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\n  \n 2023\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n Perma-noon: On Light Pollution and the Way We Talk About the Natural World.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n September 2023.\n Section: essay\n\n\n\n
\n\n\n\n \n \n \"Perma-noon:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_perma-noon_2023,\n\ttitle = {Perma-noon: {On} {Light} {Pollution} and the {Way} {We} {Talk} {About} the {Natural} {World}},\n\turl = {https://lareviewofbooks.org/article/362001/},\n\tabstract = {In a preview of LARB Quarterly no. 39: “Air,” Lauren Collee explores the history of light pollution....},\n\tlanguage = {en},\n\turldate = {2023-09-11},\n\tjournal = {Los Angeles Review of Books},\n\tmonth = sep,\n\tyear = {2023},\n\tnote = {Section: essay},\n}\n\n
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\n In a preview of LARB Quarterly no. 39: “Air,” Lauren Collee explores the history of light pollution....\n
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\n \n\n \n \n \n \n \n \n A Royal Soldier Fainted in the Heat. It Holds a Lesson for All of Us.\n \n \n \n \n\n\n \n Mooallem, J.\n\n\n \n\n\n\n The New York Times. July 2023.\n \n\n\n\n
\n\n\n\n \n \n \"APaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
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@article{mooallem_royal_2023,\n\tchapter = {Magazine},\n\ttitle = {A {Royal} {Soldier} {Fainted} in the {Heat}. {It} {Holds} a {Lesson} for {All} of {Us}.},\n\tissn = {0362-4331},\n\turl = {https://www.nytimes.com/2023/07/12/magazine/royal-soldier-fainting-climate-change.html},\n\tabstract = {Even as climate change upends our lives, we seem set on doing things the way we’ve always done them.},\n\tlanguage = {en-US},\n\turldate = {2023-07-19},\n\tjournal = {The New York Times},\n\tauthor = {Mooallem, Jon},\n\tmonth = jul,\n\tyear = {2023},\n\tkeywords = {Buckingham Palace, Fainting, Global Warming, Heat and Heat Waves, London (England), Uniforms, William, Duke of Cambridge},\n}\n\n
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\n Even as climate change upends our lives, we seem set on doing things the way we’ve always done them.\n
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\n  \n 2022\n \n \n (6)\n \n \n
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\n \n\n \n \n \n \n \n \n An Introduction to the Labyrinth.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n January 2022.\n Section: research\n\n\n\n
\n\n\n\n \n \n \"AnPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_introduction_2022,\n\ttitle = {An {Introduction} to the {Labyrinth}},\n\turl = {http://labyrinth.garden/research/labyrinth-intro/},\n\tabstract = {Nature in LA? Yes.},\n\tlanguage = {en-us},\n\turldate = {2022-09-23},\n\tjournal = {The Labyrinth Project},\n\tmonth = jan,\n\tyear = {2022},\n\tnote = {Section: research},\n}\n\n
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\n Nature in LA? Yes.\n
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\n \n\n \n \n \n \n \n \n Free Dirt.\n \n \n \n \n\n\n \n D'Avignon, A.\n\n\n \n\n\n\n September 2022.\n Section: On Photography\n\n\n\n
\n\n\n\n \n \n \"FreePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n
\n
@misc{davignon_free_2022,\n\ttitle = {Free {Dirt}},\n\turl = {https://www.theparisreview.org/blog/2022/09/08/free-dirt/},\n\tabstract = {“For the past three years, I’ve filled a folder on my desktop with pictures of dirt that I found on Craigslist.”},\n\tlanguage = {en},\n\turldate = {2022-09-09},\n\tjournal = {The Paris Review},\n\tauthor = {D'Avignon, Angella},\n\tmonth = sep,\n\tyear = {2022},\n\tnote = {Section: On Photography},\n\tkeywords = {American West, Ansel Adams, Dirt, landscaping, southern California, yosemite},\n}\n\n
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\n “For the past three years, I’ve filled a folder on my desktop with pictures of dirt that I found on Craigslist.”\n
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\n \n\n \n \n \n \n \n \n Timeline of the far future.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n August 2022.\n Page Version ID: 1101694825\n\n\n\n
\n\n\n\n \n \n \"TimelinePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_timeline_2022,\n\ttitle = {Timeline of the far future},\n\tcopyright = {Creative Commons Attribution-ShareAlike License},\n\turl = {https://en.wikipedia.org/w/index.php?title=Timeline_of_the_far_future&oldid=1101694825},\n\tabstract = {While the future cannot be predicted with certainty, present understanding in various scientific fields allows for the prediction of some far-future events, if only in the broadest outline. These fields include astrophysics, which studies how planets and stars form, interact, and die; particle physics, which has revealed how matter behaves at the smallest scales; evolutionary biology, which predicts how life will evolve over time; plate tectonics, which shows how continents shift over millennia; and sociology, which examines how human societies and cultures evolve.\nThe timelines displayed here cover events from the beginning of the 4th millennium (which begins in 3001 CE) to the furthest reaches of future time. A number of alternative future events are listed to account for questions still unresolved, such as whether humans will become extinct, whether protons decay, and whether the Earth survives when the Sun expands to become a red giant.},\n\tlanguage = {en},\n\turldate = {2022-08-08},\n\tjournal = {Wikipedia},\n\tmonth = aug,\n\tyear = {2022},\n\tnote = {Page Version ID: 1101694825},\n}\n\n
\n
\n\n\n
\n While the future cannot be predicted with certainty, present understanding in various scientific fields allows for the prediction of some far-future events, if only in the broadest outline. These fields include astrophysics, which studies how planets and stars form, interact, and die; particle physics, which has revealed how matter behaves at the smallest scales; evolutionary biology, which predicts how life will evolve over time; plate tectonics, which shows how continents shift over millennia; and sociology, which examines how human societies and cultures evolve. The timelines displayed here cover events from the beginning of the 4th millennium (which begins in 3001 CE) to the furthest reaches of future time. A number of alternative future events are listed to account for questions still unresolved, such as whether humans will become extinct, whether protons decay, and whether the Earth survives when the Sun expands to become a red giant.\n
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\n \n\n \n \n \n \n \n \n Anthropocene Gothic.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n August 2022.\n Section: review\n\n\n\n
\n\n\n\n \n \n \"AnthropocenePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_anthropocene_2022,\n\ttitle = {Anthropocene {Gothic}},\n\turl = {https://lareviewofbooks.org/article/anthropocene-gothic/},\n\tabstract = {Steven Shaviro reviews "Dark Scenes from Damaged Earth," a new academic collection of weird ecocriticism edited by Justin D. Edwards, Rune Graulund, and Johan Höglund....},\n\tlanguage = {en},\n\turldate = {2022-08-08},\n\tjournal = {Los Angeles Review of Books},\n\tmonth = aug,\n\tyear = {2022},\n\tnote = {Section: review},\n}\n\n
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\n Steven Shaviro reviews \"Dark Scenes from Damaged Earth,\" a new academic collection of weird ecocriticism edited by Justin D. Edwards, Rune Graulund, and Johan Höglund....\n
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\n \n\n \n \n \n \n \n \n The Artist Is the Void.\n \n \n \n \n\n\n \n Nicula •, E.\n\n\n \n\n\n\n May 2022.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{nicula__artist_2022,\n\ttitle = {The {Artist} {Is} the {Void}},\n\turl = {https://momus.ca/the-artist-is-the-void/},\n\tabstract = {I didn’t expect to hate Michael Heizer’s seminal earthwork Double Negative when I visited it in 2017. I thought it would be a marvel,...},\n\tlanguage = {en-US},\n\turldate = {2022-06-01},\n\tjournal = {Momus},\n\tauthor = {Nicula •, Elisabeth},\n\tmonth = may,\n\tyear = {2022},\n}\n\n
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\n I didn’t expect to hate Michael Heizer’s seminal earthwork Double Negative when I visited it in 2017. I thought it would be a marvel,...\n
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\n \n\n \n \n \n \n \n \n 'It's ugly out there': Rail thefts leave tracks littered with pilfered packages.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n January 2022.\n Section: California\n\n\n\n
\n\n\n\n \n \n \"'It'sPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_its_2022,\n\ttitle = {'{It}'s ugly out there': {Rail} thefts leave tracks littered with pilfered packages},\n\tshorttitle = {'{It}'s ugly out there'},\n\turl = {https://www.latimes.com/california/story/2022-01-16/rail-theft-soars-los-angeles-pilfered-packages-littering-tracks},\n\tabstract = {Thieves pilfering railroad cars is a crime that harks back to the days of horseback-riding bandits, but is fueled by a host of modern realities including homeless encampments and e-commerce.},\n\tlanguage = {en-US},\n\turldate = {2022-01-25},\n\tjournal = {Los Angeles Times},\n\tmonth = jan,\n\tyear = {2022},\n\tnote = {Section: California},\n}\n\n
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\n Thieves pilfering railroad cars is a crime that harks back to the days of horseback-riding bandits, but is fueled by a host of modern realities including homeless encampments and e-commerce.\n
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\n  \n 2021\n \n \n (4)\n \n \n
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\n \n\n \n \n \n \n \n \n What Do We Hope to Find When We Look for a Snow Leopard?.\n \n \n \n \n\n\n \n Nast, C.\n\n\n \n\n\n\n July 2021.\n Section: tags\n\n\n\n
\n\n\n\n \n \n \"WhatPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{nast_what_2021,\n\ttitle = {What {Do} {We} {Hope} to {Find} {When} {We} {Look} for a {Snow} {Leopard}?},\n\turl = {https://www.newyorker.com/magazine/2021/07/12/what-do-we-hope-to-find-when-we-look-for-a-snow-leopard},\n\tabstract = {Nature writers, desperate for a glimpse, trek toward lofty goals—and away from uncomfortable realities.},\n\tlanguage = {en-US},\n\turldate = {2021-07-21},\n\tjournal = {The New Yorker},\n\tauthor = {Nast, Condé},\n\tmonth = jul,\n\tyear = {2021},\n\tnote = {Section: tags},\n}\n\n
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\n Nature writers, desperate for a glimpse, trek toward lofty goals—and away from uncomfortable realities.\n
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\n \n\n \n \n \n \n \n \n California's electric car revolution, designed to save the planet, also unleashes a toll on it.\n \n \n \n \n\n\n \n Facebook; Twitter; options , S. m. s.; Facebook; Twitter; LinkedIn; Email; URLCopied!, C. L.; and Print\n\n\n \n\n\n\n July 2021.\n Section: Politics\n\n\n\n
\n\n\n\n \n \n \"California'sPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{facebook_californias_2021,\n\ttitle = {California's electric car revolution, designed to save the planet, also unleashes a toll on it},\n\turl = {https://www.latimes.com/politics/story/2021-07-21/californias-electric-car-revolution-designed-to-save-the-planet-inflicts-a-big-toll-on-it},\n\tabstract = {In the name of climate action, California pushed the world toward electric cars. But building enough of them is creating its own environmental crises.},\n\tlanguage = {en-US},\n\turldate = {2021-07-21},\n\tjournal = {Los Angeles Times},\n\tauthor = {Facebook and Twitter and options, Show more sharing and Facebook and Twitter and LinkedIn and Email and URLCopied!, Copy Link and Print},\n\tmonth = jul,\n\tyear = {2021},\n\tnote = {Section: Politics},\n}\n\n
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\n In the name of climate action, California pushed the world toward electric cars. But building enough of them is creating its own environmental crises.\n
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\n \n\n \n \n \n \n \n \n Your bird feeder is canceled. Attract birds with these 13 native plants instead.\n \n \n \n \n\n\n \n Facebook; Twitter; options , S. m. s.; Facebook; Twitter; LinkedIn; Email; URLCopied!, C. L.; and Print\n\n\n \n\n\n\n April 2021.\n Section: Lifestyle\n\n\n\n
\n\n\n\n \n \n \"YourPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{facebook_your_2021,\n\ttitle = {Your bird feeder is canceled. {Attract} birds with these 13 native plants instead},\n\turl = {https://www.latimes.com/lifestyle/story/2021-04-15/put-away-your-bird-feeders-the-best-way-to-help-birds-is-by-building-habitat},\n\tabstract = {Bird feeders are killing songbirds, due to a salmonella outbreak, but there are safer and better ways to attract birds to your  garden space.},\n\tlanguage = {en-US},\n\turldate = {2021-04-23},\n\tjournal = {Los Angeles Times},\n\tauthor = {Facebook and Twitter and options, Show more sharing and Facebook and Twitter and LinkedIn and Email and URLCopied!, Copy Link and Print},\n\tmonth = apr,\n\tyear = {2021},\n\tnote = {Section: Lifestyle},\n}\n\n
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\n Bird feeders are killing songbirds, due to a salmonella outbreak, but there are safer and better ways to attract birds to your garden space.\n
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\n \n\n \n \n \n \n \n Footprints: in search of future fossils.\n \n \n \n\n\n \n Farrier, D.\n\n\n \n\n\n\n 2021.\n OCLC: 1150040615\n\n\n\n
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@book{farrier_footprints_2021,\n\ttitle = {Footprints: in search of future fossils},\n\tisbn = {978-1-250-78583-1},\n\tshorttitle = {Footprints},\n\tlanguage = {English},\n\tauthor = {Farrier, David},\n\tyear = {2021},\n\tnote = {OCLC: 1150040615},\n}\n\n
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\n  \n 2020\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n UNREALITY OF MEMORY: essays.\n \n \n \n\n\n \n GABBERT, E.\n\n\n \n\n\n\n ATLANTIC Books, Place of publication not identified, 2020.\n OCLC: 1135376535\n\n\n\n
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@book{gabbert_unreality_2020,\n\taddress = {Place of publication not identified},\n\ttitle = {{UNREALITY} {OF} {MEMORY}: essays.},\n\tisbn = {978-1-83895-062-0},\n\tshorttitle = {{UNREALITY} {OF} {MEMORY}},\n\tlanguage = {English},\n\tpublisher = {ATLANTIC Books},\n\tauthor = {GABBERT, ELISA},\n\tyear = {2020},\n\tnote = {OCLC: 1135376535},\n}\n\n
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\n \n\n \n \n \n \n \n Desert solitaire: a season in the wilderness.\n \n \n \n\n\n \n Abbey, E.\n\n\n \n\n\n\n 2020.\n OCLC: 1144780794\n\n\n\n
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@book{abbey_desert_2020,\n\ttitle = {Desert solitaire: a season in the wilderness},\n\tisbn = {978-0-00-828333-9},\n\tshorttitle = {Desert solitaire},\n\tabstract = {In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service. Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the Glen Canyon by river. He experiences both sides of his new home; its incredible beauty and its promise of liberation, but also its isolating, cruel side, at one point discovering a dead tourist at an isolated area of the Grand Canyon.In his own irascible style, Abbey uses his time in the desert to meditate on the tension between nature and civilisation, and outlines a personal philosophy that would come to heavily influence the environmentalist movement. Now published in a special edition to celebrate its 50th Anniversary, this classic seems remarkably prescient, and has lost none of its power.},\n\tlanguage = {English},\n\tauthor = {Abbey, Edward},\n\tyear = {2020},\n\tnote = {OCLC: 1144780794},\n}\n\n
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\n In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service. Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the Glen Canyon by river. He experiences both sides of his new home; its incredible beauty and its promise of liberation, but also its isolating, cruel side, at one point discovering a dead tourist at an isolated area of the Grand Canyon.In his own irascible style, Abbey uses his time in the desert to meditate on the tension between nature and civilisation, and outlines a personal philosophy that would come to heavily influence the environmentalist movement. Now published in a special edition to celebrate its 50th Anniversary, this classic seems remarkably prescient, and has lost none of its power.\n
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\n \n\n \n \n \n \n \n Desert Cabal.\n \n \n \n\n\n \n Irvine, A.\n\n\n \n\n\n\n 2018.\n OCLC: 1083233449\n\n\n\n
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@book{irvine_desert_2018,\n\ttitle = {Desert {Cabal}},\n\tisbn = {978-1-937226-97-8},\n\tabstract = {"Irvine gradually builds to a ringing conclusion, stating simply and clearly that wilderness lovers 'need intimacy with people every bit as much as with place' and that 'going it alone is a failure of contribution and compassion.'" PUBLISHERS WEEKLY " Desert Cabal is a griefstricken, hearthopeful, soul song to the American Desert, a wail, a keening, a rant, a scolding, a tumult, a prayer, an aria, and a call to action. Amy Irvine implores us to trade in our solitude for solidarity, to recognize ourselves in each other and in the places we love, so that we might come together to save them. In this time of all out war being waged on Americas Public Lands, I'm glad she's on my side." PAM HOUSTON, author of Contents May Have Shifted "Amy Irvine is Ed Abbey's underworld, her roots reaching into the dark, hidden water. In a powerful, dreamlike series of essays, she lays Desert Solitaire bare, looking back at the man who wrote the book and the desert left behind. This stream of consciousness, this conversation, this broadside is an alternate version of Abbey's country. It is another voice in the wilderness." CRAIG CHILDS, author of Atlas of a Lost World and Apocalyptic Planet "Ed Abbey's rise to sainthood has been a bit awkward: here is an earth hero who guzzles gas in search of his personal Eden, a champion of the underdog who snubs Mexican and Native people, an anarchist rabblerouser who utters not a peep about his perch atop the patriarchy. Finally someoneand it could be no better iconoclast than Amy Irvinewrassles him off the pedestal back down to the red dirt where he belongs. Half riot, half tribute, this is a roadmap through a crisis that neither Abbey nor any of us imagined." MARK SUNDEEN, author of The Man Who Quit Money and The Unsettlers "If youve ever talked back to the canonical tomes of the environmental movement, this is a book for you. Here are the women, the people, the children, and the intimate dangers those old books so frequently erased. Here is a new and necessary ethic that might help us more openly love the land and the many living beings who share it. I found myself nodding Yes! Yes! Thank you! on nearly every page of Desert Cabal ." CAMILLE T. DUNGY, author of Guidebook to Relative Strangers: Journeys into Race, Motherhood and History and editor of Black Nature: Four Centuries of African American Nature Poetry Ed Abbeys Desert Solitaire: A Season in the Wilderness turns fifty this fall, and its iconic author, who has inspired generations of rebel-rousing advocacy on behalf of the American West, is due for a tribute as well as a talking to. In Desert Cabal: A New Season in the Wilderness, Amy Irvine admires the man who influenced her life and work while challenging all that is datedoffensive, evenbetween the covers of Abbeys environmental classic. Irvine names and questions the "lone male" narrativewhite and privileged as it isthat still has its boots planted firmly at the center of todays wilderness movement, even as she celebrates the lens through which Abbey taught so many to love the wild remains of the nation. From Abbeys quiet notion of solitude to Irvines roaring cabal, the desert just got hotter, and its defenders more nuanced and numerous.},\n\tlanguage = {Undetermined},\n\tauthor = {Irvine, Amy},\n\tyear = {2018},\n\tnote = {OCLC: 1083233449},\n}\n\n
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\n \"Irvine gradually builds to a ringing conclusion, stating simply and clearly that wilderness lovers 'need intimacy with people every bit as much as with place' and that 'going it alone is a failure of contribution and compassion.'\" PUBLISHERS WEEKLY \" Desert Cabal is a griefstricken, hearthopeful, soul song to the American Desert, a wail, a keening, a rant, a scolding, a tumult, a prayer, an aria, and a call to action. Amy Irvine implores us to trade in our solitude for solidarity, to recognize ourselves in each other and in the places we love, so that we might come together to save them. In this time of all out war being waged on Americas Public Lands, I'm glad she's on my side.\" PAM HOUSTON, author of Contents May Have Shifted \"Amy Irvine is Ed Abbey's underworld, her roots reaching into the dark, hidden water. In a powerful, dreamlike series of essays, she lays Desert Solitaire bare, looking back at the man who wrote the book and the desert left behind. This stream of consciousness, this conversation, this broadside is an alternate version of Abbey's country. It is another voice in the wilderness.\" CRAIG CHILDS, author of Atlas of a Lost World and Apocalyptic Planet \"Ed Abbey's rise to sainthood has been a bit awkward: here is an earth hero who guzzles gas in search of his personal Eden, a champion of the underdog who snubs Mexican and Native people, an anarchist rabblerouser who utters not a peep about his perch atop the patriarchy. Finally someoneand it could be no better iconoclast than Amy Irvinewrassles him off the pedestal back down to the red dirt where he belongs. Half riot, half tribute, this is a roadmap through a crisis that neither Abbey nor any of us imagined.\" MARK SUNDEEN, author of The Man Who Quit Money and The Unsettlers \"If youve ever talked back to the canonical tomes of the environmental movement, this is a book for you. Here are the women, the people, the children, and the intimate dangers those old books so frequently erased. Here is a new and necessary ethic that might help us more openly love the land and the many living beings who share it. I found myself nodding Yes! Yes! Thank you! on nearly every page of Desert Cabal .\" CAMILLE T. DUNGY, author of Guidebook to Relative Strangers: Journeys into Race, Motherhood and History and editor of Black Nature: Four Centuries of African American Nature Poetry Ed Abbeys Desert Solitaire: A Season in the Wilderness turns fifty this fall, and its iconic author, who has inspired generations of rebel-rousing advocacy on behalf of the American West, is due for a tribute as well as a talking to. In Desert Cabal: A New Season in the Wilderness, Amy Irvine admires the man who influenced her life and work while challenging all that is datedoffensive, evenbetween the covers of Abbeys environmental classic. Irvine names and questions the \"lone male\" narrativewhite and privileged as it isthat still has its boots planted firmly at the center of todays wilderness movement, even as she celebrates the lens through which Abbey taught so many to love the wild remains of the nation. From Abbeys quiet notion of solitude to Irvines roaring cabal, the desert just got hotter, and its defenders more nuanced and numerous.\n
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\n  \n 2017\n \n \n (2)\n \n \n
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\n \n\n \n \n \n \n \n \n Brighten Up Your Balcony or Patio with a DIY Native-Plant Garden.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n March 2017.\n \n\n\n\n
\n\n\n\n \n \n \"BrightenPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_brighten_2017,\n\ttitle = {Brighten {Up} {Your} {Balcony} or {Patio} with a {DIY} {Native}-{Plant} {Garden}},\n\turl = {https://www.audubon.org/news/brighten-your-balcony-or-patio-diy-native-plant-garden},\n\tabstract = {Even apartment dwellers can lure birds to their windows with container gardens. Here's how to get yours ready for spring migration.},\n\tlanguage = {en},\n\turldate = {2021-04-23},\n\tjournal = {Audubon},\n\tmonth = mar,\n\tyear = {2017},\n}\n\n
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\n Even apartment dwellers can lure birds to their windows with container gardens. Here's how to get yours ready for spring migration.\n
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\n \n\n \n \n \n \n \n Hyperobjects: philosophy and ecology after the end of the world.\n \n \n \n\n\n \n Morton, T.\n\n\n \n\n\n\n University of Minnesota Press, Minneapolis, 2017.\n OCLC: 1178699692\n\n\n\n
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@book{morton_hyperobjects_2017,\n\taddress = {Minneapolis},\n\ttitle = {Hyperobjects: philosophy and ecology after the end of the world},\n\tisbn = {978-0-8166-8922-4 978-0-8166-8923-1},\n\tshorttitle = {Hyperobjects},\n\tlanguage = {English},\n\tpublisher = {University of Minnesota Press},\n\tauthor = {Morton, Timothy},\n\tyear = {2017},\n\tnote = {OCLC: 1178699692},\n}\n\n
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\n  \n undefined\n \n \n (11)\n \n \n
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\n \n\n \n \n \n \n \n \n Via: Fossils Waiting to Be: On Stoicism in the Anthropocene - Los Angeles Review of Books.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"Via:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_via_nodate,\n\ttitle = {Via: {Fossils} {Waiting} to {Be}: {On} {Stoicism} in the {Anthropocene} - {Los} {Angeles} {Review} of {Books}},\n\turl = {https://via.hypothes.is/https://www.lareviewofbooks.org/article/fossils-waiting-to-be-on-stoicism-in-the-anthropocene/},\n\turldate = {2022-09-02},\n}\n\n
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\n \n\n \n \n \n \n \n \n That's Amazing! - A Tribute to Huell Howser's Travel Shows.\n \n \n \n \n\n\n \n ISSI\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"That'sPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{issi_thats_nodate,\n\ttitle = {That's {Amazing}! - {A} {Tribute} to {Huell} {Howser}'s {Travel} {Shows}},\n\turl = {http://www.issigis.com/ThatsAmazing/},\n\tabstract = {A collection of locales Huell Howser has highlighted and explored.},\n\tlanguage = {en},\n\turldate = {2022-08-29},\n\tjournal = {ISSI},\n\tauthor = {ISSI},\n}\n\n
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\n A collection of locales Huell Howser has highlighted and explored.\n
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\n \n\n \n \n \n \n \n \n Architecture: The Cult Following Of Liminal Space.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"Architecture:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_architecture_nodate,\n\ttitle = {Architecture: {The} {Cult} {Following} {Of} {Liminal} {Space}},\n\tshorttitle = {Architecture},\n\turl = {https://museemagazine.com/features/2020/11/1/the-cult-following-of-liminal-space},\n\tabstract = {The modern world has gifted us with endless possibilities. We are always on our way to becoming something - always trapped in liminal space.},\n\tlanguage = {en-US},\n\turldate = {2022-08-23},\n\tjournal = {Musée Magazine},\n}\n\n
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\n The modern world has gifted us with endless possibilities. We are always on our way to becoming something - always trapped in liminal space.\n
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\n \n\n \n \n \n \n \n \n The Trouble with Wilderness; or, Getting Back to the Wrong Nature.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_trouble_nodate,\n\ttitle = {The {Trouble} with {Wilderness}; or, {Getting} {Back} to the {Wrong} {Nature}},\n\turl = {https://www.williamcronon.net/writing/Trouble_with_Wilderness_Main.html},\n\tabstract = {The influential essay that prompted a lively public conversation about the meaning of wilderness in American culture.},\n\turldate = {2022-02-01},\n}\n\n
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\n The influential essay that prompted a lively public conversation about the meaning of wilderness in American culture.\n
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\n \n\n \n \n \n \n \n \n How the Salton Sea Became an Eco Wasteland \\textbar HowStuffWorks.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"HowPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_how_nodate,\n\ttitle = {How the {Salton} {Sea} {Became} an {Eco} {Wasteland} {\\textbar} {HowStuffWorks}},\n\turl = {https://science.howstuffworks.com/environmental/conservation/issues/salton-sea.htm},\n\turldate = {2022-01-25},\n}\n\n
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\n \n\n \n \n \n \n \n \n Plastiglomerate.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"PlastiglomeratePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_plastiglomerate_nodate,\n\ttitle = {Plastiglomerate},\n\turl = {https://www.e-flux.com/journal/78/82878/plastiglomerate/},\n\tabstract = {Plastiglomerate clearly demonstrates the permanence of the disposable. It is evidence of death that cannot decay, or that decays so slowly as to have …},\n\tlanguage = {en},\n\turldate = {2021-05-24},\n}\n\n
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\n Plastiglomerate clearly demonstrates the permanence of the disposable. It is evidence of death that cannot decay, or that decays so slowly as to have …\n
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\n \n\n \n \n \n \n \n \n Mustard \\textbar Nay Nay Illustrations.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"MustardPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_mustard_nodate,\n\ttitle = {Mustard {\\textbar} {Nay} {Nay} {Illustrations}},\n\turl = {http://naynay.co/mustard},\n\tlanguage = {en-US},\n\turldate = {2021-05-19},\n}\n\n
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\n \n\n \n \n \n \n \n \n Nancy Holt, Sun Tunnels \\textbar Visit Our Locations & Sites \\textbar Visit \\textbar Dia.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"NancyPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_nancy_nodate,\n\ttitle = {Nancy {Holt}, {Sun} {Tunnels} {\\textbar} {Visit} {Our} {Locations} \\& {Sites} {\\textbar} {Visit} {\\textbar} {Dia}},\n\turl = {https://www.diaart.org/visit/visit-our-locations-sites/nancy-holt-sun-tunnels},\n\turldate = {2021-05-06},\n}\n\n
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\n \n\n \n \n \n \n \n \n Lucy Raven on “concrete cinema” and reimagining the genre of the western.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"LucyPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_lucy_nodate,\n\ttitle = {Lucy {Raven} on “concrete cinema” and reimagining the genre of the western},\n\turl = {https://www.artforum.com/interviews/lucy-raven-on-concrete-cinema-and-reimagining-the-genre-of-the-western-85447},\n\tabstract = {Lucy Raven has dedicated much of her work to the revisualization of the American West, both in its literal, topographic emplacement and within a historical imaginary. Between film, light sculptures, installation, and stereoscopic animation, her examinations of terrestrial surveying and digital visualities, as well as the spectacular constructions and everyday mundanities of the built landscape, offer a fascinating peek into a postindustrial frontier and its extractive economies. Raven’s newest exhibition continues her work with light installation and includes the forty-five-minute film Ready},\n\tlanguage = {en-US},\n\turldate = {2021-05-06},\n}\n\n
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\n Lucy Raven has dedicated much of her work to the revisualization of the American West, both in its literal, topographic emplacement and within a historical imaginary. Between film, light sculptures, installation, and stereoscopic animation, her examinations of terrestrial surveying and digital visualities, as well as the spectacular constructions and everyday mundanities of the built landscape, offer a fascinating peek into a postindustrial frontier and its extractive economies. Raven’s newest exhibition continues her work with light installation and includes the forty-five-minute film Ready\n
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\n \n\n \n \n \n \n \n \n Native Plants.\n \n \n \n \n\n\n \n \n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"NativePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{noauthor_native_nodate,\n\ttitle = {Native {Plants}},\n\turl = {https://www.audubon.org/native-plants},\n\tlanguage = {en},\n\turldate = {2021-04-23},\n\tjournal = {Audubon},\n}\n\n
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\n \n\n \n \n \n \n \n \n The Great Escape.\n \n \n \n \n\n\n \n Balaska, M.\n\n\n \n\n\n\n \n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n  \n \n abstract \n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
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@misc{balaska_great_nodate,\n\ttitle = {The {Great} {Escape}},\n\turl = {https://blog.lareviewofbooks.org/essays/great-escape/},\n\tabstract = {I Man-made nature may not surprise us anymore. From plastic flowers and artificial grass to fake beaches and ski slopes, ...},\n\tlanguage = {en-US},\n\turldate = {2021-04-12},\n\tjournal = {BLARB},\n\tauthor = {Balaska, Maria},\n}\n
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\n I Man-made nature may not surprise us anymore. From plastic flowers and artificial grass to fake beaches and ski slopes, ...\n
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