}
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\n \n\n \n \n \n \n \n \n Plant Thinking as Geo-Philosophy.\n \n \n \n \n\n\n \n Gibson, P.\n\n\n \n\n\n\n Transformations: Journal of Media and Culture, (26): 1-9. 2015.\n \n\n\n\n
\n\n\n\n \n \n \"PlantWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Plant Thinking as Geo-Philosophy},\n type = {article},\n year = {2015},\n pages = {1-9},\n websites = {http://www.transformationsjournal.org/wp-content/uploads/2016/12/Gibson_Transformations26.pdf},\n id = {db78a0dd-aa03-3ee5-9e11-f8c0508ccba9},\n created = {2022-01-27T14:08:15.795Z},\n accessed = {2022-01-27},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:15.795Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {At a time of ecological threat, artists and philosophers are increasingly turning to the plant world for information. Plant theorist Michael Marder charts the philosophy of plants and explores how human thinking is altered by encounters with the vegetal world. Janet Laurence is a major international artist who engages with plant theories and whose work references scientific research into plant learning, memory and aesthetics.\nLaurence has worked with botanists, naturalists and scientists to create new phyto-elements that become art. Her immersive and interactive installations restore balance between science and art, as she utilizes plants as metaphors, as communicators and as co-species. Through her work, a regrounding and geo-mining of nature, as articulated by geo-philosopher Ben Woodard and geo-philosopher Jussi Parikka, is possible.},\n bibtype = {article},\n author = {Gibson, Prudence},\n journal = {Transformations: Journal of Media and Culture},\n number = {26}\n}
\n
\n\n\n
\n At a time of ecological threat, artists and philosophers are increasingly turning to the plant world for information. Plant theorist Michael Marder charts the philosophy of plants and explores how human thinking is altered by encounters with the vegetal world. Janet Laurence is a major international artist who engages with plant theories and whose work references scientific research into plant learning, memory and aesthetics.\nLaurence has worked with botanists, naturalists and scientists to create new phyto-elements that become art. Her immersive and interactive installations restore balance between science and art, as she utilizes plants as metaphors, as communicators and as co-species. Through her work, a regrounding and geo-mining of nature, as articulated by geo-philosopher Ben Woodard and geo-philosopher Jussi Parikka, is possible.\n
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\n  \n 2014\n \n \n (33)\n \n \n
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\n \n\n \n \n \n \n \n The Mythology of Plants: Botanical Lore from Ancient Greece and Rome.\n \n \n \n\n\n \n Giesecke, A.\n\n\n \n\n\n\n Getty Trust Publications, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Mythology of Plants: Botanical Lore from Ancient Greece and Rome},\n type = {book},\n year = {2014},\n publisher = {Getty Trust Publications},\n city = {Los Angeles},\n id = {0d9b375c-7648-3283-8a94-fcccc7edb0e7},\n created = {2021-04-02T00:00:39.598Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:39.598Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This engaging book focuses on the perennially fascinating topic of plants in Greek and Roman myth. The author, an authority on the gardens, art, and literature of the classical world, introduces the book’s main themes with a discussion of gods and heroes in ancient Greek and Roman gardens. The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; pomegranate and apple , which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity’s most colorful mythographer.\n\nThe volume’s interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts. With an original translation of selections from Ovid’s Metamorphoses, an extensive bibliography, a useful glossary of names and places, and a rich selection of images including exquisite botanical illustrations, this book is unparalleled in scope and realization.},\n bibtype = {book},\n author = {Giesecke, Annette}\n}
\n
\n\n\n
\n This engaging book focuses on the perennially fascinating topic of plants in Greek and Roman myth. The author, an authority on the gardens, art, and literature of the classical world, introduces the book’s main themes with a discussion of gods and heroes in ancient Greek and Roman gardens. The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; pomegranate and apple , which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity’s most colorful mythographer.\n\nThe volume’s interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts. With an original translation of selections from Ovid’s Metamorphoses, an extensive bibliography, a useful glossary of names and places, and a rich selection of images including exquisite botanical illustrations, this book is unparalleled in scope and realization.\n
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\n \n\n \n \n \n \n \n Apple.\n \n \n \n\n\n \n Reiss, M.\n\n\n \n\n\n\n Reaktion Books, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Apple},\n type = {book},\n year = {2014},\n publisher = {Reaktion Books},\n city = {London},\n id = {f436f9f9-f34c-30a0-a94c-604eb9cd3c63},\n created = {2021-04-02T00:00:47.322Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:47.322Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Apples have sustained, delighted and intoxicated people throughout history. This ubiquitous fruit has always been more than something to eat or drink; it is planted deep within the myths, religion and art of almost every culture. Icon of beauty, desire and sin, of wholesome country harvests, healthy eating and hidden poison, the apple is a symbol, recognized as readily as a brand of computers and a record label as it is on supermarket shelves. One of the most widely distributed fruits on the planet, spread by man, beast and bug over millions of years, today’s apples originated in the mountains of Central Asia and journeyed along the Silk Road to Europe and the New World. From the days of Charlemagne to Johnny Appleseed and the colonization of South Africa, settlers were required to plant apple orchards, leading to the development of new towns. The fruit figured in the politics of expansion and the displacement of Native Americans on the American frontier; once a seasonal fixture of every small farm, the apple is now a global commodity, produced, packaged and distributed as a mass-market item.},\n bibtype = {book},\n author = {Reiss, Marcia}\n}
\n
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\n Apples have sustained, delighted and intoxicated people throughout history. This ubiquitous fruit has always been more than something to eat or drink; it is planted deep within the myths, religion and art of almost every culture. Icon of beauty, desire and sin, of wholesome country harvests, healthy eating and hidden poison, the apple is a symbol, recognized as readily as a brand of computers and a record label as it is on supermarket shelves. One of the most widely distributed fruits on the planet, spread by man, beast and bug over millions of years, today’s apples originated in the mountains of Central Asia and journeyed along the Silk Road to Europe and the New World. From the days of Charlemagne to Johnny Appleseed and the colonization of South Africa, settlers were required to plant apple orchards, leading to the development of new towns. The fruit figured in the politics of expansion and the displacement of Native Americans on the American frontier; once a seasonal fixture of every small farm, the apple is now a global commodity, produced, packaged and distributed as a mass-market item.\n
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\n \n\n \n \n \n \n \n Cannabis.\n \n \n \n\n\n \n Duvall, C.\n\n\n \n\n\n\n Reaktion Books, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Cannabis},\n type = {book},\n year = {2014},\n publisher = {Reaktion Books},\n city = {London},\n id = {b3791af7-7719-3d99-a809-845392a40f84},\n created = {2021-04-02T00:00:51.879Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:51.879Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Cannabis, one of humanity’s first domesticated plants, has been utilized for spiritual, therapeutic, recreational and even punitive reasons for thousands of years. Humans have excellent practical knowledge of the uses of cannabis, yet limited understanding of its sociocultural consequences, past or present, due to its widespread prohibition. In "Cannabis" Chris Duvall explores the cultural history and geography of humanity’s most widely distributed crop, which supplies both hemp and marijuana. This book focuses on the plant’s currently most valuable product, the psychoactive drug marijuana, and at the same time provides a global view of the plant, with coverage of little-studied regions including Africa and Australia. "Cannabis" also covers the history of hemp and its use as a fibre source for ropes and textiles, as a source of edible hempseeds and as a source of industrial oil for paints and fuel. This book does not advocate either the prohibition or legalization of the drug but challenges received wisdom on both sides of the debate. Cannabis explores and analyses a wide range of sources to provide a better understanding of its current prohibition, as well as of the diversity of human–cannabis relationships across the globe. This, the author argues, is necessary to redress the oversimplistic portrayals of marijuana and hemp that have dominated discourse on the subject, and ultimately to improve how the crop is managed worldwide. This highly accessible, richly illustrated volume is an essential read given rapidly evolving debates about legality and in light of changes in the criminalization of marijuana in Uruguay, some U.S. states and other jurisdictions worldwide.},\n bibtype = {book},\n author = {Duvall, Chris}\n}
\n
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\n Cannabis, one of humanity’s first domesticated plants, has been utilized for spiritual, therapeutic, recreational and even punitive reasons for thousands of years. Humans have excellent practical knowledge of the uses of cannabis, yet limited understanding of its sociocultural consequences, past or present, due to its widespread prohibition. In \"Cannabis\" Chris Duvall explores the cultural history and geography of humanity’s most widely distributed crop, which supplies both hemp and marijuana. This book focuses on the plant’s currently most valuable product, the psychoactive drug marijuana, and at the same time provides a global view of the plant, with coverage of little-studied regions including Africa and Australia. \"Cannabis\" also covers the history of hemp and its use as a fibre source for ropes and textiles, as a source of edible hempseeds and as a source of industrial oil for paints and fuel. This book does not advocate either the prohibition or legalization of the drug but challenges received wisdom on both sides of the debate. Cannabis explores and analyses a wide range of sources to provide a better understanding of its current prohibition, as well as of the diversity of human–cannabis relationships across the globe. This, the author argues, is necessary to redress the oversimplistic portrayals of marijuana and hemp that have dominated discourse on the subject, and ultimately to improve how the crop is managed worldwide. This highly accessible, richly illustrated volume is an essential read given rapidly evolving debates about legality and in light of changes in the criminalization of marijuana in Uruguay, some U.S. states and other jurisdictions worldwide.\n
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\n \n\n \n \n \n \n \n Grasses.\n \n \n \n\n\n \n Harris, S., A.\n\n\n \n\n\n\n Reaktion Books, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Grasses},\n type = {book},\n year = {2014},\n publisher = {Reaktion Books},\n city = {London},\n id = {bb6b29e7-0ad0-366e-aba7-9b0b77d926d4},\n created = {2021-04-02T00:00:56.435Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:56.435Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {"Grasses" cover approximately one-quarter of the planet’s land surface; four species – wheat, rice, maize and sugar – provide 60 per cent of human calorie intake. Almost all of us at some point play on, relax on, plant, tend or harvest grasses for our own pleasure or sustenance, yet for all that their importance to us is not commonly understood. It is predicted that by 2050 the world’s population will be approximately 9 billion, and 90 per cent of the planet’s land area will be affected by human activities. To feed ourselves we will be more dependent on grasses than ever before. "Grasses" explains the history of our relationship with these humble yet vital plants from the end of the last Ice Age to the present day. Perhaps more than any other plant, grasses show the effects of human influence: farmed on a massive scale, they are the ultimate staple crop. In turn we are also influenced by grasses, often fighting to preserve our ‘green space’ and public parks. Stephen Harris describes this relationship against the background of our heightened awareness of climate change: in the future we will have to balance our needs of grass as food, grass as living space and potentially even grass as fuel. Mixing biology, sociology and cultural history, "Grasses" provides us with arguably the fullest exploration yet of what grasses mean and have meant: their profound importance to our survival but also to our pleasure, our diets and our minds. Featuring numerous botanical images as well as many fine examples from art and popular culture, "Grasses" is a must-have for gardeners, food lovers and environmentalists alike.},\n bibtype = {book},\n author = {Harris, Stephen A.}\n}
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\n \"Grasses\" cover approximately one-quarter of the planet’s land surface; four species – wheat, rice, maize and sugar – provide 60 per cent of human calorie intake. Almost all of us at some point play on, relax on, plant, tend or harvest grasses for our own pleasure or sustenance, yet for all that their importance to us is not commonly understood. It is predicted that by 2050 the world’s population will be approximately 9 billion, and 90 per cent of the planet’s land area will be affected by human activities. To feed ourselves we will be more dependent on grasses than ever before. \"Grasses\" explains the history of our relationship with these humble yet vital plants from the end of the last Ice Age to the present day. Perhaps more than any other plant, grasses show the effects of human influence: farmed on a massive scale, they are the ultimate staple crop. In turn we are also influenced by grasses, often fighting to preserve our ‘green space’ and public parks. Stephen Harris describes this relationship against the background of our heightened awareness of climate change: in the future we will have to balance our needs of grass as food, grass as living space and potentially even grass as fuel. Mixing biology, sociology and cultural history, \"Grasses\" provides us with arguably the fullest exploration yet of what grasses mean and have meant: their profound importance to our survival but also to our pleasure, our diets and our minds. Featuring numerous botanical images as well as many fine examples from art and popular culture, \"Grasses\" is a must-have for gardeners, food lovers and environmentalists alike.\n
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\n \n\n \n \n \n \n \n Willow.\n \n \n \n\n\n \n Syme, A.\n\n\n \n\n\n\n Reaktion Books, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Willow},\n type = {book},\n year = {2014},\n publisher = {Reaktion Books},\n city = {London},\n id = {f792104d-4c79-3ea3-b80c-1e922a126534},\n created = {2021-04-02T00:01:08.119Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:08.119Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Haunters of waterways and hedgerow guardians; jewels of the garden and common companions in the fields: willows are at once the most poetic and practical of plants. For millennia they have played a key role in cultures across the northern hemisphere, forming baskets, furniture, fences and walls; treating illnesses; and appearing in Monet’s paintings, Shakespeare’s tragedies and The Lord of the Rings. The genus Salix is now increasingly used for soil stabilization and biofuel, highlighting willows’ continued importance in the present day. Willow tells the rich tale of this many-sided plant, exploring its presence in literature, art and human history. Linked with life and death, grief and joy, toil and play, necessity and ornament, the willow has, in different times and places, functioned as a mirror of and participant in almost every facet of human existence. Although willows have been put to manifold practical uses, we must also heed their poetic lessons: willows have much to teach us about living, dying, loving, hybridizing and enriching our world, and protecting the environment.

 This well-illustrated book leads us from Monet’s willows to Tang poetry, and from uses in medicine to environmental protection, in a seamless account of the special place these trees hold in world culture. Willow will appeal to anyone interested in gardens, the environment or the cultural history of plants.},\n bibtype = {book},\n author = {Syme, Alison}\n}
\n
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\n Haunters of waterways and hedgerow guardians; jewels of the garden and common companions in the fields: willows are at once the most poetic and practical of plants. For millennia they have played a key role in cultures across the northern hemisphere, forming baskets, furniture, fences and walls; treating illnesses; and appearing in Monet’s paintings, Shakespeare’s tragedies and The Lord of the Rings. The genus Salix is now increasingly used for soil stabilization and biofuel, highlighting willows’ continued importance in the present day. Willow tells the rich tale of this many-sided plant, exploring its presence in literature, art and human history. Linked with life and death, grief and joy, toil and play, necessity and ornament, the willow has, in different times and places, functioned as a mirror of and participant in almost every facet of human existence. Although willows have been put to manifold practical uses, we must also heed their poetic lessons: willows have much to teach us about living, dying, loving, hybridizing and enriching our world, and protecting the environment.

 This well-illustrated book leads us from Monet’s willows to Tang poetry, and from uses in medicine to environmental protection, in a seamless account of the special place these trees hold in world culture. Willow will appeal to anyone interested in gardens, the environment or the cultural history of plants.\n
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\n \n\n \n \n \n \n \n The Machine in the Indigenous Garden: Leslie Marmon Silko’s 'Gardens in the Dunes'.\n \n \n \n\n\n \n Grewe-Volpp, C.\n\n\n \n\n\n\n In Erbacher, E.; Maruo-Schröder, N.; and Sedlmeier, F., editor(s), Rereading the Machine in the Garden: Nature and Technology in American Culture, pages 146-166, 2014. Campus\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {The Machine in the Indigenous Garden: Leslie Marmon Silko’s 'Gardens in the Dunes'},\n type = {inproceedings},\n year = {2014},\n pages = {146-166},\n publisher = {Campus},\n city = {Frankfurt/New York City},\n id = {a5579a0a-605b-3985-a487-1e4e1746e469},\n created = {2021-04-02T00:01:49.571Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:49.571Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Grewe-Volpp, Christa},\n editor = {Erbacher, Eric and Maruo-Schröder, Nicole and Sedlmeier, Florian},\n booktitle = {Rereading the Machine in the Garden: Nature and Technology in American Culture}\n}
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\n \n\n \n \n \n \n \n Linnaeus' Restless System: Translation as Textual Engineering in Eighteenth- Century Botany.\n \n \n \n\n\n \n Dietz, B.\n\n\n \n\n\n\n Annals of Science, 73(2): 143-156. 2014.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Linnaeus' Restless System: Translation as Textual Engineering in Eighteenth- Century Botany},\n type = {article},\n year = {2014},\n pages = {143-156},\n volume = {73},\n id = {71b28d87-e124-3b2f-8bd0-cc26db98aa74},\n created = {2021-04-02T00:02:07.099Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:07.099Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Dietz, Bettina},\n doi = {10.1080/00033790.2014.929742},\n journal = {Annals of Science},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Free Falling: An Arboreal Novel.\n \n \n \n\n\n \n Tresselt, A.\n\n\n \n\n\n\n Wheatmark, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Free Falling: An Arboreal Novel},\n type = {book},\n year = {2014},\n publisher = {Wheatmark},\n city = {Tucson, AZ},\n id = {48409984-8950-35de-8a09-9aac5e73f2f8},\n created = {2021-04-02T00:02:34.901Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:34.901Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {A small group of ecoterrorists storms a Pacific Northwest logging site. Equipment is vandalized, buildings broken into, and a surprise discovery is made by one member of the group; one that could solve all his current problems. Day one of the International Tree Climbing Championship winds to a close. Fifty-six men and women climbers have given their best in the preliminaries. The final climber in the work climb event begins his run. A past champion and flamboyant personality, all eyes are watching him. Unexpectedly, his rope parts and he plunges to his death mid-swing ... Mike Duncan, climber, arborist, and former Special Forces solider, watches the climber plummet to earth from his perch high in the tree. Later, after the crowd disperses, Mike, as the event's head technician, ascends the work climb tree. There, high in the canopy, he makes a discovery of his own ... From city parks to the back corners of bars to the primeval old growth forests of the Pacific Northwest, Free Falling takes readers into the intricacies of competitive tree climbers, arborists, and the niche world they inhabit. Simple curiosity, ingrained determination, and an inability to let well enough alone leads Mike Duncan down a path of discovery. A path leading to questions best not asked, with answers that once gained, nobody wants.},\n bibtype = {book},\n author = {Tresselt, Anthony}\n}
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\n\n\n
\n A small group of ecoterrorists storms a Pacific Northwest logging site. Equipment is vandalized, buildings broken into, and a surprise discovery is made by one member of the group; one that could solve all his current problems. Day one of the International Tree Climbing Championship winds to a close. Fifty-six men and women climbers have given their best in the preliminaries. The final climber in the work climb event begins his run. A past champion and flamboyant personality, all eyes are watching him. Unexpectedly, his rope parts and he plunges to his death mid-swing ... Mike Duncan, climber, arborist, and former Special Forces solider, watches the climber plummet to earth from his perch high in the tree. Later, after the crowd disperses, Mike, as the event's head technician, ascends the work climb tree. There, high in the canopy, he makes a discovery of his own ... From city parks to the back corners of bars to the primeval old growth forests of the Pacific Northwest, Free Falling takes readers into the intricacies of competitive tree climbers, arborists, and the niche world they inhabit. Simple curiosity, ingrained determination, and an inability to let well enough alone leads Mike Duncan down a path of discovery. A path leading to questions best not asked, with answers that once gained, nobody wants.\n
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\n \n\n \n \n \n \n \n The Ash Tree.\n \n \n \n\n\n \n Rackham, O.\n\n\n \n\n\n\n Little Toller Books, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Ash Tree},\n type = {book},\n year = {2014},\n publisher = {Little Toller Books},\n city = {Dorset},\n id = {111b8ddb-52f9-38bc-9fa3-78e7b827d419},\n created = {2021-04-02T00:02:38.705Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:38.705Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Rackham, Oliver}\n}
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\n \n\n \n \n \n \n \n Plant Behaviour and Intelligence.\n \n \n \n\n\n \n Trewavas, A.\n\n\n \n\n\n\n Oxford University Press, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant Behaviour and Intelligence},\n type = {book},\n year = {2014},\n publisher = {Oxford University Press},\n city = {Oxford},\n id = {20f837cc-7165-3564-b794-e731af1bf78a},\n created = {2021-04-02T00:02:58.562Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:58.562Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Trewavas, Anthony}\n}
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\n \n\n \n \n \n \n \n Plants in Ethics: Why Flourishing Deserves Moral Respect.\n \n \n \n\n\n \n Kallhoff, A.\n\n\n \n\n\n\n Environmental Values, 23: 685-700. 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Plants in Ethics: Why Flourishing Deserves Moral Respect},\n type = {article},\n year = {2014},\n pages = {685-700},\n volume = {23},\n id = {97ec1d11-7640-3797-b0a0-337fbf6146f1},\n created = {2021-04-02T00:03:21.225Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:21.225Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Kallhoff, Angela},\n journal = {Environmental Values}\n}
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\n \n\n \n \n \n \n \n Carl Linnaeus's Botanical Paper Slips (1767–1773).\n \n \n \n\n\n \n Charmantier, I.; and Müller-Wille, S.\n\n\n \n\n\n\n Intellectual History Review, 24(2): 215-238. 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Carl Linnaeus's Botanical Paper Slips (1767–1773)},\n type = {article},\n year = {2014},\n keywords = {Botany,Carl,Classifi,Knowledge,Linnaeus,Scientists},\n pages = {215-238},\n volume = {24},\n publisher = {Routledge},\n id = {1bbb5bf6-191c-3d82-9f2e-77ad2fe76b41},\n created = {2021-04-02T00:03:34.248Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:34.248Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {CharmantierIsabelle2014CLbp},\n source_type = {article},\n private_publication = {false},\n bibtype = {article},\n author = {Charmantier, Isabelle and Müller-Wille, Staffan},\n journal = {Intellectual History Review},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Feeding France: New Sciences of Food, 1760-1815.\n \n \n \n\n\n \n Spary, E., C.\n\n\n \n\n\n\n of Cambridge social and cultural historiesCambridge University Press, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {Feeding France: New Sciences of Food, 1760-1815},\n type = {book},\n year = {2014},\n keywords = {Frankreich ; Lebensmittelhandel ; Lebensmittelindu},\n publisher = {Cambridge University Press},\n city = {Cambridge},\n series = {Cambridge social and cultural histories},\n id = {a87b472b-2098-3b70-8c0f-bce490326e84},\n created = {2021-04-02T00:03:41.652Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:41.652Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {SparyEmmaC2014FF:n},\n source_type = {book},\n private_publication = {false},\n bibtype = {book},\n author = {Spary, Emma C}\n}
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\n \n\n \n \n \n \n \n Beyond 'Second Animals': Making Sense of Plant Ethics.\n \n \n \n\n\n \n Pouteau, S.\n\n\n \n\n\n\n Journal of Agricultural and Environmental Ethics, 27(1): 1-25. 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Beyond 'Second Animals': Making Sense of Plant Ethics},\n type = {article},\n year = {2014},\n pages = {1-25},\n volume = {27},\n id = {4efc31f8-9ab8-3921-9eaf-50d7065bce27},\n created = {2021-04-02T00:03:46.563Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:46.563Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Pouteau, Sylvie},\n journal = {Journal of Agricultural and Environmental Ethics},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Cactaceae.\n \n \n \n\n\n \n Zander, J.\n\n\n \n\n\n\n Matthes & Seitz, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Cactaceae},\n type = {book},\n year = {2014},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n id = {9150cc6d-1e12-3ea3-a010-283baab41a4d},\n created = {2021-04-02T00:03:59.269Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:59.269Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Zander, Judith},\n editor = {Schalansky, Judith}\n}
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\n \n\n \n \n \n \n \n Carl Linnaeus, Erasmus Darwin and Anna Seward: Botanical Poetry and Female Education.\n \n \n \n\n\n \n George, S.\n\n\n \n\n\n\n Science and Education, 23(3): 673-694. 2014.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Carl Linnaeus, Erasmus Darwin and Anna Seward: Botanical Poetry and Female Education},\n type = {article},\n year = {2014},\n pages = {673-694},\n volume = {23},\n id = {d3c71666-ffc5-363d-ada7-40d625ff7476},\n created = {2021-04-02T00:04:03.258Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:03.258Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {George, Samantha},\n doi = {10.1007/s11191-014-9677-y},\n journal = {Science and Education},\n number = {3}\n}
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\n \n\n \n \n \n \n \n \n Pfaueninsel.\n \n \n \n \n\n\n \n Hettche, T.\n\n\n \n\n\n\n Kiepenheuer & Witsch, 2014.\n \n\n\n\n
\n\n\n\n \n \n \"PfaueninselWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Pfaueninsel},\n type = {book},\n year = {2014},\n websites = {https://www.amazon.de/Pfaueninsel-Roman-Thomas-Hettche/dp/3462045997},\n publisher = {Kiepenheuer & Witsch},\n city = {Cologne},\n id = {d3ad28f4-9896-307e-9ad3-c37515186f24},\n created = {2021-04-02T00:04:34.523Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:34.523Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Hettche, Thomas}\n}
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\n \n\n \n \n \n \n \n \n The Mental Life of Plants and Worms, Among Others.\n \n \n \n \n\n\n \n Sacks, O.\n\n\n \n\n\n\n The New York Review of Books. 4 2014.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Mental Life of Plants and Worms, Among Others},\n type = {article},\n year = {2014},\n websites = {http://www.nybooks.com/articles/2014/04/24/mental-life-plants-and-worms-among-others/},\n month = {4},\n id = {e4088a8c-ebbc-39c9-903c-1cc6762e8abd},\n created = {2021-04-05T16:36:17.539Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:17.539Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Sacks, Oliver},\n journal = {The New York Review of Books}\n}
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\n \n\n \n \n \n \n \n Of Green Leaf, Bird, and Flowers: Artists’ Books and the Natural World.\n \n \n \n\n\n \n Fairman, E., R.\n\n\n \n\n\n\n Yale University Press, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Of Green Leaf, Bird, and Flowers: Artists’ Books and the Natural World},\n type = {book},\n year = {2014},\n publisher = {Yale University Press},\n city = {New Haven},\n id = {08818401-1668-3f31-849f-4184b5541ec6},\n created = {2021-04-05T16:37:07.153Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:07.153Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Fairman, Elisabeth R}\n}
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\n \n\n \n \n \n \n \n \n Sensing Botanical Sensoria: A Kriya for Cultivating Your Inner Plant.\n \n \n \n \n\n\n \n Myers, N.\n\n\n \n\n\n\n 2014.\n \n\n\n\n
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\n 
@misc{\n title = {Sensing Botanical Sensoria: A Kriya for Cultivating Your Inner Plant},\n type = {misc},\n year = {2014},\n source = {Imaginative Ethnography Website},\n websites = {http://imaginativeethnography.org/imaginings/affect/sensing-botanical-sensoria/},\n id = {4177e727-fcb8-380d-93ce-f4af64b465c3},\n created = {2021-04-05T16:37:51.279Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:51.279Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Myers, Natasha}\n}
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\n \n\n \n \n \n \n \n Monstrous Plants.\n \n \n \n\n\n \n Miller, T., S.\n\n\n \n\n\n\n In Weinstock, J., editor(s), The Ashgate Encyclopedia of Literary and Cinematic Monsters, pages 470-475, 2014. Ashgate\n \n\n\n\n
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\n 
@inproceedings{\n title = {Monstrous Plants},\n type = {inproceedings},\n year = {2014},\n pages = {470-475},\n publisher = {Ashgate},\n city = {Farnham},\n id = {014465b6-79e6-36b8-b324-8b43e71eafdd},\n created = {2021-04-05T16:38:02.981Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:02.981Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Miller, T. S.},\n editor = {Weinstock, Jeffrey},\n booktitle = {The Ashgate Encyclopedia of Literary and Cinematic Monsters}\n}
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\n \n\n \n \n \n \n \n Remarkable Plants That Shape Our World.\n \n \n \n\n\n \n Bynum, H.; and Bynum, W.\n\n\n \n\n\n\n University of Chicago Press, 2014.\n \n\n\n\n
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@book{\n title = {Remarkable Plants That Shape Our World},\n type = {book},\n year = {2014},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {9f5dc888-195b-3fa2-a98e-1b4df3c22ca2},\n created = {2021-04-05T16:38:48.543Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:48.543Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bynum, Helen and Bynum, William}\n}
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\n \n\n \n \n \n \n \n Sprechende Blumen: Ein ABC der Pflanzensprache.\n \n \n \n\n\n \n Kranz, I.\n\n\n \n\n\n\n Matthes & Seitz, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Sprechende Blumen: Ein ABC der Pflanzensprache},\n type = {book},\n year = {2014},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n id = {1cb2a5d3-8429-3c95-8f63-d25415d71c3b},\n created = {2021-04-05T16:38:49.499Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:49.499Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Reihe: Naturkunden},\n bibtype = {book},\n author = {Kranz, Isabel}\n}
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\n Reihe: Naturkunden\n
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\n \n\n \n \n \n \n \n Das Wuchern der Pflanzen: Ein Florilegium des Wissens.\n \n \n \n\n\n \n Bühler, B.; and Rieger, S.\n\n\n \n\n\n\n Suhrkamp, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Das Wuchern der Pflanzen: Ein Florilegium des Wissens},\n type = {book},\n year = {2014},\n publisher = {Suhrkamp},\n city = {Frankfurt am Main},\n id = {4454e71f-d2fa-315d-b731-a73d20377986},\n created = {2021-04-05T16:39:03.941Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:03.941Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {German},\n private_publication = {false},\n bibtype = {book},\n author = {Bühler, Benjamin and Rieger, Stefan}\n}
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\n \n\n \n \n \n \n \n Goethe's Citrus, Nietzsche's Figs, and Benn's Olive: Poetic Reverie, Erotic Fantasy, and Botanic Agency.\n \n \n \n\n\n \n Kolb, M.\n\n\n \n\n\n\n Monatshefte, 106(2): 171-199. 2014.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Goethe's Citrus, Nietzsche's Figs, and Benn's Olive: Poetic Reverie, Erotic Fantasy, and Botanic Agency},\n type = {article},\n year = {2014},\n pages = {171-199},\n volume = {106},\n id = {c4173124-750f-3c52-a22b-91174b7f492e},\n created = {2021-04-05T16:39:17.241Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:17.241Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n abstract = {Against the critical backdrop of recent writings on time-honored human interactions with plants—such as Michael Pollan’s The Botany of Desire and Catherine Howell’s Flora Mirabilis—this article comparatively evaluates an intriguing spectrum of poetic-botanic intersections. With a focus on Goethe’s “Mignon’s Song” and Italian Journey, Nietzsche’s Thus Spoke Zarathustra and Ecce Homo, and Gottfried Benn’s Rönne Prose and “Creative Confession,” this essay traces the cultural history of the respective botanic genus in its relationship with imaginative texts and literary genres. While concentrating on the presence, form, and function of three botanic items in three German poets (Goethe, Nietzsche, and Benn), this article also draws on various representations of these and other plants in biblical and mythical texts, while at the same time making writers such as Dante, Shakespeare, Freud, Rilke, Wolfskehl, Pound, Eliot, Montale, Neruda, and Edna St. Vincent Millay part of a discussion that is not only invested in Mediterranean botany and Italian travel, German culture, and the poetics of yearning, but also in translation and adaptation, etymology and nomenclature, tradition and the individual talent. (MK)},\n bibtype = {article},\n author = {Kolb, Martina},\n doi = {10.1353/mon.2014.0031},\n journal = {Monatshefte},\n number = {2}\n}
\n
\n\n\n
\n Against the critical backdrop of recent writings on time-honored human interactions with plants—such as Michael Pollan’s The Botany of Desire and Catherine Howell’s Flora Mirabilis—this article comparatively evaluates an intriguing spectrum of poetic-botanic intersections. With a focus on Goethe’s “Mignon’s Song” and Italian Journey, Nietzsche’s Thus Spoke Zarathustra and Ecce Homo, and Gottfried Benn’s Rönne Prose and “Creative Confession,” this essay traces the cultural history of the respective botanic genus in its relationship with imaginative texts and literary genres. While concentrating on the presence, form, and function of three botanic items in three German poets (Goethe, Nietzsche, and Benn), this article also draws on various representations of these and other plants in biblical and mythical texts, while at the same time making writers such as Dante, Shakespeare, Freud, Rilke, Wolfskehl, Pound, Eliot, Montale, Neruda, and Edna St. Vincent Millay part of a discussion that is not only invested in Mediterranean botany and Italian travel, German culture, and the poetics of yearning, but also in translation and adaptation, etymology and nomenclature, tradition and the individual talent. (MK)\n
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\n \n\n \n \n \n \n \n Vegetal Politics: Belonging, Practices, and Places.\n \n \n \n\n\n \n Head, L.; Atchison, J.; Phillips, C.; and Buckingham, K.\n\n\n \n\n\n\n Social & Cultural Geography, 15(8). 11 2014.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Vegetal Politics: Belonging, Practices, and Places},\n type = {article},\n year = {2014},\n volume = {15},\n month = {11},\n day = {17},\n id = {d27daa16-6d62-3ed9-9c7b-925ae6c1dadc},\n created = {2021-06-21T17:21:26.575Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:35:07.668Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Head, Lesley and Atchison, Jennifer and Phillips, Catherine and Buckingham, Kathleen},\n doi = {10.1080/14649365.2014.973900},\n journal = {Social & Cultural Geography},\n number = {8}\n}
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\n \n\n \n \n \n \n \n Jenseits der Blattränder: Eine Annäherung an Pflanzen.\n \n \n \n\n\n \n Köchlin, F.\n\n\n \n\n\n\n Lenos Verlag, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Jenseits der Blattränder: Eine Annäherung an Pflanzen},\n type = {book},\n year = {2014},\n publisher = {Lenos Verlag},\n city = {Basel},\n id = {e931197b-a532-38ca-b05f-62dc9c77fb8b},\n created = {2021-06-28T14:05:37.357Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:37.357Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Köchlin, Florianne}\n}
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\n \n\n \n \n \n \n \n Give Forest Its Next Portent.\n \n \n \n\n\n \n Larkin, P.\n\n\n \n\n\n\n Shearsman Books, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Give Forest Its Next Portent},\n type = {book},\n year = {2014},\n publisher = {Shearsman Books},\n city = {Bristol},\n id = {fc32c2b2-a641-3ecc-93dc-b1a243cad1c9},\n created = {2021-11-16T23:27:53.795Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-16T23:27:53.795Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Larkin, Peter}\n}
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\n \n\n \n \n \n \n \n Pioneers in European Ethnobiology.\n \n \n \n\n\n \n Svanberg, I.; and Łuczaj, Ł.,\n editors.\n \n\n\n \n\n\n\n Uppsala Universitet, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Pioneers in European Ethnobiology},\n type = {book},\n year = {2014},\n publisher = {Uppsala Universitet},\n city = {Uppsala},\n id = {1bb52172-dd66-3829-a376-6f91ca8165bd},\n created = {2021-11-24T15:12:06.961Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-24T15:12:06.961Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Svanberg, Ingvar and Łuczaj, Łukasz}\n}
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\n \n\n \n \n \n \n \n Queering the Urban Forest: Invasions, Mutualisms, and Eco-Political Creativity with the Tree of Heaven.\n \n \n \n\n\n \n Patrick, D.\n\n\n \n\n\n\n Urban Forests, Trees, and Green Space: A Political Ecology Perspective,191-206. 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Queering the Urban Forest: Invasions, Mutualisms, and Eco-Political Creativity with the Tree of Heaven},\n type = {article},\n year = {2014},\n pages = {191-206},\n id = {dad8cf65-da63-38ea-8aae-25c99d9c306a},\n created = {2022-02-15T19:07:27.747Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-15T19:07:27.747Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {How would a tree build the city? Such a question requires us to think in a rather unconventional way about urban planning and urban ecologies, not to mention the actual or potential agency of non-human actors and forces in both of those areas. Trees do not apparently urbanize, at least not in any immediately recognizable way, unless you analogize climax forests to the dense aggregations of skyward buildings found in the downtown cores of today’s global cities. And so my question is more provocative than literal, especially because I ask it with a particular tree in mind: Ailanthus altissima. In this chapter, I take it as both an object of analysis and an opportunity for targeted intervention into some concepts and practices that circulate in urban political ecology and urban forestry. Through three empirical cases, I open some grounded conceptual questions regarding the ethics and politics of our entanglement with trees both in actual cities and in a broader context of global urbanization. Each case serves to open possibilities for critically queering practices and discourses of both academic scholarship in urban political ecology and in our everyday engagements with the urban forest, in a broad sense.},\n bibtype = {article},\n author = {Patrick, Darren},\n journal = {Urban Forests, Trees, and Green Space: A Political Ecology Perspective}\n}
\n
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\n How would a tree build the city? Such a question requires us to think in a rather unconventional way about urban planning and urban ecologies, not to mention the actual or potential agency of non-human actors and forces in both of those areas. Trees do not apparently urbanize, at least not in any immediately recognizable way, unless you analogize climax forests to the dense aggregations of skyward buildings found in the downtown cores of today’s global cities. And so my question is more provocative than literal, especially because I ask it with a particular tree in mind: Ailanthus altissima. In this chapter, I take it as both an object of analysis and an opportunity for targeted intervention into some concepts and practices that circulate in urban political ecology and urban forestry. Through three empirical cases, I open some grounded conceptual questions regarding the ethics and politics of our entanglement with trees both in actual cities and in a broader context of global urbanization. Each case serves to open possibilities for critically queering practices and discourses of both academic scholarship in urban political ecology and in our everyday engagements with the urban forest, in a broad sense.\n
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\n \n\n \n \n \n \n \n Daniela Bleichmar, Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment.\n \n \n \n\n\n \n Rappaport, J.\n\n\n \n\n\n\n The Art Bulletin, 96(2): 241-243. 4 2014.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Daniela Bleichmar, <i>Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment</i>},\n type = {article},\n year = {2014},\n pages = {241-243},\n volume = {96},\n month = {4},\n day = {3},\n id = {2244950b-741f-3ba6-ab69-aae1afe0ce41},\n created = {2024-08-05T00:18:37.636Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:18:37.636Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Rappaport, Joanne},\n doi = {10.1080/00043079.2014.899420},\n journal = {The Art Bulletin},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Trees, Woods and Forests: A Social and Cultural History.\n \n \n \n\n\n \n Watkins, C.\n\n\n \n\n\n\n Reaktion Books, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Trees, Woods and Forests: A Social and Cultural History},\n type = {book},\n year = {2014},\n publisher = {Reaktion Books},\n city = {London},\n id = {fe59e69f-ea05-31c3-ae5f-188b4415f284},\n created = {2024-08-05T01:00:17.979Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:00:17.979Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Watkins, Charles}\n}
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\n \n\n \n \n \n \n \n Botanical Decolonization: Rethinking Native Plants.\n \n \n \n\n\n \n Mastnak, T.; Elyachar, J.; and Boellstorff, T.\n\n\n \n\n\n\n Environment and Planning D: Society and Space, 32(2): 363-380. 4 2014.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Botanical Decolonization: Rethinking Native Plants},\n type = {article},\n year = {2014},\n pages = {363-380},\n volume = {32},\n month = {4},\n day = {1},\n id = {534193a6-352a-311c-94d0-4dff584861a9},\n created = {2024-08-05T01:09:57.613Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:09:57.613Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p>In this paper we use an apparently marginal topic—‘native plants’—to address two issues of concern to contemporary politics and political theory: the legacy of settler colonialism, and dilemmas of scholarship and activism in the ‘Anthropocene’. Drawing on the writings of Francis Bacon and based on a case study of California, we argue that planting and displanting humans and plants are elements of the same multispecies colonial endeavor. In contrast to those who equate native plant advocates with antiimmigrant nativism, we see native plant advocacy as part of a broad process of botanical decolonization and a strategic location for ethical action in the Anthropocene.</p>},\n bibtype = {article},\n author = {Mastnak, Tomaz and Elyachar, Julia and Boellstorff, Tom},\n doi = {10.1068/d13006p},\n journal = {Environment and Planning D: Society and Space},\n number = {2}\n}
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\n

In this paper we use an apparently marginal topic—‘native plants’—to address two issues of concern to contemporary politics and political theory: the legacy of settler colonialism, and dilemmas of scholarship and activism in the ‘Anthropocene’. Drawing on the writings of Francis Bacon and based on a case study of California, we argue that planting and displanting humans and plants are elements of the same multispecies colonial endeavor. In contrast to those who equate native plant advocates with antiimmigrant nativism, we see native plant advocacy as part of a broad process of botanical decolonization and a strategic location for ethical action in the Anthropocene.

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\n  \n 2013\n \n \n (29)\n \n \n
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\n \n\n \n \n \n \n \n Bamboo.\n \n \n \n\n\n \n Lucas, S.\n\n\n \n\n\n\n Reaktion Books, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Bamboo},\n type = {book},\n year = {2013},\n publisher = {Reaktion Books},\n city = {London},\n id = {3abbfb73-f023-3881-9e1a-444731ac9de0},\n created = {2021-04-02T00:00:48.012Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:48.012Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Bamboo has an unparalleled history; it is very old, and at the same time very new. Numerous species of bamboo are distributed widely throughout the world, and bamboo is utilized by hundreds of millions of people in a great number of ways. As well as being used in food, clothing and shelter, it is believed that the first books were written on bamboo, and there is evidence that more than 5,000 years ago it was shaped by humans into musical instruments as well as the framework of housing. Bamboo also occurs in the creation beliefs of cultures across the globe. Bamboo plays a vital role in the survival of many animals and ecosystems as well as having unique characteristics that offer potential solutions to modern ecological dilemmas – it grows extremely quickly, for example, making it an easily renewable resource. With the advent of modern research and technologies, the use of bamboo has increased dramatically – it competes with hardwoods as home flooring and can be found in the skins of aircraft and concrete reinforcements. This book draws on a vast array of sources to build a complete picture of bamboo in both history and our modern world.},\n bibtype = {book},\n author = {Lucas, Susanne}\n}
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\n Bamboo has an unparalleled history; it is very old, and at the same time very new. Numerous species of bamboo are distributed widely throughout the world, and bamboo is utilized by hundreds of millions of people in a great number of ways. As well as being used in food, clothing and shelter, it is believed that the first books were written on bamboo, and there is evidence that more than 5,000 years ago it was shaped by humans into musical instruments as well as the framework of housing. Bamboo also occurs in the creation beliefs of cultures across the globe. Bamboo plays a vital role in the survival of many animals and ecosystems as well as having unique characteristics that offer potential solutions to modern ecological dilemmas – it grows extremely quickly, for example, making it an easily renewable resource. With the advent of modern research and technologies, the use of bamboo has increased dramatically – it competes with hardwoods as home flooring and can be found in the skins of aircraft and concrete reinforcements. This book draws on a vast array of sources to build a complete picture of bamboo in both history and our modern world.\n
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\n \n\n \n \n \n \n \n Lily.\n \n \n \n\n\n \n Reis, M.\n\n\n \n\n\n\n Reaktion Books, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Lily},\n type = {book},\n year = {2013},\n publisher = {Reaktion Books},\n city = {London},\n id = {3b271d74-652e-327b-9464-bb8c5be0e9ea},\n created = {2021-04-02T00:00:57.164Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:57.164Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The lily is a flower of contradictions: it represents both life and death, appearing at weddings as well as funerals. In their pure white form, lilies are a symbol of innocence, chastity and purity of heart, but the highly fragrant and intensely coloured lilies symbolize passion. In Lily, Marcia Reiss explores these paradoxes, tracing the flower’s cultural significance in art, literature, religion and popular culture throughout history. From the tomb carvings of ancient Egypt to the paintings of Claude Monet, Georgia O’Keeffe and Salvador Dalí, the lily has been an object of fascination and obsession around the world. An exotic luxury in Western horticulture, for centuries lilies have also been a source of food and medicine in China. Whether true lilies, or the wide variety of flowers popularly known as lilies – including daylilies, lilies of the valley, water lilies and calla lilies – these flowers have featured in some of the greatest gardens in the world, from the earthly paradises of Islam to the ordered perfection of Versailles and the naturalistic fantasies of vast English estates.},\n bibtype = {book},\n author = {Reis, Marcia}\n}
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\n The lily is a flower of contradictions: it represents both life and death, appearing at weddings as well as funerals. In their pure white form, lilies are a symbol of innocence, chastity and purity of heart, but the highly fragrant and intensely coloured lilies symbolize passion. In Lily, Marcia Reiss explores these paradoxes, tracing the flower’s cultural significance in art, literature, religion and popular culture throughout history. From the tomb carvings of ancient Egypt to the paintings of Claude Monet, Georgia O’Keeffe and Salvador Dalí, the lily has been an object of fascination and obsession around the world. An exotic luxury in Western horticulture, for centuries lilies have also been a source of food and medicine in China. Whether true lilies, or the wide variety of flowers popularly known as lilies – including daylilies, lilies of the valley, water lilies and calla lilies – these flowers have featured in some of the greatest gardens in the world, from the earthly paradises of Islam to the ordered perfection of Versailles and the naturalistic fantasies of vast English estates.\n
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\n \n\n \n \n \n \n \n Pine.\n \n \n \n\n\n \n Mason, L.\n\n\n \n\n\n\n Reaktion Books, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Pine},\n type = {book},\n year = {2013},\n publisher = {Reaktion Books},\n city = {London},\n id = {96d28458-89cf-3a18-be2b-afc14c2f5797},\n created = {2021-04-02T00:01:00.364Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:00.364Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Resilient and tenacious, pine trees deserve our admiration. They have been the subjects of artists for centuries, particularly in China and Japan, where they symbolize wisdom and longevity. Pine symbolism runs deep in many cultures from East to West, from antiquity to the present: pine-cone staffs were carried by the worshippers of Bacchus in the classical world, and photographs of the majestic pine trees in the Yosemite Valley inspired the movement to establish national parks in nineteenth-century North America. The natural history of pine trees underlines their ability to survive in difficult environments, and their botany still puzzles and intrigues scientists. Their resin provided adhesives, waterproofing agents and medicines before oil derivatives and modern pharmaceuticals were developed. Their wood is ubiquitous, incorporated into buildings, furniture and paper pulp, and their cones fascinate with their complex shapes and provide pine nuts for animals and humans. Pine trees have inspired artists, writers, film-makers and photographers throughout history.},\n bibtype = {book},\n author = {Mason, Laura}\n}
\n
\n\n\n
\n Resilient and tenacious, pine trees deserve our admiration. They have been the subjects of artists for centuries, particularly in China and Japan, where they symbolize wisdom and longevity. Pine symbolism runs deep in many cultures from East to West, from antiquity to the present: pine-cone staffs were carried by the worshippers of Bacchus in the classical world, and photographs of the majestic pine trees in the Yosemite Valley inspired the movement to establish national parks in nineteenth-century North America. The natural history of pine trees underlines their ability to survive in difficult environments, and their botany still puzzles and intrigues scientists. Their resin provided adhesives, waterproofing agents and medicines before oil derivatives and modern pharmaceuticals were developed. Their wood is ubiquitous, incorporated into buildings, furniture and paper pulp, and their cones fascinate with their complex shapes and provide pine nuts for animals and humans. Pine trees have inspired artists, writers, film-makers and photographers throughout history.\n
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\n \n\n \n \n \n \n \n Yew.\n \n \n \n\n\n \n Hageneder, F.\n\n\n \n\n\n\n Reaktion Books, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Yew},\n type = {book},\n year = {2013},\n publisher = {Reaktion Books},\n city = {London},\n id = {1ffaf0e0-c6fe-36b4-8fa8-c184c0924e66},\n created = {2021-04-02T00:01:09.193Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:09.193Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Botanists around the world marvel at the unique characteristics of the yew, Europe’s most ancient species of tree. It is a ‘conifer’ without resin or cones but with juicy scarlet fruits that feed many birds and animals; it has foliage that is poisonous to livestock but which wild animals can eat; and though it has an extraordinarily low rate of photosynthesis, it can grow where other tree seedlings and plants just wither and die. The yew’s lower branches can root themselves, and it can also produce ‘interior roots’ inside a hollowing trunk, renewing itself from the inside out. It was in the Palaeolithic Era that humans were first struck by the yew’s regenerative powers and began to associate it with concepts of life and death, the afterlife and eternity. Yew trees can be found at the sacred sites of Native Americans and Buddhists, and Shinto shrines in Japan, as well as in Christian churchyards, where they became a symbol of the Resurrection. This comprehensive, richly illustrated cultural and natural history includes the latest scientific discoveries about this remarkable tree.},\n bibtype = {book},\n author = {Hageneder, Fred}\n}
\n
\n\n\n
\n Botanists around the world marvel at the unique characteristics of the yew, Europe’s most ancient species of tree. It is a ‘conifer’ without resin or cones but with juicy scarlet fruits that feed many birds and animals; it has foliage that is poisonous to livestock but which wild animals can eat; and though it has an extraordinarily low rate of photosynthesis, it can grow where other tree seedlings and plants just wither and die. The yew’s lower branches can root themselves, and it can also produce ‘interior roots’ inside a hollowing trunk, renewing itself from the inside out. It was in the Palaeolithic Era that humans were first struck by the yew’s regenerative powers and began to associate it with concepts of life and death, the afterlife and eternity. Yew trees can be found at the sacred sites of Native Americans and Buddhists, and Shinto shrines in Japan, as well as in Christian churchyards, where they became a symbol of the Resurrection. This comprehensive, richly illustrated cultural and natural history includes the latest scientific discoveries about this remarkable tree.\n
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\n \n\n \n \n \n \n \n \n Botanophobia: Fear of Plants in the Atomic Age.\n \n \n \n \n\n\n \n Wald, P.\n\n\n \n\n\n\n The Japanese Journal of American Studies, 24: 7-27. 2013.\n \n\n\n\n
\n\n\n\n \n \n \"Botanophobia:Website\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Botanophobia: Fear of Plants in the Atomic Age},\n type = {article},\n year = {2013},\n pages = {7-27},\n volume = {24},\n websites = {http://www.jaas.gr.jp/jjas/PDF/2013/01Wald.pdf},\n id = {92af11f1-605f-3967-a6c2-8bdffee31525},\n created = {2021-04-02T00:02:15.306Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:15.306Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Wald, Priscilla},\n journal = {The Japanese Journal of American Studies}\n}
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\n \n\n \n \n \n \n \n The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature.\n \n \n \n\n\n \n Brady, E.\n\n\n \n\n\n\n Cambridge University Press, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature},\n type = {book},\n year = {2013},\n publisher = {Cambridge University Press},\n city = {Cambridge},\n id = {a469d4a5-3444-3a14-8716-02c878eed6c0},\n created = {2021-04-02T00:02:59.495Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:59.495Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Brady, Emily}\n}
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\n \n\n \n \n \n \n \n \n Die Entdeckung der Natur: Etappen einer Erfahrungsgeschichte.\n \n \n \n \n\n\n \n Goldstein, J.\n\n\n \n\n\n\n Matthes & Seitz, 2013.\n \n\n\n\n
\n\n\n\n \n \n \"DieWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Die Entdeckung der Natur: Etappen einer Erfahrungsgeschichte},\n type = {book},\n year = {2013},\n websites = {https://d-nb.info/1018407413/04},\n publisher = {Matthes & Seitz},\n city = {Berlin},\n id = {a8aee60e-01bb-392f-b171-77491527b631},\n created = {2021-04-02T00:03:54.901Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:54.901Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Goldstein, Jürgen}\n}
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\n \n\n \n \n \n \n \n Should Plants Have Rights?.\n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n The Philosophers' Magazine, (62): 46-50. 2013.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Should Plants Have Rights?},\n type = {article},\n year = {2013},\n pages = {46-50},\n id = {e07d0d21-c8f6-391f-bb21-5b54f712cfb3},\n created = {2021-04-02T00:04:06.974Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:06.974Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Marder, Michael},\n doi = {10.5840/tpm20136293},\n journal = {The Philosophers' Magazine},\n number = {62}\n}
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\n \n\n \n \n \n \n \n On the Verge of Respect: Ontological and Phenomenological Investigations into Plant Ethics.\n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n Epoché: A Journal for the History of Philosophy, 18(1): 247-265. 2013.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {On the Verge of Respect: Ontological and Phenomenological Investigations into Plant Ethics},\n type = {article},\n year = {2013},\n pages = {247-265},\n volume = {18},\n id = {428a3f14-6355-3002-aff9-cd0bf305c7ef},\n created = {2021-04-02T00:04:07.908Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:07.908Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Marder, Michael},\n doi = {10.5840/epoche201318126},\n journal = {Epoché: A Journal for the History of Philosophy},\n number = {1}\n}
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\n \n\n \n \n \n \n \n A Poetic Mycology of the Senses: Four Poems on Mushrooms.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n PAN: Philosophy, Activism, Nature, 10(1): 55-66. 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {A Poetic Mycology of the Senses: Four Poems on Mushrooms},\n type = {article},\n year = {2013},\n pages = {55-66},\n volume = {10},\n id = {5d0bc5e1-14af-3954-a7df-f49ca30e259c},\n created = {2021-04-02T00:04:15.714Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:15.714Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n journal = {PAN: Philosophy, Activism, Nature},\n number = {1}\n}
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\n \n\n \n \n \n \n \n \n Stories of Snow and Fire: The Importance of Narrative to a Critically Pluralistic Environmental Aesthetic.\n \n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Humanities, 2(1): 99-118. 2013.\n \n\n\n\n
\n\n\n\n \n \n \"StoriesWebsite\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Stories of Snow and Fire: The Importance of Narrative to a Critically Pluralistic Environmental Aesthetic},\n type = {article},\n year = {2013},\n pages = {99-118},\n volume = {2},\n websites = {https://www.mdpi.com/2076-0787/2/1/99},\n id = {b901cc91-18c2-39a4-8a85-8f5bf20366ad},\n created = {2021-04-02T00:04:16.597Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:16.597Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n doi = {10.3390/h2010099},\n journal = {Humanities},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Seeing Green: The Re-discovery of Plants and Nature’s Wisdom.\n \n \n \n\n\n \n Gagliano, M.\n\n\n \n\n\n\n Societies, Special Issue: Rethinking the Vegetal: Emerging Perspectives on Plants and Society, 3(1): 147-157. 2013.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Seeing Green: The Re-discovery of Plants and Nature’s Wisdom},\n type = {article},\n year = {2013},\n pages = {147-157},\n volume = {3},\n id = {aa16622b-8488-3a4d-b7b7-6cf2058f8d11},\n created = {2021-04-02T00:04:23.898Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:23.898Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gagliano, Monica},\n doi = {https://doi.org/10.3390/soc3010147},\n journal = {Societies, Special Issue: Rethinking the Vegetal: Emerging Perspectives on Plants and Society},\n number = {1}\n}
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\n \n\n \n \n \n \n \n The Rise of the 'Life Sciences' and the Dismissal of Plant Life in the Late Eighteenth and Early Nineteenth Centuries.\n \n \n \n\n\n \n Sprang, F., C.\n\n\n \n\n\n\n In Haeckel, R.; and Blackmore, S., editor(s), Discovering the Human. Life Science and the Arts in the Eighteenth and Early Nineteenth Centuries, pages 115-138, 2013. V & R unipress\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {The Rise of the 'Life Sciences' and the Dismissal of Plant Life in the Late Eighteenth and Early Nineteenth Centuries},\n type = {inproceedings},\n year = {2013},\n pages = {115-138},\n publisher = {V & R unipress},\n city = {Göttingen},\n chapter = {II},\n id = {e8c942d8-70d5-3801-a44e-24ce35d7b5fc},\n created = {2021-04-02T00:04:48.819Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:48.819Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Sprang, Felix C.H.},\n editor = {Haeckel, Ralf and Blackmore, Sabine},\n booktitle = {Discovering the Human. Life Science and the Arts in the Eighteenth and Early Nineteenth Centuries}\n}
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\n \n\n \n \n \n \n \n Golden Age of Botanical Art.\n \n \n \n\n\n \n Rix, M.\n\n\n \n\n\n\n University of Chicago Press, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n Plant Stories.\n \n \n \n \n\n\n \n Sandilands, C.\n\n\n \n\n\n\n Environmental Humanities. 2013.\n \n\n\n\n
\n\n\n\n \n \n \"PlantWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Plant Stories},\n type = {article},\n year = {2013},\n websites = {http://environmentalhumanities.org/2013/10/01/editorial-profile-catriona-sandilands/},\n id = {9120dc59-fe6e-325d-b3ed-45979c4d3558},\n created = {2021-04-05T16:37:12.611Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:12.611Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Sandilands, Catriona},\n journal = {Environmental Humanities}\n}
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\n \n\n \n \n \n \n \n Thinking Like a Plant: A Living Science for Life.\n \n \n \n\n\n \n Holdrege, C.\n\n\n \n\n\n\n Lindisfarne, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Thinking Like a Plant: A Living Science for Life},\n type = {book},\n year = {2013},\n publisher = {Lindisfarne},\n city = {Great Barrington},\n id = {32cc4465-7ed9-327f-bd88-06ec6e95755f},\n created = {2021-04-05T16:37:16.809Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:16.809Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Holdrege, Craig}\n}
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\n \n\n \n \n \n \n \n André Michaux and French Botanical Diplomacy in the Cultural Construction of Natural History in the Atlantic World.\n \n \n \n\n\n \n Hyde, E.\n\n\n \n\n\n\n In Prince, S., A., editor(s), Of Elephants and Roses: Encounters with French Natural History, 1790-1830, 2013. American Philosophical Society Museum\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {André Michaux and French Botanical Diplomacy in the Cultural Construction of Natural History in the Atlantic World},\n type = {inproceedings},\n year = {2013},\n publisher = {American Philosophical Society Museum},\n city = {Philadelphia},\n id = {b5cca3a9-de62-3ec2-97e5-378a44d1b7eb},\n created = {2021-04-05T16:37:22.725Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:22.725Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Hyde, Elizabeth},\n editor = {Prince, Sue Anne},\n booktitle = {Of Elephants and Roses: Encounters with French Natural History, 1790-1830}\n}
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\n \n\n \n \n \n \n \n A Cultural History of Gardens in the Renaissance, 1400-1650.\n \n \n \n\n\n \n Hyde, E.\n\n\n \n\n\n\n Bloomsbury Publishing, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {A Cultural History of Gardens in the Renaissance, 1400-1650},\n type = {book},\n year = {2013},\n publisher = {Bloomsbury Publishing},\n city = {New York},\n id = {dc0b37bb-99a4-3f17-bf2d-5b2b822aba9b},\n created = {2021-04-05T16:37:26.472Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:26.472Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Hyde, Elizabeth}\n}
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\n \n\n \n \n \n \n \n Re-Reading Nature and Otherness in Chateaubriand’s Voyage en Amérique: A Case for the Biophilia Effect.\n \n \n \n\n\n \n Smart, A., K.\n\n\n \n\n\n\n Studies in Eighteenth-Century Culture, 42: 123-145. 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Re-Reading Nature and Otherness in Chateaubriand’s Voyage en Amérique: A Case for the Biophilia Effect},\n type = {article},\n year = {2013},\n pages = {123-145},\n volume = {42},\n id = {9787b503-9c56-34f8-976b-3df2caf64d53},\n created = {2021-04-05T16:37:39.512Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:39.512Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Smart, Annie K.},\n journal = {Studies in Eighteenth-Century Culture}\n}
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\n \n\n \n \n \n \n \n \n Querying Eco-logics.\n \n \n \n \n\n\n \n Buiani, R.; Caporusso, J.; Cockburn, L.; Hobbs, P.; Ladd, K.; Patrick, D.; and Schrader, A.\n\n\n \n\n\n\n 2013.\n \n\n\n\n
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\n 
@misc{\n title = {Querying Eco-logics},\n type = {misc},\n year = {2013},\n source = {Technoscience Research Unit Website},\n websites = {https://technoscienceunit.org/2015/07/24/querying-eco-logics/},\n id = {1e0fc96c-bda9-3f65-8523-a62aa8bd154f},\n created = {2021-04-05T16:37:46.315Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:46.315Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Buiani, Roberta and Caporusso, Jessica and Cockburn, Lisa and Hobbs, Peter and Ladd, Kelly and Patrick, Darren and Schrader, Astrid}\n}
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\n \n\n \n \n \n \n \n Vegetable Monsters: Man-Eating Trees in Fin-de-siècle Fiction.\n \n \n \n\n\n \n Price, C., B.\n\n\n \n\n\n\n Victorian Literature and Culture, 41(2): 311-327. 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Vegetable Monsters: Man-Eating Trees in Fin-de-siècle Fiction},\n type = {article},\n year = {2013},\n pages = {311-327},\n volume = {41},\n id = {2218c81c-dd8b-3fd7-95b7-b35c82b73acc},\n created = {2021-04-05T16:38:07.627Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:07.627Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Price, Cheryl Blake},\n journal = {Victorian Literature and Culture},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Wooden Os: Shakespeare's Theatres and England's Trees.\n \n \n \n\n\n \n Nardizzi, V.\n\n\n \n\n\n\n University of Toronto Press, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Wooden Os: Shakespeare's Theatres and England's Trees},\n type = {book},\n year = {2013},\n publisher = {University of Toronto Press},\n city = {Toronto},\n id = {344d50ac-b778-3f67-ac79-e5e28f53f12c},\n created = {2021-04-05T16:38:21.013Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:21.013Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Nardizzi, Vin}\n}
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\n \n\n \n \n \n \n \n \n Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants.\n \n \n \n \n\n\n \n Kimmerer, R., W.\n\n\n \n\n\n\n Milkweed Editions, 2013.\n \n\n\n\n
\n\n\n\n \n \n \"BraidingWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants},\n type = {book},\n year = {2013},\n websites = {https://milkweed.org/book/braiding-sweetgrass},\n publisher = {Milkweed Editions},\n city = {Minneapolis},\n id = {b94f4093-e76b-3dba-bf66-3bb3b1816b13},\n created = {2021-04-05T16:38:34.769Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:34.769Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Kimmerer, Robin Wall}\n}
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\n \n\n \n \n \n \n \n How Forests Think: Toward an Anthropology Beyond the Human.\n \n \n \n\n\n \n Kohn, E.\n\n\n \n\n\n\n University of California Press, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {How Forests Think: Toward an Anthropology Beyond the Human},\n type = {book},\n year = {2013},\n publisher = {University of California Press},\n city = {Oakland},\n id = {d4b323b2-9d97-3249-8cbf-059ef3776e3b},\n created = {2021-04-05T16:38:44.523Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:44.523Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Kohn, Eduardo}\n}
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\n \n\n \n \n \n \n \n Plants and Literature: Essays in Critical Plant Studies.\n \n \n \n\n\n \n Laist, R.\n\n\n \n\n\n\n Brill/Rodopi, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plants and Literature: Essays in Critical Plant Studies},\n type = {book},\n year = {2013},\n publisher = {Brill/Rodopi},\n city = {New York},\n id = {98d72b88-1cc8-3b42-8e2d-ab1574a0a7ed},\n created = {2021-04-05T16:38:55.038Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:55.038Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n abstract = {"Myth, art, literature, film, and other discourses are replete with depictions of evil plants, salvific plants, and human-plant hybrids. In various ways, these representations intersect with "deep-rooted" insecurities about the place of human beings in the natural world, the relative viability of animalian motility and heterotrophy as evolutionary strategies, as well as the identity of organic life as such. Plants surprise us by combining the appearance of harmlessness and familiarity with an underlying strangeness. The otherness of vegetal life poses a challenge to our ethical, philosophical, and existential categories and tests the limits of human empathy and imagination. At the same time, the resilience of plants, their adaptability, and their integration with their habitat are a perennial source of inspiration and wisdom. Plants and Literature: Essays in Critical Plant Studies examines the manner in which literary texts and other cultural products express our multifaceted relationship with the vegetable kingdom. The range of perspectives brought to bear on the subject of plant life by the various authors and critics represented in this volume comprise a novel vision of ecological interdependence and stimulate a revitalized sensitivity to the relationships we share with our photosynthetic brethren."--Amazon.com.},\n bibtype = {book},\n author = {Laist, Randy}\n}
\n
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\n \"Myth, art, literature, film, and other discourses are replete with depictions of evil plants, salvific plants, and human-plant hybrids. In various ways, these representations intersect with \"deep-rooted\" insecurities about the place of human beings in the natural world, the relative viability of animalian motility and heterotrophy as evolutionary strategies, as well as the identity of organic life as such. Plants surprise us by combining the appearance of harmlessness and familiarity with an underlying strangeness. The otherness of vegetal life poses a challenge to our ethical, philosophical, and existential categories and tests the limits of human empathy and imagination. At the same time, the resilience of plants, their adaptability, and their integration with their habitat are a perennial source of inspiration and wisdom. Plants and Literature: Essays in Critical Plant Studies examines the manner in which literary texts and other cultural products express our multifaceted relationship with the vegetable kingdom. The range of perspectives brought to bear on the subject of plant life by the various authors and critics represented in this volume comprise a novel vision of ecological interdependence and stimulate a revitalized sensitivity to the relationships we share with our photosynthetic brethren.\"--Amazon.com.\n
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\n \n\n \n \n \n \n \n Plant-Thinking: A Philosophy of Vegetal Life.\n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n Columbia University Press, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plant-Thinking: A Philosophy of Vegetal Life},\n type = {book},\n year = {2013},\n publisher = {Columbia University Press},\n city = {New York},\n id = {6abc394f-e435-3d73-81eb-a7baa210bc8f},\n created = {2021-04-05T16:39:00.288Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:00.288Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n abstract = {"The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants "after metaphysics," Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his formulation, "plant-thinking" is the non-cognitive, non-ideational, and non-imagistic mode of thinking proper to plants, as much as the process of bringing human thought itself back to its roots and rendering it plantlike."--Publisher's description.},\n bibtype = {book},\n author = {Marder, Michael}\n}
\n
\n\n\n
\n \"The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants \"after metaphysics,\" Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his formulation, \"plant-thinking\" is the non-cognitive, non-ideational, and non-imagistic mode of thinking proper to plants, as much as the process of bringing human thought itself back to its roots and rendering it plantlike.\"--Publisher's description.\n
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\n \n\n \n \n \n \n \n What a Plant Knows: A Field Guide to the Senses of Your Garden and Beyond.\n \n \n \n\n\n \n Chamovitz, D.\n\n\n \n\n\n\n One World Publications, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n The Herbarium as Muse: Plant Specimens as Inspiration.\n \n \n \n\n\n \n Flannery, M., C.\n\n\n \n\n\n\n Biology International, 53: 23-34. 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Herbarium as Muse: Plant Specimens as Inspiration},\n type = {article},\n year = {2013},\n pages = {23-34},\n volume = {53},\n id = {6668ec53-7c70-3a65-9264-6100960af7da},\n created = {2021-11-25T16:29:17.976Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-25T16:29:17.976Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This article deals with the relationship between art and herbaria, from botanical illustration to contemporary art.},\n bibtype = {article},\n author = {Flannery, Maura C.},\n journal = {Biology International}\n}
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\n This article deals with the relationship between art and herbaria, from botanical illustration to contemporary art.\n
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\n \n\n \n \n \n \n \n Thinking Like a Plant: A Living Science for Life.\n \n \n \n\n\n \n Holdrege, C.\n\n\n \n\n\n\n Lindisfarne Books, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Thinking Like a Plant: A Living Science for Life},\n type = {book},\n year = {2013},\n publisher = {Lindisfarne Books},\n city = {Great Barrington},\n id = {935af015-fb5b-3de6-b9aa-1d8376abbf23},\n created = {2024-08-05T02:36:24.283Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:36:24.283Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Holdrege, Craig}\n}
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\n  \n 2012\n \n \n (26)\n \n \n
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\n \n\n \n \n \n \n \n Earth Perfect? Nature, Utopia and the Garden.\n \n \n \n\n\n \n Giesecke, A.; and Jacobs, N.,\n editors.\n \n\n\n \n\n\n\n Artifice Press, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Earth Perfect? Nature, Utopia and the Garden},\n type = {book},\n year = {2012},\n publisher = {Artifice Press},\n city = {London},\n id = {a50c9c5c-5a15-32a3-80af-d913c5520ce1},\n created = {2021-04-02T00:00:40.612Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:30:14.730Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Earth Perfect? Nature, Utopia and the Garden is an eclectic, yet rigorous reflection on the relationship--historical, present and future--between humanity and the garden. Through the lens of Utopian Studies--the interdisciplinary field that encompasses fictions all the way through to actual political projects, and urban ideals; in a nutshell, addressing the human natural drive towards the ideal--Earth Perfect? brings together a selection of inspiring essays, each contributed by foremost writers from the fields of architecture, history of art, classics, cultural studies, farming, geography, horticulture, landscape architecture, law, literature, philosophy, urban planning and the natural sciences.\nThrough these joined voices, the garden emerges as a site of contestation and a repository for symbolic, spiritual, social, political and ecological meaning. Questions such as: "what is the role of the garden in defining humanity's ideal relationship with nature?" and "how should we garden in the face of catastrophic ecological decline?" are addressed through wideranging case studies, including ancient Roman Gardens in Pompeii, Hieronymus Bosch's Garden of Earthly Delights, the Gardens of Versailles, organic farming in New England and Bohemia's secret gardens, as well as landscape in contemporary architecture.\nIssues relating to the utopian garden are explored thematically rather than chronologically, and organised in six chapters: "Being in nature", "inscribing the garden", "green/house", "The garden politic", "economies of the garden" and "how then shall we garden?". each essay is both individual in scope and part of the wider discourse of the book as a whole, and each is lusciously illustrated, bringing to life the subject with diverse visual material ranging from photography to historical documents, maps and artworks.},\n bibtype = {book},\n author = {},\n editor = {Giesecke, Annette and Jacobs, Naomi}\n}
\n
\n\n\n
\n Earth Perfect? Nature, Utopia and the Garden is an eclectic, yet rigorous reflection on the relationship--historical, present and future--between humanity and the garden. Through the lens of Utopian Studies--the interdisciplinary field that encompasses fictions all the way through to actual political projects, and urban ideals; in a nutshell, addressing the human natural drive towards the ideal--Earth Perfect? brings together a selection of inspiring essays, each contributed by foremost writers from the fields of architecture, history of art, classics, cultural studies, farming, geography, horticulture, landscape architecture, law, literature, philosophy, urban planning and the natural sciences.\nThrough these joined voices, the garden emerges as a site of contestation and a repository for symbolic, spiritual, social, political and ecological meaning. Questions such as: \"what is the role of the garden in defining humanity's ideal relationship with nature?\" and \"how should we garden in the face of catastrophic ecological decline?\" are addressed through wideranging case studies, including ancient Roman Gardens in Pompeii, Hieronymus Bosch's Garden of Earthly Delights, the Gardens of Versailles, organic farming in New England and Bohemia's secret gardens, as well as landscape in contemporary architecture.\nIssues relating to the utopian garden are explored thematically rather than chronologically, and organised in six chapters: \"Being in nature\", \"inscribing the garden\", \"green/house\", \"The garden politic\", \"economies of the garden\" and \"how then shall we garden?\". each essay is both individual in scope and part of the wider discourse of the book as a whole, and each is lusciously illustrated, bringing to life the subject with diverse visual material ranging from photography to historical documents, maps and artworks.\n
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\n \n\n \n \n \n \n \n Geranium.\n \n \n \n\n\n \n Boddy, K.\n\n\n \n\n\n\n Reaktion Books, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Geranium},\n type = {book},\n year = {2012},\n publisher = {Reaktion Books},\n city = {London},\n id = {9c6edd94-da4d-37e8-94a7-7642a7dcd4a0},\n created = {2021-04-02T00:00:55.514Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:55.514Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Reaktion’s new ‘Botanical’ series is the first of its kind, integrating horticultural and botanical writing with a broader account of the cultural and social impact of plants. In that sense, the South African geranium (the enduring, if confusing, common name for the genus Pelargonium) is perhaps the perfect plant to inaugurate the series. The story of the geranium’s inexorable rise encompasses many other historical narratives: from plant hunting to commercial cultivation; from the role of plants in alternative medicine and the philanthropic imagination to changing styles in horticultural fashion. Geraniums were first collected by seventeenth-century Dutch plant hunters on the sandy flats near present-day Cape Town, and before long wealthy collectors and enterprising nurserymen were competing for this latest rarity to grace their hothouses. But the geranium was not destined to be a fashionable exotic for long: scarlet hybrids were soon to be found on every cottage windowsill and in every park bedding display, and the horticultural backlash began. Today geraniums can be found throughout the world, their widespread use in food and perfume manufacture as well as floral display exemplifying the global industrialization of plant production.},\n bibtype = {book},\n author = {Boddy, Kasia}\n}
\n
\n\n\n
\n Reaktion’s new ‘Botanical’ series is the first of its kind, integrating horticultural and botanical writing with a broader account of the cultural and social impact of plants. In that sense, the South African geranium (the enduring, if confusing, common name for the genus Pelargonium) is perhaps the perfect plant to inaugurate the series. The story of the geranium’s inexorable rise encompasses many other historical narratives: from plant hunting to commercial cultivation; from the role of plants in alternative medicine and the philanthropic imagination to changing styles in horticultural fashion. Geraniums were first collected by seventeenth-century Dutch plant hunters on the sandy flats near present-day Cape Town, and before long wealthy collectors and enterprising nurserymen were competing for this latest rarity to grace their hothouses. But the geranium was not destined to be a fashionable exotic for long: scarlet hybrids were soon to be found on every cottage windowsill and in every park bedding display, and the horticultural backlash began. Today geraniums can be found throughout the world, their widespread use in food and perfume manufacture as well as floral display exemplifying the global industrialization of plant production.\n
\n\n\n
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\n \n\n \n \n \n \n \n Oak.\n \n \n \n\n\n \n Young, P.\n\n\n \n\n\n\n Reaktion Books, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Oak},\n type = {book},\n year = {2012},\n publisher = {Reaktion Books},\n city = {London},\n id = {e2bb2fcb-7566-3b20-823d-e33605266746},\n created = {2021-04-02T00:00:58.977Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:58.977Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The reputation of the oak is based not on superlatives but on personality. In human terms, it is not a celebrity, but a reliable citizen. Its enduring legacy is evident in place- and surnames, in landmarks and buildings and as a sturdy staple of engineering material. More than any other tree, the oak has been a symbol of strength and durability. Venerated in pagan societies, elements of its worship were absorbed by other religions: Celtic mythology, for example, where it is believed to be a gateway between worlds; or Norse, where it is sacred to Thor, god of thunder, as the tree most often struck by lightning. The oak has been adopted by many countries as a national symbol, particularly in western Europe and the United States. Several individual oaks are of great historical importance, such as the Royal Oak within which King Charles II of England hid to escape the Roundheads, and the Charter Oak in Hartford, Connecticut, which became a symbol of American independence.},\n bibtype = {book},\n author = {Young, Peter}\n}
\n
\n\n\n
\n The reputation of the oak is based not on superlatives but on personality. In human terms, it is not a celebrity, but a reliable citizen. Its enduring legacy is evident in place- and surnames, in landmarks and buildings and as a sturdy staple of engineering material. More than any other tree, the oak has been a symbol of strength and durability. Venerated in pagan societies, elements of its worship were absorbed by other religions: Celtic mythology, for example, where it is believed to be a gateway between worlds; or Norse, where it is sacred to Thor, god of thunder, as the tree most often struck by lightning. The oak has been adopted by many countries as a national symbol, particularly in western Europe and the United States. Several individual oaks are of great historical importance, such as the Royal Oak within which King Charles II of England hid to escape the Roundheads, and the Charter Oak in Hartford, Connecticut, which became a symbol of American independence.\n
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\n \n\n \n \n \n \n \n Weeds: The Story of Outlaw Plants.\n \n \n \n\n\n \n Mabey, R.\n\n\n \n\n\n\n Profile Books, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Weeds: The Story of Outlaw Plants},\n type = {book},\n year = {2012},\n publisher = {Profile Books},\n city = {London},\n id = {cedcc194-5ebc-3a84-96a8-a4b1d35ffef7},\n created = {2021-04-02T00:01:37.711Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:37.711Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Mabey, Richard}\n}
\n
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\n \n\n \n \n \n \n \n A Cultural History of Heredity.\n \n \n \n\n\n \n Müller-Wille, S.; and Rheinberger, H.\n\n\n \n\n\n\n University of Chicago Press, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {A Cultural History of Heredity},\n type = {book},\n year = {2012},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {8146d3c7-6d14-3d2c-a124-a8bf1bcad3b3},\n created = {2021-04-02T00:01:43.323Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:43.323Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {It was only around 1800 that heredity began to enter debates among physicians, breeders, and naturalists. Soon thereafter it evolved into one of the most fundamental concepts of biology. Here Staffan Müller-Wille and Hans-Jörg Rheinberger offer a succinct cultural history of the scientific concept of heredity. They outline the dramatic changes the idea has undergone since the early modern period and describe the political and technological developments that brought about these changes. Müller-Wille and Rheinberger begin with an account of premodern theories of generation, showing that these were concerned with the procreation of individuals rather than with hereditary transmission. The authors reveal that when hereditarian thinking first emerged, it did so in a variety of cultural domains, such as politics and law, medicine, natural history, breeding, and anthropology. Müller-Wille and Rheinberger then track theories of heredity from the late nineteenth century—when leading biologists considered it in light of growing societal concerns with race and eugenics—through the rise of classical and molecular genetics in the twentieth century, to today, as researchers apply sophisticated information technologies to understand heredity. What readers come to see from this exquisite history is why it took such a long time for heredity to become a prominent concept in the life sciences and why it gained such overwhelming importance in those sciences and the broader culture over the last two centuries.},\n bibtype = {book},\n author = {Müller-Wille, Staffan and Rheinberger, Hans-Jörg}\n}
\n
\n\n\n
\n It was only around 1800 that heredity began to enter debates among physicians, breeders, and naturalists. Soon thereafter it evolved into one of the most fundamental concepts of biology. Here Staffan Müller-Wille and Hans-Jörg Rheinberger offer a succinct cultural history of the scientific concept of heredity. They outline the dramatic changes the idea has undergone since the early modern period and describe the political and technological developments that brought about these changes. Müller-Wille and Rheinberger begin with an account of premodern theories of generation, showing that these were concerned with the procreation of individuals rather than with hereditary transmission. The authors reveal that when hereditarian thinking first emerged, it did so in a variety of cultural domains, such as politics and law, medicine, natural history, breeding, and anthropology. Müller-Wille and Rheinberger then track theories of heredity from the late nineteenth century—when leading biologists considered it in light of growing societal concerns with race and eugenics—through the rise of classical and molecular genetics in the twentieth century, to today, as researchers apply sophisticated information technologies to understand heredity. What readers come to see from this exquisite history is why it took such a long time for heredity to become a prominent concept in the life sciences and why it gained such overwhelming importance in those sciences and the broader culture over the last two centuries.\n
\n\n\n
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\n \n\n \n \n \n \n \n Seeds of Knowledge: Unveiling Hidden Information through Letters and Gardens in Bologna, Turin and Uppsala.\n \n \n \n\n\n \n Managlia, A.; Mossetti, U.; and Dröscher, A.\n\n\n \n\n\n\n HoST Journal for History of Science and Technology, 5: 17-29. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Seeds of Knowledge: Unveiling Hidden Information through Letters and Gardens in Bologna, Turin and Uppsala},\n type = {article},\n year = {2012},\n pages = {17-29},\n volume = {5},\n id = {32eaac73-8836-346f-84a1-c3ccd1955b47},\n created = {2021-04-02T00:02:13.519Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:13.519Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Travel and exchange of persons, objects, technologies, skills and ideas, though practiced at all times of humankind, are two of the most particular characteristics of the modern Western world. The exchange of seeds and of the information concerning them deserves a special importance in the history of agriculture and botany. On the one hand, seeds were simple and inexpensive to store and to travel, on the other hand they exposed botanists and gardeners to unexpected conceptual and technical challenges. We will first describe some of the particular features of the information contained in seeds, namely their delay in time and space. In the case of Bolognese botanist Ferdinando Bassi (1710-1774) and his extensive correspondence with other botanists like Linnaeus, we highlight how late 18th-century scholars handled the hidden knowledge contained in these plain little objects.},\n bibtype = {article},\n author = {Managlia, Annalisa and Mossetti, Umberto and Dröscher, Ariane},\n journal = {HoST Journal for History of Science and Technology}\n}
\n
\n\n\n
\n Travel and exchange of persons, objects, technologies, skills and ideas, though practiced at all times of humankind, are two of the most particular characteristics of the modern Western world. The exchange of seeds and of the information concerning them deserves a special importance in the history of agriculture and botany. On the one hand, seeds were simple and inexpensive to store and to travel, on the other hand they exposed botanists and gardeners to unexpected conceptual and technical challenges. We will first describe some of the particular features of the information contained in seeds, namely their delay in time and space. In the case of Bolognese botanist Ferdinando Bassi (1710-1774) and his extensive correspondence with other botanists like Linnaeus, we highlight how late 18th-century scholars handled the hidden knowledge contained in these plain little objects.\n
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\n \n\n \n \n \n \n \n Die Idee der Landschaft: Eine Kulturgeschichte von der Aufklärung bis zur Ökologiebewegung.\n \n \n \n\n\n \n Trepl, L.\n\n\n \n\n\n\n of Edition Kulturwissenschaft; 16transcript Verlag,, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {Die Idee der Landschaft: Eine Kulturgeschichte von der Aufklärung bis zur Ökologiebewegung},\n type = {book},\n year = {2012},\n keywords = {Landscapes},\n publisher = {transcript Verlag,},\n city = {Bielefeld},\n series = {Edition Kulturwissenschaft; 16},\n id = {2b88edc4-a99f-336f-84a2-218eb5d48059},\n created = {2021-04-02T00:03:40.582Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:40.582Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {TreplLudwig2012DIdL},\n source_type = {book},\n private_publication = {false},\n abstract = {Landscape itself is an idea: the term does not exist without that of an ideal landscape - as a complex imagination connected to the thought that one should strive for its realization. At the same time, landscape is also connected to ideas, especially political utopias. In this volume, Ludwig Trepl retraces the idea of landscape in its historical development - from the Enlightenment and Romanticist images of landscape via those of classical conservatism and of blood and soil ideology to the »greening« of landscape in the environmental movement - and investigates the different concepts and their respective inner structures and the logic of their opposition and intertwinement.},\n bibtype = {book},\n author = {Trepl, Ludwig}\n}
\n
\n\n\n
\n Landscape itself is an idea: the term does not exist without that of an ideal landscape - as a complex imagination connected to the thought that one should strive for its realization. At the same time, landscape is also connected to ideas, especially political utopias. In this volume, Ludwig Trepl retraces the idea of landscape in its historical development - from the Enlightenment and Romanticist images of landscape via those of classical conservatism and of blood and soil ideology to the »greening« of landscape in the environmental movement - and investigates the different concepts and their respective inner structures and the logic of their opposition and intertwinement.\n
\n\n\n
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\n \n\n \n \n \n \n \n Natural History and Information Overload: The Case of Linnaeus.\n \n \n \n\n\n \n Müller-Wille, S.; and Charmantier, I.\n\n\n \n\n\n\n Studies in History and Philosophy of Biol & Biomed Sci, 43(1): 4-15. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Natural History and Information Overload: The Case of Linnaeus},\n type = {article},\n year = {2012},\n keywords = {Linnaeus ; Information Overload ; Natural History},\n pages = {4-15},\n volume = {43},\n publisher = {Elsevier Ltd},\n id = {2240e6ef-faeb-3863-bc20-9e6d4190b50d},\n created = {2021-04-02T00:03:42.367Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:42.367Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {Müller-WilleStaffan2012Nhai},\n source_type = {article},\n private_publication = {false},\n abstract = {Natural History can be seen as a discipline paradigmatically engaged in ‘data-driven research.’ Historians of early modern science have begun to emphasize its crucial role in the Scientific Revolution, and some observers of present day genomics see it as engaged in a return to natural history practices. A key concept that was developed to understand the dynamics of early modern natural history is that of ‘information overload.’ Taxonomic systems, rules of nomenclature, and technical terminologies were developed in botany and zoology to catch up with the ever increasing amount of information on hitherto unknown plant and animal species. In our contribution, we want to expand on this concept. After all, the same people who complain about information overload are usually the ones who contribute to it most significantly. In order to understand this complex relationship, we will turn to the annotation practices of the Swedish naturalist Carl Linnaeus (1707–1778). The very tools that Linnaeus developed to contain and reduce information overload, as we aim to demonstrate, facilitated a veritable information explosion that led to the emergence of a new research object in botany: the so-called ‘natural’ system.},\n bibtype = {article},\n author = {Müller-Wille, Staffan and Charmantier, Isabelle},\n journal = {Studies in History and Philosophy of Biol & Biomed Sci},\n number = {1}\n}
\n
\n\n\n
\n Natural History can be seen as a discipline paradigmatically engaged in ‘data-driven research.’ Historians of early modern science have begun to emphasize its crucial role in the Scientific Revolution, and some observers of present day genomics see it as engaged in a return to natural history practices. A key concept that was developed to understand the dynamics of early modern natural history is that of ‘information overload.’ Taxonomic systems, rules of nomenclature, and technical terminologies were developed in botany and zoology to catch up with the ever increasing amount of information on hitherto unknown plant and animal species. In our contribution, we want to expand on this concept. After all, the same people who complain about information overload are usually the ones who contribute to it most significantly. In order to understand this complex relationship, we will turn to the annotation practices of the Swedish naturalist Carl Linnaeus (1707–1778). The very tools that Linnaeus developed to contain and reduce information overload, as we aim to demonstrate, facilitated a veritable information explosion that led to the emergence of a new research object in botany: the so-called ‘natural’ system.\n
\n\n\n
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\n \n\n \n \n \n \n \n Lists as Research Technologies.\n \n \n \n\n\n \n Müller-Wille, S.; and Charmantier, I.\n\n\n \n\n\n\n Isis, 103(4): 743-752. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Lists as Research Technologies},\n type = {article},\n year = {2012},\n keywords = {Carl ; Botany ; Medical Anthropology ; Classifica,Linnaeus},\n pages = {743-752},\n volume = {103},\n publisher = {The University of Chicago Press},\n id = {ff8e16a5-419d-3eb3-81ca-6d7ddb5799ae},\n created = {2021-04-02T00:03:45.669Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:45.669Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {Müller-WilleStaffan2012LaRT},\n source_type = {article},\n private_publication = {false},\n abstract = {The Swedish naturalist Carl Linnaeus (1707–1778) is famous for having turned botany into a systematic discipline, through his classification systems—most notably the sexual system—and his nomenclature. Throughout his life, Linnaeus experimented with various paper technologies designed to display information synoptically. The list took pride of place among these and is also the common element of more complex representations he produced, such as genera descriptions and his “natural system.” Taking clues from the anthropology of writing, this essay seeks to demonstrate that lists can be considered as genuine research technologies. They possess a potential to generate research problems of their own but also pose limitations to inquiries that can be overcome only by the use of new media.},\n bibtype = {article},\n author = {Müller-Wille, Staffan and Charmantier, Isabelle},\n journal = {Isis},\n number = {4}\n}
\n
\n\n\n
\n The Swedish naturalist Carl Linnaeus (1707–1778) is famous for having turned botany into a systematic discipline, through his classification systems—most notably the sexual system—and his nomenclature. Throughout his life, Linnaeus experimented with various paper technologies designed to display information synoptically. The list took pride of place among these and is also the common element of more complex representations he produced, such as genera descriptions and his “natural system.” Taking clues from the anthropology of writing, this essay seeks to demonstrate that lists can be considered as genuine research technologies. They possess a potential to generate research problems of their own but also pose limitations to inquiries that can be overcome only by the use of new media.\n
\n\n\n
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\n \n\n \n \n \n \n \n Plant Intentionality and the Phenomenological Framework of Plant Intelligence.\n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n Plant Signaling & Behavior, 7(11): 1365-1372. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Plant Intentionality and the Phenomenological Framework of Plant Intelligence},\n type = {article},\n year = {2012},\n pages = {1365-1372},\n volume = {7},\n id = {644284a2-5faa-3aad-99e4-837a8dd30367},\n created = {2021-04-02T00:03:47.398Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:47.398Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Marder, Michael},\n journal = {Plant Signaling & Behavior},\n number = {11}\n}
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\n \n\n \n \n \n \n \n Im Grunde ein Bild: Die Darstellung der Naturforschung bei Kant, Goethe und Alexander von Humboldt.\n \n \n \n\n\n \n Bies, M.\n\n\n \n\n\n\n Wallstein, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Im Grunde ein Bild: Die Darstellung der Naturforschung bei Kant, Goethe und Alexander von Humboldt},\n type = {book},\n year = {2012},\n publisher = {Wallstein},\n city = {Göttingen},\n id = {e4dd2ab9-b35b-3968-bd54-fcd6dbdeb423},\n created = {2021-04-02T00:03:53.046Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:53.046Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bies, Michael}\n}
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\n \n\n \n \n \n \n \n \n Towards Intimate Relations: Gesture and Contact Between Plants and People.\n \n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n PAN: Philosophy, Activism, Nature, 9: 29-36. 2012.\n \n\n\n\n
\n\n\n\n \n \n \"TowardsWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Towards Intimate Relations: Gesture and Contact Between Plants and People},\n type = {article},\n year = {2012},\n pages = {29-36},\n volume = {9},\n websites = {https://figshare.com/articles/Towards_intimate_relations_gesture_and_contact_between_plants_and_people/4308509},\n id = {3ccf57a2-7777-3364-bc38-6160bc01fa33},\n created = {2021-04-02T00:04:17.460Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:17.460Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n journal = {PAN: Philosophy, Activism, Nature}\n}
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\n \n\n \n \n \n \n \n Passive Flora? Reconsidering Nature’s Agency through Human-Plant Studies.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Societies, 2(3): 101–121. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Passive Flora? Reconsidering Nature’s Agency through Human-Plant Studies},\n type = {article},\n year = {2012},\n pages = {101–121},\n volume = {2},\n id = {0f3fe169-e1a0-3b0f-9a71-74ffbde70a89},\n created = {2021-04-02T00:04:18.370Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:18.370Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n doi = {10.3390/soc2030101},\n journal = {Societies},\n number = {3}\n}
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\n \n\n \n \n \n \n \n Clandestine Marriage: Botany and Romantic Culture.\n \n \n \n\n\n \n Kelley, T., M.\n\n\n \n\n\n\n Johns Hopkins University Press, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Clandestine Marriage: Botany and Romantic Culture},\n type = {book},\n year = {2012},\n publisher = {Johns Hopkins University Press},\n city = {Baltimore},\n id = {a6b5e0ca-1924-3976-aee2-3d7298032054},\n created = {2021-04-02T00:04:59.828Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:59.828Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Kelley, Theresa M.}\n}
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\n \n\n \n \n \n \n \n \n Flora and Femininity: Gender and Botany in Early America.\n \n \n \n \n\n\n \n Branson, S.\n\n\n \n\n\n\n Common-Place, 12(2). 2012.\n \n\n\n\n
\n\n\n\n \n \n \"FloraWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Flora and Femininity: Gender and Botany in Early America},\n type = {article},\n year = {2012},\n volume = {12},\n websites = {http://www.common-place-archives.org/vol-12/no-02/branson/},\n id = {4fbbb17a-5867-3c33-ae31-6fb2e66f998b},\n created = {2021-04-02T00:05:13.768Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:13.768Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Branson, Susan},\n journal = {Common-Place},\n number = {2}\n}
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\n \n\n \n \n \n \n \n The Forest Unseen: A Year's Watch in Nature.\n \n \n \n\n\n \n Haskell, D., G.\n\n\n \n\n\n\n Viking, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Forest Unseen: A Year's Watch in Nature},\n type = {book},\n year = {2012},\n publisher = {Viking},\n city = {New York},\n id = {a3c38924-c32e-36ce-a945-980693bc7937},\n created = {2021-04-05T16:36:31.814Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:31.814Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Haskell, David George}\n}
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\n \n\n \n \n \n \n \n The Sensualization of Flânerie.\n \n \n \n\n\n \n Ferguson, P., P.\n\n\n \n\n\n\n Dix-Neuf , 16(2): 211-223. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Sensualization of Flânerie},\n type = {article},\n year = {2012},\n pages = {211-223},\n volume = {16},\n id = {b94a3c57-21cd-3a92-9483-75831f0305a7},\n created = {2021-04-05T16:36:56.143Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:56.143Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ferguson, Priscilla Parkhurst},\n doi = {https://doi.org/ 10.1179/dix.2012.16.2.07},\n journal = {Dix-Neuf },\n number = {2}\n}
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\n \n\n \n \n \n \n \n Green Sense: The Aesthetics of Plants, Place and Language.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n TrueHeart Press, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Green Sense: The Aesthetics of Plants, Place and Language},\n type = {book},\n year = {2012},\n publisher = {TrueHeart Press},\n city = {Oxford},\n id = {5e033f54-1142-3843-b727-dede9a925229},\n created = {2021-04-05T16:37:14.258Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:14.258Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ryan, John Charles}\n}
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\n \n\n \n \n \n \n \n Should Trees Have Standing? 40 Years On.\n \n \n \n\n\n \n Grear, A.\n\n\n \n\n\n\n Edward Elgar, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Should Trees Have Standing? 40 Years On},\n type = {book},\n year = {2012},\n publisher = {Edward Elgar},\n city = {Cheltenham},\n id = {acfa7dec-9618-3934-9422-46cfa3a8eba0},\n created = {2021-04-05T16:37:17.660Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:17.660Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Grear, Anna}\n}
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\n \n\n \n \n \n \n \n Invaluable Trees: Cultures of Nature, 1660-1830.\n \n \n \n\n\n \n Auricchio, L.; Cook, E.; and Pacini, G.\n\n\n \n\n\n\n Voltaire Foundation, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Invaluable Trees: Cultures of Nature, 1660-1830},\n type = {book},\n year = {2012},\n publisher = {Voltaire Foundation},\n id = {cbf3cd12-0e4e-342a-a173-a02aab686066},\n created = {2021-04-05T16:37:42.956Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:42.956Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Auricchio, Laura and Cook, Elizabeth and Pacini, Giulia}\n}
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\n \n\n \n \n \n \n \n Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters.\n \n \n \n\n\n \n Hustak, C.; and Myers, N.\n\n\n \n\n\n\n differences: a journal of feminist cultural studies, 23(3): 74-117. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters},\n type = {article},\n year = {2012},\n pages = {74-117},\n volume = {23},\n id = {22c6fdd5-45b6-3711-946f-865c1fa5c7a5},\n created = {2021-04-05T16:37:50.456Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:50.456Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Hustak, Carla and Myers, Natasha},\n journal = {differences: a journal of feminist cultural studies},\n number = {3}\n}
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\n \n\n \n \n \n \n \n From the Century of the Pods to the Century of the Plants: Plant Horror, Politics, and Vegetal Ontology.\n \n \n \n\n\n \n Meeker, N.; and Szabari, A.\n\n\n \n\n\n\n Discourse, 34(1): 32-58. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {From the Century of the Pods to the Century of the Plants: Plant Horror, Politics, and Vegetal Ontology},\n type = {article},\n year = {2012},\n pages = {32-58},\n volume = {34},\n id = {8ccea8dc-3ddc-3ecc-9cf6-d7d844b286bc},\n created = {2021-04-05T16:38:10.415Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:10.415Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Meeker, Natania and Szabari, Antónia},\n journal = {Discourse},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Unruly Edges: Mushrooms as Companion Species.\n \n \n \n\n\n \n Tsing, A.\n\n\n \n\n\n\n Environmental Humanities, 1: 141–154. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Unruly Edges: Mushrooms as Companion Species},\n type = {article},\n year = {2012},\n pages = {141–154},\n volume = {1},\n id = {9c844380-1d56-3854-9ca2-dc88b7d5c5b6},\n created = {2021-04-05T16:38:29.844Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:29.844Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Tsing, Anna},\n journal = {Environmental Humanities}\n}
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\n \n\n \n \n \n \n \n Lives of the Monster Plants: The Revenge of the Vegetable in the Age of Animal Studies.\n \n \n \n\n\n \n Miller, T., S.\n\n\n \n\n\n\n Journal of the Fantastic in the Arts, 23(3): 460-479. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Lives of the Monster Plants: The Revenge of the Vegetable in the Age of Animal Studies},\n type = {article},\n year = {2012},\n pages = {460-479},\n volume = {23},\n id = {4d3c7fd7-d757-3848-b195-094fa29cb934},\n created = {2021-06-24T19:33:40.215Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:40.215Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Miller, T. S.},\n journal = {Journal of the Fantastic in the Arts},\n number = {3}\n}
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\n \n\n \n \n \n \n \n Fern Fever: The Story of Pteridomania.\n \n \n \n\n\n \n Whittingham, S.\n\n\n \n\n\n\n Frances Lincoln Publishing, 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Fern Fever: The Story of Pteridomania},\n type = {book},\n year = {2012},\n publisher = {Frances Lincoln Publishing},\n city = {London},\n id = {84b87e0c-aaf6-3d8f-a4d6-d216c0b15a84},\n created = {2021-06-28T14:05:40.815Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:40.815Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Whittingham, Sarah}\n}
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\n \n\n \n \n \n \n \n Leaf Prints. Early Cameraless Photography and Botany.\n \n \n \n\n\n \n Steidl, K.\n\n\n \n\n\n\n PhotoResearcher, 17: 26-35. 2012.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Leaf Prints. Early Cameraless Photography and Botany},\n type = {article},\n year = {2012},\n pages = {26-35},\n volume = {17},\n id = {801034ec-5d50-3b1c-8303-2ec883004fc8},\n created = {2022-01-27T14:08:16.074Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-01-27T14:08:16.074Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Steidl, Katharina},\n journal = {PhotoResearcher}\n}
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\n  \n 2011\n \n \n (23)\n \n \n
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\n \n\n \n \n \n \n \n ’I hanker for greens’: Gender, Class, and Urban Natural Spaces in Tillie Olsen’s 'Yonnondio'.\n \n \n \n\n\n \n Grewe-Volpp, C.\n\n\n \n\n\n\n In Lukas, L.; Plath, U.; and Tüür, K., editor(s), Umweltphilosophie und Landschaftsdenken im baltischen Kulturraum/ Environmental Philosophy and Landscape Thinking, pages 336-347, 2011. collegium litterarum\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {’I hanker for greens’: Gender, Class, and Urban Natural Spaces in Tillie Olsen’s 'Yonnondio'},\n type = {inproceedings},\n year = {2011},\n pages = {336-347},\n publisher = {collegium litterarum},\n city = {Talinn},\n id = {2efbb125-4ace-3f45-bbfa-5de4a468e283},\n created = {2021-04-02T00:01:52.478Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:52.478Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Grewe-Volpp, Christa},\n editor = {Lukas, Liina and Plath, Ulrike and Tüür, Kadri},\n booktitle = {Umweltphilosophie und Landschaftsdenken im baltischen Kulturraum/ Environmental Philosophy and Landscape Thinking}\n}
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\n \n\n \n \n \n \n \n Women and Botany.\n \n \n \n\n\n \n George, S.; and Martin, A., E.\n\n\n \n\n\n\n Journal of Literature and Science, 4(1). 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Women and Botany},\n type = {article},\n year = {2011},\n volume = {4},\n id = {d185b9c2-123e-3493-adaf-2e6f7f4f08a6},\n created = {2021-04-02T00:02:21.754Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:21.754Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Special Issue},\n bibtype = {article},\n author = {George, Sam and Martin, Alison E.},\n journal = {Journal of Literature and Science},\n number = {1}\n}
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\n \n\n \n \n \n \n \n The Military Orchid.\n \n \n \n\n\n \n Brooke, J.\n\n\n \n\n\n\n Little Toller Books, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {The Military Orchid},\n type = {book},\n year = {2011},\n publisher = {Little Toller Books},\n city = {Dorset},\n id = {7f6bc034-fcb2-3ba1-bd84-6ce6616f520f},\n created = {2021-04-02T00:02:36.326Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:36.326Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Jocelyn Brooke’s love affair with wild flowers and home-made fireworks began when he was growing up in Kent. But there was one particular flower, especially rare and beautiful, which became an obsession. Over three decades and through two world wars, in the deserts of Libya and the woodlands of Italy, in the chalk downs of Kent, Sussex and Hampshire, he searched continually for his most beloved and elusive Orchis militaris, the military orchid. Jocelyn Brooke blends memoir, botany and satire to recall this lifelong quest. With an introduction by Horatio Claire, originally published in 1948.},\n bibtype = {book},\n author = {Brooke, Jocelyn}\n}
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\n Jocelyn Brooke’s love affair with wild flowers and home-made fireworks began when he was growing up in Kent. But there was one particular flower, especially rare and beautiful, which became an obsession. Over three decades and through two world wars, in the deserts of Libya and the woodlands of Italy, in the chalk downs of Kent, Sussex and Hampshire, he searched continually for his most beloved and elusive Orchis militaris, the military orchid. Jocelyn Brooke blends memoir, botany and satire to recall this lifelong quest. With an introduction by Horatio Claire, originally published in 1948.\n
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\n \n\n \n \n \n \n \n A Million Wild Acres: 200 Years of Man and an Australian Forest.\n \n \n \n\n\n \n Rolls, E., C.; Murray, L., A.; and Griffiths, T.\n\n\n \n\n\n\n GHR Press, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {A Million Wild Acres: 200 Years of Man and an Australian Forest},\n type = {book},\n year = {2011},\n publisher = {GHR Press},\n city = {Willoughby, New South Wales},\n id = {16e29bb4-0ee7-3b2f-8fcc-723568ac3f5d},\n created = {2021-04-02T00:02:48.161Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:48.161Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {30th Anniversary Edition: Thirty years ago, a bomb landed in the field of Australian consciousness of itself and its land in the form of Eric Rolls' A MILLION WILD ACRES. The ensuing explosion has caused extensive and heated debate ever since amongst historians, ecologists, environmentalists, poets and writers. Now reprinted in a commemorative 30th Anniversary Edition for a new generation of readers and against the backdrop of renewed and urgent concern about climate change, it includes Tom Griffiths' seminal essay, The Writing of A Million Wild Acres, and a foreword by Les Murray drawn from his work Eric Rolls and the Golden Disobedience. Here is a contentious story of men and their passion for land; of occupation and settlement; of destruction and growth. By following the tracks of these pioneers who crossed the Blue Mountains into northern New South Wales, Eric Rolls - poet, farmer and self-taught naturalist - has written the history of European settlement in Australia. He evokes the ruthlessness and determination of the first settlers who worked the land -- a land they knew little about. Rolls has re-written the history of settlement and destroyed the argument that Australia's present dense eucalypt forests are the remnants of 200 years of energetic clearing. Neither education nor social advantage decided the success of the first settlers, or those squatters, selectors, stockmen and timber getters who helped grow the Pilliga forest. Few men were more violent than John Macarthur, few rogues more vigorous than William Cox, few statesmen more self-seeking than William Wentworth. Rolls' environment teems with wildlife, with plants and trees, with feral pigs; with the marvellous interaction of insects and plants, rare animals and birds. The lovely tangle which is the modern forest comes to life as Rolls reflects on soils, living conditions, breeding and ecology. Winner of the prestigious Age Book of the Year Award, A Million Wild Acres is also an important account of the long-term effect man - both black and white - has had upon the forest.},\n bibtype = {book},\n author = {Rolls, Eric Charles and Murray, Les A. and Griffiths, Tom}\n}
\n
\n\n\n
\n 30th Anniversary Edition: Thirty years ago, a bomb landed in the field of Australian consciousness of itself and its land in the form of Eric Rolls' A MILLION WILD ACRES. The ensuing explosion has caused extensive and heated debate ever since amongst historians, ecologists, environmentalists, poets and writers. Now reprinted in a commemorative 30th Anniversary Edition for a new generation of readers and against the backdrop of renewed and urgent concern about climate change, it includes Tom Griffiths' seminal essay, The Writing of A Million Wild Acres, and a foreword by Les Murray drawn from his work Eric Rolls and the Golden Disobedience. Here is a contentious story of men and their passion for land; of occupation and settlement; of destruction and growth. By following the tracks of these pioneers who crossed the Blue Mountains into northern New South Wales, Eric Rolls - poet, farmer and self-taught naturalist - has written the history of European settlement in Australia. He evokes the ruthlessness and determination of the first settlers who worked the land -- a land they knew little about. Rolls has re-written the history of settlement and destroyed the argument that Australia's present dense eucalypt forests are the remnants of 200 years of energetic clearing. Neither education nor social advantage decided the success of the first settlers, or those squatters, selectors, stockmen and timber getters who helped grow the Pilliga forest. Few men were more violent than John Macarthur, few rogues more vigorous than William Cox, few statesmen more self-seeking than William Wentworth. Rolls' environment teems with wildlife, with plants and trees, with feral pigs; with the marvellous interaction of insects and plants, rare animals and birds. The lovely tangle which is the modern forest comes to life as Rolls reflects on soils, living conditions, breeding and ecology. Winner of the prestigious Age Book of the Year Award, A Million Wild Acres is also an important account of the long-term effect man - both black and white - has had upon the forest.\n
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\n \n\n \n \n \n \n \n \n Geburten aus dem Geist der Pfropfung? Zu Kant und Goethe.\n \n \n \n \n\n\n \n Bies, M.\n\n\n \n\n\n\n In Wirth, U., editor(s), Impfen, Pfropfen, Transplantieren, pages 101-119, 2011. Kadmos\n \n\n\n\n
\n\n\n\n \n \n \"GeburtenWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Geburten aus dem Geist der Pfropfung? Zu Kant und Goethe},\n type = {inproceedings},\n year = {2011},\n pages = {101-119},\n websites = {https://www.kulturverlag-kadmos.de/buch/pfropfen-impfen-transplantieren.html},\n publisher = {Kadmos},\n city = {Berlin},\n id = {b4bee1ed-4ea4-3b5e-8017-fa3fa83c944f},\n created = {2021-04-02T00:03:51.101Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:51.101Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Bies, Michael},\n editor = {Wirth, Uwe},\n booktitle = {Impfen, Pfropfen, Transplantieren}\n}
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\n \n\n \n \n \n \n \n \n Epistolary Exchange: the Familiar Letter and the Female Botanist, 1760-1820.\n \n \n \n \n\n\n \n George, S.\n\n\n \n\n\n\n Journal of Literature and Science, Special Issue: Women and Botany, 4(1): 12-29. 2011.\n \n\n\n\n
\n\n\n\n \n \n \"EpistolaryWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Epistolary Exchange: the Familiar Letter and the Female Botanist, 1760-1820},\n type = {article},\n year = {2011},\n pages = {12-29},\n volume = {4},\n websites = {http://www.literatureandscience.org/volume-4-issue-1/},\n id = {bad07711-1c84-3b7d-95d8-311160b910b8},\n created = {2021-04-02T00:04:04.174Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:04.174Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {George, Samantha},\n journal = {Journal of Literature and Science, Special Issue: Women and Botany},\n number = {1}\n}
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\n \n\n \n \n \n \n \n \n Introduction: Botanising Women: Transmission, Translation and European Exchange.\n \n \n \n \n\n\n \n Martin, A., E.; and George, S.\n\n\n \n\n\n\n Journal of Literature and Science, Special Issue: Women and Botany, 4(1): 1-11. 2011.\n \n\n\n\n
\n\n\n\n \n \n \"Introduction:Website\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Introduction: Botanising Women: Transmission, Translation and European Exchange},\n type = {article},\n year = {2011},\n pages = {1-11},\n volume = {4},\n websites = {http://www.literatureandscience.org/volume-4-issue-1/},\n id = {8fdd2cf3-7c2c-3c7c-a17c-134b411bffbe},\n created = {2021-04-02T00:04:05.909Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:05.909Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Martin, Alison E. and George, Samantha},\n journal = {Journal of Literature and Science, Special Issue: Women and Botany},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Cultural Botany: Towards a Model of Transdisciplinary, Embodied and Poetic Research into Plants.\n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n Nature and Culture, 6(2): 123–148. 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Cultural Botany: Towards a Model of Transdisciplinary, Embodied and Poetic Research into Plants},\n type = {article},\n year = {2011},\n pages = {123–148},\n volume = {6},\n id = {b7bfa32c-35a2-36c8-b5ec-18b23812eedc},\n created = {2021-04-02T00:04:19.655Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:19.655Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n journal = {Nature and Culture},\n number = {2}\n}
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\n \n\n \n \n \n \n \n Unter Bäumen: Die Deutschen und der Wald.\n \n \n \n\n\n \n Breymayer, U.; and Ulrich, B.\n\n\n \n\n\n\n Sandstein Kommunikation, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Unter Bäumen: Die Deutschen und der Wald},\n type = {book},\n year = {2011},\n publisher = {Sandstein Kommunikation},\n city = {Dresden},\n id = {934d59e2-c950-3c5d-bfe6-29aa018604bb},\n created = {2021-04-02T00:04:44.412Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:44.412Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Ausstellungskatalog\r\nDeutsches Historisches Museum, Berlin, 2. Dezember 2011 bis 4. März 2012},\n bibtype = {book},\n author = {Breymayer, Ursula and Ulrich, Bernd},\n editor = {Breymayer, Ursula and Ulrich, Bernd}\n}
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\n Ausstellungskatalog\r\nDeutsches Historisches Museum, Berlin, 2. Dezember 2011 bis 4. März 2012\n
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\n \n\n \n \n \n \n \n The Politics of Flowers.\n \n \n \n\n\n \n Armstrong, C.\n\n\n \n\n\n\n Blurb, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Politics of Flowers},\n type = {book},\n year = {2011},\n publisher = {Blurb},\n city = {San Francisco},\n id = {3126749b-1e12-3026-b24a-49544cbc70e7},\n created = {2021-04-05T16:37:08.852Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:08.852Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Armstrong, Carol}\n}
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\n \n\n \n \n \n \n \n \n Animal, Vegetable, Mineral: Ethics as Extension or Becoming? The Case of Becoming-Plant.\n \n \n \n \n\n\n \n Houle, K., L.\n\n\n \n\n\n\n Journal for Critical Animal Studies, 9(1-2): 89-116. 2011.\n \n\n\n\n
\n\n\n\n \n \n \"Animal,Website\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Animal, Vegetable, Mineral: Ethics as Extension or Becoming? The Case of Becoming-Plant},\n type = {article},\n year = {2011},\n pages = {89-116},\n volume = {9},\n websites = {www.criticalanimalstudies.org/wp-content/uploads/2009/09/6.-Houle-KLF-2011-Issue-1-2Animal-Vegetable-Mineral-pp-89-116.pdf},\n id = {ddbddf95-eca7-34e6-8982-6ddb71574dea},\n created = {2021-04-05T16:37:15.953Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:15.953Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Houle, Karen L.F.},\n journal = {Journal for Critical Animal Studies},\n number = {1-2}\n}
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\n \n\n \n \n \n \n \n The Founding Gardeners: The Revolutionary Generation, Nature, and the Shaping of the American Nation.\n \n \n \n\n\n \n Wulf, A.\n\n\n \n\n\n\n Knopf, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {The Founding Gardeners: The Revolutionary Generation, Nature, and the Shaping of the American Nation},\n type = {book},\n year = {2011},\n publisher = {Knopf},\n city = {New York},\n id = {a471e0fa-4e1d-3be1-829d-99836130402d},\n created = {2021-04-05T16:37:32.855Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:32.855Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Wulf, Andrea}\n}
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\n \n\n \n \n \n \n \n Sister Arts: The Erotics of Lesbian Landscapes.\n \n \n \n\n\n \n Moore, L., L.\n\n\n \n\n\n\n University of Minnesota Press, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Sister Arts: The Erotics of Lesbian Landscapes},\n type = {book},\n year = {2011},\n publisher = {University of Minnesota Press},\n city = {Minneapolis},\n id = {e3f4e620-edfe-3860-95b0-153534a998b1},\n created = {2021-04-05T16:37:43.805Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:43.805Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Moore, Lisa L.}\n}
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\n \n\n \n \n \n \n \n Darwin’s Pharmacy: Sex, Plants, and the Evolution of the Noösphere.\n \n \n \n\n\n \n Doyle, R.\n\n\n \n\n\n\n University of Washington Press, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Darwin’s Pharmacy: Sex, Plants, and the Evolution of the Noösphere},\n type = {book},\n year = {2011},\n publisher = {University of Washington Press},\n city = {Seattle},\n id = {137ab269-1f69-39f3-821d-746be4d6b55a},\n created = {2021-04-05T16:37:49.633Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:49.633Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Doyle, Richard}\n}
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\n \n\n \n \n \n \n \n In Praise of Plants.\n \n \n \n\n\n \n Hallé, F.\n\n\n \n\n\n\n Timber Press, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {In Praise of Plants},\n type = {book},\n year = {2011},\n publisher = {Timber Press},\n city = {Portland, OR},\n id = {72b80e81-de24-3eb4-9b99-c3c6a483e241},\n created = {2021-04-05T16:38:57.744Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:57.744Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n bibtype = {book},\n author = {Hallé, Francis.}\n}
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\n \n\n \n \n \n \n \n Plants as Persons: A Philosophical Botany.\n \n \n \n\n\n \n Hall, M.\n\n\n \n\n\n\n SUNY Press, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plants as Persons: A Philosophical Botany},\n type = {book},\n year = {2011},\n publisher = {SUNY Press},\n city = {Albany, N.Y.},\n id = {3e9af6f3-b829-3c32-8fc6-f43034abdb82},\n created = {2021-04-05T16:39:06.714Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:06.714Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n bibtype = {book},\n author = {Hall, Matthew}\n}
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\n \n\n \n \n \n \n \n Flower Fisting.\n \n \n \n\n\n \n François, A.\n\n\n \n\n\n\n Postmodern Culture, 22(1). 2011.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Flower Fisting},\n type = {article},\n year = {2011},\n volume = {22},\n id = {c317c345-7682-3d7e-849e-8966de5b639f},\n created = {2021-06-17T18:41:09.515Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-17T18:41:09.515Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {François, Anne-Lise},\n doi = {10.1353/pmc.2012.0004},\n journal = {Postmodern Culture},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Seeing Trees: Discover the Extraordinary Secrets of Everyday Trees.\n \n \n \n\n\n \n Ross Hugo, N.; and Llewellyn, R.\n\n\n \n\n\n\n Timber Press, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Seeing Trees: Discover the Extraordinary Secrets of Everyday Trees},\n type = {book},\n year = {2011},\n publisher = {Timber Press},\n city = {Portland, OR},\n id = {0146580a-69ad-3f06-95e5-97bf5b0cffa1},\n created = {2021-06-28T14:05:40.297Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:40.297Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ross Hugo, Nancy and Llewellyn, Robert}\n}
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\n \n\n \n \n \n \n \n The Flesh of Citizenship: Red Flowers Grew.\n \n \n \n\n\n \n Zlatkin, R.\n\n\n \n\n\n\n In Czarnecki, K.; and Rohmann, C., editor(s), Virginia Woolf and the Natural World: Proceedings from the Twentieth Annual International Conference on Virginia Woolf, pages 78-83, 2011. Clemson University Digital Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {The Flesh of Citizenship: Red Flowers Grew},\n type = {inproceedings},\n year = {2011},\n pages = {78-83},\n publisher = {Clemson University Digital Press},\n city = {Clemson, SC},\n id = {7356d03f-b102-3c5c-8000-7daa41fa3447},\n created = {2022-02-15T19:07:24.423Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-15T19:07:24.423Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Zlatkin, Rachel},\n editor = {Czarnecki, Kristin and Rohmann, Carrie},\n booktitle = {Virginia Woolf and the Natural World: Proceedings from the Twentieth Annual International Conference on Virginia Woolf}\n}
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\n \n\n \n \n \n \n \n The Metaphysics of Flowers in the Waves: Virginia Woolf's “Seven-Sided Flower” and Henri Bergson's Intuition.\n \n \n \n\n\n \n Mattison, L.\n\n\n \n\n\n\n In Czarnecki, K.; and Rohmann, C., editor(s), Virginia Woolf and the Natural World: Proceedings from the Twentieth Annual International Conference on Virginia Woolf, pages 71-77, 2011. Clemson University Digital Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {The Metaphysics of Flowers in the Waves: Virginia Woolf's “Seven-Sided Flower” and Henri Bergson's Intuition},\n type = {inproceedings},\n year = {2011},\n pages = {71-77},\n publisher = {Clemson University Digital Press},\n city = {Clemson, SC},\n id = {c549f45c-dac2-391d-843b-91ce5deea7ec},\n created = {2022-02-15T19:07:25.037Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-15T19:07:25.037Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Mattison, Laci},\n editor = {Czarnecki, Kristin and Rohmann, Carrie},\n booktitle = {Virginia Woolf and the Natural World: Proceedings from the Twentieth Annual International Conference on Virginia Woolf}\n}
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\n \n\n \n \n \n \n \n “Everything tended to set itself in a garden”: Virginia Woolf’s Literary and Quotidian Flowers: A Bar-Graphical Approach.\n \n \n \n\n\n \n Sparks, E., K.\n\n\n \n\n\n\n In Czarnecki, K.; and Rohman, C., editor(s), Virginia Woolf and the Natural World: Proceedings from the Twentieth Annual International Conference on Virginia Woolf, pages 42-60, 2011. Clemson University Digital Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {“Everything tended to set itself in a garden”: Virginia Woolf’s Literary and Quotidian Flowers: A Bar-Graphical Approach},\n type = {inproceedings},\n year = {2011},\n pages = {42-60},\n publisher = {Clemson University Digital Press},\n city = {Clemson, SC},\n id = {31bb3105-d694-3eea-9418-90cf80f7ee04},\n created = {2022-02-15T19:07:25.613Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2022-02-15T19:07:25.613Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Sparks, Elisa Kay},\n editor = {Czarnecki, Kristin and Rohman, Carrie},\n booktitle = {Virginia Woolf and the Natural World: Proceedings from the Twentieth Annual International Conference on Virginia Woolf}\n}
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\n \n\n \n \n \n \n \n Judith Carney and Richard N. Rosomoff In the Shadow of Slavery: Africa’s Botanical Legacy in the Atlantic World.\n \n \n \n\n\n \n Carney, J.; and Rosomoff, R., N.\n\n\n \n\n\n\n University of California Press, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Judith Carney and Richard N. Rosomoff In the Shadow of Slavery: Africa’s Botanical Legacy in the Atlantic World},\n type = {book},\n year = {2011},\n publisher = {University of California Press},\n city = {Berkeley},\n id = {2f56a8ab-add8-334f-b1e8-a3c53f6853cd},\n created = {2024-08-04T23:48:08.951Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:48:08.951Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Carney, Judith and Rosomoff, Richard Nicholas}\n}
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\n \n\n \n \n \n \n \n Green, Pink, and Lavender: Banishing Ecophobia through Queer Ecologies, Review of <em>Queer Ecologies: Sex, Nature, Politics, Desire.\n \n \n \n\n\n \n Gaard, G.\n\n\n \n\n\n\n Ethics and the Environment, 16(2): 115-126. 2011.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Green, Pink, and Lavender: Banishing Ecophobia through Queer Ecologies, Review of &lt;em&gt;Queer Ecologies: Sex, Nature, Politics, Desire},\n type = {article},\n year = {2011},\n pages = {115-126},\n volume = {16},\n id = {bbb5dc3d-2813-319f-9881-6610224a33f4},\n created = {2024-08-05T01:18:01.829Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:18:01.829Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gaard, Greta},\n doi = {10.2979/ethicsenviro.16.2.115},\n journal = {Ethics and the Environment},\n number = {2}\n}
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\n  \n 2010\n \n \n (10)\n \n \n
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\n \n\n \n \n \n \n \n A Touch of Blossom: John Singer Sargent and the Queer Flora of Fin-de-siècle Art.\n \n \n \n\n\n \n Syme, A.\n\n\n \n\n\n\n Penn State Press, 2010.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {A Touch of Blossom: John Singer Sargent and the Queer Flora of Fin-de-siècle Art},\n type = {book},\n year = {2010},\n publisher = {Penn State Press},\n city = {University Park, PA},\n id = {72e70b6d-2e90-33ae-bdbf-db49247f6fd9},\n created = {2021-04-02T00:01:07.405Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:07.405Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {"A Touch of Blossom" considers John Singer Sargent in the context of nineteenth-century botany, gynecology, literature, and visual culture and argues that the artist mobilized ideas of cross-fertilization and the hermaphroditic sexuality of flowers in his work to “naturalize” sexual inversion. In conceiving of his painting as an act of hand-pollination, Sargent was elaborating both a period poetics of homosexuality and a new sense of subjectivity, anticipating certain aspects of artistic modernism. Assembling evidence from diverse realms—visual culture (cartoons, greeting cards, costume design), medicine and botany (treatises and their illustrations), literature, letters, lexicography, and the visual arts—this book situates the metaphors that structure Sargent’s paintings in a broad cultural context. It offers in-depth readings of particular paintings and analyzes related projects undertaken by Sargent&’s friends in the field of painting and in other disciplines, such as gynecology and literature.},\n bibtype = {book},\n author = {Syme, Alison}\n}
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\n \"A Touch of Blossom\" considers John Singer Sargent in the context of nineteenth-century botany, gynecology, literature, and visual culture and argues that the artist mobilized ideas of cross-fertilization and the hermaphroditic sexuality of flowers in his work to “naturalize” sexual inversion. In conceiving of his painting as an act of hand-pollination, Sargent was elaborating both a period poetics of homosexuality and a new sense of subjectivity, anticipating certain aspects of artistic modernism. Assembling evidence from diverse realms—visual culture (cartoons, greeting cards, costume design), medicine and botany (treatises and their illustrations), literature, letters, lexicography, and the visual arts—this book situates the metaphors that structure Sargent’s paintings in a broad cultural context. It offers in-depth readings of particular paintings and analyzes related projects undertaken by Sargent&’s friends in the field of painting and in other disciplines, such as gynecology and literature.\n
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\n \n\n \n \n \n \n \n Escaping Eden: Plant Ethics in a Gardener's World.\n \n \n \n\n\n \n Hall, M.\n\n\n \n\n\n\n In O'Brien, D., editor(s), Gardening: Philosophy for Everyone: Cultivating Wisdom, pages 38-47, 2010. Wiley-Blackwell\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Escaping Eden: Plant Ethics in a Gardener's World},\n type = {inproceedings},\n year = {2010},\n pages = {38-47},\n publisher = {Wiley-Blackwell},\n city = {Oxford},\n id = {39b24430-77b6-3203-a27f-a6280748bbd7},\n created = {2021-04-02T00:03:07.450Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:07.450Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Hall, Matthew},\n editor = {O'Brien, Dan},\n booktitle = {Gardening: Philosophy for Everyone: Cultivating Wisdom}\n}
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\n \n\n \n \n \n \n \n Die Würde der Pflanze: Ein sinnvolles ethisches Prinzip im Kontext der grünen Gentechnik?.\n \n \n \n\n\n \n Odparlik, S.\n\n\n \n\n\n\n Karl Alber, 2010.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Die Würde der Pflanze: Ein sinnvolles ethisches Prinzip im Kontext der grünen Gentechnik?},\n type = {book},\n year = {2010},\n publisher = {Karl Alber},\n city = {Freiburg/München},\n id = {2d5bb46f-6108-3e4f-b860-2546fa9fdf3a},\n created = {2021-04-02T00:03:25.880Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:25.880Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Odparlik, Sabine}\n}
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\n \n\n \n \n \n \n \n \n Values and Evaluations: Reading for Beauty in John Lindley’s ‘A Sketch of the Vegetation of the Swan River Colony’ (1839–40).\n \n \n \n \n\n\n \n Ryan, J., C.\n\n\n \n\n\n\n The New Critic, (13): 1-17. 2010.\n \n\n\n\n
\n\n\n\n \n \n \"ValuesWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Values and Evaluations: Reading for Beauty in John Lindley’s ‘A Sketch of the Vegetation of the Swan River Colony’ (1839–40)},\n type = {article},\n year = {2010},\n pages = {1-17},\n websites = {http://www.ias.uwa.edu.au/new-critic/thirteen/ryan},\n id = {d98d4e10-44f1-3c50-ab8c-5f6bc12a22ae},\n created = {2021-04-02T00:04:20.611Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:20.611Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles},\n journal = {The New Critic},\n number = {13}\n}
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\n \n\n \n \n \n \n \n \n Imperial Plants: Modern Science, Plant Classification and European Voyages of Discovery.\n \n \n \n \n\n\n \n O’Donnell, R.\n\n\n \n\n\n\n Graduate Journal of Social Science, 7(1): 59-72. 2010.\n \n\n\n\n
\n\n\n\n \n \n \"ImperialWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Imperial Plants: Modern Science, Plant Classification and European Voyages of Discovery},\n type = {article},\n year = {2010},\n pages = {59-72},\n volume = {7},\n websites = {http://gjss.org/sites/default/files/issues/chapters/papers/Journal-07-01--05-ODonnell.pdf},\n id = {d03eea22-7534-3302-b688-4b207a0ef918},\n created = {2021-04-02T00:05:08.172Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:08.172Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {O’Donnell, Rachel},\n journal = {Graduate Journal of Social Science},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Bodily Natures: Science, Environment, and the Material Self.\n \n \n \n\n\n \n Alaimo, S.\n\n\n \n\n\n\n Indiana University Press, 2010.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Bodily Natures: Science, Environment, and the Material Self},\n type = {book},\n year = {2010},\n publisher = {Indiana University Press},\n city = {Bloomington},\n id = {1b9aeb62-15d9-30c1-9830-563ffa31faec},\n created = {2021-04-05T16:37:10.830Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:10.830Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Alaimo, Stacy}\n}
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\n \n\n \n \n \n \n \n Botanica Delira: More Stories of Strange, Undiscovered, and Murderous Vegetation.\n \n \n \n\n\n \n Arment, C.,\n editor.\n \n\n\n \n\n\n\n Coachwhip Publications, 2010.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Botanica Delira: More Stories of Strange, Undiscovered, and Murderous Vegetation},\n type = {book},\n year = {2010},\n publisher = {Coachwhip Publications},\n city = {Greenville, OH},\n id = {b11bf739-3a77-375c-b287-b4bdc80c57eb},\n created = {2021-06-28T14:05:39.545Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:39.545Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Arment, Chad}\n}
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\n \n\n \n \n \n \n \n The Victorian Fern Craze.\n \n \n \n\n\n \n Whittingham, S.\n\n\n \n\n\n\n Shire Publications, 2010.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {The Victorian Fern Craze},\n type = {book},\n year = {2010},\n publisher = {Shire Publications},\n city = {London},\n id = {41b2dc43-d670-3cdb-8ead-7785fa055a92},\n created = {2021-06-28T14:05:40.548Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:40.548Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Fern Fever (or Pteridomania, to give it its official name), hit Britain between 1837 and 1914 and peaked between 1840 and 1890. Although in previous centuries ferns played an important role in customs and folklore, it was only in this period that they were coveted for aesthetic reasons and that man's passion for them reached its zenith.\nThe craze for collecting ferns reached such epidemic proportions that it affected the very existence of some species. The fern craze started to gather momentum in the 1840s; books and magazines maintained that fern growing was a hobby that anyone could enjoy as ferns would grow in the glazed fernery, garden, shady yard, window box or even indoors in Wardian Cases. The mania also spread from the living plant to depicting it in architecture and the decorative arts. Even roads, villas and terraced houses were named after the fern.\nThis book, the first to deal exclusively with the subject for nearly forty years, looks at the how the craze developed, the ways in which ferns were incorporated into garden and home, and the spread of the fern through Victorian material and visual culture.},\n bibtype = {book},\n author = {Whittingham, Sarah}\n}
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\n Fern Fever (or Pteridomania, to give it its official name), hit Britain between 1837 and 1914 and peaked between 1840 and 1890. Although in previous centuries ferns played an important role in customs and folklore, it was only in this period that they were coveted for aesthetic reasons and that man's passion for them reached its zenith.\nThe craze for collecting ferns reached such epidemic proportions that it affected the very existence of some species. The fern craze started to gather momentum in the 1840s; books and magazines maintained that fern growing was a hobby that anyone could enjoy as ferns would grow in the glazed fernery, garden, shady yard, window box or even indoors in Wardian Cases. The mania also spread from the living plant to depicting it in architecture and the decorative arts. Even roads, villas and terraced houses were named after the fern.\nThis book, the first to deal exclusively with the subject for nearly forty years, looks at the how the craze developed, the ways in which ferns were incorporated into garden and home, and the spread of the fern through Victorian material and visual culture.\n
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\n \n\n \n \n \n \n \n Bäume: Lexikon der praktischen Baumbiologie.\n \n \n \n\n\n \n Roloff, A.\n\n\n \n\n\n\n John Wiley & Sons, 2010.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Bäume: Lexikon der praktischen Baumbiologie},\n type = {book},\n year = {2010},\n publisher = {John Wiley & Sons},\n city = {Hoboken, NJ},\n id = {877e0a01-9fb6-3707-9d41-a5834410e274},\n created = {2021-11-24T15:12:08.255Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-24T15:12:08.255Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Roloff, Andreas}\n}
\n
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\n \n\n \n \n \n \n \n Goddesses, Elixirs, and Witches: Plants and Sexuality throughout Human History.\n \n \n \n\n\n \n Riddle, J., M.\n\n\n \n\n\n\n Palgrave Macmillan, 2010.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = { Goddesses, Elixirs, and Witches: Plants and Sexuality throughout Human History},\n type = {book},\n year = {2010},\n publisher = {Palgrave Macmillan},\n city = {New York},\n id = {4796b7a3-dd4a-30f7-bc32-a338675e30ad},\n created = {2024-08-05T02:54:20.800Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:54:20.800Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Riddle, John M.}\n}
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\n  \n 2009\n \n \n (10)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n Through the Woods.\n \n \n \n\n\n \n Bates, H.\n\n\n \n\n\n\n Little Toller Books, 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Through the Woods},\n type = {book},\n year = {2009},\n publisher = {Little Toller Books},\n city = {Dorset},\n id = {6f1f5659-a4b8-353c-8449-3e3612ef88d3},\n created = {2021-04-02T00:02:44.821Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:44.821Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {H.E. Bates carried a woodland in his imagination. He fell under its spell as a boy growing up in the Midlands, becoming increasingly enchanted each time he stepped below the wooded canopy. Memory magnified its mystery over the years, enriching his stories as he grew successful as a writer.},\n bibtype = {book},\n author = {Bates, H.E.}\n}
\n
\n\n\n
\n H.E. Bates carried a woodland in his imagination. He fell under its spell as a boy growing up in the Midlands, becoming increasingly enchanted each time he stepped below the wooded canopy. Memory magnified its mystery over the years, enriching his stories as he grew successful as a writer.\n
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\n \n\n \n \n \n \n \n The Ethics of 'Following Nature' in Forestry.\n \n \n \n\n\n \n Klenk, N.\n\n\n \n\n\n\n Environmental Ethics, 31(1): 67-84. 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Ethics of 'Following Nature' in Forestry},\n type = {article},\n year = {2009},\n pages = {67-84},\n volume = {31},\n id = {324b75f8-b0cf-3190-b275-33afa734bfc5},\n created = {2021-04-02T00:03:02.863Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:02.863Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Klenk, Nicole},\n journal = {Environmental Ethics},\n number = {1}\n}
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\n \n\n \n \n \n \n \n \n Vieldeutige Natur: Landschaft, Wildnis und Ökosystem als kulturgeschichtliche Phänomene.\n \n \n \n \n\n\n \n Kirchhoff, T.; and Trepl, L.\n\n\n \n\n\n\n transcript Verlag, 2009.\n \n\n\n\n
\n\n\n\n \n \n \"VieldeutigeWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Vieldeutige Natur: Landschaft, Wildnis und Ökosystem als kulturgeschichtliche Phänomene},\n type = {book},\n year = {2009},\n pages = {353},\n websites = {https://usearch.univie.ac.at/primo-explore/fulldisplay?docid=UWI_alma51353435430003332&context=L&vid=UWI&lang=de_DE&search_scope=UWI_UBBestand&adaptor=Local Search Engine&isFrbr=true&tab=default_tab&query=any,contains,Ludwig trepl&sortby=date&facet=frbrgr},\n publisher = {transcript Verlag},\n city = {Bielefeld},\n id = {bdf011ea-b82e-36ce-b1ca-4fe5d464b48b},\n created = {2021-04-02T00:03:39.672Z},\n accessed = {2019-07-22},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:39.672Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n abstract = {Natur erleben wir als etwas Gegebenes - und doch ist sie eine Projektion kultureller Ideen und gesellschaftlicher Ideale. So ist sie nicht nur ökologisches System, sondern auch vieldeutiges Symbol: 'locus amoenus' und 'locus terribilis', einerseits Wildnis und andererseits grandiose, heimatliche, heroische, idyllische Landschaft. Facettenreich und inspirierend stellen die Analysen zu verschiedenen Epochen und Kulturen (Deutschland, England, Frankreich, Holland, Italien, Ungarn, USA, China) die "Natur"--Zugänge unterschiedlicher Disziplinen vor. Frontmatter -- INHALT -- Danksagung -- Vorwort / Haber, Wolfgang -- Landschaft, Wildnis, Ökosystem: zur kulturbedingten Vieldeutigkeit ästhetischer, moralischer und theoretischer 9 Naturauffassungen. Einleitender Überblick / Kirchhoff, Thomas ; Trepl, Ludwig -- Bemerkungen zum semantischen Wandel von>Landschaft<seit dem 18. Jahrhundert / Brückner, Domtnik -- Über das Hinsehen und das Absehen von Landschaft / Bohr, Jörn -- Reflexionen über Landschaft und Arbeit / Fischer, Ludwig -- Kulturelle Differenzen der Landschaftswahrnehmung in England, Frankreich, Deutschland und Ungarn / Drexler, Döra -- Bedeutungsaspekte von Natur und Landschaft in der Kultur Venedigs um 1500 / Korbacher, Dagmar -- Das "angenehme Gebirge". Dünenlandschaften in der holländischen Malerei des 17. Jahrhunderts / Volmert, Miriam -- Die Vieldeutigkeit der Bilder im Landschaftsgarten / Siegmund, Andrea -- Landschaftliche Kulturpflege -- die Idee der Landschaft im kulturpolitischen Konzept des Landschaftsverbandes Westfalen-Lippe / Netzer, Katinka -- Positionen und Konzepte zur Bergbaufolgelandschaft. Ansätze einer kulturwissenschaftlichen Analyse des planerisch-gestalterischen Diskurses / Schwarzer, Markus -- Vielfältig und vieldeutig: Natur und Landschaft im Chinesischen / Küchler, Johannes ; Wang, Xinhai -- Die Landschaft der Architekten / Raith, Karin -- Zwischenstadt als Heimat / Vicenzotti, Vera -- Die Erfindung des tropischen Regenwaldes / Hupke, Klaus-Dieter -- Von der schrecklichen Waldwildnis zum bedrohten Waldökosystem-Differenzierung von Wildnisbegriffen in der Geschichte des Bayerischen Waldes / Kangler, Gisela -- Landschaft als Auflösung ihrer selbst -- Die Besiedelung des amerikanischen Westens / Kathke, Torsten -- Der Transzendentalismus als philosophische Basis des 279 amerikanischen Freiheitsmythos vom Pionier in der Wildnis / Hass, Anne -- Vom>züchterischen Blick<zur Kombinationszüchtung. Die landwirtschaftliche Kulturpflanze um 1900 zwischen Geistes- und Naturwissenschaft / Gelinsky, Eva -- Globale Vielzahl oder lokale Vielfalt: zur kulturellen Ambivalenz von>Biodiversität</ Kirchhoff, Thomas ; Haider, Sylvia -- >Wie sie ein Ganzes bilden<- analoge Deutungsmuster in ökologischen Theorien und politischen Philosophien der Vergesellschaftung / Voigt, Annette -- Autorinnen und Autoren -- Backmatter.},\n bibtype = {book},\n author = {Kirchhoff, Thomas and Trepl, Ludwig}\n}
\n
\n\n\n
\n Natur erleben wir als etwas Gegebenes - und doch ist sie eine Projektion kultureller Ideen und gesellschaftlicher Ideale. So ist sie nicht nur ökologisches System, sondern auch vieldeutiges Symbol: 'locus amoenus' und 'locus terribilis', einerseits Wildnis und andererseits grandiose, heimatliche, heroische, idyllische Landschaft. Facettenreich und inspirierend stellen die Analysen zu verschiedenen Epochen und Kulturen (Deutschland, England, Frankreich, Holland, Italien, Ungarn, USA, China) die \"Natur\"--Zugänge unterschiedlicher Disziplinen vor. Frontmatter -- INHALT -- Danksagung -- Vorwort / Haber, Wolfgang -- Landschaft, Wildnis, Ökosystem: zur kulturbedingten Vieldeutigkeit ästhetischer, moralischer und theoretischer 9 Naturauffassungen. Einleitender Überblick / Kirchhoff, Thomas ; Trepl, Ludwig -- Bemerkungen zum semantischen Wandel von>Landschaftzüchterischen BlickBiodiversitätWie sie ein Ganzes bilden<- analoge Deutungsmuster in ökologischen Theorien und politischen Philosophien der Vergesellschaftung / Voigt, Annette -- Autorinnen und Autoren -- Backmatter.\n
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\n \n\n \n \n \n \n \n Restless Romantic Plants: Goethe Meets Hegel.\n \n \n \n\n\n \n Kelley, T., M.\n\n\n \n\n\n\n European Romantic Review, Special Issue: Romantic Diversity, 20(2): 187-195. 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Restless Romantic Plants: Goethe Meets Hegel},\n type = {article},\n year = {2009},\n pages = {187-195},\n volume = {20},\n id = {cff9e9e3-c02e-309a-bc07-dc870e2c1549},\n created = {2021-04-02T00:04:02.361Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:02.361Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Kelley, Theresa M.},\n journal = {European Romantic Review, Special Issue: Romantic Diversity},\n number = {2}\n}
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\n \n\n \n \n \n \n \n \n 'Plants That Perform For You?' From Floral Aesthetics to Floraesthesis in the Southwest of Western Australia.\n \n \n \n \n\n\n \n Ryan, J., C.; and Rooney, M.\n\n\n \n\n\n\n Australian Humanities Review, 47: 117-140. 2009.\n \n\n\n\n
\n\n\n\n \n \n \"'PlantsWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {'Plants That Perform For You?' From Floral Aesthetics to Floraesthesis in the Southwest of Western Australia},\n type = {article},\n year = {2009},\n pages = {117-140},\n volume = {47},\n websites = {http://australianhumanitiesreview.org/2009/11/01/plants-that-perform-for-you-from-floral-aesthetics-to-floraesthesis-in-the-southwest-of-western-australia/},\n id = {1c12f08e-c019-3e3e-a331-fa34bb3793f0},\n created = {2021-04-02T00:05:07.271Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:07.271Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Ryan, John Charles and Rooney, Monique},\n journal = {Australian Humanities Review}\n}
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\n \n\n \n \n \n \n \n Botanischer Horror: Vom Woher und Wohin tödlicher Pflanzen in der phantastischen Literatur.\n \n \n \n\n\n \n Supper, J.\n\n\n \n\n\n\n Quarber Merkur, 109(110): 181-196. 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Botanischer Horror: Vom Woher und Wohin tödlicher Pflanzen in der phantastischen Literatur},\n type = {article},\n year = {2009},\n pages = {181-196},\n volume = {109},\n id = {2e59d8c5-64ce-3919-b2bb-ebdca982f17d},\n created = {2021-04-05T16:38:01.201Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:01.201Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Supper, Judith},\n journal = {Quarber Merkur},\n number = {110}\n}
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\n \n\n \n \n \n \n \n Murderous Plants: Victorian Gothic, Darwin, and Modern Insights into Vegetable Carnivory.\n \n \n \n\n\n \n Chase, M., W.; and et al.\n\n\n \n\n\n\n Botanical Journal of the Linnean Society, 161: 329-356. 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Murderous Plants: Victorian Gothic, Darwin, and Modern Insights into Vegetable Carnivory},\n type = {article},\n year = {2009},\n pages = {329-356},\n volume = {161},\n id = {89d41a20-15ec-3552-87f5-804c8b750342},\n created = {2021-04-05T16:38:13.860Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:13.860Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Chase, Mark W. and et al., undefined},\n journal = {Botanical Journal of the Linnean Society}\n}
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\n \n\n \n \n \n \n \n Flora Mirabilis: How Plants Have Shaped World Knowledge, Health, Wealth, and Beauty.\n \n \n \n\n\n \n Howell, C., H.; and Raven, P., H.\n\n\n \n\n\n\n National Geographic Society, 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Flora Mirabilis: How Plants Have Shaped World Knowledge, Health, Wealth, and Beauty},\n type = {book},\n year = {2009},\n publisher = {National Geographic Society},\n city = {Washington},\n id = {693cf2dc-7057-304a-9182-2817f33ea8dd},\n created = {2021-04-05T16:38:55.987Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:55.987Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n bibtype = {book},\n author = {Howell, Catherine Herbert. and Raven, Peter Hamilton.}\n}
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\n \n\n \n \n \n \n \n \n The Root of All Evil? The Mandrake Myth in German Literature from 1673 to 1913 (Master Thesis).\n \n \n \n \n\n\n \n Kobs, M.\n\n\n \n\n\n\n Ph.D. Thesis, 2009.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@phdthesis{\n title = {The Root of All Evil? The Mandrake Myth in German Literature from 1673 to 1913 (Master Thesis)},\n type = {phdthesis},\n year = {2009},\n websites = {https://www.proquest.com/openview/30f5305db648d996b6fe32ddd07b2d55/1?pq-origsite=gscholar&cbl=18750&diss=y},\n city = {Columbia},\n institution = {University of Missouri},\n id = {5b9ae83d-2fe8-3fe0-a6da-d475c2c37f6c},\n created = {2021-06-21T17:21:26.837Z},\n accessed = {2021-06-21},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:34:22.762Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n user_context = {Master Thesis},\n private_publication = {false},\n abstract = {ProQuest Dissertations Publishing, 1481462},\n bibtype = {phdthesis},\n author = {Kobs, Michael}\n}
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\n ProQuest Dissertations Publishing, 1481462\n
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\n \n\n \n \n \n \n \n Of Books and Botany in Early Modern England: Sixteenth-Century Plants and Print Culture.\n \n \n \n\n\n \n Knight, L.\n\n\n \n\n\n\n Routledge, 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Of Books and Botany in Early Modern England: Sixteenth-Century Plants and Print Culture},\n type = {book},\n year = {2009},\n publisher = {Routledge},\n city = {New York},\n id = {423bddce-c8e1-3c72-ab93-eeecb3ce65e0},\n created = {2024-08-05T01:24:28.084Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:24:28.084Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Knight, Leah}\n}
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\n  \n 2008\n \n \n (14)\n \n \n
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\n \n\n \n \n \n \n \n Biotechnics: Plants and Animals as Inventors.\n \n \n \n\n\n \n Steadman, P.\n\n\n \n\n\n\n In Steadman, P., editor(s), The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts, pages 153-162, 2008. Routledge\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Biotechnics: Plants and Animals as Inventors},\n type = {inproceedings},\n year = {2008},\n pages = {153-162},\n publisher = {Routledge},\n city = {Axon},\n id = {41c8d0ce-ecca-3e3a-a396-bcf30081dfd9},\n created = {2021-04-02T00:00:30.868Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:29:46.265Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {First Edition published in 1979.},\n bibtype = {inproceedings},\n author = {Steadman, Philip},\n editor = {Steadman, Philip},\n booktitle = {The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts}\n}
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\n First Edition published in 1979.\n
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\n \n\n \n \n \n \n \n \n In the Mind of Plants (Documentary).\n \n \n \n \n\n\n \n Mitsch, J.\n\n\n \n\n\n\n 2008.\n \n\n\n\n
\n\n\n\n \n \n \"InWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{\n title = {In the Mind of Plants (Documentary)},\n type = {misc},\n year = {2008},\n websites = {https://topdocumentaryfilms.com/mind-plants/},\n publisher = {K Production / Gedeon Programmes},\n id = {6e169bee-4b40-3551-aced-e6f4a6dc5a50},\n created = {2021-04-02T00:00:46.615Z},\n accessed = {2021-01-05},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:46.615Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n country = {France/Germany/Japan/South Africa},\n private_publication = {false},\n bibtype = {misc},\n author = {Mitsch, Jacques}\n}
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\n \n\n \n \n \n \n \n Community Orchards Handbook.\n \n \n \n\n\n \n Clifford, S.; and King, A.\n\n\n \n\n\n\n Little Toller Books, 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Community Orchards Handbook},\n type = {book},\n year = {2008},\n publisher = {Little Toller Books},\n city = {Dorset},\n id = {1105042f-3c7a-33b9-bd41-c98783a1a03c},\n created = {2021-04-02T00:02:22.666Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:22.666Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Drawing on more than twenty years of championing orchards and the experiences of many people who have created Community Orchards, the Handbook offers philosophy and practical advice to those inspired to become Community Orchardists.},\n bibtype = {book},\n author = {Clifford, Sue and King, Angela}\n}
\n
\n\n\n
\n Drawing on more than twenty years of championing orchards and the experiences of many people who have created Community Orchards, the Handbook offers philosophy and practical advice to those inspired to become Community Orchardists.\n
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\n \n\n \n \n \n \n \n Wissen im Netz: Botanik und Pflanzentransfer in europäischen Korrespondenznetzen des 18. Jahrhunderts.\n \n \n \n\n\n \n Dauser, R.; and Böswald-Rid, E.\n\n\n \n\n\n\n of Colloquia Augustana ; 24Akad.-Verl., 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Wie die Würde gedeiht: Pflanzen in der Bioethik.\n \n \n \n\n\n \n Odparlik, S.; Kunzmann, P.; and Knoepffler, N.\n\n\n \n\n\n\n UTZ, 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Wie die Würde gedeiht: Pflanzen in der Bioethik},\n type = {book},\n year = {2008},\n publisher = {UTZ},\n city = {München},\n id = {f5ef4148-e2f0-392a-a08e-2a3ddead2e87},\n created = {2021-04-02T00:03:24.072Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:24.072Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Odparlik, Sabine and Kunzmann, Peter and Knoepffler, Nikolaus}\n}
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\n \n\n \n \n \n \n \n \n Notes from Walnut Tree Farm.\n \n \n \n \n\n\n \n Deakin, R.\n\n\n \n\n\n\n Hamish Hamilton, 2008.\n \n\n\n\n
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\n 
@book{\n title = {Notes from Walnut Tree Farm},\n type = {book},\n year = {2008},\n websites = {https://www.amazon.de/Notes-Walnut-Tree-Alison-Hastie/dp/0141039027/ref=sr_1_1?s=books-intl-de&ie=UTF8&qid=1549414032&sr=1-1&keywords=deakin+notes+from+a+walnut},\n publisher = {Hamish Hamilton},\n city = {London},\n id = {786ecd0c-cd64-35b1-90f0-c0c9bbe92682},\n created = {2021-04-02T00:04:33.610Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:33.610Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Deakin, Roger},\n editor = {Hastie, Alison and Blacker, Terence}\n}
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\n \n\n \n \n \n \n \n The Happening (Film).\n \n \n \n\n\n \n Shyamalan, M., N.\n\n\n \n\n\n\n 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {The Happening (Film)},\n type = {misc},\n year = {2008},\n id = {cdd5a869-9166-3bfa-8d3e-42a4f576f351},\n created = {2021-04-05T16:36:20.046Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:20.046Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Shyamalan, M. Night}\n}
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\n \n\n \n \n \n \n \n The Ruins (Film).\n \n \n \n\n\n \n Smith, C.; and Smith, S.\n\n\n \n\n\n\n 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {The Ruins (Film)},\n type = {misc},\n year = {2008},\n id = {2d68af27-5cf7-3979-a04c-0e2054d4c61b},\n created = {2021-04-05T16:36:20.865Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:20.865Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Smith, Carter and Smith, Scott}\n}
\n
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\n \n\n \n \n \n \n \n Gardens: An Essay on the Human Condition.\n \n \n \n\n\n \n Harrison, R., P.\n\n\n \n\n\n\n University of Chicago Press, 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n The Brother Gardeners: Botany, Empire, and the Birth of an Obsession.\n \n \n \n\n\n \n Wulf, A.\n\n\n \n\n\n\n Vintage Books, 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Brother Gardeners: Botany, Empire, and the Birth of an Obsession},\n type = {book},\n year = {2008},\n publisher = {Vintage Books},\n city = {New York},\n id = {b6133853-a4c9-34f6-a25c-14a68ca1384d},\n created = {2021-04-05T16:37:33.777Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:33.777Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Wulf, Andrea}\n}
\n
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\n \n\n \n \n \n \n \n The Aliveness of Plants: the Darwins at the Dawn of Plant Science.\n \n \n \n\n\n \n Ayres, P., G.\n\n\n \n\n\n\n Pickering & Chatto, 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Aliveness of Plants: the Darwins at the Dawn of Plant Science},\n type = {book},\n year = {2008},\n publisher = {Pickering & Chatto},\n city = {London},\n id = {a57ea811-83f4-3c4e-be0b-ec553262cb1e},\n created = {2021-04-05T16:38:15.664Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:15.664Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ayres, P. G}\n}
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\n \n\n \n \n \n \n \n The Wild Trees: A Story of Passion and Daring.\n \n \n \n\n\n \n Preston, R.\n\n\n \n\n\n\n Random House, 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Wild Trees: A Story of Passion and Daring},\n type = {book},\n year = {2008},\n publisher = {Random House},\n city = {New York City},\n id = {5d5df99f-3110-363d-865f-b9968cf77ee8},\n created = {2021-06-21T17:21:28.159Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-21T17:21:28.159Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Preston, Richard}\n}
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\n \n\n \n \n \n \n \n The Poet as Botanist.\n \n \n \n\n\n \n Mahood, M., M.\n\n\n \n\n\n\n Cambridge University Press, 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Poet as Botanist},\n type = {book},\n year = {2008},\n publisher = {Cambridge University Press},\n city = {Cambridge, UK},\n id = {8926b2e2-4eab-3a14-9330-11ce95162495},\n created = {2021-06-28T14:05:37.118Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-28T14:05:37.118Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Mahood, Molly M}\n}
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\n \n\n \n \n \n \n \n The First Botanical Gardens in Geneva (ca. 1750-1830): Private Initiative Leading Science.\n \n \n \n\n\n \n Sigrist, R.; and Bungener, P.\n\n\n \n\n\n\n Studies in the History of Gardens and Designed Landscapes, 28(3-4): 333-350. 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The First Botanical Gardens in Geneva (ca. 1750-1830): Private Initiative Leading Science},\n type = {article},\n year = {2008},\n pages = {333-350},\n volume = {28},\n id = {5d94e4e5-3915-39c1-8f15-599a77f69312},\n created = {2021-11-26T20:01:01.532Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-26T20:01:01.532Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Sigrist, René and Bungener, Patrick},\n journal = {Studies in the History of Gardens and Designed Landscapes},\n number = {3-4}\n}
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\n  \n 2007\n \n \n (15)\n \n \n
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\n \n\n \n \n \n \n \n Heredity Produced: At the Crossroads of Biology, Politics, and Culture, 1500-1870.\n \n \n \n\n\n \n Müller-Wille, S.; and Rheinberger, H.\n\n\n \n\n\n\n MIT Press, 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Heredity Produced: At the Crossroads of Biology, Politics, and Culture, 1500-1870},\n type = {book},\n year = {2007},\n publisher = {MIT Press},\n city = {Cambridge, Mass},\n id = {ae0f4c9a-2d9e-30b2-94e7-0b92ac5f0488},\n created = {2021-04-02T00:01:41.361Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:41.361Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The cultural history of heredity: scholars from a range of disciplines discuss the evolution of the concept of heredity, from the Early Modern understanding of the act of "generation" to its later nineteenth-century definition as the transmission of characteristics across generations. Until the middle of the eighteenth century, the biological makeup of an organism was ascribed to an individual instance of "generation"--involving conception, pregnancy, embryonic development, parturition, lactation, and even astral influences and maternal mood--rather than the biological transmission of traits and characteristics. Discussions of heredity and inheritance took place largely in the legal and political sphere. In Heredity Produced, scholars from a broad range of disciplines explore the development of the concept of heredity from the early modern period to the era of Darwin and Mendel. The contributors examine the evolution of the concept in disparate cultural realms--including law, medicine, and natural history--and show that it did not coalesce into a more general understanding of heredity until the mid-nineteenth century. They consider inheritance and kinship in a legal context; the classification of certain diseases as hereditary; the study of botany; animal and plant breeding and hybridization for desirable characteristics; theories of generation and evolution; and anthropology and its study of physical differences among humans, particularly skin color. The editors argue that only when people, animals, and plants became more mobile--and were separated from their natural habitats through exploration, colonialism, and other causes--could scientists distinguish between inherited and environmentally induced traits and develop a coherent theory of heredity. Contributors David Sabean, Silvia De Renzi, Ulrike Vedder, Carlos López Beltrán, Phillip K. Wilson, Laure Cartron, Staffan Müller-Wille, Marc J. Ratcliff, Roger Wood, Mary Terrall, Peter McLaughlin, François Duchesneau, Ohad Parnes, Renato Mazzolini, Paul White, Nicolas Pethes, Stefan Willer, Helmuth Müller-Sievers},\n bibtype = {book},\n author = {Müller-Wille, Staffan and Rheinberger, Hans-Jörg}\n}
\n
\n\n\n
\n The cultural history of heredity: scholars from a range of disciplines discuss the evolution of the concept of heredity, from the Early Modern understanding of the act of \"generation\" to its later nineteenth-century definition as the transmission of characteristics across generations. Until the middle of the eighteenth century, the biological makeup of an organism was ascribed to an individual instance of \"generation\"--involving conception, pregnancy, embryonic development, parturition, lactation, and even astral influences and maternal mood--rather than the biological transmission of traits and characteristics. Discussions of heredity and inheritance took place largely in the legal and political sphere. In Heredity Produced, scholars from a broad range of disciplines explore the development of the concept of heredity from the early modern period to the era of Darwin and Mendel. The contributors examine the evolution of the concept in disparate cultural realms--including law, medicine, and natural history--and show that it did not coalesce into a more general understanding of heredity until the mid-nineteenth century. They consider inheritance and kinship in a legal context; the classification of certain diseases as hereditary; the study of botany; animal and plant breeding and hybridization for desirable characteristics; theories of generation and evolution; and anthropology and its study of physical differences among humans, particularly skin color. The editors argue that only when people, animals, and plants became more mobile--and were separated from their natural habitats through exploration, colonialism, and other causes--could scientists distinguish between inherited and environmentally induced traits and develop a coherent theory of heredity. Contributors David Sabean, Silvia De Renzi, Ulrike Vedder, Carlos López Beltrán, Phillip K. Wilson, Laure Cartron, Staffan Müller-Wille, Marc J. Ratcliff, Roger Wood, Mary Terrall, Peter McLaughlin, François Duchesneau, Ohad Parnes, Renato Mazzolini, Paul White, Nicolas Pethes, Stefan Willer, Helmuth Müller-Sievers\n
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\n \n\n \n \n \n \n \n Botany, Sexuality and Women's Writing, 1760–1830: From Modest Shoot to Forward Plant.\n \n \n \n\n\n \n George, S.\n\n\n \n\n\n\n Manchester University Press, 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Scientific Analogy and Literary Taxonomy in Darwin's Loves of the Plants.\n \n \n \n\n\n \n Porter, D.\n\n\n \n\n\n\n European Romantic Review, 18(2): 213-221. 2007.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Scientific Analogy and Literary Taxonomy in Darwin's Loves of the Plants},\n type = {article},\n year = {2007},\n pages = {213-221},\n volume = {18},\n id = {c96f6fda-db22-3134-99bf-703716724023},\n created = {2021-04-02T00:02:31.072Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:31.072Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {This essay situates Eramus Darwin's wildly popular annotated poem Loves of the Plants (1789) alongside Francis Bacon's suggestions for applying inductive method to emotions, Wordsworth's parody of empiricism in “The Thorn,” and the function of footnotes in eighteenth‐century satires and georgics. Within this framework, I show that Darwin's text forges relations through analogy, an empiricist procedure shared by eighteenth‐century natural and moral philosophy. While Darwin exploits this conjunction to create an outlet for his radical analogical science, melding literary and scientific practice threatens to reveal knowledge built on empirical method as, at bottom, the product of rhetorical figures. I argue that the disjunctive format and formal components of Darwin's poem—and mental gymnastics they require of readers—are calculated to forestall the collapse of scientific analogy into its literary counterparts of metaphor and simile.},\n bibtype = {article},\n author = {Porter, Dahlia},\n doi = {10.1080/10509580701297950},\n journal = {European Romantic Review},\n number = {2}\n}
\n
\n\n\n
\n This essay situates Eramus Darwin's wildly popular annotated poem Loves of the Plants (1789) alongside Francis Bacon's suggestions for applying inductive method to emotions, Wordsworth's parody of empiricism in “The Thorn,” and the function of footnotes in eighteenth‐century satires and georgics. Within this framework, I show that Darwin's text forges relations through analogy, an empiricist procedure shared by eighteenth‐century natural and moral philosophy. While Darwin exploits this conjunction to create an outlet for his radical analogical science, melding literary and scientific practice threatens to reveal knowledge built on empirical method as, at bottom, the product of rhetorical figures. I argue that the disjunctive format and formal components of Darwin's poem—and mental gymnastics they require of readers—are calculated to forestall the collapse of scientific analogy into its literary counterparts of metaphor and simile.\n
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\n \n\n \n \n \n \n \n Hybrid Commodities, Gendered Aesthetics, and the Challenge of Cross‐Cultural Comparison: A Response to Moretti’s ‘The Novel: History and Theory’.\n \n \n \n\n\n \n Porter, D.\n\n\n \n\n\n\n Literature Compass, 7(9): 900-911. 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Hybrid Commodities, Gendered Aesthetics, and the Challenge of Cross‐Cultural Comparison: A Response to Moretti’s ‘The Novel: History and Theory’},\n type = {article},\n year = {2007},\n pages = {900-911},\n volume = {7},\n id = {a378a7a7-ad92-3564-8cad-4c6a159ad7c1},\n created = {2021-04-02T00:02:32.006Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:32.006Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Porter, Dahlia},\n journal = {Literature Compass},\n number = {9}\n}
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\n \n\n \n \n \n \n \n Character and Environment: A Virtue-Oriented Approach to Environmental Ethics.\n \n \n \n\n\n \n Sandler, R., L.\n\n\n \n\n\n\n Columbia University Press, 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Character and Environment: A Virtue-Oriented Approach to Environmental Ethics},\n type = {book},\n year = {2007},\n publisher = {Columbia University Press},\n city = {New York City},\n id = {185ea67c-e6ed-3b33-95b0-faa57b0dc3c2},\n created = {2021-04-02T00:03:10.450Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:10.450Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Sandler, Ronald L.}\n}
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\n \n\n \n \n \n \n \n Environmental Virtue Ethics.\n \n \n \n\n\n \n Hursthouse, R.\n\n\n \n\n\n\n In Walker, R., L.; and Ivanhoe, P., J., editor(s), Working Virtue: Virtue Ethics and Contemporary Moral Problems, pages 155-171, 2007. Oxford University Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Environmental Virtue Ethics},\n type = {inproceedings},\n year = {2007},\n pages = {155-171},\n publisher = {Oxford University Press},\n city = {Oxford},\n id = {4bdd6110-c97e-3651-9b7f-5e7bf1e61b4f},\n created = {2021-04-02T00:03:15.285Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:15.285Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Hursthouse, Rosalind},\n editor = {Walker, Rebecca L. and Ivanhoe, Philip J.},\n booktitle = {Working Virtue: Virtue Ethics and Contemporary Moral Problems}\n}
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\n \n\n \n \n \n \n \n Eine Würde für alle Lebewesen?.\n \n \n \n\n\n \n Odparlik, S.; and Kunzmann, P.\n\n\n \n\n\n\n UTZ, 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Eine Würde für alle Lebewesen?},\n type = {book},\n year = {2007},\n publisher = {UTZ},\n city = {München},\n id = {5d06e965-5e68-365a-98d2-ca60c815e7fa},\n created = {2021-04-02T00:03:24.975Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:24.975Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Odparlik, Sabine and Kunzmann, Peter}\n}
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\n \n\n \n \n \n \n \n Plant Taxonomy: The Love of Plants.\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n Nature, 446(7133): 268. 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Plant Taxonomy: The Love of Plants},\n type = {article},\n year = {2007},\n keywords = {Physics,Sciences (General)},\n pages = {268},\n volume = {446},\n publisher = {Nature Publishing Group},\n id = {714af61b-eb31-39b3-98d4-29d4a66820ae},\n created = {2021-04-02T00:03:44.904Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:44.904Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {StaffanMüller-Wille2007PtTl},\n source_type = {article},\n private_publication = {false},\n bibtype = {article},\n author = {Müller-Wille, Staffan},\n journal = {Nature},\n number = {7133}\n}
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\n \n\n \n \n \n \n \n \n Pflanzenjäger: In fernen Welten auf der Suche nach dem Paradies.\n \n \n \n \n\n\n \n Hielscher, K.; and Hücking, R.\n\n\n \n\n\n\n Piper, 2007.\n \n\n\n\n
\n\n\n\n \n \n \"Pflanzenjäger:Website\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Pflanzenjäger: In fernen Welten auf der Suche nach dem Paradies},\n type = {book},\n year = {2007},\n websites = {https://www.amazon.de/Pflanzenj%C3%A4ger-fernen-Welten-Suche-Paradies/dp/3492241638},\n publisher = {Piper},\n city = {München},\n id = {7d509acb-39ed-3f95-b4d9-94852d7b6ba9},\n created = {2021-04-02T00:04:30.720Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:30.720Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Hielscher, Kej and Hücking, Renate}\n}
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\n \n\n \n \n \n \n \n Wildwood: A Journey through Trees.\n \n \n \n\n\n \n Deakin, R.\n\n\n \n\n\n\n Hamish Hamilton, 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Wildwood: A Journey through Trees},\n type = {book},\n year = {2007},\n publisher = {Hamish Hamilton},\n city = {London},\n id = {13cbbafd-f34c-3a6c-8a28-0a1ef2a3aa57},\n created = {2021-04-02T00:04:38.128Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:38.128Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Deakin, Roger}\n}
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\n \n\n \n \n \n \n \n Colonial Botany: Science, Commerce, and Politics in the Early Modern World.\n \n \n \n\n\n \n Schiebinger, L.; and Swan, C.\n\n\n \n\n\n\n University of Pennsilvania Press, 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Colonial Botany: Science, Commerce, and Politics in the Early Modern World},\n type = {book},\n year = {2007},\n publisher = {University of Pennsilvania Press},\n city = {Philadelphia},\n id = {d59e3558-d3c7-33d7-8ffe-fa10362a68b0},\n created = {2021-04-02T00:05:10.887Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:10.887Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Schiebinger, Londa and Swan, Claudia}\n}
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\n \n\n \n \n \n \n \n Perspectives on the Alien Versus Native Species Debate: A Critique of Concepts, Language and Practice.\n \n \n \n\n\n \n Warren, C., R.\n\n\n \n\n\n\n Progress in Human Geography, 31(4): 427-446. 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Perspectives on the Alien Versus Native Species Debate: A Critique of Concepts, Language and Practice},\n type = {article},\n year = {2007},\n pages = {427-446},\n volume = {31},\n id = {0313860d-6556-3a4f-af21-4e94828d95f4},\n created = {2021-04-05T16:36:06.188Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:06.188Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Warren, Charles R.},\n journal = {Progress in Human Geography},\n number = {4}\n}
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\n \n\n \n \n \n \n \n Growing Weed, Producing Knowledge: An Epistemic History of Arabidopsis thaliana.\n \n \n \n\n\n \n Leonelli, S.\n\n\n \n\n\n\n History and Philosophy of the Life Sciences, 29(2): 193-223. 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Growing Weed, Producing Knowledge: An Epistemic History of Arabidopsis thaliana},\n type = {article},\n year = {2007},\n pages = {193-223},\n volume = {29},\n id = {cdaaa9d0-13e0-379e-a031-d0cff5b448eb},\n created = {2021-04-05T16:36:08.732Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:08.732Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Leonelli, Sabina},\n journal = {History and Philosophy of the Life Sciences},\n number = {2}\n}
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\n \n\n \n \n \n \n \n A Culture of Trees: The Politics of Pruning and Felling in Late Eighteenth-Century France.\n \n \n \n\n\n \n Pacini, G.\n\n\n \n\n\n\n Eighteenth-Century Studies, 41(1): 1-15. 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {A Culture of Trees: The Politics of Pruning and Felling in Late Eighteenth-Century France},\n type = {article},\n year = {2007},\n pages = {1-15},\n volume = {41},\n id = {8721d3c3-2860-353c-9a35-8cd504202231},\n created = {2021-04-05T16:37:40.353Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:40.353Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Pacini, Giulia},\n journal = {Eighteenth-Century Studies},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Flora, Not Fauna: GM Culture and Agriculture.\n \n \n \n\n\n \n McHugh, S.\n\n\n \n\n\n\n Literature and Medicine, 26(1): 25-54. 2007.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Flora, Not Fauna: GM Culture and Agriculture},\n type = {article},\n year = {2007},\n pages = {25-54},\n volume = {26},\n id = {db378dc3-4ceb-3415-a774-4492b4da65ea},\n created = {2021-04-05T16:38:27.659Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:27.659Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Special Issue on "Genomics in Literature, Visual Arts, and Culture,"  ed. by Priscilla Wald, Jay Clayton, and Karla F. C. Holloway.},\n bibtype = {article},\n author = {McHugh, Susan},\n journal = {Literature and Medicine},\n number = {1}\n}
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\n Special Issue on \"Genomics in Literature, Visual Arts, and Culture,\" ed. by Priscilla Wald, Jay Clayton, and Karla F. C. Holloway.\n
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\n  \n 2006\n \n \n (10)\n \n \n
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\n \n\n \n \n \n \n \n Communication in Plants: Neuronal Aspects of Plant Life.\n \n \n \n\n\n \n Baluška, F.; Mancuso, S.; and Volkmann, D.\n\n\n \n\n\n\n Springer, 2006.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Communication in Plants: Neuronal Aspects of Plant Life},\n type = {book},\n year = {2006},\n publisher = {Springer},\n city = {Berlin/Heidelberg},\n id = {87087119-b821-32a9-903a-8b67dd886a07},\n created = {2021-04-02T00:02:57.621Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:57.621Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Baluška, František and Mancuso, Stefano and Volkmann, Dieter}\n}
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\n \n\n \n \n \n \n \n A Philosophy of Gardens.\n \n \n \n\n\n \n Cooper, D., E.\n\n\n \n\n\n\n Oxford University Press, 2006.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {A Philosophy of Gardens},\n type = {book},\n year = {2006},\n publisher = {Oxford University Press},\n city = {Oxford},\n id = {a9c15cb1-c80d-3b03-a928-5e5f228d35be},\n created = {2021-04-02T00:03:09.306Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:09.306Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Cooper, David E.}\n}
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\n \n\n \n \n \n \n \n Die Pflanzentauschbörsen: Das Austauschkonzept und die Netzwerke des botanischen Wissens im 19. Jahrhundert.\n \n \n \n\n\n \n Nicolas, R.\n\n\n \n\n\n\n In Kaasch, M.; Kaasch, J.; and Wissemann, V., editor(s), Netzwerke : Beiträge Zur 13. Jahrestagung Der DGGTB in Neuburg an Der Donau 2004 (Verhandlungen zur Geschichte und Theorie der Biologie, 12), pages 123-136, 2006. VWB, Verl. für Wiss. und Bildung\n \n\n\n\n
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@inproceedings{\n title = {Die Pflanzentauschbörsen: Das Austauschkonzept und die Netzwerke des botanischen Wissens im 19. Jahrhundert},\n type = {inproceedings},\n year = {2006},\n pages = {123-136},\n publisher = {VWB, Verl. für Wiss. und Bildung},\n city = {Berlin},\n id = {0c533c15-db91-35dd-8888-bb8ab03292eb},\n created = {2021-04-02T00:03:18.083Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:18.083Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {NicolasRobin2006DPDA},\n source_type = {article},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Nicolas, Robin},\n editor = {Kaasch, Michael and Kaasch, Joachim and Wissemann, Volker},\n booktitle = {Netzwerke : Beiträge Zur 13. Jahrestagung Der DGGTB in Neuburg an Der Donau 2004 (Verhandlungen zur Geschichte und Theorie der Biologie, 12)}\n}
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\n \n\n \n \n \n \n \n Applying Virtue Ethics to Our Treatment of the Other Animals.\n \n \n \n\n\n \n Hursthouse, R.\n\n\n \n\n\n\n In Welchman, J., editor(s), The Practice of Virtue. Classic and Contemporary Readings in Virtue Ethics, pages 136-155, 2006. Hackett Publishing Company\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Applying Virtue Ethics to Our Treatment of the Other Animals},\n type = {inproceedings},\n year = {2006},\n pages = {136-155},\n publisher = {Hackett Publishing Company},\n city = {Indianapolis/Cambridge},\n id = {81983b5a-b304-35c2-82d5-3899a9a17ab1},\n created = {2021-04-02T00:03:19.154Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:19.154Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Hursthouse, Rosalind},\n editor = {Welchman, Jennifer},\n booktitle = {The Practice of Virtue. Classic and Contemporary Readings in Virtue Ethics}\n}
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\n \n\n \n \n \n \n \n Korrespondenz, Tausch und Klassifikation in der neuzeitlichen Naturgeschichte.\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n In Kaasch, M.; Kaasch, J.; and Wissemann, V., editor(s), Netzwerke : Beiträge Zur 13. Jahrestagung Der DGGTB in Neuburg an Der Donau 2004 (Verhandlungen zur Geschichte und Theorie der Biologie, 12), pages 117-122, 2006. VWB, Verl. für Wiss. und Bildung\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Korrespondenz, Tausch und Klassifikation in der neuzeitlichen Naturgeschichte},\n type = {inproceedings},\n year = {2006},\n pages = {117-122},\n publisher = {VWB, Verl. für Wiss. und Bildung},\n city = {Berlin},\n id = {ea09dfb6-154d-3335-a40a-e46a1ac12eb3},\n created = {2021-04-02T00:03:43.932Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:43.932Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {StaffanMüller-Wille2006KTuK},\n source_type = {article},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Müller-Wille, Staffan},\n editor = {Kaasch, Michael and Kaasch, Joachim and Wissemann, Volker},\n booktitle = {Netzwerke : Beiträge Zur 13. Jahrestagung Der DGGTB in Neuburg an Der Donau 2004 (Verhandlungen zur Geschichte und Theorie der Biologie, 12)}\n}
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\n \n\n \n \n \n \n \n Iconographies of Flora: The Goddess of Flowers in the Cultural History of Botany.\n \n \n \n\n\n \n Shteir, A., B.\n\n\n \n\n\n\n In Shteir, A., B.; and Lightman, B., V., editor(s), Figuring it Out: Science, Gender, and Visual Culture, 2006. Dartmouth College Press: University Press of New England\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Iconographies of Flora: The Goddess of Flowers in the Cultural History of Botany},\n type = {inproceedings},\n year = {2006},\n publisher = {Dartmouth College Press: University Press of New England},\n city = {Hanover, N.H.},\n chapter = {1},\n id = {00f1257b-b6c6-3fb3-93b7-1da859a617ff},\n created = {2021-04-02T00:04:26.818Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:26.818Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Shteir, Ann B.},\n editor = {Shteir, Ann B. and Lightman, Bernard V.},\n booktitle = {Figuring it Out: Science, Gender, and Visual Culture}\n}
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\n \n\n \n \n \n \n \n Bullau: Versuch über Natur.\n \n \n \n\n\n \n Maier, A.; and Büchner, C.\n\n\n \n\n\n\n Heinrich und Hahn, 2006.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Bullau: Versuch über Natur},\n type = {book},\n year = {2006},\n publisher = {Heinrich und Hahn},\n city = {Frankfurt am Main},\n id = {63472552-1564-3b70-9fe8-15e24c3947ea},\n created = {2021-04-02T00:04:37.252Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:37.252Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Maier, Andreas and Büchner, Christine}\n}
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\n \n\n \n \n \n \n \n Jean Linden: Explorer, Master of the Orchid.\n \n \n \n\n\n \n Ceulemans, N.\n\n\n \n\n\n\n Fonds Mercator, 2006.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Jean Linden: Explorer, Master of the Orchid},\n type = {book},\n year = {2006},\n publisher = {Fonds Mercator},\n city = {Brussels},\n id = {e899d533-6b93-385c-b941-0563800ac0dd},\n created = {2021-04-05T16:36:58.088Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:58.088Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ceulemans, Nicole}\n}
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\n \n\n \n \n \n \n \n Deforesting the Earth: From Prehistory to Global Crisis, An Abridgment.\n \n \n \n\n\n \n Williams, M.\n\n\n \n\n\n\n University of Chicago Press, 2006.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Deforesting the Earth: From Prehistory to Global Crisis, An Abridgment},\n type = {book},\n year = {2006},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {3da56232-6277-327a-8cde-a0a5781ba5bd},\n created = {2021-04-05T16:37:42.059Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:42.059Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Williams, Michael}\n}
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\n \n\n \n \n \n \n \n American Perceptions of Immigrant and Invasive Species: Strangers on the Land.\n \n \n \n\n\n \n Coates, P.\n\n\n \n\n\n\n University of California Press, 2006.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {American Perceptions of Immigrant and Invasive Species: Strangers on the Land},\n type = {book},\n year = {2006},\n publisher = {University of California Press},\n city = {Berkeley},\n id = {68259a9a-557c-3424-90d8-5649deef6e93},\n created = {2024-08-04T23:36:48.593Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:36:48.593Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Coates, Peter}\n}
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\n  \n 2005\n \n \n (8)\n \n \n
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\n \n\n \n \n \n \n \n The Cultivation of the Female Mind: Botanical Analogy in Eighteenth-Century Texts.\n \n \n \n\n\n \n George, S.\n\n\n \n\n\n\n History of European Ideas, 31: 209–223. 2005.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Cultivation of the Female Mind: Botanical Analogy in Eighteenth-Century Texts},\n type = {article},\n year = {2005},\n pages = {209–223},\n volume = {31},\n id = {ff922ad1-a8ec-3ed7-bdda-df3d57b1d437},\n created = {2021-04-02T00:02:19.880Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:19.880Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {George, Sam},\n journal = {History of European Ideas}\n}
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\n \n\n \n \n \n \n \n Der andere Garten: Erinnern und Erfinden in Gärten von Institutionen.\n \n \n \n\n\n \n Ananieva, A.; and Hoefer, N., N.\n\n\n \n\n\n\n of Formen der Erinnerung Band 022Vandenhoeck & Ruprecht, 1. Aufl.. edition, 2005.\n \n\n\n\n
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@book{\n title = {Der andere Garten: Erinnern und Erfinden in Gärten von Institutionen},\n type = {book},\n year = {2005},\n publisher = {Vandenhoeck & Ruprecht},\n city = {Göttingen},\n edition = {1. Aufl..},\n series = {Formen der Erinnerung Band 022},\n id = {d328c0cb-66dd-3af6-90c5-5e16114fd5b4},\n created = {2021-04-02T00:03:17.184Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:17.184Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {2005DaG:},\n source_type = {book},\n private_publication = {false},\n bibtype = {book},\n author = {Ananieva, Anna and Hoefer, Natascha N.}\n}
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\n \n\n \n \n \n \n \n Paradies, Akademie, Ökonomie: Zur Transformation botanischer Gärten im 18. Jahrhundert.\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n In Ananieva, A.; and Hoefer, N., N., editor(s), Der Andere Garten : Erinnern Und Erfinden in Gärten Von Institutionen., pages 235-249, 2005. Vandenhoeck & Ruprecht\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Paradies, Akademie, Ökonomie: Zur Transformation botanischer Gärten im 18. Jahrhundert},\n type = {inproceedings},\n year = {2005},\n pages = {235-249},\n publisher = {Vandenhoeck & Ruprecht},\n city = {Göttingen},\n id = {a005b718-c9f8-3945-9624-58afe3ed6895},\n created = {2021-04-02T00:03:31.367Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:31.367Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {Müller-WilleStaffan2005PAÖZ},\n source_type = {article},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Müller-Wille, Staffan},\n editor = {Ananieva, Anna and Hoefer, Natascha N.},\n booktitle = {Der Andere Garten : Erinnern Und Erfinden in Gärten Von Institutionen.}\n}
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\n \n\n \n \n \n \n \n Zum Verhältnis von Taxonomie und Genetik um 1900: Die Zuchtstation des Schwedischen Saatzuchtvereins Svalöf.\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n In Groeben, C.; Kaasch, M.; and Kaasch, J., editor(s), Stätten biologischer Forschung / Places of biological research: Beiträge zur 12. Jahrestagung DGGTB in Neapel 2003 (Verhandlungen zur Geschichte und Theorie der Biologie, 11)., pages 203-216, 2005. VWB Verl. für Wiss. und Bildung\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Zum Verhältnis von Taxonomie und Genetik um 1900: Die Zuchtstation des Schwedischen Saatzuchtvereins Svalöf},\n type = {inproceedings},\n year = {2005},\n pages = {203-216},\n publisher = {VWB Verl. für Wiss. und Bildung},\n city = {Neapel},\n id = {542dea82-ef51-32b7-a1ae-132eeda0ca88},\n created = {2021-04-02T00:03:33.310Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:33.310Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {Müller-WilleStaffan2005ZVvT},\n source_type = {article},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Müller-Wille, Staffan},\n editor = {Groeben, Christiane and Kaasch, Michael and Kaasch, Joachim},\n booktitle = {Stätten biologischer Forschung / Places of biological research: Beiträge zur 12. Jahrestagung DGGTB in Neapel 2003 (Verhandlungen zur Geschichte und Theorie der Biologie, 11).}\n}
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\n \n\n \n \n \n \n \n Queer Gardens: Mary Delany's Flowers and Friendships.\n \n \n \n\n\n \n Moore, L., L.\n\n\n \n\n\n\n Eighteenth-Century Studies, 39(1): 49-70. 2005.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Queer Gardens: Mary Delany's Flowers and Friendships},\n type = {article},\n year = {2005},\n pages = {49-70},\n volume = {39},\n id = {223aa46f-669b-33bb-a20a-248781cc35de},\n created = {2021-04-02T00:05:09.152Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:09.152Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Moore, Lisa L.},\n journal = {Eighteenth-Century Studies},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Linnaeus in Letters and the Cultivation of the Female Mind: 'Botany in an English Dress'.\n \n \n \n\n\n \n George, S.\n\n\n \n\n\n\n British Journal for Eighteenth Century Studies, 28: 1-18. 2005.\n \n\n\n\n
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@article{\n title = {Linnaeus in Letters and the Cultivation of the Female Mind: 'Botany in an English Dress'},\n type = {article},\n year = {2005},\n pages = {1-18},\n volume = {28},\n id = {b518f4b1-45e4-35fd-8450-9f435afbb33e},\n created = {2021-04-02T00:05:11.771Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:11.771Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {George, Sam},\n journal = {British Journal for Eighteenth Century Studies}\n}
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\n \n\n \n \n \n \n \n Cultivated Power: Flowers, Culture, and Politics in the Reign of Louis XIV.\n \n \n \n\n\n \n Hyde, E.\n\n\n \n\n\n\n University of Pennsylvania Press, 2005.\n \n\n\n\n
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@book{\n title = {Cultivated Power: Flowers, Culture, and Politics in the Reign of Louis XIV},\n type = {book},\n year = {2005},\n publisher = {University of Pennsylvania Press},\n city = {Philadelphia},\n id = {37667865-3f04-304e-99e9-b11e529e82b6},\n created = {2021-04-05T16:37:27.610Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:27.610Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Hyde, Elizabeth}\n}
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\n \n\n \n \n \n \n \n The Cultural History of Plants.\n \n \n \n\n\n \n Prance, S., G.; and Nesbitt, M.,\n editors.\n \n\n\n \n\n\n\n Routledge, 2005.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Cultural History of Plants},\n type = {book},\n year = {2005},\n publisher = {Routledge},\n city = {New York},\n id = {1084e47a-6cc0-35a1-b452-5cfcd2b85724},\n created = {2024-08-05T01:07:06.615Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:07:06.615Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {},\n editor = {Prance, Sir Ghillean and Nesbitt, Mark}\n}
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\n  \n 2004\n \n \n (9)\n \n \n
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\n \n\n \n \n \n \n \n Plants and Empire: Colonial Bioprospecting in the Atlantic World.\n \n \n \n\n\n \n Schiebinger, L.\n\n\n \n\n\n\n Harvard University Press, 2004.\n \n\n\n\n
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\n 
@book{\n title = {Plants and Empire: Colonial Bioprospecting in the Atlantic World},\n type = {book},\n year = {2004},\n publisher = {Harvard University Press},\n city = {Cambridge, MA; London},\n id = {0820f2ec-9470-31f7-8373-ca76972e6a14},\n created = {2021-04-02T00:04:29.755Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:29.755Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Schiebinger, Londa}\n}
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\n \n\n \n \n \n \n \n Bäume: Streifzüge durch eine unbekannte Welt.\n \n \n \n\n\n \n Schreier, H.\n\n\n \n\n\n\n Rogner & Bernhard, 2004.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Nature’s Body: Gender in the Making of Modern Science.\n \n \n \n\n\n \n Schiebinger, L.\n\n\n \n\n\n\n Rutgers University Press, 2004.\n \n\n\n\n
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\n 
@book{\n title = {Nature’s Body: Gender in the Making of Modern Science},\n type = {book},\n year = {2004},\n publisher = {Rutgers University Press},\n city = {New Brunswick},\n id = {b5b5cf3f-2e96-30cb-b121-34ac1136ea6d},\n created = {2021-04-02T00:05:02.266Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:02.266Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Schiebinger, Londa}\n}
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\n \n\n \n \n \n \n \n Type Specimens and Scientific Memory.\n \n \n \n\n\n \n Daston, L.\n\n\n \n\n\n\n Critical Inquiry, 31(1): 153-182. 2004.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Type Specimens and Scientific Memory},\n type = {article},\n year = {2004},\n pages = {153-182},\n volume = {31},\n id = {da8a057e-3be4-3568-9894-dfc7114fabe4},\n created = {2021-04-02T00:05:03.170Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:03.170Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Daston, Lorraine},\n journal = {Critical Inquiry},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Cameraless: From Natural Illustrations and Nature Prints to Manual and Photogenic Drawings and Other Botanographs.\n \n \n \n\n\n \n Armstrong, C.\n\n\n \n\n\n\n In Armstrong, C.; and de Zegher, C., editor(s), Ocean Flowers: Impressions from Nature, pages 87-165, 2004. Princeton University Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Cameraless: From Natural Illustrations and Nature Prints to Manual and Photogenic Drawings and Other Botanographs},\n type = {inproceedings},\n year = {2004},\n pages = {87-165},\n publisher = {Princeton University Press},\n city = {Princeton},\n id = {878e93e9-1ac3-3741-8574-53cad7e5f793},\n created = {2021-04-05T16:36:58.999Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:58.999Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Armstrong, Carol},\n editor = {Armstrong, Carol and de Zegher, Catherine},\n booktitle = {Ocean Flowers: Impressions from Nature}\n}
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\n \n\n \n \n \n \n \n The Genesis of the Triffids.\n \n \n \n\n\n \n Ketterer, D.\n\n\n \n\n\n\n New York Review of Science Fiction, 16(7): 11-14. 2004.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n ‘The Glass Flowers’: Things That Talk: Object Lessons from Art and Science.\n \n \n \n\n\n \n Daston, L.\n\n\n \n\n\n\n Zone Books, 2004.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {‘The Glass Flowers’: Things That Talk: Object Lessons from Art and Science},\n type = {book},\n year = {2004},\n publisher = {Zone Books},\n city = {New York City},\n id = {c3f889f9-87b3-3b44-bf14-e5b780afe315},\n created = {2021-11-25T16:29:18.713Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:32:47.975Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Daston, Lorraine}\n}
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\n \n\n \n \n \n \n \n The Story of Corn.\n \n \n \n\n\n \n Fussell, B.\n\n\n \n\n\n\n University of New Mexico Press, 2004.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Story of Corn},\n type = {book},\n year = {2004},\n publisher = {University of New Mexico Press},\n city = {Albuquerque},\n id = {17796af9-14f9-37bc-a924-a0ad55678a77},\n created = {2024-08-04T22:29:13.985Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T22:29:13.985Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Fussell, Betty},\n doi = {10.1017/CBO9781139136723.009}\n}
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\n \n\n \n \n \n \n \n Sex, Botany, and Empire: The Story of Carl Linnaeus and Joseph Banks.\n \n \n \n\n\n \n Fara, P.\n\n\n \n\n\n\n Columbia University Press, 2004.\n \n\n\n\n
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\n  \n 2003\n \n \n (10)\n \n \n
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\n \n\n \n \n \n \n \n Aesthetics of the Natural Environment.\n \n \n \n\n\n \n Brady, E.\n\n\n \n\n\n\n Edinburgh University Press, 2003.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Aesthetics of the Natural Environment},\n type = {book},\n year = {2003},\n publisher = {Edinburgh University Press},\n city = {Edinburgh},\n id = {a81001ae-b5c3-3049-8021-b59036684784},\n created = {2021-04-02T00:03:00.419Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:00.419Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Brady, Emily}\n}
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\n \n\n \n \n \n \n \n \n Nature as a Marketplace: The Political Economy of Linnaean Botany.\n \n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n History of Political Economy, 35(5): 154-172. 2003.\n \n\n\n\n
\n\n\n\n \n \n \"NatureWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{\n title = {Nature as a Marketplace: The Political Economy of Linnaean Botany},\n type = {article},\n year = {2003},\n keywords = {-- 1707-1778,-- 1964-,1707-1778,Botany,Carl Von,Economic -- History,Linné,Linné Carl Von,Müller-Wille,Staffan},\n pages = {154-172},\n volume = {35},\n websites = {https://muse.jhu.edu/journals/history_of_political_economy/v035/35.5muller-wille.html},\n id = {6d44367d-6dd3-3180-b4c7-eb7a93dd2614},\n created = {2021-04-02T00:03:20.154Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:20.154Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {2003NaaM},\n source_type = {article},\n private_publication = {false},\n bibtype = {article},\n author = {Müller-Wille, Staffan},\n journal = {History of Political Economy},\n number = {5}\n}
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\n \n\n \n \n \n \n \n Bloom: The Botanical Vernacular in the English Novel.\n \n \n \n\n\n \n King, A., M.\n\n\n \n\n\n\n Oxford University Press, 2003.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n Confronting Introduced Species: A Form of Xenophobia?.\n \n \n \n\n\n \n Simberloff, D.\n\n\n \n\n\n\n Biological Invasions, 5(3): 179-192. 2003.\n \n\n\n\n
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\n 
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\n \n\n \n \n \n \n \n The Language of Flowers.\n \n \n \n\n\n \n Taussig, M.\n\n\n \n\n\n\n Critical Inquiry, 30(1): 98-131. 2003.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Language of Flowers},\n type = {article},\n year = {2003},\n pages = {98-131},\n volume = {30},\n id = {9519ce30-6edc-3492-9784-369eb15f3ef5},\n created = {2021-04-05T16:36:14.613Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:14.613Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Taussig, Michael},\n journal = {Critical Inquiry},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Gathering Moss: A Natural and Cultural History of Mosses.\n \n \n \n\n\n \n Kimmerer, R., W.\n\n\n \n\n\n\n Oregon State University, 2003.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n Une fleur du mal? Swinburne's 'The Sundew' and Darwin's Insectivorous Plants.\n \n \n \n\n\n \n Smith, J.\n\n\n \n\n\n\n Victorian Poetry, 41(1): 131-150. 2003.\n \n\n\n\n
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\n 
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\n \n\n \n \n \n \n \n Green Desire: Imagining Early Modern English Gardens.\n \n \n \n\n\n \n Bushnell, R., W.\n\n\n \n\n\n\n Cornell University Press, 2003.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Green Desire: Imagining Early Modern English Gardens},\n type = {book},\n year = {2003},\n publisher = {Cornell University Press},\n city = {Ithaka},\n id = {7eca1805-55ee-30e8-b8df-a71409cdefbf},\n created = {2021-04-05T16:38:40.734Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:40.734Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Bushnell, Rebecca W.}\n}
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\n \n\n \n \n \n \n \n The Native Plant Enthusiasm: Ecological Panacea or Xenophobia?.\n \n \n \n\n\n \n Gröning, G.; and Wolschke-Bulmahn, J.\n\n\n \n\n\n\n Landscape Research, 28(1): 75-88. 1 2003.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {The Native Plant Enthusiasm: Ecological Panacea or Xenophobia?},\n type = {article},\n year = {2003},\n pages = {75-88},\n volume = {28},\n month = {1},\n id = {d0fdb500-5f05-3013-8c11-5be4e085a5a5},\n created = {2024-08-04T23:13:32.461Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:13:32.461Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gröning, Gert and Wolschke-Bulmahn, Joachim},\n doi = {10.1080/01426390306536},\n journal = {Landscape Research},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Weeds, People and Contested Places.\n \n \n \n\n\n \n Clayton, N.\n\n\n \n\n\n\n Environment and History, 9(3): 301-331. 8 2003.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Weeds, People and Contested Places},\n type = {article},\n year = {2003},\n pages = {301-331},\n volume = {9},\n month = {8},\n id = {b81e959f-e534-3f32-a4c9-94101353438a},\n created = {2024-08-04T23:14:43.911Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-04T23:14:43.911Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {<p>In the Western world weeds have been defined and redefined according to the cultural ideas and outlooks of peoples who have tried to compete with them for open places, over many millennia. Somewhere along the way 'weed' emerged as a concept, and became embedded in and expressed through language. In the first part of this synoptical essay some of the expressions of the changes in human perceptions of, and responses to, a group of plants with which people have had to contend for places, and the deeper cultural significances of the contest itself, are explored. In the second, the inter-societal relationships between weeds and humans are explored in the unique context of New Zealand's discrete landscape and the settler society which transformed it within the comparatively short period of two centuries. Possibilities for ongoing studies of the weeds-people relationship within New Zealand and other regional contexts are offered.</p>},\n bibtype = {article},\n author = {Clayton, Neil},\n doi = {10.3197/096734003129342863},\n journal = {Environment and History},\n number = {3}\n}
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In the Western world weeds have been defined and redefined according to the cultural ideas and outlooks of peoples who have tried to compete with them for open places, over many millennia. Somewhere along the way 'weed' emerged as a concept, and became embedded in and expressed through language. In the first part of this synoptical essay some of the expressions of the changes in human perceptions of, and responses to, a group of plants with which people have had to contend for places, and the deeper cultural significances of the contest itself, are explored. In the second, the inter-societal relationships between weeds and humans are explored in the unique context of New Zealand's discrete landscape and the settler society which transformed it within the comparatively short period of two centuries. Possibilities for ongoing studies of the weeds-people relationship within New Zealand and other regional contexts are offered.

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\n  \n 2002\n \n \n (12)\n \n \n
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\n \n\n \n \n \n \n \n Der Garten als Schauplatz des Begehrens.\n \n \n \n\n\n \n Steinlechner, G.\n\n\n \n\n\n\n In Storch, U.; and Doppler, E., editor(s), Garten Kunst: Bilder und Texte von Gärten und Parks, pages 204-206, 2002. Historisches Museum der Stadt Wien\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Der Garten als Schauplatz des Begehrens},\n type = {inproceedings},\n year = {2002},\n pages = {204-206},\n publisher = {Historisches Museum der Stadt Wien},\n city = {Wien},\n id = {b164095a-f86e-3c73-adbd-3f8fea316b1b},\n created = {2021-04-02T00:01:18.663Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:18.663Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Ausstellungskatalog},\n bibtype = {inproceedings},\n author = {Steinlechner, Gisela},\n editor = {Storch, Ursula and Doppler, Elke},\n booktitle = {Garten Kunst: Bilder und Texte von Gärten und Parks}\n}
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\n Ausstellungskatalog\n
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\n \n\n \n \n \n \n \n Imaginäre Gärten.\n \n \n \n\n\n \n Steinlechner, G.\n\n\n \n\n\n\n In Storch, U.; and Doppler, E., editor(s), Garten Kunst: Bilder und Texte von Gärten und Parks, pages 152-154, 2002. Historisches Museum der Stadt Wien\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Imaginäre Gärten},\n type = {inproceedings},\n year = {2002},\n pages = {152-154},\n publisher = {Historisches Museum der Stadt Wien},\n city = {Wien},\n id = {50b2ff83-3b8b-3f71-9219-106ea5d94598},\n created = {2021-04-02T00:01:19.573Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:19.573Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Ausstellungskatalog},\n bibtype = {inproceedings},\n author = {Steinlechner, Gisela},\n editor = {Storch, Ursula and Doppler, Elke},\n booktitle = {Garten Kunst: Bilder und Texte von Gärten und Parks}\n}
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\n \n\n \n \n \n \n \n Prinzipien der Pflanzenethik: Die Bewertung pflanzlichen Lebens in Biologie und Philosophie.\n \n \n \n\n\n \n Kallhoff, A.\n\n\n \n\n\n\n Campus Verlag, 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Prinzipien der Pflanzenethik: Die Bewertung pflanzlichen Lebens in Biologie und Philosophie},\n type = {book},\n year = {2002},\n publisher = {Campus Verlag},\n city = {New York City},\n id = {1245f165-c8f3-32c4-9dfc-0bfb585b62b7},\n created = {2021-04-02T00:03:22.156Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:22.156Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Kallhoff, Angela}\n}
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\n\n\n
\n \n\n \n \n \n \n \n Würde der Kreatur? Die Idee der Würde im Horizont der Bioethik.\n \n \n \n\n\n \n Baranzke, H.\n\n\n \n\n\n\n Königshausen & Neumann, 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Würde der Kreatur? Die Idee der Würde im Horizont der Bioethik},\n type = {book},\n year = {2002},\n publisher = {Königshausen & Neumann},\n city = {Würzburg},\n id = {6d43785f-044c-35e5-bb8f-74b3b6098c7b},\n created = {2021-04-02T00:03:26.930Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:26.930Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Baranzke, Heike}\n}
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\n\n\n
\n \n\n \n \n \n \n \n Über allen Wipfeln: Der Baum in der Kulturgeschichte.\n \n \n \n\n\n \n Demandt, A.\n\n\n \n\n\n\n Böhlau, 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Über allen Wipfeln: Der Baum in der Kulturgeschichte},\n type = {book},\n year = {2002},\n publisher = {Böhlau},\n city = {Köln;Weimar;Wien},\n id = {08234c0d-747e-38c5-b01a-ba8bc65c830d},\n created = {2021-04-02T00:04:42.516Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:42.516Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Demandt, Alexander}\n}
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\n \n\n \n \n \n \n \n Bourgeois and Aristocratic Encounters in the Garden.\n \n \n \n\n\n \n Conan, M.\n\n\n \n\n\n\n Dumbarton Oaks Research Library and Collection, 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Bourgeois and Aristocratic Encounters in the Garden},\n type = {book},\n year = {2002},\n publisher = {Dumbarton Oaks Research Library and Collection},\n city = {Washington, D.C. },\n id = {d8c6c899-e068-3346-8cd7-45cc0ec67e9d},\n created = {2021-04-05T16:37:21.030Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:21.030Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Conan, Michel}\n}
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\n \n\n \n \n \n \n \n Tradition and Innovation in the French Garden.\n \n \n \n\n\n \n Dixon Hunt, J.; and Conan, M.\n\n\n \n\n\n\n University of Pennsylvania Press, 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Tradition and Innovation in the French Garden},\n type = {book},\n year = {2002},\n publisher = {University of Pennsylvania Press},\n city = {Philadelphia},\n id = {3de21d7d-16cd-32f5-97a3-bc11ad5e036c},\n created = {2021-04-05T16:37:21.836Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:21.836Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Dixon Hunt, John and Conan, Michael}\n}
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\n \n\n \n \n \n \n \n Tree Cultures: The Place of Trees and Trees in Their Place.\n \n \n \n\n\n \n Cloke, P.; and Jones, O.\n\n\n \n\n\n\n Bloomsbury, 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Tree Cultures: The Place of Trees and Trees in Their Place},\n type = {book},\n year = {2002},\n publisher = {Bloomsbury},\n city = {London},\n id = {634dbe86-20ce-3b60-8eb9-e0a3e7e37064},\n created = {2021-04-05T16:37:38.717Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:38.717Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Cloke, Paul and Jones, Owain}\n}
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\n \n\n \n \n \n \n \n The Vegetative Soul: From Philosophy of Nature to Subjectivity in the Feminine.\n \n \n \n\n\n \n Miller, E., P.\n\n\n \n\n\n\n State University of New York Press, 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {The Vegetative Soul: From Philosophy of Nature to Subjectivity in the Feminine},\n type = {book},\n year = {2002},\n publisher = {State University of New York Press},\n city = {Albany},\n id = {81e77a40-d967-334c-a08d-3661782dea59},\n created = {2021-04-05T16:38:09.305Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:09.305Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Miller, Elaine P.}\n}
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\n \n\n \n \n \n \n \n The Life of Plants.\n \n \n \n\n\n \n Corner, E., J., H.\n\n\n \n\n\n\n University of Chicago Press, 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Life of Plants},\n type = {book},\n year = {2002},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {d3b5ebfb-14b4-3808-8f54-5af3fa2b7ced},\n created = {2021-04-05T16:38:47.606Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:47.606Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Corner, E. J. H.}\n}
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\n \n\n \n \n \n \n \n From ‘Mere Weeds’ and ‘Bosjes’ to a Cape Floral Kingdom: the Re-imagining of Indigenous Flora at the Cape, c. 1890-1939.\n \n \n \n\n\n \n Van Sittert, L.\n\n\n \n\n\n\n Kronos: Southern African Histories, (28): 102-126. 11 2002.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {From ‘Mere Weeds’ and ‘Bosjes’ to a Cape Floral Kingdom: the Re-imagining of Indigenous Flora at the Cape, c. 1890-1939},\n type = {article},\n year = {2002},\n pages = {102-126},\n month = {11},\n id = {3e0e3560-12f5-340b-affc-dd9217c1768f},\n created = {2021-11-26T20:01:00.784Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-12-03T04:27:44.068Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Van Sittert, Lance},\n journal = {Kronos: Southern African Histories},\n number = {28}\n}
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\n \n\n \n \n \n \n \n Accounting for Taste: Export Bananas, Mass Markets, and Panama Disease.\n \n \n \n\n\n \n Soluri, J.\n\n\n \n\n\n\n Environmental History, 7(3): 386-404. 7 2002.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Accounting for Taste: Export Bananas, Mass Markets, and Panama Disease},\n type = {article},\n year = {2002},\n pages = {386-404},\n volume = {7},\n month = {7},\n day = {1},\n id = {1f811ab1-757f-3b08-a0da-ecab01151d85},\n created = {2024-08-05T00:16:40.550Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:16:40.550Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Soluri, John},\n doi = {10.2307/3985915},\n journal = {Environmental History},\n number = {3}\n}
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\n  \n 2001\n \n \n (9)\n \n \n
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\n \n\n \n \n \n \n \n Ethics in the Woods.\n \n \n \n\n\n \n Syse, K.\n\n\n \n\n\n\n Ethics, Place and Environment, 4(3): 226-234. 2001.\n \n\n\n\n
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@article{\n title = {Ethics in the Woods},\n type = {article},\n year = {2001},\n pages = {226-234},\n volume = {4},\n id = {b780fbe1-7906-31a3-9e37-b197242027aa},\n created = {2021-04-02T00:03:04.170Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:04.170Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Syse, Karen},\n journal = {Ethics, Place and Environment},\n number = {3}\n}
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\n \n\n \n \n \n \n \n Sammeln als Wissen: Das Sammeln und seine wissenschaftsgeschichtliche Bedeutung.\n \n \n \n\n\n \n te Heesen, A.; and Spary, E.\n\n\n \n\n\n\n of WissenschaftsgeschichteWallstein, 2001.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n\n\n\n
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@book{\n title = {Sammeln als Wissen: Das Sammeln und seine wissenschaftsgeschichtliche Bedeutung},\n type = {book},\n year = {2001},\n keywords = {18th century,Collectors and collecting,History},\n publisher = {Wallstein},\n city = {Göttingen},\n series = {Wissenschaftsgeschichte},\n id = {277bd52d-a371-31e7-b355-1bf9a0db380f},\n created = {2021-04-02T00:03:27.862Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:27.862Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {2001SaW:},\n source_type = {book},\n private_publication = {false},\n bibtype = {book},\n author = {te Heesen, Anke and Spary, Emma}\n}
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\n \n\n \n \n \n \n \n Carl von Linnés Herbarschrank: Zur epistemischen Funktion eines Sammlungsmöbels.\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n In te Heesen, A.; and Spary, E., C., editor(s), Sammeln als Wissen, pages 22-38, 2001. Wallstein\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@inproceedings{\n title = {Carl von Linnés Herbarschrank: Zur epistemischen Funktion eines Sammlungsmöbels},\n type = {inproceedings},\n year = {2001},\n pages = {22-38},\n publisher = {Wallstein},\n city = {Göttingen},\n id = {ceeee303-895b-3b0e-b4bb-dc04e77987d8},\n created = {2021-04-02T00:03:30.418Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:30.418Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {Müller-WilleStaffan2001CvLH},\n source_type = {article},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Müller-Wille, Staffan},\n editor = {te Heesen, Anke and Spary, Emma C.},\n booktitle = {Sammeln als Wissen}\n}
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\n \n\n \n \n \n \n \n Geschichte der Pflanzenseele: Philosophische und biologische Entwürfe von der Antike bis zur Gegenwart.\n \n \n \n\n\n \n Ingensiep, H., W.\n\n\n \n\n\n\n Kröner, 2001.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
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\n \n\n \n \n \n \n \n \n Toward a Theory of Plant Blindness.\n \n \n \n \n\n\n \n Schussler, E., E.; and Wandersee, J., H.\n\n\n \n\n\n\n Plant Science Bulletin, 47(1): 2-9. 2001.\n \n\n\n\n
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@article{\n title = {Toward a Theory of Plant Blindness},\n type = {article},\n year = {2001},\n pages = {2-9},\n volume = {47},\n websites = {https://www.botany.org/bsa/psb/2001/psb47-1.pdf},\n id = {13e2ac37-87ad-33b3-a4cf-58b8c094ace0},\n created = {2021-04-05T16:36:37.356Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:37.356Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Schussler, Elisabeth E and Wandersee, James H},\n journal = {Plant Science Bulletin},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Flora: An Illustrated History of the Garden Flower.\n \n \n \n\n\n \n Elliott, B.\n\n\n \n\n\n\n Firefly Books, 2001.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n Villas and Gardens in Early Modern Italy and France.\n \n \n \n\n\n \n Benes, M.; and Harris, D.,\n editors.\n \n\n\n \n\n\n\n Cambridge University Press, 2001.\n \n\n\n\n
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\n \n\n \n \n \n \n \n Black Rice: The African Origins of Rice Cultivation in the Americas.\n \n \n \n\n\n \n Carney, J., A.\n\n\n \n\n\n\n Harvard University Press, 2001.\n \n\n\n\n
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@book{\n title = {Black Rice: The African Origins of Rice Cultivation in the Americas},\n type = {book},\n year = {2001},\n publisher = {Harvard University Press},\n city = {Cambridge, MA},\n id = {75a507d7-53bf-3e5e-ab76-4c83b68bf217},\n created = {2021-04-05T16:38:38.120Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:38.120Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Carney, Judith Ann}\n}
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\n \n\n \n \n \n \n \n The Botany of Desire: A Plants-Eye View of the World.\n \n \n \n\n\n \n Pollan, M.\n\n\n \n\n\n\n Random House, 2001.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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\n  \n 2000\n \n \n (4)\n \n \n
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\n \n\n \n \n \n \n \n Environmental Ethics and Forestry: A Reader.\n \n \n \n\n\n \n List, P., C.\n\n\n \n\n\n\n Temple University Press, 2000.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Environmental Ethics and Forestry: A Reader},\n type = {book},\n year = {2000},\n publisher = {Temple University Press},\n city = {Philadelphia},\n id = {d9a7b173-eb47-3194-abd7-1b896ad1e0b4},\n created = {2021-04-02T00:03:06.524Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:06.524Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {List, Peter C.}\n}
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\n \n\n \n \n \n \n \n Dirty Virtues: The Emergence of Ecological Virtue Ethics.\n \n \n \n\n\n \n Wensveen, L., v.\n\n\n \n\n\n\n Humanity Books, 2000.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Dirty Virtues: The Emergence of Ecological Virtue Ethics},\n type = {book},\n year = {2000},\n publisher = {Humanity Books},\n city = {Amherst, NY},\n id = {41790c3a-d0e6-3670-9042-3f9ed7ffff85},\n created = {2021-04-02T00:03:12.083Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:12.083Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Wensveen, Louke van}\n}
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\n \n\n \n \n \n \n \n Utopia's Garden: French Natural History from Old Regime to Revolution.\n \n \n \n\n\n \n Spary, E., C.\n\n\n \n\n\n\n Univ. of Chicago Press, 2000.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
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\n \n\n \n \n \n \n \n Undomesticated Ground: Recasting Nature as Feminist Space.\n \n \n \n\n\n \n Alaimo, S.\n\n\n \n\n\n\n Cornell University Press, 2000.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Undomesticated Ground: Recasting Nature as Feminist Space},\n type = {book},\n year = {2000},\n publisher = {Cornell University Press},\n city = {Ithaca},\n id = {b6359249-02b9-3c4e-b95b-34db1fca463e},\n created = {2021-04-05T16:37:09.745Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:09.745Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Alaimo, Stacy}\n}
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\n  \n 1999\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Botanik und weltweiter Handel: Zur Begründung eines natürlichen Systems der Pflanzen durch Carl von Linné (1707 - 78).\n \n \n \n\n\n \n Müller-Wille, S.\n\n\n \n\n\n\n of Studien zur Theorie der Biologie ; 3VWB, Verl. für Wiss. und Bildung, 1999.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@book{\n title = {Botanik und weltweiter Handel: Zur Begründung eines natürlichen Systems der Pflanzen durch Carl von Linné (1707 - 78)},\n type = {book},\n year = {1999},\n keywords = {1707-1778 ; Pflanzen ; Systematik ; Systemtheorie,Carl von,Linné},\n publisher = {VWB, Verl. für Wiss. und Bildung},\n city = {Berlin},\n series = {Studien zur Theorie der Biologie ; 3},\n id = {e7c802b6-bcc5-36f8-9b34-8a6233e20907},\n created = {2021-04-02T00:03:32.360Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:32.360Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n citation_key = {Müller-WilleStaffan1999BuwH},\n source_type = {book},\n private_publication = {false},\n bibtype = {book},\n author = {Müller-Wille, Staffan}\n}
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\n  \n 1998\n \n \n (3)\n \n \n
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\n \n\n \n \n \n \n \n Geschichte des Waldes: Von der Urzeit bis zur Gegenwart.\n \n \n \n\n\n \n Küster, H.\n\n\n \n\n\n\n C.H. Beck, 1998.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Geschichte des Waldes: Von der Urzeit bis zur Gegenwart},\n type = {book},\n year = {1998},\n publisher = {C.H. Beck},\n city = {München},\n id = {25596c05-d628-33f2-81df-507b7efe2404},\n created = {2021-04-02T00:04:43.527Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:43.527Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Küster, Hansjörg}\n}
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\n \n\n \n \n \n \n \n Plants of Life, Plants of Death.\n \n \n \n\n\n \n Simoons, F., J.\n\n\n \n\n\n\n University of Wisconsin Press, 1998.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plants of Life, Plants of Death},\n type = {book},\n year = {1998},\n publisher = {University of Wisconsin Press},\n city = {Madison},\n id = {86adedc9-efde-382e-abb5-c92fb6d579f4},\n created = {2021-04-05T16:38:03.895Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:03.895Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Simoons, Frederick J.}\n}
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\n \n\n \n \n \n \n \n Messrs Wells and Conan Doyle: Purveyors of Horticultural Curiosities and Proto-Triffids.\n \n \n \n\n\n \n Price, L.\n\n\n \n\n\n\n Wellsian, 21: 35-44. 1998.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Messrs Wells and Conan Doyle: Purveyors of Horticultural Curiosities and Proto-Triffids},\n type = {article},\n year = {1998},\n pages = {35-44},\n volume = {21},\n id = {5e52cddb-47b4-3510-8aae-f1a686ba4d58},\n created = {2021-04-05T16:38:06.768Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:06.768Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Price, Laurence},\n journal = {Wellsian}\n}
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\n  \n 1997\n \n \n (5)\n \n \n
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\n \n\n \n \n \n \n \n The Disappearance of Guam’s Wildlife: New Insights for Herpetology, Evolutionary Ecology, and Conservation.\n \n \n \n\n\n \n Rodda, G., H.; Fritts, T., H.; and Chiszar, D.\n\n\n \n\n\n\n BioScience, 47(9): 565-574. 1997.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Disappearance of Guam’s Wildlife: New Insights for Herpetology, Evolutionary Ecology, and Conservation},\n type = {article},\n year = {1997},\n pages = {565-574},\n volume = {47},\n id = {bb988e55-2a40-3535-a5d4-59776bacbac8},\n created = {2021-04-05T16:36:03.601Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:03.601Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Rodda, Gordon H. and Fritts, Thomas H. and Chiszar, David},\n journal = {BioScience},\n number = {9}\n}
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\n \n\n \n \n \n \n \n Ideological Aspects of Nature Garden Concepts in Late Twentieth-Century Germany.\n \n \n \n\n\n \n Gröning, G.\n\n\n \n\n\n\n In Wolschke-Bulmahn, J., editor(s), Nature and Ideology: Natural Garden Design in the Twentieth Century, pages 221-248, 1997. Dumbarton Oaks\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Ideological Aspects of Nature Garden Concepts in Late Twentieth-Century Germany},\n type = {inproceedings},\n year = {1997},\n pages = {221-248},\n publisher = {Dumbarton Oaks},\n city = {Washington, DC},\n id = {eae7b8cb-fb4c-33f2-85b2-9c8293d578c8},\n created = {2021-04-05T16:36:04.436Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:04.436Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Gröning, Gert},\n editor = {Wolschke-Bulmahn, Joachim},\n booktitle = {Nature and Ideology: Natural Garden Design in the Twentieth Century}\n}
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\n \n\n \n \n \n \n \n The Creation and Uses of Horticulture in Britain and France in the Nineteenth Century.\n \n \n \n\n\n \n Lustig, A., J.\n\n\n \n\n\n\n 1997.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Creation and Uses of Horticulture in Britain and France in the Nineteenth Century},\n type = {book},\n year = {1997},\n institution = {University of California, Berkeley},\n id = {accd2555-6cbc-3250-8698-b2182e3a64b7},\n created = {2021-04-05T16:36:39.838Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:39.838Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {PhD Dissertation ProQuest 9827023},\n bibtype = {book},\n author = {Lustig, Abigail Jane}\n}
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\n\n\n
\n PhD Dissertation ProQuest 9827023\n
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\n \n\n \n \n \n \n \n \n Imagining Flowers: Perceptual Mimesis (Particularly Delphinium).\n \n \n \n \n\n\n \n Scarry, E.\n\n\n \n\n\n\n Representations, 57: 90-115. 1997.\n \n\n\n\n
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\n 
@article{\n title = {Imagining Flowers: Perceptual Mimesis (Particularly Delphinium)},\n type = {article},\n year = {1997},\n pages = {90-115},\n volume = {57},\n websites = {http://www.jstor.org/stable/2928665},\n id = {a2d9595a-669c-3189-aef8-36f4f23f67f5},\n created = {2021-04-05T16:37:04.185Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:04.185Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Scarry, Elaine},\n journal = {Representations}\n}
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\n \n\n \n \n \n \n \n Eve's Herb: A History of Contraception and Abortion in the West.\n \n \n \n\n\n \n Riddle, J., M.\n\n\n \n\n\n\n Harvard University Press, 1997.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Eve's Herb: A History of Contraception and Abortion in the West},\n type = {book},\n year = {1997},\n publisher = {Harvard University Press},\n city = {Cambridge, MA},\n id = {13a826b7-6f04-3fc6-b7ed-52c57ac98bc6},\n created = {2021-04-05T16:38:32.054Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:32.054Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Riddle, John M.}\n}
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\n  \n 1996\n \n \n (3)\n \n \n
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\n \n\n \n \n \n \n \n \n Cultures of Natural History.\n \n \n \n \n\n\n \n Jardine, N.\n\n\n \n\n\n\n Cambridge Univ. Press, 1. publ.. edition, 1996.\n \n\n\n\n
\n\n\n\n \n \n \"CulturesWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {Cultures of Natural History},\n type = {book},\n year = {1996},\n keywords = {Natur | Kultur | Geschichte | Aufsatzsammlung},\n pages = {XXI, 501 S., Ill., 25 cm},\n websites = {https://ubdata.univie.ac.at/AC01381946},\n publisher = {Cambridge Univ. Press},\n city = {Cambridge [u.a.]},\n edition = {1. publ..},\n id = {e7c12118-6cc7-32d9-9f40-a8bf6de48328},\n created = {2021-04-02T00:03:29.523Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:29.523Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n private_publication = {false},\n abstract = {Literaturangaben},\n bibtype = {book},\n author = {Jardine, Nicholas}\n}
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\n Literaturangaben\n
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\n \n\n \n \n \n \n \n Goosebumps: Stay out of the Basement (Season 1, Episode 10/11).\n \n \n \n\n\n \n Stine, R.\n\n\n \n\n\n\n 1996.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {Goosebumps: Stay out of the Basement (Season 1, Episode 10/11)},\n type = {misc},\n year = {1996},\n id = {53ecef5a-1a6e-3e2e-b368-853d542ab17a},\n created = {2021-04-05T16:36:19.198Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:19.198Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Stine, R.L.}\n}
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\n \n\n \n \n \n \n \n Cultivating Women, Cultivating Science: Flora’s Daughters and Botany in England, 1760-1860.\n \n \n \n\n\n \n Shteir, A., B.\n\n\n \n\n\n\n Johns Hopkins University Press, 1996.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Cultivating Women, Cultivating Science: Flora’s Daughters and Botany in England, 1760-1860},\n type = {book},\n year = {1996},\n publisher = {Johns Hopkins University Press},\n city = {Baltimore},\n id = {ce172b38-7ecc-3bbe-beba-e1dfad84b97e},\n created = {2021-04-05T16:37:03.341Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:03.341Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Shteir, Ann B}\n}
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\n  \n 1995\n \n \n (3)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n Green Imperialism: Colonial Expansion, Tropical Island Edens and the Origins of Environmentalism, 1600-1860.\n \n \n \n\n\n \n Grove, R.\n\n\n \n\n\n\n Cambridge University Press, 1995.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Green Imperialism: Colonial Expansion, Tropical Island Edens and the Origins of Environmentalism, 1600-1860},\n type = {book},\n year = {1995},\n publisher = {Cambridge University Press},\n city = {Cambridge},\n id = {c8905280-bf3c-3fa2-b349-8463f97cb711},\n created = {2021-04-05T16:37:41.208Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:41.208Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Grove, Richard}\n}
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\n \n\n \n \n \n \n \n Different Shops of Horrors: From Roger Corman's Cult Classic to Frank Oz's Mainstream Musical.\n \n \n \n\n\n \n Pharr, M.\n\n\n \n\n\n\n In Collins, R., A.; and Latham, R., A., editor(s), Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts, pages 212-229, 1995. Greenwood\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Different Shops of Horrors: From Roger Corman's Cult Classic to Frank Oz's Mainstream Musical},\n type = {inproceedings},\n year = {1995},\n pages = {212-229},\n publisher = {Greenwood},\n city = {Westport},\n id = {5e8f57ca-d2e8-3f2d-b731-f7d116a970a9},\n created = {2021-04-05T16:38:08.466Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:08.466Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Pharr, Mary},\n editor = {Collins, Robert A. and Latham, Robert A.},\n booktitle = {Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts}\n}
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\n \n\n \n \n \n \n \n The Language of Flowers: A History.\n \n \n \n\n\n \n Seaton, B.\n\n\n \n\n\n\n University of Virginia Press, 1995.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Language of Flowers: A History},\n type = {book},\n year = {1995},\n publisher = {University of Virginia Press},\n city = {Charlottesville, VA},\n id = {68dbecf5-9abb-3b0f-847a-90e781ba4cb9},\n created = {2021-04-05T16:38:58.612Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:58.612Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n bibtype = {book},\n author = {Seaton, Beverly.}\n}
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\n
\n  \n 1994\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Pflanzenlesebuch: Pflanzenstudium—Pflanzennutzung—Pflanzenpoesie: Der Wandel menschlicher Einstellungen zu Pflanzen im Laufe der Geschichte.\n \n \n \n\n\n \n Krampen, M.\n\n\n \n\n\n\n Olms, 1994.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Pflanzenlesebuch: Pflanzenstudium—Pflanzennutzung—Pflanzenpoesie: Der Wandel menschlicher Einstellungen zu Pflanzen im Laufe der Geschichte},\n type = {book},\n year = {1994},\n publisher = {Olms},\n city = {Hildesheim},\n id = {0205c24d-f5dd-35c7-bc0f-f1e0ae410a21},\n created = {2021-04-02T00:04:45.323Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:45.323Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Krampen, Martin}\n}
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\n  \n 1993\n \n \n (4)\n \n \n
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\n \n\n \n \n \n \n \n Herbarium Verbarium: The Discourse of Flowers.\n \n \n \n\n\n \n Sartiliot, C.\n\n\n \n\n\n\n University of Nebraska Press, 1993.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Herbarium Verbarium: The Discourse of Flowers},\n type = {book},\n year = {1993},\n publisher = {University of Nebraska Press},\n city = {Lincoln},\n id = {14dc39cd-2229-33ee-9c06-0dbafa6acae3},\n created = {2021-04-02T00:05:16.521Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:16.521Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Sartiliot, Claudette}\n}
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\n \n\n \n \n \n \n \n The Culture of Flowers.\n \n \n \n\n\n \n Goody, J.\n\n\n \n\n\n\n Cambridge University Press, 1993.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Culture of Flowers},\n type = {book},\n year = {1993},\n publisher = {Cambridge University Press},\n city = {Cambridge, UK},\n id = {7fb64852-ac34-319b-802b-a3976922f9cd},\n created = {2021-04-05T16:39:12.049Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:39:12.049Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n source_type = {BOOK},\n language = {English},\n private_publication = {false},\n bibtype = {book},\n author = {Goody, Jack}\n}
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\n \n\n \n \n \n \n \n Notes on Genetic Art.\n \n \n \n\n\n \n Gessert, G.\n\n\n \n\n\n\n Leonardo, 26(3): 205. 1993.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Notes on Genetic Art},\n type = {article},\n year = {1993},\n pages = {205},\n volume = {26},\n id = {55d554f7-6261-32b4-8db4-7cd7a3096b74},\n created = {2024-08-05T00:47:42.814Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:47:42.814Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Gessert, George},\n doi = {10.2307/1575812},\n journal = {Leonardo},\n number = {3}\n}
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\n \n\n \n \n \n \n \n Goethe's Botany: Lessons of a Feminine Science.\n \n \n \n\n\n \n Koerner, L.\n\n\n \n\n\n\n Isis, 84: 470-495. 1993.\n \n\n\n\n
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\n 
@article{\n title = {Goethe's Botany: Lessons of a Feminine Science},\n type = {article},\n year = {1993},\n pages = {470-495},\n volume = {84},\n id = {d718b4ca-534d-3bc4-8be6-cc8932e16c64},\n created = {2024-08-05T02:51:25.644Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T02:51:25.644Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Koerner, Lisbet},\n journal = {Isis}\n}
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\n  \n 1992\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n Die Kunden von den Bäumen.\n \n \n \n\n\n \n Hilbig, W.\n\n\n \n\n\n\n Sisyphos Presse / Faber & Faber, 1992.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Die Kunden von den Bäumen},\n type = {book},\n year = {1992},\n publisher = {Sisyphos Presse / Faber & Faber},\n city = {Berlin},\n id = {df0fb278-6c2f-345b-9ded-c4da248b8d39},\n created = {2021-04-02T00:00:35.121Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:35.121Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Hilbig, Wolfgang}\n}
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\n \n\n \n \n \n \n \n Forests: The Shadow of Civilization.\n \n \n \n\n\n \n Harrison, R., P.\n\n\n \n\n\n\n University of Chicago Press, 1992.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Forests: The Shadow of Civilization},\n type = {book},\n year = {1992},\n publisher = {University of Chicago Press},\n city = {Chicago},\n id = {2c216451-db60-39f9-815f-b0bf2961c99a},\n created = {2021-04-05T16:36:26.700Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:26.700Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Harrison, Robert Pogue}\n}
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\n  \n 1991\n \n \n (3)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n \n Eine Ästhetik der Natur.\n \n \n \n \n\n\n \n Seel, M.\n\n\n \n\n\n\n Suhrkamp, 1991.\n \n\n\n\n
\n\n\n\n \n \n \"EineWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Eine Ästhetik der Natur},\n type = {book},\n year = {1991},\n websites = {https://www.suhrkamp.de/buecher/eine_aesthetik_der_natur-martin_seel_28831.pdf},\n publisher = {Suhrkamp},\n city = {Frankfurt am Main},\n id = {17018e14-eb5e-34de-b479-dac8ef0ccf6a},\n created = {2021-04-02T00:03:01.440Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:01.440Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Seel, Martin}\n}
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\n\n\n
\n \n\n \n \n \n \n \n Everything Slipping Away: John Wyndham's The Day of the Triffids.\n \n \n \n\n\n \n Manlove, C., N.\n\n\n \n\n\n\n Journal of the Fantastic in the Arts, 4(1): 29-53. 1991.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Everything Slipping Away: John Wyndham's The Day of the Triffids},\n type = {article},\n year = {1991},\n pages = {29-53},\n volume = {4},\n id = {d4d3d3ac-9d37-3168-a9bb-9b777d453954},\n created = {2021-04-05T16:38:11.244Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:11.244Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Manlove, C. N.},\n journal = {Journal of the Fantastic in the Arts},\n number = {1}\n}
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\n\n\n
\n \n\n \n \n \n \n \n The Social Politics of Pre-Linnaean Botanical Classification.\n \n \n \n\n\n \n Grieco, A., J.\n\n\n \n\n\n\n I Tatti Studies in the Italian Renaissance, 4: 131-149. 1 1991.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Social Politics of Pre-Linnaean Botanical Classification},\n type = {article},\n year = {1991},\n pages = {131-149},\n volume = {4},\n month = {1},\n id = {27ed6afe-6868-3c93-aeba-2c8f83baa2b8},\n created = {2024-08-05T00:16:19.476Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T00:16:19.476Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Grieco, Allen J.},\n doi = {10.2307/4603673},\n journal = {I Tatti Studies in the Italian Renaissance}\n}
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\n  \n 1990\n \n \n (3)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Bibliography of Garden History.\n \n \n \n\n\n \n Desmond, R.\n\n\n \n\n\n\n Garden History, 18(1): i-xii. 1990.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Bibliography of Garden History},\n type = {article},\n year = {1990},\n pages = {i-xii},\n volume = {18},\n id = {5839e45a-d1fc-3374-a8a3-9f86c87f92f0},\n created = {2021-04-02T00:03:36.676Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:36.676Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Desmond, Ray},\n journal = {Garden History},\n number = {1}\n}
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\n\n\n
\n \n\n \n \n \n \n \n The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France.\n \n \n \n\n\n \n Green, N.\n\n\n \n\n\n\n Manchester University Press, 1990.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France},\n type = {book},\n year = {1990},\n publisher = {Manchester University Press},\n city = {New York},\n id = {d168f1e6-a719-3021-bb03-83a75b8a1167},\n created = {2021-04-05T16:37:01.655Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:01.655Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Green, Nicholas}\n}
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n The Algorithmic Beauty of Plants.\n \n \n \n\n\n \n Prusinkiewicz, P.; and Lindenmayer, A.\n\n\n \n\n\n\n Springer New York, 1990.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Algorithmic Beauty of Plants},\n type = {book},\n year = {1990},\n publisher = {Springer New York},\n city = {New York City},\n id = {82822406-ea76-3981-96ba-02907d52450b},\n created = {2021-06-24T19:33:41.785Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-24T19:33:41.785Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Prusinkiewicz, Przemyslaw and Lindenmayer, Aristid},\n doi = {10.1007/978-1-4613-8476-2}\n}
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\n
\n  \n 1989\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n Botany in the Breakfast Room: Women and Early Nineteenth-Century British Plant Study.\n \n \n \n\n\n \n Shteir, A., B.\n\n\n \n\n\n\n In Abir-Ama, P., G.; and Outram, D., editor(s), Uneasy Careers and Intimate Lives: Women in Science, 1789-1979, pages 31-43, 1989. Rutgers University Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@inproceedings{\n title = {Botany in the Breakfast Room: Women and Early Nineteenth-Century British Plant Study},\n type = {inproceedings},\n year = {1989},\n pages = {31-43},\n publisher = {Rutgers University Press},\n city = {New Brunswick},\n id = {711c0ad9-1178-3fd4-a2e3-9851e295d041},\n created = {2021-04-05T16:36:11.210Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:11.210Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {inproceedings},\n author = {Shteir, Ann B.},\n editor = {Abir-Ama, Pnina G. and Outram, Dorinda},\n booktitle = {Uneasy Careers and Intimate Lives: Women in Science, 1789-1979}\n}
\n
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\n
\n  \n 1987\n \n \n (3)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Waldungen: Die Deutschen und ihr Wald.\n \n \n \n \n\n\n \n Weyergraf, B.; and Hürlimann, A.\n\n\n \n\n\n\n Nicolai, 1987.\n \n\n\n\n
\n\n\n\n \n \n \"Waldungen:Website\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Waldungen: Die Deutschen und ihr Wald},\n type = {book},\n year = {1987},\n websites = {https://d-nb.info/880421185/04},\n publisher = {Nicolai},\n city = {Berlin},\n id = {8ee1b6c4-c2e0-3562-905b-a7b6e8593f66},\n created = {2021-04-02T00:02:49.023Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:02:49.023Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Weyergraf, Bernd and Hürlimann, Annemarie}\n}
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Der Baum der Erkenntnis: Die biologischen Wurzeln des menschlichen Erkennens.\n \n \n \n\n\n \n Maturana, H.; and Varela, F.\n\n\n \n\n\n\n Scherz Verlag, 1987.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Der Baum der Erkenntnis: Die biologischen Wurzeln des menschlichen Erkennens},\n type = {book},\n year = {1987},\n publisher = {Scherz Verlag},\n city = {Bern; München; Wien},\n id = {2183d8fe-d114-35ef-96a6-348615ad0b49},\n created = {2021-04-02T00:04:40.877Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:40.877Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Span. El árbol del conocimiento\r\nTranslation by Kurt Ludewig},\n bibtype = {book},\n author = {Maturana, Humberto and Varela, Francisco}\n}
\n
\n\n\n
\n Span. El árbol del conocimiento\r\nTranslation by Kurt Ludewig\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n A Thousand Plateaus: Capitalism and Schizophrenia.\n \n \n \n\n\n \n Deleuze, G.; and Guattari, F.\n\n\n \n\n\n\n University of Minnesota Press, 1987.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {A Thousand Plateaus: Capitalism and Schizophrenia},\n type = {book},\n year = {1987},\n publisher = {University of Minnesota Press},\n city = {Minneapolis},\n id = {4e0eb3da-6fc1-32c4-949a-fe17b36c475b},\n created = {2021-04-05T16:36:40.649Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:40.649Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {See 3-25: Introduction: Rhizome\r\nTranslated and foreword by Brian Massumi},\n bibtype = {book},\n author = {Deleuze, Gilles and Guattari, Félix}\n}
\n
\n\n\n
\n See 3-25: Introduction: Rhizome\r\nTranslated and foreword by Brian Massumi\n
\n\n\n
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\n  \n 1986\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Flower Poetics in Nineteenth-Century France.\n \n \n \n\n\n \n Knight, P.\n\n\n \n\n\n\n Clarendon Press, 1986.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Flower Poetics in Nineteenth-Century France},\n type = {book},\n year = {1986},\n publisher = {Clarendon Press},\n city = {Oxford},\n id = {465c061e-a994-31d2-bacd-450df7d3b72a},\n created = {2021-04-05T16:37:06.293Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:06.293Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Knight, Philip}\n}
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\n \n\n \n \n \n \n \n Little Shop of Horrors (Film).\n \n \n \n\n\n \n Oz, F.\n\n\n \n\n\n\n 1986.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@misc{\n title = {Little Shop of Horrors (Film)},\n type = {misc},\n year = {1986},\n id = {c1e21ea7-ce86-3fdb-b517-18dc819dd1cb},\n created = {2021-04-05T16:37:54.780Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:54.780Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Little Shop of Horrors is a 1986 American rock musical horror comedy film directed by Frank Oz. It is a film adaptation of the off-Broadway musical comedy of the same name by composer Alan Menken and writer Howard Ashman about a geeky florist shop worker who finds out his venus fly trap can speak. Menken and Ashman's Off-Broadway musical was based on the low-budget 1960 film The Little Shop of Horrors, directed by Roger Corman.},\n bibtype = {misc},\n author = {Oz, Frank},\n keywords = {film}\n}
\n
\n\n\n
\n Little Shop of Horrors is a 1986 American rock musical horror comedy film directed by Frank Oz. It is a film adaptation of the off-Broadway musical comedy of the same name by composer Alan Menken and writer Howard Ashman about a geeky florist shop worker who finds out his venus fly trap can speak. Menken and Ashman's Off-Broadway musical was based on the low-budget 1960 film The Little Shop of Horrors, directed by Roger Corman.\n
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\n  \n 1985\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Kirlian Witness (The Plants Are Watching).\n \n \n \n \n\n\n \n Sarno, J.\n\n\n \n\n\n\n 1985.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {The Kirlian Witness (The Plants Are Watching)},\n type = {misc},\n year = {1985},\n websites = {http://catalog.afi.com/Catalog/MovieDetails/57743},\n publisher = {CNI Cinema / Dorinth Films},\n id = {3ae236f2-8344-3daf-920c-1238003bc975},\n created = {2021-06-17T18:41:09.250Z},\n accessed = {2021-06-17},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-06-17T18:41:09.250Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n country = {United States},\n private_publication = {false},\n bibtype = {misc},\n author = {Sarno, Jonathan}\n}
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\n  \n 1984\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n Moos: Die nachgelassenen Blätter des Botanikers Lukas Ohlburg.\n \n \n \n\n\n \n Modick, K.\n\n\n \n\n\n\n Haffmans, 1984.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Moos: Die nachgelassenen Blätter des Botanikers Lukas Ohlburg},\n type = {book},\n year = {1984},\n publisher = {Haffmans},\n city = {Zürich},\n id = {c9578e53-db29-3e4b-926e-d67a8fb439b7},\n created = {2021-04-02T00:03:56.507Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:56.507Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Modick, Klaus}\n}
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\n \n\n \n \n \n \n \n El Árbol del conocimiento: Las bases biológicas del entendimiento humano.\n \n \n \n\n\n \n Maturana, H.; and Varela, F.\n\n\n \n\n\n\n 1984.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {El Árbol del conocimiento: Las bases biológicas del entendimiento humano},\n type = {book},\n year = {1984},\n id = {1906ecb4-7e45-301f-8206-dfb5a319e6da},\n created = {2021-04-02T00:04:39.026Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:39.026Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Maturana, Humberto and Varela, Francisco}\n}
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\n  \n 1983\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Man and the Natural World: Changing Attitudes in England, 1500-1800.\n \n \n \n\n\n \n Thomas, K.\n\n\n \n\n\n\n Oxford University Press, 1983.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Man and the Natural World: Changing Attitudes in England, 1500-1800},\n type = {book},\n year = {1983},\n publisher = {Oxford University Press},\n city = {Oxford},\n id = {63b1d651-367a-3c19-b407-4e09a0a99d61},\n created = {2021-04-05T16:37:34.614Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:34.614Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Thomas, Keith}\n}
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\n  \n 1982\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Nature's Second Kingdom: Explorations of Vegetality in the Eighteenth Century.\n \n \n \n\n\n \n Delaporte, F.\n\n\n \n\n\n\n MIT Press, 1982.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Nature's Second Kingdom: Explorations of Vegetality in the Eighteenth Century},\n type = {book},\n year = {1982},\n publisher = {MIT Press},\n city = {Cambridge, MA},\n id = {626e3118-126a-3896-a669-200a4681a421},\n created = {2021-04-05T16:37:36.307Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:36.307Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Trans. Arthur Goldhammer. },\n bibtype = {book},\n author = {Delaporte, Francois}\n}
\n
\n\n\n
\n Trans. Arthur Goldhammer. \n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Gametes and Spores: Gametes and spores. Ideas About Sexual Reproduction 1750–1914.\n \n \n \n\n\n \n Farley, J.\n\n\n \n\n\n\n Johns Hopkins University Press, 1982.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Gametes and Spores: Gametes and spores. Ideas About Sexual Reproduction 1750–1914},\n type = {book},\n year = {1982},\n publisher = {Johns Hopkins University Press},\n city = {Baltimore, MD / London, UK},\n id = {ca8459be-5560-38e5-a185-08f046b2f458},\n created = {2021-11-26T20:01:01.187Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-26T20:01:01.187Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Farley, John}\n}
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\n  \n 1981\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n The Good of Trees.\n \n \n \n\n\n \n Attfield, R.\n\n\n \n\n\n\n Journal of Value Inquiry, 15(1): 35-54. 1981.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {The Good of Trees},\n type = {article},\n year = {1981},\n pages = {35-54},\n volume = {15},\n id = {b10a2d6c-1703-3421-ac2a-2ebf964faee7},\n created = {2021-04-02T00:03:23.071Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:23.071Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Attfield, Robin},\n journal = {Journal of Value Inquiry},\n number = {1}\n}
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\n \n\n \n \n \n \n \n Glasshouses and Wintergardens of the Nineteenth Century.\n \n \n \n\n\n \n Koppelkamm, S.\n\n\n \n\n\n\n Rizzoli, 1981.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Glasshouses and Wintergardens of the Nineteenth Century},\n type = {book},\n year = {1981},\n publisher = {Rizzoli},\n city = {New York},\n id = {c6ce8957-b0d7-33d9-bb50-96d23d6b7f4d},\n created = {2021-04-05T16:36:55.295Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:55.295Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Koppelkamm, Stefan}\n}
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\n  \n 1979\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n The Politics of Landscape: Rural Scenery and Society in English Poetry, 1630-1660.\n \n \n \n\n\n \n Turner, J.\n\n\n \n\n\n\n Harvard University Press, 1979.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Politics of Landscape: Rural Scenery and Society in English Poetry, 1630-1660},\n type = {book},\n year = {1979},\n publisher = {Harvard University Press},\n city = {Cambridge},\n id = {3f753146-e863-3d75-891f-255df4fd1ecb},\n created = {2021-04-05T16:37:35.461Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:35.461Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Turner, James}\n}
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\n  \n 1977\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Darwin and His Flowers: The Key to Natural Selection.\n \n \n \n\n\n \n Allan, M.\n\n\n \n\n\n\n Taplinger Pub. Co., 1977.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Darwin and His Flowers: The Key to Natural Selection},\n type = {book},\n year = {1977},\n publisher = {Taplinger Pub. Co.},\n city = {New York},\n id = {d1dd4023-1293-350a-aaa5-b15d307cf07b},\n created = {2021-04-05T16:38:14.823Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:14.823Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Allan, Mea}\n}
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\n \n\n \n \n \n \n \n Northwest Trees: Identifying and Understanding the Region's Native Trees.\n \n \n \n\n\n \n Arno, S.; and Hammerly, R.\n\n\n \n\n\n\n Mountaineers Books, 1977.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Northwest Trees: Identifying and Understanding the Region's Native Trees},\n type = {book},\n year = {1977},\n publisher = {Mountaineers Books},\n city = {Seattle},\n id = {093c1673-bcaf-304e-993a-19d01aa30352},\n created = {2021-11-16T23:27:52.785Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-16T23:27:52.785Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Arno, Stephen and Hammerly, Ramona}\n}
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\n  \n 1976\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n Abschweifungen über Bäume: Gedichte.\n \n \n \n\n\n \n Pech, K.\n\n\n \n\n\n\n Hinstorff, VEB, 1976.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Abschweifungen über Bäume: Gedichte},\n type = {book},\n year = {1976},\n publisher = {Hinstorff, VEB},\n city = {Rostock},\n id = {31252db0-e94b-3a3a-bfce-e6a3b16aa3a3},\n created = {2021-04-02T00:04:36.368Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:36.368Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Pech, Kristian}\n}
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\n  \n 1974\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Bizarre Plants: Magical, Monstrous, Mythical.\n \n \n \n\n\n \n Emboden Jr., W., A.\n\n\n \n\n\n\n Macmillan, 1974.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Bizarre Plants: Magical, Monstrous, Mythical},\n type = {book},\n year = {1974},\n publisher = {Macmillan},\n city = {New York},\n id = {7b6ea6c6-f477-3b2c-bfcc-da32411f23de},\n created = {2021-04-05T16:38:13.040Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:13.040Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Emboden Jr., William A.}\n}
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\n  \n 1972\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n \n Should Trees Have Standing? Toward Legal Rights for Natural Objects.\n \n \n \n \n\n\n \n Stone, C., D.\n\n\n \n\n\n\n Southern California Law Review,450-501. 1972.\n \n\n\n\n
\n\n\n\n \n \n \"ShouldWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{\n title = {Should Trees Have Standing? Toward Legal Rights for Natural Objects},\n type = {article},\n year = {1972},\n pages = {450-501},\n websites = {https://iseethics.files.wordpress.com/2013/02/stone-christopher-d-should-trees-have-standing.pdf},\n id = {0746b6bf-6cf9-3129-b9fd-d49a6f2bd46d},\n created = {2021-04-05T16:37:37.288Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:37.288Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Stone, Christopher D.},\n journal = {Southern California Law Review}\n}
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\n  \n 1970\n \n \n (2)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n Le catalogue de la vie: Etude méthodique sur la taxonomie.\n \n \n \n\n\n \n Dagognet, F.\n\n\n \n\n\n\n Presses Universitaires de France (PUF), 1970.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Le catalogue de la vie: Etude méthodique sur la taxonomie},\n type = {book},\n year = {1970},\n publisher = {Presses Universitaires de France (PUF)},\n city = {Paris},\n id = {86d0d92c-7ce7-3b7c-9363-a625b048d58e},\n created = {2021-04-02T00:04:46.229Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:46.229Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Dagognet, François}\n}
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\n \n\n \n \n \n \n \n The Plant Hunters; Being a History of the Horticultural Pioneers, Their Quests, and Their Discoveries from the Renaissance to the Twentieth Century.\n \n \n \n\n\n \n Coats, A., M.\n\n\n \n\n\n\n McGraw Hill, 1970.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Plant Hunters; Being a History of the Horticultural Pioneers, Their Quests, and Their Discoveries from the Renaissance to the Twentieth Century},\n type = {book},\n year = {1970},\n publisher = {McGraw Hill},\n city = {New York},\n id = {6ba6b29a-e387-34e6-ae46-6b1d142913a0},\n created = {2021-04-05T16:37:08.042Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:08.042Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Coats, Alice M}\n}
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\n  \n 1965\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n All Flesh is Grass.\n \n \n \n\n\n \n Simak, C., D.\n\n\n \n\n\n\n Doubleday, 1965.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {All Flesh is Grass},\n type = {book},\n year = {1965},\n publisher = {Doubleday},\n city = {Garden City, NY},\n id = {b1a5fab5-84f2-3c29-b308-d3caa6a04f51},\n created = {2021-04-02T00:00:31.780Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:00:31.780Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Simak, Clifford D.}\n}
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\n  \n 1964\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Flower Poems.\n \n \n \n\n\n \n Silkin, J.\n\n\n \n\n\n\n 1964.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Flower Poems},\n type = {book},\n year = {1964},\n id = {eb92351e-1a3e-31a3-ad35-4a94c2444c85},\n created = {2021-04-02T00:04:58.959Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:04:58.959Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Silkin, Jon}\n}
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\n  \n 1951\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The Day of the Triffids (Film).\n \n \n \n\n\n \n Wyndham, J.\n\n\n \n\n\n\n 1951.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {The Day of the Triffids (Film)},\n type = {book},\n year = {1951},\n id = {8d85e97f-ece9-3404-940d-331d063ac91e},\n created = {2021-04-05T16:37:53.951Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:53.951Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {The Day of the Triffids is a novel by John Wyndham.\r\n\r\nThe title may also refer to:\r\nThe Day of the Triffids (film), the 1962 film version;\r\nThe Day of the Triffids (1981 TV series), the 1981 television version;\r\nThe Day of the Triffids (2009 TV series), the 2009 television version;\r\nThe Day of the Triffids (radio drama), a number of radio versions.},\n bibtype = {book},\n author = {Wyndham, John},\n keywords = {novel}\n}
\n
\n\n\n
\n The Day of the Triffids is a novel by John Wyndham.\r\n\r\nThe title may also refer to:\r\nThe Day of the Triffids (film), the 1962 film version;\r\nThe Day of the Triffids (1981 TV series), the 1981 television version;\r\nThe Day of the Triffids (2009 TV series), the 2009 television version;\r\nThe Day of the Triffids (radio drama), a number of radio versions.\n
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\n  \n 1930\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Die Pflanze als Lebewesen: Eine Biographie in 200 Aufnahmen.\n \n \n \n\n\n \n Fuhrmann, E.\n\n\n \n\n\n\n Frankfurter Societäts-Druckerei, 1930.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Die Pflanze als Lebewesen: Eine Biographie in 200 Aufnahmen},\n type = {book},\n year = {1930},\n publisher = {Frankfurter Societäts-Druckerei},\n city = {Frankfurt},\n id = {05b88cac-2e2f-397e-b4d6-8c5152ea390b},\n created = {2021-04-05T16:36:30.032Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:30.032Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Fuhrmann, Ernst}\n}
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\n  \n 1929\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Le langage des fleurs.\n \n \n \n\n\n \n Bataille, G.\n\n\n \n\n\n\n Documents. 6 1929.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{\n title = {Le langage des fleurs},\n type = {article},\n year = {1929},\n month = {6},\n id = {ab53f7c9-821e-3d56-8a2f-e4c41a6ede10},\n created = {2021-04-05T16:36:15.452Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:15.452Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {Bataille, Georges},\n journal = {Documents}\n}
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\n  \n 1921\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Verge.\n \n \n \n \n\n\n \n Glaspell, S.\n\n\n \n\n\n\n 1921.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {The Verge},\n type = {book},\n year = {1921},\n websites = {http://blogs.shu.edu/glaspellsociety/primary-sources/},\n id = {82d08db1-7e61-34ff-9686-7f5e8bc28e98},\n created = {2021-04-05T16:38:20.095Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:20.095Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Glaspell, Susan},\n keywords = {play}\n}
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\n  \n 1913\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Die Ermordung einer Butterblume.\n \n \n \n\n\n \n Döblin, A.\n\n\n \n\n\n\n 1913.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Die Ermordung einer Butterblume},\n type = {book},\n year = {1913},\n id = {7911aa74-8617-39a3-8424-99fe9b3dc8b5},\n created = {2021-04-05T16:36:36.423Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:36.423Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Döblin, Alfred}\n}
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\n  \n 1912\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n The Man Whom the Trees Loved.\n \n \n \n \n\n\n \n Blackwood, A.\n\n\n \n\n\n\n Macmillan and Co., 1912.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Man Whom the Trees Loved},\n type = {book},\n year = {1912},\n websites = {http://www.gutenberg.org/ebooks/11377},\n publisher = {Macmillan and Co.},\n city = {London},\n id = {b7e04bd4-3b14-3730-9a98-f64efa940d0c},\n created = {2021-11-16T23:27:54.530Z},\n accessed = {2021-11-16},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-16T23:27:54.530Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Blackwood, Algernon}\n}
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\n  \n 1907\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n \n The Willows.\n \n \n \n \n\n\n \n Blackwood, A.\n\n\n \n\n\n\n Nash, 1907.\n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Willows},\n type = {book},\n year = {1907},\n websites = {https://www.gutenberg.org/ebooks/11438},\n publisher = {Nash},\n city = {London},\n id = {df53fea7-cb6f-36da-9c3f-07fcac6a2131},\n created = {2021-11-16T23:27:54.288Z},\n accessed = {2021-11-16},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-16T23:27:54.288Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Blackwood, Algernon}\n}
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\n  \n 1900\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n L’art floral à travers les siècles.\n \n \n \n\n\n \n Maumené, A.\n\n\n \n\n\n\n Librairie et imprimerie horticole, 1900.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {L’art floral à travers les siècles},\n type = {book},\n year = {1900},\n publisher = {Librairie et imprimerie horticole},\n city = {Paris},\n id = {e3d834b8-bb3d-3cc3-9718-7cd5271fcc19},\n created = {2021-04-05T16:36:47.471Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:47.471Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Maumené, Albert}\n}
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\n
\n  \n 1892\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Les fleurs à Paris, culture et commerce.\n \n \n \n\n\n \n Vilmorin, P., L., d.\n\n\n \n\n\n\n J.-B. Baillière et fils, 1892.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Les fleurs à Paris, culture et commerce},\n type = {book},\n year = {1892},\n publisher = {J.-B. Baillière et fils},\n city = {Paris},\n id = {a40b074f-450d-394d-8468-c973982225e2},\n created = {2021-04-05T16:36:44.944Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:44.944Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Vilmorin, Philippe Lévêque de}\n}
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\n  \n 1891\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Les plantes potagères, description et culture des principaux légumes des climats tempérés.\n \n \n \n\n\n \n Vilmorin-Andrieux\n\n\n \n\n\n\n 1891.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Les plantes potagères, description et culture des principaux légumes des climats tempérés},\n type = {book},\n year = {1891},\n city = {Paris},\n id = {59ad7257-0f0d-3337-8091-3e1357487222},\n created = {2021-04-05T16:36:44.064Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:44.064Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Vilmorin-Andrieux, undefined},\n editor = {Vilmorin-Andrieux, undefined}\n}
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\n  \n 1890\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n The Picture of Dorian Gray.\n \n \n \n\n\n \n Wilde, O.\n\n\n \n\n\n\n 1890.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {The Picture of Dorian Gray},\n type = {book},\n year = {1890},\n id = {35bfbfc1-28a5-3791-8e90-73111d3e5e92},\n created = {2021-04-05T16:37:55.784Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:55.784Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Wilde, Oscar},\n keywords = {novel}\n}
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\n  \n 1886\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n L’art des jardins: parcs, jardins, promenades.\n \n \n \n\n\n \n Ernouf, A.\n\n\n \n\n\n\n J. Rothschild, 1886.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {L’art des jardins: parcs, jardins, promenades},\n type = {book},\n year = {1886},\n publisher = {J. Rothschild},\n city = {Paris},\n id = {17232fb0-0bc8-32a7-9b32-d60541b56193},\n created = {2021-04-05T16:36:49.158Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:49.158Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ernouf, Alfred-Auguste}\n}
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\n  \n 1879\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n L’art des jardins: traité général de la composition des parcs et jardins.\n \n \n \n\n\n \n André, É.\n\n\n \n\n\n\n G. Masson, 1879.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {L’art des jardins: traité général de la composition des parcs et jardins},\n type = {book},\n year = {1879},\n publisher = {G. Masson},\n city = {Paris},\n id = {8b3f8092-ae01-3ba4-98ab-e182a3f6a928},\n created = {2021-04-05T16:36:52.715Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:52.715Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {André, Édouard}\n}
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\n  \n 1878\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n The Parks and Gardens of Paris, Considered in Relation to the Wants of Other Cities and of the Public and Private Gardens; Being Notes on a Study of Paris Gardens.\n \n \n \n\n\n \n Robinson, W.\n\n\n \n\n\n\n Macmillan, 1878.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Parks and Gardens of Paris, Considered in Relation to the Wants of Other Cities and of the Public and Private Gardens; Being Notes on a Study of Paris Gardens},\n type = {book},\n year = {1878},\n publisher = {Macmillan},\n city = {London},\n id = {52af8d1b-a07e-328e-9323-a201544c97ea},\n created = {2021-04-05T16:36:46.638Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:46.638Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Biodiversity Heritage Library},\n bibtype = {book},\n author = {Robinson, W}\n}
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\n\n\n
\n Biodiversity Heritage Library\n
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\n\n\n
\n \n\n \n \n \n \n \n The Plant-Lore & Garden-Craft of Shakespeare.\n \n \n \n\n\n \n Ellacombe, H., N.\n\n\n \n\n\n\n Printed for author by W. Pollard, 1878.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Plant-Lore & Garden-Craft of Shakespeare},\n type = {book},\n year = {1878},\n publisher = {Printed for author by W. Pollard},\n city = {Exeter},\n id = {8e99bb7c-f9e5-3b5f-b567-3233684f0d4e},\n created = {2021-11-24T15:12:08.003Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-24T15:12:08.003Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ellacombe, Henry Nicholson}\n}
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\n  \n 1876\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Plantes de serre chaude et tempérée, constructions des serres, cultures, multiplications, etc.\n \n \n \n\n\n \n Delchevalerie, G.\n\n\n \n\n\n\n Librairie agricole de la Maison rustique, 1876.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Plantes de serre chaude et tempérée, constructions des serres, cultures, multiplications, etc.},\n type = {book},\n year = {1876},\n publisher = {Librairie agricole de la Maison rustique},\n city = {Paris},\n id = {76c500fe-30e9-3872-92e5-acb99a654d67},\n created = {2021-04-05T16:36:50.055Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:50.055Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Delchevalerie, G}\n}
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\n  \n 1875\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Le jardinier des salons, ou l’art de cultiver les fleurs dans les appartements, sur les croisées et sur les balcons.\n \n \n \n\n\n \n Ysabeau, A.\n\n\n \n\n\n\n J. Taride, 1875.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Le jardinier des salons, ou l’art de cultiver les fleurs dans les appartements, sur les croisées et sur les balcons},\n type = {book},\n year = {1875},\n publisher = {J. Taride},\n city = {Paris},\n id = {f4842a9b-b373-39ca-bfad-2db5c2024842},\n created = {2021-04-05T16:36:43.239Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:43.239Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Ysabeau, Alexandre}\n}
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\n  \n 1874\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Le jardinier des dames, ou l’art de cultiver les plantes d’appartement, dans les salons, sur les balcons, sur les fenêtres et dans le petit jardin.\n \n \n \n\n\n \n Fleuriot, C.\n\n\n \n\n\n\n T. Lefèvre, 1874.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Le jardinier des dames, ou l’art de cultiver les plantes d’appartement, dans les salons, sur les balcons, sur les fenêtres et dans le petit jardin},\n type = {book},\n year = {1874},\n publisher = {T. Lefèvre},\n city = {Paris},\n id = {fbb449ce-8f39-320b-9087-ad7123677e7e},\n created = {2021-04-05T16:36:48.311Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:48.311Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Fleuriot, Céline}\n}
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\n  \n 1867\n \n \n (1)\n \n \n
\n
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\n \n\n \n \n \n \n \n Les promenades de Paris.\n \n \n \n\n\n \n Alphand, J., A.\n\n\n \n\n\n\n 1867.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Les promenades de Paris},\n type = {book},\n year = {1867},\n id = {dbc96cea-dce9-3041-acd1-a5ff83965db5},\n created = {2021-04-05T16:36:53.528Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:53.528Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Alphand, Jean-Charles Adolphe}\n}
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\n  \n 1863\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Le jardinier des appartements, des fenêtres, des balcons et des petits jardins.\n \n \n \n\n\n \n Cristal, M.\n\n\n \n\n\n\n Garnier frères, 1863.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Le jardinier des appartements, des fenêtres, des balcons et des petits jardins},\n type = {book},\n year = {1863},\n publisher = {Garnier frères},\n city = {Paris},\n id = {29c4ad29-9643-3de7-80e3-61a3446e636c},\n created = {2021-04-05T16:36:50.860Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:50.860Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Cristal, Maurice}\n}
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\n  \n 1861\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Le langage des fleurs.\n \n \n \n\n\n \n Tour, M., C., d., l.\n\n\n \n\n\n\n Garnier frères, 1861.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Le langage des fleurs},\n type = {book},\n year = {1861},\n publisher = {Garnier frères},\n city = {Paris},\n id = {45dd3fd0-da8a-3bd4-a6cb-f976f9eca090},\n created = {2021-04-05T16:36:45.792Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:45.792Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Tour, Mme Charlotte de la}\n}
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\n  \n 1859\n \n \n (1)\n \n \n
\n
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\n \n\n \n \n \n \n \n De la culture des fleurs dans les appartements, sur les fenêtres et dans les petits jardins...\n \n \n \n\n\n \n Courtois-Gérard\n\n\n \n\n\n\n Courtois-Gérard, 1859.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {De la culture des fleurs dans les appartements, sur les fenêtres et dans les petits jardins...},\n type = {book},\n year = {1859},\n publisher = {Courtois-Gérard},\n city = {Paris},\n id = {5c6578fd-c18e-314a-90b8-5a3caa722af0},\n created = {2021-04-05T16:36:51.883Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:51.883Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Courtois-Gérard, undefined}\n}
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\n  \n 1857\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Les fleurs du mal.\n \n \n \n\n\n \n Baudelaire, C.\n\n\n \n\n\n\n 1857.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{\n title = {Les fleurs du mal},\n type = {book},\n year = {1857},\n id = {87b64bb8-7848-3927-9f6f-a47473f65af3},\n created = {2021-04-05T16:37:57.488Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:57.488Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Baudelaire, Charles},\n keywords = {poetry}\n}
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\n  \n 1847\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Les fleurs animées.\n \n \n \n \n\n\n \n Grandville, J., J.\n\n\n \n\n\n\n 1847.\n \n\n\n\n
\n\n\n\n \n \n \"LesWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Les fleurs animées},\n type = {book},\n year = {1847},\n websites = {https://publicdomainreview.org/collections/the-flowers-personified-1847/},\n id = {b5f4f8f9-30a8-3ad2-8675-9bf6f7843fe0},\n created = {2021-04-02T00:05:06.376Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:06.376Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Grandville, J. J.}\n}
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\n  \n 1840\n \n \n (2)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n La bouquetière.\n \n \n \n\n\n \n Waldor, M.\n\n\n \n\n\n\n 1840.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {La bouquetière},\n type = {misc},\n year = {1840},\n source = {Les français peints par eux-mêmes: encyclopédie morale du dix-neuvième siècle (vol. 3)},\n pages = {148-156},\n publisher = {L. Curmer},\n id = {675dcab1-56b5-3a0b-abc8-8c22cb1e9869},\n created = {2021-04-05T16:36:41.465Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:41.465Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Waldor, Mélanie}\n}
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\n \n\n \n \n \n \n \n L’horticulteur.\n \n \n \n\n\n \n Karr, A.\n\n\n \n\n\n\n 1840.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {L’horticulteur},\n type = {misc},\n year = {1840},\n source = {Les français peints par eux-mêmes: encyclopédie morale du dix-neuvième siècle (vol. 1)},\n pages = {123-130},\n publisher = {L. Curmer},\n id = {9b486434-1992-3025-a719-3a490e016f75},\n created = {2021-04-05T16:36:42.367Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:42.367Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Karr, Alphonse}\n}
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\n  \n 1826\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Specimens of the Plants and Fruits of the Island of Cuba.\n \n \n \n\n\n \n Wollstonecraft, A., K.\n\n\n \n\n\n\n Cornell University Library, Division of Rare and Manuscript Collections, 1826.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Specimens of the Plants and Fruits of the Island of Cuba},\n type = {book},\n year = {1826},\n publisher = {Cornell University Library, Division of Rare and Manuscript Collections},\n id = {851825ec-ce91-39b2-8482-8d1298ee5f4d},\n created = {2021-04-02T00:01:23.227Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:01:23.227Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Full Text View HathiTrust digital library: https://babel.hathitrust.org/cgi/ls?field1=ocr;q1=%22Specimens%20of%20the%20Plants%20and%20Fruits%20of%20the%20Island%20of%20Cuba%22;a=srchls;lmt=ft\r\n\r\nCarey, Jonathan: "A Forgotten Botanist’s Stunning 19th-Century Manuscript Is Now Online", Atlas Obscura, February 5, 2019. URL: https://www.atlasobscura.com/articles/cuba-botanical-illustration?utm_source=Atlas+Obscura+Daily+Newsletter&utm_campaign=b22abf6d5f-EMAIL_CAMPAIGN_2019_02_07&utm_medium=email&utm_term=0_f36db9c480-b22abf6d5f-63156265&ct=t(EMAIL_CAMPAIGN_02_07_2019)&mc_cid=b22abf6d5f&mc_eid=50f6036d3a},\n bibtype = {book},\n author = {Wollstonecraft, Anne Kingsbury}\n}
\n
\n\n\n
\n Full Text View HathiTrust digital library: https://babel.hathitrust.org/cgi/ls?field1=ocr;q1=%22Specimens%20of%20the%20Plants%20and%20Fruits%20of%20the%20Island%20of%20Cuba%22;a=srchls;lmt=ft\r\n\r\nCarey, Jonathan: \"A Forgotten Botanist’s Stunning 19th-Century Manuscript Is Now Online\", Atlas Obscura, February 5, 2019. URL: https://www.atlasobscura.com/articles/cuba-botanical-illustration?utm_source=Atlas+Obscura+Daily+Newsletter&utm_campaign=b22abf6d5f-EMAIL_CAMPAIGN_2019_02_07&utm_medium=email&utm_term=0_f36db9c480-b22abf6d5f-63156265&ct=t(EMAIL_CAMPAIGN_02_07_2019)&mc_cid=b22abf6d5f&mc_eid=50f6036d3a\n
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\n  \n 1818\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Régénération de la nature végétale.\n \n \n \n\n\n \n Rauch, F., A.\n\n\n \n\n\n\n 1818.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Régénération de la nature végétale},\n type = {book},\n year = {1818},\n id = {04b7764b-e2ff-3703-b3f0-6974ba265783},\n created = {2021-04-05T16:37:31.012Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:31.012Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Rauch, François Antoine}\n}
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\n  \n 1802\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Harmonie hydro-végétale et météorologique, ou, Recherches sur les moyens de recréer avec nos forêts la force des températures et la régularité des saisons par des plantations raisonnées.\n \n \n \n\n\n \n Rauch, F., A.\n\n\n \n\n\n\n 1802.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {Harmonie hydro-végétale et météorologique, ou, Recherches sur les moyens de recréer avec nos forêts la force des températures et la régularité des saisons par des plantations raisonnées},\n type = {book},\n year = {1802},\n id = {ef56cc94-073e-399d-9920-e09c4b4cf6ae},\n created = {2021-04-05T16:37:32.024Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:32.024Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Rauch, François Antoine}\n}
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\n  \n 1791\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The Botanic Garden.\n \n \n \n\n\n \n Darwin, E.\n\n\n \n\n\n\n 1791.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
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@book{\n title = {The Botanic Garden},\n type = {book},\n year = {1791},\n id = {725f519f-9330-3d06-9e17-3938dc1a16ad},\n created = {2021-04-05T16:38:26.758Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:38:26.758Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n abstract = {Reprinted: Routledge, 2017 (ed. Komisaruk, Adam\r\nand Dushane, Allison)},\n bibtype = {book},\n author = {Darwin, Erasmus},\n keywords = {poetry}\n}
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\n Reprinted: Routledge, 2017 (ed. Komisaruk, Adam\r\nand Dushane, Allison)\n
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\n  \n 1790\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Versuch die Metamorphose der Pflanzen zu erklären.\n \n \n \n\n\n \n Goethe, J., W., v.\n\n\n \n\n\n\n 1790.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{\n title = {Versuch die Metamorphose der Pflanzen zu erklären},\n type = {book},\n year = {1790},\n id = {cf2bf2f5-3df8-3ead-920e-1ff78c9085a6},\n created = {2021-04-05T16:37:56.633Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:56.633Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Goethe, Johann Wolfgang von}\n}
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\n  \n 1682\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n The Anatomy of Plants: with an Idea of a Philosophical History of Plants.\n \n \n \n\n\n \n Grew, N.\n\n\n \n\n\n\n 1682.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@book{\n title = {The Anatomy of Plants: with an Idea of a Philosophical History of Plants},\n type = {book},\n year = {1682},\n id = {484447a5-43b4-37b9-8aec-1049fc24e964},\n created = {2021-04-05T16:37:11.743Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:37:11.743Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {book},\n author = {Grew, Nehemiah}\n}
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\n  \n undefined\n \n \n (5)\n \n \n
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\n \n\n \n \n \n \n \n \n The Planthunter (Journal).\n \n \n \n \n\n\n \n Reid Georgina (ed.)\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {The Planthunter (Journal)},\n type = {misc},\n websites = {https://theplanthunter.com.au/},\n id = {fcb9c36c-3c4e-3b0b-ad86-b5213c6fc579},\n created = {2021-04-02T00:05:04.263Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:05:04.263Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Reid Georgina (ed.), undefined}\n}
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\n \n\n \n \n \n \n \n \n The Philosophical Salon (Channel of the LA Review of Books).\n \n \n \n \n\n\n \n Marder, M.; and Viera, P.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@misc{\n title = {The Philosophical Salon (Channel of the LA Review of Books)},\n type = {misc},\n source = {Los Angeles Review of Books},\n websites = {https://thephilosophicalsalon.com/about/},\n id = {dc020c96-8b3f-3dad-b35c-032081c497c9},\n created = {2021-04-05T16:36:13.786Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:13.786Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Marder, Michael and Viera, Patricia}\n}
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\n \n\n \n \n \n \n \n \n The Philosopher's Plant (Channel of the LA Review of Books).\n \n \n \n \n\n\n \n Marder, M.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"TheWebsite\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{\n title = {The Philosopher's Plant (Channel of the LA Review of Books)},\n type = {misc},\n source = {Los Angeles Review of Books},\n websites = {http://philosoplant.lareviewofbooks.org/},\n id = {d11efea9-2a3a-30a0-b3a0-5eb3b3b4a76c},\n created = {2021-04-05T16:36:21.763Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-05T16:36:21.763Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {misc},\n author = {Marder, Michael}\n}
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\n \n\n \n \n \n \n \n Beyond ‘Plant Blindness’: Seeing the Importance of Plants for a Sustainable World.\n \n \n \n\n\n \n Wilson, M.; Sanders, D., L.; and Snaebjornsdottir, B.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{\n title = {Beyond ‘Plant Blindness’: Seeing the Importance of Plants for a Sustainable World},\n type = {misc},\n id = {c73a349f-1ed9-3858-a35c-2e821ebd1d95},\n created = {2021-11-26T20:01:02.718Z},\n file_attached = {false},\n profile_id = {2ada4b49-4b8a-3126-a305-48190690ddf7},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-11-26T20:01:02.718Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n source_type = {Research Proposal},\n private_publication = {false},\n abstract = {Humans are becoming an urban species. Living in megalopolitan cities reduces intimate contact with the natural world thus placing greater emphasis on 'presented nature' settings, such as zoos, botanic gardens and natural history museums. Botanic gardens provide opportunities for aesthetic interactions with the plant world. However, previous research has demonstrated that 'plant blindness' inhibits human perceptions of plants. Increased extinction levels (Millennium Ecosystem Assessment 2005) mean the world can no longer afford our citizens to see 'nothing' when they look at plants, the basis of most life on earth. Despite a key educational role identified in the global plant conservation strategy 2011- 2020 botanic gardens, and allied settings, have received limited research attention. In the Swedish context the education system should provide students with knowledge about nature, the environment and sustainable development (Swedish National Agency for Education, 2011). Given the critical role of plants in ecosystem resilience it is imperative to motivate teaching and learning that can move beyond ‘plant blindness’ towards experiences in which teachers and learners see the importance of plants for a sustainable world. A recent survey by Wilson and Mant (2011) concludes that exemplary science teachers used a broad repertoire of stories, metaphors, analogies and models to translate their scientific knowledge and make it comprehensible to their students. Similarly, multimodal approaches to teaching and learning science have been shown to be effective in engaging students (Ainsworth et al, 2011). Furthermore, Bell (1997) has framed natural history as the possibility of a ‘fully-embodied participation in the non-human world’ (p.132). These findings suggest that multimodal and sensoric experiences in ‘presented nature’ settings might create shifts away from plant-blindness towards reading the importance of plants.},\n bibtype = {misc},\n author = {Wilson, Mark and Sanders, Dawn L. and Snaebjornsdottir, Bryndis}\n}
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\n Humans are becoming an urban species. Living in megalopolitan cities reduces intimate contact with the natural world thus placing greater emphasis on 'presented nature' settings, such as zoos, botanic gardens and natural history museums. Botanic gardens provide opportunities for aesthetic interactions with the plant world. However, previous research has demonstrated that 'plant blindness' inhibits human perceptions of plants. Increased extinction levels (Millennium Ecosystem Assessment 2005) mean the world can no longer afford our citizens to see 'nothing' when they look at plants, the basis of most life on earth. Despite a key educational role identified in the global plant conservation strategy 2011- 2020 botanic gardens, and allied settings, have received limited research attention. In the Swedish context the education system should provide students with knowledge about nature, the environment and sustainable development (Swedish National Agency for Education, 2011). Given the critical role of plants in ecosystem resilience it is imperative to motivate teaching and learning that can move beyond ‘plant blindness’ towards experiences in which teachers and learners see the importance of plants for a sustainable world. A recent survey by Wilson and Mant (2011) concludes that exemplary science teachers used a broad repertoire of stories, metaphors, analogies and models to translate their scientific knowledge and make it comprehensible to their students. Similarly, multimodal approaches to teaching and learning science have been shown to be effective in engaging students (Ainsworth et al, 2011). Furthermore, Bell (1997) has framed natural history as the possibility of a ‘fully-embodied participation in the non-human world’ (p.132). These findings suggest that multimodal and sensoric experiences in ‘presented nature’ settings might create shifts away from plant-blindness towards reading the importance of plants.\n
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\n \n\n \n \n \n \n \n \n Trees.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n Emergence Magazine, Special Issue: Trees, 7. .\n \n\n\n\n
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@article{\n title = {Trees},\n type = {article},\n volume = {7},\n websites = {https://emergencemagazine.org/archive/issue/trees/},\n id = {90a73be3-e7be-3ff5-885c-a907c15d1449},\n created = {2024-08-05T01:34:48.749Z},\n accessed = {2024-08-04},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2024-08-05T01:34:48.749Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {false},\n hidden = {false},\n private_publication = {false},\n bibtype = {article},\n author = {},\n journal = {Emergence Magazine, Special Issue: Trees}\n}
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