var bibbase_data = {"data":"\"Loading..\"\n\n
\n\n \n\n \n\n \n \n\n \n\n \n \n\n \n\n \n
\n generated by\n \n \"bibbase.org\"\n\n \n
\n \n\n
\n\n \n\n\n
\n\n Excellent! Next you can\n create a new website with this list, or\n embed it in an existing web page by copying & pasting\n any of the following snippets.\n\n
\n JavaScript\n (easiest)\n
\n \n <script src=\"https://bibbase.org/show?bib=https%3A%2F%2Fgitlab.com%2Fsat-mtl%2Fmetalab%2Fmetalabbib%2F-%2Fraw%2Fmain%2Fmetalab-papers.bib&jsonp=1&jsonp=1\"></script>\n \n
\n\n PHP\n
\n \n <?php\n $contents = file_get_contents(\"https://bibbase.org/show?bib=https%3A%2F%2Fgitlab.com%2Fsat-mtl%2Fmetalab%2Fmetalabbib%2F-%2Fraw%2Fmain%2Fmetalab-papers.bib&jsonp=1\");\n print_r($contents);\n ?>\n \n
\n\n iFrame\n (not recommended)\n
\n \n <iframe src=\"https://bibbase.org/show?bib=https%3A%2F%2Fgitlab.com%2Fsat-mtl%2Fmetalab%2Fmetalabbib%2F-%2Fraw%2Fmain%2Fmetalab-papers.bib&jsonp=1\"></iframe>\n \n
\n\n

\n For more details see the documention.\n

\n
\n
\n\n
\n\n This is a preview! To use this list on your own web site\n or create a new web site from it,\n create a free account. The file will be added\n and you will be able to edit it in the File Manager.\n We will show you instructions once you've created your account.\n
\n\n
\n\n

To the site owner:

\n\n

Action required! Mendeley is changing its\n API. In order to keep using Mendeley with BibBase past April\n 14th, you need to:\n

    \n
  1. renew the authorization for BibBase on Mendeley, and
  2. \n
  3. update the BibBase URL\n in your page the same way you did when you initially set up\n this page.\n
  4. \n
\n

\n\n

\n \n \n Fix it now\n

\n
\n\n
\n\n\n
\n \n \n
\n
\n  \n 2024\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n An IoT toolbox for media arts.\n \n \n \n\n\n \n Mamoun, S. A.; Baltazar, P.; Bicari, C.; Blottière, M.; Celerier, J.; Fardon, R.; Gauthier, O.; Meneses, E. A. L.; Needham, M.; and Riou, G.\n\n\n \n\n\n\n In 7th Conference on Cloud and Internet of Things (CIoT24), Montreal, Canada, oct 2024. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{20243almamoun,\n\ttitle        = {An IoT toolbox for media arts},\n\tauthor       = {Sarah Al Mamoun and Pía Baltazar and Charles Bicari and Marek Blottière and Jean-Michaël Celerier and Rochana Fardon and Olivier Gauthier and Eduardo A. L. Meneses and Maggie Needham and Guillaume Riou},\n\tyear         = 2024,\n\tmonth        = {oct},\n\tbooktitle    = { 7th Conference on Cloud and Internet of Things ({CIoT24})},\n\taddress      = {Montreal, Canada}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n libremidi: a cross-platform library for real-time MIDI 1 and 2.\n \n \n \n\n\n \n Celerier, J.\n\n\n \n\n\n\n In Proceedings of the 21st Sound and Music Computing Conference (SMC2024), Porto, Portugal, jul 2024. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{celerier2024libremidi,\n  title          = {{libremidi}: a cross-platform library for real-time {MIDI} 1 and 2},\n  author         = {Celerier, Jean-Micha{\\"e}l},\n  year           = {2024}, \n  month          = {jul},\n  booktitle      = {Proceedings of the 21st Sound and Music Computing Conference ({SMC2024})},\n  address        = {Porto, Portugal}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2023\n \n \n (6)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIME.\n \n \n \n\n\n \n Meneses, E. A. L.; Piquet, T.; Noble, J.; and Wanderley, M. M.\n\n\n \n\n\n\n In New Interfaces for Musical Expression (NIME'23), Mexico City, Mexico, jun 2023. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2023meneses,\n\ttitle        = {The {P}uara Framework: Hiding complexity and modularity for reproducibility and usability in {NIME}},\n\tauthor       = {Eduardo A. L. Meneses and Thomas Piquet and Jason Noble and Marcelo M. Wanderley},\n\tyear         = 2023,\n\tmonth        = {jun},\n\tbooktitle    = {New Interfaces for Musical Expression ({NIME}'23)},\n\taddress      = {Mexico City, Mexico}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Immersive environments, video tracking and collective interactivity on smartphone : a generic “dispositif”.\n \n \n \n\n\n \n Cunin, D.; Durand, E.; and Seta, M.\n\n\n \n\n\n\n In International Symposium on Electronic Art, Paris, France, May 2023. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2023cunin,\n\ttitle        = {Immersive environments, video tracking and collective interactivity on smartphone : a generic “dispositif”},\n\tauthor       = {Dominique Cunin and Emmanuel Durand and Micha\\l Seta},\n\tyear         = 2023,\n\tmonth        = may,\n\tbooktitle    = {International Symposium on Electronic Art},\n\taddress      = {Paris, France}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n PATRICIA: a real-time singing synthesizer prototype for the Brazilian Portuguese language.\n \n \n \n\n\n \n Brum, L. A. Z.; Meneses, E. A. L.; and Moreno, E. D.\n\n\n \n\n\n\n In International Computer Music Conference (ICMC), Hong Kong, october 2023. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2023brum,\n\ttitle        = {{PATRICIA}: a real-time singing synthesizer prototype for the Brazilian Portuguese language},\n\tauthor       = {Leonardo A. Z. Brum and Eduardo A. L. Meneses and Edward David Moreno},\n\tyear         = 2023,\n\tmonth        = october,\n\tbooktitle    = {International Computer Music Conference ({ICMC})},\n\taddress      = {Hong Kong}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n (submitted) Audiodice: a radiating and open hardware speaker array for collective audio immersion.\n \n \n \n\n\n \n Bouillot, N.; Piquet, T.; and Gilbert, P.\n\n\n \n\n\n\n In The 28th International Conference on Auditory Display (ICAD 2023), Norrköping, Sweden, jun 2023. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2023bouilloticad,\n\ttitle        = {(submitted) Audiodice: a radiating and open hardware speaker array for collective audio immersion},\n\tauthor       = {Bouillot, Nicolas and Piquet, Thomas and Gilbert, Pierre},\n\tyear         = 2023,\n\tmonth        = {jun},\n\tbooktitle    = {The 28th International Conference on Auditory Display ({ICAD} 2023)},\n\taddress      = {Norrköping, Sweden}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Audiodice: an open hardware design of a distributed dodecahedron loudspeaker orchestra.\n \n \n \n \n\n\n \n Bouillot, N.; Piquet, T.; and Gilbert, P.\n\n\n \n\n\n\n In Audio Mostly, Edinburgh, UK, August 2023. \n \n\n\n\n
\n\n\n\n \n \n \"Audiodice:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 6 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2023bouillotam,\n\ttitle        = {Audiodice: an open hardware design of a distributed dodecahedron loudspeaker orchestra},\n\tauthor       = {Bouillot, Nicolas and Piquet, Thomas and Gilbert, Pierre},\n\tyear         = 2023,\n\tmonth        = aug,\n\tbooktitle    = {Audio Mostly},\n\taddress      = {Edinburgh, UK},\n\turl          = {https://doi.org/10.1145/3616195.3616208}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework.\n \n \n \n\n\n \n Boettcher, B.; Meneses, E. A. L.; Frisson, C.; Wanderley, M. M.; and Malloch, J.\n\n\n \n\n\n\n In New Interfaces for Musical Expression (NIME'23), Mexico City, Mexico, jun 2023. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2023boettcher,\n\ttitle        = {Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework},\n\tauthor       = {Brady Boettcher and Eduardo A. L. Meneses and Christian Frisson and Marcelo M. Wanderley and Joseph Malloch},\n\tyear         = 2023,\n\tmonth        = {jun},\n\tbooktitle    = {New Interfaces for Musical Expression ({NIME}'23)},\n\taddress      = {Mexico City, Mexico}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2022\n \n \n (4)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n The Effects of Interactivity on Learners' Experience in a Visually Immersive Display Context.\n \n \n \n\n\n \n Salame, Y.; Léger, P.; Charland, P.; Merveilleux Du Vignaux, M.; Durand, E.; Bouillot, N.; Pardoen, M.; Deslandes-Martineau, M.; and Sénécal, S.\n\n\n \n\n\n\n In pages 1–20, 2022. Taylor & Francis\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2022salame2022,\n\ttitle        = {The Effects of Interactivity on Learners' Experience in a Visually Immersive Display Context},\n\tauthor       = {Salame, Youness and L{\\'e}ger, Pierre-Majorique and Charland, Patrick and Merveilleux Du Vignaux, Ma{\\"y}lis and Durand, Emmanuel and Bouillot, Nicolas and Pardoen, Myl{\\`e}ne and Deslandes-Martineau, Marion and S{\\'e}n{\\'e}cal, Sylvain},\n\tyear         = 2022,\n\tjournal      = {Computers in the Schools},\n\tpublisher    = {Taylor \\& Francis},\n\tpages        = {1--20}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Two datasets of room impulse responses for navigation in 6 degrees of freedom: a symphonic concert hall and a former planetarium.\n \n \n \n \n\n\n \n Piquet, T.; Teyssier, H.; Ouellet-Delorme, É.; Duée, R.; and Bouillot, N.\n\n\n \n\n\n\n In 25th International Conference on Digital Audio Effects DAFx20, pages pp. 169–176, Vienna University of Music and Performing Arts (mdw), Austria, sep 2022. \n \n\n\n\n
\n\n\n\n \n \n \"TwoPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 9 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2022piquet,\n\ttitle        = {Two datasets of room impulse responses for navigation in 6~degrees of freedom: a symphonic concert hall and a former planetarium},\n\tauthor       = {Thomas Piquet and Hector Teyssier and Émile Ouellet-Delorme and Raphaël Duée and Nicolas Bouillot},\n\tyear         = 2022,\n\tmonth        = {sep},\n\tbooktitle    = {25th International Conference on Digital Audio Effects DAFx20},\n\taddress      = {Vienna University of Music and Performing Arts (mdw), Austria},\n\tpages        = {pp. 169--176},\n\turl          = {https://dafx2020.mdw.ac.at/proceedings/DAFx20in22Proceedings.pdf}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n LivePose: Democratizing Pose and Action Detection for Multimedia Arts and Hybrid Presence Applications on Open Edge Devices.\n \n \n \n\n\n \n Frisson, C.; Downs, G.; Dumas, M.; Askari, F.; and Durand, E.\n\n\n \n\n\n\n In 28th ACM Symposium on Virtual Reality Software and Technology, of ACM VRST'22, 2022. \n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2022frissonacm,\n\ttitle        = {{{LivePose}}: {{Democratizing Pose}} and {{Action Detection}} for {{Multimedia Arts}} and {{Hybrid Presence Applications}} on {{Open Edge Devices}}},\n\tshorttitle   = {{LivePose}},\n\tauthor       = {Frisson, Christian and Downs, Gabriel and Dumas, Marie-Eve and Askari, Farzaneh and Durand, Emmanuel},\n\tyear         = 2022,\n\tbooktitle    = {28th {{ACM Symposium}} on {{Virtual Reality Software}} and {{Technology}}},\n\tseries       = {{{ACM VRST}}'22},\n\tdoi          = {10.1145/3562939.3565660}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Colorimetry Evaluation for Video Mapping Rendering.\n \n \n \n\n\n \n Décorps, E.; Frisson, C.; and Durand, E.\n\n\n \n\n\n\n In 28th ACM Symposium on Virtual Reality Software and Technology, of ACM VRST'22, 2022. \n \n\n\n\n
\n\n\n\n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2022decorps,\n\ttitle        = {Colorimetry {{Evaluation}} for {{Video Mapping Rendering}}},\n\tshorttitle   = {{SplashColorimetry}},\n\tauthor       = {D{\\'e}corps, Eva and Frisson, Christian and Durand, Emmanuel},\n\tyear         = 2022,\n\tbooktitle    = {28th {{ACM Symposium}} on {{Virtual Reality Software}} and {{Technology}}},\n\tseries       = {{{ACM VRST}}'22},\n\tdoi          = {10.1145/3562939.3565684}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2021\n \n \n (4)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Building Navigable Listening Experiences Based on Spatial Soundfield Capture: the case of the Orchestre Symphonique de Montréal playing Beethoven's Symphony No. 6.\n \n \n \n \n\n\n \n Settel, Z.; Munch, J.; Downs, G.; and Bouillot, N.\n\n\n \n\n\n\n In 18th Sound and Music Computing Conference (SMC), Online, June 2021. \n \n\n\n\n
\n\n\n\n \n \n \"BuildingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 5 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2021settel,\n\ttitle        = {{Building Navigable Listening Experiences Based on Spatial Soundfield Capture: the case of the Orchestre Symphonique de Montréal playing Beethoven's Symphony No. 6}},\n\tauthor       = {Zack Settel and Jean-Yves Munch and Gabriel Downs and Nicolas Bouillot},\n\tyear         = 2021,\n\tmonth        = jun,\n\tbooktitle    = {{18th Sound and Music Computing Conference (SMC)}},\n\taddress      = {Online},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2021settel.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Riding through history: The effects of interactivity in learners' experience in a visually immersive display context (submitted).\n \n \n \n\n\n \n Salame, Y.; Vignaux, M. M. D.; Charland, P.; Durand, E.; Bouillot, N.; Léger, P.; and Pardoen, M.\n\n\n \n\n\n\n In Computers in the Schools, Interdisciplinary Journal of Practice, Theory, and Applied Research, 2021. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2021salame,\n\ttitle        = {Riding through history: The effects of interactivity in learners' experience in a visually immersive display context (submitted)},\n\tauthor       = {Youness Salame and Maÿlis Merveilleux Du Vignaux and Patrick Charland and Emmanuel Durand and Nicolas Bouillot and Pierre-Majorique Léger and Mylène Pardoen},\n\tyear         = 2021,\n\tbooktitle    = {Computers in the Schools, Interdisciplinary Journal of Practice, Theory, and Applied Research}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n An exploratory study on the impact of collective immersion on learning and learning experience.\n \n \n \n \n\n\n \n Vignaux, M. M. D.; Léger, P.; Charland, P.; Salame, Y.; Durand, E.; Bouillot, N.; Pardoen, M.; and Sénécal, S.\n\n\n \n\n\n\n Multimodal Technologies and Interaction, 5(4), 17. 2021.\n \n\n\n\n
\n\n\n\n \n \n \"AnPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 11 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2021merveilleux,\n\ttitle        = {An exploratory study on the impact of collective immersion on learning and learning experience},\n\tauthor       = {Maÿlis Merveilleux Du Vignaux and Pierre-Majorique Léger and Patrick Charland and Youness Salame and Emmanuel Durand and Nicolas Bouillot and Mylène Pardoen and Sylvain Sénécal},\n\tyear         = 2021,\n\tjournal      = {Multimodal Technologies and Interaction},\n\tvolume       = {5(4), 17},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2021merveilleux.pdf?inline=false},\n\teditor       = {Cristina Portalés Ricart}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Live Ray Tracing and Auralization of 3D Audio Scenes with vaRays.\n \n \n \n \n\n\n \n Ouellet-Delorme, É.; Venkatesan, H.; Durand, E.; and Bouillot, N.\n\n\n \n\n\n\n In 18th Sound and Music Computing Conference (SMC), Online, June 2021. \n \n\n\n\n
\n\n\n\n \n \n \"LivePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 3 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2021delorme,\n\ttitle        = {{Live Ray Tracing and Auralization of 3D Audio Scenes with vaRays}},\n\tauthor       = {Émile Ouellet-Delorme and Harish Venkatesan and Emmanuel Durand and Nicolas Bouillot},\n\tyear         = 2021,\n\tmonth        = jun,\n\tbooktitle    = {{18th Sound and Music Computing Conference (SMC)}},\n\taddress      = {Online},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2021ouellet.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2020\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n Real-time omni-stereoscopic fulldome projection (submitted).\n \n \n \n\n\n \n Durand, E.\n\n\n \n\n\n\n In VRST '20: Virtual Reality Software and Technology, November 2020. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2020durand,\n\ttitle        = {Real-time omni-stereoscopic fulldome projection (submitted)},\n\tauthor       = {Emmanuel Durand},\n\tyear         = 2020,\n\tmonth        = nov,\n\tbooktitle    = {VRST '20: Virtual Reality Software and Technology},\n\tlocation     = {Ottawa, CA}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2019\n \n \n (3)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Rapid Prototyping of Immersive Video for Popularization of Historical Knowledge.\n \n \n \n \n\n\n \n Puget, J.; Pardoen, M.; Bouillot, N.; Durand, E.; Seta, M.; and Bastien, P.\n\n\n \n\n\n\n In Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction, of TEI '19, New York, NY, USA, 2019. ACM\n \n\n\n\n
\n\n\n\n \n \n \"RapidPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n\n\n\n
\n
@inproceedings{2019puget,\n\ttitle        = {Rapid Prototyping of Immersive Video for Popularization of Historical Knowledge},\n\tauthor       = {Julien Puget and Myl\\`ene Pardoen and Nicolas Bouillot and Emmanuel Durand and {Micha\\l} Seta and Pascal Bastien},\n\tyear         = 2019,\n\tbooktitle    = {Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction},\n\tlocation     = {Tempe, AZ, USA},\n\tpublisher    = {ACM},\n\taddress      = {New York, NY, USA},\n\tseries       = {TEI '19},\n\tdoi          = {10.1145/3294109.3300977},\n\tisbn         = {978-1450361965},\n\turl          = {https://doi.org/10.1145/3294109.3300977},\n\tkeywords     = {Popularization; Virtual reality; Immersive editing}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Rendering of Heterogeneous Spatial Audio Scenes.\n \n \n \n \n\n\n \n Bouillot, N.; Seta, M.; Ouellet-Delorme, É.; Settel, Z.; and Durand, E.\n\n\n \n\n\n\n In Proceedings of the 17th Linux Audio Conference (LAC-19), March 2019. \n \n\n\n\n
\n\n\n\n \n \n \"RenderingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2019bouillot2,\n\ttitle        = {Rendering of Heterogeneous Spatial Audio Scenes},\n\tauthor       = {Nicolas Bouillot and {Micha\\l} Seta and Émile Ouellet-Delorme and Zack Settel and Emmanuel Durand},\n\tyear         = 2019,\n\tmonth        = mar,\n\tbooktitle    = {Proceedings of the 17th Linux Audio Conference ({LAC}-19)},\n\tlocation     = {CCRMA, Stanfort University (USA)},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2019bouillot2.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n A Scalable Haptic Floor Dedicated to Large Immersive Spaces.\n \n \n \n \n\n\n \n Bouillot, N.; and Seta, M.\n\n\n \n\n\n\n In Proceedings of the 17th Linux Audio Conference (LAC-19), March 2019. \n \n\n\n\n
\n\n\n\n \n \n \"APaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 2 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2019bouillot,\n\ttitle        = {A Scalable Haptic Floor Dedicated to Large Immersive Spaces},\n\tauthor       = {Nicolas Bouillot and {Micha\\l} Seta},\n\tyear         = 2019,\n\tmonth        = mar,\n\tbooktitle    = {Proceedings of the 17th Linux Audio Conference ({LAC}-19)},\n\tlocation     = {CCRMA, Stanfort University (USA)},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2019bouillot.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2018\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Dual Rendering of Virtual Audio Scenes for Far-field Surround Multi-channel and Near-field Binaural Audio Displays.\n \n \n \n \n\n\n \n Settel, Z.; Otto, P.; Seta, M.; and Bouillot, N.\n\n\n \n\n\n\n In 16th Biennial Symposium on Arts and Technology, Ammerman Center for Arts and Technology at Connecticut College, New London, February 2018. \n 5 pages\n\n\n\n
\n\n\n\n \n \n \"DualPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2018settel,\n\ttitle        = {Dual Rendering of Virtual Audio Scenes for Far-field Surround Multi-channel and Near-field Binaural Audio Displays},\n\tauthor       = {Zack Settel and Peter Otto and {Micha\\l} Seta and Nicolas Bouillot},\n\tyear         = 2018,\n\tmonth        = feb,\n\tbooktitle    = {16th Biennial Symposium on Arts and Technology},\n\taddress      = {Ammerman Center for Arts and Technology at Connecticut College, New London},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2018settel.pdf?inline=false},\n\tnote         = {5 pages}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2017\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n In Situ Editing (EiS) For Fulldomes.\n \n \n \n \n\n\n \n Brien, F. U.; Durand, E.; Soria, J.; Seta, M.; and Bouillot, N.\n\n\n \n\n\n\n In 23rd ACM Symposium on Virtual Reality Software and Technology (VRST), Gothenburg, Sweden, November 2017. \n \n\n\n\n
\n\n\n\n \n \n \"InPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2017brien,\n\ttitle        = {In Situ Editing ({EiS}) For Fulldomes},\n\tauthor       = {François U. Brien and Emmanuel Durand and Jérémie Soria and {Micha\\l} Seta and Nicolas Bouillot},\n\tyear         = 2017,\n\tmonth        = nov,\n\tbooktitle    = {23rd {ACM} Symposium on Virtual Reality Software and Technology (VRST)},\n\taddress      = {Gothenburg, Sweden},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2017brien.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n SATIE: a live and scalable 3D audio scene rendering environment for large multi-channel loudspeaker configurations.\n \n \n \n \n\n\n \n Bouillot, N.; Settel, Z.; and Seta, M.\n\n\n \n\n\n\n In New Interfaces for Musical Expression (NIME'17), Copenhagen, Denmark, 2017. \n \n\n\n\n
\n\n\n\n \n \n \"SATIE:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 10 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2017bouillot,\n\ttitle        = {{SATIE}: a live and scalable 3D audio scene rendering environment for large multi-channel loudspeaker configurations},\n\tauthor       = {Nicolas Bouillot and Zack Settel and {Micha\\l} Seta},\n\tyear         = 2017,\n\tbooktitle    = {New Interfaces for Musical Expression ({NIME}'17)},\n\taddress      = {Copenhagen, Denmark},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2017bouillot.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2016\n \n \n (3)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Volumetric approach to Sound Design and Composition using SATIE: a high-density 3D audio scene rendering environment for large multi-channel loudspeaker configurations.\n \n \n \n \n\n\n \n Settel, Z.; Bouillot, N.; and Seta, M.\n\n\n \n\n\n\n In 15th Biennial Symposium on Arts and Technology, Ammerman Center for Arts and Technology at Connecticut College, New London, February 2016. \n 8 pages\n\n\n\n
\n\n\n\n \n \n \"VolumetricPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 10 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2016settel,\n\ttitle        = {Volumetric approach to Sound Design and Composition using {SATIE}: a high-density {3D} audio scene rendering environment for large multi-channel loudspeaker configurations},\n\tauthor       = {Zack Settel and Nicolas Bouillot and {Micha\\l} Seta},\n\tyear         = 2016,\n\tmonth        = feb,\n\tbooktitle    = {15th Biennial Symposium on Arts and Technology},\n\taddress      = {Ammerman Center for Arts and Technology at Connecticut College, New London},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2016settel.pdf?inline=false},\n\tnote         = {8 pages}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Recherche et innovation transdisciplinaires, transcalaires et intégratives : Mémoire de la Société des arts technologiques (SAT).\n \n \n \n \n\n\n \n Courchesne, L.; and Dubé, P.\n\n\n \n\n\n\n Stratégie québécoise de la recherche et de l'innovation, Mémoire SQRI, 2016.\n \n\n\n\n
\n\n\n\n \n \n \"RecherchePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{2016courchesnedube,\n\ttitle        = {Recherche et innovation transdisciplinaires, transcalaires et intégratives : Mémoire de la Société des arts technologiques (SAT)},\n\tauthor       = {Luc Courchesne and Patrick Dubé},\n\tyear         = 2016,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2016CourchesneDube.pdf?inline=false},\n\thowpublished = {Stratégie québécoise de la recherche et de l'innovation, Mémoire SQRI}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n From clickable pages to walkable spaces: How is WebVR inviting us in?.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n Position statement. W3C Workshop on Web and Virtual Reality, October 2016.\n \n\n\n\n
\n\n\n\n \n \n \"FromPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{2016courchesne,\n\ttitle        = {From clickable pages to walkable spaces: How is WebVR inviting us in?},\n\tauthor       = {Luc Courchesne},\n\tyear         = 2016,\n\tmonth        = oct,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2016Courchesne.pdf?inline=false},\n\thowpublished = {Position statement. W3C Workshop on Web and Virtual Reality}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2015\n \n \n (6)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Cross-disciplinary and process-centered: an approach to developing sound spatialization tools for spherical immersive environments.\n \n \n \n \n\n\n \n Mercier-Nguyen, S.\n\n\n \n\n\n\n In 11th European Academy of Design Conference, pages 8 pages, Boulogne Billancourt France, April 2015. \n \n\n\n\n
\n\n\n\n \n \n \"Cross-disciplinaryPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2015mercier,\n\ttitle        = {Cross-disciplinary and process-centered: an approach to developing sound spatialization tools for spherical immersive environments},\n\tauthor       = {Simon Mercier-Nguyen},\n\tyear         = 2015,\n\tmonth        = apr,\n\tbooktitle    = {11th European Academy of Design Conference},\n\taddress      = {Boulogne Billancourt France},\n\tpages        = {8 pages},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2015mercier.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Changement de voie en gestion de grands projets: L'approche par la connaissance distribuée et la co-innovation.\n \n \n \n\n\n \n Lehmann, V.; Frangioni, M.; and Dubé, P.\n\n\n \n\n\n\n Changements et Grands projets, des choix engagés.. de l'université du Quebec, P., editor(s). 2015.\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inbook{2015lehmann2,\n\ttitle        = {Changements et Grands projets, des choix engagés.},\n\tauthor       = {Valerie Lehmann and Marina Frangioni and Patrick Dubé},\n\tyear         = 2015,\n\teditor       = {Presses de l'université du Quebec},\n\tchapter      = {Changement de voie en gestion de grands projets: L'approche par la connaissance distribuée et la co-innovation}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Living Lab as knowledge system: an actual approach for managing urban service projects?.\n \n \n \n \n\n\n \n Lehmann, V.; Frangioni, M.; and Dubé, P.\n\n\n \n\n\n\n Special Issue from GeCSO 2014 - Journal of Knowledge Management, 19(5): pp. 1087–1107. 2015.\n \n\n\n\n
\n\n\n\n \n \n \"LivingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2015lehmann,\n\ttitle        = {Living Lab as knowledge system: an actual approach for managing urban service projects?},\n\tauthor       = {Valerie Lehmann and Marina Frangioni and Patrick Dubé},\n\tyear         = 2015,\n\tjournal      = {Special Issue from GeCSO 2014 - Journal of Knowledge Management},\n\tvolume       = 19,\n\tnumber       = 5,\n\tpages        = {pp. 1087--1107},\n\turl          = {http://www.emeraldinsight.com/toc/jkm/19/5}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Method, system and apparatus for capture-based immersive telepresence in virtual environment.\n \n \n \n \n\n\n \n Courchesne, L.; Roy, B.; Durand, E.; Wozniewski, M.; and Bouillot, N.\n\n\n \n\n\n\n March 2015.\n WO Patent App. PCT/CA2014/050,888\n\n\n\n
\n\n\n\n \n \n \"Method,Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{2015courchesne2015,\n\ttitle        = {Method, system and apparatus for capture-based immersive telepresence in virtual environment},\n\tauthor       = {L. Courchesne and B. Roy and E. Durand and M. Wozniewski and N. Bouillot},\n\tyear         = 2015,\n\tmonth        = mar,\n\tpublisher    = {Google Patents},\n\turl          = {https://www.google.com/patents/WO2015039239A1?cl=en},\n\tnote         = {WO Patent App. PCT/CA2014/050,888}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Type Mosaicing with Consultables and Delegates.\n \n \n \n \n\n\n \n Bouillot, N.\n\n\n \n\n\n\n Overload Journal, (130). 2015.\n 5 pages\n\n\n\n
\n\n\n\n \n \n \"TypePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 6 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2015bouillot2,\n\ttitle        = {Type Mosaicing with Consultables and Delegates},\n\tauthor       = {Nicolas Bouillot},\n\tyear         = 2015,\n\tjournal      = {Overload Journal},\n\tnumber       = 130,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2015bouillot2.pdf?inline=false},\n\tnote         = {5 pages}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Make and Forward Consultables and Delegates.\n \n \n \n \n\n\n \n Bouillot, N.\n\n\n \n\n\n\n Overload Journal, (127). 2015.\n 5 pages\n\n\n\n
\n\n\n\n \n \n \"MakePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 6 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2015bouillot,\n\ttitle        = {Make and Forward Consultables and Delegates},\n\tauthor       = {Nicolas Bouillot},\n\tyear         = 2015,\n\tjournal      = {Overload Journal},\n\tnumber       = 127,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2015bouillot.pdf?inline=false},\n\tnote         = {5 pages}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2014\n \n \n (4)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Centor : Concept d'interface de spatialisation sonore additive.\n \n \n \n \n\n\n \n Mercier-Nguyen, S.\n\n\n \n\n\n\n Master's thesis, Université de Montréal, École de Design industriel, Faculté de l'Aménagement, Montréal, Québec, Canada, November 2014.\n \n\n\n\n
\n\n\n\n \n \n \"CentorPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@mastersthesis{2014mercier,\n\ttitle        = {Centor : Concept d'interface de spatialisation sonore additive},\n\tauthor       = {Simon Mercier-Nguyen},\n\tyear         = 2014,\n\tmonth        = nov,\n\taddress      = {Montréal, Québec, Canada},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2014mercier.pdf?inline=false},\n\tschool       = {Université de Montréal, École de Design industriel, Faculté de l'Aménagement}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Création de connaissances et grands projets de services urbains : Le cas des Living Labs en tant que dispositifs de co-innovation.\n \n \n \n\n\n \n Lehmann, V.; Frangioni, M.; and Dubé, P.\n\n\n \n\n\n\n In 7e Colloque International GeCSO (Gestion des Connaissances dans la Société et les Organisations), Aix en Provence, France, June 2014. \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2014lehmann,\n\ttitle        = {Création de connaissances et grands projets de services urbains : Le cas des Living Labs en tant que dispositifs de co-innovation},\n\tauthor       = {V. Lehmann and M. Frangioni and P. Dubé},\n\tyear         = 2014,\n\tmonth        = jun,\n\tbooktitle    = {7e Colloque International GeCSO (Gestion des Connaissances dans la Société et les Organisations)},\n\taddress      = {Aix en Provence, France}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Qu'est-ce qu'un Living Lab ?.\n \n \n \n \n\n\n \n Dubé, P.; Sarrailh., J.; Billebaud, C.; Grillet, C.; Zingraff, V.; and Kostecki, I.\n\n\n \n\n\n\n Livre blanc LL Umvelt, 2014.\n 127 Pages\n\n\n\n
\n\n\n\n \n \n \"Qu'est-cePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@booklet{2014dube,\n\ttitle        = {Qu'est-ce qu'un Living Lab ?},\n\tauthor       = {Patrick Dubé and Joëlle Sarrailh. and Christophe Billebaud and Claire Grillet and Virginie Zingraff and Isabelle Kostecki},\n\tyear         = 2014,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2014dube.pdf?inline=false},\n\tnote         = {127 Pages},\n\thowpublished = {Livre blanc LL Umvelt}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Posture Platform and The Drawing Room: Virtual Teleportation in Cyberspace.\n \n \n \n \n\n\n \n Courchesne, L.; Durand, E.; and Roy, B.\n\n\n \n\n\n\n ACM Siggraph / Leonardo Journal for Arts Science and Technology, MIT Press, Vol. 47(no. 4): p 380–389. 2014.\n \n\n\n\n
\n\n\n\n \n \n \"PosturePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2014courchesne,\n\ttitle        = {Posture Platform and The Drawing Room: Virtual Teleportation in Cyberspace},\n\tauthor       = {Luc Courchesne and Emmanuel Durand and Bruno Roy},\n\tyear         = 2014,\n\tjournal      = {ACM Siggraph / Leonardo Journal for Arts Science and Technology, MIT Press},\n\tvolume       = {Vol. 47},\n\tnumber       = {no. 4},\n\tpages        = {p 380--389},\n\turl          = {http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_00842?journalCode=leon#.VuCLSkJOnmE}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2013\n \n \n (1)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Posture: An experiment in multifold reality.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n Pablo Lorenzo-Eiroa, A. Sprecher (Ed.) Architecture In Formation. 2013.\n New York: Routledge\n\n\n\n
\n\n\n\n \n \n \"Posture:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2013courchesne,\n\ttitle        = {Posture: An experiment in multifold reality},\n\tauthor       = {Luc Courchesne},\n\tyear         = 2013,\n\tjournal      = {Pablo Lorenzo-Eiroa, A. Sprecher (Ed.) Architecture In Formation},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2013courchesne.pdf?inline=false},\n\tnote         = {New York: Routledge}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2012\n \n \n (9)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n SpatOSC : Providing Abstraction for the Authoring of Interactive Spatial Experience.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; Quessy, A.; Matthews, T.; and Courchesne, L.\n\n\n \n\n\n\n In Proceedings of International Computer Music Conference (ICMC), pages pp. 512–517, Lubijana, September 2012. \n \n\n\n\n
\n\n\n\n \n \n \"SpatOSCPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2012woz2,\n\ttitle        = {SpatOSC : Providing Abstraction for the Authoring of Interactive Spatial Experience},\n\tauthor       = {Mike Wozniewski and Zack Settel and Alexandre Quessy and Tristan Matthews and Luc Courchesne},\n\tyear         = 2012,\n\tmonth        = sep,\n\tbooktitle    = {Proceedings of International Computer Music Conference (ICMC)},\n\taddress      = {Lubijana},\n\tpages        = {pp. 512--517},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012woz2.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Towards Embodied 3D User Interaction Using the SPIN Framework.\n \n \n \n \n\n\n \n Wozniewski, M.\n\n\n \n\n\n\n SAT Metalab White Paper, May 2012.\n \n\n\n\n
\n\n\n\n \n \n \"TowardsPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{2012woz,\n\ttitle        = {Towards Embodied 3D User Interaction Using the SPIN Framework},\n\tauthor       = {Mike Wozniewski},\n\tyear         = 2012,\n\tmonth        = may,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012woz.pdf?inline=false},\n\thowpublished = {SAT Metalab White Paper}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n A Survey and Thematic Analysis Approach as Input to the Design of Mobile Music GUIs.\n \n \n \n \n\n\n \n Tanaka, A.; Parkinson, A.; Settel, Z.; and Tahiroglu, K.\n\n\n \n\n\n\n In New Interfaces for Musical Expression (NIME'12), pages 4 pages, University of Michigan, Ann Arbor, May 2012. \n \n\n\n\n
\n\n\n\n \n \n \"APaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2012tanaka,\n\ttitle        = {A Survey and Thematic Analysis Approach as Input to the Design of Mobile Music GUIs},\n\tauthor       = {Atau Tanaka and Adam Parkinson and Zack Settel and Koray Tahiroglu},\n\tyear         = 2012,\n\tmonth        = may,\n\tbooktitle    = {New Interfaces for Musical Expression ({NIME}'12)},\n\taddress      = {University of Michigan, Ann Arbor},\n\tpages        = {4 pages},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012tanaka.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Excursion dans la quatrième dimension.\n \n \n \n \n\n\n \n Dubé, P.; and Courchesne, L.\n\n\n \n\n\n\n Continuité, (n. 132): p. 15–17. 2012.\n \n\n\n\n
\n\n\n\n \n \n \"ExcursionPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2012dube2,\n\ttitle        = {Excursion dans la quatrième dimension},\n\tauthor       = {Philippe Dubé and Luc Courchesne},\n\tyear         = 2012,\n\tjournal      = {Continuité},\n\tnumber       = {n. 132},\n\tpages        = {p. 15--17},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012dube2.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Un lieu qui parle: la modélisation architecturale 3D vers une quatrième dimension.\n \n \n \n \n\n\n \n Dubé, P.; and Courchesne, L.\n\n\n \n\n\n\n Hereditas Monasteriorum, vol. 1: pp. 129–137. 2012.\n \n\n\n\n
\n\n\n\n \n \n \"UnPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2012dube,\n\ttitle        = {Un lieu qui parle: la modélisation architecturale 3D vers une quatrième dimension},\n\tauthor       = {Philippe Dubé and Luc Courchesne},\n\tyear         = 2012,\n\tjournal      = {Hereditas Monasteriorum},\n\tvolume       = {vol. 1},\n\tpages        = {pp. 129--137},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012dube.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Le don d'ubiquité. Lucifuge : Téléprésence et création numérique.\n \n \n \n \n\n\n \n Dioup, L.\n\n\n \n\n\n\n Digitalarti Mag, (num. 11): pp 68–73. November 2012.\n \n\n\n\n
\n\n\n\n \n \n \"LePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2012dioup,\n\ttitle        = {Le don d'ubiquité. Lucifuge : Téléprésence et création numérique},\n\tauthor       = {Laurent Dioup},\n\tyear         = 2012,\n\tmonth        = nov,\n\tjournal      = {Digitalarti Mag},\n\tnumber       = {num. 11},\n\tpages        = {pp 68--73},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012dioup.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n De l'obscurité à la projection sphérique : L'immersion comme posture et manière d'être au monde.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n R. Bourassa et B. Guelton (Ed.) Figures de l'Immersion. 2012.\n (Sous presse - accepté: 01/11/2012)\n\n\n\n
\n\n\n\n \n \n \"DePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2012courchesne2,\n\ttitle        = {De l'obscurité à la projection sphérique : L'immersion comme posture et manière d'être au monde},\n\tauthor       = {Luc Courchesne},\n\tyear         = 2012,\n\tjournal      = {R. Bourassa et B. Guelton (Ed.) Figures de l'Immersion},\n\turl          = {http://oic.uqam.ca/fr/remix/de-lobscurite-a-la-projection-spherique-limmersion-comme-posture-et-maniere-detre-au-monde},\n\tnote         = {(Sous presse - accepté: 01/11/2012)}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Nouveaux terrains d'apparition.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n Von Ameluxen, H. (Ed.), Figures de l'interactivité. Poitiers : École Européenne Supérieure de l'Image. 2012.\n (Sous presse - accepté: 09/06/2012)\n\n\n\n
\n\n\n\n \n \n \"NouveauxPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2012courchesne,\n\ttitle        = {Nouveaux terrains d'apparition},\n\tauthor       = {Luc Courchesne},\n\tyear         = 2012,\n\tjournal      = {Von Ameluxen, H. (Ed.), Figures de l'interactivité. Poitiers : École Européenne Supérieure de l'Image},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012courchesne.pdf?inline=false},\n\tnote         = {(Sous presse - accepté: 09/06/2012)}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Une question de temps. Les nouvelles frontières temporelles et culturelles de la téléprésence.\n \n \n \n \n\n\n \n Barsalo, R.\n\n\n \n\n\n\n Digitalarti Mag, (num. 11). November 2012.\n \n\n\n\n
\n\n\n\n \n \n \"UnePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2012barsalo,\n\ttitle        = {Une question de temps. Les nouvelles frontières temporelles et culturelles de la téléprésence},\n\tauthor       = {René Barsalo},\n\tyear         = 2012,\n\tmonth        = nov,\n\tjournal      = {Digitalarti Mag},\n\tnumber       = {num. 11},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012barsalo.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2009\n \n \n (2)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Audio Graffiti: A location based audio-tagging and remixing environment.\n \n \n \n \n\n\n \n Settel, Z.; Wozniewski, M.; Bouillot, N.; and Cooperstock, J. R.\n\n\n \n\n\n\n In International Computer Music Conference (ICMC), Montréal, August 2009. \n 4 pages\n\n\n\n
\n\n\n\n \n \n \"AudioPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 9 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2010settel,\n\ttitle        = {Audio Graffiti: A location based audio-tagging and remixing environment},\n\tauthor       = {Zack Settel and Mike Wozniewski and Nicolas Bouillot and Jeremy R. Cooperstock},\n\tyear         = 2009,\n\tmonth        = aug,\n\tbooktitle    = {International Computer Music Conference (ICMC)},\n\taddress      = {Montréal},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2010settel.pdf?inline=false},\n\tnote         = {4 pages}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Chapter ten.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n Art, Design, and Beyond. Publishers, D. A., editor(s). The Press of the Nova Scotia College of Art and Design, 2009.\n \n\n\n\n
\n\n\n\n \n \n \"Art,Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inbook{2009courchesne,\n\ttitle        = {Art, Design, and Beyond},\n\tauthor       = {Luc Courchesne},\n\tyear         = 2009,\n\tpublisher    = {The Press of the Nova Scotia College of Art and Design},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2009courchesne.pdf?inline=false},\n\teditor       = {{D.A.P.}/Distributed Art Publishers},\n\tchapter      = {Chapter ten}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2007\n \n \n (3)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n AudioScape: A Pure Data library for management of virtual environments and spatial audio.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; and Cooperstock, J. R.\n\n\n \n\n\n\n In Pd Convention, pages 6 pages, Montréal, Québec, Canada, 2007. \n \n\n\n\n
\n\n\n\n \n \n \"AudioScape:Paper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2007woz2,\n\ttitle        = {AudioScape: A Pure Data library for management of virtual environments and spatial audio},\n\tauthor       = {Mike Wozniewski and Zack Settel and Jeremy R. Cooperstock},\n\tyear         = 2007,\n\tbooktitle    = {Pd Convention},\n\taddress      = {Montréal, Québec, Canada},\n\tpages        = {6 pages},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2007woz2.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n User-Specific Audio Rendering And Steerable Sound For Distributed Virtual Environments.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; and Cooperstock, J. R.\n\n\n \n\n\n\n In Proceedings of the 13th International Conference on Auditory Display, pages 4 pages, Montréal, Canada, June 2007. \n \n\n\n\n
\n\n\n\n \n \n \"User-SpecificPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 3 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2007woz,\n\ttitle        = {User-Specific Audio Rendering And Steerable Sound For Distributed Virtual Environments},\n\tauthor       = {Mike Wozniewski and Zack Settel and Jeremy R. Cooperstock},\n\tyear         = 2007,\n\tmonth        = jun,\n\tbooktitle    = {Proceedings of the 13th International Conference on Auditory Display},\n\taddress      = {Montréal, Canada},\n\tpages        = {4 pages},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2007woz.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Towards mobile spatial audio for distributed musical systems and multi-user virtual environments.\n \n \n \n \n\n\n \n Cooperstock, J. R.; Wozniewski, M.; and Settel, Z.\n\n\n \n\n\n\n In Spatial Audio for Mobile Devices, workshop in conjunction with International Conference on Human Interaction with Mobile Devices and Services (MobileHCI), pages 4 pages, Singapore, September 2007. \n \n\n\n\n
\n\n\n\n \n \n \"TowardsPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 3 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2007cooperstock,\n\ttitle        = {Towards mobile spatial audio for distributed musical systems and multi-user virtual environments},\n\tauthor       = {Jeremy R. Cooperstock and Mike Wozniewski and Zack Settel},\n\tyear         = 2007,\n\tmonth        = sep,\n\tbooktitle    = {Spatial Audio for Mobile Devices, workshop in conjunction with International Conference on Human Interaction with Mobile Devices and Services ({MobileHCI})},\n\taddress      = {Singapore},\n\tpages        = {4 pages},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2007cooperstock.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2006\n \n \n (3)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n A framework for immersive spatial audio performance.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; and Cooperstock, J. R.\n\n\n \n\n\n\n In New Interfaces for Musical Expression (NIME'06), pages pp. 144–149, Paris, France, France, 2006. \n \n\n\n\n
\n\n\n\n \n \n \"APaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 5 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2006woz3,\n\ttitle        = {A framework for immersive spatial audio performance},\n\tauthor       = {Mike Wozniewski and Zack Settel and Jeremy R. Cooperstock},\n\tyear         = 2006,\n\tbooktitle    = {New Interfaces for Musical Expression ({NIME}'06)},\n\taddress      = {Paris, France, France},\n\tpages        = {pp. 144--149},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2006woz3.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n A Paradigm for Physical Interaction with Sound in 3-D Audio Space.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; and Cooperstock, J. R.\n\n\n \n\n\n\n In International Computer Music Conference (ICMC), pages 8 pages, New Orleans, November 2006. \n \n\n\n\n
\n\n\n\n \n \n \"APaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 3 downloads\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2006woz2,\n\ttitle        = {A Paradigm for Physical Interaction with Sound in 3-D Audio Space},\n\tauthor       = {Mike Wozniewski and Zack Settel and Jeremy R. Cooperstock},\n\tyear         = 2006,\n\tmonth        = nov,\n\tbooktitle    = {International Computer Music Conference (ICMC)},\n\taddress      = {New Orleans},\n\tpages        = {8 pages},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2006woz2.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n A spatial interface for audio and music production.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; and Cooperstock, J. R.\n\n\n \n\n\n\n In Proc. of the 9th Int. Conference on Digital Audio Effects (DAFx-06), pages pp. 271–274, Montréal, Canada, September 2006. \n \n\n\n\n
\n\n\n\n \n \n \"APaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2006woz,\n\ttitle        = {A spatial interface for audio and music production},\n\tauthor       = {Mike Wozniewski and Zack Settel and Jeremy R. Cooperstock},\n\tyear         = 2006,\n\tmonth        = sep,\n\tbooktitle    = {Proc. of the 9th Int. Conference on Digital Audio Effects ({DAFx-06})},\n\taddress      = {Montréal, Canada},\n\tpages        = {pp. 271--274},\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2006woz.pdf?inline=false}\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n 2005\n \n \n (4)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n The Time Is Now.\n \n \n \n \n\n\n \n Husband, J.; and Barsalo, R.\n\n\n \n\n\n\n SAT Metalab White Paper, 2005.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{2005husband4,\n\ttitle        = {The Time Is Now},\n\tauthor       = {Jon Husband and René Barsalo},\n\tyear         = 2005,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2005husband4.pdf?inline=false},\n\thowpublished = {{SAT} Metalab White Paper}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n The SAT Urban Hub. Vision, issues and opportunities and future direction.\n \n \n \n \n\n\n \n Husband, J.; and Barsalo, R.\n\n\n \n\n\n\n SAT Metalab White Paper, 2005.\n \n\n\n\n
\n\n\n\n \n \n \"ThePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{2005husband3,\n\ttitle        = {The {SAT} Urban Hub. Vision, issues and opportunities and future direction},\n\tauthor       = {Jon Husband and René Barsalo},\n\tyear         = 2005,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2005husband3.pdf?inline=false},\n\thowpublished = {{SAT} Metalab White Paper}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Le moment est venu.\n \n \n \n \n\n\n \n Husband, J.; and Barsalo, R.\n\n\n \n\n\n\n SAT Metalab White Paper, 2005.\n \n\n\n\n
\n\n\n\n \n \n \"LePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{2005husband2,\n\ttitle        = {Le moment est venu},\n\tauthor       = {Jon Husband and René Barsalo},\n\tyear         = 2005,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2005husband2.pdf?inline=false},\n\thowpublished = {{SAT} Metalab White Paper}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Le Hub urbain de la SAT. Vision, préoccupations, possibilités et orientation futures.\n \n \n \n \n\n\n \n Husband, J.; and Barsalo, R.\n\n\n \n\n\n\n SAT Metalab White Paper, 2005.\n \n\n\n\n
\n\n\n\n \n \n \"LePaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@misc{2005husband1,\n\ttitle        = {Le Hub urbain de la {SAT}. Vision, préoccupations, possibilités et orientation futures},\n\tauthor       = {Jon Husband and René Barsalo},\n\tyear         = 2005,\n\turl          = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2005husband1.pdf?inline=false},\n\thowpublished = {{SAT} Metalab White Paper}\n}\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n
\n
\n  \n undefined\n \n \n (5)\n \n \n
\n
\n \n \n
\n \n\n \n \n \n \n \n \n Challenges and Opportunities of Force-Feedback in Music (Under Review).\n \n \n \n \n\n\n \n Frisson, C.; and Wanderley, M. M.\n\n\n \n\n\n\n . .\n \n\n\n\n
\n\n\n\n \n \n \"ChallengesPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@article{2023frissonmdpi,\n\ttitle        = {Challenges and {{Opportunities}} of {{Force-Feedback}} in {{Music}} (Under Review)},\n\tshorttitle   = {{ForceFeedbackMusic}},\n\tauthor       = {Frisson, Christian and Wanderley, Marcelo M.},\n\tseries       = {{{MDPI Arts}}'23},\n\tissn         = {2076-0752},\n\turl          = {https://www.mdpi.com/journal/arts/special_issues/feeling_the_future},\n\tdate         = 2023,\n\tjournaltitle = {Arts, Special Issue "Feeling the Future—Haptic Audio"},\n\tissue        = {Special Issue "Feeling the Future—Haptic Audio"}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n Sketching Pipelines for Ephemeral Immersive Spaces (Under Review).\n \n \n \n\n\n \n Frisson, C.; Meneses, E. A. L.; Seta, M.; and Durand, E.\n\n\n \n\n\n\n In ACM SIGGRAPH 2023 Labs Hands-On Class, of SIGGRAPH'23, . ACM\n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2023frisson,\n\ttitle        = {Sketching {{Pipelines}} for {{Ephemeral Immersive Spaces}} (Under Review)},\n\tshorttitle   = {{SketchingImmersivePipelines}},\n\tauthor       = {Frisson, Christian and Meneses, Eduardo A. L. and Seta, Michał and Durand, Emmanuel},\n\tbooktitle    = {{{ACM SIGGRAPH}} 2023 {{Labs Hands-On Class}}},\n\tpublisher    = {{ACM}},\n\tseries       = {{{SIGGRAPH}}'23},\n\tdate         = 2023\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance.\n \n \n \n \n\n\n \n Verdugo, F.; Ceglia, A.; Frisson, C.; Burton, A.; Begon, M.; Gibet, S.; and Wanderley, M. M.\n\n\n \n\n\n\n In 22nd Conference on New Interfaces for Musical Expression, of NIME'22, . \n \n\n\n\n
\n\n\n\n \n \n \"FeelingPaper\n  \n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2022verdugo,\n\ttitle        = {Feeling the {{Effort}} of {{Classical Musicians}} - {{A Pipeline}} from {{Electromyography}} to {{Smartphone Vibration}} for {{Live Music Performance}}},\n\tshorttitle   = {{MappEMG}},\n\tauthor       = {Verdugo, Felipe and Ceglia, Amedeo and Frisson, Christian and Burton, Alexandre and Begon, Mickael and Gibet, Sylvie and Wanderley, Marcelo M.},\n\tbooktitle    = {22nd {{Conference}} on {{New Interfaces}} for {{Musical Expression}}},\n\tseries       = {{{NIME}}'22},\n\turl          = {https://nime.pubpub.org/pub/kmn0rbyp/draft?access=1ga9wh1v},\n\tdate         = 2022\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n TorqueTuner: A Case Study for Sustainable Haptic Development.\n \n \n \n\n\n \n Niyonsenga, A.; Frisson, C.; and Wanderley, M. M.\n\n\n \n\n\n\n In 12th Intl. Workshop on Haptic and Audio Interaction Design, of HAID'22, . \n \n\n\n\n
\n\n\n\n \n\n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2022niyonsenga,\n\ttitle        = {{{TorqueTuner}}: A {{Case Study}} for {{Sustainable Haptic Development}}},\n\tshorttitle   = {{TorqueTuner}},\n\tauthor       = {Niyonsenga, Albert-Ngabo and Frisson, Christian and Wanderley, Marcelo M.},\n\tbooktitle    = {12th {{Intl}}. {{Workshop}} on {{Haptic}} and {{Audio Interaction Design}}},\n\tseries       = {{{HAID}}'22},\n\tdate         = 2022,\n\teventtitle   = {{{HAID}} 2022 - {{International Workshop}} on {{Haptic}} and {{Audio Interaction Design}}},\n\tlangid       = {english}\n}\n\n
\n
\n\n\n\n
\n\n\n
\n \n\n \n \n \n \n \n \n ForceHost: An Open-Source Toolchain for Generating Firmware Embedding the Authoring and Rendering of Audio and Force-Feedback Haptics.\n \n \n \n \n\n\n \n Frisson, C.; Kirkegaard, M.; Pietrzak, T.; and Wanderley, M. M.\n\n\n \n\n\n\n In 22nd Conference on New Interfaces for Musical Expression, of NIME'22, . \n \n\n\n\n
\n\n\n\n \n \n \"ForceHost:Paper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n\n \n \n \n \n \n \n \n\n  \n \n \n\n\n\n
\n
@inproceedings{2022frissonnime,\n\ttitle        = {{{ForceHost}}: An Open-Source Toolchain for Generating Firmware Embedding the Authoring and Rendering of Audio and Force-Feedback Haptics},\n\tshorttitle   = {{ForceHost}},\n\tauthor       = {Frisson, Christian and Kirkegaard, Mathias and Pietrzak, Thomas and Wanderley, Marcelo M.},\n\tbooktitle    = {22nd {{Conference}} on {{New Interfaces}} for {{Musical Expression}}},\n\tseries       = {{{NIME}}'22},\n\tdoi          = {10.21428/92fbeb44.76cfc96e},\n\turl          = {https://nime.pubpub.org/pub/jtdpakvp/draft?access=ayl4xcmc},\n\tdate         = 2022\n}\n\n
\n
\n\n\n\n
\n\n\n\n\n\n
\n
\n\n\n\n\n
\n\n\n \n\n \n \n \n \n\n
\n"}; document.write(bibbase_data.data);