var bibbase_data = {"data":"\"Loading..\"\n\n
\n\n \n\n \n\n \n \n\n \n\n \n \n\n \n\n \n
\n generated by\n \n \"bibbase.org\"\n\n \n
\n \n\n
\n\n \n\n\n
\n\n Excellent! Next you can\n create a new website with this list, or\n embed it in an existing web page by copying & pasting\n any of the following snippets.\n\n
\n JavaScript\n (easiest)\n
\n \n <script src=\"https://bibbase.org/show?bib=https%3A%2F%2Fapi.zotero.org%2Fgroups%2F2299884%2Fitems%3Fkey%3Dx7QR3yxqFvHm2BbtSBTibMaI%26format%3Dbibtex%26limit%3D100&jsonp=1&jsonp=1\"></script>\n \n
\n\n PHP\n
\n \n <?php\n $contents = file_get_contents(\"https://bibbase.org/show?bib=https%3A%2F%2Fapi.zotero.org%2Fgroups%2F2299884%2Fitems%3Fkey%3Dx7QR3yxqFvHm2BbtSBTibMaI%26format%3Dbibtex%26limit%3D100&jsonp=1\");\n print_r($contents);\n ?>\n \n
\n\n iFrame\n (not recommended)\n
\n \n <iframe src=\"https://bibbase.org/show?bib=https%3A%2F%2Fapi.zotero.org%2Fgroups%2F2299884%2Fitems%3Fkey%3Dx7QR3yxqFvHm2BbtSBTibMaI%26format%3Dbibtex%26limit%3D100&jsonp=1\"></iframe>\n \n
\n\n

\n For more details see the documention.\n

\n
\n
\n\n
\n\n This is a preview! To use this list on your own web site\n or create a new web site from it,\n create a free account. The file will be added\n and you will be able to edit it in the File Manager.\n We will show you instructions once you've created your account.\n
\n\n
\n\n

To the site owner:

\n\n

Action required! Mendeley is changing its\n API. In order to keep using Mendeley with BibBase past April\n 14th, you need to:\n

    \n
  1. renew the authorization for BibBase on Mendeley, and
  2. \n
  3. update the BibBase URL\n in your page the same way you did when you initially set up\n this page.\n
  4. \n
\n

\n\n

\n \n \n Fix it now\n

\n
\n\n
\n\n\n
\n \n \n
\n
\n  \n 2024\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Cinemap Bibliography.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n February 2024.\n \n\n\n\n
\n\n\n\n \n \n \"CinemapPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{noauthor_cinemap_2024,\n\ttitle = {Cinemap {Bibliography}},\n\turl = {https://sites.psu.edu/jonabel/2024/02/28/192/},\n\tabstract = {Visit the post for more.},\n\tlanguage = {en-US},\n\turldate = {2024-03-08},\n\tjournal = {Jonathan E. Abel},\n\tmonth = feb,\n\tyear = {2024},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n
\n Visit the post for more.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n 庄内 映画 村.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n March 2024.\n \n\n\n\n
\n\n\n\n \n \n \"庄内Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{noauthor__2024,\n\ttitle = {庄内 映画 村},\n\turl = {https://www.s-eigamura.jp/},\n\tabstract = {インターネット上のすべてのものへのあなたの毎日のニュースソース},\n\tlanguage = {ja},\n\turldate = {2024-03-02},\n\tjournal = {s-eigamura},\n\tmonth = mar,\n\tyear = {2024},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n
\n インターネット上のすべてのものへのあなたの毎日のニュースソース\n
\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2021\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Affect, embodiment, and place in critical literacy: assembling theory and practice.\n \n \n \n\n\n \n Lenters, K.; and McDermott, M.\n\n\n \n\n\n\n 2021.\n OCLC: 1268175248\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{lenters_affect_2021,\n\ttitle = {Affect, embodiment, and place in critical literacy: assembling theory and practice},\n\tisbn = {978-0-367-78416-4},\n\tshorttitle = {Affect, embodiment, and place in critical literacy},\n\tlanguage = {English},\n\tauthor = {Lenters, Kimberly and McDermott, Mairi},\n\tyear = {2021},\n\tnote = {OCLC: 1268175248},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Visual delight in architecture: daylight, vision and view.\n \n \n \n\n\n \n Heschong, L.; and von Ahnen, G.\n\n\n \n\n\n\n 2021.\n OCLC: 1200834200\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{heschong_visual_2021,\n\ttitle = {Visual delight in architecture: daylight, vision and view},\n\tisbn = {978-0-367-56322-6 978-0-367-56323-3},\n\tshorttitle = {Visual delight in architecture},\n\tabstract = {"Visual Delight in Architecture examines the many ways that our lives are enriched by the presence of natural daylight illumination and window views within our buildings. It makes the case that appropriately timed exposure to daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It then goes on to help the reader appreciate the subtlety, beauty and pleasures of well-daylit spaces and attractive window views, and how these are woven into the fabric of our daily sensory experiences, and determined by the design of our buildings, cities, and cultural perspectives. The book is written to engage and challenge a variety of readers, including all forms of building and urban designers, plus anyone interested in human health and wellbeing, from medical researchers to the occupants of all types of buildings. Examples range in detail from common everyday experiences to the latest findings in cognitive research. An important goal of the book is integration across perspectives, such as helping designers to become more comfortable with the scientific basis of their work, and scientists more curious about the design implications of their research"--},\n\tlanguage = {English},\n\tauthor = {Heschong, Lisa and von Ahnen, Garth},\n\tyear = {2021},\n\tnote = {OCLC: 1200834200},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n
\n \"Visual Delight in Architecture examines the many ways that our lives are enriched by the presence of natural daylight illumination and window views within our buildings. It makes the case that appropriately timed exposure to daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It then goes on to help the reader appreciate the subtlety, beauty and pleasures of well-daylit spaces and attractive window views, and how these are woven into the fabric of our daily sensory experiences, and determined by the design of our buildings, cities, and cultural perspectives. The book is written to engage and challenge a variety of readers, including all forms of building and urban designers, plus anyone interested in human health and wellbeing, from medical researchers to the occupants of all types of buildings. Examples range in detail from common everyday experiences to the latest findings in cognitive research. An important goal of the book is integration across perspectives, such as helping designers to become more comfortable with the scientific basis of their work, and scientists more curious about the design implications of their research\"–\n
\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2020\n \n \n (3)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Desert Fever: Harvesting the Sun, Colonizing the Land.\n \n \n \n \n\n\n \n Sivri, G.\n\n\n \n\n\n\n e-flux architecture, (Sick Architecture). December 2020.\n \n\n\n\n
\n\n\n\n \n \n \"DesertPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n
@article{sivri_desert_2020,\n\ttitle = {Desert {Fever}: {Harvesting} the {Sun}, {Colonizing} the {Land}},\n\turl = {https://www.e-flux.com/architecture/sick-architecture/363730/desert-fever-harvesting-the-sun-colonizing-the-land/},\n\tlanguage = {Eng},\n\tnumber = {Sick Architecture},\n\tjournal = {e-flux architecture},\n\tauthor = {Sivri, Gizem},\n\tmonth = dec,\n\tyear = {2020},\n\tkeywords = {notion, ⛔ No DOI found},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Postcolonial animalities.\n \n \n \n\n\n \n Sinha, S.; and Baishya, A. R\n\n\n \n\n\n\n Routledge, New York, 2020.\n OCLC: 1182577842\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{sinha_postcolonial_2020,\n\taddress = {New York},\n\ttitle = {Postcolonial animalities},\n\tisbn = {978-1-00-070323-8 978-0-429-28089-4 978-1-00-070400-6 978-1-00-070477-8 978-0-367-23629-8},\n\tlanguage = {English},\n\tpublisher = {Routledge},\n\tauthor = {Sinha, Suvadip and Baishya, Amit R},\n\tyear = {2020},\n\tnote = {OCLC: 1182577842},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Contemporary archipelagic thinking towards new comparative methodologies and disciplinary formations.\n \n \n \n\n\n \n Mart??nez-San Miguel, Y.; and Stephens, M. A.\n\n\n \n\n\n\n 2020.\n OCLC: 1196085762\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{martnez-san_miguel_contemporary_2020,\n\ttitle = {Contemporary archipelagic thinking towards new comparative methodologies and disciplinary formations},\n\tisbn = {978-1-78661-276-2},\n\tlanguage = {English},\n\tauthor = {Mart??nez-San Miguel, Yolanda and Stephens, Michelle Ann},\n\tyear = {2020},\n\tnote = {OCLC: 1196085762},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2019\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Reclaiming the aesthetic of women: de-colonizing land ownership.\n \n \n \n \n\n\n \n Larasati, R. D.\n\n\n \n\n\n\n Cultural Studies, 33(3): 550–569. May 2019.\n Publisher: Routledge _eprint: https://doi.org/10.1080/09502386.2019.1585462\n\n\n\n
\n\n\n\n \n \n \"ReclaimingPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@article{larasati_reclaiming_2019,\n\ttitle = {Reclaiming the aesthetic of women: de-colonizing land ownership},\n\tvolume = {33},\n\tissn = {0950-2386},\n\tshorttitle = {Reclaiming the aesthetic of women},\n\turl = {https://doi.org/10.1080/09502386.2019.1585462},\n\tdoi = {10.1080/09502386.2019.1585462},\n\tabstract = {This paper engages with the study of the aesthetic as an embodied form and offers a critique of the study of value and commodification that emerges in the global spatial imagination. I explore the neglected interrelationship between cultural-spatial reconstruction and land ownership as a sign of livelihood by way of a critique of development and through an investigation of the multiple traces of colonialism in Indonesia in contemporary times, after the massacres. First, land is taken from communities to be used for state and corporate industrialization, and then aesthetic acts of resistance and remembrance by members of these communities, via artistic productions and protest, are commoditized as touristic attractions by the state as a form of nationalism and fetishism of the indigenous, and by corporations as a form of corporate cultural responsibility. This new method of capitalist inclusion of the survivor in a globalized project of aestheticizing space is a neoliberal tactic in which the commoditized reappearance of the aesthetic creations of the marginalized is not, in fact, a sign of inclusion but rather of further displacement. My study follows the focus of this special issue to analyse cultural production within the complexity of multiple and converging colonial forms in historical and contemporary contexts considering the relationality, contradictions and incommensurabilities generated within converging structures of colonial and racialized violence. I locate the ways in which artistic projects within this schema may be used as acts of resistance but also possibly co-optation/ domination. Aesthetic creations intended as means of archiving may also bring insurrections into the paradigm of globalization and to its attention. This paper is an attempt to look at how the creative urge negates and also creates the possibility of resistance, inviting us to urgently rethink aesthetic projects and their representation through a genealogy of global participation.},\n\tnumber = {3},\n\turldate = {2021-11-21},\n\tjournal = {Cultural Studies},\n\tauthor = {Larasati, Rachmi Diyah},\n\tmonth = may,\n\tyear = {2019},\n\tnote = {Publisher: Routledge\n\\_eprint: https://doi.org/10.1080/09502386.2019.1585462},\n\tkeywords = {Unfinished death, aesthetic, archive, neoliberalism, notion, racialized, resistance},\n\tpages = {550--569},\n}\n\n
\n
\n\n\n
\n This paper engages with the study of the aesthetic as an embodied form and offers a critique of the study of value and commodification that emerges in the global spatial imagination. I explore the neglected interrelationship between cultural-spatial reconstruction and land ownership as a sign of livelihood by way of a critique of development and through an investigation of the multiple traces of colonialism in Indonesia in contemporary times, after the massacres. First, land is taken from communities to be used for state and corporate industrialization, and then aesthetic acts of resistance and remembrance by members of these communities, via artistic productions and protest, are commoditized as touristic attractions by the state as a form of nationalism and fetishism of the indigenous, and by corporations as a form of corporate cultural responsibility. This new method of capitalist inclusion of the survivor in a globalized project of aestheticizing space is a neoliberal tactic in which the commoditized reappearance of the aesthetic creations of the marginalized is not, in fact, a sign of inclusion but rather of further displacement. My study follows the focus of this special issue to analyse cultural production within the complexity of multiple and converging colonial forms in historical and contemporary contexts considering the relationality, contradictions and incommensurabilities generated within converging structures of colonial and racialized violence. I locate the ways in which artistic projects within this schema may be used as acts of resistance but also possibly co-optation/ domination. Aesthetic creations intended as means of archiving may also bring insurrections into the paradigm of globalization and to its attention. This paper is an attempt to look at how the creative urge negates and also creates the possibility of resistance, inviting us to urgently rethink aesthetic projects and their representation through a genealogy of global participation.\n
\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2018\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Animism in Contemporary Japan: Voices for the Anthropocene from post-Fukushima Japan.\n \n \n \n\n\n \n Yoneyama, S.\n\n\n \n\n\n\n Routledge, November 2018.\n Google-Books-ID: YDJ7DwAAQBAJ\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{yoneyama_animism_2018,\n\ttitle = {Animism in {Contemporary} {Japan}: {Voices} for the {Anthropocene} from post-{Fukushima} {Japan}},\n\tisbn = {978-1-315-39388-9},\n\tshorttitle = {Animism in {Contemporary} {Japan}},\n\tabstract = {‘Postmodern animism’ first emerged in grassroots Japan in the aftermath of mercury poisoning in Minamata and the nuclear meltdown in Fukushima. Fusing critiques of modernity with intangible cultural heritages, it represents a philosophy of the life-world, where nature is a manifestation of a dynamic life force where all life is interconnected. This new animism, it is argued, could inspire a fundamental rethink of the human-nature relationship.  The book explores this notion of animism through the lens of four prominent figures in Japan: animation film director Miyazaki Hayao, sociologist Tsurumi Kazuko, writer Ishimure Michiko, and Minamata fisherman-philosopher Ogata Masato. Taking a biographical approach, it illustrates how these individuals moved towards the conclusion that animism can help humanity survive modernity. It contributes to the Anthropocene discourse from a transcultural and transdisciplinary perspective, thus addressing themes of nature and spirituality, whilst also engaging with arguments from mainstream social sciences.  Presenting a new perspective for a post-anthropocentric paradigm, Animism in Contemporary Japan will be useful to students and scholars of sociology, anthropology, philosophy and Japanese Studies.},\n\tlanguage = {en},\n\tpublisher = {Routledge},\n\tauthor = {Yoneyama, Shoko},\n\tmonth = nov,\n\tyear = {2018},\n\tnote = {Google-Books-ID: YDJ7DwAAQBAJ},\n\tkeywords = {Philosophy / General, Social Science / Anthropology / General, Social Science / Ethnic Studies / General, Social Science / Regional Studies, Social Science / Sociology / General, notion},\n}\n\n
\n
\n\n\n
\n ‘Postmodern animism’ first emerged in grassroots Japan in the aftermath of mercury poisoning in Minamata and the nuclear meltdown in Fukushima. Fusing critiques of modernity with intangible cultural heritages, it represents a philosophy of the life-world, where nature is a manifestation of a dynamic life force where all life is interconnected. This new animism, it is argued, could inspire a fundamental rethink of the human-nature relationship. The book explores this notion of animism through the lens of four prominent figures in Japan: animation film director Miyazaki Hayao, sociologist Tsurumi Kazuko, writer Ishimure Michiko, and Minamata fisherman-philosopher Ogata Masato. Taking a biographical approach, it illustrates how these individuals moved towards the conclusion that animism can help humanity survive modernity. It contributes to the Anthropocene discourse from a transcultural and transdisciplinary perspective, thus addressing themes of nature and spirituality, whilst also engaging with arguments from mainstream social sciences. Presenting a new perspective for a post-anthropocentric paradigm, Animism in Contemporary Japan will be useful to students and scholars of sociology, anthropology, philosophy and Japanese Studies.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Japanese Popular Culture and Contents Tourism.\n \n \n \n\n\n \n Seaton, P.; and Yamamura, T.\n\n\n \n\n\n\n Routledge, February 2018.\n Google-Books-ID: g3JUDwAAQBAJ\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{seaton_japanese_2018,\n\ttitle = {Japanese {Popular} {Culture} and {Contents} {Tourism}},\n\tisbn = {978-1-315-52867-0},\n\tabstract = {Contents tourism is tourism induced by the contents (narratives, characters, locations and other creative elements) of films, novels, games, manga, anime, television dramas and other forms of popular culture. Amidst the boom in global interest in Japanese popular culture, the utilization of popular culture to induce tourism domestically and internationally has been central to the "Cool Japan" strategy and, since 2005, government policy for local community revitalization. This book presents four main case studies of contents tourism: the phenomenon of "anime pilgrimage" to sites appearing in animated film; the travel behaviours and "pop-spiritualism" of female history fans to heritage sites; the collaboration between local community, fans and copyright holders that underpinned an anime-induced tourism boom in a small town north of Tokyo; and the large-scale economic impacts of tourism induced by NHK’s annual samurai period drama (Taiga Drama). It is the first major collection of articles published in English about media-induced tourism in Japan using the "contents tourism" approach. This book will be of particular interest to students and researchers of media and tourism studies in Asia. This book was previously published as a special issue of Japan Forum.},\n\tlanguage = {en},\n\tpublisher = {Routledge},\n\tauthor = {Seaton, Philip and Yamamura, Takayoshi},\n\tmonth = feb,\n\tyear = {2018},\n\tnote = {Google-Books-ID: g3JUDwAAQBAJ},\n\tkeywords = {Art / Asian / General, Art / Popular Culture, Business \\& Economics / Industries / Hospitality, Travel \\& Tourism, Comics \\& Graphic Novels / Manga / General, History / General, Social Science / Anthropology / Cultural \\& Social, Social Science / Customs \\& Traditions, Social Science / Ethnic Studies / General, Social Science / Human Geography, Social Science / Popular Culture, Social Science / Regional Studies, Social Science / Sociology / General, Sports \\& Recreation / General, notion},\n}\n\n
\n
\n\n\n
\n Contents tourism is tourism induced by the contents (narratives, characters, locations and other creative elements) of films, novels, games, manga, anime, television dramas and other forms of popular culture. Amidst the boom in global interest in Japanese popular culture, the utilization of popular culture to induce tourism domestically and internationally has been central to the \"Cool Japan\" strategy and, since 2005, government policy for local community revitalization. This book presents four main case studies of contents tourism: the phenomenon of \"anime pilgrimage\" to sites appearing in animated film; the travel behaviours and \"pop-spiritualism\" of female history fans to heritage sites; the collaboration between local community, fans and copyright holders that underpinned an anime-induced tourism boom in a small town north of Tokyo; and the large-scale economic impacts of tourism induced by NHK’s annual samurai period drama (Taiga Drama). It is the first major collection of articles published in English about media-induced tourism in Japan using the \"contents tourism\" approach. This book will be of particular interest to students and researchers of media and tourism studies in Asia. This book was previously published as a special issue of Japan Forum.\n
\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2017\n \n \n (3)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Healing spaces, modern architecture, and the body.\n \n \n \n\n\n \n Ekici; and Schrank\n\n\n \n\n\n\n Routledge, London; New York, 2017.\n OCLC: 1126374660\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{ekici_healing_2017,\n\taddress = {London; New York},\n\ttitle = {Healing spaces, modern architecture, and the body},\n\tisbn = {978-1-138-58869-1 978-1-4724-7083-6},\n\tlanguage = {English},\n\tpublisher = {Routledge},\n\tauthor = {{Ekici} and {Schrank}},\n\tyear = {2017},\n\tnote = {OCLC: 1126374660},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Poetics of cartography: globalism and the oil enclave in Ibiwari Ikirikos Oily Tears of the Delta.\n \n \n \n\n\n \n Aghoghovwia, P.\n\n\n \n\n\n\n Social Dynamics Social Dynamics, 43(1): 32–45. 2017.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@article{aghoghovwia_poetics_2017,\n\ttitle = {Poetics of cartography: globalism and the oil enclave in {Ibiwari} {Ikirikos} {Oily} {Tears} of the {Delta}},\n\tvolume = {43},\n\tdoi = {10.1080/02533952.2017.1341075},\n\tlanguage = {English},\n\tnumber = {1},\n\tjournal = {Social Dynamics Social Dynamics},\n\tauthor = {Aghoghovwia, Philip},\n\tyear = {2017},\n\tkeywords = {notion},\n\tpages = {32--45},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Contents Tourism in Japan: Pilgrimages to \"sacred Sites\" of Popular Culture.\n \n \n \n\n\n \n Seaton, P. A.; Yamamura, T.; Sugawa, A.; and Jang, K.\n\n\n \n\n\n\n Cambria Press, 2017.\n Google-Books-ID: YdWNswEACAAJ\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n
@book{seaton_contents_2017,\n\ttitle = {Contents {Tourism} in {Japan}: {Pilgrimages} to "sacred {Sites}" of {Popular} {Culture}},\n\tisbn = {978-1-62499-973-4},\n\tshorttitle = {Contents {Tourism} in {Japan}},\n\tabstract = {"In 2005, the Japanese government recognized in official documents for the first time that Japanese popular culture had another potential: to increase international visitor numbers to Japan and energize the domestic tourism industry. The term used in Japan to describe this form of tourism induced by popular culture is kontentsu tsurizumu, 'contents tourism.' Contents tourism is defined as travel behavior motivated fully or partially by narratives, characters, locations, and other creative elements of popular culture forms, including film, television dramas, manga, anime, novels, and computer games. This book presents a comprehensive theoretical and historical overview of the phenomenon of contents tourism in Japan. It is a groundbreaking book in an important and rapidly emerging area of scholarly, media, political and business interest. It will be of interest primarily to scholars and practitioners with a specialization in tourism and media, but also to those studying contemporary popular culture in Japan and East Asia"--Provided by publisher.},\n\tlanguage = {en},\n\tpublisher = {Cambria Press},\n\tauthor = {Seaton, Philip A. and Yamamura, Takayoshi and Sugawa, Akiko and Jang, Kyungjae},\n\tyear = {2017},\n\tnote = {Google-Books-ID: YdWNswEACAAJ},\n\tkeywords = {BUSINESS \\& ECONOMICS / Industries / General, notion},\n}\n\n
\n
\n\n\n
\n \"In 2005, the Japanese government recognized in official documents for the first time that Japanese popular culture had another potential: to increase international visitor numbers to Japan and energize the domestic tourism industry. The term used in Japan to describe this form of tourism induced by popular culture is kontentsu tsurizumu, 'contents tourism.' Contents tourism is defined as travel behavior motivated fully or partially by narratives, characters, locations, and other creative elements of popular culture forms, including film, television dramas, manga, anime, novels, and computer games. This book presents a comprehensive theoretical and historical overview of the phenomenon of contents tourism in Japan. It is a groundbreaking book in an important and rapidly emerging area of scholarly, media, political and business interest. It will be of interest primarily to scholars and practitioners with a specialization in tourism and media, but also to those studying contemporary popular culture in Japan and East Asia\"–Provided by publisher.\n
\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2016\n \n \n (5)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Research Guide to Japanese Film Studies.\n \n \n \n\n\n \n Nornes, A. M.; and Gerow, A.\n\n\n \n\n\n\n University of Michigan Press, February 2016.\n Google-Books-ID: eppFDwAAQBAJ\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{nornes_research_2016,\n\ttitle = {Research {Guide} to {Japanese} {Film} {Studies}},\n\tisbn = {978-1-929280-73-5},\n\tabstract = {The Research Guide to Japanese Film Studies provides a snapshot of all the archival and bibliographic resources available to students and scholars of Japanese cinema. Among the nations of the world, Japan has enjoyed an impressively lively print culture related to cinema. The first film books and periodicals appeared shortly after the birth of cinema, proliferating wildly in the 1910s with only the slightest pause in the dark days of World War II. The numbers of publications match the enormous scale of film production, but with the lack of support for film studies in Japan, much of it remains as uncharted territory, with few maps to negotiate the maze of material. This book is the first comprehensive guide ever published for approaching the complex archive for Japanese cinema. It lists all the libraries and film archives in the world with significant collections of film prints, still photographs, archival records, books, and periodicals. It provides a full annotated bibliography of the core books and magazines for the field. And it supplies hints for how to find and access materials for any research project. Above and beyond that, Nornes and Gerow’s Research Guide to Japanese Film Studies constitutes a comprehensive overview of the impressive dimensions and depth of the print culture surrounding Japanese film, and a guideline for future research in the field. This is an essential book for anyone seriously thinking about Japan and its cinema.},\n\tlanguage = {en},\n\tpublisher = {University of Michigan Press},\n\tauthor = {Nornes, Abé Markus and Gerow, Aaron},\n\tmonth = feb,\n\tyear = {2016},\n\tnote = {Google-Books-ID: eppFDwAAQBAJ},\n\tkeywords = {Social Science / Ethnic Studies / General, Social Science / General, notion},\n}\n\n
\n
\n\n\n
\n The Research Guide to Japanese Film Studies provides a snapshot of all the archival and bibliographic resources available to students and scholars of Japanese cinema. Among the nations of the world, Japan has enjoyed an impressively lively print culture related to cinema. The first film books and periodicals appeared shortly after the birth of cinema, proliferating wildly in the 1910s with only the slightest pause in the dark days of World War II. The numbers of publications match the enormous scale of film production, but with the lack of support for film studies in Japan, much of it remains as uncharted territory, with few maps to negotiate the maze of material. This book is the first comprehensive guide ever published for approaching the complex archive for Japanese cinema. It lists all the libraries and film archives in the world with significant collections of film prints, still photographs, archival records, books, and periodicals. It provides a full annotated bibliography of the core books and magazines for the field. And it supplies hints for how to find and access materials for any research project. Above and beyond that, Nornes and Gerow’s Research Guide to Japanese Film Studies constitutes a comprehensive overview of the impressive dimensions and depth of the print culture surrounding Japanese film, and a guideline for future research in the field. This is an essential book for anyone seriously thinking about Japan and its cinema.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n LANDSCAPE AS URBANISM: a general theory.\n \n \n \n \n\n\n \n WALDHEIM, C.\n\n\n \n\n\n\n Princeton University Press, S.l., 2016.\n OCLC: 1277279608\n\n\n\n
\n\n\n\n \n \n \"LANDSCAPEPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{waldheim_landscape_2016,\n\taddress = {S.l.},\n\ttitle = {{LANDSCAPE} {AS} {URBANISM}: a general theory.},\n\tisbn = {978-0-691-23830-2},\n\tshorttitle = {{LANDSCAPE} {AS} {URBANISM}},\n\turl = {https://press.princeton.edu/books/hardcover/9780691167909/landscape-as-urbanism},\n\tlanguage = {English},\n\tpublisher = {Princeton University Press},\n\tauthor = {WALDHEIM, CHARLES},\n\tyear = {2016},\n\tnote = {OCLC: 1277279608},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Japan's New Imperialism.\n \n \n \n \n\n\n \n Steven, R.\n\n\n \n\n\n\n Palgrave Macmillan Limited, London, 2016.\n OCLC: 1084398885\n\n\n\n
\n\n\n\n \n \n \"Japan'sPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{steven_japans_2016,\n\taddress = {London},\n\ttitle = {Japan's {New} {Imperialism}},\n\tisbn = {978-1-349-10927-2},\n\turl = {https://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=5644087},\n\tlanguage = {English},\n\turldate = {2021-11-20},\n\tpublisher = {Palgrave Macmillan Limited},\n\tauthor = {Steven, Rob},\n\tyear = {2016},\n\tnote = {OCLC: 1084398885},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Parkscapes: green spaces in modern Japan.\n \n \n \n \n\n\n \n Havens, T. R. H\n\n\n \n\n\n\n 2016.\n OCLC: 986658580\n\n\n\n
\n\n\n\n \n \n \"Parkscapes:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{havens_parkscapes_2016,\n\ttitle = {Parkscapes: green spaces in modern {Japan}},\n\tisbn = {978-0-8248-7168-0},\n\tshorttitle = {Parkscapes},\n\turl = {https://doi.org/10.21313/hawaii/9780824834777.001.0001},\n\tabstract = {Japan today protects one-seventh of its land surface in parks, which are visited by well over a billion people each year. This analyses the origins, development, and distinctive features of these public spaces.},\n\tlanguage = {English},\n\turldate = {2021-10-19},\n\tauthor = {Havens, Thomas R. H},\n\tyear = {2016},\n\tnote = {OCLC: 986658580},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n
\n Japan today protects one-seventh of its land surface in parks, which are visited by well over a billion people each year. This analyses the origins, development, and distinctive features of these public spaces.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Cosmopolitanism and place: spatial forms in contemporary anglophone literature.\n \n \n \n \n\n\n \n Cronin, M. G.\n\n\n \n\n\n\n Journal of Postcolonial Writing, 52(1): 123–124. January 2016.\n \n\n\n\n
\n\n\n\n \n \n \"CosmopolitanismPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@article{cronin_cosmopolitanism_2016,\n\ttitle = {Cosmopolitanism and place: spatial forms in contemporary anglophone literature},\n\tvolume = {52},\n\tissn = {1744-9855, 1744-9863},\n\tshorttitle = {Cosmopolitanism and place},\n\turl = {http://www.tandfonline.com/doi/full/10.1080/17449855.2015.1046586},\n\tdoi = {10.1080/17449855.2015.1046586},\n\tlanguage = {en},\n\tnumber = {1},\n\turldate = {2021-04-14},\n\tjournal = {Journal of Postcolonial Writing},\n\tauthor = {Cronin, Michael G.},\n\tmonth = jan,\n\tyear = {2016},\n\tkeywords = {notion},\n\tpages = {123--124},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2014\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Cities of Others: reimagining urban spaces in Asian American literature.\n \n \n \n \n\n\n \n Zhou, X.\n\n\n \n\n\n\n of The Scott and Laurie Oki Series in Asian American StudiesUniversity of Washington Press, Seattle, 2014.\n \n\n\n\n
\n\n\n\n \n \n \"CitiesPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{zhou_cities_2014,\n\taddress = {Seattle},\n\tseries = {The {Scott} and {Laurie} {Oki} {Series} in {Asian} {American} {Studies}},\n\ttitle = {Cities of {Others}: reimagining urban spaces in {Asian} {American} literature},\n\tisbn = {978-0-295-99402-4 978-0-295-99403-1},\n\tshorttitle = {Cities of {Others}},\n\turl = {https://uwapress.uw.edu/book/9780295994031/cities-of-others/},\n\tpublisher = {University of Washington Press},\n\tauthor = {Zhou, Xiaojing},\n\tyear = {2014},\n\tkeywords = {American literature, Asian American authors History and criticism, Asian Americans in literature, Cities and towns in literature, Public spaces in literature, notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Touching feeling affect, pedagogy, performativity.\n \n \n \n\n\n \n Sedgwick, E. K.\n\n\n \n\n\n\n 2014.\n OCLC: 941616724\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{sedgwick_touching_2014,\n\ttitle = {Touching feeling affect, pedagogy, performativity},\n\tlanguage = {English},\n\tpublisher = {MTM},\n\tauthor = {Sedgwick, Eve Kosofsky},\n\tyear = {2014},\n\tnote = {OCLC: 941616724},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2013\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Do You See What I See ?: Visuality and the Formation of the Chinese Landscape.\n \n \n \n\n\n \n Varsano, P.\n\n\n \n\n\n\n Chinese Literature, Essays, Articles, Reviews, 35(December 2013): 31–57. 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n
@article{varsano_you_2013,\n\ttitle = {Do {You} {See} {What} {I} {See} ?: {Visuality} and the {Formation} of the {Chinese} {Landscape}},\n\tvolume = {35},\n\tnumber = {December 2013},\n\tjournal = {Chinese Literature, Essays, Articles, Reviews},\n\tauthor = {Varsano, Paula},\n\tyear = {2013},\n\tkeywords = {notion, ⛔ No DOI found},\n\tpages = {31--57},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Diagramming the Landscape: Power and the Fūkeiron Discourse.\n \n \n \n \n\n\n \n Furuhata, Y.\n\n\n \n\n\n\n In Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics, pages 115–148. 2013.\n \n\n\n\n
\n\n\n\n \n \n \"DiagrammingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@incollection{furuhata_diagramming_2013,\n\ttitle = {Diagramming the {Landscape}: {Power} and the {Fūkeiron} {Discourse}},\n\tisbn = {978-0-8223-7753-5},\n\turl = {https://www.dukeupress.edu/cinema-of-actuality},\n\tbooktitle = {Cinema of {Actuality}: {Japanese} {Avant}-{Garde} {Filmmaking} in the {Season} of {Image} {Politics}},\n\tauthor = {Furuhata, Yuriko},\n\tyear = {2013},\n\tkeywords = {notion},\n\tpages = {115--148},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2011\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n World Film Locations: Tokyo.\n \n \n \n\n\n \n MaGee, C.\n\n\n \n\n\n\n Intellect Books, 2011.\n Google-Books-ID: PINaezEnzGUC\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{magee_world_2011,\n\ttitle = {World {Film} {Locations}: {Tokyo}},\n\tisbn = {978-1-84150-483-4},\n\tshorttitle = {World {Film} {Locations}},\n\tabstract = {From Tokyo Story to Godzilla, You Only Live Twice to Enter the Void, World Film Locations: Tokyo presents a kaleidoscopic view of one of the world’s most exciting cities through the lens of cinema. Illustrated throughout with dynamic screen shots, this volume in Intellect’s World Film Locations series spotlights fifty key scenes from classic and contemporary films shot in Tokyo, accompanied by insightful essays that take us from the wooden streets of pre-nineteenth-century Edo to the sprawling “what-if” megalopolis of science fiction and fantasy anime. Important themes and players—among them Akira Kurosawa, Samuel Fuller, and Sofia Coppola—are individually considered. For the film scholar, or for all those who love Japanese cinema and want to learn more, World Film Locations: Tokyo will be an essential guide.},\n\tlanguage = {en},\n\tpublisher = {Intellect Books},\n\tauthor = {MaGee, Chris},\n\tyear = {2011},\n\tnote = {Google-Books-ID: PINaezEnzGUC},\n\tkeywords = {Performing Arts / Film / History \\& Criticism, Travel / Asia / Japan, Travel / Special Interest / General, notion},\n}\n\n
\n
\n\n\n
\n From Tokyo Story to Godzilla, You Only Live Twice to Enter the Void, World Film Locations: Tokyo presents a kaleidoscopic view of one of the world’s most exciting cities through the lens of cinema. Illustrated throughout with dynamic screen shots, this volume in Intellect’s World Film Locations series spotlights fifty key scenes from classic and contemporary films shot in Tokyo, accompanied by insightful essays that take us from the wooden streets of pre-nineteenth-century Edo to the sprawling “what-if” megalopolis of science fiction and fantasy anime. Important themes and players—among them Akira Kurosawa, Samuel Fuller, and Sofia Coppola—are individually considered. For the film scholar, or for all those who love Japanese cinema and want to learn more, World Film Locations: Tokyo will be an essential guide.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n The paper road : archive and experience in the botanical exploration of West China and Tibet.\n \n \n \n\n\n \n Mueggler, E.\n\n\n \n\n\n\n University of California Press, Berkeley, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{mueggler_paper_2011,\n\taddress = {Berkeley},\n\ttitle = {The paper road : archive and experience in the botanical exploration of {West} {China} and {Tibet}},\n\tisbn = {978-0-520-26902-6 0-520-26902-0 978-0-520-26903-3 0-520-26903-9},\n\tabstract = {This exhilarating book interweaves the stories of two early twentieth-century botanists to explore the collaborative relationships each formed with Yunnan villagers in gathering botanical specimens from the borderlands between China, Tibet, and Burma. Erik Mueggler introduces Scottish botanist George Forrest, who employed Naxi adventurers in his fieldwork from 1906 until his death in 1932. We also meet American Joseph Francis Charles Rock, who, in 1924, undertook a dangerous expedition to Gansu and Tibet with the sons and nephews of Forrest's workers. Mueggler describes how the Naxi workers and their Western employers rendered the earth into specimens, notes, maps, diaries, letters, books, photographs, and ritual manuscripts. Drawing on an ancient metaphor of the earth as a book, Mueggler provides a sustained meditation on what can be copied, translated, and revised and what can be folded back into the earth. Erik Mueggler is Professor of Anthropology at the University of Michigan. Publisher's note.},\n\tlanguage = {English},\n\tpublisher = {University of California Press},\n\tauthor = {Mueggler, Erik},\n\tyear = {2011},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n
\n This exhilarating book interweaves the stories of two early twentieth-century botanists to explore the collaborative relationships each formed with Yunnan villagers in gathering botanical specimens from the borderlands between China, Tibet, and Burma. Erik Mueggler introduces Scottish botanist George Forrest, who employed Naxi adventurers in his fieldwork from 1906 until his death in 1932. We also meet American Joseph Francis Charles Rock, who, in 1924, undertook a dangerous expedition to Gansu and Tibet with the sons and nephews of Forrest's workers. Mueggler describes how the Naxi workers and their Western employers rendered the earth into specimens, notes, maps, diaries, letters, books, photographs, and ritual manuscripts. Drawing on an ancient metaphor of the earth as a book, Mueggler provides a sustained meditation on what can be copied, translated, and revised and what can be folded back into the earth. Erik Mueggler is Professor of Anthropology at the University of Michigan. Publisher's note.\n
\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2009\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Routes and Roots: navigating Caribbean and Pacific island literatures.\n \n \n \n\n\n \n DeLoughrey, E.\n\n\n \n\n\n\n University of Hawai'i Press, Honolulu, 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{deloughrey_routes_2009,\n\taddress = {Honolulu},\n\ttitle = {Routes and {Roots}: navigating {Caribbean} and {Pacific} island literatures},\n\tpublisher = {University of Hawai'i Press},\n\tauthor = {DeLoughrey, Elizabeth},\n\tyear = {2009},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2008\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Subversive Accommodations: Doing Homeless in Tokyo’s Ueno Park.\n \n \n \n\n\n \n Margolis, A.\n\n\n \n\n\n\n Cast Out: Vagrancy and Homelessness in Global and Historical Perspective,351–372. 2008.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@article{margolis_subversive_2008,\n\ttitle = {Subversive {Accommodations}: {Doing} {Homeless} in {Tokyo}’s {Ueno} {Park}},\n\tdoi = {10.2307/j.ctt1rfsq2g.17},\n\tjournal = {Cast Out: Vagrancy and Homelessness in Global and Historical Perspective},\n\tauthor = {Margolis, Abby},\n\tyear = {2008},\n\tkeywords = {notion},\n\tpages = {351--372},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2006\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Beautiful Town: the discovery of the suburbs and the vision of the garden city in late Meiji and Taish? literature.\n \n \n \n\n\n \n Yiu, A.\n\n\n \n\n\n\n Japan Forum, 18: 315–338. November 2006.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@article{yiu_beautiful_2006,\n\ttitle = {Beautiful {Town}: the discovery of the suburbs and the vision of the garden city in late {Meiji} and {Taish}? literature},\n\tvolume = {18},\n\tdoi = {10.1080/09555800600946944},\n\tjournal = {Japan Forum},\n\tauthor = {Yiu, Angela},\n\tmonth = nov,\n\tyear = {2006},\n\tkeywords = {notion},\n\tpages = {315--338},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2004\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n 世界の映画ロケ地大事典.\n \n \n \n\n\n \n リーヴス, ト.\n\n\n \n\n\n\n 晶文社, August 2004.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n
@book{__2004,\n\ttitle = {世界の映画ロケ地大事典},\n\tisbn = {978-4-7949-6628-5},\n\tabstract = {『イントレランス』から『ハリポタ』まで、1600本以上を網羅!9年の歳月をかけて取材した、ロケ地事典の決定版。ビデオ・DVD発売元情報、撮影地から映画検索できる索引つき。これで映画が1000倍楽しくなる。},\n\tlanguage = {ja},\n\tpublisher = {晶文社},\n\tauthor = {リーヴス, トニー},\n\tmonth = aug,\n\tyear = {2004},\n\tkeywords = {Language Arts \\& Disciplines / Journalism, notion},\n}\n\n
\n
\n\n\n
\n 『イントレランス』から『ハリポタ』まで、1600本以上を網羅!9年の歳月をかけて取材した、ロケ地事典の決定版。ビデオ・DVD発売元情報、撮影地から映画検索できる索引つき。これで映画が1000倍楽しくなる。\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Nihon fukeiron.\n \n \n \n\n\n \n Shiga, S.; and Kojima, U.\n\n\n \n\n\n\n Issuisha : Hatsubai Kinokuniya Shoten, Tokyo, 2004.\n OCLC: 122901178\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{shiga_nihon_2004,\n\taddress = {Tokyo},\n\ttitle = {Nihon fukeiron},\n\tisbn = {978-4-86181-011-4},\n\tlanguage = {Japanese},\n\tpublisher = {Issuisha : Hatsubai Kinokuniya Shoten},\n\tauthor = {Shiga, Shigetaka and Kojima, Usui},\n\tyear = {2004},\n\tnote = {OCLC: 122901178},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2000\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Race, Place, and Medicine: The Idea of the Tropics in Nineteenth-Century Brazilian Medicine.\n \n \n \n\n\n \n Peard, J. G\n\n\n \n\n\n\n 2000.\n OCLC: 539220419\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{peard_race_2000,\n\ttitle = {Race, {Place}, and {Medicine}: {The} {Idea} of the {Tropics} in {Nineteenth}-{Century} {Brazilian} {Medicine}},\n\tshorttitle = {Race, {Place}, and {Medicine}},\n\tlanguage = {English},\n\tauthor = {Peard, Julyan G},\n\tyear = {2000},\n\tnote = {OCLC: 539220419},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Nihon fukeiron (Japanese Landscape): nationalistic or imperialistic?.\n \n \n \n \n\n\n \n Gavin, M.\n\n\n \n\n\n\n Japan Forum, 12(2): 219–231. January 2000.\n Publisher: Routledge\n\n\n\n
\n\n\n\n \n \n \"NihonPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@article{gavin_nihon_2000,\n\ttitle = {Nihon fukeiron ({Japanese} {Landscape}): nationalistic or imperialistic?},\n\tvolume = {12},\n\tissn = {0955-5803},\n\turl = {https://doi.org/10.1080/09555800020004039},\n\tdoi = {10.1080/09555800020004039},\n\tnumber = {2},\n\tjournal = {Japan Forum},\n\tauthor = {Gavin, Masako},\n\tmonth = jan,\n\tyear = {2000},\n\tnote = {Publisher: Routledge},\n\tkeywords = {notion},\n\tpages = {219--231},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 1999\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Japan's total empire: Manchuria and the culture of wartime imperialism.\n \n \n \n \n\n\n \n Young, L.\n\n\n \n\n\n\n of Twentieth century JapanUniv. of Calif. Press, Berkeley, Calif., 1. paperback print edition, 1999.\n \n\n\n\n
\n\n\n\n \n \n \"Japan'sPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{young_japans_1999,\n\taddress = {Berkeley, Calif.},\n\tedition = {1. paperback print},\n\tseries = {Twentieth century {Japan}},\n\ttitle = {Japan's total empire: {Manchuria} and the culture of wartime imperialism},\n\tisbn = {978-0-520-21934-2 978-0-520-21071-4},\n\tshorttitle = {Japan's total empire},\n\turl = {https://www.ucpress.edu/book/9780520219342/japans-total-empire},\n\tlanguage = {eng},\n\tnumber = {8},\n\tpublisher = {Univ. of Calif. Press},\n\tauthor = {Young, Louise},\n\tyear = {1999},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 1995\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Shen Congwen's Literary Regionalism and the Gendered Landscape of Chinese Modernity.\n \n \n \n\n\n \n Oakes, T. S\n\n\n \n\n\n\n Geografiska Annaler. Series B, Human Geography, 77(2): 93–107. 1995.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@article{oakes_shen_1995,\n\ttitle = {Shen {Congwen}'s {Literary} {Regionalism} and the {Gendered} {Landscape} of {Chinese} {Modernity}},\n\tvolume = {77},\n\tdoi = {10.2307/490481},\n\tnumber = {2},\n\tjournal = {Geografiska Annaler. Series B, Human Geography},\n\tauthor = {Oakes, Timothy S},\n\tyear = {1995},\n\tkeywords = {notion},\n\tpages = {93--107},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 1993\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Origins of modern Japanese literature.\n \n \n \n\n\n \n Karatani, K.\n\n\n \n\n\n\n of Post-contemporary interventionsDuke University Press, Durham, N.C, 1993.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{karatani_origins_1993,\n\taddress = {Durham, N.C},\n\tseries = {Post-contemporary interventions},\n\ttitle = {Origins of modern {Japanese} literature},\n\tisbn = {978-0-8223-1323-6},\n\tlanguage = {eng},\n\tpublisher = {Duke University Press},\n\tauthor = {Karatani, Kōjin},\n\tyear = {1993},\n\tkeywords = {History and criticism, Japanese literature, Meiji period, 1868-1912, notion},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 1973\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n The country and the city.\n \n \n \n\n\n \n Williams, R.\n\n\n \n\n\n\n Oxford University Press, New York, 1973.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{williams_country_1973,\n\taddress = {New York},\n\ttitle = {The country and the city},\n\tisbn = {978-0-19-519736-5},\n\tpublisher = {Oxford University Press},\n\tauthor = {Williams, Raymond},\n\tyear = {1973},\n\tkeywords = {City and town life in literature, English literature, History and criticism, notion},\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n undefined\n \n \n (7)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Culture and Media.\n \n \n \n\n\n \n Alex, R. K; Deborah, S S.; and P.S., S.\n\n\n \n\n\n\n .\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@book{alex_culture_nodate,\n\ttitle = {Culture and {Media}},\n\tlanguage = {en},\n\tauthor = {Alex, Rayson K and Deborah, S Susan and P.S., Sachindev},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n 日本映画データベース.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"日本映画データベースPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 9 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{noauthor__nodate,\n\ttitle = {日本映画データベース},\n\turl = {http://www.jmdb.ne.jp/},\n\turldate = {2024-03-02},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n みんなのミシマガジン.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"みんなのミシマガジンPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 9 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{noauthor__nodate-1,\n\ttitle = {みんなのミシマガジン},\n\turl = {https://www.mishimaga.com/},\n\tabstract = {おもしろいを1日1本! ミシマ社のウェブ雑誌「みんなのミシマガジン(通称ミシマガ)」。多彩な作者による、いろとりどりのコラムが楽しめます!!!},\n\tlanguage = {ja},\n\turldate = {2024-03-02},\n\tjournal = {みんなのミシマガジン},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n
\n おもしろいを1日1本! ミシマ社のウェブ雑誌「みんなのミシマガジン(通称ミシマガ)」。多彩な作者による、いろとりどりのコラムが楽しめます!!!\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Film locations around the world – a travel guide for movie fans and tourists.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"FilmPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{noauthor_film_nodate,\n\ttitle = {Film locations around the world – a travel guide for movie fans and tourists.},\n\turl = {https://www.movie-locations.com/index.php},\n\tabstract = {Film locations around the world: how to visit and what you can see – over1,800 titles, with photos, full details and travel information},\n\turldate = {2024-03-02},\n\tjournal = {Travel guide to film locations around the world.},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n
\n Film locations around the world: how to visit and what you can see – over1,800 titles, with photos, full details and travel information\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n 時代劇の風景 -ロケ地探訪.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"時代劇の風景 -ロケ地探訪Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 9 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{noauthor__nodate-2,\n\ttitle = {時代劇の風景 -ロケ地探訪},\n\turl = {http://agua.jpn.org/film/top.html},\n\turldate = {2024-03-02},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n 【ロケ地 検索】全国ロケーションデータベース.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"【ロケ地Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 9 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{noauthor__nodate-3,\n\ttitle = {【ロケ地 検索】全国ロケーションデータベース},\n\turl = {https://jl-db.nfaj.go.jp/},\n\tlanguage = {ja},\n\turldate = {2024-03-02},\n\tjournal = {【ロケ地 検索】全国ロケーションデータベース},\n\tkeywords = {notion},\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n 日活映画ロケ地マップ.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"日活映画ロケ地マップPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 9 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{noauthor__nodate-4,\n\ttitle = {日活映画ロケ地マップ},\n\turl = {https://www.nikkatsu.com/locationmap/},\n\tabstract = {日活株式会社の日活映画ロケ地マップページです。地図からロケを行った作品が検索できます。新作・旧作の映画、DVD・ブルーレイなどパッケージ商品、映像制作、衛星放送などの紹介。映画コラムやイベント情報あり。},\n\tlanguage = {ja},\n\turldate = {2024-03-02},\n\tjournal = {日活},\n\tkeywords = {notion},\n}\n
\n
\n\n\n
\n 日活株式会社の日活映画ロケ地マップページです。地図からロケを行った作品が検索できます。新作・旧作の映画、DVD・ブルーレイなどパッケージ商品、映像制作、衛星放送などの紹介。映画コラムやイベント情報あり。\n
\n\n\n
\n\n\n\n\n\n
\n
\n\n\n\n\n
\n\n\n \n\n \n \n \n \n\n
\n"}; document.write(bibbase_data.data);