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\n  \n 2020\n \n \n (12)\n \n \n
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\n \n\n \n \n \n \n \n \n Towards Long-term and Archivable Reproducibility.\n \n \n \n \n\n\n \n Akhlaghi, M.; Infante-Sainz, R.; Roukema, B. F.; Valls-Gabaud, D.; and Baena-Gallé, R.\n\n\n \n\n\n\n . June 2020.\n \n\n\n\n
\n\n\n\n \n \n \"TowardsPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 5 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{akhlaghi_towards_2020,\n\ttitle = {Towards {Long}-term and {Archivable} {Reproducibility}},\n\turl = {http://arxiv.org/abs/2006.03018v1},\n\tabstract = {Reproducible workflow solutions commonly use high-level technologies that\nwere popular when they were created, providing an immediate solution which is\nunlikely to be sustainable in the long term. We therefore introduce a set of\ncriteria to address this problem and demonstrate their practicality and\nimplementation. The criteria have been tested in several research publications\nand can be summarized as: completeness (no dependency beyond a POSIX-compatible\noperating system, no administrator privileges, no network connection and\nstorage primarily in plain text); modular design; minimal complexity;\nscalability; verifiable inputs and outputs; temporal provenance; linking\nanalysis with narrative; and free-and-open-source software. As a proof of\nconcept, we have implemented "Maneage", a solution which stores the project in\nmachine-actionable and human-readable plain-text, enables version-control,\ncheap archiving, automatic parsing to extract data provenance, and\npeer-reviewable verification. We show that requiring longevity of a\nreproducible workflow solution is realistic, without sacrificing immediate or\nshort-term reproducibility and discuss the benefits of the criteria for\nscientific progress. This paper has itself been written in Maneage, with\nsnapshot 1637cce.},\n\tlanguage = {en},\n\turldate = {2020-06-09},\n\tauthor = {Akhlaghi, Mohammad and Infante-Sainz, Raúl and Roukema, Boudewijn F. and Valls-Gabaud, David and Baena-Gallé, Roberto},\n\tmonth = jun,\n\tyear = {2020},\n}\n\n
\n
\n\n\n
\n Reproducible workflow solutions commonly use high-level technologies that were popular when they were created, providing an immediate solution which is unlikely to be sustainable in the long term. We therefore introduce a set of criteria to address this problem and demonstrate their practicality and implementation. The criteria have been tested in several research publications and can be summarized as: completeness (no dependency beyond a POSIX-compatible operating system, no administrator privileges, no network connection and storage primarily in plain text); modular design; minimal complexity; scalability; verifiable inputs and outputs; temporal provenance; linking analysis with narrative; and free-and-open-source software. As a proof of concept, we have implemented \"Maneage\", a solution which stores the project in machine-actionable and human-readable plain-text, enables version-control, cheap archiving, automatic parsing to extract data provenance, and peer-reviewable verification. We show that requiring longevity of a reproducible workflow solution is realistic, without sacrificing immediate or short-term reproducibility and discuss the benefits of the criteria for scientific progress. This paper has itself been written in Maneage, with snapshot 1637cce.\n
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\n \n\n \n \n \n \n \n \n karida leigh on Twitter: \"Being told by white faculty that my dissertation using oral history to examine Black subjectivity was “not sociology” and having to change my dissertation chair because of my choice to continue with the project. Then winning the ASA best dissertation award. #BlackintheIvory\" / Twitter.\n \n \n \n \n\n\n \n Leigh, K.\n\n\n \n\n\n\n June 2020.\n \n\n\n\n
\n\n\n\n \n \n \"karidaPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{leigh_karida_2020,\n\ttitle = {karida leigh on {Twitter}: "{Being} told by white faculty that my dissertation using oral history to examine {Black} subjectivity was “not sociology” and having to change my dissertation chair because of my choice to continue with the project. {Then} winning the {ASA} best dissertation award. \\#{BlackintheIvory}" / {Twitter}},\n\tshorttitle = {karida leigh on {Twitter}},\n\turl = {https://twitter.com/karida_leigh/status/1269965440522039298},\n\tlanguage = {en},\n\turldate = {2020-06-08},\n\tjournal = {Twitter},\n\tauthor = {Leigh, Karida},\n\tmonth = jun,\n\tyear = {2020},\n}\n\n
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\n \n\n \n \n \n \n \n \n The open podcast ecosystem is dying — here’s how to save it.: It’s time to compete. Not complain.\n \n \n \n \n\n\n \n Baschez, N.\n\n\n \n\n\n\n May 2020.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{baschez_open_2020,\n\ttitle = {The open podcast ecosystem is dying — here’s how to save it.: {It}’s time to compete. {Not} complain.},\n\turl = {https://divinations.substack.com/p/the-open-podcast-ecosystem-is-dying},\n\tabstract = {Years from now, we’ll look back on this week's exclusivity agreement between Spotify and Joe Rogan as a turning point for podcasting. \n\nMost likely, this deal will come to symbolize the moment when the open, RSS-based podcast ecosystem began to collapse. It’s a nightmare scenario for people like Overcast’s founder Marco Arment who depend on open podcasting.},\n\tjournal = {Divinations},\n\tauthor = {Baschez, Nathan},\n\tmonth = may,\n\tyear = {2020},\n}\n\n
\n
\n\n\n
\n Years from now, we’ll look back on this week's exclusivity agreement between Spotify and Joe Rogan as a turning point for podcasting. Most likely, this deal will come to symbolize the moment when the open, RSS-based podcast ecosystem began to collapse. It’s a nightmare scenario for people like Overcast’s founder Marco Arment who depend on open podcasting.\n
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\n \n\n \n \n \n \n \n \n Invest 5% of research funds in ensuring data are reusable.\n \n \n \n \n\n\n \n Mons, B.\n\n\n \n\n\n\n Nature, 578(7796): 491–491. February 2020.\n \n\n\n\n
\n\n\n\n \n \n \"InvestPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{mons_invest_2020,\n\ttitle = {Invest 5\\% of research funds in ensuring data are reusable},\n\tvolume = {578},\n\tcopyright = {2020 Nature},\n\turl = {https://www.nature.com/articles/d41586-020-00505-7},\n\tdoi = {10.1038/d41586-020-00505-7},\n\tabstract = {It is irresponsible to support research but not data stewardship, says Barend Mons.},\n\tlanguage = {en},\n\tnumber = {7796},\n\turldate = {2020-03-02},\n\tjournal = {Nature},\n\tauthor = {Mons, Barend},\n\tmonth = feb,\n\tyear = {2020},\n\tpages = {491--491},\n}\n\n
\n
\n\n\n
\n It is irresponsible to support research but not data stewardship, says Barend Mons.\n
\n\n\n
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\n \n\n \n \n \n \n \n \n Persistent identifiers for heritage objects.\n \n \n \n \n\n\n \n Koster, L.\n\n\n \n\n\n\n The Code4Lib Journal, (47). February 2020.\n \n\n\n\n
\n\n\n\n \n \n \"PersistentPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{koster_persistent_2020,\n\ttitle = {Persistent identifiers for heritage objects},\n\tissn = {1940-5758},\n\turl = {https://journal.code4lib.org/articles/14978},\n\tabstract = {Persistent identifiers (PID’s) are essential for getting access and referring to library, archive and museum (LAM) collection objects in a sustainable and unambiguous way, both internally and externally. Heritage institutions need a universal policy for the use of PID’s in order to have an efficient digital infrastructure at their disposal and to achieve optimal interoperability, leading to open data, open collections and efficient resource management., Here the discussion is limited to PID’s that institutions can assign to objects they own or administer themselves. PID’s for people, subjects etc. can be used by heritage institutions, but are generally managed by other parties., The first part of this article consists of a general theoretical description of persistent identifiers. First of all, I discuss the questions of what persistent identifiers are and what they are not, and what is needed to administer and use them. The most commonly used existing PID systems are briefly characterized. Then I discuss the types of objects PID’s can be assigned to. This section concludes with an overview of the requirements that apply if PIDs should also be used for linked data., The second part examines current infrastructural practices, and existing PID systems and their advantages and shortcomings. Based on these practical issues and the pros and cons of existing PID systems a list of requirements for PID systems is presented which is used to address a number of practical considerations. This section concludes with a number of recommendations.},\n\tnumber = {47},\n\turldate = {2020-02-21},\n\tjournal = {The Code4Lib Journal},\n\tauthor = {Koster, Lukas},\n\tmonth = feb,\n\tyear = {2020},\n}\n\n
\n
\n\n\n
\n Persistent identifiers (PID’s) are essential for getting access and referring to library, archive and museum (LAM) collection objects in a sustainable and unambiguous way, both internally and externally. Heritage institutions need a universal policy for the use of PID’s in order to have an efficient digital infrastructure at their disposal and to achieve optimal interoperability, leading to open data, open collections and efficient resource management., Here the discussion is limited to PID’s that institutions can assign to objects they own or administer themselves. PID’s for people, subjects etc. can be used by heritage institutions, but are generally managed by other parties., The first part of this article consists of a general theoretical description of persistent identifiers. First of all, I discuss the questions of what persistent identifiers are and what they are not, and what is needed to administer and use them. The most commonly used existing PID systems are briefly characterized. Then I discuss the types of objects PID’s can be assigned to. This section concludes with an overview of the requirements that apply if PIDs should also be used for linked data., The second part examines current infrastructural practices, and existing PID systems and their advantages and shortcomings. Based on these practical issues and the pros and cons of existing PID systems a list of requirements for PID systems is presented which is used to address a number of practical considerations. This section concludes with a number of recommendations.\n
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\n \n\n \n \n \n \n \n \n Will Spotify Ruin Podcasting?.\n \n \n \n \n\n\n \n Stoller, M.\n\n\n \n\n\n\n February 2020.\n \n\n\n\n
\n\n\n\n \n \n \"WillPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{stoller_will_2020,\n\ttitle = {Will {Spotify} {Ruin} {Podcasting}?},\n\turl = {https://mattstoller.substack.com/p/will-spotify-ruin-podcasting},\n\tabstract = {Hi, Welcome to BIG, a newsletter about the politics of monopoly. If you’d like to sign up, you can do so here. Or just read on… Today I’m going to write about podcasting, with some observations on how a media market that is far healthier than online publishing functions. But first, a quick update on},\n\turldate = {2020-02-10},\n\tjournal = {BIG},\n\tauthor = {Stoller, Matt},\n\tmonth = feb,\n\tyear = {2020},\n}\n\n
\n
\n\n\n
\n Hi, Welcome to BIG, a newsletter about the politics of monopoly. If you’d like to sign up, you can do so here. Or just read on… Today I’m going to write about podcasting, with some observations on how a media market that is far healthier than online publishing functions. But first, a quick update on\n
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\n \n\n \n \n \n \n \n \n mnylc/preservethispodcast.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n January 2020.\n original-date: 2018-08-21T19:34:22Z\n\n\n\n
\n\n\n\n \n \n \"mnylc/preservethispodcastPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_mnylcpreservethispodcast_2020,\n\ttitle = {mnylc/preservethispodcast},\n\tcopyright = {MIT},\n\turl = {https://github.com/mnylc/preservethispodcast},\n\tabstract = {This is the codebase for the Preserve This Podcast website and podcast RSS feed.},\n\turldate = {2020-01-27},\n\tpublisher = {METRO},\n\tmonth = jan,\n\tyear = {2020},\n\tnote = {original-date: 2018-08-21T19:34:22Z},\n}\n\n
\n
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\n This is the codebase for the Preserve This Podcast website and podcast RSS feed.\n
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\n \n\n \n \n \n \n \n \n Ranked: The World’s Most Downloaded Apps.\n \n \n \n \n\n\n \n Jones, K.\n\n\n \n\n\n\n January 2020.\n \n\n\n\n
\n\n\n\n \n \n \"Ranked:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{jones_ranked_2020,\n\ttitle = {Ranked: {The} {World}’s {Most} {Downloaded} {Apps}},\n\tshorttitle = {Ranked},\n\turl = {https://www.visualcapitalist.com/ranked-most-downloaded-apps/},\n\tabstract = {The app economy is expected to be over \\$6 trillion by 2021—see the world's most downloaded apps and how they're driving the future of this market.},\n\tlanguage = {en-US},\n\turldate = {2020-01-27},\n\tjournal = {Visual Capitalist},\n\tauthor = {Jones, Katie},\n\tmonth = jan,\n\tyear = {2020},\n}\n\n
\n
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\n The app economy is expected to be over $6 trillion by 2021—see the world's most downloaded apps and how they're driving the future of this market.\n
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\n \n\n \n \n \n \n \n \n Why High-end Podcasts Reduce the Bass in their Audio.\n \n \n \n \n\n\n \n Miessler, D.\n\n\n \n\n\n\n January 2020.\n \n\n\n\n
\n\n\n\n \n \n \"WhyPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{miessler_why_2020,\n\ttitle = {Why {High}-end {Podcasts} {Reduce} the {Bass} in their {Audio}},\n\turl = {https://danielmiessler.com/blog/why-high-end-podcasts-reduce-the-bass-in-their-audio/},\n\tabstract = {I've been podcasting for around 5 years now, and at some point in the process, I became obsessed with mics and sound and recording. For a while I used an},\n\tlanguage = {en-US},\n\turldate = {2020-01-14},\n\tjournal = {Daniel Miessler},\n\tauthor = {Miessler, Daniel},\n\tmonth = jan,\n\tyear = {2020},\n}\n\n
\n
\n\n\n
\n I've been podcasting for around 5 years now, and at some point in the process, I became obsessed with mics and sound and recording. For a while I used an\n
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\n \n\n \n \n \n \n \n \n Max Bertolero on Twitter: \"I wish science papers were also available in podcast format, where the authors shoot the shit about why they did what they did, what they found, and what they are doing next.\" / Twitter.\n \n \n \n \n\n\n \n Bertolero, M.\n\n\n \n\n\n\n January 2020.\n \n\n\n\n
\n\n\n\n \n \n \"MaxPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{bertolero_max_2020,\n\ttitle = {Max {Bertolero} on {Twitter}: "{I} wish science papers were also available in podcast format, where the authors shoot the shit about why they did what they did, what they found, and what they are doing next." / {Twitter}},\n\tshorttitle = {Max {Bertolero} on {Twitter}},\n\turl = {https://twitter.com/max_bertolero/status/1215067675216547840},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tjournal = {Twitter},\n\tauthor = {Bertolero, Max},\n\tmonth = jan,\n\tyear = {2020},\n}\n\n
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\n \n\n \n \n \n \n \n \n How To Host A Podcast For 25 Cents A Month!.\n \n \n \n \n\n\n \n Brenner, M.\n\n\n \n\n\n\n 2020.\n https://www.michellebrenner.com/media/from-the-source-podcast/\n\n\n\n
\n\n\n\n \n \n \"HowPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{brenner_how_2020,\n\taddress = {Santa Cruz, CA},\n\ttitle = {How {To} {Host} {A} {Podcast} {For} 25 {Cents} {A} {Month}!},\n\turl = {http://bangbangcon.com/west/speakers/},\n\tabstract = {Want to host a podcast, but don’t know where to start? I have answers!! Last year I launched From The Source, where I interview unsung people in tech with amazing stories. Hosting involves three major components: an XML file with episode details, mp3 storage, and metrics on your listeners. In this talk, I’ll go over all the AWS tools and Python scripts I used so I could own my data and not incur hefty hosting fees.\n\nDuring this talk, I will be creating a fresh podcast from scratch, with only a few pre-prepared items like any good cooking show. Together we’ll upload the MP3 file to S3 and then create an XML file and upload that as well. You can then pull the feed onto your phone using any podcast app and download the episode. After we download the episode, we can parse the S3 logs using Athena to see who has been listening. And finally, I’ll show you a bonus script that helps with the worst part of hosting a podcast: editing.\n\nAt the end of the talk, all you’ll need to worry about is which story you want to tell on your own podcast.},\n\turldate = {2020-01-20},\n\tauthor = {Brenner, Michelle},\n\tyear = {2020},\n\tnote = {https://www.michellebrenner.com/media/from-the-source-podcast/},\n}\n\n
\n
\n\n\n
\n Want to host a podcast, but don’t know where to start? I have answers!! Last year I launched From The Source, where I interview unsung people in tech with amazing stories. Hosting involves three major components: an XML file with episode details, mp3 storage, and metrics on your listeners. In this talk, I’ll go over all the AWS tools and Python scripts I used so I could own my data and not incur hefty hosting fees. During this talk, I will be creating a fresh podcast from scratch, with only a few pre-prepared items like any good cooking show. Together we’ll upload the MP3 file to S3 and then create an XML file and upload that as well. You can then pull the feed onto your phone using any podcast app and download the episode. After we download the episode, we can parse the S3 logs using Athena to see who has been listening. And finally, I’ll show you a bonus script that helps with the worst part of hosting a podcast: editing. At the end of the talk, all you’ll need to worry about is which story you want to tell on your own podcast.\n
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\n \n\n \n \n \n \n \n \n Free Podcasting with Archive.org/Wordpress.\n \n \n \n \n\n\n \n Apantaku, E.\n\n\n \n\n\n\n January 2020.\n \n\n\n\n
\n\n\n\n \n \n \"FreePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{apantaku_free_2020,\n\ttitle = {Free {Podcasting} with {Archive}.org/{Wordpress}},\n\turl = {https://static1.squarespace.com/static/5cf080de3fd0800001f2018b/t/5e1f5af0899f6c401524903b/1579113200774/Free+Podcasting+with+Archive.org_Wordpress.pdf},\n\tabstract = {resource guide for the process of hosting podcast episodes and generating an RSS feed for free. please share widely so folks can make a podcast without having to pay some company money!},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tauthor = {Apantaku, Erisa},\n\tmonth = jan,\n\tyear = {2020},\n}\n\n
\n
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\n resource guide for the process of hosting podcast episodes and generating an RSS feed for free. please share widely so folks can make a podcast without having to pay some company money!\n
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\n  \n 2019\n \n \n (18)\n \n \n
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\n \n\n \n \n \n \n \n \n The new era of audio and media consumption.\n \n \n \n \n\n\n \n , H.\n\n\n \n\n\n\n November 2019.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_new_2019,\n\ttitle = {The new era of audio and media consumption},\n\turl = {https://radioinfo.com.au/news/new-era-audio-and-media-consumption},\n\turldate = {2019-11-12},\n\tjournal = {radioinfo},\n\tauthor = {, Hannah},\n\tmonth = nov,\n\tyear = {2019},\n}\n\n
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\n \n\n \n \n \n \n \n \n STS Podcasts Playlist.\n \n \n \n \n\n\n \n Feshak, V.\n\n\n \n\n\n\n November 2019.\n \n\n\n\n
\n\n\n\n \n \n \"STSPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{feshak_sts_2019,\n\ttitle = {{STS} {Podcasts} {Playlist}},\n\turl = {https://ethos.itu.dk/2019/11/25/sts-podcasts-playlist/},\n\tabstract = {STS Podcasts Playlist Blogpost and artwork by Viktoriya Feshak Today, many STS scholars challenge current methods of storytelling practices and knowledge dissemination in general for being limited in describing things that are complex, messy, diffuse, vague or emotional... Yet, the challenge is not only to represent complex phenomena, but to include voices that should be…},\n\tlanguage = {en-US},\n\turldate = {2020-05-18},\n\tjournal = {ETHOS},\n\tauthor = {Feshak, Viktoriya},\n\tmonth = nov,\n\tyear = {2019},\n}\n\n
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\n STS Podcasts Playlist Blogpost and artwork by Viktoriya Feshak Today, many STS scholars challenge current methods of storytelling practices and knowledge dissemination in general for being limited in describing things that are complex, messy, diffuse, vague or emotional... Yet, the challenge is not only to represent complex phenomena, but to include voices that should be…\n
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\n \n\n \n \n \n \n \n \n Top 100 Apps Of 2019: Netflix, Uber, Spotify, Google Pay, Wish, And More.\n \n \n \n \n\n\n \n Koetsier, J.\n\n\n \n\n\n\n December 2019.\n \n\n\n\n
\n\n\n\n \n \n \"TopPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{koetsier_top_2019,\n\ttitle = {Top 100 {Apps} {Of} 2019: {Netflix}, {Uber}, {Spotify}, {Google} {Pay}, {Wish}, {And} {More}},\n\tshorttitle = {Top 100 {Apps} {Of} 2019},\n\turl = {https://www.forbes.com/sites/johnkoetsier/2020/12/30/top-100-apps-of-2019-netflix-uber-spotify-google-pay-wish-and-more/},\n\tabstract = {Shocker: PUBG and Fortnite are not the most popular battle royale games ...},\n\tlanguage = {en},\n\turldate = {2020-02-18},\n\tjournal = {Forbes},\n\tauthor = {Koetsier, John},\n\tmonth = dec,\n\tyear = {2019},\n}\n\n
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\n Shocker: PUBG and Fortnite are not the most popular battle royale games ...\n
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\n \n\n \n \n \n \n \n \n What is this Group of Podcasts Called?.\n \n \n \n \n\n\n \n Multitude\n\n\n \n\n\n\n September 2019.\n \n\n\n\n
\n\n\n\n \n \n \"WhatPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{multitude_what_2019,\n\ttitle = {What is this {Group} of {Podcasts} {Called}?},\n\turl = {https://medium.com/@multitude/podcast-networks-studios-platforms-collectives-c898ff7528d9},\n\tabstract = {Podcast networks, studios, platforms, and collectives explained.},\n\tlanguage = {en},\n\turldate = {2020-02-09},\n\tjournal = {Medium},\n\tauthor = {Multitude},\n\tmonth = sep,\n\tyear = {2019},\n}\n\n
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\n Podcast networks, studios, platforms, and collectives explained.\n
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\n \n\n \n \n \n \n \n \n The PodcastRE Project: Curating and Preserving Podcasts (and Their Data).\n \n \n \n \n\n\n \n Morris, J. W.; Hansen, S.; and Hoyt, E.\n\n\n \n\n\n\n Journal of Radio & Audio Media, 26(1): 8–20. January 2019.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{morris_podcastre_2019,\n\ttitle = {The {PodcastRE} {Project}: {Curating} and {Preserving} {Podcasts} (and {Their} {Data})},\n\tvolume = {26},\n\tissn = {1937-6529},\n\tshorttitle = {The {PodcastRE} {Project}},\n\turl = {https://doi.org/10.1080/19376529.2019.1559550},\n\tdoi = {10.1080/19376529.2019.1559550},\n\tnumber = {1},\n\turldate = {2020-01-20},\n\tjournal = {Journal of Radio \\& Audio Media},\n\tauthor = {Morris, Jeremy Wade and Hansen, Samuel and Hoyt, Eric},\n\tmonth = jan,\n\tyear = {2019},\n\tpages = {8--20},\n}\n\n
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\n \n\n \n \n \n \n \n \n VIDEO: Diversity In Podcasting: Women In Their Own Words.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n March 2019.\n \n\n\n\n
\n\n\n\n \n \n \"VIDEO:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_video_2019,\n\ttitle = {{VIDEO}: {Diversity} {In} {Podcasting}: {Women} {In} {Their} {Own} {Words}},\n\tshorttitle = {{VIDEO}},\n\turl = {https://www.wbur.org/events/454878/diversity-in-podcasting-women-in-their-own-words},\n\tlanguage = {en},\n\turldate = {2019-11-30},\n\tmonth = mar,\n\tyear = {2019},\n}\n\n
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\n \n\n \n \n \n \n \n \n The Digital Documentation Process.\n \n \n \n \n\n\n \n Morreale, L.\n\n\n \n\n\n\n January 2019.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{morreale_digital_2019,\n\ttitle = {The {Digital} {Documentation} {Process}},\n\turl = {https://digitalhumanitiesddp.com/},\n\tabstract = {This website will serve as a guide to the Digital Documentation Process (DDP), a set of best practices for cataloguing and preserving digital projects. The DDP makes digital humanities (DH) scholarship findable and citable for all scholars, stores and makes available durable versions of digital objects created in DH work, and facilitates a suite of …},\n\tlanguage = {en-US},\n\turldate = {2020-01-08},\n\tjournal = {The Digital Documentation Process},\n\tauthor = {Morreale, Laura},\n\tmonth = jan,\n\tyear = {2019},\n}\n\n
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\n This website will serve as a guide to the Digital Documentation Process (DDP), a set of best practices for cataloguing and preserving digital projects. The DDP makes digital humanities (DH) scholarship findable and citable for all scholars, stores and makes available durable versions of digital objects created in DH work, and facilitates a suite of …\n
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\n \n\n \n \n \n \n \n \n Everyone is admitting what they get paid to work in journalism.\n \n \n \n \n\n\n \n Ingram, M.\n\n\n \n\n\n\n November 2019.\n \n\n\n\n
\n\n\n\n \n \n \"EveryonePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{ingram_everyone_2019,\n\ttitle = {Everyone is admitting what they get paid to work in journalism},\n\turl = {https://www.cjr.org/cjr_outbox/google-doc-journalism-media-pay.php},\n\tabstract = {When journalists want to talk among themselves about something difficult, the anonymous Google Doc seems to have become the mechanism. First there was the “Shitty Media Men” document, which was circulated in 2017, and eventually grew into a long list of alleged sexual harassers, working at some of the leading media outlets in the country. […]},\n\tlanguage = {en},\n\turldate = {2019-11-14},\n\tjournal = {Columbia Journalism Review},\n\tauthor = {Ingram, Mathew},\n\tmonth = nov,\n\tyear = {2019},\n}\n\n
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\n\n\n
\n When journalists want to talk among themselves about something difficult, the anonymous Google Doc seems to have become the mechanism. First there was the “Shitty Media Men” document, which was circulated in 2017, and eventually grew into a long list of alleged sexual harassers, working at some of the leading media outlets in the country. […]\n
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\n \n\n \n \n \n \n \n \n An Oral History of LimeWire: The Little App That Changed the Music Industry Forever.\n \n \n \n \n\n\n \n Myers, Q.\n\n\n \n\n\n\n November 2019.\n \n\n\n\n
\n\n\n\n \n \n \"AnPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{myers_oral_2019,\n\ttitle = {An {Oral} {History} of {LimeWire}: {The} {Little} {App} {That} {Changed} the {Music} {Industry} {Forever}},\n\tshorttitle = {An {Oral} {History} of {LimeWire}},\n\turl = {https://melmagazine.com/en-us/story/an-oral-history-of-limewire-the-little-app-that-changed-the-music-industry-forever},\n\tabstract = {In 2001, the internet’s premier file-sharing service Napster was shut down after just two years, leaving a giant vacuum in the ever-expanding peer-to-peer file-sharing space....},\n\tlanguage = {en-US},\n\turldate = {2019-11-10},\n\tjournal = {MEL Magazine},\n\tauthor = {Myers, Quinn},\n\tmonth = nov,\n\tyear = {2019},\n}\n\n
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\n In 2001, the internet’s premier file-sharing service Napster was shut down after just two years, leaving a giant vacuum in the ever-expanding peer-to-peer file-sharing space....\n
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\n \n\n \n \n \n \n \n \n Who Tells the Story of Our Future? \\textbar Werk It: The Podcast.\n \n \n \n \n\n\n \n Todd, B.; Jeff, J.; Muhmmad, N. “.; and Riddell, S.\n\n\n \n\n\n\n January 2019.\n \n\n\n\n
\n\n\n\n \n \n \"WhoPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
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@misc{todd_who_2019,\n\ttitle = {Who {Tells} the {Story} of {Our} {Future}? {\\textbar} {Werk} {It}: {The} {Podcast}},\n\tshorttitle = {Who {Tells} the {Story} of {Our} {Future}?},\n\turl = {https://www.wnycstudios.org/story/who-tells-story-our-future-werk-it-2018},\n\tabstract = {Four podcasters of color talk about how to make science and tech podcasts are more inclusive for both creators and listeners.},\n\tlanguage = {en},\n\turldate = {2019-07-16},\n\tjournal = {WNYC Studios},\n\tauthor = {Todd, Brigdet and Jeff, Janina and Muhmmad, Naima “Queen” and Riddell, Sam},\n\tmonth = jan,\n\tyear = {2019},\n\tkeywords = {PodcastHistory},\n}\n\n
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\n Four podcasters of color talk about how to make science and tech podcasts are more inclusive for both creators and listeners.\n
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\n \n\n \n \n \n \n \n \n VIDEO: Diversity In Podcasting: Women In Their Own Words.\n \n \n \n \n\n\n \n Todd, B.; Jeff, J.; Muhmmad, N. “.; and Riddell, S.\n\n\n \n\n\n\n March 2019.\n \n\n\n\n
\n\n\n\n \n \n \"VIDEO:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{todd_video_2019,\n\ttitle = {{VIDEO}: {Diversity} {In} {Podcasting}: {Women} {In} {Their} {Own} {Words}},\n\turl = {https://www.wbur.org/events/454878/diversity-in-podcasting-women-in-their-own-words},\n\tabstract = {Over three months a group of diverse women of color ranging in age from 22 to 70 came from neighborhoods across Boston to learn the art of audio storytelling through podcasting. Over this time and through their own voices these women developed stories of the "other" Boston and beyond.\n\nThese experiences include exploring roots in Dorchester when the Nation of Islam was first born and finding love in Boston when you are queer and of color.  These are stories of immigrants overcoming educational discrimination and first-generation women coping with physical abuse.  Most important, these are the stories of women, who in their own words, are sharing for the benefit of all, a side of the city that we don't often see.\n\nThis project was created by Futuro Media in partnership with PRX's Podcast Garage, MassCreative and WBUR.},\n\tlanguage = {en},\n\turldate = {2019-11-25},\n\tjournal = {wbur},\n\tauthor = {Todd, Bridget and Jeff, Janina and Muhmmad, Naima “Queen” and Riddell, Sam},\n\tmonth = mar,\n\tyear = {2019},\n}\n\n
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\n Over three months a group of diverse women of color ranging in age from 22 to 70 came from neighborhoods across Boston to learn the art of audio storytelling through podcasting. Over this time and through their own voices these women developed stories of the \"other\" Boston and beyond. These experiences include exploring roots in Dorchester when the Nation of Islam was first born and finding love in Boston when you are queer and of color. These are stories of immigrants overcoming educational discrimination and first-generation women coping with physical abuse. Most important, these are the stories of women, who in their own words, are sharing for the benefit of all, a side of the city that we don't often see. This project was created by Futuro Media in partnership with PRX's Podcast Garage, MassCreative and WBUR.\n
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\n \n\n \n \n \n \n \n \n The Platforms of Podcasting: Past and Present.\n \n \n \n \n\n\n \n Sullivan, J. L.\n\n\n \n\n\n\n Social Media + Society, 5(4): 2056305119880002. October 2019.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 5 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@article{sullivan_platforms_2019,\n\ttitle = {The {Platforms} of {Podcasting}: {Past} and {Present}},\n\tvolume = {5},\n\tissn = {2056-3051},\n\tshorttitle = {The {Platforms} of {Podcasting}},\n\turl = {https://doi.org/10.1177/2056305119880002},\n\tdoi = {10.1177/2056305119880002},\n\tabstract = {This article explores the role of digital platforms in podcasting (both past and present) and their impacts on the emergent podcast industry structure, content, and governance. Nieborg and Poell’s theoretical framework for understanding the impacts of platformization on culture is leveraged here to better understand the changes underway in podcasting. Like other forms of media, podcasting is being profoundly reshaped by platformization, though these transformations are distinct from other media in several key ways. Because podcasting emerged as a technology at the beginning of the 21st century before the advent of social media and the cloud, its decentralized architecture is structured around RSS, also known as “Really Simple Syndication.” When Apple added RSS aggregation into their iTunes Music Store in 2005, their market dominance in digital audio sales shaped early popular conceptions for the medium. I then outline how platformization is reshaping podcasting today by exploring how the three primary functions of media-related platform services—storage, discovery, and consumption—are shaping producers’ and audience experiences. Market imperatives for audience consumption data, as well as the structural features of platforms, are currently fueling industry consolidation. Even though podcasting is built upon the open architecture of RSS, commercial pressures and the desire of market players to capitalize on the “winner-take-all” features of platforms are shaping the trajectory of the medium’s current development.},\n\tlanguage = {en},\n\tnumber = {4},\n\turldate = {2020-01-20},\n\tjournal = {Social Media + Society},\n\tauthor = {Sullivan, John L.},\n\tmonth = oct,\n\tyear = {2019},\n\tkeywords = {Apple, RSS, audio, distribution, media industries, platform, podcasting},\n\tpages = {2056305119880002},\n}\n\n
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\n This article explores the role of digital platforms in podcasting (both past and present) and their impacts on the emergent podcast industry structure, content, and governance. Nieborg and Poell’s theoretical framework for understanding the impacts of platformization on culture is leveraged here to better understand the changes underway in podcasting. Like other forms of media, podcasting is being profoundly reshaped by platformization, though these transformations are distinct from other media in several key ways. Because podcasting emerged as a technology at the beginning of the 21st century before the advent of social media and the cloud, its decentralized architecture is structured around RSS, also known as “Really Simple Syndication.” When Apple added RSS aggregation into their iTunes Music Store in 2005, their market dominance in digital audio sales shaped early popular conceptions for the medium. I then outline how platformization is reshaping podcasting today by exploring how the three primary functions of media-related platform services—storage, discovery, and consumption—are shaping producers’ and audience experiences. Market imperatives for audience consumption data, as well as the structural features of platforms, are currently fueling industry consolidation. Even though podcasting is built upon the open architecture of RSS, commercial pressures and the desire of market players to capitalize on the “winner-take-all” features of platforms are shaping the trajectory of the medium’s current development.\n
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\n \n\n \n \n \n \n \n \n Preserve This Podcast Ep4—Metadata Meta-awareness.\n \n \n \n \n\n\n \n Schwartz, M.; and Bailey, K.\n\n\n \n\n\n\n 2019.\n \n\n\n\n
\n\n\n\n \n \n \"PreservePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{schwartz_preserve_2019,\n\ttitle = {Preserve {This} {Podcast} {Ep4}—{Metadata} {Meta}-awareness},\n\turl = {http://preservethispodcast.org/},\n\tabstract = {MOLLY: On a hot afternoon in July, I visited Kaytlin Bailey at her tiny apartment in Greenwich Village. There were bookshelves covering the walls. I scanned some of the titles – “Love For Sale.” “Taking the Crime out of Sex Work.” “Sex Workers Unite.” Kaytlin uses these books to do research for her podcast.\n\nKAYTLIN: Every person on this planet knows might even possibly love somebody that has done some kind of sex work at some point in their life… we call it the oldest profession. It’s all kinds of people who have been doing all kinds of things for all kinds of reasons forever.\n\nListening to this podcast makes people that participate in this industry understand the richness of their own history and can give people the strength to come out. I think that we need to have an experience like what happened with the LGBT movement, is that the reason people believe all these false narratives about sex work is they don’t think they know a sex worker.\n\nMOLLY: Kaytlin agreed to participate in our podcast preservation curriculum. I made this trip to her apartment to learn more about her and why she makes her podcast. Kaytlin told me that she’s a comedian and an amateur historian, and a former sex worker. This podcast is a space where it all comes together for her. KAYTLIN: Welcome back to the OLDEST PROFESSION PODCAST, an irreverent history of audacious whores. Today, we are talking about every old pro’s hero, Marilyn Monroe.},\n\tlanguage = {en},\n\turldate = {2019-11-30},\n\tjournal = {Preserve This Podcast},\n\tauthor = {Schwartz, Molly and Bailey, Kaytlin},\n\tyear = {2019},\n}\n\n
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\n MOLLY: On a hot afternoon in July, I visited Kaytlin Bailey at her tiny apartment in Greenwich Village. There were bookshelves covering the walls. I scanned some of the titles – “Love For Sale.” “Taking the Crime out of Sex Work.” “Sex Workers Unite.” Kaytlin uses these books to do research for her podcast. KAYTLIN: Every person on this planet knows might even possibly love somebody that has done some kind of sex work at some point in their life… we call it the oldest profession. It’s all kinds of people who have been doing all kinds of things for all kinds of reasons forever. Listening to this podcast makes people that participate in this industry understand the richness of their own history and can give people the strength to come out. I think that we need to have an experience like what happened with the LGBT movement, is that the reason people believe all these false narratives about sex work is they don’t think they know a sex worker. MOLLY: Kaytlin agreed to participate in our podcast preservation curriculum. I made this trip to her apartment to learn more about her and why she makes her podcast. Kaytlin told me that she’s a comedian and an amateur historian, and a former sex worker. This podcast is a space where it all comes together for her. KAYTLIN: Welcome back to the OLDEST PROFESSION PODCAST, an irreverent history of audacious whores. Today, we are talking about every old pro’s hero, Marilyn Monroe.\n
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\n \n\n \n \n \n \n \n \n Spotify to Acquire Parcast, a Premier Podcast Storytelling Studio.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n March 2019.\n \n\n\n\n
\n\n\n\n \n \n \"SpotifyPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_spotify_2019,\n\ttitle = {Spotify to {Acquire} {Parcast}, a {Premier} {Podcast} {Storytelling} {Studio}},\n\turl = {https://investors.spotify.com/financials/press-release-details/2019/Spotify-to-Acquire-Parcast-a-Premier-Podcast-Storytelling-Studio/default.aspx},\n\tabstract = {Spotify Technology S.A. (NYSE:SPOT), the world’s most popular audio streaming subscription service, today announced that it has entered into a definitive agreement to acquire Parcast, a premier storytelling-driven podcast studio. Terms of the transaction were not disclosed. Since its founding in 2016, Parcast has launched 18 premium podcast series including Serial Killers, Unsolved Murders, Cults and Conspiracy Theories and the studio’s first fiction series, Mind’s Eye. Parcast will bring to Spotify its curated library of highly produced shows and its engaged, loyal audiences. With an expertise in genres touching mystery, crime, science fiction, and history, Parcast has shown it has depth in subject matter and the ability to develop audiences across its robust network. Additionally, Parcast has more than 20 new shows slated to launch later this year. “The addition of Parcast to our growing roster of podcast content will advance our goal of becoming the world’s leading audio platform,”},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tjournal = {Spotify Investors},\n\tmonth = mar,\n\tyear = {2019},\n}\n\n
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\n Spotify Technology S.A. (NYSE:SPOT), the world’s most popular audio streaming subscription service, today announced that it has entered into a definitive agreement to acquire Parcast, a premier storytelling-driven podcast studio. Terms of the transaction were not disclosed. Since its founding in 2016, Parcast has launched 18 premium podcast series including Serial Killers, Unsolved Murders, Cults and Conspiracy Theories and the studio’s first fiction series, Mind’s Eye. Parcast will bring to Spotify its curated library of highly produced shows and its engaged, loyal audiences. With an expertise in genres touching mystery, crime, science fiction, and history, Parcast has shown it has depth in subject matter and the ability to develop audiences across its robust network. Additionally, Parcast has more than 20 new shows slated to launch later this year. “The addition of Parcast to our growing roster of podcast content will advance our goal of becoming the world’s leading audio platform,”\n
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\n \n\n \n \n \n \n \n \n #w1d: The Story Disrupted: Memory Instit...\n \n \n \n \n\n\n \n Mandel, C.; Cohen, D.; Hagan, S.; Owens, T.; and Weber, C.\n\n\n \n\n\n\n October 2019.\n session notes https://docs.google.com/document/d/1svc4VGkvrqHj_qKQBdzyPrOhXn8M1W4Zm_nZ_lpiNzo/edit\n\n\n\n
\n\n\n\n \n \n \"#w1d:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{mandel_w1d_2019,\n\taddress = {Tampa, FL},\n\ttype = {Panel},\n\ttitle = {\\#w1d: {The} {Story} {Disrupted}: {Memory} {Instit}...},\n\tshorttitle = {{DLF} {Forum} 2019},\n\turl = {https://dlfforum2019.sched.com/event/S2X7/w1d-the-story-disrupted-memory-institutions-and-born-digital-collecting},\n\tabstract = {Our memory institutions have been shaped by a pre-digital world. Given the disruptive challenges of the digital-only environment, we are at a critical juncture to re-examine the societal and institutional framework that serves to collect and preserve documentary evidence and consider a framework that can better match 21st century challenges.},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tauthor = {Mandel, Carol and Cohen, Dan and Hagan, Siobhan and Owens, Trevor and Weber, Chela},\n\tmonth = oct,\n\tyear = {2019},\n\tnote = {session notes https://docs.google.com/document/d/1svc4VGkvrqHj\\_qKQBdzyPrOhXn8M1W4Zm\\_nZ\\_lpiNzo/edit},\n}\n\n
\n
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\n Our memory institutions have been shaped by a pre-digital world. Given the disruptive challenges of the digital-only environment, we are at a critical juncture to re-examine the societal and institutional framework that serves to collect and preserve documentary evidence and consider a framework that can better match 21st century challenges.\n
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\n \n\n \n \n \n \n \n \n On-Device Captioning with Live Caption.\n \n \n \n \n\n\n \n Tadmor-Ramanovich, M.; and Bar, N.\n\n\n \n\n\n\n October 2019.\n \n\n\n\n
\n\n\n\n \n \n \"On-DevicePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{tadmor-ramanovich_-device_2019,\n\ttitle = {On-{Device} {Captioning} with {Live} {Caption}},\n\turl = {http://ai.googleblog.com/2019/10/on-device-captioning-with-live-caption.html},\n\tabstract = {Posted by Michelle Tadmor-Ramanovich and Nadav Bar, Senior Software Engineers, Google Research, Tel-Aviv     Captions for audio content are ...},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tjournal = {Google AI Blog},\n\tauthor = {Tadmor-Ramanovich, Michelle and Bar, Nadav},\n\tmonth = oct,\n\tyear = {2019},\n}\n\n
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\n Posted by Michelle Tadmor-Ramanovich and Nadav Bar, Senior Software Engineers, Google Research, Tel-Aviv Captions for audio content are ...\n
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\n \n\n \n \n \n \n \n \n Google’s Next Generation Music Recognition.\n \n \n \n \n\n\n \n Lyon, J.\n\n\n \n\n\n\n August 2019.\n \n\n\n\n
\n\n\n\n \n \n \"Google’sPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{lyon_googles_2019,\n\ttitle = {Google’s {Next} {Generation} {Music} {Recognition}},\n\turl = {http://ai.googleblog.com/2018/09/googles-next-generation-music.html},\n\tabstract = {Posted by James Lyon, Google AI, Zürich    In 2017 we launched Now Playing  on the Pixel 2, using deep neural networks  to bring low-power, ...},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tjournal = {Google AI Blog},\n\tauthor = {Lyon, James},\n\tmonth = aug,\n\tyear = {2019},\n}\n\n
\n
\n\n\n
\n Posted by James Lyon, Google AI, Zürich In 2017 we launched Now Playing on the Pixel 2, using deep neural networks to bring low-power, ...\n
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\n \n\n \n \n \n \n \n \n Branded RSS: the definitive guide.\n \n \n \n \n\n\n \n Tépper, A.\n\n\n \n\n\n\n Allan Tépper/TecnoTur LLC, 2019.\n \n\n\n\n
\n\n\n\n \n \n \"BrandedPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@book{tepper_branded_2019,\n\ttitle = {Branded {RSS}: the definitive guide},\n\tshorttitle = {Branded {RSS}},\n\turl = {https://beyondpodcasting.com/branded-rss/},\n\tabstract = {Branded RSS podcasting: the definitive guide, another book by Allan Tépper},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tpublisher = {Allan Tépper/TecnoTur LLC},\n\tauthor = {Tépper, Allan},\n\tyear = {2019},\n}\n
\n
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\n Branded RSS podcasting: the definitive guide, another book by Allan Tépper\n
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\n  \n 2018\n \n \n (8)\n \n \n
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\n \n\n \n \n \n \n \n \n When Good Links Go Bad: Link Rot in Ebooks.\n \n \n \n \n\n\n \n Brady, L.\n\n\n \n\n\n\n February 2018.\n \n\n\n\n
\n\n\n\n \n \n \"WhenPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{brady_when_2018,\n\ttitle = {When {Good} {Links} {Go} {Bad}: {Link} {Rot} in {Ebooks}},\n\tshorttitle = {When {Good} {Links} {Go} {Bad}},\n\turl = {http://epubsecrets.com/when-good-links-go-bad-link-rot-in-ebooks.php},\n\tabstract = {This is a guest post from Teresa Elsey, an \\#eprdctn regular. The February 14 edition of the \\#eprdctn chat focused on link rot. The below is just a piece of the whole wide-ranging conversation; as u…},\n\tlanguage = {en-US},\n\turldate = {2021-09-16},\n\tjournal = {EPUBSecrets},\n\tauthor = {Brady, Laura},\n\tmonth = feb,\n\tyear = {2018},\n}\n\n
\n
\n\n\n
\n This is a guest post from Teresa Elsey, an #eprdctn regular. The February 14 edition of the #eprdctn chat focused on link rot. The below is just a piece of the whole wide-ranging conversation; as u…\n
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\n \n\n \n \n \n \n \n \n Linkrot + Content Drift = Reference Rot: The Unintended Consequences of Digitization.\n \n \n \n \n\n\n \n Gordon-Murnane, L.\n\n\n \n\n\n\n Online Searcher, 42(6): 10–17. 2018.\n \n\n\n\n
\n\n\n\n \n \n \"LinkrotHttp://proxy.library.nyu.edu/login?url\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@article{gordon-murnane_linkrot_2018,\n\ttitle = {Linkrot + {Content} {Drift} = {Reference} {Rot}: {The} {Unintended} {Consequences} of {Digitization}},\n\tvolume = {42},\n\tissn = {23249684},\n\turl = {http://proxy.library.nyu.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=133216859&site=eds-live},\n\tabstract = {The article discusses various issues related to digitization, highlighting its unintended consequences. Topics include the myth that everything posted to the internet remains there forever, the impact of digitization on the society, and the benefits of digitization. These unintended consequences include disappearing content, content drift, and reference rot. It also offers information on the Perma.cc solution from Harvard Library Innovation Lab to address linkrot problem.},\n\tnumber = {6},\n\turldate = {2019-06-21},\n\tjournal = {Online Searcher},\n\tauthor = {Gordon-Murnane, Laura},\n\tyear = {2018},\n\tkeywords = {ARCHIVES, CLIENT/SERVER computing, COMPUTER input-output equipment, COMPUTER network protocols, INFORMATION resources, INFORMATION resources management, INTERNET, LIBRARY public services, WAIS (Information retrieval system), WORLD Wide Web},\n\tpages = {10--17},\n}\n\n
\n
\n\n\n
\n The article discusses various issues related to digitization, highlighting its unintended consequences. Topics include the myth that everything posted to the internet remains there forever, the impact of digitization on the society, and the benefits of digitization. These unintended consequences include disappearing content, content drift, and reference rot. It also offers information on the Perma.cc solution from Harvard Library Innovation Lab to address linkrot problem.\n
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\n \n\n \n \n \n \n \n \n What Does “Producer” Mean, Anyway?.\n \n \n \n \n\n\n \n Niemeyer, L.\n\n\n \n\n\n\n July 2018.\n \n\n\n\n
\n\n\n\n \n \n \"WhatPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{niemeyer_what_2018,\n\ttitle = {What {Does} “{Producer}” {Mean}, {Anyway}?},\n\turl = {https://bellocollective.com/what-does-producer-mean-anyway-3cf8747bc4d5},\n\tabstract = {With no consistent norms for naming their roles, podcast producers and editors often borrow their titles from other industries.},\n\tlanguage = {en},\n\turldate = {2020-10-20},\n\tjournal = {Medium},\n\tauthor = {Niemeyer, Liam},\n\tmonth = jul,\n\tyear = {2018},\n}\n\n
\n
\n\n\n
\n With no consistent norms for naming their roles, podcast producers and editors often borrow their titles from other industries.\n
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\n \n\n \n \n \n \n \n \n Badges for sharing data and code at Biostatistics: an observational study.\n \n \n \n \n\n\n \n Rowhani-Farid, A.; and Barnett, A. G.\n\n\n \n\n\n\n F1000Research, 7: 90. March 2018.\n \n\n\n\n
\n\n\n\n \n \n \"BadgesPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{rowhani-farid_badges_2018,\n\ttitle = {Badges for sharing data and code at {Biostatistics}: an observational study},\n\tvolume = {7},\n\tissn = {2046-1402},\n\tshorttitle = {Badges for sharing data and code at {Biostatistics}},\n\turl = {https://f1000research.com/articles/7-90/v2},\n\tdoi = {10.12688/f1000research.13477.2},\n\tlanguage = {en},\n\turldate = {2020-04-17},\n\tjournal = {F1000Research},\n\tauthor = {Rowhani-Farid, Anisa and Barnett, Adrian G.},\n\tmonth = mar,\n\tyear = {2018},\n\tpages = {90},\n}\n\n
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\n \n\n \n \n \n \n \n \n Preserve This Podcast Zine.\n \n \n \n \n\n\n \n Kidd, M.\n\n\n \n\n\n\n Brooklyn, NY, 2018.\n \n\n\n\n
\n\n\n\n \n \n \"PreservePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{kidd_preserve_2018,\n\taddress = {Brooklyn, NY},\n\ttitle = {Preserve {This} {Podcast} {Zine}},\n\turl = {http://preservethispodcast.org/#zine},\n\tlanguage = {en},\n\turldate = {2020-02-08},\n\tauthor = {Kidd, Mary},\n\tyear = {2018},\n}\n\n
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\n \n\n \n \n \n \n \n \n When Good Links Go Bad: Link Rot in Ebooks.\n \n \n \n \n\n\n \n Elsey, T.\n\n\n \n\n\n\n February 2018.\n \n\n\n\n
\n\n\n\n \n \n \"WhenPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@misc{elsey_when_2018,\n\ttitle = {When {Good} {Links} {Go} {Bad}: {Link} {Rot} in {Ebooks}},\n\tshorttitle = {When {Good} {Links} {Go} {Bad}},\n\turl = {http://epubsecrets.com/when-good-links-go-bad-link-rot-in-ebooks.php},\n\tabstract = {This is a guest post from Teresa Elsey, an \\#eprdctn regular. The February 14 edition of the \\#eprdctn chat focused on link rot. The below is just a piece of the whole wide-ranging conversation; as u…},\n\tlanguage = {en-US},\n\turldate = {2019-10-19},\n\tjournal = {EPUBSecrets},\n\tauthor = {Elsey, Teresa},\n\tmonth = feb,\n\tyear = {2018},\n\tkeywords = {linkrot},\n}\n\n
\n
\n\n\n
\n This is a guest post from Teresa Elsey, an #eprdctn regular. The February 14 edition of the #eprdctn chat focused on link rot. The below is just a piece of the whole wide-ranging conversation; as u…\n
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\n \n\n \n \n \n \n \n \n Google’s New Way to Find Your Next Favorite Podcast.\n \n \n \n \n\n\n \n Pratt, S.\n\n\n \n\n\n\n May 2018.\n \n\n\n\n
\n\n\n\n \n \n \"Google’sPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{pratt_googles_2018,\n\ttitle = {Google’s {New} {Way} to {Find} {Your} {Next} {Favorite} {Podcast}},\n\turl = {https://blog.pacific-content.com/googles-new-way-to-find-your-next-favorite-podcast-452c993710bd},\n\tabstract = {Google’s new podcasting strategy completely reimagines how people find and listen to shows. And Google’s podcasting team has set a bold and…},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tjournal = {Medium},\n\tauthor = {Pratt, Steve},\n\tmonth = may,\n\tyear = {2018},\n}\n\n
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\n Google’s new podcasting strategy completely reimagines how people find and listen to shows. And Google’s podcasting team has set a bold and…\n
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\n \n\n \n \n \n \n \n \n Self-Hosting a Podcast.\n \n \n \n \n\n\n \n McDonald, J. C.\n\n\n \n\n\n\n January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"Self-HostingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{mcdonald_self-hosting_2018,\n\ttitle = {Self-{Hosting} a {Podcast}},\n\turl = {https://dev.to/codemouse92/self-hosting-a-podcast-4b3f},\n\tabstract = {There are hundreds of ways to publish a podcast...but you really CAN do it yourself!},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tjournal = {The DEV Community},\n\tauthor = {McDonald, Jason C.},\n\tmonth = jan,\n\tyear = {2018},\n}\n\n
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\n There are hundreds of ways to publish a podcast...but you really CAN do it yourself!\n
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\n
\n  \n 2017\n \n \n (5)\n \n \n
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\n \n\n \n \n \n \n \n \n Chapter 5: Archival Appraisal in Four Paradigms.\n \n \n \n \n\n\n \n Foscarini, F.; MacNeil, H.; and Eastwood, T.\n\n\n \n\n\n\n In Currents of Archival Thinking, pages 107–133. Libraries Unlimited, Santa Barbara, CA, 2 edition, January 2017.\n \n\n\n\n
\n\n\n\n \n \n \"ChapterPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@incollection{foscarini_chapter_2017,\n\taddress = {Santa Barbara, CA},\n\tedition = {2},\n\ttitle = {Chapter 5: {Archival} {Appraisal} in {Four} {Paradigms}},\n\tisbn = {978-1-4408-3908-5},\n\turl = {https://www.abc-clio.com/ABC-CLIOCorporate/product.aspx?pc=A4822P},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tbooktitle = {Currents of {Archival} {Thinking}},\n\tpublisher = {Libraries Unlimited},\n\tauthor = {Foscarini, Fiorella and MacNeil, Heather and Eastwood, Terry},\n\tmonth = jan,\n\tyear = {2017},\n\tpages = {107--133},\n}\n\n
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\n \n\n \n \n \n \n \n \n 2019 Podcast Stats & Facts (New Research From June 2019).\n \n \n \n \n\n\n \n Winn, R.\n\n\n \n\n\n\n July 2017.\n \n\n\n\n
\n\n\n\n \n \n \"2019Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{winn_2019_2017,\n\ttitle = {2019 {Podcast} {Stats} \\& {Facts} ({New} {Research} {From} {June} 2019)},\n\turl = {https://www.podcastinsights.com/podcast-statistics/},\n\tabstract = {Updated stats: Edison Research Infinite Dial 2019 released March 6th, 2019. Q1 2018 report from Nielsen came out March 20, 2018. Total number of podcasts \\& episodes on iTunes updated June 2019.  As new stats and reports come out, this post will be updated with the latest info on the podcast listener landscape. There is both an infographic (with embed code) and a Pinterest image for your sharing needs as well! Want to start your own podcast? Check out some of the best podcasting hosting companies and our guide to starting a podcast. Then take it to the next level by},\n\tlanguage = {en-US},\n\turldate = {2019-11-19},\n\tjournal = {Podcast Insights®},\n\tauthor = {Winn, Ross},\n\tmonth = jul,\n\tyear = {2017},\n}\n\n
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\n Updated stats: Edison Research Infinite Dial 2019 released March 6th, 2019. Q1 2018 report from Nielsen came out March 20, 2018. Total number of podcasts & episodes on iTunes updated June 2019.  As new stats and reports come out, this post will be updated with the latest info on the podcast listener landscape. There is both an infographic (with embed code) and a Pinterest image for your sharing needs as well! Want to start your own podcast? Check out some of the best podcasting hosting companies and our guide to starting a podcast. Then take it to the next level by\n
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\n \n\n \n \n \n \n \n \n SoundCloud Is Going Bankrupt & There's Nothing You Can Do About It.\n \n \n \n \n\n\n \n Sanchez, D.\n\n\n \n\n\n\n May 2017.\n \n\n\n\n
\n\n\n\n \n \n \"SoundCloudPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{sanchez_soundcloud_2017,\n\ttitle = {{SoundCloud} {Is} {Going} {Bankrupt} \\& {There}'s {Nothing} {You} {Can} {Do} {About} {It}},\n\turl = {https://www.digitalmusicnews.com/2017/05/02/soundcloud-go-3-months/},\n\tabstract = {As a way to bring in new users, SoundCloud is quietly offering its Go+ service for three months at the low, low price of \\$1.},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tjournal = {Digital Music News},\n\tauthor = {Sanchez, Daniel},\n\tmonth = may,\n\tyear = {2017},\n}\n\n
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\n As a way to bring in new users, SoundCloud is quietly offering its Go+ service for three months at the low, low price of $1.\n
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\n \n\n \n \n \n \n \n \n Sex trafficking bill is turning into a proxy war over Google.\n \n \n \n \n\n\n \n Jeong, S.\n\n\n \n\n\n\n September 2017.\n \n\n\n\n
\n\n\n\n \n \n \"SexPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{jeong_sex_2017,\n\ttitle = {Sex trafficking bill is turning into a proxy war over {Google}},\n\turl = {https://www.theverge.com/2017/9/14/16308066/sex-trafficking-bill-sesta-google-cda-230},\n\tabstract = {Why does Oracle support SESTA?},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tjournal = {The Verge},\n\tauthor = {Jeong, Sarah},\n\tmonth = sep,\n\tyear = {2017},\n}\n\n
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\n Why does Oracle support SESTA?\n
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\n \n\n \n \n \n \n \n \n Better Podcasting #065 – Self-Hosting Your Podcast RSS and Media.\n \n \n \n \n\n\n \n Jondrew, S.\n\n\n \n\n\n\n February 2017.\n \n\n\n\n
\n\n\n\n \n \n \"BetterPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{jondrew_better_2017,\n\ttitle = {Better {Podcasting} \\#065 – {Self}-{Hosting} {Your} {Podcast} {RSS} and {Media}},\n\turl = {https://www.gonnageek.com/2017/02/better-podcasting-065-self-hosting-your-podcast-rss-and-media/},\n\tabstract = {Have you ever considered self-hosting your podcast RSS and/or media? During this show Stephen and Stargate Pioneer talk about the controversial topic that is "self-hosting" your podcast. There are definitely both pros and cons to going this route and we'll discuss both along with best practices and also some hosting providers you can use. If you're about to launch your podcast, we suggest you take a listen to this episode before you submit your RSS feed as it might make you reconsider which RSS feed you want to index. Do you have something to say about the art of hobby podcasting? Do you want to chime in on an episode of Better Podcasting? You can always ping us on Better Podcasting on the internet at the following places: @BetterPodhttp://facebook.com/betterpodcastinghttp://betterpodcasting.com Not familiar with Better Podcasting? We talk about podcast tips, tools and best practices to help you succeed with your podcast! Just like you we podcast purely out of the love and the fun of it. Podcasting is our hobby and we love that it is yours too! We always encourage your questions and feedback and you can find all of our contact information at betterpodcasting.com. Stephen Jondrew and Stargate Pioneer thank you for listening, downloading and subscribing to Better Podcasting. We hope you come back for more Better Podcasting! Happy Podcasting! This podcast was recorded on Friday, February 3, 2017 – Streamed Live to www.Geeks.Live. Audio/Video Production by Stephen Jondrew of GonnaGeek.com},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tjournal = {GonnaGeek - Geek Podcasts, Tech, Comics, Sci-Fi, Gaming \\& More},\n\tauthor = {Jondrew, Stephen},\n\tmonth = feb,\n\tyear = {2017},\n}\n\n
\n
\n\n\n
\n Have you ever considered self-hosting your podcast RSS and/or media? During this show Stephen and Stargate Pioneer talk about the controversial topic that is \"self-hosting\" your podcast. There are definitely both pros and cons to going this route and we'll discuss both along with best practices and also some hosting providers you can use. If you're about to launch your podcast, we suggest you take a listen to this episode before you submit your RSS feed as it might make you reconsider which RSS feed you want to index. Do you have something to say about the art of hobby podcasting? Do you want to chime in on an episode of Better Podcasting? You can always ping us on Better Podcasting on the internet at the following places: @BetterPodhttp://facebook.com/betterpodcastinghttp://betterpodcasting.com Not familiar with Better Podcasting? We talk about podcast tips, tools and best practices to help you succeed with your podcast! Just like you we podcast purely out of the love and the fun of it. Podcasting is our hobby and we love that it is yours too! We always encourage your questions and feedback and you can find all of our contact information at betterpodcasting.com. Stephen Jondrew and Stargate Pioneer thank you for listening, downloading and subscribing to Better Podcasting. We hope you come back for more Better Podcasting! Happy Podcasting! This podcast was recorded on Friday, February 3, 2017 – Streamed Live to www.Geeks.Live. Audio/Video Production by Stephen Jondrew of GonnaGeek.com\n
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\n  \n 2016\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n Broken links, broken trust: why 404 errors have the power to traumatise.\n \n \n \n \n\n\n \n Laurent, N.\n\n\n \n\n\n\n October 2016.\n \n\n\n\n
\n\n\n\n \n \n \"BrokenPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{laurent_broken_2016,\n\taddress = {Parramatta, Australia},\n\ttitle = {Broken links, broken trust: why 404 errors have the power to traumatise},\n\turl = {https://www.youtube.com/watch?v=94JyVSFk8-0},\n\tlanguage = {en},\n\tauthor = {Laurent, Nicola},\n\tmonth = oct,\n\tyear = {2016},\n}\n\n
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\n \n\n \n \n \n \n \n \n On Adam Curry, the father of podcasting.\n \n \n \n \n\n\n \n McCall, O.\n\n\n \n\n\n\n December 2016.\n \n\n\n\n
\n\n\n\n \n \n \"OnPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{mccall_adam_2016,\n\ttitle = {On {Adam} {Curry}, the father of podcasting},\n\turl = {https://born2invest.com/articles/adam-curry-father-podcasting/},\n\tabstract = {Adam Curry is dubbed as the father of podcasting. Here’s how he worked on making Internet radio a thing.},\n\tlanguage = {en-US},\n\turldate = {2020-01-27},\n\tjournal = {Born2Invest},\n\tauthor = {McCall, Olivia},\n\tmonth = dec,\n\tyear = {2016},\n}\n\n
\n
\n\n\n
\n Adam Curry is dubbed as the father of podcasting. Here’s how he worked on making Internet radio a thing.\n
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\n  \n 2015\n \n \n (3)\n \n \n
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\n \n\n \n \n \n \n \n \n The Podcast “Chitlin' Circuit”: Black Podcasters, Alternative Media, and Audio Enclaves.\n \n \n \n \n\n\n \n Florini, S.\n\n\n \n\n\n\n Journal of Radio & Audio Media, 22(2): 209–219. July 2015.\n Publisher: Routledge _eprint: https://doi.org/10.1080/19376529.2015.1083373\n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{florini_podcast_2015,\n\ttitle = {The {Podcast} “{Chitlin}' {Circuit}”: {Black} {Podcasters}, {Alternative} {Media}, and {Audio} {Enclaves}},\n\tvolume = {22},\n\tissn = {1937-6529},\n\tshorttitle = {The {Podcast} “{Chitlin}' {Circuit}”},\n\turl = {https://doi.org/10.1080/19376529.2015.1083373},\n\tdoi = {10.1080/19376529.2015.1083373},\n\tabstract = {This article explores how an informal network of Black podcasters, some of whom refer to themselves as the “Chitlin' Circuit” or “urban podcasters,” functions as a contemporary digital iteration of enclaved Black social spaces. The conversational nature of these podcasts and their use of Black American cultural commonplaces, combined with the intimate qualities of radio-style audio, reproduce a sense of being in Black social spaces such as the barber/beauty shop or church. Mobile technologies not only allow listeners to listen anywhere, but listening via headphones also potentially adds an element of immersion through the practice of sensory gating.},\n\tnumber = {2},\n\turldate = {2022-05-03},\n\tjournal = {Journal of Radio \\& Audio Media},\n\tauthor = {Florini, Sarah},\n\tmonth = jul,\n\tyear = {2015},\n\tnote = {Publisher: Routledge\n\\_eprint: https://doi.org/10.1080/19376529.2015.1083373},\n\tpages = {209--219},\n}\n\n
\n
\n\n\n
\n This article explores how an informal network of Black podcasters, some of whom refer to themselves as the “Chitlin' Circuit” or “urban podcasters,” functions as a contemporary digital iteration of enclaved Black social spaces. The conversational nature of these podcasts and their use of Black American cultural commonplaces, combined with the intimate qualities of radio-style audio, reproduce a sense of being in Black social spaces such as the barber/beauty shop or church. Mobile technologies not only allow listeners to listen anywhere, but listening via headphones also potentially adds an element of immersion through the practice of sensory gating.\n
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\n \n\n \n \n \n \n \n \n Blogs as Infrastructure for Scholarly Communication.\n \n \n \n \n\n\n \n Burton, M.\n\n\n \n\n\n\n Ph.D. Thesis, University of Michigan, Michigan, 2015.\n \n\n\n\n
\n\n\n\n \n \n \"BlogsPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@phdthesis{burton_blogs_2015,\n\taddress = {Michigan},\n\ttype = {Thesis},\n\ttitle = {Blogs as {Infrastructure} for {Scholarly} {Communication}.},\n\turl = {https://deepblue.lib.umich.edu/handle/2027.42/111592},\n\tabstract = {This project systematically analyzes digital humanities blogs as an infrastructure for scholarly communication. This exploratory research maps the discourses of a scholarly community to understand the infrastructural dynamics of blogs and the Open Web. The text contents of 106,804 individual blog posts from a corpus of 396 blogs were analyzed using a mix of computational and qualitative methods. Analysis uses an experimental methodology (trace ethnography) combined with unsupervised machine learning (topic modeling), to perform an interpretive analysis at scale. Methodological findings show topic modeling can be integrated with qualitative and interpretive analysis. Special attention must be paid to data fitness, or the shape and re-shaping practices involved with preparing data for machine learning algorithms. Quantitative analysis of computationally generated topics indicates that while the community writes about diverse subject matter, individual scholars focus their attention on only a couple of topics. Four categories of informal scholarly communication emerged from the qualitative analysis: quasi-academic, para-academic, meta-academic, and extra-academic. The quasi and para-academic categories represent discourse with scholarly value within the digital humanities community, but do not necessarily have an obvious path into formal publication and preservation. A conceptual model, the (in)visible college, is introduced for situating scholarly communication on blogs and the Open Web. An (in)visible college is a kind of scholarly communication that is informal, yet visible at scale. This combination of factors opens up a new space for the study of scholarly communities and communication. While (in)invisible colleges are programmatically observable, care must be taken with any effort to count and measure knowledge work in these spaces. This is the first systematic, data driven analysis of the digital humanities and lays the groundwork for subsequent social studies of digital humanities.},\n\tlanguage = {en},\n\turldate = {2020-02-26},\n\tschool = {University of Michigan},\n\tauthor = {Burton, Matt},\n\tyear = {2015},\n}\n\n
\n
\n\n\n
\n This project systematically analyzes digital humanities blogs as an infrastructure for scholarly communication. This exploratory research maps the discourses of a scholarly community to understand the infrastructural dynamics of blogs and the Open Web. The text contents of 106,804 individual blog posts from a corpus of 396 blogs were analyzed using a mix of computational and qualitative methods. Analysis uses an experimental methodology (trace ethnography) combined with unsupervised machine learning (topic modeling), to perform an interpretive analysis at scale. Methodological findings show topic modeling can be integrated with qualitative and interpretive analysis. Special attention must be paid to data fitness, or the shape and re-shaping practices involved with preparing data for machine learning algorithms. Quantitative analysis of computationally generated topics indicates that while the community writes about diverse subject matter, individual scholars focus their attention on only a couple of topics. Four categories of informal scholarly communication emerged from the qualitative analysis: quasi-academic, para-academic, meta-academic, and extra-academic. The quasi and para-academic categories represent discourse with scholarly value within the digital humanities community, but do not necessarily have an obvious path into formal publication and preservation. A conceptual model, the (in)visible college, is introduced for situating scholarly communication on blogs and the Open Web. An (in)visible college is a kind of scholarly communication that is informal, yet visible at scale. This combination of factors opens up a new space for the study of scholarly communities and communication. While (in)invisible colleges are programmatically observable, care must be taken with any effort to count and measure knowledge work in these spaces. This is the first systematic, data driven analysis of the digital humanities and lays the groundwork for subsequent social studies of digital humanities.\n
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\n\n\n
\n \n\n \n \n \n \n \n \n Reminiscing About 15 Years of Interoperability Efforts.\n \n \n \n \n\n\n \n Van de Sompel, H.; and Nelson, M. L.\n\n\n \n\n\n\n D-Lib Magazine, 21(11/12). November 2015.\n \n\n\n\n
\n\n\n\n \n \n \"ReminiscingPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{van_de_sompel_reminiscing_2015,\n\ttitle = {Reminiscing {About} 15 {Years} of {Interoperability} {Efforts}},\n\tvolume = {21},\n\tissn = {1082-9873},\n\turl = {http://www.dlib.org/dlib/november15/vandesompel/11vandesompel.html},\n\tdoi = {10.1045/november2015-vandesompel},\n\tlanguage = {en},\n\tnumber = {11/12},\n\turldate = {2020-02-21},\n\tjournal = {D-Lib Magazine},\n\tauthor = {Van de Sompel, Herbert and Nelson, Michael L.},\n\tmonth = nov,\n\tyear = {2015},\n}\n\n
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\n  \n 2014\n \n \n (3)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n \n The paradox of selection in the digital age.\n \n \n \n \n\n\n \n Werf, T. v. d.; and Werf, B. v. d.\n\n\n \n\n\n\n In Lyon, France, 2014. \n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{werf_paradox_2014,\n\taddress = {Lyon, France},\n\ttitle = {The paradox of selection in the digital age},\n\tcopyright = {cc\\_by},\n\turl = {http://library.ifla.org/1042/},\n\tabstract = {With this essay, the authors aim to contribute to the digital preservation thinking by highlighting some of the aspects of the digital environment that seem pertinent to digital heritage. It gives a high-level perspective of changes in the way digital content is produced, consumed and perceived. With the massive shift towards open data and open access, the changes in the logic of economics and the thriving of digital consumerism, it asserts that digital waste production and the corresponding carbon footprint are becoming a huge challenge in the digital age. In particular, the authors state that since digital waste and assets cannot be distinguished from each other, this poses a greater preservation challenge than technology obsolescence or other digital preservation issues. According to them, the traditional models for selecting and preserving content as heritage no longer apply. Being digital flips the selection model from production filtering to consumption filtering. The authors propose the trias hereditaria – a collaboration framework between the information industry, the public authorities and the cultural heritage institutions – to balance the forces at play in the digital environment and to stimulate digital behaviour in positive ways. Raising awareness, cleaning-up waste and personal archiving are examples of measures that can help promote digital heritage. This essay is meant to be thought-provoking and to advance the collective thinking looking for answers to the challenges of digital preservation. To that effect, it is written in a style inspired by Nicholas Negroponte’s Being Digital and draws heavily from his work and terminology.},\n\tlanguage = {en},\n\turldate = {2020-01-28},\n\tauthor = {Werf, Titia van der and Werf, Bram van der},\n\tyear = {2014},\n}\n\n
\n
\n\n\n
\n With this essay, the authors aim to contribute to the digital preservation thinking by highlighting some of the aspects of the digital environment that seem pertinent to digital heritage. It gives a high-level perspective of changes in the way digital content is produced, consumed and perceived. With the massive shift towards open data and open access, the changes in the logic of economics and the thriving of digital consumerism, it asserts that digital waste production and the corresponding carbon footprint are becoming a huge challenge in the digital age. In particular, the authors state that since digital waste and assets cannot be distinguished from each other, this poses a greater preservation challenge than technology obsolescence or other digital preservation issues. According to them, the traditional models for selecting and preserving content as heritage no longer apply. Being digital flips the selection model from production filtering to consumption filtering. The authors propose the trias hereditaria – a collaboration framework between the information industry, the public authorities and the cultural heritage institutions – to balance the forces at play in the digital environment and to stimulate digital behaviour in positive ways. Raising awareness, cleaning-up waste and personal archiving are examples of measures that can help promote digital heritage. This essay is meant to be thought-provoking and to advance the collective thinking looking for answers to the challenges of digital preservation. To that effect, it is written in a style inspired by Nicholas Negroponte’s Being Digital and draws heavily from his work and terminology.\n
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\n \n\n \n \n \n \n \n \n PodcastRE.\n \n \n \n \n\n\n \n Morris, J.\n\n\n \n\n\n\n 2014.\n \n\n\n\n
\n\n\n\n \n \n \"PodcastREPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{morris_podcastre_2014,\n\ttitle = {{PodcastRE}},\n\turl = {https://podcastre.org/},\n\tabstract = {Serial. WTF with Marc Maron. 99\\% Invisible. Welcome to Night Vale. Homecoming. These and hundreds of other great shows have critics declaring we’re in a “Golden Age” podcasting; a moment where the choice for quality digital audio abounds, and where new voices and listeners connect daily through earbuds, car stereos, home speakers or office computers. Podcasting is just over 10 years old, but it has been nothing short of an explosion of cultural and sonic creativity: there are millions of episodes in more than 100 languages. But this exciting new media form is shockingly vulnerable; podcast feeds end abruptly, cease to be maintained, or simply aren’t saved and archived properly.\n\nPodcastRE (short for Podcast Research) aims to avoid this fate for podcasts by preserving podcasts and presenting an interface for researching them. We believe that what today’s podcasters are producing will have value in the future, not just for its content, but for what it tells us about audio’s longer history, about who has the right to communicate and by what means. We may be in a “Golden Age” of podcasts but if we’re not making efforts to preserve and analyze these resources now, we’ll find ourselves in the same dilemma many radio, film or television historians now find themselves: writing, researching and thinking about a past they can’t fully see or hear.},\n\turldate = {2020-01-28},\n\tjournal = {Podcastre},\n\tauthor = {Morris, Jeremy},\n\tyear = {2014},\n}\n\n
\n
\n\n\n
\n Serial. WTF with Marc Maron. 99% Invisible. Welcome to Night Vale. Homecoming. These and hundreds of other great shows have critics declaring we’re in a “Golden Age” podcasting; a moment where the choice for quality digital audio abounds, and where new voices and listeners connect daily through earbuds, car stereos, home speakers or office computers. Podcasting is just over 10 years old, but it has been nothing short of an explosion of cultural and sonic creativity: there are millions of episodes in more than 100 languages. But this exciting new media form is shockingly vulnerable; podcast feeds end abruptly, cease to be maintained, or simply aren’t saved and archived properly. PodcastRE (short for Podcast Research) aims to avoid this fate for podcasts by preserving podcasts and presenting an interface for researching them. We believe that what today’s podcasters are producing will have value in the future, not just for its content, but for what it tells us about audio’s longer history, about who has the right to communicate and by what means. We may be in a “Golden Age” of podcasts but if we’re not making efforts to preserve and analyze these resources now, we’ll find ourselves in the same dilemma many radio, film or television historians now find themselves: writing, researching and thinking about a past they can’t fully see or hear.\n
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\n \n\n \n \n \n \n \n \n Significant Properties as Contextual Metadata.\n \n \n \n \n\n\n \n Faniel, I. M.; and Yakel, E.\n\n\n \n\n\n\n May 2014.\n \n\n\n\n
\n\n\n\n \n \n \"SignificantPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{faniel_significant_2014,\n\ttitle = {Significant {Properties} as {Contextual} {Metadata}},\n\tcopyright = {https://policies.oclc.org/en/copyright.html},\n\turl = {https://www.oclc.org/research/publications/2011/significant-properties-as-contextual-metadata.html},\n\tlanguage = {en},\n\turldate = {2020-01-27},\n\tjournal = {OCLC},\n\tauthor = {Faniel, Ixchel M. and Yakel, Elizabeth},\n\tmonth = may,\n\tyear = {2014},\n}\n\n
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\n  \n 2013\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n In Supreme Court Opinions, Web Links to Nowhere.\n \n \n \n \n\n\n \n Liptak, A.\n\n\n \n\n\n\n The New York Times. September 2013.\n \n\n\n\n
\n\n\n\n \n \n \"InPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@article{liptak_supreme_2013,\n\tchapter = {U.S.},\n\ttitle = {In {Supreme} {Court} {Opinions}, {Web} {Links} to {Nowhere}},\n\tissn = {0362-4331},\n\turl = {https://www.nytimes.com/2013/09/24/us/politics/in-supreme-court-opinions-clicks-that-lead-nowhere.html},\n\tabstract = {According to a new study, 49 percent of the hyperlinks in Supreme Court decisions no longer work.},\n\tlanguage = {en-US},\n\turldate = {2020-03-31},\n\tjournal = {The New York Times},\n\tauthor = {Liptak, Adam},\n\tmonth = sep,\n\tyear = {2013},\n\tkeywords = {Computers and the Internet, Liptak, Adam, Supreme Court, Zittrain, Jonathan},\n}\n\n
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\n According to a new study, 49 percent of the hyperlinks in Supreme Court decisions no longer work.\n
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\n  \n 2011\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n Archiving URLs.\n \n \n \n \n\n\n \n Branwen, G.\n\n\n \n\n\n\n . March 2011.\n Last Modified: 2019-01-05\n\n\n\n
\n\n\n\n \n \n \"ArchivingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{branwen_archiving_2011,\n\ttitle = {Archiving {URLs}},\n\tcopyright = {https://creativecommons.org/publicdomain/zero/1.0/},\n\turl = {https://www.gwern.net/Archiving-URLs},\n\tabstract = {Archiving the Web, because nothing lasts forever: statistics, online archive services, extracting URLs automatically from browsers, and creating a daemon to regularly back up URLs to multiple sources.},\n\tlanguage = {en-us},\n\turldate = {2020-09-08},\n\tauthor = {Branwen, Gwern},\n\tmonth = mar,\n\tyear = {2011},\n\tnote = {Last Modified: 2019-01-05},\n}\n\n
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\n Archiving the Web, because nothing lasts forever: statistics, online archive services, extracting URLs automatically from browsers, and creating a daemon to regularly back up URLs to multiple sources.\n
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\n \n\n \n \n \n \n \n \n Up and Down the Ladder of Abstraction.\n \n \n \n \n\n\n \n Victor, B.\n\n\n \n\n\n\n October 2011.\n \n\n\n\n
\n\n\n\n \n \n \"UpPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{victor_up_2011,\n\ttitle = {Up and {Down} the {Ladder} of {Abstraction}},\n\turl = {http://worrydream.com/LadderOfAbstraction/},\n\turldate = {2020-02-12},\n\tauthor = {Victor, Bret},\n\tmonth = oct,\n\tyear = {2011},\n}\n\n
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\n  \n 2009\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n In Defense of the Poor Image.\n \n \n \n \n\n\n \n Steyerl, H.\n\n\n \n\n\n\n e-flux, 10. November 2009.\n \n\n\n\n
\n\n\n\n \n \n \"InPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{steyerl_defense_2009,\n\ttitle = {In {Defense} of the {Poor} {Image}},\n\tvolume = {10},\n\turl = {https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/},\n\tabstract = {…},\n\tlanguage = {en},\n\turldate = {2020-09-02},\n\tjournal = {e-flux},\n\tauthor = {Steyerl, Hito},\n\tmonth = nov,\n\tyear = {2009},\n}\n\n
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\n …\n
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\n \n\n \n \n \n \n \n \n Practical RDF.\n \n \n \n \n\n\n \n Powers, S.\n\n\n \n\n\n\n O'Reilly Media, February 2009.\n \n\n\n\n
\n\n\n\n \n \n \"PracticalPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@book{powers_practical_2009,\n\ttitle = {Practical {RDF}},\n\tisbn = {978-0-596-00263-3},\n\turl = {http://shop.oreilly.com/product/9780596002633.do},\n\tabstract = {The Resource Description Framework (RDF) is a structure for describing and interchanging metadata on the Web. Practical RDF explains RDF from the ground up, providing real-world examples and descriptions of how the technology is being used in...},\n\tlanguage = {en},\n\turldate = {2020-01-27},\n\tpublisher = {O'Reilly Media},\n\tauthor = {Powers, Shelley},\n\tmonth = feb,\n\tyear = {2009},\n}\n\n
\n
\n\n\n
\n The Resource Description Framework (RDF) is a structure for describing and interchanging metadata on the Web. Practical RDF explains RDF from the ground up, providing real-world examples and descriptions of how the technology is being used in...\n
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\n  \n 2008\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Web 2.0 and Archives.\n \n \n \n \n\n\n \n Daines, J. G.; and Nimer, C. L.\n\n\n \n\n\n\n May 2008.\n \n\n\n\n
\n\n\n\n \n \n \"WebPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{daines_web_2008,\n\ttype = {Blog},\n\ttitle = {Web 2.0 and {Archives}},\n\turl = {http://interactivearchivist.archivists.org/},\n\tabstract = {Case Studies in Utilizing Web 2.0 to Improve the Archival Experience.},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tjournal = {The Interactive Archivist},\n\tauthor = {Daines, J. Gordon and Nimer, Corey L.},\n\tmonth = may,\n\tyear = {2008},\n}\n\n
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\n Case Studies in Utilizing Web 2.0 to Improve the Archival Experience.\n
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\n  \n 2002\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n RSS 2.0 specification.\n \n \n \n \n\n\n \n Software, U.\n\n\n \n\n\n\n 2002.\n \n\n\n\n
\n\n\n\n \n \n \"RSSPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{userland_software_rss_2002,\n\ttitle = {{RSS} 2.0 specification},\n\turl = {https://validator.w3.org/feed/docs/rss2.html},\n\turldate = {2020-01-27},\n\tjournal = {w3schools},\n\tauthor = {UserLand Software},\n\tyear = {2002},\n}\n\n
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\n
\n  \n 1999\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n \n Hypertext Transfer Protocol – HTTP/1.1.\n \n \n \n \n\n\n \n Leach, P. J.; Berners-Lee, T.; Mogul, J. C.; Masinter, L.; Fielding, R. T.; and Gettys, J.\n\n\n \n\n\n\n 1999.\n \n\n\n\n
\n\n\n\n \n \n \"HypertextPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{leach_hypertext_1999,\n\ttype = {Documentation},\n\ttitle = {Hypertext {Transfer} {Protocol} -- {HTTP}/1.1},\n\tcopyright = {The Internet Society},\n\turl = {https://tools.ietf.org/html/rfc2616#section-10.3.2},\n\tabstract = {The Hypertext Transfer Protocol (HTTP) is an application-level\n   protocol for distributed, collaborative, hypermedia information\n   systems. It is a generic, stateless, protocol which can be used for\n   many tasks beyond its use for hypertext, such as name servers and\n   distributed object management systems, through extension of its\n   request methods, error codes and headers [47]. A feature of HTTP is\n   the typing and negotiation of data representation, allowing systems\n   to be built independently of the data being transferred.\n\n   HTTP has been in use by the World-Wide Web global information\n   initiative since 1990. This specification defines the protocol\n   referred to as "HTTP/1.1", and is an update to RFC 2068 [33].},\n\tlanguage = {en},\n\turldate = {2020-01-28},\n\tjournal = {Network Working Group},\n\tauthor = {Leach, Paul J. and Berners-Lee, Tim and Mogul, Jeffrey C. and Masinter, Larry and Fielding, Roy T. and Gettys, James},\n\tyear = {1999},\n}\n\n
\n
\n\n\n
\n The Hypertext Transfer Protocol (HTTP) is an application-level protocol for distributed, collaborative, hypermedia information systems. It is a generic, stateless, protocol which can be used for many tasks beyond its use for hypertext, such as name servers and distributed object management systems, through extension of its request methods, error codes and headers [47]. A feature of HTTP is the typing and negotiation of data representation, allowing systems to be built independently of the data being transferred. HTTP has been in use by the World-Wide Web global information initiative since 1990. This specification defines the protocol referred to as \"HTTP/1.1\", and is an update to RFC 2068 [33].\n
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\n  \n 1964\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Language in thought and action.\n \n \n \n \n\n\n \n Hayakawa, S. I\n\n\n \n\n\n\n Harcourt, Brace & World, New York, 1964.\n OCLC: 578827250\n\n\n\n
\n\n\n\n \n \n \"LanguagePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@book{hayakawa_language_1964,\n\taddress = {New York},\n\ttitle = {Language in thought and action},\n\turl = {http://books.google.com/books?id=-shZAAAAMAAJ},\n\tlanguage = {English},\n\turldate = {2020-02-12},\n\tpublisher = {Harcourt, Brace \\& World},\n\tauthor = {Hayakawa, S. I},\n\tyear = {1964},\n\tnote = {OCLC: 578827250},\n}\n\n
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\n
\n  \n undefined\n \n \n (15)\n \n \n
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\n \n\n \n \n \n \n \n \n Modern codecs like AV1 can bring better quality video to the open web.\n \n \n \n \n\n\n \n McConnell, J.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"ModernPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{mcconnell_modern_nodate,\n\ttitle = {Modern codecs like {AV1} can bring better quality video to the open web},\n\turl = {https://blog.mozilla.org/blog/2018/07/11/royalty-free-web-video-codecs},\n\tabstract = {Here’s a surprising fact: It costs money to watch video online, even on free sites like YouTube. That’s because roughly 80\\% of web videos rely on a patented technology called the H.264 video codec that lets engineers shrink large media files and transmit them quickly over the internet.},\n\tlanguage = {en-US},\n\turldate = {2021-01-11},\n\tjournal = {The Mozilla Blog},\n\tauthor = {McConnell, Judy},\n}\n\n
\n
\n\n\n
\n Here’s a surprising fact: It costs money to watch video online, even on free sites like YouTube. That’s because roughly 80% of web videos rely on a patented technology called the H.264 video codec that lets engineers shrink large media files and transmit them quickly over the internet.\n
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\n \n\n \n \n \n \n \n \n Podcasting Legal Guide - Creative Commons.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"PodcastingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_podcasting_nodate,\n\ttitle = {Podcasting {Legal} {Guide} - {Creative} {Commons}},\n\turl = {https://wiki.creativecommons.org/wiki/Podcasting_Legal_Guide#Using_Music},\n\turldate = {2020-05-26},\n}\n\n
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\n \n\n \n \n \n \n \n \n RSS: The Original Federated Social Network Protocol.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"RSS:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{noauthor_rss_nodate,\n\ttitle = {{RSS}: {The} {Original} {Federated} {Social} {Network} {Protocol}},\n\tshorttitle = {{RSS}},\n\turl = {https://battlepenguin.com/tech/rss-the-original-federated-social-network-protocol},\n\tabstract = {I Want to Believe in RSS T-Shirt by Richard Stevens In 2013, Google discontinued their Reader we...},\n\turldate = {2020-03-25},\n}\n\n
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\n I Want to Believe in RSS T-Shirt by Richard Stevens In 2013, Google discontinued their Reader we...\n
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\n \n\n \n \n \n \n \n \n Brave Browser and the Wayback Machine: Working together to help make the Web more useful and reliable \\textbar Internet Archive Blogs.\n \n \n \n \n\n\n \n Graham, M.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"BravePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{graham_brave_nodate,\n\ttitle = {Brave {Browser} and the {Wayback} {Machine}: {Working} together to help make the {Web} more useful and reliable {\\textbar} {Internet} {Archive} {Blogs}},\n\tshorttitle = {Brave {Browser} and the {Wayback} {Machine}},\n\turl = {http://blog.archive.org/2020/02/25/brave-browser-and-the-wayback-machine-working-together-to-help-make-the-web-more-useful-and-reliable/},\n\tlanguage = {en-US},\n\turldate = {2020-02-26},\n\tauthor = {Graham, Mark},\n}\n\n
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\n \n\n \n \n \n \n \n \n ‎Preserve This Podcast on Apple Podcasts.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"‎PreservePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{noauthor_preserve_nodate,\n\ttitle = {‎{Preserve} {This} {Podcast} on {Apple} {Podcasts}},\n\turl = {https://podcasts.apple.com/us/podcast/preserve-this-podcast/id1451896473},\n\tabstract = {‎Technology · 2019},\n\tlanguage = {en-us},\n\turldate = {2020-02-12},\n\tjournal = {Apple Podcasts},\n}\n\n
\n
\n\n\n
\n ‎Technology · 2019\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Sarah McAnulty, Ph.D on Twitter: \"Do you have a science podcast? What is it called? What's it about? How many episodes have you made? How often are episodes released? Do you accept pitches by scientists to be on episodes? How many downloads do you get per episode? I want to make a spreadsheet with this info 😇\" / Twitter.\n \n \n \n \n\n\n \n McAnulty, S.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"SarahPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{mcanulty_sarah_nodate,\n\ttitle = {Sarah {McAnulty}, {Ph}.{D} on {Twitter}: "{Do} you have a science podcast? {What} is it called? {What}'s it about? {How} many episodes have you made? {How} often are episodes released? {Do} you accept pitches by scientists to be on episodes? {How} many downloads do you get per episode? {I} want to make a spreadsheet with this info 😇" / {Twitter}},\n\tshorttitle = {Sarah {McAnulty}, {Ph}.{D} on {Twitter}},\n\turl = {https://twitter.com/SarahMackAttack/status/1221581661017559040},\n\tlanguage = {en},\n\turldate = {2020-01-27},\n\tjournal = {Twitter},\n\tauthor = {McAnulty, Sarah},\n}\n\n
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\n \n\n \n \n \n \n \n \n Podcast Hosting, Distribution & Analytics.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"PodcastPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_podcast_nodate,\n\ttitle = {Podcast {Hosting}, {Distribution} \\& {Analytics}},\n\turl = {https://simplecast.com},\n\tabstract = {Say hello to the modern podcast hosting, distribution and analytics platform. Simplecast remains the easiest way for podcasters to publish audio to the world—with one-click publishing to Apple Podcasts, Spotify, or wherever your audience listens.},\n\tlanguage = {en},\n\turldate = {2020-02-09},\n\tjournal = {Simplecast},\n}\n\n
\n
\n\n\n
\n Say hello to the modern podcast hosting, distribution and analytics platform. Simplecast remains the easiest way for podcasters to publish audio to the world—with one-click publishing to Apple Podcasts, Spotify, or wherever your audience listens.\n
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\n \n\n \n \n \n \n \n \n iwantmyname.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"iwantmynamePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_iwantmyname_nodate,\n\ttitle = {iwantmyname},\n\turl = {https://iwantmyname.com/},\n\tabstract = {Your New Favorite Domain Registrar {\\textbar}},\n\turldate = {2020-02-09},\n\tjournal = {iwantmyname},\n}\n\n
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\n Your New Favorite Domain Registrar \\textbar\n
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\n \n\n \n \n \n \n \n \n Episode 5: RSS Resuscitations.\n \n \n \n \n\n\n \n Schwartz, M.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"EpisodePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{schwartz_episode_nodate,\n\ttitle = {Episode 5: {RSS} {Resuscitations}},\n\tshorttitle = {Preserve {This} {Podcast} – {Episode} 5},\n\turl = {https://radiopublic.com/preserve-this-podcast-WDJY3A/s1!ebbc8},\n\tabstract = {Podcasts rely on RSS feeds for distribution. But what happens when podcasters stop paying for RSS hosting? How can we keep podcasts accessible? In this episode, Molly Schwartz and Sarah Nguyen explore options for free self-hosting for the Preserve This Podcast podcast. Featuring Dave Winer, Jason Scott, Elsie Escobar, and Brad Smith. Find out more, download our zine, and RSVP to our traveling workshops at [preservethispodcast.org].},\n\tlanguage = {en},\n\turldate = {2020-02-09},\n\tauthor = {Schwartz, Molly},\n}\n\n
\n
\n\n\n
\n Podcasts rely on RSS feeds for distribution. But what happens when podcasters stop paying for RSS hosting? How can we keep podcasts accessible? In this episode, Molly Schwartz and Sarah Nguyen explore options for free self-hosting for the Preserve This Podcast podcast. Featuring Dave Winer, Jason Scott, Elsie Escobar, and Brad Smith. Find out more, download our zine, and RSVP to our traveling workshops at [preservethispodcast.org].\n
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\n \n\n \n \n \n \n \n \n Gucci - Black GG Tights.\n \n \n \n \n\n\n \n SSENSE\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"GucciPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{ssense_gucci_nodate,\n\ttitle = {Gucci - {Black} {GG} {Tights}},\n\turl = {https://www.ssense.com/en-us/en-us/women/product/gucci/black-gg-tights/3889931},\n\tabstract = {Sheer stretch nylon jersey tights in black. Tonal logo pattern throughout. Tonal logo knit at elasticized waistband.\n\nSupplier color: Black},\n\tlanguage = {en},\n\turldate = {2020-01-27},\n\tjournal = {ssense},\n\tauthor = {SSENSE},\n}\n\n
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\n Sheer stretch nylon jersey tights in black. Tonal logo pattern throughout. Tonal logo knit at elasticized waistband. Supplier color: Black\n
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\n \n\n \n \n \n \n \n \n XML RSS.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"XMLPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{noauthor_xml_nodate,\n\ttitle = {{XML} {RSS}},\n\turl = {https://www.w3schools.com/XML/xml_rss.asp},\n\tabstract = {With RSS it is possible to distribute up-to-date web content from one web site to thousands of other web sites around the world.\n\nRSS allows fast browsing for news and updates.},\n\turldate = {2020-01-27},\n\tjournal = {w3schools.com},\n}\n\n
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\n With RSS it is possible to distribute up-to-date web content from one web site to thousands of other web sites around the world. RSS allows fast browsing for news and updates.\n
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\n \n\n \n \n \n \n \n \n The 2005 Podcast Core Sample Collection : Free Audio : Free Download, Borrow and Streaming : Internet Archive.\n \n \n \n \n\n\n \n Scott, J.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{scott_2005_nodate,\n\ttitle = {The 2005 {Podcast} {Core} {Sample} {Collection} : {Free} {Audio} : {Free} {Download}, {Borrow} and {Streaming} : {Internet} {Archive}},\n\tshorttitle = {2005 {Podcast} {Core} {Sample} {Collection}},\n\turl = {https://archive.org/details/2005_podcastcoresample},\n\tabstract = {In 2004 and 2005 and with additional work in 2006, Jason Scott set up a server to extract and save off 14,000 episodes of podcasts in the relatively early "podcast" era, when serialized shows were being generated by many different entities on a regular basis and provided via an RSS feed. 10+ years later, these items are now presented for listening.},\n\turldate = {2020-01-20},\n\tjournal = {Internet Archive},\n\tauthor = {Scott, Jason},\n}\n\n
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\n In 2004 and 2005 and with additional work in 2006, Jason Scott set up a server to extract and save off 14,000 episodes of podcasts in the relatively early \"podcast\" era, when serialized shows were being generated by many different entities on a regular basis and provided via an RSS feed. 10+ years later, these items are now presented for listening.\n
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\n \n\n \n \n \n \n \n \n RPTF/ARSC Sound Collections Database.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"RPTF/ARSCPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{noauthor_rptfarsc_nodate,\n\ttype = {Database},\n\ttitle = {{RPTF}/{ARSC} {Sound} {Collections} {Database}},\n\tshorttitle = {Sound {Collections} {Database}},\n\turl = {https://database.radiopreservation.org/},\n\tabstract = {The RPTF/ARSC Sound Collections Database is supported by the Radio Preservation Task Force, National Recording Preservation Board of the Library of Congress (RPTF) and ARSC (Association for Recorded Sound Collections). This is the first release of this database. It includes information gathered by the RPTF, and the information will be edited and enhanced in the coming weeks and months. We will also be making changes to this site's appearance and functionality based on user feedback. The Task Force is also seeking out additional collections to list in the database.\n\nThe Collections Database is built using the open source Blacklight project, and is managed by the RPTF's Metadata Directors, William Vanden Dries (Indiana University) and Mark Matienzo (Stanford University) If you have comments about the data or search interface please contact Mark or William by email.\n\nThe RPTF is directed by Josh Shepperd, Assistant Professor, Catholic University of America.},\n\turldate = {2020-01-20},\n\tjournal = {RPTF/ARSC Sound Collections Database},\n}\n\n
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\n\n\n
\n The RPTF/ARSC Sound Collections Database is supported by the Radio Preservation Task Force, National Recording Preservation Board of the Library of Congress (RPTF) and ARSC (Association for Recorded Sound Collections). This is the first release of this database. It includes information gathered by the RPTF, and the information will be edited and enhanced in the coming weeks and months. We will also be making changes to this site's appearance and functionality based on user feedback. The Task Force is also seeking out additional collections to list in the database. The Collections Database is built using the open source Blacklight project, and is managed by the RPTF's Metadata Directors, William Vanden Dries (Indiana University) and Mark Matienzo (Stanford University) If you have comments about the data or search interface please contact Mark or William by email. The RPTF is directed by Josh Shepperd, Assistant Professor, Catholic University of America.\n
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\n \n\n \n \n \n \n \n \n Preserve This Podcast.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"PreservePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_preserve_nodate-1,\n\ttitle = {Preserve {This} {Podcast}},\n\turl = {http://preservethispodcast.org/#episodes},\n\turldate = {2020-01-20},\n}\n\n
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\n \n\n \n \n \n \n \n \n Should You Host Your Own Podcast RSS Feed?.\n \n \n \n \n\n\n \n Lewis, D. L\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"ShouldPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{lewis_should_nodate,\n\ttitle = {Should {You} {Host} {Your} {Own} {Podcast} {RSS} {Feed}?},\n\turl = {https://theaudacitytopodcast.com/should-you-host-your-own-podcast-rss-feed-tap270/},\n\tabstract = {Where you host your podcast RSS feed is crucial for ownership and control. Here are some things to consider for whether you should host your feed yourself.},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tauthor = {Lewis, Daniel L},\n}\n\n
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\n Where you host your podcast RSS feed is crucial for ownership and control. Here are some things to consider for whether you should host your feed yourself.\n
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\n"}; document.write(bibbase_data.data);