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\n  \n Albrecht, A.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Quantitative Ansätze in den Literatur- und Geisteswissenschaften: Systematische und historische Perspektiven.\n \n \n \n\n\n \n Albrecht, A.; Bernhart, T.; Richter, S.; and Willand, M.\n\n\n \n\n\n\n De Gruyter,, Berlin ;, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
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@book{albrecht_quantitative_2018,\n\taddress = {Berlin ;},\n\ttitle = {Quantitative {Ansätze} in den {Literatur}- und {Geisteswissenschaften}: {Systematische} und historische {Perspektiven}},\n\tisbn = {978-3-11-052330-0},\n\tshorttitle = {Quantitative {Ansätze} in den {Literatur}- und {Geisteswissenschaften}},\n\tabstract = {Seit Beginn des 19. Jahrhunderts werden in den Literatur- und Geisteswissenschaften quantitative Verfahren angewandt, um Texte zu beschreiben, zu analysieren und zu interpretieren. Bis zum Ende des 20. Jahrhunderts waren solche Ansätze unterrepräsentiert, gewinnen im Zuge der Digital Humanities jedoch sehr stark an Bedeutung. Ziel des Bandes ist es, quantifizierende Verfahren einerseits theorie-, methoden- und fachgeschichtlich zu kontextualisieren, andererseits aber auch mit Blick auf die digitale Gegenwart zu prüfen, welchen Stellenwert ihre Ergebnisse haben. Angesichts der innovativen Verve der Digital Humanities darf nicht vergessen werden, dass die Idee, einem interpretativen close reading ein (vermeintlich?) deskriptiv-analytisches distant reading gegenüberzustellen, nicht sehr viel jünger ist als die Idee des close reading selbst. Denn Zählen ist keinesfalls erst durch die 'digitale Revolution' der Geisteswissenschaften denkbar geworden. Vielmehr wird schon seit ungefähr 200 Jahren das, was vom späten Dilthey als Gegenstand der verstehenden und qualitativ orientierten Geisteswissenschaften bestimmt wurde, auch zum 'messbaren' Objekt erklärt.},\n\tlanguage = {ger},\n\tpublisher = {De Gruyter,},\n\tauthor = {Albrecht, Andrea and Bernhart, Toni and Richter, Sandra and Willand, Marcus},\n\tyear = {2018},\n\tdoi = {10.1515/9783110523300},\n\tkeywords = {Literary theory, Literature: history \\& criticism},\n}\n\n
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\n\n\n
\n Seit Beginn des 19. Jahrhunderts werden in den Literatur- und Geisteswissenschaften quantitative Verfahren angewandt, um Texte zu beschreiben, zu analysieren und zu interpretieren. Bis zum Ende des 20. Jahrhunderts waren solche Ansätze unterrepräsentiert, gewinnen im Zuge der Digital Humanities jedoch sehr stark an Bedeutung. Ziel des Bandes ist es, quantifizierende Verfahren einerseits theorie-, methoden- und fachgeschichtlich zu kontextualisieren, andererseits aber auch mit Blick auf die digitale Gegenwart zu prüfen, welchen Stellenwert ihre Ergebnisse haben. Angesichts der innovativen Verve der Digital Humanities darf nicht vergessen werden, dass die Idee, einem interpretativen close reading ein (vermeintlich?) deskriptiv-analytisches distant reading gegenüberzustellen, nicht sehr viel jünger ist als die Idee des close reading selbst. Denn Zählen ist keinesfalls erst durch die 'digitale Revolution' der Geisteswissenschaften denkbar geworden. Vielmehr wird schon seit ungefähr 200 Jahren das, was vom späten Dilthey als Gegenstand der verstehenden und qualitativ orientierten Geisteswissenschaften bestimmt wurde, auch zum 'messbaren' Objekt erklärt.\n
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\n  \n Aurnhammer, C.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Manual Annotation of Unsupervised Models: Close and Distant Reading of Politics on Reddit.\n \n \n \n\n\n \n Aurnhammer, C.; Cuppen, I.; Ven, I. v. d.; and Zaanen, M. v.\n\n\n \n\n\n\n Digital Humanities Quarterly, 013(3). October 2019.\n \n\n\n\n
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@article{aurnhammer_manual_2019,\n\ttitle = {Manual {Annotation} of {Unsupervised} {Models}: {Close} and {Distant} {Reading} of {Politics} on {Reddit}},\n\tvolume = {013},\n\tissn = {1938-4122},\n\tshorttitle = {Manual {Annotation} of {Unsupervised} {Models}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Aurnhammer, Christoph and Cuppen, Iris and Ven, Inge van de and Zaanen, Menno van},\n\tmonth = oct,\n\tyear = {2019},\n}\n\n
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\n  \n Babbitt, A.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC).\n \n \n \n\n\n \n Philips, N.; Babbitt, A.; Cho, S.; Kane, J.; Mejeur, C.; and Pearson, C.\n\n\n \n\n\n\n Digital Humanities Quarterly, 014(3). September 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{philips_creating_2020,\n\ttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}: {A} {Case} {Study} of {The} {Digital} {Humanities} and {Literary} {Cognition} {Lab} ({DHLC})},\n\tvolume = {014},\n\tissn = {1938-4122},\n\tshorttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Philips, Natalie and Babbitt, Alexander and Cho, Soohyun and Kane, Jessica and Mejeur, Cody and Pearson, Craig},\n\tmonth = sep,\n\tyear = {2020},\n}\n\n
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\n  \n Baldwin, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The Idiocy of the Digital Literary (and what does it have to do with digital humanities)?.\n \n \n \n\n\n \n Baldwin, S.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(1). July 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{baldwin_idiocy_2013,\n\ttitle = {The {Idiocy} of the {Digital} {Literary} (and what does it have to do with digital humanities)?},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Baldwin, Sandy},\n\tmonth = jul,\n\tyear = {2013},\n}\n\n
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\n  \n Barnett, T.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Distributed reading: Literary reading in diverse environments.\n \n \n \n\n\n \n Barnett, T.\n\n\n \n\n\n\n Digital Humanities Quarterly, 012(2). September 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{barnett_distributed_2018,\n\ttitle = {Distributed reading: {Literary} reading in diverse environments},\n\tvolume = {012},\n\tissn = {1938-4122},\n\tshorttitle = {Distributed reading},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Barnett, Tully},\n\tmonth = sep,\n\tyear = {2018},\n}\n\n
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\n  \n Berkman, N.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Digital Oulipo: Programming Potential Literature.\n \n \n \n\n\n \n Berkman, N.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(3). October 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{berkman_digital_2017,\n\ttitle = {Digital {Oulipo}: {Programming} {Potential} {Literature}},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {Digital {Oulipo}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Berkman, Natalie},\n\tmonth = oct,\n\tyear = {2017},\n}\n\n
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\n  \n Bernhart, T.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Quantitative Ansätze in den Literatur- und Geisteswissenschaften: Systematische und historische Perspektiven.\n \n \n \n\n\n \n Albrecht, A.; Bernhart, T.; Richter, S.; and Willand, M.\n\n\n \n\n\n\n De Gruyter,, Berlin ;, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
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@book{albrecht_quantitative_2018,\n\taddress = {Berlin ;},\n\ttitle = {Quantitative {Ansätze} in den {Literatur}- und {Geisteswissenschaften}: {Systematische} und historische {Perspektiven}},\n\tisbn = {978-3-11-052330-0},\n\tshorttitle = {Quantitative {Ansätze} in den {Literatur}- und {Geisteswissenschaften}},\n\tabstract = {Seit Beginn des 19. Jahrhunderts werden in den Literatur- und Geisteswissenschaften quantitative Verfahren angewandt, um Texte zu beschreiben, zu analysieren und zu interpretieren. Bis zum Ende des 20. Jahrhunderts waren solche Ansätze unterrepräsentiert, gewinnen im Zuge der Digital Humanities jedoch sehr stark an Bedeutung. Ziel des Bandes ist es, quantifizierende Verfahren einerseits theorie-, methoden- und fachgeschichtlich zu kontextualisieren, andererseits aber auch mit Blick auf die digitale Gegenwart zu prüfen, welchen Stellenwert ihre Ergebnisse haben. Angesichts der innovativen Verve der Digital Humanities darf nicht vergessen werden, dass die Idee, einem interpretativen close reading ein (vermeintlich?) deskriptiv-analytisches distant reading gegenüberzustellen, nicht sehr viel jünger ist als die Idee des close reading selbst. Denn Zählen ist keinesfalls erst durch die 'digitale Revolution' der Geisteswissenschaften denkbar geworden. Vielmehr wird schon seit ungefähr 200 Jahren das, was vom späten Dilthey als Gegenstand der verstehenden und qualitativ orientierten Geisteswissenschaften bestimmt wurde, auch zum 'messbaren' Objekt erklärt.},\n\tlanguage = {ger},\n\tpublisher = {De Gruyter,},\n\tauthor = {Albrecht, Andrea and Bernhart, Toni and Richter, Sandra and Willand, Marcus},\n\tyear = {2018},\n\tdoi = {10.1515/9783110523300},\n\tkeywords = {Literary theory, Literature: history \\& criticism},\n}\n\n
\n
\n\n\n
\n Seit Beginn des 19. Jahrhunderts werden in den Literatur- und Geisteswissenschaften quantitative Verfahren angewandt, um Texte zu beschreiben, zu analysieren und zu interpretieren. Bis zum Ende des 20. Jahrhunderts waren solche Ansätze unterrepräsentiert, gewinnen im Zuge der Digital Humanities jedoch sehr stark an Bedeutung. Ziel des Bandes ist es, quantifizierende Verfahren einerseits theorie-, methoden- und fachgeschichtlich zu kontextualisieren, andererseits aber auch mit Blick auf die digitale Gegenwart zu prüfen, welchen Stellenwert ihre Ergebnisse haben. Angesichts der innovativen Verve der Digital Humanities darf nicht vergessen werden, dass die Idee, einem interpretativen close reading ein (vermeintlich?) deskriptiv-analytisches distant reading gegenüberzustellen, nicht sehr viel jünger ist als die Idee des close reading selbst. Denn Zählen ist keinesfalls erst durch die 'digitale Revolution' der Geisteswissenschaften denkbar geworden. Vielmehr wird schon seit ungefähr 200 Jahren das, was vom späten Dilthey als Gegenstand der verstehenden und qualitativ orientierten Geisteswissenschaften bestimmt wurde, auch zum 'messbaren' Objekt erklärt.\n
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\n  \n Blakesley, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Preface: World Literature in an Expanding Digital Space.\n \n \n \n\n\n \n Fischer, F.; Blakesley, J.; Wojcik, P.; and Jäschke, R.\n\n\n \n\n\n\n Journal of Cultural Analytics, 8(2). 2023.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{fischerPrefaceWorldLiterature2023,\n\ttitle = {Preface: {World} {Literature} in an {Expanding} {Digital} {Space}},\n\tvolume = {8},\n\tdoi = {https://doi.org/10.22148/001c.74598.},\n\tabstract = {Wikipedia, the world’s largest encyclopedia, and Wikidata, the rapidly growing knowledge graph, are not yet widely used in literary studies, but their scale and multilingualism make them particularly suitable as new means for the study of world literature. This is the hypothesis at the heart of this special issue. Our preface provides a research overview of the topic, briefly summarizes the articles that constitute this issue, and focuses on overarching aspects and common challenges.},\n\tnumber = {2},\n\tjournal = {Journal of Cultural Analytics},\n\tauthor = {Fischer, Frank and Blakesley, Jacob and Wojcik, Paula and Jäschke, Robert},\n\tyear = {2023},\n}\n\n
\n
\n\n\n
\n Wikipedia, the world’s largest encyclopedia, and Wikidata, the rapidly growing knowledge graph, are not yet widely used in literary studies, but their scale and multilingualism make them particularly suitable as new means for the study of world literature. This is the hypothesis at the heart of this special issue. Our preface provides a research overview of the topic, briefly summarizes the articles that constitute this issue, and focuses on overarching aspects and common challenges.\n
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\n  \n Bleeker, E.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n From graveyard to graph.\n \n \n \n \n\n\n \n Bleeker, E.; Buitendijk, B.; and Haentjens Dekker, R.\n\n\n \n\n\n\n International Journal of Digital Humanities, 1(2): 141–163. July 2019.\n \n\n\n\n
\n\n\n\n \n \n \"FromPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{bleeker_graveyard_2019,\n\ttitle = {From graveyard to graph},\n\tvolume = {1},\n\tissn = {2524-7840},\n\turl = {https://doi.org/10.1007/s42803-019-00012-w},\n\tdoi = {10.1007/s42803-019-00012-w},\n\tabstract = {The technological developments in the field of textual scholarship lead to a renewed focus on textual variation. Variants are liberated from their peripheral place in appendices or footnotes and are given a more prominent position in the (digital) edition of a work. But what constitutes an informative and meaningful visualisation of textual variation? The present article takes visualisation of the result of collation software as point of departure, examining several visualisations of collation output that contains a wealth of information about textual variance. The newly developed collation software HyperCollate is used as a touchstone to study the issue of representing textual information to advance literary research. The article concludes with a set of recommendations in order to evaluate different visualisations of collation output.},\n\tlanguage = {en},\n\tnumber = {2},\n\tjournal = {International Journal of Digital Humanities},\n\tauthor = {Bleeker, Elli and Buitendijk, Bram and Haentjens Dekker, Ronald},\n\tmonth = jul,\n\tyear = {2019},\n\tpages = {141--163},\n}\n\n
\n
\n\n\n
\n The technological developments in the field of textual scholarship lead to a renewed focus on textual variation. Variants are liberated from their peripheral place in appendices or footnotes and are given a more prominent position in the (digital) edition of a work. But what constitutes an informative and meaningful visualisation of textual variation? The present article takes visualisation of the result of collation software as point of departure, examining several visualisations of collation output that contains a wealth of information about textual variance. The newly developed collation software HyperCollate is used as a touchstone to study the issue of representing textual information to advance literary research. The article concludes with a set of recommendations in order to evaluate different visualisations of collation output.\n
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\n  \n Bolter, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Digital Literature and the Modernist Problem.\n \n \n \n\n\n \n Engberg, M.; and Bolter, J. D.\n\n\n \n\n\n\n Digital Humanities Quarterly, 005(3). November 2011.\n \n\n\n\n
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@article{engberg_digital_2011,\n\ttitle = {Digital {Literature} and the {Modernist} {Problem}},\n\tvolume = {005},\n\tissn = {1938-4122},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Engberg, Maria and Bolter, Jay David},\n\tmonth = nov,\n\tyear = {2011},\n}\n\n
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\n  \n Bond, F.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Epigraph Effect: A Digital Humanities Approach to Literary Influence and Tradition.\n \n \n \n \n\n\n \n Matthews, G.; and Bond, F.\n\n\n \n\n\n\n English: Journal of the English Association, 71(273): 97–122. August 2022.\n \n\n\n\n
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@article{matthews_epigraph_2022,\n\ttitle = {The {Epigraph} {Effect}: {A} {Digital} {Humanities} {Approach} to {Literary} {Influence} and {Tradition}},\n\tvolume = {71},\n\tissn = {0013-8215, 1756-1124},\n\tshorttitle = {The {Epigraph} {Effect}},\n\turl = {https://academic.oup.com/english/article/71/273/97/6565351},\n\tdoi = {10.1093/english/efac004},\n\tabstract = {It is common to discover an epigraph in the opening pages of a novel that highlights one or more of the major themes and denotes the influence of another author on the composition of the text. Yet, the inclusion of an epigraph also bestows prestige on the citing text – helping the author to select his or her place in the wider literary tradition – and situates the text in a particular genre or historical period. In order to trace the development of what G erard Genette dubbed the ‘epigraph effect’, we collected 16,963 epigraphs and recorded their provenance (author, work, date, and country of origin). This collection enables us to trace intertextual connections between authors throughout literary history and national traditions.},\n\tlanguage = {en},\n\tnumber = {273},\n\turldate = {2023-02-27},\n\tjournal = {English: Journal of the English Association},\n\tauthor = {Matthews, Graham and Bond, Francis},\n\tmonth = aug,\n\tyear = {2022},\n\tpages = {97--122},\n}\n\n
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\n It is common to discover an epigraph in the opening pages of a novel that highlights one or more of the major themes and denotes the influence of another author on the composition of the text. Yet, the inclusion of an epigraph also bestows prestige on the citing text – helping the author to select his or her place in the wider literary tradition – and situates the text in a particular genre or historical period. In order to trace the development of what G erard Genette dubbed the ‘epigraph effect’, we collected 16,963 epigraphs and recorded their provenance (author, work, date, and country of origin). This collection enables us to trace intertextual connections between authors throughout literary history and national traditions.\n
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\n  \n Boukhaled, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Mining for characterising patterns in literature using correspondence analysis: an experiment on French novels.\n \n \n \n\n\n \n Frontini, F.; Boukhaled, M. A.; and Ganascia, J.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(2). May 2017.\n \n\n\n\n
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@article{frontini_mining_2017,\n\ttitle = {Mining for characterising patterns in literature using correspondence analysis: an experiment on {French} novels},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {Mining for characterising patterns in literature using correspondence analysis},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Frontini, Francesca and Boukhaled, Mohamed Amine and Ganascia, Jean-Gabriel},\n\tmonth = may,\n\tyear = {2017},\n}\n\n
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\n  \n Buitendijk, B.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n From graveyard to graph.\n \n \n \n \n\n\n \n Bleeker, E.; Buitendijk, B.; and Haentjens Dekker, R.\n\n\n \n\n\n\n International Journal of Digital Humanities, 1(2): 141–163. July 2019.\n \n\n\n\n
\n\n\n\n \n \n \"FromPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{bleeker_graveyard_2019,\n\ttitle = {From graveyard to graph},\n\tvolume = {1},\n\tissn = {2524-7840},\n\turl = {https://doi.org/10.1007/s42803-019-00012-w},\n\tdoi = {10.1007/s42803-019-00012-w},\n\tabstract = {The technological developments in the field of textual scholarship lead to a renewed focus on textual variation. Variants are liberated from their peripheral place in appendices or footnotes and are given a more prominent position in the (digital) edition of a work. But what constitutes an informative and meaningful visualisation of textual variation? The present article takes visualisation of the result of collation software as point of departure, examining several visualisations of collation output that contains a wealth of information about textual variance. The newly developed collation software HyperCollate is used as a touchstone to study the issue of representing textual information to advance literary research. The article concludes with a set of recommendations in order to evaluate different visualisations of collation output.},\n\tlanguage = {en},\n\tnumber = {2},\n\tjournal = {International Journal of Digital Humanities},\n\tauthor = {Bleeker, Elli and Buitendijk, Bram and Haentjens Dekker, Ronald},\n\tmonth = jul,\n\tyear = {2019},\n\tpages = {141--163},\n}\n\n
\n
\n\n\n
\n The technological developments in the field of textual scholarship lead to a renewed focus on textual variation. Variants are liberated from their peripheral place in appendices or footnotes and are given a more prominent position in the (digital) edition of a work. But what constitutes an informative and meaningful visualisation of textual variation? The present article takes visualisation of the result of collation software as point of departure, examining several visualisations of collation output that contains a wealth of information about textual variance. The newly developed collation software HyperCollate is used as a touchstone to study the issue of representing textual information to advance literary research. The article concludes with a set of recommendations in order to evaluate different visualisations of collation output.\n
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\n  \n Bunzel, W.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Briefe, Briefnetze, Briefnetzwerke. Überlegungen zur epistolaren Interkonnektivität.\n \n \n \n\n\n \n Bunzel, W.\n\n\n \n\n\n\n In Delf von Wolzogen, H.; and Falk, R., editor(s), Fontanes Briefe ediert, pages 232–245. Königshausen & Neumann, Würzburg, 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@incollection{bunzel_briefe_2014,\n\taddress = {Würzburg},\n\ttitle = {Briefe, {Briefnetze}, {Briefnetzwerke}. Überlegungen zur epistolaren {Interkonnektivität}.},\n\tbooktitle = {Fontanes {Briefe} ediert},\n\tpublisher = {Königshausen \\& Neumann},\n\tauthor = {Bunzel, Wolfgang},\n\teditor = {Delf von Wolzogen, Hanna and Falk, Rainer},\n\tyear = {2014},\n\tpages = {232--245},\n}\n\n
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\n  \n Bénard, É.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Les Sganarelle de Molière : un nom, des syntaxes ?.\n \n \n \n\n\n \n Bénard, É.; and Frontini, F.\n\n\n \n\n\n\n Digital Humanities Quarterly, 012(1). April 2018.\n \n\n\n\n
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@article{benard_sganarelle_2018,\n\ttitle = {Les {Sganarelle} de {Molière} : un nom, des syntaxes ?},\n\tvolume = {012},\n\tissn = {1938-4122},\n\tshorttitle = {Les {Sganarelle} de {Molière}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Bénard, Élodie and Frontini, Francesca},\n\tmonth = apr,\n\tyear = {2018},\n}\n\n
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\n  \n Caplan, A.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online).\n \n \n \n\n\n \n García, N. A.; Caplan, A.; and Mering, B.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(3). August 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{garcia_pedagogy_2017,\n\ttitle = {A {Pedagogy} for {Computer}-{Assisted} {Literary} {Analysis}: {Introducing} {GALGO} ({Golden} {Age} {Literature} {Glossary} {Online})},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {A {Pedagogy} for {Computer}-{Assisted} {Literary} {Analysis}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {García, Nuria Alonso and Caplan, Alison and Mering, Brad},\n\tmonth = aug,\n\tyear = {2017},\n}\n\n
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\n  \n Cho, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC).\n \n \n \n\n\n \n Philips, N.; Babbitt, A.; Cho, S.; Kane, J.; Mejeur, C.; and Pearson, C.\n\n\n \n\n\n\n Digital Humanities Quarterly, 014(3). September 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{philips_creating_2020,\n\ttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}: {A} {Case} {Study} of {The} {Digital} {Humanities} and {Literary} {Cognition} {Lab} ({DHLC})},\n\tvolume = {014},\n\tissn = {1938-4122},\n\tshorttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Philips, Natalie and Babbitt, Alexander and Cho, Soohyun and Kane, Jessica and Mejeur, Cody and Pearson, Craig},\n\tmonth = sep,\n\tyear = {2020},\n}\n\n
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\n  \n Ciccoricco, D.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The Materialities of Close Reading: 1942, 1959, 2009.\n \n \n \n\n\n \n Ciccoricco, D.\n\n\n \n\n\n\n Digital Humanities Quarterly, 006(1). June 2012.\n \n\n\n\n
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@article{ciccoricco_materialities_2012,\n\ttitle = {The {Materialities} of {Close} {Reading}: 1942, 1959, 2009},\n\tvolume = {006},\n\tissn = {1938-4122},\n\tshorttitle = {The {Materialities} of {Close} {Reading}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Ciccoricco, David},\n\tmonth = jun,\n\tyear = {2012},\n}\n\n
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\n  \n Culpeper, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Digital Literary Studies: Corpus Approaches to Poetry, Prose, and Drama.\n \n \n \n \n\n\n \n Hoover, D. L.; Culpeper, J.; and O'Halloran, K.\n\n\n \n\n\n\n Routledge, London, 2014.\n \n\n\n\n
\n\n\n\n \n \n \"DigitalPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n
@book{hoover_digital_2014,\n\taddress = {London},\n\ttitle = {Digital {Literary} {Studies}: {Corpus} {Approaches} to {Poetry}, {Prose}, and {Drama}},\n\tisbn = {978-0-415-35230-7},\n\turl = {http://www.amazon.de/Digital-Literary-Studies-Approaches-Linguistics/dp/0415352304},\n\tabstract = {Digital Literary Studies presents a broad and varied picture of the promise and potential of methods and approaches that are crucially dependent upon the digital nature of the literary texts it studies and the texts and collections of texts with which they are compared. It focuses on style, diction, characterization, and interpretation of single works and across larger groups of texts, using both huge natural language corpora and smaller, more specialized collections of texts created for specific tasks, and applies statistical techniques used in the narrower confines of authorship attribution to broader stylistic questions. It addresses important issues in each of the three major literary genres, and intentionally applies different techniques and concepts to poetry, prose, and drama. It aims to present a provocative and suggestive sample intended to encourage the application of these and other methods to literary studies. Hoover, Culpeper, and O'Halloran push the methods, techniques, and concepts in new directions, apply them to new groups of texts or to new questions, modify their nature or method of application, and combine them in innovative ways},\n\tlanguage = {en},\n\tpublisher = {Routledge},\n\tauthor = {Hoover, David L. and Culpeper, Jonathan and O'Halloran, Kieran},\n\tyear = {2014},\n\tkeywords = {meta\\_GiveOverview, obj\\_Text},\n}\n\n
\n
\n\n\n
\n Digital Literary Studies presents a broad and varied picture of the promise and potential of methods and approaches that are crucially dependent upon the digital nature of the literary texts it studies and the texts and collections of texts with which they are compared. It focuses on style, diction, characterization, and interpretation of single works and across larger groups of texts, using both huge natural language corpora and smaller, more specialized collections of texts created for specific tasks, and applies statistical techniques used in the narrower confines of authorship attribution to broader stylistic questions. It addresses important issues in each of the three major literary genres, and intentionally applies different techniques and concepts to poetry, prose, and drama. It aims to present a provocative and suggestive sample intended to encourage the application of these and other methods to literary studies. Hoover, Culpeper, and O'Halloran push the methods, techniques, and concepts in new directions, apply them to new groups of texts or to new questions, modify their nature or method of application, and combine them in innovative ways\n
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\n  \n Cuppen, I.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Manual Annotation of Unsupervised Models: Close and Distant Reading of Politics on Reddit.\n \n \n \n\n\n \n Aurnhammer, C.; Cuppen, I.; Ven, I. v. d.; and Zaanen, M. v.\n\n\n \n\n\n\n Digital Humanities Quarterly, 013(3). October 2019.\n \n\n\n\n
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@article{aurnhammer_manual_2019,\n\ttitle = {Manual {Annotation} of {Unsupervised} {Models}: {Close} and {Distant} {Reading} of {Politics} on {Reddit}},\n\tvolume = {013},\n\tissn = {1938-4122},\n\tshorttitle = {Manual {Annotation} of {Unsupervised} {Models}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Aurnhammer, Christoph and Cuppen, Iris and Ven, Inge van de and Zaanen, Menno van},\n\tmonth = oct,\n\tyear = {2019},\n}\n\n
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\n  \n De Gussem, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Bernard of Clairvaux and Nicholas of Montiéramey: Tracing the Secretarial Trail with Computational Stylistics.\n \n \n \n \n\n\n \n De Gussem, J.\n\n\n \n\n\n\n Speculum, 92(S1): S190–S225. October 2017.\n \n\n\n\n
\n\n\n\n \n \n \"BernardPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{de_gussem_bernard_2017,\n\ttitle = {Bernard of {Clairvaux} and {Nicholas} of {Montiéramey}: {Tracing} the {Secretarial} {Trail} with {Computational} {Stylistics}},\n\tvolume = {92},\n\tissn = {0038-7134},\n\tshorttitle = {Bernard of {Clairvaux} and {Nicholas} of {Montiéramey}},\n\turl = {http://www.journals.uchicago.edu/doi/abs/10.1086/694188},\n\tdoi = {10.1086/694188},\n\tnumber = {S1},\n\turldate = {2017-10-19},\n\tjournal = {Speculum},\n\tauthor = {De Gussem, Jeroen},\n\tmonth = oct,\n\tyear = {2017},\n\tpages = {S190--S225},\n}\n\n
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\n  \n Döhl, F.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"AbgeleitetePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Earhart, A.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Traces of the old, uses of the new : the emergence of digital literary studies.\n \n \n \n\n\n \n Earhart, A. E.\n\n\n \n\n\n\n of Editorial theory and literary criticismUniversity of Michigan Press, Ann Arbor, 2015.\n \n\n\n\n
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@book{earhart_traces_2015,\n\taddress = {Ann Arbor},\n\tseries = {Editorial theory and literary criticism},\n\ttitle = {Traces of the old, uses of the new : the emergence of digital literary studies},\n\tisbn = {978-0-472-07278-1},\n\tshorttitle = {Traces of the old, uses of the new},\n\tpublisher = {University of Michigan Press},\n\tauthor = {Earhart, Amy E.},\n\tyear = {2015},\n}\n\n
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\n  \n Engberg, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Digital Literature and the Modernist Problem.\n \n \n \n\n\n \n Engberg, M.; and Bolter, J. D.\n\n\n \n\n\n\n Digital Humanities Quarterly, 005(3). November 2011.\n \n\n\n\n
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@article{engberg_digital_2011,\n\ttitle = {Digital {Literature} and the {Modernist} {Problem}},\n\tvolume = {005},\n\tissn = {1938-4122},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Engberg, Maria and Bolter, Jay David},\n\tmonth = nov,\n\tyear = {2011},\n}\n\n
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\n  \n Estill, L.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Collaborative Knowledge Creation and Student-Led Assignment Design: Wikipedia in the University Literature Class.\n \n \n \n\n\n \n Estill, L.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(3). October 2017.\n \n\n\n\n
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@article{estill_collaborative_2017,\n\ttitle = {Collaborative {Knowledge} {Creation} and {Student}-{Led} {Assignment} {Design}: {Wikipedia} in the {University} {Literature} {Class}},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {Collaborative {Knowledge} {Creation} and {Student}-{Led} {Assignment} {Design}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Estill, Laura},\n\tmonth = oct,\n\tyear = {2017},\n}\n\n
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\n  \n Fan, L.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Algorithmic Close Reading: Using Semantic Triplets to Index and Analyze Agency in Holocaust Testimonies.\n \n \n \n\n\n \n Fan, L.; and Presner, T.\n\n\n \n\n\n\n Digital Humanities Quarterly, 016(3). June 2022.\n \n\n\n\n
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@article{fan_algorithmic_2022,\n\ttitle = {Algorithmic {Close} {Reading}: {Using} {Semantic} {Triplets} to {Index} and {Analyze} {Agency} in {Holocaust} {Testimonies}},\n\tvolume = {016},\n\tissn = {1938-4122},\n\tshorttitle = {Algorithmic {Close} {Reading}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Fan, Lizhou and Presner, Todd},\n\tmonth = jun,\n\tyear = {2022},\n}\n\n
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\n  \n Finn, E.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Revenge of the Nerd: Junot Díaz and the Networks of American Literary Imagination.\n \n \n \n\n\n \n Finn, E.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(1). July 2013.\n \n\n\n\n
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@article{finn_revenge_2013,\n\ttitle = {Revenge of the {Nerd}: {Junot} {Díaz} and the {Networks} of {American} {Literary} {Imagination}},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tshorttitle = {Revenge of the {Nerd}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Finn, Ed},\n\tmonth = jul,\n\tyear = {2013},\n}\n\n
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\n  \n Fischer, F.\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n Preface: World Literature in an Expanding Digital Space.\n \n \n \n\n\n \n Fischer, F.; Blakesley, J.; Wojcik, P.; and Jäschke, R.\n\n\n \n\n\n\n Journal of Cultural Analytics, 8(2). 2023.\n \n\n\n\n
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@article{fischerPrefaceWorldLiterature2023,\n\ttitle = {Preface: {World} {Literature} in an {Expanding} {Digital} {Space}},\n\tvolume = {8},\n\tdoi = {https://doi.org/10.22148/001c.74598.},\n\tabstract = {Wikipedia, the world’s largest encyclopedia, and Wikidata, the rapidly growing knowledge graph, are not yet widely used in literary studies, but their scale and multilingualism make them particularly suitable as new means for the study of world literature. This is the hypothesis at the heart of this special issue. Our preface provides a research overview of the topic, briefly summarizes the articles that constitute this issue, and focuses on overarching aspects and common challenges.},\n\tnumber = {2},\n\tjournal = {Journal of Cultural Analytics},\n\tauthor = {Fischer, Frank and Blakesley, Jacob and Wojcik, Paula and Jäschke, Robert},\n\tyear = {2023},\n}\n\n
\n
\n\n\n
\n Wikipedia, the world’s largest encyclopedia, and Wikidata, the rapidly growing knowledge graph, are not yet widely used in literary studies, but their scale and multilingualism make them particularly suitable as new means for the study of world literature. This is the hypothesis at the heart of this special issue. Our preface provides a research overview of the topic, briefly summarizes the articles that constitute this issue, and focuses on overarching aspects and common challenges.\n
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\n \n\n \n \n \n \n \n \n Literaturwissenschaft als Hackathon. Zur Praxeologie der Digital Literary Studies und ihren epistemischen Dingen.\n \n \n \n \n\n\n \n Trilcke, P.; and Fischer, F.\n\n\n \n\n\n\n . June 2018.\n \n\n\n\n
\n\n\n\n \n \n \"LiteraturwissenschaftPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{trilcke_literaturwissenschaft_2018,\n\tseries = {Zeitschrift für digitale {Geisteswissenschaften}},\n\ttitle = {Literaturwissenschaft als {Hackathon}. {Zur} {Praxeologie}                                 der {Digital} {Literary} {Studies} und ihren epistemischen {Dingen}},\n\tcopyright = {CC BY-SA 4.0},\n\turl = {http://dx.doi.org/10.17175/sb003_003},\n\tlanguage = {de},\n\tauthor = {Trilcke, Peer and Fischer, Frank},\n\tmonth = jun,\n\tyear = {2018},\n}\n\n
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\n  \n Fitzpatrick, K.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Anxiety of Obsolescence \\textbar The American Novel in the Age of Television.\n \n \n \n \n\n\n \n Fitzpatrick, K.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{fitzpatrick_anxiety_nodate,\n\ttitle = {The {Anxiety} of {Obsolescence} {\\textbar} {The} {American} {Novel} in the {Age} of {Television}},\n\turl = {https://www.anxietyofobsolescence.com/},\n\tabstract = {"If I were a writer," Owen said, "how I would enjoy being told the novel is dead. How liberating, to work in the margins, outside a central perception. You are the ghoul of literature. Lovely."…},\n\tlanguage = {en},\n\turldate = {2020-01-14},\n\tauthor = {Fitzpatrick, Kathleen},\n}\n\n
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\n\n\n
\n \"If I were a writer,\" Owen said, \"how I would enjoy being told the novel is dead. How liberating, to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.\"…\n
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\n  \n Frangos, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The End of Literature: Machine Reading and Amitav Ghosh’s The Calcutta Chromosome.\n \n \n \n\n\n \n Frangos, M.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(1). July 2013.\n \n\n\n\n
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@article{frangos_end_2013,\n\ttitle = {The {End} of {Literature}: {Machine} {Reading} and {Amitav} {Ghosh}’s {The} {Calcutta} {Chromosome}},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tshorttitle = {The {End} of {Literature}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Frangos, Mike},\n\tmonth = jul,\n\tyear = {2013},\n}\n\n
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\n  \n Frantzen, A.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n And —? Using digital tools to reread the Canterbury Tales.\n \n \n \n\n\n \n McMahon, P. J.; and Frantzen, A. J.\n\n\n \n\n\n\n Essays in Medieval Studies, 27: 133–147. 2011.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{mcmahon_and_2011,\n\ttitle = {And —? {Using} digital tools to reread the {Canterbury} {Tales}},\n\tvolume = {27},\n\tissn = {1043-2213},\n\tshorttitle = {And --?},\n\tdoi = {10.1353/ems.2011.0006},\n\tjournal = {Essays in Medieval Studies},\n\tauthor = {McMahon, Patrick J. and Frantzen, Allen J.},\n\tyear = {2011},\n\tpages = {133--147},\n}\n\n
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\n  \n Frontini, F.\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n Mining for characterising patterns in literature using correspondence analysis: an experiment on French novels.\n \n \n \n\n\n \n Frontini, F.; Boukhaled, M. A.; and Ganascia, J.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(2). May 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{frontini_mining_2017,\n\ttitle = {Mining for characterising patterns in literature using correspondence analysis: an experiment on {French} novels},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {Mining for characterising patterns in literature using correspondence analysis},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Frontini, Francesca and Boukhaled, Mohamed Amine and Ganascia, Jean-Gabriel},\n\tmonth = may,\n\tyear = {2017},\n}\n\n
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\n \n\n \n \n \n \n \n Les Sganarelle de Molière : un nom, des syntaxes ?.\n \n \n \n\n\n \n Bénard, É.; and Frontini, F.\n\n\n \n\n\n\n Digital Humanities Quarterly, 012(1). April 2018.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{benard_sganarelle_2018,\n\ttitle = {Les {Sganarelle} de {Molière} : un nom, des syntaxes ?},\n\tvolume = {012},\n\tissn = {1938-4122},\n\tshorttitle = {Les {Sganarelle} de {Molière}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Bénard, Élodie and Frontini, Francesca},\n\tmonth = apr,\n\tyear = {2018},\n}\n\n
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\n  \n Fuller, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Structure over Style: Collaborative Authorship and the Revival of Literary Capitalism.\n \n \n \n\n\n \n Fuller, S.; and O'Sullivan, J.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(1). February 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{fuller_structure_2017,\n\ttitle = {Structure over {Style}: {Collaborative} {Authorship} and the {Revival} of {Literary} {Capitalism}},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {Structure over {Style}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Fuller, Simon and O'Sullivan, James},\n\tmonth = feb,\n\tyear = {2017},\n}\n\n
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\n  \n Ganascia, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Mining for characterising patterns in literature using correspondence analysis: an experiment on French novels.\n \n \n \n\n\n \n Frontini, F.; Boukhaled, M. A.; and Ganascia, J.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(2). May 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{frontini_mining_2017,\n\ttitle = {Mining for characterising patterns in literature using correspondence analysis: an experiment on {French} novels},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {Mining for characterising patterns in literature using correspondence analysis},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Frontini, Francesca and Boukhaled, Mohamed Amine and Ganascia, Jean-Gabriel},\n\tmonth = may,\n\tyear = {2017},\n}\n\n
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\n  \n García, N.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online).\n \n \n \n\n\n \n García, N. A.; Caplan, A.; and Mering, B.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(3). August 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{garcia_pedagogy_2017,\n\ttitle = {A {Pedagogy} for {Computer}-{Assisted} {Literary} {Analysis}: {Introducing} {GALGO} ({Golden} {Age} {Literature} {Glossary} {Online})},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {A {Pedagogy} for {Computer}-{Assisted} {Literary} {Analysis}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {García, Nuria Alonso and Caplan, Alison and Mering, Brad},\n\tmonth = aug,\n\tyear = {2017},\n}\n\n
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\n  \n Gius, E.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"AbgeleitetePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Goodwin, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Reading graphs, maps, trees: critical responses to Franco Moretti.\n \n \n \n\n\n \n Holbo, J.; and Goodwin, J.\n\n\n \n\n\n\n of Glassbead booksParlor Press, Anderson, S.C, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{holbo_reading_2011,\n\taddress = {Anderson, S.C},\n\tseries = {Glassbead books},\n\ttitle = {Reading graphs, maps, trees: critical responses to {Franco} {Moretti}},\n\tisbn = {978-1-60235-205-6},\n\tshorttitle = {Reading graphs, maps, trees},\n\tlanguage = {eng},\n\tpublisher = {Parlor Press},\n\tauthor = {Holbo, John and Goodwin, Jonathan},\n\tyear = {2011},\n\tkeywords = {Criticism, Fiction, History and criticism, Literature, Moretti, Franco 1950- Graphs, maps, trees, Moretti, Franco 1950- La letteratura vista da lontano, Philosophy},\n}\n\n
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\n  \n Grigar, D.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Curating Electronic Literature as Critical and Scholarly Practice.\n \n \n \n\n\n \n Grigar, D.\n\n\n \n\n\n\n Digital Humanities Quarterly, 008(4). December 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{grigar_curating_2014,\n\ttitle = {Curating {Electronic} {Literature} as {Critical} and {Scholarly} {Practice}},\n\tvolume = {008},\n\tissn = {1938-4122},\n\tnumber = {4},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Grigar, Dene},\n\tmonth = dec,\n\tyear = {2014},\n}\n\n
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\n  \n Haentjens Dekker, R.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n From graveyard to graph.\n \n \n \n \n\n\n \n Bleeker, E.; Buitendijk, B.; and Haentjens Dekker, R.\n\n\n \n\n\n\n International Journal of Digital Humanities, 1(2): 141–163. July 2019.\n \n\n\n\n
\n\n\n\n \n \n \"FromPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{bleeker_graveyard_2019,\n\ttitle = {From graveyard to graph},\n\tvolume = {1},\n\tissn = {2524-7840},\n\turl = {https://doi.org/10.1007/s42803-019-00012-w},\n\tdoi = {10.1007/s42803-019-00012-w},\n\tabstract = {The technological developments in the field of textual scholarship lead to a renewed focus on textual variation. Variants are liberated from their peripheral place in appendices or footnotes and are given a more prominent position in the (digital) edition of a work. But what constitutes an informative and meaningful visualisation of textual variation? The present article takes visualisation of the result of collation software as point of departure, examining several visualisations of collation output that contains a wealth of information about textual variance. The newly developed collation software HyperCollate is used as a touchstone to study the issue of representing textual information to advance literary research. The article concludes with a set of recommendations in order to evaluate different visualisations of collation output.},\n\tlanguage = {en},\n\tnumber = {2},\n\tjournal = {International Journal of Digital Humanities},\n\tauthor = {Bleeker, Elli and Buitendijk, Bram and Haentjens Dekker, Ronald},\n\tmonth = jul,\n\tyear = {2019},\n\tpages = {141--163},\n}\n\n
\n
\n\n\n
\n The technological developments in the field of textual scholarship lead to a renewed focus on textual variation. Variants are liberated from their peripheral place in appendices or footnotes and are given a more prominent position in the (digital) edition of a work. But what constitutes an informative and meaningful visualisation of textual variation? The present article takes visualisation of the result of collation software as point of departure, examining several visualisations of collation output that contains a wealth of information about textual variance. The newly developed collation software HyperCollate is used as a touchstone to study the issue of representing textual information to advance literary research. The article concludes with a set of recommendations in order to evaluate different visualisations of collation output.\n
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\n  \n Hao\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Verifying the Authorship of the Yasunari Kawabata Novel The Sound of the Mountain.\n \n \n \n \n\n\n \n Hao Sun; and Mingzhe Jin\n\n\n \n\n\n\n Journal of Mathematics and System Science, 7(5). May 2017.\n \n\n\n\n
\n\n\n\n \n \n \"VerifyingPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{haosun2017,\n\ttitle = {Verifying the {Authorship} of the {Yasunari} {Kawabata} {Novel} {The} {Sound} of the {Mountain}},\n\tvolume = {7},\n\tissn = {21595291, 21595305},\n\turl = {http://www.davidpublisher.org/index.php/Home/Article/index?id=32314.html},\n\tdoi = {10.17265/2159-5291/2017.05.001},\n\tabstract = {Yasunari Kawabata was a famous Japanese novelist and the winner of the 1968 Nobel Prize in Literature. However, considerable debate persists concerning the authorship of his novel, The Sound of the Mountain, which some claim was in fact written by another celebrated author, Yukio Mishima. In this research, we attempt to resolve this issue by applying character bigrams, part-of-speech bigrams, and phrase pattern analysis stylometric features, and principal component analysis, hierarchical cluster analysis, and random forests as authorship attribution methods. As a result, we obtained compelling evidence to show that Yukio Mishima was not the author of The Sound of the Mountain.},\n\tlanguage = {en},\n\tnumber = {5},\n\turldate = {2024-03-04},\n\tjournal = {Journal of Mathematics and System Science},\n\tauthor = {{Hao Sun} and {Mingzhe Jin}},\n\tmonth = may,\n\tyear = {2017},\n}\n\n
\n
\n\n\n
\n Yasunari Kawabata was a famous Japanese novelist and the winner of the 1968 Nobel Prize in Literature. However, considerable debate persists concerning the authorship of his novel, The Sound of the Mountain, which some claim was in fact written by another celebrated author, Yukio Mishima. In this research, we attempt to resolve this issue by applying character bigrams, part-of-speech bigrams, and phrase pattern analysis stylometric features, and principal component analysis, hierarchical cluster analysis, and random forests as authorship attribution methods. As a result, we obtained compelling evidence to show that Yukio Mishima was not the author of The Sound of the Mountain.\n
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\n  \n Hildenbrandt, V.\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n „im Zentrum eines Netzes [...] geistiger Fäden“. Erschließung und Erforschung thematischer Zusammenhänge in heterogenen Briefkorpora.\n \n \n \n \n\n\n \n Hildenbrandt, V.; Kamzelak, R. S.; Molitor, P.; and Ritter, J.\n\n\n \n\n\n\n Datenbank-Spektrum, 15(1): 49–55. March 2015.\n \n\n\n\n
\n\n\n\n \n \n \"„imPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{hildenbrandt_im_2015,\n\ttitle = {„im {Zentrum} eines {Netzes} [...] geistiger {Fäden}“. {Erschließung} und {Erforschung} thematischer {Zusammenhänge} in heterogenen {Briefkorpora}},\n\tvolume = {15},\n\tissn = {1618-2162, 1610-1995},\n\turl = {http://link.springer.com/10.1007/s13222-014-0177-7},\n\tdoi = {10.1007/s13222-014-0177-7},\n\tlanguage = {de},\n\tnumber = {1},\n\turldate = {2022-01-30},\n\tjournal = {Datenbank-Spektrum},\n\tauthor = {Hildenbrandt, Vera and Kamzelak, Roland S. and Molitor, Paul and Ritter, Jörg},\n\tmonth = mar,\n\tyear = {2015},\n\tpages = {49--55},\n}\n\n
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\n \n\n \n \n \n \n \n \n „Im Exil erweitert sich die Welt“. Neue Zugangswege zu Korrespondenzen durch Visualisierung.\n \n \n \n \n\n\n \n Hildenbrandt, V.; and Kamzelak, R. S.\n\n\n \n\n\n\n Editio, 28(1). January 2014.\n \n\n\n\n
\n\n\n\n \n \n \"„ImPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{hildenbrandt_im_2014,\n\ttitle = {„{Im} {Exil} erweitert sich die {Welt}“. {Neue} {Zugangswege} zu {Korrespondenzen} durch {Visualisierung}},\n\tvolume = {28},\n\tissn = {1865-9446, 0931-3079},\n\turl = {https://www.degruyter.com/document/doi/10.1515/editio-2014-011/html},\n\tdoi = {10.1515/editio-2014-011},\n\tlanguage = {de},\n\tnumber = {1},\n\turldate = {2022-01-30},\n\tjournal = {Editio},\n\tauthor = {Hildenbrandt, Vera and Kamzelak, Roland S.},\n\tmonth = jan,\n\tyear = {2014},\n}\n\n
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\n  \n Hinzmann, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"AbgeleitetePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Holbo, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Reading graphs, maps, trees: critical responses to Franco Moretti.\n \n \n \n\n\n \n Holbo, J.; and Goodwin, J.\n\n\n \n\n\n\n of Glassbead booksParlor Press, Anderson, S.C, 2011.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@book{holbo_reading_2011,\n\taddress = {Anderson, S.C},\n\tseries = {Glassbead books},\n\ttitle = {Reading graphs, maps, trees: critical responses to {Franco} {Moretti}},\n\tisbn = {978-1-60235-205-6},\n\tshorttitle = {Reading graphs, maps, trees},\n\tlanguage = {eng},\n\tpublisher = {Parlor Press},\n\tauthor = {Holbo, John and Goodwin, Jonathan},\n\tyear = {2011},\n\tkeywords = {Criticism, Fiction, History and criticism, Literature, Moretti, Franco 1950- Graphs, maps, trees, Moretti, Franco 1950- La letteratura vista da lontano, Philosophy},\n}\n\n
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\n  \n Hoover, D.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Digital Literary Studies: Corpus Approaches to Poetry, Prose, and Drama.\n \n \n \n \n\n\n \n Hoover, D. L.; Culpeper, J.; and O'Halloran, K.\n\n\n \n\n\n\n Routledge, London, 2014.\n \n\n\n\n
\n\n\n\n \n \n \"DigitalPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
\n
@book{hoover_digital_2014,\n\taddress = {London},\n\ttitle = {Digital {Literary} {Studies}: {Corpus} {Approaches} to {Poetry}, {Prose}, and {Drama}},\n\tisbn = {978-0-415-35230-7},\n\turl = {http://www.amazon.de/Digital-Literary-Studies-Approaches-Linguistics/dp/0415352304},\n\tabstract = {Digital Literary Studies presents a broad and varied picture of the promise and potential of methods and approaches that are crucially dependent upon the digital nature of the literary texts it studies and the texts and collections of texts with which they are compared. It focuses on style, diction, characterization, and interpretation of single works and across larger groups of texts, using both huge natural language corpora and smaller, more specialized collections of texts created for specific tasks, and applies statistical techniques used in the narrower confines of authorship attribution to broader stylistic questions. It addresses important issues in each of the three major literary genres, and intentionally applies different techniques and concepts to poetry, prose, and drama. It aims to present a provocative and suggestive sample intended to encourage the application of these and other methods to literary studies. Hoover, Culpeper, and O'Halloran push the methods, techniques, and concepts in new directions, apply them to new groups of texts or to new questions, modify their nature or method of application, and combine them in innovative ways},\n\tlanguage = {en},\n\tpublisher = {Routledge},\n\tauthor = {Hoover, David L. and Culpeper, Jonathan and O'Halloran, Kieran},\n\tyear = {2014},\n\tkeywords = {meta\\_GiveOverview, obj\\_Text},\n}\n\n
\n
\n\n\n
\n Digital Literary Studies presents a broad and varied picture of the promise and potential of methods and approaches that are crucially dependent upon the digital nature of the literary texts it studies and the texts and collections of texts with which they are compared. It focuses on style, diction, characterization, and interpretation of single works and across larger groups of texts, using both huge natural language corpora and smaller, more specialized collections of texts created for specific tasks, and applies statistical techniques used in the narrower confines of authorship attribution to broader stylistic questions. It addresses important issues in each of the three major literary genres, and intentionally applies different techniques and concepts to poetry, prose, and drama. It aims to present a provocative and suggestive sample intended to encourage the application of these and other methods to literary studies. Hoover, Culpeper, and O'Halloran push the methods, techniques, and concepts in new directions, apply them to new groups of texts or to new questions, modify their nature or method of application, and combine them in innovative ways\n
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\n  \n Ivanovic, C.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Die Vernetzung des Textes: Im Möglichkeitsraum digitaler Literaturanalyse.\n \n \n \n \n\n\n \n Ivanovic, C.\n\n\n \n\n\n\n \\textlessp\\textgreaterEinreichung als Artikel in der Zeitschrift für digitale Geisteswissenschaften. Abrufbar unter http://www.zfdg.de/\\textless/p\\textgreater. 2016.\n Publisher: HAB - Herzog August Bibliothek\n\n\n\n
\n\n\n\n \n \n \"DiePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{ivanovic_vernetzung_2016,\n\ttitle = {Die {Vernetzung} des {Textes}: {Im} {Möglichkeitsraum} digitaler {Literaturanalyse}},\n\tcopyright = {CC BY-SA 4.0},\n\tshorttitle = {Die {Vernetzung} des {Textes}},\n\turl = {http://www.zfdg.de/2016_010},\n\tdoi = {10.17175/2016_010},\n\tlanguage = {de},\n\turldate = {2022-01-29},\n\tjournal = {{\\textless}p{\\textgreater}Einreichung als Artikel in der Zeitschrift für digitale Geisteswissenschaften. Abrufbar unter http://www.zfdg.de/{\\textless}/p{\\textgreater}},\n\tauthor = {Ivanovic, Christine},\n\tyear = {2016},\n\tnote = {Publisher: HAB - Herzog August Bibliothek},\n}\n\n
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\n  \n Jannidis, F.\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n Perspektiven empirisch-quantitativer Methoden in der Literaturwissenschaft — ein Essay.\n \n \n \n \n\n\n \n Jannidis, F.\n\n\n \n\n\n\n Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte, 89(4): 657–661. December 2015.\n \n\n\n\n
\n\n\n\n \n \n \"PerspektivenPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{jannidis_perspektiven_2015,\n\ttitle = {Perspektiven empirisch-quantitativer {Methoden} in der {Literaturwissenschaft} — ein {Essay}},\n\tvolume = {89},\n\tissn = {0012-0936, 2365-9521},\n\turl = {http://link.springer.com/10.1007/BF03396503},\n\tdoi = {10.1007/BF03396503},\n\tlanguage = {de},\n\tnumber = {4},\n\turldate = {2022-01-30},\n\tjournal = {Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte},\n\tauthor = {Jannidis, Fotis},\n\tmonth = dec,\n\tyear = {2015},\n\tpages = {657--661},\n}\n\n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"AbgeleitetePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Jockers, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The Ancient World in Nineteenth-Century Fiction; or, Correlating Theme, Geography, and Sentiment in the Nineteenth Century Literary Imagination.\n \n \n \n\n\n \n Jockers, M. L.\n\n\n \n\n\n\n Digital Humanities Quarterly, 010(2). June 2016.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{jockers_ancient_2016,\n\ttitle = {The {Ancient} {World} in {Nineteenth}-{Century} {Fiction}; or, {Correlating} {Theme}, {Geography}, and {Sentiment} in the {Nineteenth} {Century} {Literary} {Imagination}},\n\tvolume = {010},\n\tissn = {1938-4122},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Jockers, Matthew L.},\n\tmonth = jun,\n\tyear = {2016},\n}\n\n
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\n  \n Jäschke, R.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Preface: World Literature in an Expanding Digital Space.\n \n \n \n\n\n \n Fischer, F.; Blakesley, J.; Wojcik, P.; and Jäschke, R.\n\n\n \n\n\n\n Journal of Cultural Analytics, 8(2). 2023.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{fischerPrefaceWorldLiterature2023,\n\ttitle = {Preface: {World} {Literature} in an {Expanding} {Digital} {Space}},\n\tvolume = {8},\n\tdoi = {https://doi.org/10.22148/001c.74598.},\n\tabstract = {Wikipedia, the world’s largest encyclopedia, and Wikidata, the rapidly growing knowledge graph, are not yet widely used in literary studies, but their scale and multilingualism make them particularly suitable as new means for the study of world literature. This is the hypothesis at the heart of this special issue. Our preface provides a research overview of the topic, briefly summarizes the articles that constitute this issue, and focuses on overarching aspects and common challenges.},\n\tnumber = {2},\n\tjournal = {Journal of Cultural Analytics},\n\tauthor = {Fischer, Frank and Blakesley, Jacob and Wojcik, Paula and Jäschke, Robert},\n\tyear = {2023},\n}\n\n
\n
\n\n\n
\n Wikipedia, the world’s largest encyclopedia, and Wikidata, the rapidly growing knowledge graph, are not yet widely used in literary studies, but their scale and multilingualism make them particularly suitable as new means for the study of world literature. This is the hypothesis at the heart of this special issue. Our preface provides a research overview of the topic, briefly summarizes the articles that constitute this issue, and focuses on overarching aspects and common challenges.\n
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\n  \n Kamzelak, R.\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n „im Zentrum eines Netzes [...] geistiger Fäden“. Erschließung und Erforschung thematischer Zusammenhänge in heterogenen Briefkorpora.\n \n \n \n \n\n\n \n Hildenbrandt, V.; Kamzelak, R. S.; Molitor, P.; and Ritter, J.\n\n\n \n\n\n\n Datenbank-Spektrum, 15(1): 49–55. March 2015.\n \n\n\n\n
\n\n\n\n \n \n \"„imPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{hildenbrandt_im_2015,\n\ttitle = {„im {Zentrum} eines {Netzes} [...] geistiger {Fäden}“. {Erschließung} und {Erforschung} thematischer {Zusammenhänge} in heterogenen {Briefkorpora}},\n\tvolume = {15},\n\tissn = {1618-2162, 1610-1995},\n\turl = {http://link.springer.com/10.1007/s13222-014-0177-7},\n\tdoi = {10.1007/s13222-014-0177-7},\n\tlanguage = {de},\n\tnumber = {1},\n\turldate = {2022-01-30},\n\tjournal = {Datenbank-Spektrum},\n\tauthor = {Hildenbrandt, Vera and Kamzelak, Roland S. and Molitor, Paul and Ritter, Jörg},\n\tmonth = mar,\n\tyear = {2015},\n\tpages = {49--55},\n}\n\n
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\n \n\n \n \n \n \n \n \n „Im Exil erweitert sich die Welt“. Neue Zugangswege zu Korrespondenzen durch Visualisierung.\n \n \n \n \n\n\n \n Hildenbrandt, V.; and Kamzelak, R. S.\n\n\n \n\n\n\n Editio, 28(1). January 2014.\n \n\n\n\n
\n\n\n\n \n \n \"„ImPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{hildenbrandt_im_2014,\n\ttitle = {„{Im} {Exil} erweitert sich die {Welt}“. {Neue} {Zugangswege} zu {Korrespondenzen} durch {Visualisierung}},\n\tvolume = {28},\n\tissn = {1865-9446, 0931-3079},\n\turl = {https://www.degruyter.com/document/doi/10.1515/editio-2014-011/html},\n\tdoi = {10.1515/editio-2014-011},\n\tlanguage = {de},\n\tnumber = {1},\n\turldate = {2022-01-30},\n\tjournal = {Editio},\n\tauthor = {Hildenbrandt, Vera and Kamzelak, Roland S.},\n\tmonth = jan,\n\tyear = {2014},\n}\n\n
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\n  \n Kane, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC).\n \n \n \n\n\n \n Philips, N.; Babbitt, A.; Cho, S.; Kane, J.; Mejeur, C.; and Pearson, C.\n\n\n \n\n\n\n Digital Humanities Quarterly, 014(3). September 2020.\n \n\n\n\n
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@article{philips_creating_2020,\n\ttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}: {A} {Case} {Study} of {The} {Digital} {Humanities} and {Literary} {Cognition} {Lab} ({DHLC})},\n\tvolume = {014},\n\tissn = {1938-4122},\n\tshorttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Philips, Natalie and Babbitt, Alexander and Cho, Soohyun and Kane, Jessica and Mejeur, Cody and Pearson, Craig},\n\tmonth = sep,\n\tyear = {2020},\n}\n\n
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\n  \n Kirschenbaum, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The .txtual Condition: Digital Humanities, Born-Digital Archives, and the Future Literary.\n \n \n \n\n\n \n Kirschenbaum, M.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(1). July 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{kirschenbaum_txtual_2013,\n\ttitle = {The .txtual {Condition}: {Digital} {Humanities}, {Born}-{Digital} {Archives}, and the {Future} {Literary}},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tshorttitle = {The .txtual {Condition}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Kirschenbaum, Matthew},\n\tmonth = jul,\n\tyear = {2013},\n}\n\n
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\n  \n Klein, W.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Alte Fragen, neue Antworten? Digitale Perspektiven der Erforschung alter Fachprosa, mit besonderer Berücksichtigung sprachwissenschaftlicher Aspekte.\n \n \n \n\n\n \n Klein, W. P.\n\n\n \n\n\n\n In Fachtexte des Spätmittelalters und der Frühen Neuzeit als Objekt, pages 31–46. 2014.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@incollection{klein_alte_2014,\n\ttitle = {Alte {Fragen}, neue {Antworten}? {Digitale} {Perspektiven} der {Erforschung} alter {Fachprosa}, mit besonderer {Berücksichtigung} sprachwissenschaftlicher {Aspekte}},\n\tshorttitle = {Alte {Fragen}, neue {Antworten}?},\n\tbooktitle = {Fachtexte des {Spätmittelalters} und der {Frühen} {Neuzeit} als {Objekt}},\n\tauthor = {Klein, Wolf Peter},\n\tyear = {2014},\n\tpages = {31--46},\n}\n\n
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\n  \n Kleymann, R.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Towards Hermeneutic Visualization in Digital Literary Studies.\n \n \n \n\n\n \n Kleymann, R.; and Stange, J.\n\n\n \n\n\n\n Digital Humanities Quarterly, 015(2). June 2021.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{kleymann_towards_2021,\n\ttitle = {Towards {Hermeneutic} {Visualization} in {Digital} {Literary} {Studies}},\n\tvolume = {015},\n\tissn = {1938-4122},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Kleymann, Rabea and Stange, Jan-Erik},\n\tmonth = jun,\n\tyear = {2021},\n}\n\n
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\n  \n Leinen, P.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"AbgeleitetePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Li, Q.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Comparative literature and the digital humanities: disciplinary issues and theoretical construction.\n \n \n \n\n\n \n Li, Q.\n\n\n \n\n\n\n Humanities and Social Sciences Communications, 9. 2022.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{liComparativeLiteratureDigital2022,\n\ttitle = {Comparative literature and the digital humanities: disciplinary issues and theoretical construction},\n\tvolume = {9},\n\tdoi = {https://doi.org/10.1057/s41599-022-01438-4},\n\tabstract = {Comparative literature and the digital humanities are both compound disciplines that are interdisciplinary by nature and are similar in four aspects: disciplinary histories, disciplinary structures, disciplinary ideals, and disciplinary prospects. Through a full investigation of the developmental process of comparative literature in becoming a discipline, this paper provides a comparative reflection on existing or possible problems, as well as the corresponding feasible countermeasures in the theoretical construction of comparative literature and the digital humanities in four major areas: the discipline’s scope, institution, methodology, and mission. Fully absorbing the experiences and lessons from comparative literature would be very conducive to placing the digital humanities on a path of rapid and solid development.},\n\tjournal = {Humanities and Social Sciences Communications},\n\tauthor = {Li, Quan},\n\tyear = {2022},\n}\n\n
\n
\n\n\n
\n Comparative literature and the digital humanities are both compound disciplines that are interdisciplinary by nature and are similar in four aspects: disciplinary histories, disciplinary structures, disciplinary ideals, and disciplinary prospects. Through a full investigation of the developmental process of comparative literature in becoming a discipline, this paper provides a comparative reflection on existing or possible problems, as well as the corresponding feasible countermeasures in the theoretical construction of comparative literature and the digital humanities in four major areas: the discipline’s scope, institution, methodology, and mission. Fully absorbing the experiences and lessons from comparative literature would be very conducive to placing the digital humanities on a path of rapid and solid development.\n
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\n  \n Limpinsel, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Was bedeutet die Digitalisierung für den Gegenstand der Literaturwissenschaft?.\n \n \n \n \n\n\n \n Limpinsel, M.\n\n\n \n\n\n\n \\textlessp\\textgreaterEinreichung als Artikel in der Zeitschrift für digitale Geisteswissenschaften. Abrufbar unter http://www.zfdg.de/\\textless/p\\textgreater. 2016.\n Publisher: HAB - Herzog August Bibliothek\n\n\n\n
\n\n\n\n \n \n \"WasPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{limpinsel_was_2016,\n\ttitle = {Was bedeutet die {Digitalisierung} für den {Gegenstand} der {Literaturwissenschaft}?},\n\tcopyright = {CC BY-SA 4.0},\n\turl = {http://www.zfdg.de/2016_009},\n\tdoi = {10.17175/2016_009},\n\tlanguage = {de},\n\turldate = {2022-01-29},\n\tjournal = {{\\textless}p{\\textgreater}Einreichung als Artikel in der Zeitschrift für digitale Geisteswissenschaften. Abrufbar unter http://www.zfdg.de/{\\textless}/p{\\textgreater}},\n\tauthor = {Limpinsel, Mirco},\n\tyear = {2016},\n\tnote = {Publisher: HAB - Herzog August Bibliothek},\n}\n\n
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\n  \n Marcinkowski, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Methodological Nearness and the Question of Computational Literature.\n \n \n \n\n\n \n Marcinkowski, M.\n\n\n \n\n\n\n Digital Humanities Quarterly, 012(2). July 2018.\n \n\n\n\n
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@article{marcinkowski_methodological_2018,\n\ttitle = {Methodological {Nearness} and the {Question} of {Computational} {Literature}},\n\tvolume = {012},\n\tissn = {1938-4122},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Marcinkowski, Michael},\n\tmonth = jul,\n\tyear = {2018},\n}\n\n
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\n  \n Marino, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Review: The Electronic Literature Collection Volume I: A New Media Primer.\n \n \n \n\n\n \n Marino, M. C.\n\n\n \n\n\n\n Digital Humanities Quarterly, 002(1). June 2008.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{marino_review_2008,\n\ttitle = {Review: {The} {Electronic} {Literature} {Collection} {Volume} {I}: {A} {New} {Media} {Primer}},\n\tvolume = {002},\n\tissn = {1938-4122},\n\tshorttitle = {Review},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Marino, Mark C.},\n\tmonth = jun,\n\tyear = {2008},\n}\n\n
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\n  \n Martus, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Werke in Relationen. Netzwerktheoretische Ansätze in der Literaturwissenschaft. Einleitung.\n \n \n \n\n\n \n Thomalla, E.; Spoerhase, C.; and Martus, S.\n\n\n \n\n\n\n In volume NF XXIX (2019), of Zeitschrift für Germanistik, pages 7–23. .\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@incollection{thomalla_werke_nodate,\n\tseries = {Zeitschrift für {Germanistik}},\n\ttitle = {Werke in {Relationen}. {Netzwerktheoretische} {Ansätze} in der {Literaturwissenschaft}. {Einleitung}},\n\tvolume = {NF XXIX (2019)},\n\tnumber = {Vol.29 (1),},\n\tauthor = {Thomalla, Erika and Spoerhase, Carlos and Martus, Steffen},\n\tpages = {7--23},\n}\n\n
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\n  \n Matthews, G.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Epigraph Effect: A Digital Humanities Approach to Literary Influence and Tradition.\n \n \n \n \n\n\n \n Matthews, G.; and Bond, F.\n\n\n \n\n\n\n English: Journal of the English Association, 71(273): 97–122. August 2022.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{matthews_epigraph_2022,\n\ttitle = {The {Epigraph} {Effect}: {A} {Digital} {Humanities} {Approach} to {Literary} {Influence} and {Tradition}},\n\tvolume = {71},\n\tissn = {0013-8215, 1756-1124},\n\tshorttitle = {The {Epigraph} {Effect}},\n\turl = {https://academic.oup.com/english/article/71/273/97/6565351},\n\tdoi = {10.1093/english/efac004},\n\tabstract = {It is common to discover an epigraph in the opening pages of a novel that highlights one or more of the major themes and denotes the influence of another author on the composition of the text. Yet, the inclusion of an epigraph also bestows prestige on the citing text – helping the author to select his or her place in the wider literary tradition – and situates the text in a particular genre or historical period. In order to trace the development of what G erard Genette dubbed the ‘epigraph effect’, we collected 16,963 epigraphs and recorded their provenance (author, work, date, and country of origin). This collection enables us to trace intertextual connections between authors throughout literary history and national traditions.},\n\tlanguage = {en},\n\tnumber = {273},\n\turldate = {2023-02-27},\n\tjournal = {English: Journal of the English Association},\n\tauthor = {Matthews, Graham and Bond, Francis},\n\tmonth = aug,\n\tyear = {2022},\n\tpages = {97--122},\n}\n\n
\n
\n\n\n
\n It is common to discover an epigraph in the opening pages of a novel that highlights one or more of the major themes and denotes the influence of another author on the composition of the text. Yet, the inclusion of an epigraph also bestows prestige on the citing text – helping the author to select his or her place in the wider literary tradition – and situates the text in a particular genre or historical period. In order to trace the development of what G erard Genette dubbed the ‘epigraph effect’, we collected 16,963 epigraphs and recorded their provenance (author, work, date, and country of origin). This collection enables us to trace intertextual connections between authors throughout literary history and national traditions.\n
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\n  \n McMahon, P.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n And —? Using digital tools to reread the Canterbury Tales.\n \n \n \n\n\n \n McMahon, P. J.; and Frantzen, A. J.\n\n\n \n\n\n\n Essays in Medieval Studies, 27: 133–147. 2011.\n \n\n\n\n
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@article{mcmahon_and_2011,\n\ttitle = {And —? {Using} digital tools to reread the {Canterbury} {Tales}},\n\tvolume = {27},\n\tissn = {1043-2213},\n\tshorttitle = {And --?},\n\tdoi = {10.1353/ems.2011.0006},\n\tjournal = {Essays in Medieval Studies},\n\tauthor = {McMahon, Patrick J. and Frantzen, Allen J.},\n\tyear = {2011},\n\tpages = {133--147},\n}\n\n
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\n  \n Mejeur, C.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC).\n \n \n \n\n\n \n Philips, N.; Babbitt, A.; Cho, S.; Kane, J.; Mejeur, C.; and Pearson, C.\n\n\n \n\n\n\n Digital Humanities Quarterly, 014(3). September 2020.\n \n\n\n\n
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@article{philips_creating_2020,\n\ttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}: {A} {Case} {Study} of {The} {Digital} {Humanities} and {Literary} {Cognition} {Lab} ({DHLC})},\n\tvolume = {014},\n\tissn = {1938-4122},\n\tshorttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Philips, Natalie and Babbitt, Alexander and Cho, Soohyun and Kane, Jessica and Mejeur, Cody and Pearson, Craig},\n\tmonth = sep,\n\tyear = {2020},\n}\n\n
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\n  \n Mering, B.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online).\n \n \n \n\n\n \n García, N. A.; Caplan, A.; and Mering, B.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(3). August 2017.\n \n\n\n\n
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@article{garcia_pedagogy_2017,\n\ttitle = {A {Pedagogy} for {Computer}-{Assisted} {Literary} {Analysis}: {Introducing} {GALGO} ({Golden} {Age} {Literature} {Glossary} {Online})},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {A {Pedagogy} for {Computer}-{Assisted} {Literary} {Analysis}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {García, Nuria Alonso and Caplan, Alison and Mering, Brad},\n\tmonth = aug,\n\tyear = {2017},\n}\n\n
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\n  \n Min\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Verifying the Authorship of the Yasunari Kawabata Novel The Sound of the Mountain.\n \n \n \n \n\n\n \n Hao Sun; and Mingzhe Jin\n\n\n \n\n\n\n Journal of Mathematics and System Science, 7(5). May 2017.\n \n\n\n\n
\n\n\n\n \n \n \"VerifyingPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{haosun2017,\n\ttitle = {Verifying the {Authorship} of the {Yasunari} {Kawabata} {Novel} {The} {Sound} of the {Mountain}},\n\tvolume = {7},\n\tissn = {21595291, 21595305},\n\turl = {http://www.davidpublisher.org/index.php/Home/Article/index?id=32314.html},\n\tdoi = {10.17265/2159-5291/2017.05.001},\n\tabstract = {Yasunari Kawabata was a famous Japanese novelist and the winner of the 1968 Nobel Prize in Literature. However, considerable debate persists concerning the authorship of his novel, The Sound of the Mountain, which some claim was in fact written by another celebrated author, Yukio Mishima. In this research, we attempt to resolve this issue by applying character bigrams, part-of-speech bigrams, and phrase pattern analysis stylometric features, and principal component analysis, hierarchical cluster analysis, and random forests as authorship attribution methods. As a result, we obtained compelling evidence to show that Yukio Mishima was not the author of The Sound of the Mountain.},\n\tlanguage = {en},\n\tnumber = {5},\n\turldate = {2024-03-04},\n\tjournal = {Journal of Mathematics and System Science},\n\tauthor = {{Hao Sun} and {Mingzhe Jin}},\n\tmonth = may,\n\tyear = {2017},\n}\n\n
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\n\n\n
\n Yasunari Kawabata was a famous Japanese novelist and the winner of the 1968 Nobel Prize in Literature. However, considerable debate persists concerning the authorship of his novel, The Sound of the Mountain, which some claim was in fact written by another celebrated author, Yukio Mishima. In this research, we attempt to resolve this issue by applying character bigrams, part-of-speech bigrams, and phrase pattern analysis stylometric features, and principal component analysis, hierarchical cluster analysis, and random forests as authorship attribution methods. As a result, we obtained compelling evidence to show that Yukio Mishima was not the author of The Sound of the Mountain.\n
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\n  \n Molitor, P.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n „im Zentrum eines Netzes [...] geistiger Fäden“. Erschließung und Erforschung thematischer Zusammenhänge in heterogenen Briefkorpora.\n \n \n \n \n\n\n \n Hildenbrandt, V.; Kamzelak, R. S.; Molitor, P.; and Ritter, J.\n\n\n \n\n\n\n Datenbank-Spektrum, 15(1): 49–55. March 2015.\n \n\n\n\n
\n\n\n\n \n \n \"„imPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{hildenbrandt_im_2015,\n\ttitle = {„im {Zentrum} eines {Netzes} [...] geistiger {Fäden}“. {Erschließung} und {Erforschung} thematischer {Zusammenhänge} in heterogenen {Briefkorpora}},\n\tvolume = {15},\n\tissn = {1618-2162, 1610-1995},\n\turl = {http://link.springer.com/10.1007/s13222-014-0177-7},\n\tdoi = {10.1007/s13222-014-0177-7},\n\tlanguage = {de},\n\tnumber = {1},\n\turldate = {2022-01-30},\n\tjournal = {Datenbank-Spektrum},\n\tauthor = {Hildenbrandt, Vera and Kamzelak, Roland S. and Molitor, Paul and Ritter, Jörg},\n\tmonth = mar,\n\tyear = {2015},\n\tpages = {49--55},\n}\n\n
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\n  \n Moretti, F.\n \n \n (3)\n \n \n
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\n \n\n \n \n \n \n \n Literatur im Labor.\n \n \n \n\n\n \n Moretti, F.\n\n\n \n\n\n\n Konstanz University Press, Paderborn, 2017.\n Book Title: Literatur im Labor\n\n\n\n
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@book{moretti_literatur_2017,\n\taddress = {Paderborn},\n\ttitle = {Literatur im {Labor}},\n\tisbn = {978-3-86253-081-6},\n\tlanguage = {ger},\n\tpublisher = {Konstanz University Press},\n\tauthor = {Moretti, Franco},\n\ttranslator = {Engels, Bettina and Adrian, Michael},\n\tcollaborator = {Algee-Hewitt, Mark},\n\tyear = {2017},\n\tnote = {Book Title: Literatur im Labor},\n\tkeywords = {Algorithmus, Computer, Computerlinguistik, Genres littéraires, Informatique, Literaturgattung, Literaturwissenschaft, Littérature, Methode},\n}\n\n
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\n \n\n \n \n \n \n \n Graphs, Maps, Trees: Abstract Models for a Literary History.\n \n \n \n\n\n \n Moretti, F.\n\n\n \n\n\n\n Verso, London; New York, 2005.\n \n\n\n\n
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@book{moretti_graphs_2005,\n\taddress = {London; New York},\n\ttitle = {Graphs, {Maps}, {Trees}: {Abstract} {Models} for a {Literary} {History}},\n\tisbn = {978-1-84467-026-0},\n\tshorttitle = {Graphs, maps, trees},\n\tlanguage = {en},\n\tpublisher = {Verso},\n\tauthor = {Moretti, Franco},\n\tyear = {2005},\n\tkeywords = {Chronology, Criticism, Fiction, History and criticism, Literature, Miscellanea, Philosophy, distant reading},\n}\n\n
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\n \n\n \n \n \n \n \n Distant reading.\n \n \n \n\n\n \n Moretti, F.\n\n\n \n\n\n\n Verso, London, 2013.\n \n\n\n\n
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@book{moretti_distant_2013,\n\taddress = {London},\n\ttitle = {Distant reading},\n\tisbn = {978-1-78168-084-1},\n\tpublisher = {Verso},\n\tauthor = {Moretti, Franco},\n\tyear = {2013},\n}\n\n
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\n  \n Murray, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Varieties of Digital Literary Studies: Micro, Macro, Meso.\n \n \n \n\n\n \n Murray, S.\n\n\n \n\n\n\n Digital Humanities Quarterly, 016(2). May 2022.\n \n\n\n\n
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@article{murray_varieties_2022,\n\ttitle = {Varieties of {Digital} {Literary} {Studies}: {Micro}, {Macro}, {Meso}},\n\tvolume = {016},\n\tissn = {1938-4122},\n\tshorttitle = {Varieties of {Digital} {Literary} {Studies}},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Murray, Simone},\n\tmonth = may,\n\tyear = {2022},\n}\n\n
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\n  \n O'Halloran, K.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Digital Literary Studies: Corpus Approaches to Poetry, Prose, and Drama.\n \n \n \n \n\n\n \n Hoover, D. L.; Culpeper, J.; and O'Halloran, K.\n\n\n \n\n\n\n Routledge, London, 2014.\n \n\n\n\n
\n\n\n\n \n \n \"DigitalPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
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@book{hoover_digital_2014,\n\taddress = {London},\n\ttitle = {Digital {Literary} {Studies}: {Corpus} {Approaches} to {Poetry}, {Prose}, and {Drama}},\n\tisbn = {978-0-415-35230-7},\n\turl = {http://www.amazon.de/Digital-Literary-Studies-Approaches-Linguistics/dp/0415352304},\n\tabstract = {Digital Literary Studies presents a broad and varied picture of the promise and potential of methods and approaches that are crucially dependent upon the digital nature of the literary texts it studies and the texts and collections of texts with which they are compared. It focuses on style, diction, characterization, and interpretation of single works and across larger groups of texts, using both huge natural language corpora and smaller, more specialized collections of texts created for specific tasks, and applies statistical techniques used in the narrower confines of authorship attribution to broader stylistic questions. It addresses important issues in each of the three major literary genres, and intentionally applies different techniques and concepts to poetry, prose, and drama. It aims to present a provocative and suggestive sample intended to encourage the application of these and other methods to literary studies. Hoover, Culpeper, and O'Halloran push the methods, techniques, and concepts in new directions, apply them to new groups of texts or to new questions, modify their nature or method of application, and combine them in innovative ways},\n\tlanguage = {en},\n\tpublisher = {Routledge},\n\tauthor = {Hoover, David L. and Culpeper, Jonathan and O'Halloran, Kieran},\n\tyear = {2014},\n\tkeywords = {meta\\_GiveOverview, obj\\_Text},\n}\n\n
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\n Digital Literary Studies presents a broad and varied picture of the promise and potential of methods and approaches that are crucially dependent upon the digital nature of the literary texts it studies and the texts and collections of texts with which they are compared. It focuses on style, diction, characterization, and interpretation of single works and across larger groups of texts, using both huge natural language corpora and smaller, more specialized collections of texts created for specific tasks, and applies statistical techniques used in the narrower confines of authorship attribution to broader stylistic questions. It addresses important issues in each of the three major literary genres, and intentionally applies different techniques and concepts to poetry, prose, and drama. It aims to present a provocative and suggestive sample intended to encourage the application of these and other methods to literary studies. Hoover, Culpeper, and O'Halloran push the methods, techniques, and concepts in new directions, apply them to new groups of texts or to new questions, modify their nature or method of application, and combine them in innovative ways\n
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\n  \n O'Sullivan, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Structure over Style: Collaborative Authorship and the Revival of Literary Capitalism.\n \n \n \n\n\n \n Fuller, S.; and O'Sullivan, J.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(1). February 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{fuller_structure_2017,\n\ttitle = {Structure over {Style}: {Collaborative} {Authorship} and the {Revival} of {Literary} {Capitalism}},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {Structure over {Style}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Fuller, Simon and O'Sullivan, James},\n\tmonth = feb,\n\tyear = {2017},\n}\n\n
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\n  \n Pearson, C.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC).\n \n \n \n\n\n \n Philips, N.; Babbitt, A.; Cho, S.; Kane, J.; Mejeur, C.; and Pearson, C.\n\n\n \n\n\n\n Digital Humanities Quarterly, 014(3). September 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{philips_creating_2020,\n\ttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}: {A} {Case} {Study} of {The} {Digital} {Humanities} and {Literary} {Cognition} {Lab} ({DHLC})},\n\tvolume = {014},\n\tissn = {1938-4122},\n\tshorttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Philips, Natalie and Babbitt, Alexander and Cho, Soohyun and Kane, Jessica and Mejeur, Cody and Pearson, Craig},\n\tmonth = sep,\n\tyear = {2020},\n}\n\n
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\n  \n Philips, N.\n \n \n (1)\n \n \n
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\n \n \n
\n \n\n \n \n \n \n \n Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC).\n \n \n \n\n\n \n Philips, N.; Babbitt, A.; Cho, S.; Kane, J.; Mejeur, C.; and Pearson, C.\n\n\n \n\n\n\n Digital Humanities Quarterly, 014(3). September 2020.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{philips_creating_2020,\n\ttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}: {A} {Case} {Study} of {The} {Digital} {Humanities} and {Literary} {Cognition} {Lab} ({DHLC})},\n\tvolume = {014},\n\tissn = {1938-4122},\n\tshorttitle = {Creating {Spaces} for {Interdisciplinary} {Research} across {Literature}, {Neuroscience}, and {DH}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Philips, Natalie and Babbitt, Alexander and Cho, Soohyun and Kane, Jessica and Mejeur, Cody and Pearson, Craig},\n\tmonth = sep,\n\tyear = {2020},\n}\n\n
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\n  \n Portela, M.\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n Theoretical Permutations for Reading Cybertexts: A Review of Markku Eskelinen, Cybertext Poetics: The Critical Landscape of New Media Literary Theory and C.T. Funkouser, New Directions in Digital Poetry.\n \n \n \n\n\n \n Portela, M.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(3). December 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{portela_theoretical_2013,\n\ttitle = {Theoretical {Permutations} for {Reading} {Cybertexts}: {A} {Review} of {Markku} {Eskelinen}, {Cybertext} {Poetics}: {The} {Critical} {Landscape} of {New} {Media} {Literary} {Theory} and {C}.{T}. {Funkouser}, {New} {Directions} in {Digital} {Poetry}},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tshorttitle = {Theoretical {Permutations} for {Reading} {Cybertexts}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Portela, Manuel},\n\tmonth = dec,\n\tyear = {2013},\n}\n\n
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\n \n\n \n \n \n \n \n Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature.\n \n \n \n\n\n \n Portela, M.\n\n\n \n\n\n\n Digital Humanities Quarterly, 008(1). April 2014.\n \n\n\n\n
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@article{portela_multimodal_2014,\n\ttitle = {Multimodal {Editing} and {Archival} {Performance}: {A} {Diagrammatic} {Essay} on {Transcoding} {Experimental} {Literature}},\n\tvolume = {008},\n\tissn = {1938-4122},\n\tshorttitle = {Multimodal {Editing} and {Archival} {Performance}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Portela, Manuel},\n\tmonth = apr,\n\tyear = {2014},\n}\n\n
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\n  \n Presner, T.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Algorithmic Close Reading: Using Semantic Triplets to Index and Analyze Agency in Holocaust Testimonies.\n \n \n \n\n\n \n Fan, L.; and Presner, T.\n\n\n \n\n\n\n Digital Humanities Quarterly, 016(3). June 2022.\n \n\n\n\n
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@article{fan_algorithmic_2022,\n\ttitle = {Algorithmic {Close} {Reading}: {Using} {Semantic} {Triplets} to {Index} and {Analyze} {Agency} in {Holocaust} {Testimonies}},\n\tvolume = {016},\n\tissn = {1938-4122},\n\tshorttitle = {Algorithmic {Close} {Reading}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Fan, Lizhou and Presner, Todd},\n\tmonth = jun,\n\tyear = {2022},\n}\n\n
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\n  \n Pressman, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The Literary And/As the Digital Humanities.\n \n \n \n\n\n \n Pressman, J.; and Swanstrom, L.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(1). July 2013.\n \n\n\n\n
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@article{pressman_literary_2013,\n\ttitle = {The {Literary} {And}/{As} the {Digital} {Humanities}},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Pressman, Jessica and Swanstrom, Lisa},\n\tmonth = jul,\n\tyear = {2013},\n}\n\n
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\n  \n Ramsay, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n The Hermeneutics of Screwing Around; or What You Do with a Million Books.\n \n \n \n \n\n\n \n Ramsay, S.\n\n\n \n\n\n\n In Kee, K., editor(s), Pastplay, of Teaching and Learning History with Technology, pages 111–120. University of Michigan Press, 2014.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@incollection{ramsay_hermeneutics_2014,\n\tseries = {Teaching and {Learning} {History} with {Technology}},\n\ttitle = {The {Hermeneutics} of {Screwing} {Around}; or {What} {You} {Do} with a {Million} {Books}},\n\tisbn = {null},\n\turl = {http://www.jstor.org/stable/j.ctv65swr0.9},\n\tabstract = {According to the world wide web, the phrase “So many books, so little time” originates with Frank Zappa. I do not believe it, myself. If I had had to guess, I would have said maybe Erasmus or Trithemius. But even if I am right, I am probably wrong. This is one of civilization’s oldest laments—one that, in spirit, predates the book itself. There has never been a time when philosophers—lovers of wisdom broadly understood—have not exhibited profound regret over the impedance of mismatch between time and truth. For surely, there are more books, more ideas, more experiences,},\n\turldate = {2020-01-14},\n\tbooktitle = {Pastplay},\n\tpublisher = {University of Michigan Press},\n\tauthor = {Ramsay, Stephen},\n\teditor = {Kee, Kevin},\n\tyear = {2014},\n\tdoi = {10.2307/j.ctv65swr0.9},\n\tpages = {111--120},\n}\n\n
\n
\n\n\n
\n According to the world wide web, the phrase “So many books, so little time” originates with Frank Zappa. I do not believe it, myself. If I had had to guess, I would have said maybe Erasmus or Trithemius. But even if I am right, I am probably wrong. This is one of civilization’s oldest laments—one that, in spirit, predates the book itself. There has never been a time when philosophers—lovers of wisdom broadly understood—have not exhibited profound regret over the impedance of mismatch between time and truth. For surely, there are more books, more ideas, more experiences,\n
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\n  \n Rettberg, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Communitizing Electronic Literature.\n \n \n \n\n\n \n Rettberg, S.\n\n\n \n\n\n\n Digital Humanities Quarterly, 003(2). June 2009.\n \n\n\n\n
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@article{rettberg_communitizing_2009,\n\ttitle = {Communitizing {Electronic} {Literature}},\n\tvolume = {003},\n\tissn = {1938-4122},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Rettberg, Scott},\n\tmonth = jun,\n\tyear = {2009},\n}\n\n
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\n  \n Rettinger, A.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"AbgeleitetePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Richter, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Quantitative Ansätze in den Literatur- und Geisteswissenschaften: Systematische und historische Perspektiven.\n \n \n \n\n\n \n Albrecht, A.; Bernhart, T.; Richter, S.; and Willand, M.\n\n\n \n\n\n\n De Gruyter,, Berlin ;, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
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@book{albrecht_quantitative_2018,\n\taddress = {Berlin ;},\n\ttitle = {Quantitative {Ansätze} in den {Literatur}- und {Geisteswissenschaften}: {Systematische} und historische {Perspektiven}},\n\tisbn = {978-3-11-052330-0},\n\tshorttitle = {Quantitative {Ansätze} in den {Literatur}- und {Geisteswissenschaften}},\n\tabstract = {Seit Beginn des 19. Jahrhunderts werden in den Literatur- und Geisteswissenschaften quantitative Verfahren angewandt, um Texte zu beschreiben, zu analysieren und zu interpretieren. Bis zum Ende des 20. Jahrhunderts waren solche Ansätze unterrepräsentiert, gewinnen im Zuge der Digital Humanities jedoch sehr stark an Bedeutung. Ziel des Bandes ist es, quantifizierende Verfahren einerseits theorie-, methoden- und fachgeschichtlich zu kontextualisieren, andererseits aber auch mit Blick auf die digitale Gegenwart zu prüfen, welchen Stellenwert ihre Ergebnisse haben. Angesichts der innovativen Verve der Digital Humanities darf nicht vergessen werden, dass die Idee, einem interpretativen close reading ein (vermeintlich?) deskriptiv-analytisches distant reading gegenüberzustellen, nicht sehr viel jünger ist als die Idee des close reading selbst. Denn Zählen ist keinesfalls erst durch die 'digitale Revolution' der Geisteswissenschaften denkbar geworden. Vielmehr wird schon seit ungefähr 200 Jahren das, was vom späten Dilthey als Gegenstand der verstehenden und qualitativ orientierten Geisteswissenschaften bestimmt wurde, auch zum 'messbaren' Objekt erklärt.},\n\tlanguage = {ger},\n\tpublisher = {De Gruyter,},\n\tauthor = {Albrecht, Andrea and Bernhart, Toni and Richter, Sandra and Willand, Marcus},\n\tyear = {2018},\n\tdoi = {10.1515/9783110523300},\n\tkeywords = {Literary theory, Literature: history \\& criticism},\n}\n\n
\n
\n\n\n
\n Seit Beginn des 19. Jahrhunderts werden in den Literatur- und Geisteswissenschaften quantitative Verfahren angewandt, um Texte zu beschreiben, zu analysieren und zu interpretieren. Bis zum Ende des 20. Jahrhunderts waren solche Ansätze unterrepräsentiert, gewinnen im Zuge der Digital Humanities jedoch sehr stark an Bedeutung. Ziel des Bandes ist es, quantifizierende Verfahren einerseits theorie-, methoden- und fachgeschichtlich zu kontextualisieren, andererseits aber auch mit Blick auf die digitale Gegenwart zu prüfen, welchen Stellenwert ihre Ergebnisse haben. Angesichts der innovativen Verve der Digital Humanities darf nicht vergessen werden, dass die Idee, einem interpretativen close reading ein (vermeintlich?) deskriptiv-analytisches distant reading gegenüberzustellen, nicht sehr viel jünger ist als die Idee des close reading selbst. Denn Zählen ist keinesfalls erst durch die 'digitale Revolution' der Geisteswissenschaften denkbar geworden. Vielmehr wird schon seit ungefähr 200 Jahren das, was vom späten Dilthey als Gegenstand der verstehenden und qualitativ orientierten Geisteswissenschaften bestimmt wurde, auch zum 'messbaren' Objekt erklärt.\n
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\n  \n Ritter, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n „im Zentrum eines Netzes [...] geistiger Fäden“. Erschließung und Erforschung thematischer Zusammenhänge in heterogenen Briefkorpora.\n \n \n \n \n\n\n \n Hildenbrandt, V.; Kamzelak, R. S.; Molitor, P.; and Ritter, J.\n\n\n \n\n\n\n Datenbank-Spektrum, 15(1): 49–55. March 2015.\n \n\n\n\n
\n\n\n\n \n \n \"„imPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{hildenbrandt_im_2015,\n\ttitle = {„im {Zentrum} eines {Netzes} [...] geistiger {Fäden}“. {Erschließung} und {Erforschung} thematischer {Zusammenhänge} in heterogenen {Briefkorpora}},\n\tvolume = {15},\n\tissn = {1618-2162, 1610-1995},\n\turl = {http://link.springer.com/10.1007/s13222-014-0177-7},\n\tdoi = {10.1007/s13222-014-0177-7},\n\tlanguage = {de},\n\tnumber = {1},\n\turldate = {2022-01-30},\n\tjournal = {Datenbank-Spektrum},\n\tauthor = {Hildenbrandt, Vera and Kamzelak, Roland S. and Molitor, Paul and Ritter, Jörg},\n\tmonth = mar,\n\tyear = {2015},\n\tpages = {49--55},\n}\n\n
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\n  \n Ross, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Close Rereading: A review of Jessica Pressman, Digital Modernism: Making It New in New Media (Oxford: Oxford UP, 2014).\n \n \n \n\n\n \n Ross, S.\n\n\n \n\n\n\n Digital Humanities Quarterly, 009(1). May 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{ross_close_2015,\n\ttitle = {Close {Rereading}: {A} review of {Jessica} {Pressman}, {Digital} {Modernism}: {Making} {It} {New} in {New} {Media} ({Oxford}: {Oxford} {UP}, 2014)},\n\tvolume = {009},\n\tissn = {1938-4122},\n\tshorttitle = {Close {Rereading}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Ross, Shawna},\n\tmonth = may,\n\tyear = {2015},\n}\n\n
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\n  \n Röpke, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"AbgeleitetePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Sahle, P.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Digitale Edition.\n \n \n \n\n\n \n Sahle, P.\n\n\n \n\n\n\n In Jannidis, F.; Kohle, H.; and Rehbein, M., editor(s), Digital Humanities. Eine Einführung, pages 234–249. J. B. Metzler, Stuttgart, 2017.\n \n\n\n\n
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@incollection{sahle_digitale_2017,\n\taddress = {Stuttgart},\n\ttitle = {Digitale {Edition}},\n\tisbn = {978-3-476-02622-4},\n\tlanguage = {Deutsch},\n\tbooktitle = {Digital {Humanities}. {Eine} {Einführung}},\n\tpublisher = {J. B. Metzler},\n\tauthor = {Sahle, Patrick},\n\teditor = {Jannidis, Fotis and Kohle, Hubertus and Rehbein, Malte},\n\tyear = {2017},\n\tpages = {234--249},\n}\n\n
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\n  \n Saum-Pascual, A.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Teaching Electronic Literature as Digital Humanities: A Proposal.\n \n \n \n\n\n \n Saum-Pascual, A.\n\n\n \n\n\n\n Digital Humanities Quarterly, 011(3). October 2017.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{saum-pascual_teaching_2017,\n\ttitle = {Teaching {Electronic} {Literature} as {Digital} {Humanities}: {A} {Proposal}},\n\tvolume = {011},\n\tissn = {1938-4122},\n\tshorttitle = {Teaching {Electronic} {Literature} as {Digital} {Humanities}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Saum-Pascual, Alex},\n\tmonth = oct,\n\tyear = {2017},\n}\n\n
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\n  \n Schoenbeck, R.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Playing with Chance: On Random Generation in Playable Media and Electronic Literature.\n \n \n \n\n\n \n Schoenbeck, R.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(3). December 2013.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoenbeck_playing_2013,\n\ttitle = {Playing with {Chance}: {On} {Random} {Generation} in {Playable} {Media} and {Electronic} {Literature}},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tshorttitle = {Playing with {Chance}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Schoenbeck, Robert},\n\tmonth = dec,\n\tyear = {2013},\n}\n\n
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\n  \n Schreibman, S.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n A companion to digital literary studies.\n \n \n \n\n\n \n Siemens, R. G.; and Schreibman, S.\n\n\n \n\n\n\n of Blackwell companions to literature and cultureNew York, 2013.\n \n\n\n\n
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@book{siemens_companion_2013,\n\taddress = {New York},\n\tseries = {Blackwell companions to literature and culture},\n\ttitle = {A companion to digital literary studies},\n\tisbn = {978-1-118-50883-1},\n\tauthor = {Siemens, Raymond George and Schreibman, Susan},\n\tyear = {2013},\n}\n\n
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\n  \n Schruhl, F.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Formationen der Praxis: Studien zu Darstellungsformen von Digital Humanities und Literaturwissenschaft.\n \n \n \n\n\n \n Schruhl, F.\n\n\n \n\n\n\n of DigilitV&R unipress, Göttingen, 2020.\n \n\n\n\n
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@book{schruhl_formationen_2020,\n\taddress = {Göttingen},\n\tseries = {Digilit},\n\ttitle = {Formationen der {Praxis}: {Studien} zu {Darstellungsformen} von {Digital} {Humanities} und {Literaturwissenschaft}},\n\tisbn = {978-3-8471-1095-8},\n\tshorttitle = {Formationen der {Praxis}},\n\tnumber = {Band 2},\n\tpublisher = {V\\&R unipress},\n\tauthor = {Schruhl, Friederike},\n\tyear = {2020},\n}\n\n
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\n  \n Schöch, C.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
\n\n\n\n \n \n \"AbgeleitetePaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Shillingsburg, P.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n How Literary Works Exist: Convenient Scholarly Editions.\n \n \n \n\n\n \n Shillingsburg, P.\n\n\n \n\n\n\n Digital Humanities Quarterly, 003(3). September 2009.\n \n\n\n\n
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@article{shillingsburg_how_2009,\n\ttitle = {How {Literary} {Works} {Exist}: {Convenient} {Scholarly} {Editions}},\n\tvolume = {003},\n\tissn = {1938-4122},\n\tshorttitle = {How {Literary} {Works} {Exist}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Shillingsburg, Peter},\n\tmonth = sep,\n\tyear = {2009},\n}\n\n
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\n  \n Siemens, R.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n A companion to digital literary studies.\n \n \n \n\n\n \n Siemens, R. G.; and Schreibman, S.\n\n\n \n\n\n\n of Blackwell companions to literature and cultureNew York, 2013.\n \n\n\n\n
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@book{siemens_companion_2013,\n\taddress = {New York},\n\tseries = {Blackwell companions to literature and culture},\n\ttitle = {A companion to digital literary studies},\n\tisbn = {978-1-118-50883-1},\n\tauthor = {Siemens, Raymond George and Schreibman, Susan},\n\tyear = {2013},\n}\n\n
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\n  \n Spoerhase, C.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Werke in Relationen. Netzwerktheoretische Ansätze in der Literaturwissenschaft. Einleitung.\n \n \n \n\n\n \n Thomalla, E.; Spoerhase, C.; and Martus, S.\n\n\n \n\n\n\n In volume NF XXIX (2019), of Zeitschrift für Germanistik, pages 7–23. .\n \n\n\n\n
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@incollection{thomalla_werke_nodate,\n\tseries = {Zeitschrift für {Germanistik}},\n\ttitle = {Werke in {Relationen}. {Netzwerktheoretische} {Ansätze} in der {Literaturwissenschaft}. {Einleitung}},\n\tvolume = {NF XXIX (2019)},\n\tnumber = {Vol.29 (1),},\n\tauthor = {Thomalla, Erika and Spoerhase, Carlos and Martus, Steffen},\n\tpages = {7--23},\n}\n\n
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\n  \n Stange, J.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Towards Hermeneutic Visualization in Digital Literary Studies.\n \n \n \n\n\n \n Kleymann, R.; and Stange, J.\n\n\n \n\n\n\n Digital Humanities Quarterly, 015(2). June 2021.\n \n\n\n\n
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@article{kleymann_towards_2021,\n\ttitle = {Towards {Hermeneutic} {Visualization} in {Digital} {Literary} {Studies}},\n\tvolume = {015},\n\tissn = {1938-4122},\n\tnumber = {2},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Kleymann, Rabea and Stange, Jan-Erik},\n\tmonth = jun,\n\tyear = {2021},\n}\n\n
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\n  \n Stolz, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Vernetzte Varianz: mittelalterliche Schriftlichkeit im digitalen Medium.\n \n \n \n\n\n \n Stolz, M.\n\n\n \n\n\n\n In \"System ohne General\", pages 217–244. 2006.\n \n\n\n\n
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@incollection{stolz_vernetzte_2006,\n\ttitle = {Vernetzte {Varianz}: mittelalterliche {Schriftlichkeit} im digitalen {Medium}},\n\tshorttitle = {Vernetzte {Varianz}},\n\tbooktitle = {"{System} ohne {General}"},\n\tauthor = {Stolz, Michael},\n\tyear = {2006},\n\tpages = {217--244},\n}\n\n
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\n  \n Swanstrom, L.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n The Literary And/As the Digital Humanities.\n \n \n \n\n\n \n Pressman, J.; and Swanstrom, L.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(1). July 2013.\n \n\n\n\n
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@article{pressman_literary_2013,\n\ttitle = {The {Literary} {And}/{As} the {Digital} {Humanities}},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Pressman, Jessica and Swanstrom, Lisa},\n\tmonth = jul,\n\tyear = {2013},\n}\n\n
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\n  \n Thomalla, E.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Werke in Relationen. Netzwerktheoretische Ansätze in der Literaturwissenschaft. Einleitung.\n \n \n \n\n\n \n Thomalla, E.; Spoerhase, C.; and Martus, S.\n\n\n \n\n\n\n In volume NF XXIX (2019), of Zeitschrift für Germanistik, pages 7–23. .\n \n\n\n\n
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@incollection{thomalla_werke_nodate,\n\tseries = {Zeitschrift für {Germanistik}},\n\ttitle = {Werke in {Relationen}. {Netzwerktheoretische} {Ansätze} in der {Literaturwissenschaft}. {Einleitung}},\n\tvolume = {NF XXIX (2019)},\n\tnumber = {Vol.29 (1),},\n\tauthor = {Thomalla, Erika and Spoerhase, Carlos and Martus, Steffen},\n\tpages = {7--23},\n}\n\n
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\n  \n Tomaszek, P.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Conference Review: Reading Digital Literature at Brown University, October 4-7, 2007.\n \n \n \n\n\n \n Tomaszek, P.\n\n\n \n\n\n\n Digital Humanities Quarterly, 002(1). June 2008.\n \n\n\n\n
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@article{tomaszek_conference_2008,\n\ttitle = {Conference {Review}: {Reading} {Digital} {Literature} at {Brown} {University}, {October} 4-7, 2007.},\n\tvolume = {002},\n\tissn = {1938-4122},\n\tshorttitle = {Conference {Review}},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Tomaszek, Patricia},\n\tmonth = jun,\n\tyear = {2008},\n}\n\n
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\n  \n Trilcke, P.\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n Literaturwissenschaft als Hackathon. Zur Praxeologie der Digital Literary Studies und ihren epistemischen Dingen.\n \n \n \n \n\n\n \n Trilcke, P.; and Fischer, F.\n\n\n \n\n\n\n . June 2018.\n \n\n\n\n
\n\n\n\n \n \n \"LiteraturwissenschaftPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{trilcke_literaturwissenschaft_2018,\n\tseries = {Zeitschrift für digitale {Geisteswissenschaften}},\n\ttitle = {Literaturwissenschaft als {Hackathon}. {Zur} {Praxeologie}                                 der {Digital} {Literary} {Studies} und ihren epistemischen {Dingen}},\n\tcopyright = {CC BY-SA 4.0},\n\turl = {http://dx.doi.org/10.17175/sb003_003},\n\tlanguage = {de},\n\tauthor = {Trilcke, Peer and Fischer, Frank},\n\tmonth = jun,\n\tyear = {2018},\n}\n\n
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\n \n\n \n \n \n \n \n \n Abgeleitete Textformate: Text und Data Mining mit urheberrechtlich geschützten Textbeständen.\n \n \n \n \n\n\n \n Schöch, C.; Döhl, F.; Rettinger, A.; Gius, E.; Trilcke, P.; Leinen, P.; Jannidis, F.; Hinzmann, M.; and Röpke, J.\n\n\n \n\n\n\n Zeitschrift für digitale Geisteswissenschaften, 5. 2020.\n \n\n\n\n
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@article{schoch_abgeleitete_2020,\n\ttitle = {Abgeleitete {Textformate}: {Text} und {Data} {Mining} mit urheberrechtlich geschützten {Textbeständen}},\n\tvolume = {5},\n\turl = {http://zfdg.de/2020_006},\n\tdoi = {10.17175/2020_006},\n\tlanguage = {de},\n\tjournal = {Zeitschrift für digitale Geisteswissenschaften},\n\tauthor = {Schöch, Christof and Döhl, Frédéric and Rettinger, Achim and Gius, Evelyn and Trilcke, Peer and Leinen, Peter and Jannidis, Fotis and Hinzmann, Maria and Röpke, Jörg},\n\tyear = {2020},\n}\n\n
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\n  \n Underwood, T.\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n Why digital humanities isn’t actually “the next thing in literary studies.”.\n \n \n \n \n\n\n \n Underwood, T.\n\n\n \n\n\n\n January 2012.\n \n\n\n\n
\n\n\n\n \n \n \"WhyPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
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@misc{underwood_why_2012,\n\ttitle = {Why digital humanities isn’t actually “the next thing in literary studies.”},\n\turl = {http://tedunderwood.wordpress.com/2011/12/27/why-we-dont-actually-want-to-be-the-next-thing-in-literary-studies/},\n\tabstract = {It's flattering for digital humanists to be interpellated by Stanley Fish as the next thing in literary studies. It's especially pleasant since the field is old enough now to be tickled by depictio...},\n\tlanguage = {en},\n\turldate = {2012-01-05},\n\tjournal = {The Stone and the Shell},\n\tauthor = {Underwood, Ted},\n\tmonth = jan,\n\tyear = {2012},\n\tkeywords = {act\\_Conceptualizing, obj\\_DigitalHumanities},\n}\n\n
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\n It's flattering for digital humanists to be interpellated by Stanley Fish as the next thing in literary studies. It's especially pleasant since the field is old enough now to be tickled by depictio...\n
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\n \n\n \n \n \n \n \n \n Emerging conversations between literary history and sociology.\n \n \n \n \n\n\n \n Underwood, T.\n\n\n \n\n\n\n December 2015.\n \n\n\n\n
\n\n\n\n \n \n \"EmergingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{underwood_emerging_2015,\n\ttitle = {Emerging conversations between literary history and sociology.},\n\turl = {https://tedunderwood.com/2015/12/02/emerging-conversations-between-literary-history-and-sociology/},\n\tabstract = {As Jim English remarked in 2010, literary scholars have tended to use sociology “for its conclusions rather than its methods.” We might borrow a term like “habitus” from Bou…},\n\tlanguage = {en},\n\turldate = {2019-04-11},\n\tjournal = {The Stone and the Shell},\n\tauthor = {Underwood, Ted},\n\tmonth = dec,\n\tyear = {2015},\n}\n
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\n As Jim English remarked in 2010, literary scholars have tended to use sociology “for its conclusions rather than its methods.” We might borrow a term like “habitus” from Bou…\n
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\n  \n Ven, I.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Manual Annotation of Unsupervised Models: Close and Distant Reading of Politics on Reddit.\n \n \n \n\n\n \n Aurnhammer, C.; Cuppen, I.; Ven, I. v. d.; and Zaanen, M. v.\n\n\n \n\n\n\n Digital Humanities Quarterly, 013(3). October 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{aurnhammer_manual_2019,\n\ttitle = {Manual {Annotation} of {Unsupervised} {Models}: {Close} and {Distant} {Reading} of {Politics} on {Reddit}},\n\tvolume = {013},\n\tissn = {1938-4122},\n\tshorttitle = {Manual {Annotation} of {Unsupervised} {Models}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Aurnhammer, Christoph and Cuppen, Iris and Ven, Inge van de and Zaanen, Menno van},\n\tmonth = oct,\n\tyear = {2019},\n}\n\n
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\n  \n Weitin, T.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Digitale Literaturwissenschaft.\n \n \n \n\n\n \n Weitin, T.\n\n\n \n\n\n\n Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte, 89(4): 651–656. 2015.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{weitin_digitale_2015,\n\ttitle = {Digitale {Literaturwissenschaft}},\n\tvolume = {89},\n\tdoi = {https://doi.org/10.1007/BF03396502},\n\tlanguage = {Deutsch},\n\tnumber = {4},\n\tjournal = {Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte},\n\tauthor = {Weitin, Thomas},\n\tyear = {2015},\n\tpages = {651--656},\n}\n\n
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\n  \n Wharton, R.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Digital Humanities, Copyright Law, and the Literary.\n \n \n \n\n\n \n Wharton, R.\n\n\n \n\n\n\n Digital Humanities Quarterly, 007(1). July 2013.\n \n\n\n\n
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@article{wharton_digital_2013,\n\ttitle = {Digital {Humanities}, {Copyright} {Law}, and the {Literary}},\n\tvolume = {007},\n\tissn = {1938-4122},\n\tnumber = {1},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Wharton, Robin},\n\tmonth = jul,\n\tyear = {2013},\n}\n\n
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\n  \n Wilkens, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n \n Canons, Close Reading, and the Evolution of Method.\n \n \n \n \n\n\n \n Wilkens, M.\n\n\n \n\n\n\n In Debates in the Digital Humanities, pages 249–258. University of Minnesota Press, Matthew K. Gold edition, 2012.\n \n\n\n\n
\n\n\n\n \n \n \"Canons,Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@incollection{wilkensCanonsCloseReading2012,\n\tedition = {Matthew K. Gold},\n\ttitle = {Canons, {Close} {Reading}, and the {Evolution} of {Method}},\n\turl = {https://www.jstor.org/stable/10.5749/j.ctttv8hq.17},\n\tlanguage = {Englisch},\n\turldate = {2024-03-02},\n\tbooktitle = {Debates in the {Digital} {Humanities}},\n\tpublisher = {University of Minnesota Press},\n\tauthor = {Wilkens, Matthew},\n\tyear = {2012},\n\tpages = {249--258},\n}\n\n
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\n  \n Willand, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Quantitative Ansätze in den Literatur- und Geisteswissenschaften: Systematische und historische Perspektiven.\n \n \n \n\n\n \n Albrecht, A.; Bernhart, T.; Richter, S.; and Willand, M.\n\n\n \n\n\n\n De Gruyter,, Berlin ;, 2018.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
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@book{albrecht_quantitative_2018,\n\taddress = {Berlin ;},\n\ttitle = {Quantitative {Ansätze} in den {Literatur}- und {Geisteswissenschaften}: {Systematische} und historische {Perspektiven}},\n\tisbn = {978-3-11-052330-0},\n\tshorttitle = {Quantitative {Ansätze} in den {Literatur}- und {Geisteswissenschaften}},\n\tabstract = {Seit Beginn des 19. Jahrhunderts werden in den Literatur- und Geisteswissenschaften quantitative Verfahren angewandt, um Texte zu beschreiben, zu analysieren und zu interpretieren. Bis zum Ende des 20. Jahrhunderts waren solche Ansätze unterrepräsentiert, gewinnen im Zuge der Digital Humanities jedoch sehr stark an Bedeutung. Ziel des Bandes ist es, quantifizierende Verfahren einerseits theorie-, methoden- und fachgeschichtlich zu kontextualisieren, andererseits aber auch mit Blick auf die digitale Gegenwart zu prüfen, welchen Stellenwert ihre Ergebnisse haben. Angesichts der innovativen Verve der Digital Humanities darf nicht vergessen werden, dass die Idee, einem interpretativen close reading ein (vermeintlich?) deskriptiv-analytisches distant reading gegenüberzustellen, nicht sehr viel jünger ist als die Idee des close reading selbst. Denn Zählen ist keinesfalls erst durch die 'digitale Revolution' der Geisteswissenschaften denkbar geworden. Vielmehr wird schon seit ungefähr 200 Jahren das, was vom späten Dilthey als Gegenstand der verstehenden und qualitativ orientierten Geisteswissenschaften bestimmt wurde, auch zum 'messbaren' Objekt erklärt.},\n\tlanguage = {ger},\n\tpublisher = {De Gruyter,},\n\tauthor = {Albrecht, Andrea and Bernhart, Toni and Richter, Sandra and Willand, Marcus},\n\tyear = {2018},\n\tdoi = {10.1515/9783110523300},\n\tkeywords = {Literary theory, Literature: history \\& criticism},\n}\n\n
\n
\n\n\n
\n Seit Beginn des 19. Jahrhunderts werden in den Literatur- und Geisteswissenschaften quantitative Verfahren angewandt, um Texte zu beschreiben, zu analysieren und zu interpretieren. Bis zum Ende des 20. Jahrhunderts waren solche Ansätze unterrepräsentiert, gewinnen im Zuge der Digital Humanities jedoch sehr stark an Bedeutung. Ziel des Bandes ist es, quantifizierende Verfahren einerseits theorie-, methoden- und fachgeschichtlich zu kontextualisieren, andererseits aber auch mit Blick auf die digitale Gegenwart zu prüfen, welchen Stellenwert ihre Ergebnisse haben. Angesichts der innovativen Verve der Digital Humanities darf nicht vergessen werden, dass die Idee, einem interpretativen close reading ein (vermeintlich?) deskriptiv-analytisches distant reading gegenüberzustellen, nicht sehr viel jünger ist als die Idee des close reading selbst. Denn Zählen ist keinesfalls erst durch die 'digitale Revolution' der Geisteswissenschaften denkbar geworden. Vielmehr wird schon seit ungefähr 200 Jahren das, was vom späten Dilthey als Gegenstand der verstehenden und qualitativ orientierten Geisteswissenschaften bestimmt wurde, auch zum 'messbaren' Objekt erklärt.\n
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\n  \n Wojcik, P.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Preface: World Literature in an Expanding Digital Space.\n \n \n \n\n\n \n Fischer, F.; Blakesley, J.; Wojcik, P.; and Jäschke, R.\n\n\n \n\n\n\n Journal of Cultural Analytics, 8(2). 2023.\n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{fischerPrefaceWorldLiterature2023,\n\ttitle = {Preface: {World} {Literature} in an {Expanding} {Digital} {Space}},\n\tvolume = {8},\n\tdoi = {https://doi.org/10.22148/001c.74598.},\n\tabstract = {Wikipedia, the world’s largest encyclopedia, and Wikidata, the rapidly growing knowledge graph, are not yet widely used in literary studies, but their scale and multilingualism make them particularly suitable as new means for the study of world literature. This is the hypothesis at the heart of this special issue. Our preface provides a research overview of the topic, briefly summarizes the articles that constitute this issue, and focuses on overarching aspects and common challenges.},\n\tnumber = {2},\n\tjournal = {Journal of Cultural Analytics},\n\tauthor = {Fischer, Frank and Blakesley, Jacob and Wojcik, Paula and Jäschke, Robert},\n\tyear = {2023},\n}\n\n
\n
\n\n\n
\n Wikipedia, the world’s largest encyclopedia, and Wikidata, the rapidly growing knowledge graph, are not yet widely used in literary studies, but their scale and multilingualism make them particularly suitable as new means for the study of world literature. This is the hypothesis at the heart of this special issue. Our preface provides a research overview of the topic, briefly summarizes the articles that constitute this issue, and focuses on overarching aspects and common challenges.\n
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\n  \n Zaanen, M.\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Manual Annotation of Unsupervised Models: Close and Distant Reading of Politics on Reddit.\n \n \n \n\n\n \n Aurnhammer, C.; Cuppen, I.; Ven, I. v. d.; and Zaanen, M. v.\n\n\n \n\n\n\n Digital Humanities Quarterly, 013(3). October 2019.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@article{aurnhammer_manual_2019,\n\ttitle = {Manual {Annotation} of {Unsupervised} {Models}: {Close} and {Distant} {Reading} of {Politics} on {Reddit}},\n\tvolume = {013},\n\tissn = {1938-4122},\n\tshorttitle = {Manual {Annotation} of {Unsupervised} {Models}},\n\tnumber = {3},\n\tjournal = {Digital Humanities Quarterly},\n\tauthor = {Aurnhammer, Christoph and Cuppen, Iris and Ven, Inge van de and Zaanen, Menno van},\n\tmonth = oct,\n\tyear = {2019},\n}\n\n
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\n  \n undefined\n \n \n (1)\n \n \n
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\n \n\n \n \n \n \n \n Les réseaux littéraires.\n \n \n \n\n\n \n De Marneffe, D.,\n editor.\n \n\n\n \n\n\n\n Le Cri, Bruxelles, 2006.\n Book Title: Les réseaux littéraires\n\n\n\n
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@book{de_marneffe_reseaux_2006,\n\taddress = {Bruxelles},\n\ttitle = {Les réseaux littéraires},\n\tisbn = {978-2-87106-404-6},\n\tlanguage = {fre},\n\tpublisher = {Le Cri},\n\teditor = {De Marneffe, Daphne},\n\tyear = {2006},\n\tnote = {Book Title: Les réseaux littéraires},\n\tkeywords = {Belgian literature (French), Belgien, Belgique, Belgium, Französisch, Histoire et critique, History and criticism, Literatur, Literature and society, Literatursoziologie, Littérature belge (française), Réseaux sociaux, Social aspects, Social networks, Soziales Netzwerk, Théorie, etc},\n}\n\n
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