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\n \n 2024\n \n \n (2)\n \n \n
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\n \n 2023\n \n \n (6)\n \n \n
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\n\n \n \n \n \n \n The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIME.\n \n \n \n\n\n \n Meneses, E. A. L.; Piquet, T.; Noble, J.; and Wanderley, M. M.\n\n\n \n\n\n\n In
New Interfaces for Musical Expression (NIME'23), Mexico City, Mexico, jun 2023. \n
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@inproceedings{2023meneses,\n\ttitle = {The {P}uara Framework: Hiding complexity and modularity for reproducibility and usability in {NIME}},\n\tauthor = {Eduardo A. L. Meneses and Thomas Piquet and Jason Noble and Marcelo M. Wanderley},\n\tyear = 2023,\n\tmonth = {jun},\n\tbooktitle = {New Interfaces for Musical Expression ({NIME}'23)},\n\taddress = {Mexico City, Mexico}\n}\n\n
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\n\n \n \n \n \n \n Immersive environments, video tracking and collective interactivity on smartphone : a generic “dispositif”.\n \n \n \n\n\n \n Cunin, D.; Durand, E.; and Seta, M.\n\n\n \n\n\n\n In
International Symposium on Electronic Art, Paris, France, May 2023. \n
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@inproceedings{2023cunin,\n\ttitle = {Immersive environments, video tracking and collective interactivity on smartphone : a generic “dispositif”},\n\tauthor = {Dominique Cunin and Emmanuel Durand and Micha\\l Seta},\n\tyear = 2023,\n\tmonth = may,\n\tbooktitle = {International Symposium on Electronic Art},\n\taddress = {Paris, France}\n}\n\n
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\n\n \n \n \n \n \n PATRICIA: a real-time singing synthesizer prototype for the Brazilian Portuguese language.\n \n \n \n\n\n \n Brum, L. A. Z.; Meneses, E. A. L.; and Moreno, E. D.\n\n\n \n\n\n\n In
International Computer Music Conference (ICMC), Hong Kong, october 2023. \n
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@inproceedings{2023brum,\n\ttitle = {{PATRICIA}: a real-time singing synthesizer prototype for the Brazilian Portuguese language},\n\tauthor = {Leonardo A. Z. Brum and Eduardo A. L. Meneses and Edward David Moreno},\n\tyear = 2023,\n\tmonth = october,\n\tbooktitle = {International Computer Music Conference ({ICMC})},\n\taddress = {Hong Kong}\n}\n\n
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\n\n \n \n \n \n \n (submitted) Audiodice: a radiating and open hardware speaker array for collective audio immersion.\n \n \n \n\n\n \n Bouillot, N.; Piquet, T.; and Gilbert, P.\n\n\n \n\n\n\n In
The 28th International Conference on Auditory Display (ICAD 2023), Norrköping, Sweden, jun 2023. \n
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@inproceedings{2023bouilloticad,\n\ttitle = {(submitted) Audiodice: a radiating and open hardware speaker array for collective audio immersion},\n\tauthor = {Bouillot, Nicolas and Piquet, Thomas and Gilbert, Pierre},\n\tyear = 2023,\n\tmonth = {jun},\n\tbooktitle = {The 28th International Conference on Auditory Display ({ICAD} 2023)},\n\taddress = {Norrköping, Sweden}\n}\n\n
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\n\n \n \n \n \n \n \n Audiodice: an open hardware design of a distributed dodecahedron loudspeaker orchestra.\n \n \n \n \n\n\n \n Bouillot, N.; Piquet, T.; and Gilbert, P.\n\n\n \n\n\n\n In
Audio Mostly, Edinburgh, UK, August 2023. \n
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@inproceedings{2023bouillotam,\n\ttitle = {Audiodice: an open hardware design of a distributed dodecahedron loudspeaker orchestra},\n\tauthor = {Bouillot, Nicolas and Piquet, Thomas and Gilbert, Pierre},\n\tyear = 2023,\n\tmonth = aug,\n\tbooktitle = {Audio Mostly},\n\taddress = {Edinburgh, UK},\n\turl = {https://doi.org/10.1145/3616195.3616208}\n}\n\n
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\n\n \n \n \n \n \n Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework.\n \n \n \n\n\n \n Boettcher, B.; Meneses, E. A. L.; Frisson, C.; Wanderley, M. M.; and Malloch, J.\n\n\n \n\n\n\n In
New Interfaces for Musical Expression (NIME'23), Mexico City, Mexico, jun 2023. \n
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@inproceedings{2023boettcher,\n\ttitle = {Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework},\n\tauthor = {Brady Boettcher and Eduardo A. L. Meneses and Christian Frisson and Marcelo M. Wanderley and Joseph Malloch},\n\tyear = 2023,\n\tmonth = {jun},\n\tbooktitle = {New Interfaces for Musical Expression ({NIME}'23)},\n\taddress = {Mexico City, Mexico}\n}\n\n
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\n \n 2022\n \n \n (4)\n \n \n
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\n\n \n \n \n \n \n The Effects of Interactivity on Learners' Experience in a Visually Immersive Display Context.\n \n \n \n\n\n \n Salame, Y.; Léger, P.; Charland, P.; Merveilleux Du Vignaux, M.; Durand, E.; Bouillot, N.; Pardoen, M.; Deslandes-Martineau, M.; and Sénécal, S.\n\n\n \n\n\n\n In pages 1–20, 2022. Taylor & Francis\n
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@inproceedings{2022salame2022,\n\ttitle = {The Effects of Interactivity on Learners' Experience in a Visually Immersive Display Context},\n\tauthor = {Salame, Youness and L{\\'e}ger, Pierre-Majorique and Charland, Patrick and Merveilleux Du Vignaux, Ma{\\"y}lis and Durand, Emmanuel and Bouillot, Nicolas and Pardoen, Myl{\\`e}ne and Deslandes-Martineau, Marion and S{\\'e}n{\\'e}cal, Sylvain},\n\tyear = 2022,\n\tjournal = {Computers in the Schools},\n\tpublisher = {Taylor \\& Francis},\n\tpages = {1--20}\n}\n\n
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\n\n \n \n \n \n \n Colorimetry Evaluation for Video Mapping Rendering.\n \n \n \n\n\n \n Décorps, E.; Frisson, C.; and Durand, E.\n\n\n \n\n\n\n In
28th ACM Symposium on Virtual Reality Software and Technology, of
ACM VRST'22, 2022. \n
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@inproceedings{2022decorps,\n\ttitle = {Colorimetry {{Evaluation}} for {{Video Mapping Rendering}}},\n\tshorttitle = {{SplashColorimetry}},\n\tauthor = {D{\\'e}corps, Eva and Frisson, Christian and Durand, Emmanuel},\n\tyear = 2022,\n\tbooktitle = {28th {{ACM Symposium}} on {{Virtual Reality Software}} and {{Technology}}},\n\tseries = {{{ACM VRST}}'22},\n\tdoi = {10.1145/3562939.3565684}\n}\n\n
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\n \n 2021\n \n \n (4)\n \n \n
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\n\n \n \n \n \n \n \n Building Navigable Listening Experiences Based on Spatial Soundfield Capture: the case of the Orchestre Symphonique de Montréal playing Beethoven's Symphony No. 6.\n \n \n \n \n\n\n \n Settel, Z.; Munch, J.; Downs, G.; and Bouillot, N.\n\n\n \n\n\n\n In
18th Sound and Music Computing Conference (SMC), Online, June 2021. \n
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@inproceedings{2021settel,\n\ttitle = {{Building Navigable Listening Experiences Based on Spatial Soundfield Capture: the case of the Orchestre Symphonique de Montréal playing Beethoven's Symphony No. 6}},\n\tauthor = {Zack Settel and Jean-Yves Munch and Gabriel Downs and Nicolas Bouillot},\n\tyear = 2021,\n\tmonth = jun,\n\tbooktitle = {{18th Sound and Music Computing Conference (SMC)}},\n\taddress = {Online},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2021settel.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n Riding through history: The effects of interactivity in learners' experience in a visually immersive display context (submitted).\n \n \n \n\n\n \n Salame, Y.; Vignaux, M. M. D.; Charland, P.; Durand, E.; Bouillot, N.; Léger, P.; and Pardoen, M.\n\n\n \n\n\n\n In
Computers in the Schools, Interdisciplinary Journal of Practice, Theory, and Applied Research, 2021. \n
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@inproceedings{2021salame,\n\ttitle = {Riding through history: The effects of interactivity in learners' experience in a visually immersive display context (submitted)},\n\tauthor = {Youness Salame and Maÿlis Merveilleux Du Vignaux and Patrick Charland and Emmanuel Durand and Nicolas Bouillot and Pierre-Majorique Léger and Mylène Pardoen},\n\tyear = 2021,\n\tbooktitle = {Computers in the Schools, Interdisciplinary Journal of Practice, Theory, and Applied Research}\n}\n\n
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\n\n \n \n \n \n \n \n An exploratory study on the impact of collective immersion on learning and learning experience.\n \n \n \n \n\n\n \n Vignaux, M. M. D.; Léger, P.; Charland, P.; Salame, Y.; Durand, E.; Bouillot, N.; Pardoen, M.; and Sénécal, S.\n\n\n \n\n\n\n
Multimodal Technologies and Interaction, 5(4), 17. 2021.\n
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@article{2021merveilleux,\n\ttitle = {An exploratory study on the impact of collective immersion on learning and learning experience},\n\tauthor = {Maÿlis Merveilleux Du Vignaux and Pierre-Majorique Léger and Patrick Charland and Youness Salame and Emmanuel Durand and Nicolas Bouillot and Mylène Pardoen and Sylvain Sénécal},\n\tyear = 2021,\n\tjournal = {Multimodal Technologies and Interaction},\n\tvolume = {5(4), 17},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2021merveilleux.pdf?inline=false},\n\teditor = {Cristina Portalés Ricart}\n}\n\n
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\n\n \n \n \n \n \n \n Live Ray Tracing and Auralization of 3D Audio Scenes with vaRays.\n \n \n \n \n\n\n \n Ouellet-Delorme, É.; Venkatesan, H.; Durand, E.; and Bouillot, N.\n\n\n \n\n\n\n In
18th Sound and Music Computing Conference (SMC), Online, June 2021. \n
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@inproceedings{2021delorme,\n\ttitle = {{Live Ray Tracing and Auralization of 3D Audio Scenes with vaRays}},\n\tauthor = {Émile Ouellet-Delorme and Harish Venkatesan and Emmanuel Durand and Nicolas Bouillot},\n\tyear = 2021,\n\tmonth = jun,\n\tbooktitle = {{18th Sound and Music Computing Conference (SMC)}},\n\taddress = {Online},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2021ouellet.pdf?inline=false}\n}\n\n
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\n \n 2020\n \n \n (1)\n \n \n
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\n\n \n \n \n \n \n Real-time omni-stereoscopic fulldome projection (submitted).\n \n \n \n\n\n \n Durand, E.\n\n\n \n\n\n\n In
VRST '20: Virtual Reality Software and Technology, November 2020. \n
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@inproceedings{2020durand,\n\ttitle = {Real-time omni-stereoscopic fulldome projection (submitted)},\n\tauthor = {Emmanuel Durand},\n\tyear = 2020,\n\tmonth = nov,\n\tbooktitle = {VRST '20: Virtual Reality Software and Technology},\n\tlocation = {Ottawa, CA}\n}\n\n
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\n \n 2019\n \n \n (3)\n \n \n
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\n\n \n \n \n \n \n \n Rapid Prototyping of Immersive Video for Popularization of Historical Knowledge.\n \n \n \n \n\n\n \n Puget, J.; Pardoen, M.; Bouillot, N.; Durand, E.; Seta, M.; and Bastien, P.\n\n\n \n\n\n\n In
Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction, of
TEI '19, New York, NY, USA, 2019. ACM\n
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@inproceedings{2019puget,\n\ttitle = {Rapid Prototyping of Immersive Video for Popularization of Historical Knowledge},\n\tauthor = {Julien Puget and Myl\\`ene Pardoen and Nicolas Bouillot and Emmanuel Durand and {Micha\\l} Seta and Pascal Bastien},\n\tyear = 2019,\n\tbooktitle = {Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction},\n\tlocation = {Tempe, AZ, USA},\n\tpublisher = {ACM},\n\taddress = {New York, NY, USA},\n\tseries = {TEI '19},\n\tdoi = {10.1145/3294109.3300977},\n\tisbn = {978-1450361965},\n\turl = {https://doi.org/10.1145/3294109.3300977},\n\tkeywords = {Popularization; Virtual reality; Immersive editing}\n}\n\n
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\n\n \n \n \n \n \n \n Rendering of Heterogeneous Spatial Audio Scenes.\n \n \n \n \n\n\n \n Bouillot, N.; Seta, M.; Ouellet-Delorme, É.; Settel, Z.; and Durand, E.\n\n\n \n\n\n\n In
Proceedings of the 17th Linux Audio Conference (LAC-19), March 2019. \n
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@inproceedings{2019bouillot2,\n\ttitle = {Rendering of Heterogeneous Spatial Audio Scenes},\n\tauthor = {Nicolas Bouillot and {Micha\\l} Seta and Émile Ouellet-Delorme and Zack Settel and Emmanuel Durand},\n\tyear = 2019,\n\tmonth = mar,\n\tbooktitle = {Proceedings of the 17th Linux Audio Conference ({LAC}-19)},\n\tlocation = {CCRMA, Stanfort University (USA)},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2019bouillot2.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n A Scalable Haptic Floor Dedicated to Large Immersive Spaces.\n \n \n \n \n\n\n \n Bouillot, N.; and Seta, M.\n\n\n \n\n\n\n In
Proceedings of the 17th Linux Audio Conference (LAC-19), March 2019. \n
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@inproceedings{2019bouillot,\n\ttitle = {A Scalable Haptic Floor Dedicated to Large Immersive Spaces},\n\tauthor = {Nicolas Bouillot and {Micha\\l} Seta},\n\tyear = 2019,\n\tmonth = mar,\n\tbooktitle = {Proceedings of the 17th Linux Audio Conference ({LAC}-19)},\n\tlocation = {CCRMA, Stanfort University (USA)},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2019bouillot.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n Dual Rendering of Virtual Audio Scenes for Far-field Surround Multi-channel and Near-field Binaural Audio Displays.\n \n \n \n \n\n\n \n Settel, Z.; Otto, P.; Seta, M.; and Bouillot, N.\n\n\n \n\n\n\n In
16th Biennial Symposium on Arts and Technology, Ammerman Center for Arts and Technology at Connecticut College, New London, February 2018. \n
5 pages\n\n
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@inproceedings{2018settel,\n\ttitle = {Dual Rendering of Virtual Audio Scenes for Far-field Surround Multi-channel and Near-field Binaural Audio Displays},\n\tauthor = {Zack Settel and Peter Otto and {Micha\\l} Seta and Nicolas Bouillot},\n\tyear = 2018,\n\tmonth = feb,\n\tbooktitle = {16th Biennial Symposium on Arts and Technology},\n\taddress = {Ammerman Center for Arts and Technology at Connecticut College, New London},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2018settel.pdf?inline=false},\n\tnote = {5 pages}\n}\n\n
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\n\n \n \n \n \n \n \n In Situ Editing (EiS) For Fulldomes.\n \n \n \n \n\n\n \n Brien, F. U.; Durand, E.; Soria, J.; Seta, M.; and Bouillot, N.\n\n\n \n\n\n\n In
23rd ACM Symposium on Virtual Reality Software and Technology (VRST), Gothenburg, Sweden, November 2017. \n
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@inproceedings{2017brien,\n\ttitle = {In Situ Editing ({EiS}) For Fulldomes},\n\tauthor = {François U. Brien and Emmanuel Durand and Jérémie Soria and {Micha\\l} Seta and Nicolas Bouillot},\n\tyear = 2017,\n\tmonth = nov,\n\tbooktitle = {23rd {ACM} Symposium on Virtual Reality Software and Technology (VRST)},\n\taddress = {Gothenburg, Sweden},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2017brien.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n SATIE: a live and scalable 3D audio scene rendering environment for large multi-channel loudspeaker configurations.\n \n \n \n \n\n\n \n Bouillot, N.; Settel, Z.; and Seta, M.\n\n\n \n\n\n\n In
New Interfaces for Musical Expression (NIME'17), Copenhagen, Denmark, 2017. \n
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@inproceedings{2017bouillot,\n\ttitle = {{SATIE}: a live and scalable 3D audio scene rendering environment for large multi-channel loudspeaker configurations},\n\tauthor = {Nicolas Bouillot and Zack Settel and {Micha\\l} Seta},\n\tyear = 2017,\n\tbooktitle = {New Interfaces for Musical Expression ({NIME}'17)},\n\taddress = {Copenhagen, Denmark},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2017bouillot.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n Volumetric approach to Sound Design and Composition using SATIE: a high-density 3D audio scene rendering environment for large multi-channel loudspeaker configurations.\n \n \n \n \n\n\n \n Settel, Z.; Bouillot, N.; and Seta, M.\n\n\n \n\n\n\n In
15th Biennial Symposium on Arts and Technology, Ammerman Center for Arts and Technology at Connecticut College, New London, February 2016. \n
8 pages\n\n
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@inproceedings{2016settel,\n\ttitle = {Volumetric approach to Sound Design and Composition using {SATIE}: a high-density {3D} audio scene rendering environment for large multi-channel loudspeaker configurations},\n\tauthor = {Zack Settel and Nicolas Bouillot and {Micha\\l} Seta},\n\tyear = 2016,\n\tmonth = feb,\n\tbooktitle = {15th Biennial Symposium on Arts and Technology},\n\taddress = {Ammerman Center for Arts and Technology at Connecticut College, New London},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2016settel.pdf?inline=false},\n\tnote = {8 pages}\n}\n\n
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\n\n \n \n \n \n \n \n Recherche et innovation transdisciplinaires, transcalaires et intégratives : Mémoire de la Société des arts technologiques (SAT).\n \n \n \n \n\n\n \n Courchesne, L.; and Dubé, P.\n\n\n \n\n\n\n Stratégie québécoise de la recherche et de l'innovation, Mémoire SQRI, 2016.\n
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@misc{2016courchesnedube,\n\ttitle = {Recherche et innovation transdisciplinaires, transcalaires et intégratives : Mémoire de la Société des arts technologiques (SAT)},\n\tauthor = {Luc Courchesne and Patrick Dubé},\n\tyear = 2016,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2016CourchesneDube.pdf?inline=false},\n\thowpublished = {Stratégie québécoise de la recherche et de l'innovation, Mémoire SQRI}\n}\n\n
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\n\n \n \n \n \n \n \n From clickable pages to walkable spaces: How is WebVR inviting us in?.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n Position statement. W3C Workshop on Web and Virtual Reality, October 2016.\n
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@misc{2016courchesne,\n\ttitle = {From clickable pages to walkable spaces: How is WebVR inviting us in?},\n\tauthor = {Luc Courchesne},\n\tyear = 2016,\n\tmonth = oct,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2016Courchesne.pdf?inline=false},\n\thowpublished = {Position statement. W3C Workshop on Web and Virtual Reality}\n}\n\n
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\n \n 2015\n \n \n (6)\n \n \n
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\n\n \n \n \n \n \n Changement de voie en gestion de grands projets: L'approche par la connaissance distribuée et la co-innovation.\n \n \n \n\n\n \n Lehmann, V.; Frangioni, M.; and Dubé, P.\n\n\n \n\n\n\n Changements et Grands projets, des choix engagés.. de l'université du Quebec, P., editor(s). 2015.\n
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@inbook{2015lehmann2,\n\ttitle = {Changements et Grands projets, des choix engagés.},\n\tauthor = {Valerie Lehmann and Marina Frangioni and Patrick Dubé},\n\tyear = 2015,\n\teditor = {Presses de l'université du Quebec},\n\tchapter = {Changement de voie en gestion de grands projets: L'approche par la connaissance distribuée et la co-innovation}\n}\n\n
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\n\n \n \n \n \n \n \n Method, system and apparatus for capture-based immersive telepresence in virtual environment.\n \n \n \n \n\n\n \n Courchesne, L.; Roy, B.; Durand, E.; Wozniewski, M.; and Bouillot, N.\n\n\n \n\n\n\n March 2015.\n
WO Patent App. PCT/CA2014/050,888\n\n
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@misc{2015courchesne2015,\n\ttitle = {Method, system and apparatus for capture-based immersive telepresence in virtual environment},\n\tauthor = {L. Courchesne and B. Roy and E. Durand and M. Wozniewski and N. Bouillot},\n\tyear = 2015,\n\tmonth = mar,\n\tpublisher = {Google Patents},\n\turl = {https://www.google.com/patents/WO2015039239A1?cl=en},\n\tnote = {WO Patent App. PCT/CA2014/050,888}\n}\n\n
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\n\n \n \n \n \n \n \n Type Mosaicing with Consultables and Delegates.\n \n \n \n \n\n\n \n Bouillot, N.\n\n\n \n\n\n\n
Overload Journal, (130). 2015.\n
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@article{2015bouillot2,\n\ttitle = {Type Mosaicing with Consultables and Delegates},\n\tauthor = {Nicolas Bouillot},\n\tyear = 2015,\n\tjournal = {Overload Journal},\n\tnumber = 130,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2015bouillot2.pdf?inline=false},\n\tnote = {5 pages}\n}\n\n
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\n\n \n \n \n \n \n \n Make and Forward Consultables and Delegates.\n \n \n \n \n\n\n \n Bouillot, N.\n\n\n \n\n\n\n
Overload Journal, (127). 2015.\n
5 pages\n\n
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@article{2015bouillot,\n\ttitle = {Make and Forward Consultables and Delegates},\n\tauthor = {Nicolas Bouillot},\n\tyear = 2015,\n\tjournal = {Overload Journal},\n\tnumber = 127,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2015bouillot.pdf?inline=false},\n\tnote = {5 pages}\n}\n\n
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\n \n 2014\n \n \n (4)\n \n \n
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\n\n \n \n \n \n \n \n Centor : Concept d'interface de spatialisation sonore additive.\n \n \n \n \n\n\n \n Mercier-Nguyen, S.\n\n\n \n\n\n\n Master's thesis, Université de Montréal, École de Design industriel, Faculté de l'Aménagement, Montréal, Québec, Canada, November 2014.\n
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@mastersthesis{2014mercier,\n\ttitle = {Centor : Concept d'interface de spatialisation sonore additive},\n\tauthor = {Simon Mercier-Nguyen},\n\tyear = 2014,\n\tmonth = nov,\n\taddress = {Montréal, Québec, Canada},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2014mercier.pdf?inline=false},\n\tschool = {Université de Montréal, École de Design industriel, Faculté de l'Aménagement}\n}\n\n
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\n\n \n \n \n \n \n Création de connaissances et grands projets de services urbains : Le cas des Living Labs en tant que dispositifs de co-innovation.\n \n \n \n\n\n \n Lehmann, V.; Frangioni, M.; and Dubé, P.\n\n\n \n\n\n\n In
7e Colloque International GeCSO (Gestion des Connaissances dans la Société et les Organisations), Aix en Provence, France, June 2014. \n
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@inproceedings{2014lehmann,\n\ttitle = {Création de connaissances et grands projets de services urbains : Le cas des Living Labs en tant que dispositifs de co-innovation},\n\tauthor = {V. Lehmann and M. Frangioni and P. Dubé},\n\tyear = 2014,\n\tmonth = jun,\n\tbooktitle = {7e Colloque International GeCSO (Gestion des Connaissances dans la Société et les Organisations)},\n\taddress = {Aix en Provence, France}\n}\n\n
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\n\n \n \n \n \n \n \n Qu'est-ce qu'un Living Lab ?.\n \n \n \n \n\n\n \n Dubé, P.; Sarrailh., J.; Billebaud, C.; Grillet, C.; Zingraff, V.; and Kostecki, I.\n\n\n \n\n\n\n Livre blanc LL Umvelt, 2014.\n
127 Pages\n\n
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@booklet{2014dube,\n\ttitle = {Qu'est-ce qu'un Living Lab ?},\n\tauthor = {Patrick Dubé and Joëlle Sarrailh. and Christophe Billebaud and Claire Grillet and Virginie Zingraff and Isabelle Kostecki},\n\tyear = 2014,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2014dube.pdf?inline=false},\n\tnote = {127 Pages},\n\thowpublished = {Livre blanc LL Umvelt}\n}\n\n
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\n\n \n \n \n \n \n \n Posture Platform and The Drawing Room: Virtual Teleportation in Cyberspace.\n \n \n \n \n\n\n \n Courchesne, L.; Durand, E.; and Roy, B.\n\n\n \n\n\n\n
ACM Siggraph / Leonardo Journal for Arts Science and Technology, MIT Press, Vol. 47(no. 4): p 380–389. 2014.\n
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@article{2014courchesne,\n\ttitle = {Posture Platform and The Drawing Room: Virtual Teleportation in Cyberspace},\n\tauthor = {Luc Courchesne and Emmanuel Durand and Bruno Roy},\n\tyear = 2014,\n\tjournal = {ACM Siggraph / Leonardo Journal for Arts Science and Technology, MIT Press},\n\tvolume = {Vol. 47},\n\tnumber = {no. 4},\n\tpages = {p 380--389},\n\turl = {http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_00842?journalCode=leon#.VuCLSkJOnmE}\n}\n\n
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\n \n 2013\n \n \n (1)\n \n \n
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\n\n \n \n \n \n \n \n Posture: An experiment in multifold reality.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n
Pablo Lorenzo-Eiroa, A. Sprecher (Ed.) Architecture In Formation. 2013.\n
New York: Routledge\n\n
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@article{2013courchesne,\n\ttitle = {Posture: An experiment in multifold reality},\n\tauthor = {Luc Courchesne},\n\tyear = 2013,\n\tjournal = {Pablo Lorenzo-Eiroa, A. Sprecher (Ed.) Architecture In Formation},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2013courchesne.pdf?inline=false},\n\tnote = {New York: Routledge}\n}\n\n
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\n \n 2012\n \n \n (9)\n \n \n
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\n\n \n \n \n \n \n \n SpatOSC : Providing Abstraction for the Authoring of Interactive Spatial Experience.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; Quessy, A.; Matthews, T.; and Courchesne, L.\n\n\n \n\n\n\n In
Proceedings of International Computer Music Conference (ICMC), pages pp. 512–517, Lubijana, September 2012. \n
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@inproceedings{2012woz2,\n\ttitle = {SpatOSC : Providing Abstraction for the Authoring of Interactive Spatial Experience},\n\tauthor = {Mike Wozniewski and Zack Settel and Alexandre Quessy and Tristan Matthews and Luc Courchesne},\n\tyear = 2012,\n\tmonth = sep,\n\tbooktitle = {Proceedings of International Computer Music Conference (ICMC)},\n\taddress = {Lubijana},\n\tpages = {pp. 512--517},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012woz2.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n Towards Embodied 3D User Interaction Using the SPIN Framework.\n \n \n \n \n\n\n \n Wozniewski, M.\n\n\n \n\n\n\n SAT Metalab White Paper, May 2012.\n
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@misc{2012woz,\n\ttitle = {Towards Embodied 3D User Interaction Using the SPIN Framework},\n\tauthor = {Mike Wozniewski},\n\tyear = 2012,\n\tmonth = may,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012woz.pdf?inline=false},\n\thowpublished = {SAT Metalab White Paper}\n}\n\n
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\n\n \n \n \n \n \n \n Excursion dans la quatrième dimension.\n \n \n \n \n\n\n \n Dubé, P.; and Courchesne, L.\n\n\n \n\n\n\n
Continuité, (n. 132): p. 15–17. 2012.\n
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@article{2012dube2,\n\ttitle = {Excursion dans la quatrième dimension},\n\tauthor = {Philippe Dubé and Luc Courchesne},\n\tyear = 2012,\n\tjournal = {Continuité},\n\tnumber = {n. 132},\n\tpages = {p. 15--17},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012dube2.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n Un lieu qui parle: la modélisation architecturale 3D vers une quatrième dimension.\n \n \n \n \n\n\n \n Dubé, P.; and Courchesne, L.\n\n\n \n\n\n\n
Hereditas Monasteriorum, vol. 1: pp. 129–137. 2012.\n
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@article{2012dube,\n\ttitle = {Un lieu qui parle: la modélisation architecturale 3D vers une quatrième dimension},\n\tauthor = {Philippe Dubé and Luc Courchesne},\n\tyear = 2012,\n\tjournal = {Hereditas Monasteriorum},\n\tvolume = {vol. 1},\n\tpages = {pp. 129--137},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012dube.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n Le don d'ubiquité. Lucifuge : Téléprésence et création numérique.\n \n \n \n \n\n\n \n Dioup, L.\n\n\n \n\n\n\n
Digitalarti Mag, (num. 11): pp 68–73. November 2012.\n
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@article{2012dioup,\n\ttitle = {Le don d'ubiquité. Lucifuge : Téléprésence et création numérique},\n\tauthor = {Laurent Dioup},\n\tyear = 2012,\n\tmonth = nov,\n\tjournal = {Digitalarti Mag},\n\tnumber = {num. 11},\n\tpages = {pp 68--73},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012dioup.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n De l'obscurité à la projection sphérique : L'immersion comme posture et manière d'être au monde.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n
R. Bourassa et B. Guelton (Ed.) Figures de l'Immersion. 2012.\n
(Sous presse - accepté: 01/11/2012)\n\n
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@article{2012courchesne2,\n\ttitle = {De l'obscurité à la projection sphérique : L'immersion comme posture et manière d'être au monde},\n\tauthor = {Luc Courchesne},\n\tyear = 2012,\n\tjournal = {R. Bourassa et B. Guelton (Ed.) Figures de l'Immersion},\n\turl = {http://oic.uqam.ca/fr/remix/de-lobscurite-a-la-projection-spherique-limmersion-comme-posture-et-maniere-detre-au-monde},\n\tnote = {(Sous presse - accepté: 01/11/2012)}\n}\n\n
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\n\n \n \n \n \n \n \n Nouveaux terrains d'apparition.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n
Von Ameluxen, H. (Ed.), Figures de l'interactivité. Poitiers : École Européenne Supérieure de l'Image. 2012.\n
(Sous presse - accepté: 09/06/2012)\n\n
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@article{2012courchesne,\n\ttitle = {Nouveaux terrains d'apparition},\n\tauthor = {Luc Courchesne},\n\tyear = 2012,\n\tjournal = {Von Ameluxen, H. (Ed.), Figures de l'interactivité. Poitiers : École Européenne Supérieure de l'Image},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012courchesne.pdf?inline=false},\n\tnote = {(Sous presse - accepté: 09/06/2012)}\n}\n\n
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\n\n \n \n \n \n \n \n Une question de temps. Les nouvelles frontières temporelles et culturelles de la téléprésence.\n \n \n \n \n\n\n \n Barsalo, R.\n\n\n \n\n\n\n
Digitalarti Mag, (num. 11). November 2012.\n
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@article{2012barsalo,\n\ttitle = {Une question de temps. Les nouvelles frontières temporelles et culturelles de la téléprésence},\n\tauthor = {René Barsalo},\n\tyear = 2012,\n\tmonth = nov,\n\tjournal = {Digitalarti Mag},\n\tnumber = {num. 11},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2012barsalo.pdf?inline=false}\n}\n\n
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\n \n 2009\n \n \n (2)\n \n \n
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\n\n \n \n \n \n \n \n Audio Graffiti: A location based audio-tagging and remixing environment.\n \n \n \n \n\n\n \n Settel, Z.; Wozniewski, M.; Bouillot, N.; and Cooperstock, J. R.\n\n\n \n\n\n\n In
International Computer Music Conference (ICMC), Montréal, August 2009. \n
4 pages\n\n
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\n\n \n \n Paper\n \n \n\n \n\n \n link\n \n \n\n bibtex\n \n\n \n\n \n \n \n 9 downloads\n \n \n\n \n \n \n \n \n \n \n\n \n \n \n\n\n\n
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@inproceedings{2010settel,\n\ttitle = {Audio Graffiti: A location based audio-tagging and remixing environment},\n\tauthor = {Zack Settel and Mike Wozniewski and Nicolas Bouillot and Jeremy R. Cooperstock},\n\tyear = 2009,\n\tmonth = aug,\n\tbooktitle = {International Computer Music Conference (ICMC)},\n\taddress = {Montréal},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2010settel.pdf?inline=false},\n\tnote = {4 pages}\n}\n\n
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\n\n \n \n \n \n \n \n Chapter ten.\n \n \n \n \n\n\n \n Courchesne, L.\n\n\n \n\n\n\n Art, Design, and Beyond. Publishers, D. A., editor(s). The Press of the Nova Scotia College of Art and Design, 2009.\n
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@inbook{2009courchesne,\n\ttitle = {Art, Design, and Beyond},\n\tauthor = {Luc Courchesne},\n\tyear = 2009,\n\tpublisher = {The Press of the Nova Scotia College of Art and Design},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2009courchesne.pdf?inline=false},\n\teditor = {{D.A.P.}/Distributed Art Publishers},\n\tchapter = {Chapter ten}\n}\n\n
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\n \n 2007\n \n \n (3)\n \n \n
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\n\n \n \n \n \n \n \n User-Specific Audio Rendering And Steerable Sound For Distributed Virtual Environments.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; and Cooperstock, J. R.\n\n\n \n\n\n\n In
Proceedings of the 13th International Conference on Auditory Display, pages 4 pages, Montréal, Canada, June 2007. \n
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@inproceedings{2007woz,\n\ttitle = {User-Specific Audio Rendering And Steerable Sound For Distributed Virtual Environments},\n\tauthor = {Mike Wozniewski and Zack Settel and Jeremy R. Cooperstock},\n\tyear = 2007,\n\tmonth = jun,\n\tbooktitle = {Proceedings of the 13th International Conference on Auditory Display},\n\taddress = {Montréal, Canada},\n\tpages = {4 pages},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2007woz.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n Towards mobile spatial audio for distributed musical systems and multi-user virtual environments.\n \n \n \n \n\n\n \n Cooperstock, J. R.; Wozniewski, M.; and Settel, Z.\n\n\n \n\n\n\n In
Spatial Audio for Mobile Devices, workshop in conjunction with International Conference on Human Interaction with Mobile Devices and Services (MobileHCI), pages 4 pages, Singapore, September 2007. \n
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@inproceedings{2007cooperstock,\n\ttitle = {Towards mobile spatial audio for distributed musical systems and multi-user virtual environments},\n\tauthor = {Jeremy R. Cooperstock and Mike Wozniewski and Zack Settel},\n\tyear = 2007,\n\tmonth = sep,\n\tbooktitle = {Spatial Audio for Mobile Devices, workshop in conjunction with International Conference on Human Interaction with Mobile Devices and Services ({MobileHCI})},\n\taddress = {Singapore},\n\tpages = {4 pages},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2007cooperstock.pdf?inline=false}\n}\n\n
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\n \n 2006\n \n \n (3)\n \n \n
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\n\n \n \n \n \n \n \n A Paradigm for Physical Interaction with Sound in 3-D Audio Space.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; and Cooperstock, J. R.\n\n\n \n\n\n\n In
International Computer Music Conference (ICMC), pages 8 pages, New Orleans, November 2006. \n
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@inproceedings{2006woz2,\n\ttitle = {A Paradigm for Physical Interaction with Sound in 3-D Audio Space},\n\tauthor = {Mike Wozniewski and Zack Settel and Jeremy R. Cooperstock},\n\tyear = 2006,\n\tmonth = nov,\n\tbooktitle = {International Computer Music Conference (ICMC)},\n\taddress = {New Orleans},\n\tpages = {8 pages},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2006woz2.pdf?inline=false}\n}\n\n
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\n\n \n \n \n \n \n \n A spatial interface for audio and music production.\n \n \n \n \n\n\n \n Wozniewski, M.; Settel, Z.; and Cooperstock, J. R.\n\n\n \n\n\n\n In
Proc. of the 9th Int. Conference on Digital Audio Effects (DAFx-06), pages pp. 271–274, Montréal, Canada, September 2006. \n
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@inproceedings{2006woz,\n\ttitle = {A spatial interface for audio and music production},\n\tauthor = {Mike Wozniewski and Zack Settel and Jeremy R. Cooperstock},\n\tyear = 2006,\n\tmonth = sep,\n\tbooktitle = {Proc. of the 9th Int. Conference on Digital Audio Effects ({DAFx-06})},\n\taddress = {Montréal, Canada},\n\tpages = {pp. 271--274},\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2006woz.pdf?inline=false}\n}\n\n
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\n \n 2005\n \n \n (4)\n \n \n
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\n\n \n \n \n \n \n \n The Time Is Now.\n \n \n \n \n\n\n \n Husband, J.; and Barsalo, R.\n\n\n \n\n\n\n SAT Metalab White Paper, 2005.\n
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@misc{2005husband4,\n\ttitle = {The Time Is Now},\n\tauthor = {Jon Husband and René Barsalo},\n\tyear = 2005,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2005husband4.pdf?inline=false},\n\thowpublished = {{SAT} Metalab White Paper}\n}\n\n
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\n\n \n \n \n \n \n \n The SAT Urban Hub. Vision, issues and opportunities and future direction.\n \n \n \n \n\n\n \n Husband, J.; and Barsalo, R.\n\n\n \n\n\n\n SAT Metalab White Paper, 2005.\n
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@misc{2005husband3,\n\ttitle = {The {SAT} Urban Hub. Vision, issues and opportunities and future direction},\n\tauthor = {Jon Husband and René Barsalo},\n\tyear = 2005,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2005husband3.pdf?inline=false},\n\thowpublished = {{SAT} Metalab White Paper}\n}\n\n
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\n\n \n \n \n \n \n \n Le moment est venu.\n \n \n \n \n\n\n \n Husband, J.; and Barsalo, R.\n\n\n \n\n\n\n SAT Metalab White Paper, 2005.\n
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@misc{2005husband2,\n\ttitle = {Le moment est venu},\n\tauthor = {Jon Husband and René Barsalo},\n\tyear = 2005,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2005husband2.pdf?inline=false},\n\thowpublished = {{SAT} Metalab White Paper}\n}\n\n
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\n\n \n \n \n \n \n \n Le Hub urbain de la SAT. Vision, préoccupations, possibilités et orientation futures.\n \n \n \n \n\n\n \n Husband, J.; and Barsalo, R.\n\n\n \n\n\n\n SAT Metalab White Paper, 2005.\n
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@misc{2005husband1,\n\ttitle = {Le Hub urbain de la {SAT}. Vision, préoccupations, possibilités et orientation futures},\n\tauthor = {Jon Husband and René Barsalo},\n\tyear = 2005,\n\turl = {https://gitlab.com/sat-mtl/metalab/metalabbib/raw/main/papers/2005husband1.pdf?inline=false},\n\thowpublished = {{SAT} Metalab White Paper}\n}\n
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\n\n \n \n \n \n \n \n Challenges and Opportunities of Force-Feedback in Music (Under Review).\n \n \n \n \n\n\n \n Frisson, C.; and Wanderley, M. M.\n\n\n \n\n\n\n . .\n
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@article{2023frissonmdpi,\n\ttitle = {Challenges and {{Opportunities}} of {{Force-Feedback}} in {{Music}} (Under Review)},\n\tshorttitle = {{ForceFeedbackMusic}},\n\tauthor = {Frisson, Christian and Wanderley, Marcelo M.},\n\tseries = {{{MDPI Arts}}'23},\n\tissn = {2076-0752},\n\turl = {https://www.mdpi.com/journal/arts/special_issues/feeling_the_future},\n\tdate = 2023,\n\tjournaltitle = {Arts, Special Issue "Feeling the Future—Haptic Audio"},\n\tissue = {Special Issue "Feeling the Future—Haptic Audio"}\n}\n\n
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\n\n \n \n \n \n \n Sketching Pipelines for Ephemeral Immersive Spaces (Under Review).\n \n \n \n\n\n \n Frisson, C.; Meneses, E. A. L.; Seta, M.; and Durand, E.\n\n\n \n\n\n\n In
ACM SIGGRAPH 2023 Labs Hands-On Class, of
SIGGRAPH'23, . ACM\n
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@inproceedings{2023frisson,\n\ttitle = {Sketching {{Pipelines}} for {{Ephemeral Immersive Spaces}} (Under Review)},\n\tshorttitle = {{SketchingImmersivePipelines}},\n\tauthor = {Frisson, Christian and Meneses, Eduardo A. L. and Seta, Michał and Durand, Emmanuel},\n\tbooktitle = {{{ACM SIGGRAPH}} 2023 {{Labs Hands-On Class}}},\n\tpublisher = {{ACM}},\n\tseries = {{{SIGGRAPH}}'23},\n\tdate = 2023\n}\n\n
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\n\n \n \n \n \n \n TorqueTuner: A Case Study for Sustainable Haptic Development.\n \n \n \n\n\n \n Niyonsenga, A.; Frisson, C.; and Wanderley, M. M.\n\n\n \n\n\n\n In
12th Intl. Workshop on Haptic and Audio Interaction Design, of
HAID'22, . \n
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@inproceedings{2022niyonsenga,\n\ttitle = {{{TorqueTuner}}: A {{Case Study}} for {{Sustainable Haptic Development}}},\n\tshorttitle = {{TorqueTuner}},\n\tauthor = {Niyonsenga, Albert-Ngabo and Frisson, Christian and Wanderley, Marcelo M.},\n\tbooktitle = {12th {{Intl}}. {{Workshop}} on {{Haptic}} and {{Audio Interaction Design}}},\n\tseries = {{{HAID}}'22},\n\tdate = 2022,\n\teventtitle = {{{HAID}} 2022 - {{International Workshop}} on {{Haptic}} and {{Audio Interaction Design}}},\n\tlangid = {english}\n}\n\n
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