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\n  \n 2024\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n Literature and Philosophy.\n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n In The Routledge Companion to Eighteenth-Century Literatures in English, pages 431–443. Routledge, 1 edition, 2024.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@incollection{silver_literature_2024,\n\tedition = {1},\n\ttitle = {Literature and {Philosophy}},\n\tisbn = {978-1-03-222110-6},\n\tabstract = {Literary criticism is a privileged site for the crossings of literature and philosophy, since philosophically informed approaches to criticism, sometimes called "theory," have shaped the modern form of the field. This chapter describes methodological debates which have developed over the last half-century, between theoretical forms of critique and their alternatives. It locates early forms of that discourse within the eighteenth-century origins of literary criticism, where the contours of the modern field and its turn toward "postcritique" were pioneered in distinctions between theory and empiricism.},\n\tlanguage = {eng},\n\tbooktitle = {The {Routledge} {Companion} to {Eighteenth}-{Century} {Literatures} in {English}},\n\tpublisher = {Routledge},\n\tauthor = {Silver, Sean},\n\tcollaborator = {Eron, Sarah and Kaul, Suvir and Aljoe, Nicole N.},\n\tyear = {2024},\n\tdoi = {10.4324/9781003271208-44},\n\tpages = {431--443},\n}\n\n
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\n Literary criticism is a privileged site for the crossings of literature and philosophy, since philosophically informed approaches to criticism, sometimes called \"theory,\" have shaped the modern form of the field. This chapter describes methodological debates which have developed over the last half-century, between theoretical forms of critique and their alternatives. It locates early forms of that discourse within the eighteenth-century origins of literary criticism, where the contours of the modern field and its turn toward \"postcritique\" were pioneered in distinctions between theory and empiricism.\n
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\n \n\n \n \n \n \n \n \n Sentiment Analysis and the Sentimental Novel.\n \n \n \n \n\n\n \n Franta, A.; and Silver, S.\n\n\n \n\n\n\n Critical Inquiry, 50(3): 402–424. March 2024.\n Publisher: The University of Chicago Press\n\n\n\n
\n\n\n\n \n \n \"SentimentPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{franta_sentiment_2024,\n\ttitle = {Sentiment {Analysis} and the {Sentimental} {Novel}},\n\tvolume = {50},\n\tissn = {0093-1896},\n\turl = {https://www.journals.uchicago.edu/doi/abs/10.1086/728948},\n\tdoi = {10.1086/728948},\n\tabstract = {This article asks what the emerging computational field of sentiment analysis can teach us about the sentimental novel, and vice versa. It argues that, despite humanistic skepticism about quantitative methods and sentiment analysis’s well-known limitations (in recognizing irony, for example), sentiment analysis can help us better to understand the novel form and the sentimental novel in particular. The literary approach to computational analysis taken in this article demonstrates the ability of sentiment analysis to link large-scale observations about text data to small-scale features of individual texts and reveals that the sentimental novel itself already constitutes an analytical tradition.},\n\tnumber = {3},\n\turldate = {2024-04-05},\n\tjournal = {Critical Inquiry},\n\tauthor = {Franta, Andrew and Silver, Sean},\n\tmonth = mar,\n\tyear = {2024},\n\tnote = {Publisher: The University of Chicago Press},\n\tpages = {402--424},\n}\n\n
\n
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\n This article asks what the emerging computational field of sentiment analysis can teach us about the sentimental novel, and vice versa. It argues that, despite humanistic skepticism about quantitative methods and sentiment analysis’s well-known limitations (in recognizing irony, for example), sentiment analysis can help us better to understand the novel form and the sentimental novel in particular. The literary approach to computational analysis taken in this article demonstrates the ability of sentiment analysis to link large-scale observations about text data to small-scale features of individual texts and reveals that the sentimental novel itself already constitutes an analytical tradition.\n
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\n  \n 2023\n \n \n (7)\n \n \n
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\n \n\n \n \n \n \n \n \n Hogarth's Networks and the Eighteenth-Century “Graphic” Novel.\n \n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n Novel, 56(2): 256–279. August 2023.\n \n\n\n\n
\n\n\n\n \n \n \"Hogarth'sPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{silver_hogarths_2023,\n\ttitle = {Hogarth's {Networks} and the {Eighteenth}-{Century} “{Graphic}” {Novel}},\n\tvolume = {56},\n\tissn = {0029-5132},\n\turl = {https://doi.org/10.1215/00295132-10562853},\n\tdoi = {10.1215/00295132-10562853},\n\tabstract = {This article positions the eighteenth‐century novel alongside contemporary developments in the modeling of complex systems, including Leonhard Euler's solution to the Königsberg bridge problem and William Hogarth's serial engravings. Unlike studies that apply network theory to literary forms like the early novel, it instead identifies a strain of network thinking in the arts characteristic of the British eighteenth century. At this junction between network‐style thinking and the rise of complex forms of affiliation in the emerging middle classes, art forms appear that this article risks calling the “graphic” novel. While we generally think of the novel's rise as paralleling the development of depth psychology or modern individualism, this account of the novel instead forges an argument for its development as a means of cataloging the complex systems of relationships characteristic of the “middling sort.” Its exemplary author is William Hogarth, whose Marriage A‐la‐Mode offers a signal instance of the forms of network‐style visualization seeking to make sense of the urban everyday, and whose Analysis of Beauty includes a surprisingly thorough account of the network‐like aesthetics that characterize midcentury literary form.},\n\tnumber = {2},\n\turldate = {2024-04-05},\n\tjournal = {Novel},\n\tauthor = {Silver, Sean},\n\tmonth = aug,\n\tyear = {2023},\n\tpages = {256--279},\n}\n\n
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\n This article positions the eighteenth‐century novel alongside contemporary developments in the modeling of complex systems, including Leonhard Euler's solution to the Königsberg bridge problem and William Hogarth's serial engravings. Unlike studies that apply network theory to literary forms like the early novel, it instead identifies a strain of network thinking in the arts characteristic of the British eighteenth century. At this junction between network‐style thinking and the rise of complex forms of affiliation in the emerging middle classes, art forms appear that this article risks calling the “graphic” novel. While we generally think of the novel's rise as paralleling the development of depth psychology or modern individualism, this account of the novel instead forges an argument for its development as a means of cataloging the complex systems of relationships characteristic of the “middling sort.” Its exemplary author is William Hogarth, whose Marriage A‐la‐Mode offers a signal instance of the forms of network‐style visualization seeking to make sense of the urban everyday, and whose Analysis of Beauty includes a surprisingly thorough account of the network‐like aesthetics that characterize midcentury literary form.\n
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\n \n\n \n \n \n \n \n \n Fielding's Prepositions: Eighteenth-Century Historiography and the Novel.\n \n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n ELH, 90(2): 337–366. 2023.\n Publisher: Johns Hopkins University Press\n\n\n\n
\n\n\n\n \n \n \"Fielding'sPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{silver_fieldings_2023,\n\ttitle = {Fielding's {Prepositions}: {Eighteenth}-{Century} {Historiography} and the {Novel}},\n\tvolume = {90},\n\tissn = {1080-6547},\n\tshorttitle = {Fielding's {Prepositions}},\n\turl = {https://muse.jhu.edu/pub/1/article/900598},\n\tabstract = {When Frederick the Great found "no maxim . . but is defective in some particular Cases," he signaled a new interest in tracing historical events to complex systems of cause. This essay positions the midcentury British novel in that tradition. It establishes a relationship between the new historiography and a philosophy of grammar, which viewed prepositions as the sign of history. And it offers readings of Tristram Shandy and Tom Jones to locate the new historiographic preference at the level of narrative style. Relevant theorists include Reinhart Koselleck (and Laurence Sterne) on mid-century historiography, John Locke and James Harris on grammar, and Étienne Souriau and Michel Serres on the prepositional philosophy.},\n\tnumber = {2},\n\turldate = {2024-04-05},\n\tjournal = {ELH},\n\tauthor = {Silver, Sean},\n\tyear = {2023},\n\tnote = {Publisher: Johns Hopkins University Press},\n\tpages = {337--366},\n}\n\n
\n
\n\n\n
\n When Frederick the Great found \"no maxim . . but is defective in some particular Cases,\" he signaled a new interest in tracing historical events to complex systems of cause. This essay positions the midcentury British novel in that tradition. It establishes a relationship between the new historiography and a philosophy of grammar, which viewed prepositions as the sign of history. And it offers readings of Tristram Shandy and Tom Jones to locate the new historiographic preference at the level of narrative style. Relevant theorists include Reinhart Koselleck (and Laurence Sterne) on mid-century historiography, John Locke and James Harris on grammar, and Étienne Souriau and Michel Serres on the prepositional philosophy.\n
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\n \n\n \n \n \n \n \n Predictive Knowledge Infrastructures and Future-related Expertise Before the Cold War.\n \n \n \n\n\n \n Pietruska, J. L.\n\n\n \n\n\n\n The American sociologist. 2023.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{pietruska_predictive_2023,\n\ttitle = {Predictive {Knowledge} {Infrastructures} and {Future}-related {Expertise} {Before} the {Cold} {War}},\n\tissn = {0003-1232},\n\tdoi = {10.1007/s12108-023-09582-3},\n\tlanguage = {eng},\n\tjournal = {The American sociologist},\n\tauthor = {Pietruska, Jamie L.},\n\tyear = {2023},\n}\n\n
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\n \n\n \n \n \n \n \n How Welfare Worked in the Early United States: Five Microhistories.\n \n \n \n\n\n \n O'Brassill-Kulfan, K.\n\n\n \n\n\n\n Journal of the Early Republic, 43(1): 171–173. 2023.\n Place: Philadelphia Publisher: University of Pennsylvania Press\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{obrassill-kulfan_how_2023,\n\ttitle = {How {Welfare} {Worked} in the {Early} {United} {States}: {Five} {Microhistories}},\n\tvolume = {43},\n\tissn = {0275-1275},\n\tshorttitle = {How {Welfare} {Worked} in the {Early} {United} {States}},\n\tlanguage = {eng},\n\tnumber = {1},\n\tjournal = {Journal of the Early Republic},\n\tauthor = {O'Brassill-Kulfan, Kristin},\n\tyear = {2023},\n\tnote = {Place: Philadelphia\nPublisher: University of Pennsylvania Press},\n\tkeywords = {Local government, Parenthood, Poverty, Social control},\n\tpages = {171--173},\n}\n\n
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\n \n\n \n \n \n \n \n \n Genre Fiction without Shame.\n \n \n \n \n\n\n \n Goldstone, A.\n\n\n \n\n\n\n American Literary History, 35(4): 1745–1758. December 2023.\n \n\n\n\n
\n\n\n\n \n \n \"GenrePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{goldstone_genre_2023,\n\ttitle = {Genre {Fiction} without {Shame}},\n\tvolume = {35},\n\tissn = {0896-7148},\n\turl = {https://doi.org/10.1093/alh/ajad152},\n\tdoi = {10.1093/alh/ajad152},\n\tabstract = {When literary scholars enter the terra incognita of cheap fiction, they risk mistaking established customs of the land for baleful signs of the times. Commercial fiction has a history of its own whose internal logic would be worth understanding more clearly, and not only in opposition to literary fiction, in order to avoid reifying either.},\n\tnumber = {4},\n\turldate = {2024-04-05},\n\tjournal = {American Literary History},\n\tauthor = {Goldstone, Andrew},\n\tmonth = dec,\n\tyear = {2023},\n\tpages = {1745--1758},\n}\n\n
\n
\n\n\n
\n When literary scholars enter the terra incognita of cheap fiction, they risk mistaking established customs of the land for baleful signs of the times. Commercial fiction has a history of its own whose internal logic would be worth understanding more clearly, and not only in opposition to literary fiction, in order to avoid reifying either.\n
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\n \n\n \n \n \n \n \n \n Origins of the US Genre-Fiction System, 1890–1956.\n \n \n \n \n\n\n \n Goldstone, A.\n\n\n \n\n\n\n Book History, 26(1): 203–233. 2023.\n Publisher: Johns Hopkins University Press\n\n\n\n
\n\n\n\n \n \n \"OriginsPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{goldstone_origins_2023,\n\ttitle = {Origins of the {US} {Genre}-{Fiction} {System}, 1890–1956},\n\tvolume = {26},\n\tissn = {1529-1499},\n\turl = {https://muse.jhu.edu/pub/1/article/895543},\n\tdoi = {10.1353/bh.2023.0006},\n\tabstract = {Though genre fiction is now ubiquitous, and though both book history and literary studies have devoted considerable attention to individual genres like science fiction and romance novels, the history of the system of popular fiction categories has been little studied. This essay traces the origins of the genre-fiction system in United States magazine and book publishing, bringing sociological and book-historical analysis to bear on changing practices of categorization in publishing, advertising, librarianship, and reader response from the 1890s through the 1950s. Genre categories were only intermittently in use through the 1910s; they were first institutionalized in pulp magazines in the 1920s and 1930s. The genre-fiction system was transmitted to book publishing only in the course of the so-called "paperback revolution" of the 1940s and 1950s, which made room for fiction-book production by categories while relegating it to a permanently low-status position. This transmission across publishing formats was far from deliberate; instead, the essay argues, the system of genre fiction arose and endured as a stable compromise articulating an expanded fiction-reading public to an expansive print culture industry, making new readers and new fiction---and new kinds of fiction---regularly available to each other in an enduringly hierarchized field.},\n\tnumber = {1},\n\turldate = {2023-06-01},\n\tjournal = {Book History},\n\tauthor = {Goldstone, Andrew},\n\tyear = {2023},\n\tnote = {Publisher: Johns Hopkins University Press},\n\tpages = {203--233},\n}\n\n
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\n Though genre fiction is now ubiquitous, and though both book history and literary studies have devoted considerable attention to individual genres like science fiction and romance novels, the history of the system of popular fiction categories has been little studied. This essay traces the origins of the genre-fiction system in United States magazine and book publishing, bringing sociological and book-historical analysis to bear on changing practices of categorization in publishing, advertising, librarianship, and reader response from the 1890s through the 1950s. Genre categories were only intermittently in use through the 1910s; they were first institutionalized in pulp magazines in the 1920s and 1930s. The genre-fiction system was transmitted to book publishing only in the course of the so-called \"paperback revolution\" of the 1940s and 1950s, which made room for fiction-book production by categories while relegating it to a permanently low-status position. This transmission across publishing formats was far from deliberate; instead, the essay argues, the system of genre fiction arose and endured as a stable compromise articulating an expanded fiction-reading public to an expansive print culture industry, making new readers and new fiction—and new kinds of fiction—regularly available to each other in an enduringly hierarchized field.\n
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\n \n\n \n \n \n \n \n \"People First\": Interpreting and Commemorating Houselessness and Poverty.\n \n \n \n\n\n \n O'Brassill-Kulfan, K.\n\n\n \n\n\n\n The Public historian, 45(1): 25–50. 2023.\n Place: Santa Barbara Publisher: University of California Press\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@article{obrassill-kulfan_people_2023,\n\ttitle = {"{People} {First}": {Interpreting} and {Commemorating} {Houselessness} and {Poverty}},\n\tvolume = {45},\n\tissn = {0272-3433},\n\tshorttitle = {"{People} {First}"},\n\tdoi = {10.1525/tph.2023.45.1.25},\n\tabstract = {This article explores the interpretive and commemorative landscape of houselessness/homelessness and poverty in the United States and United Kingdom and how public historians approach the practical work of interpreting and commemorating these histories in partnership with stakeholder communities. It begins by using the site of an unmarked, uncommemorated, nineteenth-century prison for the poor as an entry point to discuss important gaps in public historical interpretation. Then, it branches out to a survey of organizations and projects engaged in efforts to fill these gaps and the methods they use to work with and for community members with experiences of houselessness, arguing for increased collaborative curation, interdisciplinary interpretation, and commemoration of these histories.},\n\tlanguage = {eng},\n\tnumber = {1},\n\tjournal = {The Public historian},\n\tauthor = {O'Brassill-Kulfan, Kristin},\n\tyear = {2023},\n\tnote = {Place: Santa Barbara\nPublisher: University of California Press},\n\tkeywords = {Collaboration, Comparative analysis, History, Homeless people, Poverty, Prisons},\n\tpages = {25--50},\n}\n\n
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\n This article explores the interpretive and commemorative landscape of houselessness/homelessness and poverty in the United States and United Kingdom and how public historians approach the practical work of interpreting and commemorating these histories in partnership with stakeholder communities. It begins by using the site of an unmarked, uncommemorated, nineteenth-century prison for the poor as an entry point to discuss important gaps in public historical interpretation. Then, it branches out to a survey of organizations and projects engaged in efforts to fill these gaps and the methods they use to work with and for community members with experiences of houselessness, arguing for increased collaborative curation, interdisciplinary interpretation, and commemoration of these histories.\n
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\n  \n 2022\n \n \n (6)\n \n \n
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\n \n\n \n \n \n \n \n Dannata ricchezza e beata povertà: La spiritualità francescana in Dante.\n \n \n \n\n\n \n Alessandro Vettori\n\n\n \n\n\n\n Ocula (Online), 23(3). 2022.\n Publisher: Associazione Ocula\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{alessandro_vettori_dannata_2022,\n\ttitle = {Dannata ricchezza e beata povertà: {La} spiritualità francescana in {Dante}},\n\tvolume = {23},\n\tissn = {1724-7810},\n\tshorttitle = {Dannata ricchezza e beata povertà},\n\tdoi = {10.57576/ocula2022-7},\n\tabstract = {A vertical reading of Cantos xi of the Comedy reveals a thick network of interconnections between the administration of money in Inferno, the punishment of the prideful through exempla of humility in Purgatorio xi, and the representation of Francis's mystical marriage with Lady Poverty in Paradiso xi. The strong links in subject matter among cantos xi in the three different canticles show how the opposition between the world of economic gain of northern Italy in Dante's time and the minimalist lifestyle the Franciscans preached in the same years might very well be a deliberate choice on the poet's part. The pathway from condemning wealth in hell moves through humility (another Franciscan virtue besides poverty), before it reaches to Francis's apotheosis of absolute poverty in heaven.},\n\tlanguage = {eng},\n\tnumber = {3},\n\tjournal = {Ocula (Online)},\n\tauthor = {{Alessandro Vettori}},\n\tyear = {2022},\n\tnote = {Publisher: Associazione Ocula},\n}\n\n
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\n A vertical reading of Cantos xi of the Comedy reveals a thick network of interconnections between the administration of money in Inferno, the punishment of the prideful through exempla of humility in Purgatorio xi, and the representation of Francis's mystical marriage with Lady Poverty in Paradiso xi. The strong links in subject matter among cantos xi in the three different canticles show how the opposition between the world of economic gain of northern Italy in Dante's time and the minimalist lifestyle the Franciscans preached in the same years might very well be a deliberate choice on the poet's part. The pathway from condemning wealth in hell moves through humility (another Franciscan virtue besides poverty), before it reaches to Francis's apotheosis of absolute poverty in heaven.\n
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\n \n\n \n \n \n \n \n Labor Sweated Here.\n \n \n \n\n\n \n O’Brassill-Kulfan, K.\n\n\n \n\n\n\n In Where Are the Workers?. University of Illinois Press, 2022.\n \n\n\n\n
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@incollection{obrassill-kulfan_labor_2022,\n\ttitle = {Labor {Sweated} {Here}},\n\tisbn = {978-0-252-04439-7},\n\tabstract = {Paterson, New Jersey, is home to deep industrial and labor histories that have acted as a guiding force in the city's social and cultural history. However, since the mid-twentieth century, deindustrialization has left many of its communities with little capital or confidence. At sites such as the American Labor Museum/Botto House National Landmark and Paterson Great Falls National Historical Park, Paterson's public historians, cultural sector workers, and residents address this cognitive dissonance directly by foregrounding the city's labor history, emphasizing workers’ experiences and decisions from the eighteenth century to the present, and both, directly and indirectly, considering the impact the city’s relationship with capitalism has had on its residents.},\n\tlanguage = {eng},\n\tbooktitle = {Where {Are} the {Workers}?},\n\tpublisher = {University of Illinois Press},\n\tauthor = {O’Brassill-Kulfan, Kristin},\n\tyear = {2022},\n\tdoi = {10.5622/illinois/9780252044397.003.0011},\n\tkeywords = {Employees, Factories, Industries, Interpretation, Labor},\n}\n\n
\n
\n\n\n
\n Paterson, New Jersey, is home to deep industrial and labor histories that have acted as a guiding force in the city's social and cultural history. However, since the mid-twentieth century, deindustrialization has left many of its communities with little capital or confidence. At sites such as the American Labor Museum/Botto House National Landmark and Paterson Great Falls National Historical Park, Paterson's public historians, cultural sector workers, and residents address this cognitive dissonance directly by foregrounding the city's labor history, emphasizing workers’ experiences and decisions from the eighteenth century to the present, and both, directly and indirectly, considering the impact the city’s relationship with capitalism has had on its residents.\n
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\n \n\n \n \n \n \n \n The Folly of Revolution: Thomas Bradbury Chandler and the Loyalist Mind in a Democratic Age by S. Scott Rohrer (review).\n \n \n \n\n\n \n Regele, L. S.; O'brassill-Kulfan, K.; and Frazer, G.\n\n\n \n\n\n\n Journal of the early Republic, 42(4): 623–626. 2022.\n Publisher: University of Pennsylvania Press\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{regele_folly_2022,\n\ttitle = {The {Folly} of {Revolution}: {Thomas} {Bradbury} {Chandler} and the {Loyalist} {Mind} in a {Democratic} {Age} by {S}. {Scott} {Rohrer} (review)},\n\tvolume = {42},\n\tissn = {0275-1275},\n\tshorttitle = {The {Folly} of {Revolution}},\n\tdoi = {10.1353/jer.2022.0080},\n\tlanguage = {eng},\n\tnumber = {4},\n\tjournal = {Journal of the early Republic},\n\tauthor = {Regele, Lindsay Schakenbach and O'brassill-Kulfan, Kristin and Frazer, Gregg},\n\tyear = {2022},\n\tnote = {Publisher: University of Pennsylvania Press},\n\tpages = {623--626},\n}\n\n
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\n \n\n \n \n \n \n \n Sodomy and Exile: Dante and Brunetto.\n \n \n \n\n\n \n Vettori, A.\n\n\n \n\n\n\n In Arduini, B.; Magni, I.; and Todorović, J., editor(s), Interpretation and Visual Poetics in Medieval and Early Modern Texts: Essays in Honor of H. Wayne Storey, of Medieval and Renaissance Authors and Texts: 26, pages 243–257. Brill Academic Publishers, Leiden, Netherlands, 2022.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@incollection{vettori_sodomy_2022,\n\taddress = {Leiden, Netherlands},\n\tseries = {Medieval and {Renaissance} {Authors} and {Texts}: 26},\n\ttitle = {Sodomy and {Exile}: {Dante} and {Brunetto}},\n\tisbn = {978-90-04-44801-8},\n\tshorttitle = {Sodomy and {Exile}},\n\tbooktitle = {Interpretation and {Visual} {Poetics} in {Medieval} and {Early} {Modern} {Texts}: {Essays} in {Honor} of {H}. {Wayne} {Storey}},\n\tpublisher = {Brill Academic Publishers},\n\tauthor = {Vettori, Alessandro},\n\teditor = {Arduini, Beatrice and Magni, Isabella and Todorović, Jelena},\n\tyear = {2022},\n\tkeywords = {400-1399 Medieval period, French language literature, Italian literature, exile, poetry, prose, sodomy},\n\tpages = {243--257},\n}\n\n
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\n \n\n \n \n \n \n \n Gilbert Ryle, Jane Austen, and Thick Description.\n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n Studies in the Novel, 54(2): 198–218. 2022.\n Publisher: Johns Hopkins University Press\n\n\n\n
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\n 
@article{silver_gilbert_2022,\n\ttitle = {Gilbert {Ryle}, {Jane} {Austen}, and {Thick} {Description}},\n\tvolume = {54},\n\tissn = {0039-3827},\n\tnumber = {2},\n\tjournal = {Studies in the Novel},\n\tauthor = {Silver, Sean},\n\tyear = {2022},\n\tnote = {Publisher: Johns Hopkins University Press},\n\tkeywords = {1800-1899, English literature, concept, description, metaphysics, novel},\n\tpages = {198--218},\n}\n\n
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\n \n\n \n \n \n \n \n \n What is “Black” about Black Bibliography?.\n \n \n \n \n\n\n \n Goldsby, J.; and McGill, M. L.\n\n\n \n\n\n\n The Papers of the Bibliographical Society of America, 116(2): 161–189. June 2022.\n Publisher: The University of Chicago Press\n\n\n\n
\n\n\n\n \n \n \"WhatPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{goldsby_what_2022,\n\ttitle = {What is “{Black}” about {Black} {Bibliography}?},\n\tvolume = {116},\n\tissn = {0006-128X},\n\turl = {https://www.journals.uchicago.edu/doi/full/10.1086/719985},\n\tdoi = {10.1086/719985},\n\tnumber = {2},\n\turldate = {2023-06-01},\n\tjournal = {The Papers of the Bibliographical Society of America},\n\tauthor = {Goldsby, Jacqueline and McGill, Meredith L.},\n\tmonth = jun,\n\tyear = {2022},\n\tnote = {Publisher: The University of Chicago Press},\n\tpages = {161--189},\n}\n\n
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\n  \n 2021\n \n \n (11)\n \n \n
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\n \n\n \n \n \n \n \n Fonti teologiche francescane della “Commedia” di Dante.\n \n \n \n\n\n \n Vettori, A.\n\n\n \n\n\n\n Speculum, 96(4): 1175–1176. 2021.\n Publisher: The University of Chicago Press\n\n\n\n
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\n 
@article{vettori_fonti_2021,\n\ttitle = {Fonti teologiche francescane della “{Commedia}” di {Dante}},\n\tvolume = {96},\n\tissn = {0038-7134},\n\tdoi = {10.1086/716304},\n\tlanguage = {eng},\n\tnumber = {4},\n\tjournal = {Speculum},\n\tauthor = {Vettori, Alessandro},\n\tyear = {2021},\n\tnote = {Publisher: The University of Chicago Press},\n\tpages = {1175--1176},\n}\n\n
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\n \n\n \n \n \n \n \n L'ascesa a Dio: tipologie della preghiera nella Commedia di Dante.\n \n \n \n\n\n \n Vettori, A.\n\n\n \n\n\n\n of Temi e testiEdizioni di Storia e Letteratura, Roma, Prima edizione. edition, 2021.\n \n\n\n\n
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@book{vettori_ascesa_2021,\n\taddress = {Roma},\n\tedition = {Prima edizione.},\n\tseries = {Temi e testi},\n\ttitle = {L'ascesa a {Dio}: tipologie della preghiera nella {Commedia} di {Dante}},\n\tisbn = {978-88-9359-634-3},\n\tshorttitle = {L'ascesa a {Dio}},\n\tabstract = {"In 'L'ascesa a Dio  : tipologie della preghiera nella Commedia di Dante' Alessandro Vettori provides a comprehensive analysis of prayer in Dante's Commedia. The underlying thesis considers prayer a metaphorical pilgrimage toward a sacred location and connects it with the pilgrim's ascent to the vision of the Trinity. Prayer is movement in Purgatorio and also in Paradiso, while eternal stasis is the penalty of blasphemous souls in Inferno. In the fictional rendition of the poem, the pilgrim's itinerary becomes a specular reflection of Dante's own exilic experience. Prayer's human-divine interaction affords the poet the necessary escape from the overwhelming sense of failure in politics and love. Whether it is petitional, liturgical, thankful, praiseful, or contemplative, prayer expresses the supplicant's wish to transform reality and attain a superior spiritual status"-- Provided by publisher.},\n\tlanguage = {ita},\n\tnumber = {215},\n\tpublisher = {Edizioni di Storia e Letteratura},\n\tauthor = {Vettori, Alessandro},\n\tcollaborator = {Scartoni, Paolo},\n\tyear = {2021},\n\tkeywords = {14th century, Dante Alighieri, 1265-1321, Dante Alighieri, 1265-1321 Divina commedia, History and criticism, Italian poetry, Poetry, Praise of God, Prayer in literature, Religion},\n}\n\n
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\n\n\n
\n \"In 'L'ascesa a Dio : tipologie della preghiera nella Commedia di Dante' Alessandro Vettori provides a comprehensive analysis of prayer in Dante's Commedia. The underlying thesis considers prayer a metaphorical pilgrimage toward a sacred location and connects it with the pilgrim's ascent to the vision of the Trinity. Prayer is movement in Purgatorio and also in Paradiso, while eternal stasis is the penalty of blasphemous souls in Inferno. In the fictional rendition of the poem, the pilgrim's itinerary becomes a specular reflection of Dante's own exilic experience. Prayer's human-divine interaction affords the poet the necessary escape from the overwhelming sense of failure in politics and love. Whether it is petitional, liturgical, thankful, praiseful, or contemplative, prayer expresses the supplicant's wish to transform reality and attain a superior spiritual status\"– Provided by publisher.\n
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\n \n\n \n \n \n \n \n \n “We Are Workers in a Workplace Who Have Rights”.\n \n \n \n \n\n\n \n Fulton, R. E.; Reid, E.; Wait, J.; Walber, D.; and Urban, A.\n\n\n \n\n\n\n The Public Historian, 43(2): 81–102. May 2021.\n \n\n\n\n
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\n 
@article{fulton_we_2021,\n\ttitle = {“{We} {Are} {Workers} in a {Workplace} {Who} {Have} {Rights}”},\n\tvolume = {43},\n\tissn = {0272-3433, 1533-8576},\n\turl = {https://online.ucpress.edu/tph/article/43/2/81/116825/We-Are-Workers-in-a-Workplace-Who-Have-Rights},\n\tdoi = {10.1525/tph.2021.43.2.81},\n\tlanguage = {en},\n\tnumber = {2},\n\turldate = {2024-04-05},\n\tjournal = {The Public Historian},\n\tauthor = {Fulton, R. E. and Reid, Erin and Wait, Jackie and Walber, Daniel and Urban, Andy},\n\tmonth = may,\n\tyear = {2021},\n\tpages = {81--102},\n}\n\n
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\n \n\n \n \n \n \n \n \n The Information Economy.\n \n \n \n \n\n\n \n Pietruska, J. L.\n\n\n \n\n\n\n In Oxford Research Encyclopedia of American History. May 2021.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@incollection{pietruska_information_2021,\n\ttitle = {The {Information} {Economy}},\n\tisbn = {978-0-19-932917-5},\n\turl = {https://oxfordre.com/americanhistory/display/10.1093/acrefore/9780199329175.001.0001/acrefore-9780199329175-e-903},\n\tabstract = {"The Information Economy" published on  by Oxford University Press.},\n\tlanguage = {en},\n\turldate = {2024-04-05},\n\tbooktitle = {Oxford {Research} {Encyclopedia} of {American} {History}},\n\tauthor = {Pietruska, Jamie L.},\n\tmonth = may,\n\tyear = {2021},\n\tdoi = {10.1093/acrefore/9780199329175.013.903},\n}\n\n
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\n \"The Information Economy\" published on by Oxford University Press.\n
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\n \n\n \n \n \n \n \n FORECASTING.\n \n \n \n\n\n \n Jamie L Pietruska\n\n\n \n\n\n\n In Information. Princeton University Press, 2021.\n Num Pages: 452-\n\n\n\n
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@incollection{jamie_l_pietruska_forecasting_2021,\n\ttitle = {{FORECASTING}},\n\tisbn = {978-0-691-17954-4},\n\tlanguage = {eng},\n\tbooktitle = {Information},\n\tpublisher = {Princeton University Press},\n\tauthor = {{Jamie L Pietruska}},\n\tcollaborator = {{Anthony Grafton} and {Ann Blair} and {Paul Duguid} and {Anja-Silvia Goeing}},\n\tyear = {2021},\n\tdoi = {10.2307/j.ctv1pdrrbs.51},\n\tnote = {Num Pages: 452-},\n}\n\n
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\n \n\n \n \n \n \n \n The Case of the Competing Pinkertons: Managing Reputation Through the Paperwork and Bureaucracy of Surveillance.\n \n \n \n\n\n \n Pietruska, J. L.\n\n\n \n\n\n\n In Surveillance Capitalism in America, pages 65–83. University of Pennsylvania Press, Philadelphia, 2021.\n \n\n\n\n
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@incollection{pietruska_case_2021,\n\taddress = {Philadelphia},\n\ttitle = {The {Case} of the {Competing} {Pinkertons}: {Managing} {Reputation} {Through} the {Paperwork} and {Bureaucracy} of {Surveillance}},\n\tisbn = {978-0-8122-9994-6},\n\tshorttitle = {The {Case} of the {Competing} {Pinkertons}},\n\tlanguage = {eng},\n\tbooktitle = {Surveillance {Capitalism} in {America}},\n\tpublisher = {University of Pennsylvania Press},\n\tauthor = {Pietruska, Jamie L.},\n\tcollaborator = {Lauer, Josh and Lipartito, Kenneth},\n\tyear = {2021},\n\tdoi = {10.9783/9780812299946-004},\n\tpages = {65--83},\n}\n\n
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\n \n\n \n \n \n \n \n Religion.\n \n \n \n\n\n \n Vettori, A.\n\n\n \n\n\n\n In Gragnolati, M.; Lombardi, E.; and Southerden, F., editor(s), The Oxford Handbook of Dante, of Oxford Handbooks, pages 302–317. Oxford University Press, Oxford, England, 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@incollection{vettori_religion_2021,\n\taddress = {Oxford, England},\n\tseries = {Oxford {Handbooks}},\n\ttitle = {Religion},\n\tisbn = {978-0-19-882074-1},\n\tbooktitle = {The {Oxford} {Handbook} of {Dante}},\n\tpublisher = {Oxford University Press},\n\tauthor = {Vettori, Alessandro},\n\teditor = {Gragnolati, Manuele and Lombardi, Elena and Southerden, Francesca},\n\tyear = {2021},\n\tkeywords = {400-1399 Medieval period, Catholic Church, Franciscan Order, Italian literature, Latin language literature, poetry, prayer, prose},\n\tpages = {302--317},\n}\n\n
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\n \n\n \n \n \n \n \n The papers of Thomas A. Edison. Volume 9, Competing interests, January 1888–December 1889.\n \n \n \n\n\n \n Edison, T. A.\n\n\n \n\n\n\n In Baltimore, 2021. Johns Hopkins University Press\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@inproceedings{edison_papers_2021,\n\taddress = {Baltimore},\n\ttitle = {The papers of {Thomas} {A}. {Edison}. {Volume} 9, {Competing} interests, {January} 1888–{December} 1889},\n\tisbn = {978-1-4214-4011-8},\n\tabstract = {This richly illustrated volume explores Edison's inventive and personal pursuits from 1888 to 1889, documenting his responses to technological, organizational, and economic challenges.Thomas A. Edison was received at the 1889 Paris Exposition Universelle—the World's Fair—as a conquering hero. Extravagantly fêted and besieged by well-wishers, he was seen, like Gustave Eiffel's iron tower, as a triumphal symbol of republicanism and material progress. The visit was a high-water mark of his international fame.Out of the limelight, Edison worked as hard as ever. On top of his work as an inventor, entrepreneur, and manufacturer, he created a new role as a director of research. At his peerless laboratory in Orange, New Jersey, he directed assistants working in parallel on multiple projects. These included the "perfected" phonograph; a major but little-recognized effort to make musical recordings for sale; the start of work on motion pictures; and improvements in the recovery of low-grade iron ore. He also pursued a public "War of the Currents" against electrical rival George Westinghouse. Keenly attuned to manufacturing as a way to support the laboratory financially and control his most iconic products, Edison created a new cluster of factories. He kept his manufacturing rights to the phonograph while selling the underlying patents to an outside investor in a deal he would regret. When market pressures led to the consolidation of Edison lighting interests, he sold his factories to the new Edison General Electric Company. These changes disrupted his longtime personal and professional relations even as he planned an iron-mining project that would take him to the New Jersey wilderness for long periods.The ninth volume of the series, Competing Interests explores Edison's inventive and personal pursuits from 1888 to 1889, documenting his responses to technological, organizational, and economic challenges. The book includes 331 documents and hundreds of Edison's drawings, which are all revealing and representative of his life and work in these years. Essays and notes based on meticulous research in a wide range of sources, many only recently available, provide a rich context for the documents.},\n\tlanguage = {eng},\n\tpublisher = {Johns Hopkins University Press},\n\tauthor = {Edison, Thomas A.},\n\tcollaborator = {Carlat, Louis and Israel, Paul B. and Collins, Theresa M. and Rimer, Alexandra R. and Weeks, Daniel J.},\n\tyear = {2021},\n\tkeywords = {Biography, Edison, Thomas A (Thomas Alva), 1847-1931, General \\& world history, Inventors, United States, United States\\$\\$QInventors},\n}\n\n
\n
\n\n\n
\n This richly illustrated volume explores Edison's inventive and personal pursuits from 1888 to 1889, documenting his responses to technological, organizational, and economic challenges.Thomas A. Edison was received at the 1889 Paris Exposition Universelle—the World's Fair—as a conquering hero. Extravagantly fêted and besieged by well-wishers, he was seen, like Gustave Eiffel's iron tower, as a triumphal symbol of republicanism and material progress. The visit was a high-water mark of his international fame.Out of the limelight, Edison worked as hard as ever. On top of his work as an inventor, entrepreneur, and manufacturer, he created a new role as a director of research. At his peerless laboratory in Orange, New Jersey, he directed assistants working in parallel on multiple projects. These included the \"perfected\" phonograph; a major but little-recognized effort to make musical recordings for sale; the start of work on motion pictures; and improvements in the recovery of low-grade iron ore. He also pursued a public \"War of the Currents\" against electrical rival George Westinghouse. Keenly attuned to manufacturing as a way to support the laboratory financially and control his most iconic products, Edison created a new cluster of factories. He kept his manufacturing rights to the phonograph while selling the underlying patents to an outside investor in a deal he would regret. When market pressures led to the consolidation of Edison lighting interests, he sold his factories to the new Edison General Electric Company. These changes disrupted his longtime personal and professional relations even as he planned an iron-mining project that would take him to the New Jersey wilderness for long periods.The ninth volume of the series, Competing Interests explores Edison's inventive and personal pursuits from 1888 to 1889, documenting his responses to technological, organizational, and economic challenges. The book includes 331 documents and hundreds of Edison's drawings, which are all revealing and representative of his life and work in these years. Essays and notes based on meticulous research in a wide range of sources, many only recently available, provide a rich context for the documents.\n
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\n \n\n \n \n \n \n \n The Hours before Dawn: Celia Fremlin.\n \n \n \n\n\n \n Price, L.\n\n\n \n\n\n\n In Plotz, J.; and Marcus, S., editor(s), B-Side Books: Essays on Forgotten Favorites, of Public Books Series, pages 210–217. Columbia University Press, New York, NY, 2021.\n \n\n\n\n
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@incollection{price_hours_2021,\n\taddress = {New York, NY},\n\tseries = {Public {Books} {Series}},\n\ttitle = {The {Hours} before {Dawn}: {Celia} {Fremlin}},\n\tisbn = {978-0-231-55368-1},\n\tshorttitle = {The {Hours} before {Dawn}},\n\tbooktitle = {B-{Side} {Books}: {Essays} on {Forgotten} {Favorites}},\n\tpublisher = {Columbia University Press},\n\tauthor = {Price, Leah},\n\teditor = {Plotz, John and Marcus, Sharon},\n\tyear = {2021},\n\tkeywords = {1900-1999, English literature, motherhood, mystery novel, novel, women novelists},\n\tpages = {210--217},\n}\n\n
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\n \n\n \n \n \n \n \n \n The Hidden Continents of Publishing.\n \n \n \n \n\n\n \n Goldstone, A.\n\n\n \n\n\n\n Contemporary Literature, 62(3): 430–439. 2021.\n Publisher: University of Wisconsin Press\n\n\n\n
\n\n\n\n \n \n Https://login.proxy.libraries.rutgers.edu/login?url\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n\n\n\n
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@article{goldstone_hidden_2021,\n\ttitle = {The {Hidden} {Continents} of {Publishing}},\n\tvolume = {62},\n\tissn = {0010-7484},\n\turl = {https://login.proxy.libraries.rutgers.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=202226280719&site=ehost-live},\n\tnumber = {3},\n\turldate = {2023-06-01},\n\tjournal = {Contemporary Literature},\n\tauthor = {Goldstone, Andrew},\n\tyear = {2021},\n\tnote = {Publisher: University of Wisconsin Press},\n\tkeywords = {digital technology, electronic book, publishing},\n\tpages = {430--439},\n}\n\n
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\n \n\n \n \n \n \n \n \n Introduction: Some Practical And Ethical Considerations For Integrating Digital Humanities And Music Pedagogy.\n \n \n \n \n\n\n \n Giannetti, F.\n\n\n \n\n\n\n Notes, 77(4): 503–508. 2021.\n Publisher: Music Library Association\n\n\n\n
\n\n\n\n \n \n \"Introduction:Paper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{giannetti_introduction_2021,\n\ttitle = {Introduction: {Some} {Practical} {And} {Ethical} {Considerations} {For} {Integrating} {Digital} {Humanities} {And} {Music} {Pedagogy}},\n\tvolume = {77},\n\tissn = {1534-150X},\n\tshorttitle = {Introduction},\n\turl = {http://muse.jhu.edu/article/790911},\n\tdoi = {10.1353/not.2021.0038},\n\tnumber = {4},\n\turldate = {2021-06-22},\n\tjournal = {Notes},\n\tauthor = {Giannetti, Francesca},\n\tyear = {2021},\n\tnote = {Publisher: Music Library Association},\n\tpages = {503--508},\n}\n\n
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\n  \n 2020\n \n \n (4)\n \n \n
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\n \n\n \n \n \n \n \n \n The Emergence of Texture.\n \n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n Journal of the History of Ideas, 81(2): 169–194. April 2020.\n Publisher: University of Pennsylvania Press\n\n\n\n
\n\n\n\n \n \n \"TheHttps://login.proxy.libraries.rutgers.edu/login?url\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{silver_emergence_2020,\n\ttitle = {The {Emergence} of {Texture}},\n\tvolume = {81},\n\tissn = {0022-5037},\n\turl = {https://login.proxy.libraries.rutgers.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=202017631002&site=ehost-live},\n\tnumber = {2},\n\turldate = {2023-06-01},\n\tjournal = {Journal of the History of Ideas},\n\tauthor = {Silver, Sean},\n\tmonth = apr,\n\tyear = {2020},\n\tnote = {Publisher: University of Pennsylvania Press},\n\tkeywords = {1600-1699, 1700-1799, England, English literature, complexity, material culture, philosophical prose, poetry, prose, scientific prose, technology, textiles, texture},\n\tpages = {169--194},\n}\n\n
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\n \n\n \n \n \n \n \n Further Reading.\n \n \n \n\n\n \n Rubery, M.; and Price, L.\n\n\n \n\n\n\n of Oxford Twenty-First Century Approaches to LiteratureOxford University Press, Oxford, England, 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n 
@book{rubery_further_2020,\n\taddress = {Oxford, England},\n\tseries = {Oxford {Twenty}-{First} {Century} {Approaches} to {Literature}},\n\ttitle = {Further {Reading}},\n\tisbn = {978-0-19-880979-1},\n\tnumber = {xv, 402},\n\tpublisher = {Oxford University Press},\n\tauthor = {Rubery, Matthew and Price, Leah},\n\tyear = {2020},\n\tkeywords = {reading},\n}\n\n
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\n \n\n \n \n \n \n \n Transatlantic Address: Washington Allston and the Limits of Romanticism.\n \n \n \n\n\n \n McGill, M. L.\n\n\n \n\n\n\n Studies in Romanticism, 59(4): 475–492. 2020.\n Publisher: Boston University Scholarly Publications\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{mcgill_transatlantic_2020,\n\ttitle = {Transatlantic {Address}: {Washington} {Allston} and the {Limits} of {Romanticism}},\n\tvolume = {59},\n\tissn = {0039-3762},\n\tshorttitle = {Transatlantic {Address}},\n\tdoi = {10.1353/srm.2020.0038},\n\tnumber = {4},\n\tjournal = {Studies in Romanticism},\n\tauthor = {McGill, Meredith L.},\n\tyear = {2020},\n\tnote = {Publisher: Boston University Scholarly Publications},\n\tkeywords = {1800-1899, American literature, Romanticism, painting, poetry},\n\tpages = {475--492},\n}\n\n
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\n \n\n \n \n \n \n \n \n The HathiTrust Digital Library’s potential for musicology research.\n \n \n \n \n\n\n \n Downie, J. S.; Bhattacharyya, S.; Giannetti, F.; Koehl, E. D.; and Organisciak, P.\n\n\n \n\n\n\n International Journal on Digital Libraries. January 2020.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{downie_hathitrust_2020,\n\ttitle = {The {HathiTrust} {Digital} {Library}’s potential for musicology research},\n\tissn = {1432-1300},\n\turl = {https://doi.org/10.1007/s00799-020-00283-7},\n\tdoi = {10.1007/s00799-020-00283-7},\n\tabstract = {The HathiTrust Digital Library (HTDL) is one of the largest digital libraries in the world, containing seventeen million volumes from the collections of major academic and research libraries. In this paper, we discuss the HTDL’s potential for musicology research by providing a bibliometric analysis of the collection as a whole, and of the music materials in particular. A series of case studies illustrates the kinds of musicological research that may be conducted using the HTDL. We highlight several opportunities for improvement and discuss promising future directions for new knowledge creation through the processing and analysis of large amounts of retrospective data. The HTDL presents significant new opportunities to the study of music that will continue to expand as data, metadata and collection enhancements are introduced.},\n\tlanguage = {en},\n\turldate = {2020-04-23},\n\tjournal = {International Journal on Digital Libraries},\n\tauthor = {Downie, J. Stephen and Bhattacharyya, Sayan and Giannetti, Francesca and Koehl, Eleanor Dickson and Organisciak, Peter},\n\tmonth = jan,\n\tyear = {2020},\n}\n\n
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\n The HathiTrust Digital Library (HTDL) is one of the largest digital libraries in the world, containing seventeen million volumes from the collections of major academic and research libraries. In this paper, we discuss the HTDL’s potential for musicology research by providing a bibliometric analysis of the collection as a whole, and of the music materials in particular. A series of case studies illustrates the kinds of musicological research that may be conducted using the HTDL. We highlight several opportunities for improvement and discuss promising future directions for new knowledge creation through the processing and analysis of large amounts of retrospective data. The HTDL presents significant new opportunities to the study of music that will continue to expand as data, metadata and collection enhancements are introduced.\n
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\n  \n 2019\n \n \n (9)\n \n \n
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\n \n\n \n \n \n \n \n \n Material Fictions/Les Fictions matérielles, Part 2 [Special Issue].\n \n \n \n \n\n\n \n Zuroski, E.; Yonan, M.; and Silver, S.\n\n\n \n\n\n\n Eighteenth-Century Fiction, 31(2): 253–438. 2019.\n Publisher: University of Toronto Press\n\n\n\n
\n\n\n\n \n \n \"MaterialHttps://login.proxy.libraries.rutgers.edu/login?url\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@article{zuroski_material_2019,\n\ttitle = {Material {Fictions}/{Les} {Fictions} matérielles, {Part} 2 [{Special} {Issue}]},\n\tvolume = {31},\n\tissn = {0840-6286},\n\turl = {https://login.proxy.libraries.rutgers.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2019581101&site=ehost-live},\n\tdoi = {10.3138/ecf.31.2.253},\n\tnumber = {2},\n\turldate = {2023-06-01},\n\tjournal = {Eighteenth-Century Fiction},\n\tauthor = {Zuroski, Eugenia and Yonan, Michael and Silver, Sean},\n\tyear = {2019},\n\tnote = {Publisher: University of Toronto Press},\n\tkeywords = {1700-1799, English literature, French literature, cultural historical approach, fiction, prose, the material},\n\tpages = {253--438},\n}\n\n
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\n \n\n \n \n \n \n \n Satirical Objects.\n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n In Bullard, P., editor(s), The Oxford Handbook of Eighteenth-Century Satire, of Oxford Handbooks, pages 371–386. Oxford University Press, Oxford, England, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@incollection{silver_satirical_2019,\n\taddress = {Oxford, England},\n\tseries = {Oxford {Handbooks}},\n\ttitle = {Satirical {Objects}},\n\tisbn = {978-0-19-872783-5},\n\tbooktitle = {The {Oxford} {Handbook} of {Eighteenth}-{Century} {Satire}},\n\tpublisher = {Oxford University Press},\n\tauthor = {Silver, Sean},\n\teditor = {Bullard, Paddy},\n\tyear = {2019},\n\tkeywords = {1600-1699, 1700-1799, English literature, Irish literature, cognitive approach, fiction, objectification, poetry, prose, satire},\n\tpages = {371--386},\n}\n\n
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\n \n\n \n \n \n \n \n Information and Irony.\n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n In Sauer, E., editor(s), Emergent Nation: Early Modern British Literature in Transition, 1660–1714, of Early Modern Literature in Transition: 3, pages 276–292. Cambridge University Press, Cambridge, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@incollection{silver_information_2019,\n\taddress = {Cambridge},\n\tseries = {Early {Modern} {Literature} in {Transition}: 3},\n\ttitle = {Information and {Irony}},\n\tisbn = {978-1-108-42268-0},\n\tbooktitle = {Emergent {Nation}: {Early} {Modern} {British} {Literature} in {Transition}, 1660–1714},\n\tpublisher = {Cambridge University Press},\n\tauthor = {Silver, Sean},\n\teditor = {Sauer, Elizabeth},\n\tyear = {2019},\n\tdoi = {10.1017/9781108525251.016},\n\tkeywords = {1600-1699, 1700-1799, English literature, Irish literature, Stuart period, cultural historical approach, fiction, information, irony, literary historical approach, prose},\n\tpages = {276--292},\n}\n\n
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\n \n\n \n \n \n \n \n Future Remains: A Cabinet of Curiosities for the Anthropocene. Edited by Gregg Mitman, Marco Armiero, and Robert S. Emmett. Chicago: University of Chicago Press, 2018. viii + 225 pp. Illustrations, notes, bibliographies. Paper $30.00.\n \n \n \n\n\n \n Pietruska, J. L.\n\n\n \n\n\n\n Environmental history, 24(1): 206–208. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{pietruska_future_2019,\n\ttitle = {Future {Remains}: {A} {Cabinet} of {Curiosities} for the {Anthropocene}. {Edited} by {Gregg} {Mitman}, {Marco} {Armiero}, and {Robert} {S}. {Emmett}. {Chicago}: {University} of {Chicago} {Press}, 2018. viii + 225 pp. {Illustrations}, notes, bibliographies. {Paper} \\$30.00},\n\tvolume = {24},\n\tissn = {1084-5453},\n\tshorttitle = {Future {Remains}},\n\tdoi = {10.1093/envhis/emy115},\n\tlanguage = {eng},\n\tnumber = {1},\n\tjournal = {Environmental history},\n\tauthor = {Pietruska, Jamie L.},\n\tyear = {2019},\n\tpages = {206--208},\n}\n\n
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\n \n\n \n \n \n \n \n What We Talk about When We Talk about Books: The History and Future of Reading.\n \n \n \n\n\n \n Price, L.\n\n\n \n\n\n\n Basic Books, New York, NY, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
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@book{price_what_2019,\n\taddress = {New York, NY},\n\ttitle = {What {We} {Talk} about {When} {We} {Talk} about {Books}: {The} {History} and {Future} of {Reading}},\n\tisbn = {978-1-5416-7390-8},\n\tshorttitle = {What {We} {Talk} about {When} {We} {Talk} about {Books}},\n\tnumber = {157},\n\tpublisher = {Basic Books},\n\tauthor = {Price, Leah},\n\tyear = {2019},\n\tkeywords = {book, reading},\n}\n\n
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\n \n\n \n \n \n \n \n Vagrants and vagabonds: poverty and mobility in the early American republic.\n \n \n \n\n\n \n O'Brassill-Kulfan, K.\n\n\n \n\n\n\n of Early American placesUniversity Press, New York, 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@book{obrassill-kulfan_vagrants_2019,\n\taddress = {New York},\n\tseries = {Early {American} places},\n\ttitle = {Vagrants and vagabonds: poverty and mobility in the early {American} republic},\n\tisbn = {978-1-4798-4525-5},\n\tshorttitle = {Vagrants and vagabonds},\n\tlanguage = {eng},\n\tpublisher = {University Press},\n\tauthor = {O'Brassill-Kulfan, Kristin},\n\tyear = {2019},\n\tkeywords = {19th century, History, Poor, Rogues and vagabonds, Social conditions, United States, Vagrancy},\n}\n\n
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\n \n\n \n \n \n \n \n \n Introduction.\n \n \n \n \n\n\n \n Rodríguez, C.; and Urban, A.\n\n\n \n\n\n\n Journal of American Ethnic History, 38(2): 5–8. 2019.\n Publisher: [University of Illinois Press, Immigration & Ethnic History Society]\n\n\n\n
\n\n\n\n \n \n \"IntroductionPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{rodriguez_introduction_2019,\n\ttitle = {Introduction},\n\tvolume = {38},\n\tissn = {0278-5927},\n\turl = {http://www.jstor.org/stable/10.5406/jamerethnhist.38.2.0005},\n\tdoi = {10.5406/jamerethnhist.38.2.0005},\n\tabstract = {Historicizing the Present Immigration Moment},\n\tnumber = {2},\n\turldate = {2021-06-22},\n\tjournal = {Journal of American Ethnic History},\n\tauthor = {Rodríguez, Chantel and Urban, Andrew},\n\tyear = {2019},\n\tnote = {Publisher: [University of Illinois Press, Immigration \\& Ethnic History Society]},\n\tpages = {5--8},\n}\n\n
\n
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\n Historicizing the Present Immigration Moment\n
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\n \n\n \n \n \n \n \n \n Teaching Quantitative Methods: What Makes It Hard (in Literary Studies).\n \n \n \n \n\n\n \n Goldstone, A.\n\n\n \n\n\n\n In Gold, M. K.; and Klein, L. F., editor(s), Debates in the Digital Humanities 2019, pages 209–223. University of Minnesota Press, Minneapolis, 2019.\n \n\n\n\n
\n\n\n\n \n \n \"TeachingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@incollection{gold_teaching_2019,\n\taddress = {Minneapolis},\n\ttitle = {Teaching {Quantitative} {Methods}: {What} {Makes} {It} {Hard} (in {Literary} {Studies})},\n\tisbn = {978-1-5179-0693-1},\n\turl = {https://www.jstor.org/stable/10.5749/j.ctvg251hk.22},\n\tabstract = {{\\textless}strong{\\textgreater}The latest installment of a digital humanities bellwether{\\textless}/strong{\\textgreater}     Contending with recent developments like the shocking 2016 U.S. Presidential election, the radical transformation of the social web, and passionate debates about the future of data in higher education, \\textit{Debates in the Digital Humanities 2019}  brings together a broad array of important, thought-provoking perspectives on the field's many sides. With a wide range of subjects including gender-based assumptions made by algorithms, the place of the digital humanities within art history, data-based methods for exhuming forgotten histories, video games, three-dimensional printing, and decolonial work, this book assembles a who's who of the field in more than thirty impactful essays.   Contributors: Rafael Alvarado, U of Virginia; Taylor Arnold, U of Richmond; James Baker, U of Sussex; Kathi Inman Berens, Portland State U; David M. Berry, U of Sussex; Claire Bishop, The Graduate Center, CUNY; James Coltrain, U of Nebraska-Lincoln; Crunk Feminist Collective; Johanna Drucker, U of California-Los Angeles; Jennifer Edmond, Trinity College; Marta Effinger-Crichlow, New York City College of Technology-CUNY; M. Beatrice Fazi, U of Sussex; Kevin L. Ferguson, Queens College-CUNY; Curtis Fletcher, U of Southern California; Neil Fraistat, U of Maryland; Radhika Gajjala, Bowling Green State U; Michael Gavin, U of South Carolina; Andrew Goldstone, Rutgers U; Andrew Gomez, U of Puget Sound; Elyse Graham, Stony Brook U; Brian Greenspan, Carleton U; John Hunter, Bucknell U; Steven J. Jackson, Cornell U; Collin Jennings, Miami U; Lauren Kersey, Saint Louis U; Kari Kraus, U of Maryland; Seth Long, U of Nebraska, Kearney; Laura Mandell, Texas A\\&M U; Rachel Mann, U of South Carolina; Jason Mittell, Middlebury College; Lincoln A. Mullen, George Mason U; Trevor Muñoz, U of Maryland; Safiya Umoja Noble, U of Southern California; Jack Norton, Normandale Community College; Bethany Nowviskie, U of Virginia; Élika Ortega, Northeastern U; Marisa Parham, Amherst College; Jussi Parikka, U of Southampton; Kyle Parry, U of California, Santa Cruz; Brad Pasanek, U of Virginia; Stephen Ramsay, U of Nebraska-Lincoln; Matt Ratto, U of Toronto; Katie Rawson, U of Pennsylvania; Ben Roberts, U of Sussex; David S. Roh, U of Utah; Mark Sample, Davidson College; Moacir P. de Sá Pereira, New York U; Tim Sherratt, U of Canberra; Bobby L. Smiley, Vanderbilt U; Lauren Tilton, U of Richmond; Ted Underwood, U of Illinois, Urbana-Champaign; Megan Ward, Oregon State U; Claire Warwick, Durham U; Alban Webb, U of Sussex; Adrian S. Wisnicki, U of Nebraska-Lincoln.},\n\turldate = {2019-06-20},\n\tbooktitle = {Debates in the {Digital} {Humanities} 2019},\n\tpublisher = {University of Minnesota Press},\n\tauthor = {Goldstone, Andrew},\n\teditor = {Gold, Matthew K. and Klein, Lauren F.},\n\tyear = {2019},\n\tpages = {209--223},\n}\n\n
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\n \\textlessstrong\\textgreaterThe latest installment of a digital humanities bellwether\\textless/strong\\textgreater Contending with recent developments like the shocking 2016 U.S. Presidential election, the radical transformation of the social web, and passionate debates about the future of data in higher education, Debates in the Digital Humanities 2019 brings together a broad array of important, thought-provoking perspectives on the field's many sides. With a wide range of subjects including gender-based assumptions made by algorithms, the place of the digital humanities within art history, data-based methods for exhuming forgotten histories, video games, three-dimensional printing, and decolonial work, this book assembles a who's who of the field in more than thirty impactful essays. Contributors: Rafael Alvarado, U of Virginia; Taylor Arnold, U of Richmond; James Baker, U of Sussex; Kathi Inman Berens, Portland State U; David M. Berry, U of Sussex; Claire Bishop, The Graduate Center, CUNY; James Coltrain, U of Nebraska-Lincoln; Crunk Feminist Collective; Johanna Drucker, U of California-Los Angeles; Jennifer Edmond, Trinity College; Marta Effinger-Crichlow, New York City College of Technology-CUNY; M. Beatrice Fazi, U of Sussex; Kevin L. Ferguson, Queens College-CUNY; Curtis Fletcher, U of Southern California; Neil Fraistat, U of Maryland; Radhika Gajjala, Bowling Green State U; Michael Gavin, U of South Carolina; Andrew Goldstone, Rutgers U; Andrew Gomez, U of Puget Sound; Elyse Graham, Stony Brook U; Brian Greenspan, Carleton U; John Hunter, Bucknell U; Steven J. Jackson, Cornell U; Collin Jennings, Miami U; Lauren Kersey, Saint Louis U; Kari Kraus, U of Maryland; Seth Long, U of Nebraska, Kearney; Laura Mandell, Texas A&M U; Rachel Mann, U of South Carolina; Jason Mittell, Middlebury College; Lincoln A. Mullen, George Mason U; Trevor Muñoz, U of Maryland; Safiya Umoja Noble, U of Southern California; Jack Norton, Normandale Community College; Bethany Nowviskie, U of Virginia; Élika Ortega, Northeastern U; Marisa Parham, Amherst College; Jussi Parikka, U of Southampton; Kyle Parry, U of California, Santa Cruz; Brad Pasanek, U of Virginia; Stephen Ramsay, U of Nebraska-Lincoln; Matt Ratto, U of Toronto; Katie Rawson, U of Pennsylvania; Ben Roberts, U of Sussex; David S. Roh, U of Utah; Mark Sample, Davidson College; Moacir P. de Sá Pereira, New York U; Tim Sherratt, U of Canberra; Bobby L. Smiley, Vanderbilt U; Lauren Tilton, U of Richmond; Ted Underwood, U of Illinois, Urbana-Champaign; Megan Ward, Oregon State U; Claire Warwick, Durham U; Alban Webb, U of Sussex; Adrian S. Wisnicki, U of Nebraska-Lincoln.\n
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\n \n\n \n \n \n \n \n Regional Nationalism and the Ends of the Literary World.\n \n \n \n\n\n \n Leslie, A. Z.\n\n\n \n\n\n\n J19: The Journal of Nineteenth-Century Americanists, 7(2): 249–275. 2019.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n 
@article{leslie_regional_2019,\n\ttitle = {Regional {Nationalism} and the {Ends} of the {Literary} {World}},\n\tvolume = {7},\n\tissn = {2166-742X},\n\tdoi = {10.1353/jnc.2019.0020},\n\tlanguage = {eng},\n\tnumber = {2},\n\tjournal = {J19: The Journal of Nineteenth-Century Americanists},\n\tauthor = {Leslie, Alex Zweber},\n\tyear = {2019},\n\tkeywords = {Literary World ; Duyckinck, Evert A ; (Evert Augustus) ; 1816-1878 ; Regionalism ; United States ; History ; 19th Century ; Languages \\& Literatures;},\n\tpages = {249--275},\n}\n\n
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\n  \n 2018\n \n \n (5)\n \n \n
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\n \n\n \n \n \n \n \n \n Material Fictions/Les Fictions matérielles Part 1 [Special Issue].\n \n \n \n \n\n\n \n Zuroski, E.; Yonan, M.; and Silver, S.\n\n\n \n\n\n\n Eighteenth-Century Fiction, 31(1): 1–230. 2018.\n Publisher: University of Toronto Press\n\n\n\n
\n\n\n\n \n \n \"MaterialHttps://login.proxy.libraries.rutgers.edu/login?url\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{zuroski_material_2018,\n\ttitle = {Material {Fictions}/{Les} {Fictions} matérielles {Part} 1 [{Special} {Issue}]},\n\tvolume = {31},\n\tissn = {0840-6286},\n\turl = {https://login.proxy.libraries.rutgers.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2018583505&site=ehost-live},\n\tdoi = {10.3138/ecf.31.1.1},\n\tabstract = {The co-editors of “Material Fictions” introduce the ECF special issue through a conversation about the interdisciplinary objectives that inspired the collection and the insights about materiality, interpretation, and the critical study of texts and objects that emerged from the collection. Addressing points of overlap as well as tension among the fields of art history, literary studies, and material culture studies, we consider how collaborative attention to materiality complicates hermeneutic models like “surface reading” or “form vs. context” and urges art and literary critical practice towards embodied forms of knowledge. We also discuss the etymological kinship of fictions and manufactured objects; the role of Aristotelian philosophy, thing theory, and other lines of thought across fields; and the role of pleasure in our disciplinary and interdisciplinary practices.},\n\tnumber = {1},\n\turldate = {2023-06-01},\n\tjournal = {Eighteenth-Century Fiction},\n\tauthor = {Zuroski, Eugenia and Yonan, Michael and Silver, Sean},\n\tyear = {2018},\n\tnote = {Publisher: University of Toronto Press},\n\tkeywords = {1700-1799, England, English literature, French literature, fiction, material culture},\n\tpages = {1--230},\n}\n\n
\n
\n\n\n
\n The co-editors of “Material Fictions” introduce the ECF special issue through a conversation about the interdisciplinary objectives that inspired the collection and the insights about materiality, interpretation, and the critical study of texts and objects that emerged from the collection. Addressing points of overlap as well as tension among the fields of art history, literary studies, and material culture studies, we consider how collaborative attention to materiality complicates hermeneutic models like “surface reading” or “form vs. context” and urges art and literary critical practice towards embodied forms of knowledge. We also discuss the etymological kinship of fictions and manufactured objects; the role of Aristotelian philosophy, thing theory, and other lines of thought across fields; and the role of pleasure in our disciplinary and interdisciplinary practices.\n
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\n \n\n \n \n \n \n \n \n Making Weather: Communication Networks and the Great Storm of 1703.\n \n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n Eighteenth-Century Fiction, 30(4): 495–518. 2018.\n Publisher: University of Toronto Press\n\n\n\n
\n\n\n\n \n \n \"MakingHttps://login.proxy.libraries.rutgers.edu/login?url\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{silver_making_2018,\n\ttitle = {Making {Weather}: {Communication} {Networks} and the {Great} {Storm} of 1703},\n\tvolume = {30},\n\tissn = {0840-6286},\n\tshorttitle = {Making {Weather}},\n\turl = {https://login.proxy.libraries.rutgers.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2018583404&site=ehost-live},\n\tdoi = {10.3138/ecf.30.4.495},\n\tabstract = {This essay links popular writing about the weather to transformations in communication networks at the turn of the seventeenth century in Britain. It argues for modern weather as a complex phenomenon - a 'system' - which is partly meteorological in a strict sense, and partly the artifact of media forms like the letter or the newspaper. This article takes as its example the Great Storm of 1703, which closely followed innovations in the British newspaper trade. It makes a further argument for the close linkages between modern forms of populist rhetoric and community building which follow disasters, noting that the media forms associated with nationalism and community building are similar to the communication systems required for witnessing large-scale weather patterns.},\n\tnumber = {4},\n\turldate = {2023-06-01},\n\tjournal = {Eighteenth-Century Fiction},\n\tauthor = {Silver, Sean},\n\tyear = {2018},\n\tnote = {Publisher: University of Toronto Press},\n\tkeywords = {1700-1799, English literature, community, nationalism, prose, social network, storm, weather},\n\tpages = {495--518},\n}\n\n
\n
\n\n\n
\n This essay links popular writing about the weather to transformations in communication networks at the turn of the seventeenth century in Britain. It argues for modern weather as a complex phenomenon - a 'system' - which is partly meteorological in a strict sense, and partly the artifact of media forms like the letter or the newspaper. This article takes as its example the Great Storm of 1703, which closely followed innovations in the British newspaper trade. It makes a further argument for the close linkages between modern forms of populist rhetoric and community building which follow disasters, noting that the media forms associated with nationalism and community building are similar to the communication systems required for witnessing large-scale weather patterns.\n
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\n \n\n \n \n \n \n \n Contingency in Philosophy and History, 1650-1800.\n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n Textual Practice, 32(3-4): 419–436. May 2018.\n Publisher: Routledge\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{silver_contingency_2018,\n\ttitle = {Contingency in {Philosophy} and {History}, 1650-1800},\n\tvolume = {32},\n\tissn = {0950-236X},\n\tdoi = {10.1080/0950236X.2018.1442391},\n\tnumber = {3-4},\n\tjournal = {Textual Practice},\n\tauthor = {Silver, Sean},\n\tmonth = may,\n\tyear = {2018},\n\tnote = {Publisher: Routledge},\n\tkeywords = {1600-1799, English literature, French literature, contingency, fiction, philosophy of history, poetry, prose},\n\tpages = {419--436},\n}\n\n
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\n \n\n \n \n \n \n \n Vagrant Negroes: The Policing of Labor and Mobility in the Upper South in the Early Republic.\n \n \n \n\n\n \n KRISTIN O’BRASSILL-KULFAN\n\n\n \n\n\n\n In Reconsidering Southern Labor History. University Press of Florida, 2018.\n Num Pages: 32-\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@incollection{kristin_obrassill-kulfan_vagrant_2018,\n\ttitle = {Vagrant {Negroes}: {The} {Policing} of {Labor} and {Mobility} in the {Upper} {South} in the {Early} {Republic}},\n\tisbn = {978-0-8130-5233-5},\n\tshorttitle = {Vagrant {Negroes}},\n\tabstract = {In 1864, George W. Sands, a delegate from Howard County, Maryland, stood before the members of the Maryland Constitutional Convention to discuss how free African Americans might be compelled to labor in the absence of slavery. He argued in favor of privileging the rights of former slaveholders in purchasing the indentures of forced laborers. The motivation for this, as Sands explained it, was to prevent vagrancy among the freedpeople:\nIf they do not, now that they have an opportunity to labor for themselves[,] . . . become good, sober, honest citizens, or residents[,] . . . the law as it},\n\tlanguage = {eng},\n\tbooktitle = {Reconsidering {Southern} {Labor} {History}},\n\tpublisher = {University Press of Florida},\n\tauthor = {{KRISTIN O’BRASSILL-KULFAN}},\n\tcollaborator = {{MATTHEW HILD} and {KERI LEIGH MERRITT}},\n\tyear = {2018},\n\tdoi = {10.2307/j.ctvx07731.6},\n\tnote = {Num Pages: 32-},\n}\n\n
\n
\n\n\n
\n In 1864, George W. Sands, a delegate from Howard County, Maryland, stood before the members of the Maryland Constitutional Convention to discuss how free African Americans might be compelled to labor in the absence of slavery. He argued in favor of privileging the rights of former slaveholders in purchasing the indentures of forced laborers. The motivation for this, as Sands explained it, was to prevent vagrancy among the freedpeople: If they do not, now that they have an opportunity to labor for themselves[,] . . . become good, sober, honest citizens, or residents[,] . . . the law as it\n
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\n \n\n \n \n \n \n \n \n Format.\n \n \n \n \n\n\n \n McGill, M. L.\n\n\n \n\n\n\n Early American Studies: An Interdisciplinary Journal, 16(4): 671–677. November 2018.\n Publisher: University of Pennsylvania Press\n\n\n\n
\n\n\n\n \n \n \"FormatPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{mcgill_format_2018,\n\ttitle = {Format},\n\tvolume = {16},\n\tissn = {1559-0895},\n\turl = {http://muse.jhu.edu/article/707740},\n\tdoi = {10.1353/eam.2018.0033},\n\tlanguage = {en},\n\tnumber = {4},\n\turldate = {2020-04-23},\n\tjournal = {Early American Studies: An Interdisciplinary Journal},\n\tauthor = {McGill, Meredith L.},\n\tmonth = nov,\n\tyear = {2018},\n\tnote = {Publisher: University of Pennsylvania Press},\n\tpages = {671--677},\n}\n
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\n  \n 2017\n \n \n (3)\n \n \n
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\n \n\n \n \n \n \n \n \n The Doxa of Reading.\n \n \n \n \n\n\n \n Goldstone, A.\n\n\n \n\n\n\n PMLA: Publications of the Modern Language Association of America, 132(3): 636–642. May 2017.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{goldstone_doxa_2017,\n\ttitle = {The {Doxa} of {Reading}},\n\tvolume = {132},\n\tissn = {0030-8129},\n\turl = {https://doi.org/10.1632/pmla.2017.132.3.636},\n\tnumber = {3},\n\tjournal = {PMLA: Publications of the Modern Language Association of America},\n\tauthor = {Goldstone, Andrew},\n\tmonth = may,\n\tyear = {2017},\n\tkeywords = {Distant Reading (2013), Graphs, Maps, Trees (2005), Moretti, Franco (1950-), digital technology, literary history, literary theory and criticism, reader, research methods (literature), world literature},\n\tpages = {636--642},\n}\n\n
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\n \n\n \n \n \n \n \n Brokering servitude: migration and the politics of domestic labor during the long nineteenth century.\n \n \n \n\n\n \n Urban, A.\n\n\n \n\n\n\n of Culture, labor, history seriesNYU press, New York, 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{urban_brokering_2017,\n\taddress = {New York},\n\tseries = {Culture, labor, history series},\n\ttitle = {Brokering servitude: migration and the politics of domestic labor during the long nineteenth century},\n\tisbn = {978-0-8147-8584-3},\n\tshorttitle = {Brokering servitude},\n\tlanguage = {eng},\n\tpublisher = {NYU press},\n\tauthor = {Urban, Andrew},\n\tyear = {2017},\n\tkeywords = {Emigration and immigration, Foreign workers, Government policy, Labor market, United States},\n}\n\n
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\n \n\n \n \n \n \n \n \n From Reproducible to Productive.\n \n \n \n \n\n\n \n Goldstone, A.\n\n\n \n\n\n\n Journal of Cultural Analytics,1–6. February 2017.\n Publisher: Department of Languages, Literatures, and Cultures\n\n\n\n
\n\n\n\n \n \n \"FromPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{goldstone_reproducible_2017,\n\ttitle = {From {Reproducible} to {Productive}},\n\turl = {https://culturalanalytics.org/article/11821-from-reproducible-to-productive},\n\tdoi = {10.22148/001c.11821},\n\tabstract = {The very idea of a "canonical data set" implies a whole organization of knowledge: first, the data are durably available—a quarter-century on—thanks among other things to the institutional continuity of the GSS as an important large-scale data-collection enterprise of American social science; second, the data remain meaningful, their validity underwritten by the methods of survey research; third, the disciplinary norms of sociology allow for the possibility of following on someone else's work by reusing the evidence they have already selected; fourth, that evidence can still bear on a significant research question within sociology, a testament to the fruitfulness of the research program in cultural taste and social structure which was set in motion, notably, by the Anglophone reception of Pierre Bourdieu's Distinction. Lizardo and Skiles's starting point, in other words, includes not simply the dataset itself but all the institutional conditions for a productive ongoing research program involving quantitative analysis of cultural data.},\n\tlanguage = {en},\n\turldate = {2020-04-23},\n\tjournal = {Journal of Cultural Analytics},\n\tauthor = {Goldstone, Andrew},\n\tmonth = feb,\n\tyear = {2017},\n\tnote = {Publisher: Department of Languages, Literatures, and Cultures},\n\tpages = {1--6},\n}\n\n
\n
\n\n\n
\n The very idea of a \"canonical data set\" implies a whole organization of knowledge: first, the data are durably available—a quarter-century on—thanks among other things to the institutional continuity of the GSS as an important large-scale data-collection enterprise of American social science; second, the data remain meaningful, their validity underwritten by the methods of survey research; third, the disciplinary norms of sociology allow for the possibility of following on someone else's work by reusing the evidence they have already selected; fourth, that evidence can still bear on a significant research question within sociology, a testament to the fruitfulness of the research program in cultural taste and social structure which was set in motion, notably, by the Anglophone reception of Pierre Bourdieu's Distinction. Lizardo and Skiles's starting point, in other words, includes not simply the dataset itself but all the institutional conditions for a productive ongoing research program involving quantitative analysis of cultural data.\n
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\n  \n 2016\n \n \n (4)\n \n \n
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\n \n\n \n \n \n \n \n Hooke, Latour, and the History of Extended Cognition.\n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n The Eighteenth Century: Theory and Interpretation, 57(2): 197–215. 2016.\n Publisher: University of Pennsylvania Press\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{silver_hooke_2016,\n\ttitle = {Hooke, {Latour}, and the {History} of {Extended} {Cognition}},\n\tvolume = {57},\n\tissn = {0193-5380},\n\tnumber = {2},\n\tjournal = {The Eighteenth Century: Theory and Interpretation},\n\tauthor = {Silver, Sean},\n\tyear = {2016},\n\tnote = {Publisher: University of Pennsylvania Press},\n\tkeywords = {1600-1699, English literature, modernity, prose, technology, thought},\n\tpages = {197--215},\n}\n\n
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\n \n\n \n \n \n \n \n Latour and Eighteenth-Century Literary Studies [Special Issue].\n \n \n \n\n\n \n Lupton, C.; Silver, S.; and Sneed, A.\n\n\n \n\n\n\n The Eighteenth Century: Theory and Interpretation, 57(2): 165–279. 2016.\n Publisher: University of Pennsylvania Press\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{lupton_latour_2016,\n\ttitle = {Latour and {Eighteenth}-{Century} {Literary} {Studies} [{Special} {Issue}]},\n\tvolume = {57},\n\tissn = {0193-5380},\n\tnumber = {2},\n\tjournal = {The Eighteenth Century: Theory and Interpretation},\n\tauthor = {Lupton, Christina and Silver, Sean and Sneed, Adam},\n\tyear = {2016},\n\tnote = {Publisher: University of Pennsylvania Press},\n\tkeywords = {1600-1899, British and Irish literatures, fiction, poetry, prose},\n\tpages = {165--279},\n}\n\n
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\n \n\n \n \n \n \n \n Hurricanes, Crops, and Capital: The Meteorological Infrastructure of American Empire in the West Indies.\n \n \n \n\n\n \n Pietruska, J. L.\n\n\n \n\n\n\n The journal of the gilded age and progressive era, 15(4): 418–445. 2016.\n Place: Normal Publisher: Cambridge University Press\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n 
@article{pietruska_hurricanes_2016,\n\ttitle = {Hurricanes, {Crops}, and {Capital}: {The} {Meteorological} {Infrastructure} of {American} {Empire} in the {West} {Indies}},\n\tvolume = {15},\n\tissn = {1537-7814},\n\tshorttitle = {{HURRICANES}, {CROPS}, {AND} {CAPITAL}},\n\tdoi = {10.1017/S1537781416000256},\n\tabstract = {This article examines the mutually reinforcing imperatives of government science, capitalism, and American empire through a history of the U.S. Weather Bureau's West Indian weather service at the turn of the twentieth century. The original impetus for expanding American meteorological infrastructure into the Caribbean in 1898 was to protect naval vessels from hurricanes, but what began as a measure of military security became, within a year, an instrument of economic expansion that extracted climatological data and produced agricultural reports for American investors. This article argues that the West Indian weather service was a project of imperial meteorology that sought to impose a rational scientific and bureaucratic order on a region that American officials considered racially and culturally inferior, yet relied on the labor of local observers and Cuban meteorological experts in order to do so. Weather reporting networks are examined as a material and symbolic extension of American technoscientific power into the Caribbean and as a knowledge infrastructure that linked the production of agricultural commodities in Cuba and Puerto Rico to the world of commodity exchange in the United States.},\n\tlanguage = {eng},\n\tnumber = {4},\n\tjournal = {The journal of the gilded age and progressive era},\n\tauthor = {Pietruska, Jamie L.},\n\tyear = {2016},\n\tnote = {Place: Normal\nPublisher: Cambridge University Press},\n\tpages = {418--445},\n}\n\n
\n
\n\n\n
\n This article examines the mutually reinforcing imperatives of government science, capitalism, and American empire through a history of the U.S. Weather Bureau's West Indian weather service at the turn of the twentieth century. The original impetus for expanding American meteorological infrastructure into the Caribbean in 1898 was to protect naval vessels from hurricanes, but what began as a measure of military security became, within a year, an instrument of economic expansion that extracted climatological data and produced agricultural reports for American investors. This article argues that the West Indian weather service was a project of imperial meteorology that sought to impose a rational scientific and bureaucratic order on a region that American officials considered racially and culturally inferior, yet relied on the labor of local observers and Cuban meteorological experts in order to do so. Weather reporting networks are examined as a material and symbolic extension of American technoscientific power into the Caribbean and as a knowledge infrastructure that linked the production of agricultural commodities in Cuba and Puerto Rico to the world of commodity exchange in the United States.\n
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\n \n\n \n \n \n \n \n Vagabonds and Paupers: Race and Illicit Mobility in the Early Republic.\n \n \n \n\n\n \n O'Brassill-Kulfan, K.\n\n\n \n\n\n\n Pennsylvania history, 83(4): 443–469. 2016.\n Publisher: Pennsylvania State University Press\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@article{obrassill-kulfan_vagabonds_2016,\n\ttitle = {Vagabonds and {Paupers}: {Race} and {Illicit} {Mobility} in the {Early} {Republic}},\n\tvolume = {83},\n\tissn = {0031-4528},\n\tshorttitle = {Vagabonds and {Paupers}},\n\tdoi = {10.5325/pennhistory.83.4.0443},\n\tabstract = {In the early republic, Pennsylvania and the surrounding Mid-Atlantic region was a vital space for wanderers, runaways, and migrants. Both under the law as well as on the road, fugitive slaves, pauper migrants, and vagrants shared much by way of identity and occupation. This article considers three key components of this relationship: legal connections that limited the movements of these groups, inherently similar corporeal experiences of transient poverty, and linkage in the public mind. Charting the transiency that former slaves and servants often undertook after leaving bondage reinforces these similarities, especially in light of contemporary associations between race and transiency and the subsequent criminalization of the freedom of movement for persons of color in varying stages of freedom. The imposition of personal status inherent in the category of vagrancy is illustrated in the ways in which individuals defined their own identities and were defined by the laws they encountered.},\n\tlanguage = {eng},\n\tnumber = {4},\n\tjournal = {Pennsylvania history},\n\tauthor = {O'Brassill-Kulfan, Kristin},\n\tyear = {2016},\n\tnote = {Publisher: Pennsylvania State University Press},\n\tkeywords = {19th century, African Americans, Almshouses, Fugitive slaves, History, Homelessness, Indentured servitude, Law and legislation, Pennsylvania, Poor, Poverty, Rogues and vagabonds, Runaway slaves, Slaves, Transiency, Vagrancy},\n\tpages = {443--469},\n}\n\n
\n
\n\n\n
\n In the early republic, Pennsylvania and the surrounding Mid-Atlantic region was a vital space for wanderers, runaways, and migrants. Both under the law as well as on the road, fugitive slaves, pauper migrants, and vagrants shared much by way of identity and occupation. This article considers three key components of this relationship: legal connections that limited the movements of these groups, inherently similar corporeal experiences of transient poverty, and linkage in the public mind. Charting the transiency that former slaves and servants often undertook after leaving bondage reinforces these similarities, especially in light of contemporary associations between race and transiency and the subsequent criminalization of the freedom of movement for persons of color in varying stages of freedom. The imposition of personal status inherent in the category of vagrancy is illustrated in the ways in which individuals defined their own identities and were defined by the laws they encountered.\n
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\n  \n 2015\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n The mind is a collection: case studies in eighteenth-century thought.\n \n \n \n\n\n \n Silver, S.\n\n\n \n\n\n\n of Material textsUniversity of Pennsylvania Press, Philadelphia, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{silver_mind_2015,\n\taddress = {Philadelphia},\n\tseries = {Material texts},\n\ttitle = {The mind is a collection: case studies in eighteenth-century thought},\n\tisbn = {978-0-8122-4726-8},\n\tshorttitle = {The mind is a collection},\n\tlanguage = {eng},\n\tpublisher = {University of Pennsylvania Press},\n\tauthor = {Silver, Sean},\n\tyear = {2015},\n\tkeywords = {17th century, 17th century\\$\\$QCollectors and collecting, 17th century\\$\\$QMuseums, 18th century, 18th century\\$\\$QCollectors and collecting, 18th century\\$\\$QMuseums, Case studies, Collectors and collecting, Curatorship, England, History, Imagination (Philosophy), Intellectual life, London, Museums},\n}\n\n
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\n \n\n \n \n \n \n \n The papers of Thomas A. Edison. Volume 8, New beginnings, January 1885-December 1887.\n \n \n \n\n\n \n Edison, T. A.\n\n\n \n\n\n\n Johns Hopkins University Press, Baltimore, Maryland, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{edison_papers_2015,\n\taddress = {Baltimore, Maryland},\n\ttitle = {The papers of {Thomas} {A}. {Edison}. {Volume} 8, {New} beginnings, {January} 1885-{December} 1887},\n\tisbn = {978-1-4214-4229-7},\n\tabstract = {Two decades after the American Civil War, no name was more closely associated with the nation's inventive and entrepreneurial spirit than that of Thomas Edison. The restless changes of those years were reflected in the life of America's foremost inventor. Having cemented his reputation with his electric lighting system, Edison had decided to withdraw partially from that field. At the start of 1885, newly widowed at mid-life with three young children, he launched into a series of personal and professional migrations, setting in motion chains of events that would influence his work and fundamentally reshape his life. Edison's inventive activities took off in new directions, flowing between practical projects (such as wireless and high-capacity telegraph systems) and futuristic ones (exploring forms of electromagnetic energy and the convertibility of one to another). Inside of two years, he would travel widely, marry the daughter of a prominent industrialist and religious educator, leave New York City for a grand home in a sylvan suburb, and construct a winter laboratory and second home in Florida. Edison's family and interior life are remarkably visible at this moment; his papers include the only known diary in which he recorded personal thoughts and events. By 1887, the familiar rhythms of his life began to reassert themselves in his new settings; the family faded from view as he planned, built, and occupied a New Jersey laboratory complex befitting his status. The eighth volume of the series, New Beginnings includes 358 documents (chosen from among thousands) that are the most revealing and representative of Edison's work, life, and place in American culture in these years. Illustrated with hundreds of Edison's drawings, these documents are further illuminated by meticulous research on a wide range of sources, including the most recently digitized newspapers and journals of the day.},\n\tlanguage = {eng},\n\tpublisher = {Johns Hopkins University Press},\n\tauthor = {Edison, Thomas A.},\n\tcollaborator = {Weeks, Daniel J. and Rimer, Alexandra R. and Collins, Theresa M. and Carlat, Louis E. and Israel, Paul},\n\tyear = {2015},\n\tkeywords = {Archives, Biography, Biography: science, technology \\& medicine, Edison, Thomas A (Thomas Alva), 1847-1931, Edison, Thomas A (Thomas Alva), 1847-1931\\$\\$QEdison, Thomas A (Thomas Alva), 1847-1931, Inventors, United States, United States\\$\\$QInventors},\n}\n\n
\n
\n\n\n
\n Two decades after the American Civil War, no name was more closely associated with the nation's inventive and entrepreneurial spirit than that of Thomas Edison. The restless changes of those years were reflected in the life of America's foremost inventor. Having cemented his reputation with his electric lighting system, Edison had decided to withdraw partially from that field. At the start of 1885, newly widowed at mid-life with three young children, he launched into a series of personal and professional migrations, setting in motion chains of events that would influence his work and fundamentally reshape his life. Edison's inventive activities took off in new directions, flowing between practical projects (such as wireless and high-capacity telegraph systems) and futuristic ones (exploring forms of electromagnetic energy and the convertibility of one to another). Inside of two years, he would travel widely, marry the daughter of a prominent industrialist and religious educator, leave New York City for a grand home in a sylvan suburb, and construct a winter laboratory and second home in Florida. Edison's family and interior life are remarkably visible at this moment; his papers include the only known diary in which he recorded personal thoughts and events. By 1887, the familiar rhythms of his life began to reassert themselves in his new settings; the family faded from view as he planned, built, and occupied a New Jersey laboratory complex befitting his status. The eighth volume of the series, New Beginnings includes 358 documents (chosen from among thousands) that are the most revealing and representative of Edison's work, life, and place in American culture in these years. Illustrated with hundreds of Edison's drawings, these documents are further illuminated by meticulous research on a wide range of sources, including the most recently digitized newspapers and journals of the day.\n
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\n  \n 2013\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Taking liberties with the author selected essays from the English Institute.\n \n \n \n\n\n \n McGill, M. L.; and American Council of Learned Societies\n\n\n \n\n\n\n of English Institute publicationsEnglish Institute in collaboration with the American Council of Learned Societies, Cambridge, MA, 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{mcgill_taking_2013,\n\taddress = {Cambridge, MA},\n\tseries = {English {Institute} publications},\n\ttitle = {Taking liberties with the author selected essays from the {English} {Institute}},\n\tisbn = {978-0-9845562-4-3},\n\tlanguage = {eng},\n\tpublisher = {English Institute in collaboration with the American Council of Learned Societies},\n\tauthor = {McGill, Meredith L. and {American Council of Learned Societies}},\n\tyear = {2013},\n\tkeywords = {Authorship\\$\\$QAuthorship, History and criticism, Literature, Philosophy, Poststructuralism},\n}\n\n
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\n  \n 2012\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The Theorist's Mother.\n \n \n \n\n\n \n Parker, A.\n\n\n \n\n\n\n Duke University Press, Durham, NC, 2012.\n \n\n\n\n
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@book{parker_theorists_2012,\n\taddress = {Durham, NC},\n\ttitle = {The {Theorist}'s {Mother}},\n\tisbn = {978-0-8223-5218-1},\n\tnumber = {xvi, 182},\n\tpublisher = {Duke University Press},\n\tauthor = {Parker, Andrew},\n\tyear = {2012},\n\tdoi = {10.1215/9780822395270},\n\tkeywords = {1800-1899, Marxism, Scottish literature, Waverley novels, father-son relations, historical novel, motherhood, novel, philosophical approach, psychoanalytic theory},\n}\n\n
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\n  \n 2011\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n After sex?: on writing since queer theory.\n \n \n \n\n\n \n Halley, J. E.; and Parker, A.\n\n\n \n\n\n\n Duke University Press, Durham, NC, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@book{halley_after_2011,\n\taddress = {Durham, NC},\n\ttitle = {After sex?: on writing since queer theory},\n\tisbn = {978-0-8223-4886-3},\n\tshorttitle = {After sex?},\n\tlanguage = {eng},\n\tpublisher = {Duke University Press},\n\tauthor = {Halley, Janet E. and Parker, Andrew},\n\tyear = {2011},\n\tkeywords = {Homosexuality in literature, Queer theory, Sexual orientation in literature},\n}\n\n
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\n  \n 2010\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n Edison's electric light: the art of invention.\n \n \n \n\n\n \n Friedel, R. D.; and Israel, P.\n\n\n \n\n\n\n of Johns Hopkins introductory studies in the history of technologyJohns Hopkins University Press, Baltimore, [John Hopkins ed.]. edition, 2010.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@book{friedel_edisons_2010,\n\taddress = {Baltimore},\n\tedition = {[John Hopkins ed.].},\n\tseries = {Johns {Hopkins} introductory studies in the history of technology},\n\ttitle = {Edison's electric light: the art of invention},\n\tisbn = {978-0-8018-9482-4},\n\tshorttitle = {Edison's electric light},\n\tlanguage = {eng},\n\tpublisher = {Johns Hopkins University Press},\n\tauthor = {Friedel, Robert D. and Israel, Paul},\n\tcollaborator = {Finn, Bernard S.},\n\tyear = {2010},\n\tkeywords = {Edison, Thomas A (Thomas Alva), 1847-1931, History, Incandescent lamps, Inventors, United States},\n}\n\n
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\n \n\n \n \n \n \n \n The Poetry of the Future; or, Periodizing the Nineteenth Century.\n \n \n \n\n\n \n Parker, A.\n\n\n \n\n\n\n Modern Language Quarterly, 71(1): 75–85. 2010.\n Place: Seattle Publisher: Duke University Press, NC & IL\n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@article{parker_poetry_2010,\n\ttitle = {The {Poetry} of the {Future}; or, {Periodizing} the {Nineteenth} {Century}},\n\tvolume = {71},\n\tissn = {0026-7929},\n\tdoi = {10.1215/00267929-2009-022},\n\tabstract = {For the philosopher Alain Badiou, everything depends on putting an end to the nineteenth century. If, Badiou contends, philosophy is to have any future that is properly its own, then it needs to take its distance from the unhappy romanticism of the nineteenth century, the era in which philosophy's singular mission--the thinking of thought itself--was handed over for safekeeping to poetry. Throughout the period that Badiou calls "the Age of Poets," when philosophy became ensnared by the sciences (positivism) and/or politics (Marxism), poetry assumed certain of philosophy's functions in offering itself as a locus of language wherein a proposition about being and about time could be uniquely entertained. Here, Parker addresses whether poetry had any future. He argues that in Walt Whitman's little-known essay "The Poetry of the Future," in Arthur Rimbaud's celebrated "Voyant" letter to Paul Demeny, and in a famous passage near the beginning of Karl Marx's Eighteenth Brumaire of Louis Bonaparte,...},\n\tlanguage = {eng},\n\tnumber = {1},\n\tjournal = {Modern Language Quarterly},\n\tauthor = {Parker, Andrew},\n\tyear = {2010},\n\tnote = {Place: Seattle\nPublisher: Duke University Press, NC \\& IL},\n\tkeywords = {Marx, Karl ; Rimbaud, Jean Nicholas Arthur (1854-1891) ; Whitman, Walt (1819-1892) ; Poetry ; Literary Criticism ; Literature ; Poets ; Positivism ; Poetry ; 19th Century ; Politics ; Philosophy of Language},\n\tpages = {75--85},\n}\n\n
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\n For the philosopher Alain Badiou, everything depends on putting an end to the nineteenth century. If, Badiou contends, philosophy is to have any future that is properly its own, then it needs to take its distance from the unhappy romanticism of the nineteenth century, the era in which philosophy's singular mission–the thinking of thought itself–was handed over for safekeeping to poetry. Throughout the period that Badiou calls \"the Age of Poets,\" when philosophy became ensnared by the sciences (positivism) and/or politics (Marxism), poetry assumed certain of philosophy's functions in offering itself as a locus of language wherein a proposition about being and about time could be uniquely entertained. Here, Parker addresses whether poetry had any future. He argues that in Walt Whitman's little-known essay \"The Poetry of the Future,\" in Arthur Rimbaud's celebrated \"Voyant\" letter to Paul Demeny, and in a famous passage near the beginning of Karl Marx's Eighteenth Brumaire of Louis Bonaparte,...\n
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\n  \n 2009\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Impossible Speech Acts: Jacques Rancière's Erich Auerbach.\n \n \n \n\n\n \n Parker, A.\n\n\n \n\n\n\n In Rockhill, G.; and Watts, P., editor(s), Jacques Rancière: History, Politics, Aesthetics, pages 249–257. Duke University Press, Durham, NC, 2009.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@incollection{parker_impossible_2009,\n\taddress = {Durham, NC},\n\ttitle = {Impossible {Speech} {Acts}: {Jacques} {Rancière}'s {Erich} {Auerbach}},\n\tisbn = {978-0-8223-4506-0},\n\tshorttitle = {Impossible {Speech} {Acts}},\n\tbooktitle = {Jacques {Rancière}: {History}, {Politics}, {Aesthetics}},\n\tpublisher = {Duke University Press},\n\tauthor = {Parker, Andrew},\n\teditor = {Rockhill, Gabriel and Watts, Philip},\n\tyear = {2009},\n\tkeywords = {1900-1999, German literature, Jewish critics in exile, criticism},\n\tpages = {249--257},\n}\n\n
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\n  \n 2008\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The traffic in poems: nineteenth-century poetry and transatlantic exchange.\n \n \n \n\n\n \n McGill, M. L.\n\n\n \n\n\n\n Rutgers University Press, New Brunswick, N.J, 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n 
@book{mcgill_traffic_2008,\n\taddress = {New Brunswick, N.J},\n\ttitle = {The traffic in poems: nineteenth-century poetry and transatlantic exchange},\n\tisbn = {978-0-8135-4229-4},\n\tshorttitle = {The traffic in poems},\n\tlanguage = {eng},\n\tpublisher = {Rutgers University Press},\n\tauthor = {McGill, Meredith L.},\n\tyear = {2008},\n\tkeywords = {19th century, American and English, American influences, American poetry, Comparative literature, English and American, English influences, English poetry, History and criticism},\n}\n\n
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\n  \n 2007\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n American literature and the culture of reprinting, 1834-1853.\n \n \n \n\n\n \n McGill, M. L.\n\n\n \n\n\n\n of Material textsUniversity of Pennsylvania Press, Philadelphia, 2007.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{mcgill_american_2007,\n\taddress = {Philadelphia},\n\tseries = {Material texts},\n\ttitle = {American literature and the culture of reprinting, 1834-1853},\n\tisbn = {978-0-8122-0974-7},\n\tabstract = {The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850's. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.},\n\tlanguage = {eng},\n\tpublisher = {University of Pennsylvania Press},\n\tauthor = {McGill, Meredith L.},\n\tyear = {2007},\n\tdoi = {10.9783/9780812209747},\n\tkeywords = {19th century, American History, American Studies, American literature, Authors and publishers, Copyright, Cultural Studies, Dickens, Charles, 1812-1870, Hawthorne, Nathaniel, 1804-1864, History, History and criticism, Library Science and Publishing, Literature, Literature publishing, Poe, Edgar Allan, 1809-1849, Relations with publishers, United States},\n}\n\n
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\n\n\n
\n The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American \"culture of reprinting\" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850's. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.\n
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\n  \n 1998\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Edison: a life of invention.\n \n \n \n\n\n \n Israel, P.\n\n\n \n\n\n\n John Wiley, New York, 1998.\n \n\n\n\n
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@book{israel_edison_1998,\n\taddress = {New York},\n\ttitle = {Edison: a life of invention},\n\tisbn = {978-0-471-52942-2},\n\tshorttitle = {Edison},\n\tlanguage = {eng},\n\tpublisher = {John Wiley},\n\tauthor = {Israel, Paul},\n\tyear = {1998},\n\tkeywords = {Edison, Thomas A (Thomas Alva), 1847-1931, Inventors, United States},\n}\n\n
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\n  \n 1992\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n From machine shop to industrial laboratory: telegraphy and the changing context of American invention, 1830-1920.\n \n \n \n\n\n \n Israel, P.\n\n\n \n\n\n\n of Johns Hopkins studies in the history of technology ; new ser., no. 14Johns Hopkins University Press, Baltimore, 1992.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{israel_machine_1992,\n\taddress = {Baltimore},\n\tseries = {Johns {Hopkins} studies in the history of technology ; new ser., no. 14},\n\ttitle = {From machine shop to industrial laboratory: telegraphy and the changing context of {American} invention, 1830-1920},\n\tisbn = {978-0-8018-4379-2},\n\tshorttitle = {From machine shop to industrial laboratory},\n\tlanguage = {eng},\n\tpublisher = {Johns Hopkins University Press},\n\tauthor = {Israel, Paul},\n\tyear = {1992},\n\tkeywords = {History, Inventions, Technology, Telegraph, United States},\n}\n\n
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