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\n\n \n \n \n \n \n \n STS Podcasts Playlist.\n \n \n \n \n\n\n \n Feshak, V.\n\n\n \n\n\n\n November 2019.\n
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@misc{feshak_sts_2019,\n\ttitle = {{STS} {Podcasts} {Playlist}},\n\turl = {https://ethos.itu.dk/2019/11/25/sts-podcasts-playlist/},\n\tabstract = {STS Podcasts Playlist Blogpost and artwork by Viktoriya Feshak Today, many STS scholars challenge current methods of storytelling practices and knowledge dissemination in general for being limited in describing things that are complex, messy, diffuse, vague or emotional... Yet, the challenge is not only to represent complex phenomena, but to include voices that should be…},\n\tlanguage = {en-US},\n\turldate = {2020-05-18},\n\tjournal = {ETHOS},\n\tauthor = {Feshak, Viktoriya},\n\tmonth = nov,\n\tyear = {2019},\n}\n\n
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\n STS Podcasts Playlist Blogpost and artwork by Viktoriya Feshak Today, many STS scholars challenge current methods of storytelling practices and knowledge dissemination in general for being limited in describing things that are complex, messy, diffuse, vague or emotional... Yet, the challenge is not only to represent complex phenomena, but to include voices that should be…\n
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\n\n \n \n \n \n \n \n Top 100 Apps Of 2019: Netflix, Uber, Spotify, Google Pay, Wish, And More.\n \n \n \n \n\n\n \n Koetsier, J.\n\n\n \n\n\n\n December 2019.\n
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@misc{koetsier_top_2019,\n\ttitle = {Top 100 {Apps} {Of} 2019: {Netflix}, {Uber}, {Spotify}, {Google} {Pay}, {Wish}, {And} {More}},\n\tshorttitle = {Top 100 {Apps} {Of} 2019},\n\turl = {https://www.forbes.com/sites/johnkoetsier/2020/12/30/top-100-apps-of-2019-netflix-uber-spotify-google-pay-wish-and-more/},\n\tabstract = {Shocker: PUBG and Fortnite are not the most popular battle royale games ...},\n\tlanguage = {en},\n\turldate = {2020-02-18},\n\tjournal = {Forbes},\n\tauthor = {Koetsier, John},\n\tmonth = dec,\n\tyear = {2019},\n}\n\n
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\n Shocker: PUBG and Fortnite are not the most popular battle royale games ...\n
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\n\n \n \n \n \n \n \n What is this Group of Podcasts Called?.\n \n \n \n \n\n\n \n Multitude\n\n\n \n\n\n\n September 2019.\n
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@misc{multitude_what_2019,\n\ttitle = {What is this {Group} of {Podcasts} {Called}?},\n\turl = {https://medium.com/@multitude/podcast-networks-studios-platforms-collectives-c898ff7528d9},\n\tabstract = {Podcast networks, studios, platforms, and collectives explained.},\n\tlanguage = {en},\n\turldate = {2020-02-09},\n\tjournal = {Medium},\n\tauthor = {Multitude},\n\tmonth = sep,\n\tyear = {2019},\n}\n\n
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\n Podcast networks, studios, platforms, and collectives explained.\n
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\n\n \n \n \n \n \n \n The PodcastRE Project: Curating and Preserving Podcasts (and Their Data).\n \n \n \n \n\n\n \n Morris, J. W.; Hansen, S.; and Hoyt, E.\n\n\n \n\n\n\n
Journal of Radio & Audio Media, 26(1): 8–20. January 2019.\n
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@article{morris_podcastre_2019,\n\ttitle = {The {PodcastRE} {Project}: {Curating} and {Preserving} {Podcasts} (and {Their} {Data})},\n\tvolume = {26},\n\tissn = {1937-6529},\n\tshorttitle = {The {PodcastRE} {Project}},\n\turl = {https://doi.org/10.1080/19376529.2019.1559550},\n\tdoi = {10.1080/19376529.2019.1559550},\n\tnumber = {1},\n\turldate = {2020-01-20},\n\tjournal = {Journal of Radio \\& Audio Media},\n\tauthor = {Morris, Jeremy Wade and Hansen, Samuel and Hoyt, Eric},\n\tmonth = jan,\n\tyear = {2019},\n\tpages = {8--20},\n}\n\n
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\n\n \n \n \n \n \n \n VIDEO: Diversity In Podcasting: Women In Their Own Words.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n March 2019.\n
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@misc{noauthor_video_2019,\n\ttitle = {{VIDEO}: {Diversity} {In} {Podcasting}: {Women} {In} {Their} {Own} {Words}},\n\tshorttitle = {{VIDEO}},\n\turl = {https://www.wbur.org/events/454878/diversity-in-podcasting-women-in-their-own-words},\n\tlanguage = {en},\n\turldate = {2019-11-30},\n\tmonth = mar,\n\tyear = {2019},\n}\n\n
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\n\n \n \n \n \n \n \n The Digital Documentation Process.\n \n \n \n \n\n\n \n Morreale, L.\n\n\n \n\n\n\n January 2019.\n
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@misc{morreale_digital_2019,\n\ttitle = {The {Digital} {Documentation} {Process}},\n\turl = {https://digitalhumanitiesddp.com/},\n\tabstract = {This website will serve as a guide to the Digital Documentation Process (DDP), a set of best practices for cataloguing and preserving digital projects. The DDP makes digital humanities (DH) scholarship findable and citable for all scholars, stores and makes available durable versions of digital objects created in DH work, and facilitates a suite of …},\n\tlanguage = {en-US},\n\turldate = {2020-01-08},\n\tjournal = {The Digital Documentation Process},\n\tauthor = {Morreale, Laura},\n\tmonth = jan,\n\tyear = {2019},\n}\n\n
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\n This website will serve as a guide to the Digital Documentation Process (DDP), a set of best practices for cataloguing and preserving digital projects. The DDP makes digital humanities (DH) scholarship findable and citable for all scholars, stores and makes available durable versions of digital objects created in DH work, and facilitates a suite of …\n
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\n\n \n \n \n \n \n \n Everyone is admitting what they get paid to work in journalism.\n \n \n \n \n\n\n \n Ingram, M.\n\n\n \n\n\n\n November 2019.\n
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@misc{ingram_everyone_2019,\n\ttitle = {Everyone is admitting what they get paid to work in journalism},\n\turl = {https://www.cjr.org/cjr_outbox/google-doc-journalism-media-pay.php},\n\tabstract = {When journalists want to talk among themselves about something difficult, the anonymous Google Doc seems to have become the mechanism. First there was the “Shitty Media Men” document, which was circulated in 2017, and eventually grew into a long list of alleged sexual harassers, working at some of the leading media outlets in the country. […]},\n\tlanguage = {en},\n\turldate = {2019-11-14},\n\tjournal = {Columbia Journalism Review},\n\tauthor = {Ingram, Mathew},\n\tmonth = nov,\n\tyear = {2019},\n}\n\n
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\n When journalists want to talk among themselves about something difficult, the anonymous Google Doc seems to have become the mechanism. First there was the “Shitty Media Men” document, which was circulated in 2017, and eventually grew into a long list of alleged sexual harassers, working at some of the leading media outlets in the country. […]\n
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\n\n \n \n \n \n \n \n An Oral History of LimeWire: The Little App That Changed the Music Industry Forever.\n \n \n \n \n\n\n \n Myers, Q.\n\n\n \n\n\n\n November 2019.\n
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@misc{myers_oral_2019,\n\ttitle = {An {Oral} {History} of {LimeWire}: {The} {Little} {App} {That} {Changed} the {Music} {Industry} {Forever}},\n\tshorttitle = {An {Oral} {History} of {LimeWire}},\n\turl = {https://melmagazine.com/en-us/story/an-oral-history-of-limewire-the-little-app-that-changed-the-music-industry-forever},\n\tabstract = {In 2001, the internet’s premier file-sharing service Napster was shut down after just two years, leaving a giant vacuum in the ever-expanding peer-to-peer file-sharing space....},\n\tlanguage = {en-US},\n\turldate = {2019-11-10},\n\tjournal = {MEL Magazine},\n\tauthor = {Myers, Quinn},\n\tmonth = nov,\n\tyear = {2019},\n}\n\n
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\n In 2001, the internet’s premier file-sharing service Napster was shut down after just two years, leaving a giant vacuum in the ever-expanding peer-to-peer file-sharing space....\n
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\n\n \n \n \n \n \n \n Who Tells the Story of Our Future? \\textbar Werk It: The Podcast.\n \n \n \n \n\n\n \n Todd, B.; Jeff, J.; Muhmmad, N. “.; and Riddell, S.\n\n\n \n\n\n\n January 2019.\n
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@misc{todd_who_2019,\n\ttitle = {Who {Tells} the {Story} of {Our} {Future}? {\\textbar} {Werk} {It}: {The} {Podcast}},\n\tshorttitle = {Who {Tells} the {Story} of {Our} {Future}?},\n\turl = {https://www.wnycstudios.org/story/who-tells-story-our-future-werk-it-2018},\n\tabstract = {Four podcasters of color talk about how to make science and tech podcasts are more inclusive for both creators and listeners.},\n\tlanguage = {en},\n\turldate = {2019-07-16},\n\tjournal = {WNYC Studios},\n\tauthor = {Todd, Brigdet and Jeff, Janina and Muhmmad, Naima “Queen” and Riddell, Sam},\n\tmonth = jan,\n\tyear = {2019},\n\tkeywords = {PodcastHistory},\n}\n\n
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\n Four podcasters of color talk about how to make science and tech podcasts are more inclusive for both creators and listeners.\n
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\n\n \n \n \n \n \n \n VIDEO: Diversity In Podcasting: Women In Their Own Words.\n \n \n \n \n\n\n \n Todd, B.; Jeff, J.; Muhmmad, N. “.; and Riddell, S.\n\n\n \n\n\n\n March 2019.\n
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@misc{todd_video_2019,\n\ttitle = {{VIDEO}: {Diversity} {In} {Podcasting}: {Women} {In} {Their} {Own} {Words}},\n\turl = {https://www.wbur.org/events/454878/diversity-in-podcasting-women-in-their-own-words},\n\tabstract = {Over three months a group of diverse women of color ranging in age from 22 to 70 came from neighborhoods across Boston to learn the art of audio storytelling through podcasting. Over this time and through their own voices these women developed stories of the "other" Boston and beyond.\n\nThese experiences include exploring roots in Dorchester when the Nation of Islam was first born and finding love in Boston when you are queer and of color. These are stories of immigrants overcoming educational discrimination and first-generation women coping with physical abuse. Most important, these are the stories of women, who in their own words, are sharing for the benefit of all, a side of the city that we don't often see.\n\nThis project was created by Futuro Media in partnership with PRX's Podcast Garage, MassCreative and WBUR.},\n\tlanguage = {en},\n\turldate = {2019-11-25},\n\tjournal = {wbur},\n\tauthor = {Todd, Bridget and Jeff, Janina and Muhmmad, Naima “Queen” and Riddell, Sam},\n\tmonth = mar,\n\tyear = {2019},\n}\n\n
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\n Over three months a group of diverse women of color ranging in age from 22 to 70 came from neighborhoods across Boston to learn the art of audio storytelling through podcasting. Over this time and through their own voices these women developed stories of the \"other\" Boston and beyond. These experiences include exploring roots in Dorchester when the Nation of Islam was first born and finding love in Boston when you are queer and of color. These are stories of immigrants overcoming educational discrimination and first-generation women coping with physical abuse. Most important, these are the stories of women, who in their own words, are sharing for the benefit of all, a side of the city that we don't often see. This project was created by Futuro Media in partnership with PRX's Podcast Garage, MassCreative and WBUR.\n
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\n\n \n \n \n \n \n \n Spotify to Acquire Parcast, a Premier Podcast Storytelling Studio.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n March 2019.\n
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@misc{noauthor_spotify_2019,\n\ttitle = {Spotify to {Acquire} {Parcast}, a {Premier} {Podcast} {Storytelling} {Studio}},\n\turl = {https://investors.spotify.com/financials/press-release-details/2019/Spotify-to-Acquire-Parcast-a-Premier-Podcast-Storytelling-Studio/default.aspx},\n\tabstract = {Spotify Technology S.A. (NYSE:SPOT), the world’s most popular audio streaming subscription service, today announced that it has entered into a definitive agreement to acquire Parcast, a premier storytelling-driven podcast studio. Terms of the transaction were not disclosed. Since its founding in 2016, Parcast has launched 18 premium podcast series including Serial Killers, Unsolved Murders, Cults and Conspiracy Theories and the studio’s first fiction series, Mind’s Eye. Parcast will bring to Spotify its curated library of highly produced shows and its engaged, loyal audiences. With an expertise in genres touching mystery, crime, science fiction, and history, Parcast has shown it has depth in subject matter and the ability to develop audiences across its robust network. Additionally, Parcast has more than 20 new shows slated to launch later this year. “The addition of Parcast to our growing roster of podcast content will advance our goal of becoming the world’s leading audio platform,”},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tjournal = {Spotify Investors},\n\tmonth = mar,\n\tyear = {2019},\n}\n\n
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\n Spotify Technology S.A. (NYSE:SPOT), the world’s most popular audio streaming subscription service, today announced that it has entered into a definitive agreement to acquire Parcast, a premier storytelling-driven podcast studio. Terms of the transaction were not disclosed. Since its founding in 2016, Parcast has launched 18 premium podcast series including Serial Killers, Unsolved Murders, Cults and Conspiracy Theories and the studio’s first fiction series, Mind’s Eye. Parcast will bring to Spotify its curated library of highly produced shows and its engaged, loyal audiences. With an expertise in genres touching mystery, crime, science fiction, and history, Parcast has shown it has depth in subject matter and the ability to develop audiences across its robust network. Additionally, Parcast has more than 20 new shows slated to launch later this year. “The addition of Parcast to our growing roster of podcast content will advance our goal of becoming the world’s leading audio platform,”\n
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\n\n \n \n \n \n \n \n #w1d: The Story Disrupted: Memory Instit...\n \n \n \n \n\n\n \n Mandel, C.; Cohen, D.; Hagan, S.; Owens, T.; and Weber, C.\n\n\n \n\n\n\n October 2019.\n
session notes https://docs.google.com/document/d/1svc4VGkvrqHj_qKQBdzyPrOhXn8M1W4Zm_nZ_lpiNzo/edit\n\n
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@misc{mandel_w1d_2019,\n\taddress = {Tampa, FL},\n\ttype = {Panel},\n\ttitle = {\\#w1d: {The} {Story} {Disrupted}: {Memory} {Instit}...},\n\tshorttitle = {{DLF} {Forum} 2019},\n\turl = {https://dlfforum2019.sched.com/event/S2X7/w1d-the-story-disrupted-memory-institutions-and-born-digital-collecting},\n\tabstract = {Our memory institutions have been shaped by a pre-digital world. Given the disruptive challenges of the digital-only environment, we are at a critical juncture to re-examine the societal and institutional framework that serves to collect and preserve documentary evidence and consider a framework that can better match 21st century challenges.},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tauthor = {Mandel, Carol and Cohen, Dan and Hagan, Siobhan and Owens, Trevor and Weber, Chela},\n\tmonth = oct,\n\tyear = {2019},\n\tnote = {session notes https://docs.google.com/document/d/1svc4VGkvrqHj\\_qKQBdzyPrOhXn8M1W4Zm\\_nZ\\_lpiNzo/edit},\n}\n\n
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\n Our memory institutions have been shaped by a pre-digital world. Given the disruptive challenges of the digital-only environment, we are at a critical juncture to re-examine the societal and institutional framework that serves to collect and preserve documentary evidence and consider a framework that can better match 21st century challenges.\n
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\n\n \n \n \n \n \n \n On-Device Captioning with Live Caption.\n \n \n \n \n\n\n \n Tadmor-Ramanovich, M.; and Bar, N.\n\n\n \n\n\n\n October 2019.\n
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@misc{tadmor-ramanovich_-device_2019,\n\ttitle = {On-{Device} {Captioning} with {Live} {Caption}},\n\turl = {http://ai.googleblog.com/2019/10/on-device-captioning-with-live-caption.html},\n\tabstract = {Posted by Michelle Tadmor-Ramanovich and Nadav Bar, Senior Software Engineers, Google Research, Tel-Aviv Captions for audio content are ...},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tjournal = {Google AI Blog},\n\tauthor = {Tadmor-Ramanovich, Michelle and Bar, Nadav},\n\tmonth = oct,\n\tyear = {2019},\n}\n\n
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\n Posted by Michelle Tadmor-Ramanovich and Nadav Bar, Senior Software Engineers, Google Research, Tel-Aviv Captions for audio content are ...\n
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\n\n \n \n \n \n \n \n Google’s Next Generation Music Recognition.\n \n \n \n \n\n\n \n Lyon, J.\n\n\n \n\n\n\n August 2019.\n
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@misc{lyon_googles_2019,\n\ttitle = {Google’s {Next} {Generation} {Music} {Recognition}},\n\turl = {http://ai.googleblog.com/2018/09/googles-next-generation-music.html},\n\tabstract = {Posted by James Lyon, Google AI, Zürich In 2017 we launched Now Playing on the Pixel 2, using deep neural networks to bring low-power, ...},\n\tlanguage = {en},\n\turldate = {2020-01-20},\n\tjournal = {Google AI Blog},\n\tauthor = {Lyon, James},\n\tmonth = aug,\n\tyear = {2019},\n}\n\n
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\n Posted by James Lyon, Google AI, Zürich In 2017 we launched Now Playing on the Pixel 2, using deep neural networks to bring low-power, ...\n
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\n\n \n \n \n \n \n \n Branded RSS: the definitive guide.\n \n \n \n \n\n\n \n Tépper, A.\n\n\n \n\n\n\n Allan Tépper/TecnoTur LLC, 2019.\n
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@book{tepper_branded_2019,\n\ttitle = {Branded {RSS}: the definitive guide},\n\tshorttitle = {Branded {RSS}},\n\turl = {https://beyondpodcasting.com/branded-rss/},\n\tabstract = {Branded RSS podcasting: the definitive guide, another book by Allan Tépper},\n\tlanguage = {en-US},\n\turldate = {2020-01-20},\n\tpublisher = {Allan Tépper/TecnoTur LLC},\n\tauthor = {Tépper, Allan},\n\tyear = {2019},\n}\n
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\n Branded RSS podcasting: the definitive guide, another book by Allan Tépper\n
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