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\n  \n Aroyo, L.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Rijksmuseum collection as Linked Data.\n \n \n \n \n\n\n \n Dijkshoorn, C.; Jongma, L.; Aroyo, L.; van Ossenbruggen, J.; Schreiber, G.; ter Weele, W.; and Wielemaker, J.\n\n\n \n\n\n\n Semantic Web, 9(2): 221–230. January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{dijkshoorn_rijksmuseum_2018,\n\ttitle = {The {Rijksmuseum} collection as {Linked} {Data}},\n\tvolume = {9},\n\tissn = {22104968, 15700844},\n\turl = {https://www.medra.org/servlet/aliasResolver?alias=iospress&doi=10.3233/SW-170257},\n\tdoi = {10.3233/SW-170257},\n\tnumber = {2},\n\turldate = {2020-03-12},\n\tjournal = {Semantic Web},\n\tauthor = {Dijkshoorn, Chris and Jongma, Lizzy and Aroyo, Lora and van Ossenbruggen, Jacco and Schreiber, Guus and ter Weele, Wesley and Wielemaker, Jan},\n\teditor = {Alani, Harith},\n\tmonth = jan,\n\tyear = {2018},\n\tpages = {221--230},\n}\n\n
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\n  \n Bernhard, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Gugelmann Galaxy: An Unexpected Journey through a collection of Schweizer Kleinmeister.\n \n \n \n \n\n\n \n Bernhard, M.\n\n\n \n\n\n\n \\textlessp\\textgreaterInternational Journal for Digital Art History, No 2: Year: 2015\\textless/p\\textgreater. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"GugelmannPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{bernhard_gugelmann_2016,\n\ttitle = {Gugelmann {Galaxy}: {An} {Unexpected} {Journey} through a collection of {Schweizer} {Kleinmeister}},\n\tvolume = {No 2},\n\tshorttitle = {Gugelmann {Galaxy}},\n\turl = {http://journals.ub.uni-heidelberg.de/index.php/dah/article/view/23250},\n\tdoi = {10.11588/DAH.2016.2.23250},\n\tabstract = {GLAM institutions all over the world are digitizing their collections. As the number of items in such a collection amounts to tens or even hundreds of thousands, providing comprehensible access and presentation becomes increasingly difficult. At the same time, a steadily growing amount of this data is openly available. This gives rise to various projects approaching the hidden treasures in these collections with computational tools. The project presented here, Gugelmann Galaxy, lets the user explore an entire collection of digitized images and their textual metadata in an immersive three-dimensional cloud, whose configuration can be rearranged according to different criteria. The project questions traditional models of categorization and curating and implements alternative approaches prototypically.},\n\tlanguage = {eng},\n\turldate = {2020-03-12},\n\tjournal = {{\\textless}p{\\textgreater}International Journal for Digital Art History},\n\tauthor = {Bernhard, Mathias},\n\tcollaborator = {Graphentis Verlag E.K., Munich},\n\tyear = {2016},\n\tpages = {Year: 2015{\\textless}/p{\\textgreater}},\n}\n\n
\n
\n\n\n
\n GLAM institutions all over the world are digitizing their collections. As the number of items in such a collection amounts to tens or even hundreds of thousands, providing comprehensible access and presentation becomes increasingly difficult. At the same time, a steadily growing amount of this data is openly available. This gives rise to various projects approaching the hidden treasures in these collections with computational tools. The project presented here, Gugelmann Galaxy, lets the user explore an entire collection of digitized images and their textual metadata in an immersive three-dimensional cloud, whose configuration can be rearranged according to different criteria. The project questions traditional models of categorization and curating and implements alternative approaches prototypically.\n
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\n  \n Butler, B.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Stories of Impact: The Role of Narrative in Understanding the Value and Impact of Digital Collections.\n \n \n \n \n\n\n \n Marsh, D. E.; Punzalan, R. L.; Leopold, R.; Butler, B.; and Petrozzi, M.\n\n\n \n\n\n\n Archival Science, 16(4): 327–372. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"StoriesPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{marsh_stories_2016,\n\ttitle = {Stories of {Impact}: {The} {Role} of {Narrative} in {Understanding} the {Value} and {Impact} of {Digital} {Collections}},\n\tvolume = {16},\n\tissn = {1389-0166, 1573-7519},\n\tshorttitle = {Stories of impact},\n\turl = {http://link.springer.com/10.1007/s10502-015-9253-5},\n\tdoi = {10.1007/s10502-015-9253-5},\n\tabstract = {Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.},\n\tlanguage = {en},\n\tnumber = {4},\n\turldate = {2020-12-16},\n\tjournal = {Archival Science},\n\tauthor = {Marsh, Diana E. and Punzalan, Ricardo L. and Leopold, Robert and Butler, Brian and Petrozzi, Massimo},\n\tyear = {2016},\n\tpages = {327--372},\n}\n\n
\n
\n\n\n
\n Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.\n
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\n  \n Dijkshoorn, C.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Rijksmuseum collection as Linked Data.\n \n \n \n \n\n\n \n Dijkshoorn, C.; Jongma, L.; Aroyo, L.; van Ossenbruggen, J.; Schreiber, G.; ter Weele, W.; and Wielemaker, J.\n\n\n \n\n\n\n Semantic Web, 9(2): 221–230. January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{dijkshoorn_rijksmuseum_2018,\n\ttitle = {The {Rijksmuseum} collection as {Linked} {Data}},\n\tvolume = {9},\n\tissn = {22104968, 15700844},\n\turl = {https://www.medra.org/servlet/aliasResolver?alias=iospress&doi=10.3233/SW-170257},\n\tdoi = {10.3233/SW-170257},\n\tnumber = {2},\n\turldate = {2020-03-12},\n\tjournal = {Semantic Web},\n\tauthor = {Dijkshoorn, Chris and Jongma, Lizzy and Aroyo, Lora and van Ossenbruggen, Jacco and Schreiber, Guus and ter Weele, Wesley and Wielemaker, Jan},\n\teditor = {Alani, Harith},\n\tmonth = jan,\n\tyear = {2018},\n\tpages = {221--230},\n}\n\n
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\n  \n Gasser, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Digitale Sammlungen: Anforderungen an das digitalisierte Kulturerbe.\n \n \n \n \n\n\n \n Gasser, S.\n\n\n \n\n\n\n of Edition Museumtranscript, Bielefeld, 2024.\n \n\n\n\n
\n\n\n\n \n \n \"DigitalePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{gasser2024,\n\taddress = {Bielefeld},\n\tseries = {Edition {Museum}},\n\ttitle = {Digitale {Sammlungen}: {Anforderungen} an das digitalisierte {Kulturerbe}},\n\tcopyright = {All rights reserved},\n\tisbn = {978-3-8376-7021-9},\n\tshorttitle = {Digitale {Sammlungen}},\n\turl = {https://www.transcript-verlag.de/978-3-8376-7021-9/digitale-sammlungen/},\n\tabstract = {Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten. Im Auftrag der Stiftung für Kunst, Kultur und Geschichte (SKKG) in Winterthur widmet sich Sonja Gasser dieser Leerstelle und analysiert in einer Umfrage die Anforderungen zur digitalen Repräsentation von Sammlungen. Die Ergebnisse bieten Museen und anderen Kulturinstitutionen Orientierung und Inspiration - beispielsweise bei der Entwicklung oder Erweiterung eines digitalen Angebots und der Abstimmung digitaler Sammlungen auf die Bedürfnisse der Nutzenden},\n\tlanguage = {de},\n\tnumber = {Band 81},\n\turldate = {2024-01-06},\n\tpublisher = {transcript},\n\tauthor = {Gasser, Sonja},\n\teditor = {Stiftung für Kunst, Kultur und Geschichte},\n\tyear = {2024},\n\tdoi = {https://doi.org/10.14361/9783839470213},\n\tkeywords = {GLAM, Museum, digitale Sammlung, open access},\n}\n\n
\n
\n\n\n
\n Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten. Im Auftrag der Stiftung für Kunst, Kultur und Geschichte (SKKG) in Winterthur widmet sich Sonja Gasser dieser Leerstelle und analysiert in einer Umfrage die Anforderungen zur digitalen Repräsentation von Sammlungen. Die Ergebnisse bieten Museen und anderen Kulturinstitutionen Orientierung und Inspiration - beispielsweise bei der Entwicklung oder Erweiterung eines digitalen Angebots und der Abstimmung digitaler Sammlungen auf die Bedürfnisse der Nutzenden\n
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\n  \n Glinka, K.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Process Is Part of the Solution: Insights from the German Collaborative Project museum4punkt0.\n \n \n \n \n\n\n \n Glinka, K.\n\n\n \n\n\n\n Museum International, 70(1-2): 90–103. January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{glinka_process_2018,\n\ttitle = {The {Process} {Is} {Part} of the {Solution}: {Insights} from the {German} {Collaborative} {Project} \\textit{museum4punkt0}},\n\tvolume = {70},\n\tissn = {1350-0775, 1468-0033},\n\tshorttitle = {The {Process} {Is} {Part} of the {Solution}},\n\turl = {https://www.tandfonline.com/doi/full/10.1111/muse.12195},\n\tdoi = {10.1111/muse.12195},\n\tlanguage = {en},\n\tnumber = {1-2},\n\turldate = {2020-03-12},\n\tjournal = {Museum International},\n\tauthor = {Glinka, Katrin},\n\tmonth = jan,\n\tyear = {2018},\n\tpages = {90--103},\n}\n
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\n  \n Jongma, L.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Rijksmuseum collection as Linked Data.\n \n \n \n \n\n\n \n Dijkshoorn, C.; Jongma, L.; Aroyo, L.; van Ossenbruggen, J.; Schreiber, G.; ter Weele, W.; and Wielemaker, J.\n\n\n \n\n\n\n Semantic Web, 9(2): 221–230. January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{dijkshoorn_rijksmuseum_2018,\n\ttitle = {The {Rijksmuseum} collection as {Linked} {Data}},\n\tvolume = {9},\n\tissn = {22104968, 15700844},\n\turl = {https://www.medra.org/servlet/aliasResolver?alias=iospress&doi=10.3233/SW-170257},\n\tdoi = {10.3233/SW-170257},\n\tnumber = {2},\n\turldate = {2020-03-12},\n\tjournal = {Semantic Web},\n\tauthor = {Dijkshoorn, Chris and Jongma, Lizzy and Aroyo, Lora and van Ossenbruggen, Jacco and Schreiber, Guus and ter Weele, Wesley and Wielemaker, Jan},\n\teditor = {Alani, Harith},\n\tmonth = jan,\n\tyear = {2018},\n\tpages = {221--230},\n}\n\n
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\n  \n Leopold, R.\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n \n Stories of Impact: The Role of Narrative in Understanding the Value and Impact of Digital Collections.\n \n \n \n \n\n\n \n Marsh, D. E.; Punzalan, R. L.; Leopold, R.; Butler, B.; and Petrozzi, M.\n\n\n \n\n\n\n Archival Science, 16(4): 327–372. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"StoriesPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{marsh_stories_2016,\n\ttitle = {Stories of {Impact}: {The} {Role} of {Narrative} in {Understanding} the {Value} and {Impact} of {Digital} {Collections}},\n\tvolume = {16},\n\tissn = {1389-0166, 1573-7519},\n\tshorttitle = {Stories of impact},\n\turl = {http://link.springer.com/10.1007/s10502-015-9253-5},\n\tdoi = {10.1007/s10502-015-9253-5},\n\tabstract = {Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.},\n\tlanguage = {en},\n\tnumber = {4},\n\turldate = {2020-12-16},\n\tjournal = {Archival Science},\n\tauthor = {Marsh, Diana E. and Punzalan, Ricardo L. and Leopold, Robert and Butler, Brian and Petrozzi, Massimo},\n\tyear = {2016},\n\tpages = {327--372},\n}\n\n
\n
\n\n\n
\n Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.\n
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\n  \n Marsh, D.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Stories of Impact: The Role of Narrative in Understanding the Value and Impact of Digital Collections.\n \n \n \n \n\n\n \n Marsh, D. E.; Punzalan, R. L.; Leopold, R.; Butler, B.; and Petrozzi, M.\n\n\n \n\n\n\n Archival Science, 16(4): 327–372. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"StoriesPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{marsh_stories_2016,\n\ttitle = {Stories of {Impact}: {The} {Role} of {Narrative} in {Understanding} the {Value} and {Impact} of {Digital} {Collections}},\n\tvolume = {16},\n\tissn = {1389-0166, 1573-7519},\n\tshorttitle = {Stories of impact},\n\turl = {http://link.springer.com/10.1007/s10502-015-9253-5},\n\tdoi = {10.1007/s10502-015-9253-5},\n\tabstract = {Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.},\n\tlanguage = {en},\n\tnumber = {4},\n\turldate = {2020-12-16},\n\tjournal = {Archival Science},\n\tauthor = {Marsh, Diana E. and Punzalan, Ricardo L. and Leopold, Robert and Butler, Brian and Petrozzi, Massimo},\n\tyear = {2016},\n\tpages = {327--372},\n}\n\n
\n
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\n Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.\n
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\n  \n Matthews, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Adding value to libraries, archives, and museums: harnessing the force that drives your organization's future.\n \n \n \n\n\n \n Matthews, J. R.\n\n\n \n\n\n\n Libraries Unlimited, an imprint of ABC-CLIO, LLC, Santa Barbara, California, 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{matthews_adding_2016,\n\taddress = {Santa Barbara, California},\n\ttitle = {Adding value to libraries, archives, and museums: harnessing the force that drives your organization's future},\n\tisbn = {9781440842887},\n\tshorttitle = {Adding value to libraries, archives, and museums},\n\tabstract = {"This book explains the concept of adding value and shows staff at libraries and other organizations why they need to take steps now to ensure they are adding new value to their communities--whether it be a local town or neighborhood, a faculty and student body, or a school"--},\n\tpublisher = {Libraries Unlimited, an imprint of ABC-CLIO, LLC},\n\tauthor = {Matthews, Joseph R.},\n\tyear = {2016},\n\tkeywords = {LANGUAGE ARTS \\& DISCIPLINES / Library \\& Information Science / Archives \\& Special Libraries, LANGUAGE ARTS \\& DISCIPLINES / Library \\& Information Science / Collection Development, Libraries, Libraries and community, Library administration, Library planning, Technological innovations, Value added},\n}\n\n
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\n\n\n
\n \"This book explains the concept of adding value and shows staff at libraries and other organizations why they need to take steps now to ensure they are adding new value to their communities–whether it be a local town or neighborhood, a faculty and student body, or a school\"–\n
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\n  \n Petrozzi, M.\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Stories of Impact: The Role of Narrative in Understanding the Value and Impact of Digital Collections.\n \n \n \n \n\n\n \n Marsh, D. E.; Punzalan, R. L.; Leopold, R.; Butler, B.; and Petrozzi, M.\n\n\n \n\n\n\n Archival Science, 16(4): 327–372. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"StoriesPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{marsh_stories_2016,\n\ttitle = {Stories of {Impact}: {The} {Role} of {Narrative} in {Understanding} the {Value} and {Impact} of {Digital} {Collections}},\n\tvolume = {16},\n\tissn = {1389-0166, 1573-7519},\n\tshorttitle = {Stories of impact},\n\turl = {http://link.springer.com/10.1007/s10502-015-9253-5},\n\tdoi = {10.1007/s10502-015-9253-5},\n\tabstract = {Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.},\n\tlanguage = {en},\n\tnumber = {4},\n\turldate = {2020-12-16},\n\tjournal = {Archival Science},\n\tauthor = {Marsh, Diana E. and Punzalan, Ricardo L. and Leopold, Robert and Butler, Brian and Petrozzi, Massimo},\n\tyear = {2016},\n\tpages = {327--372},\n}\n\n
\n
\n\n\n
\n Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.\n
\n\n\n
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\n  \n Punzalan, R.\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Stories of Impact: The Role of Narrative in Understanding the Value and Impact of Digital Collections.\n \n \n \n \n\n\n \n Marsh, D. E.; Punzalan, R. L.; Leopold, R.; Butler, B.; and Petrozzi, M.\n\n\n \n\n\n\n Archival Science, 16(4): 327–372. 2016.\n \n\n\n\n
\n\n\n\n \n \n \"StoriesPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{marsh_stories_2016,\n\ttitle = {Stories of {Impact}: {The} {Role} of {Narrative} in {Understanding} the {Value} and {Impact} of {Digital} {Collections}},\n\tvolume = {16},\n\tissn = {1389-0166, 1573-7519},\n\tshorttitle = {Stories of impact},\n\turl = {http://link.springer.com/10.1007/s10502-015-9253-5},\n\tdoi = {10.1007/s10502-015-9253-5},\n\tabstract = {Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.},\n\tlanguage = {en},\n\tnumber = {4},\n\turldate = {2020-12-16},\n\tjournal = {Archival Science},\n\tauthor = {Marsh, Diana E. and Punzalan, Ricardo L. and Leopold, Robert and Butler, Brian and Petrozzi, Massimo},\n\tyear = {2016},\n\tpages = {327--372},\n}\n\n
\n
\n\n\n
\n Cultural heritage institutions leverage digitization to fulfill their mission to preserve, represent, and provide access to collections under their care. Despite their common interest in documenting the progress of digitization and online access, the library, archives, and museums (LAM) sector lacks a conceptual framework for assessing and demonstrating the impact of digitized ethnographic collections. Reporting the findings of a yearlong interdisciplinary study, this article underscores the importance of storytelling in articulating the value and impact of digitized ethnographic collections held in cultural heritage institutions. We begin with an overview of the literature on the assessment and describe the methods we employed in our study. Next, we identify and discuss the different ways that stories and storytelling are strategically mobilized in conversations about the impact of digitization. We conclude with a discussion of the implications of our findings for cultural heritage practice and collection development.\n
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\n  \n Schreiber, G.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Rijksmuseum collection as Linked Data.\n \n \n \n \n\n\n \n Dijkshoorn, C.; Jongma, L.; Aroyo, L.; van Ossenbruggen, J.; Schreiber, G.; ter Weele, W.; and Wielemaker, J.\n\n\n \n\n\n\n Semantic Web, 9(2): 221–230. January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{dijkshoorn_rijksmuseum_2018,\n\ttitle = {The {Rijksmuseum} collection as {Linked} {Data}},\n\tvolume = {9},\n\tissn = {22104968, 15700844},\n\turl = {https://www.medra.org/servlet/aliasResolver?alias=iospress&doi=10.3233/SW-170257},\n\tdoi = {10.3233/SW-170257},\n\tnumber = {2},\n\turldate = {2020-03-12},\n\tjournal = {Semantic Web},\n\tauthor = {Dijkshoorn, Chris and Jongma, Lizzy and Aroyo, Lora and van Ossenbruggen, Jacco and Schreiber, Guus and ter Weele, Wesley and Wielemaker, Jan},\n\teditor = {Alani, Harith},\n\tmonth = jan,\n\tyear = {2018},\n\tpages = {221--230},\n}\n\n
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\n  \n Whitelaw, M.\n \n \n (1)\n \n \n
\n
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\n \n\n \n \n \n \n \n \n Generous Interfaces for Digital Cultural Collections.\n \n \n \n \n\n\n \n Whitelaw, M.\n\n\n \n\n\n\n Digital Humanities Quarterly, 009(1). May 2015.\n \n\n\n\n
\n\n\n\n \n \n \"GenerousPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{whitelaw_generous_2015,\n\ttitle = {Generous {Interfaces} for {Digital} {Cultural} {Collections}},\n\tvolume = {009},\n\tissn = {1938-4122},\n\turl = {http://www.digitalhumanities.org/dhq/vol/9/1/000205/000205.html},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Whitelaw, Mitchell},\n\tmonth = may,\n\tyear = {2015},\n}\n\n
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\n  \n Wielemaker, J.\n \n \n (1)\n \n \n
\n
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\n \n\n \n \n \n \n \n \n The Rijksmuseum collection as Linked Data.\n \n \n \n \n\n\n \n Dijkshoorn, C.; Jongma, L.; Aroyo, L.; van Ossenbruggen, J.; Schreiber, G.; ter Weele, W.; and Wielemaker, J.\n\n\n \n\n\n\n Semantic Web, 9(2): 221–230. January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{dijkshoorn_rijksmuseum_2018,\n\ttitle = {The {Rijksmuseum} collection as {Linked} {Data}},\n\tvolume = {9},\n\tissn = {22104968, 15700844},\n\turl = {https://www.medra.org/servlet/aliasResolver?alias=iospress&doi=10.3233/SW-170257},\n\tdoi = {10.3233/SW-170257},\n\tnumber = {2},\n\turldate = {2020-03-12},\n\tjournal = {Semantic Web},\n\tauthor = {Dijkshoorn, Chris and Jongma, Lizzy and Aroyo, Lora and van Ossenbruggen, Jacco and Schreiber, Guus and ter Weele, Wesley and Wielemaker, Jan},\n\teditor = {Alani, Harith},\n\tmonth = jan,\n\tyear = {2018},\n\tpages = {221--230},\n}\n\n
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\n  \n ter Weele, W.\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n The Rijksmuseum collection as Linked Data.\n \n \n \n \n\n\n \n Dijkshoorn, C.; Jongma, L.; Aroyo, L.; van Ossenbruggen, J.; Schreiber, G.; ter Weele, W.; and Wielemaker, J.\n\n\n \n\n\n\n Semantic Web, 9(2): 221–230. January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{dijkshoorn_rijksmuseum_2018,\n\ttitle = {The {Rijksmuseum} collection as {Linked} {Data}},\n\tvolume = {9},\n\tissn = {22104968, 15700844},\n\turl = {https://www.medra.org/servlet/aliasResolver?alias=iospress&doi=10.3233/SW-170257},\n\tdoi = {10.3233/SW-170257},\n\tnumber = {2},\n\turldate = {2020-03-12},\n\tjournal = {Semantic Web},\n\tauthor = {Dijkshoorn, Chris and Jongma, Lizzy and Aroyo, Lora and van Ossenbruggen, Jacco and Schreiber, Guus and ter Weele, Wesley and Wielemaker, Jan},\n\teditor = {Alani, Harith},\n\tmonth = jan,\n\tyear = {2018},\n\tpages = {221--230},\n}\n\n
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\n  \n undefined\n \n \n (5)\n \n \n
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\n \n\n \n \n \n \n \n \n Objekte im Netz. Wissenschaftliche Sammlungen im digitalen Wandel.\n \n \n \n \n\n\n \n Andraschke, U.; and Wagner, S.,\n editors.\n \n\n\n \n\n\n\n of Digitale Gesellschafttranscript Verlag, Bielefeld, 2020.\n \n\n\n\n
\n\n\n\n \n \n \"ObjektePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@book{andraschke_objekte_2020,\n\taddress = {Bielefeld},\n\tseries = {Digitale {Gesellschaft}},\n\ttitle = {Objekte im {Netz}. {Wissenschaftliche} {Sammlungen} im digitalen {Wandel}},\n\tisbn = {978-3-8394-5571-5},\n\turl = {https://www.transcript-verlag.de/media/pdf/13/4b/be/oa9783839455715G024TrtLLmLeY.pdf},\n\tabstract = {Die digitale Dokumentation von Objekten und ihre virtuelle Verfügbarkeit bieten enorme Chancen für Forschung, Vermittlung und Öffentlichkeitsarbeit. Sie stellen Museen und Universitäten aber auch vor etliche Fragen und Herausforderungen: Mit welchen Zielen und Werkzeugen digitalisieren wir unsere Bestände? Welche Zugänge zu ihnen wollen wir gestatten? In welchem Verhältnis stehen analoge und digitale Objekte? Der Band versammelt Positionen aus Theorie und Praxis, die sich mit der Digitalisierung und Digitalität wissenschaftlicher Sammlungen beschäftigen. Die Beiträger*innen geben Einblicke in aktuelle Ansätze, beleuchten künftige Perspektiven und fragen nach den Folgen einer digitalen Sammlungspraxis.},\n\tlanguage = {de},\n\tnumber = {33},\n\tpublisher = {transcript Verlag},\n\teditor = {Andraschke, Udo and Wagner, Sarah},\n\tyear = {2020},\n\tdoi = {10.14361/9783839455715},\n}\n\n
\n
\n\n\n
\n Die digitale Dokumentation von Objekten und ihre virtuelle Verfügbarkeit bieten enorme Chancen für Forschung, Vermittlung und Öffentlichkeitsarbeit. Sie stellen Museen und Universitäten aber auch vor etliche Fragen und Herausforderungen: Mit welchen Zielen und Werkzeugen digitalisieren wir unsere Bestände? Welche Zugänge zu ihnen wollen wir gestatten? In welchem Verhältnis stehen analoge und digitale Objekte? Der Band versammelt Positionen aus Theorie und Praxis, die sich mit der Digitalisierung und Digitalität wissenschaftlicher Sammlungen beschäftigen. Die Beiträger*innen geben Einblicke in aktuelle Ansätze, beleuchten künftige Perspektiven und fragen nach den Folgen einer digitalen Sammlungspraxis.\n
\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Museums and Digital Culture: New Perspectives and Research.\n \n \n \n \n\n\n \n Giannini, T.; and Bowen, J. P.,\n editors.\n \n\n\n \n\n\n\n of Springer Series on Cultural ComputingSpringer International Publishing, Cham, 2019.\n \n\n\n\n
\n\n\n\n \n \n \"MuseumsPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@book{giannini_museums_2019,\n\taddress = {Cham},\n\tseries = {Springer {Series} on {Cultural} {Computing}},\n\ttitle = {Museums and {Digital} {Culture}: {New} {Perspectives} and {Research}},\n\tisbn = {9783319974569 9783319974576},\n\tshorttitle = {Museums and {Digital} {Culture}},\n\turl = {http://link.springer.com/10.1007/978-3-319-97457-6},\n\tlanguage = {en},\n\turldate = {2020-03-12},\n\tpublisher = {Springer International Publishing},\n\teditor = {Giannini, Tula and Bowen, Jonathan P.},\n\tyear = {2019},\n\tdoi = {10.1007/978-3-319-97457-6},\n}\n\n
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\n \n\n \n \n \n \n \n Handbuch Kulturportale: Online-angebote aus Kultur und Wissenschaft.\n \n \n \n\n\n \n Euler, E.; Hagedorn-Saupe, M.; Maier, G.; Schweibenz, W.; and Sieglerschmidt, J.,\n editors.\n \n\n\n \n\n\n\n De Gruyter Saur, Berlin ; Boston, 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{euler_handbuch_2015,\n\taddress = {Berlin ; Boston},\n\ttitle = {Handbuch {Kulturportale}: {Online}-angebote aus {Kultur} und {Wissenschaft}},\n\tisbn = {9783110405712},\n\tshorttitle = {Handbuch {Kulturportale}},\n\tpublisher = {De Gruyter Saur},\n\teditor = {Euler, Ellen and Hagedorn-Saupe, Monika and Maier, Gerald and Schweibenz, Werner and Sieglerschmidt, Jörn},\n\tyear = {2015},\n\tkeywords = {Computer network resources, Culture, Electronic information resources},\n}\n\n
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\n\n\n
\n \n\n \n \n \n \n \n \n Der digitale Kulturbetrieb: Strategien, Handlungsfelder und Best Practices des digitalen Kulturmanagements.\n \n \n \n \n\n\n \n Pöllmann, L.; and Herrmann, C.,\n editors.\n \n\n\n \n\n\n\n Springer Fachmedien Wiesbaden, Wiesbaden, 2019.\n \n\n\n\n
\n\n\n\n \n \n \"DerPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@book{pollmann_digitale_2019,\n\taddress = {Wiesbaden},\n\ttitle = {Der digitale {Kulturbetrieb}: {Strategien}, {Handlungsfelder} und {Best} {Practices} des digitalen {Kulturmanagements}},\n\tisbn = {9783658240295 9783658240301},\n\tshorttitle = {Der digitale {Kulturbetrieb}},\n\turl = {http://link.springer.com/10.1007/978-3-658-24030-1},\n\tlanguage = {de},\n\turldate = {2020-03-12},\n\tpublisher = {Springer Fachmedien Wiesbaden},\n\teditor = {Pöllmann, Lorenz and Herrmann, Clara},\n\tyear = {2019},\n\tdoi = {10.1007/978-3-658-24030-1},\n}\n\n
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\n\n\n
\n \n\n \n \n \n \n \n Museums in a digital culture: how art and heritage become meaningful.\n \n \n \n\n\n \n Akker, C. v. d.; and Legêne, S.,\n editors.\n \n\n\n \n\n\n\n Amsterdam University Press, Amsterdam, 2016.\n OCLC: ocn949751294\n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n\n\n\n
\n
@book{akker_museums_2016,\n\taddress = {Amsterdam},\n\ttitle = {Museums in a digital culture: how art and heritage become meaningful},\n\tisbn = {9789089646613},\n\tshorttitle = {Museums in a digital culture},\n\tabstract = {"The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?"--Provided by publisher},\n\tpublisher = {Amsterdam University Press},\n\teditor = {Akker, Chiel van den and Legêne, Susan},\n\tyear = {2016},\n\tnote = {OCLC: ocn949751294},\n\tkeywords = {Communication in museums, Information technology, Museums},\n}\n\n
\n
\n\n\n
\n \"The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?\"–Provided by publisher\n
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\n  \n van Ossenbruggen, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Rijksmuseum collection as Linked Data.\n \n \n \n \n\n\n \n Dijkshoorn, C.; Jongma, L.; Aroyo, L.; van Ossenbruggen, J.; Schreiber, G.; ter Weele, W.; and Wielemaker, J.\n\n\n \n\n\n\n Semantic Web, 9(2): 221–230. January 2018.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{dijkshoorn_rijksmuseum_2018,\n\ttitle = {The {Rijksmuseum} collection as {Linked} {Data}},\n\tvolume = {9},\n\tissn = {22104968, 15700844},\n\turl = {https://www.medra.org/servlet/aliasResolver?alias=iospress&doi=10.3233/SW-170257},\n\tdoi = {10.3233/SW-170257},\n\tnumber = {2},\n\turldate = {2020-03-12},\n\tjournal = {Semantic Web},\n\tauthor = {Dijkshoorn, Chris and Jongma, Lizzy and Aroyo, Lora and van Ossenbruggen, Jacco and Schreiber, Guus and ter Weele, Wesley and Wielemaker, Jan},\n\teditor = {Alani, Harith},\n\tmonth = jan,\n\tyear = {2018},\n\tpages = {221--230},\n}\n\n
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