var bibbase_data = {"data":"<img src=\"//bibbase.org/img/ajax-loader.gif\" id=\"spinner\"\n  style=\"display: none;\" alt=\"Loading..\" />\n\n<div id=\"bibbase\">\n\n  <script type=\"text/javascript\">\n    var bibbase = {\n      params: {\"bib\":\"https://raw.githubusercontent.com/music-encoding/music-encoding.github.io/main/conference/mec_proceedings.bib\",\"jsonp\":\"1\",\"theme\":\"simple\",\"nocache\":\"1\",\"authorFirst\":\"1\",\"filter\":\"keywords:mec-proceedings-(2015|2016|2017)\",\"group0\":\"displayby\",\"host\":\"bibbase.org\"},\n      data: [{\"bibtype\":\"proceedings\",\"type\":\"proceedings\",\"abstract\":\"Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco\",\"year\":\"2019\",\"title\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"url\":\"https://www.musiconn.de/metaopac/search?id=BV045900855&View=mus\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"doi\":\"10.15463/music-1\",\"bibbase_note\":\"<span style=\\\"color: green; font-weight: bold\\\">Full volume.</span>\",\"keywords\":\"mec-proceedings, mec-proceedings-2015, mec-proceedings-2016, mec-proceedings-2017\",\"displayby\":\"Common part MEC 2015–2017\",\"bibtex\":\"@proceedings{DiBacco_2019a,\\n abstract = {Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco},\\n year = {2019},\\n title = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n url = {https://www.musiconn.de/metaopac/search?id=BV045900855&View=mus},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n doi = {10.15463/music-1},\\n bibbase_note = {<span style=\\\"color: green; font-weight: bold\\\">Full volume.</span>},\\n keywords = {mec-proceedings, mec-proceedings-2015, mec-proceedings-2016, mec-proceedings-2017},\\n displayby = {Common part MEC 2015--2017}\\n}\\n\\n%%% -------------------------------------------------\\n%%% MEC 2015, 2016 and 2017 Proceedings: Introduction\\n\\n\",\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"DiBacco_2019a\",\"id\":\"DiBacco_2019a\",\"bibbaseid\":\"dibacco-kepper-roland-musicencodingconferenceproceedings20152016and2017-2019\",\"role\":\"editor\",\"urls\":{\"Paper\":\"https://www.musiconn.de/metaopac/search?id=BV045900855&View=mus\"},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2015\",\"mec-proceedings-2016\",\"mec-proceedings-2017\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":14,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"Introduction of the Music Encoding Conference 2015, 2016 and 2017 proceedings.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]}],\"title\":\"Introduction\",\"pages\":\"1–3\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2015, mec-proceedings-2016, mec-proceedings-2017\",\"displayby\":\"Common part MEC 2015–2017\",\"bibtex\":\"@inproceedings{DiBacco_2019b,\\n abstract = {Introduction of the Music Encoding Conference 2015, 2016 and 2017 proceedings.},\\n author = {{Di Bacco}, Giuliano},\\n title = {{Introduction}},\\n pages = {1--3},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2015, mec-proceedings-2016, mec-proceedings-2017},\\n displayby = {Common part MEC 2015--2017}\\n}\\n\\n%%% ---------------------------------------------------------------\\n%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2015\\n\\n\",\"author_short\":[\"Di Bacco, G.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"DiBacco_2019b\",\"id\":\"DiBacco_2019b\",\"bibbaseid\":\"dibacco-introduction-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2015\",\"mec-proceedings-2016\",\"mec-proceedings-2017\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":1,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"The <i>Digital Mozart Edition</i> (DME) has as its goal the digital presentation of documents and texts related to Mozart's life and oeuvre. The most challenging project within the DME is the digital edition of Mozart's music which is currently being developed. It will eventually make the complete compositional output of Mozart available to the public in critical, MEI based editions. The DME already hosts the <i>NMA Online</i>, the representation in digital images of the <i>Neue Mozart Ausgabe</i> (NMA) print edition, originally published between 1954 and 2007. While on the one hand, the DME seeks to transform the authoritative musical text of the NMA into digital format, the DME also intends to broaden the philological concept by the publication of new and alternative editions based on individual sources. At the present state of the project, several challenges have been identified, some connected to the publication history and the availability of sources used by the NMA. Others are related to the representation of the <i>Kritische Berichte</i> of the NMA within the DME. The paper reports on the development of the conceptual as well as practical model of the DME music edition.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Dubowy\"],\"firstnames\":[\"Norbert\"],\"suffixes\":[]}],\"title\":\"Encoding the NMA in the Digital Mozart Edition: A Progress Report\",\"pages\":\"7–13\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2015\",\"displayby\":\"Contributions from MEC 2015\",\"bibtex\":\"@inproceedings{Dubowy_2019,\\n abstract = {The \\\\textit{Digital Mozart Edition} (DME) has as its goal the digital presentation of documents and texts related to Mozart's life and oeuvre. The most challenging project within the DME is the digital edition of Mozart's music which is currently being developed. It will eventually make the complete compositional output of Mozart available to the public in critical, MEI based editions. The DME already hosts the \\\\textit{NMA Online}, the representation in digital images of the \\\\textit{Neue Mozart Ausgabe} (NMA) print edition, originally published between 1954 and 2007. While on the one hand, the DME seeks to transform the authoritative musical text of the NMA into digital format, the DME also intends to broaden the philological concept by the publication of new and alternative editions based on individual sources. At the present state of the project, several challenges have been identified, some connected to the publication history and the availability of sources used by the NMA. Others are related to the representation of the \\\\textit{Kritische Berichte} of the NMA within the DME. The paper reports on the development of the conceptual as well as practical model of the DME music edition.},\\n author = {Dubowy, Norbert},\\n title = {{Encoding the NMA in the Digital Mozart Edition: A Progress Report}},\\n pages = {7--13},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2015},\\n displayby = {Contributions from MEC 2015}\\n}\\n\\n\",\"author_short\":[\"Dubowy, N.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Dubowy_2019\",\"id\":\"Dubowy_2019\",\"bibbaseid\":\"dubowy-encodingthenmainthedigitalmozarteditionaprogressreport-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2015\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"This paper illustrates opportunities for revising the current Chant and Mensural modules of the Music Encoding Initiative for encoding music notation from before c.1500. Repurposing data collected over the last three decades in Scribe music encoding software required a bespoke MEI module, which we have called NeoScribe. The Scribe project has benefited from the long-term investigation and implementation of methods for the efficient encoding of late medieval music notation. With Scribe, users are able to represent every meaningful scribal mark on the written page, something that is not currently possible in the current MEI Chant and Mensural modules. In converting Scribe data to a MEI-compliant XML, we recognised the need to retain Scribe's nuance-rich encoding of medieval musical notation. For zero dataloss, new elements and data types were added to MEI for encoding late medieval chant and mensural notation. We demonstrate some of NeoScribe's enhanced features for encoding 14th-century repertoires. We conclude by discussing some of the benefits of revising the MEI Chant and Mensural modules for projects investigating music from before c.1500.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Stinson\"],\"firstnames\":[\"John\",\"A.\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Stoessel\"],\"firstnames\":[\"Jason\"],\"suffixes\":[]}],\"title\":\"Revising MEI for Research on late Medieval Manuscripts\",\"pages\":\"15–24\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2015\",\"displayby\":\"Contributions from MEC 2015\",\"bibtex\":\"@inproceedings{Stinson_2019,\\n abstract = {This paper illustrates opportunities for revising the current Chant and Mensural modules of the Music Encoding Initiative for encoding music notation from before c.1500. Repurposing data collected over the last three decades in Scribe music encoding software required a bespoke MEI module, which we have called NeoScribe. The Scribe project has benefited from the long-term investigation and implementation of methods for the efficient encoding of late medieval music notation. With Scribe, users are able to represent every meaningful scribal mark on the written page, something that is not currently possible in the current MEI Chant and Mensural modules. In converting Scribe data to a MEI-compliant XML, we recognised the need to retain Scribe's nuance-rich encoding of medieval musical notation. For zero dataloss, new elements and data types were added to MEI for encoding late medieval chant and mensural notation. We demonstrate some of NeoScribe's enhanced features for encoding 14th-century repertoires. We conclude by discussing some of the benefits of revising the MEI Chant and Mensural modules for projects investigating music from before c.1500.},\\n author = {Stinson, John A. and Stoessel, Jason},\\n title = {{Revising MEI for Research on late Medieval Manuscripts}},\\n pages = {15--24},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2015},\\n displayby = {Contributions from MEC 2015}\\n}\\n\\n\",\"author_short\":[\"Stinson, J. A.\",\"Stoessel, J.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Stinson_2019\",\"id\":\"Stinson_2019\",\"bibbaseid\":\"stinson-stoessel-revisingmeiforresearchonlatemedievalmanuscripts-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2015\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":4,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"This paper stems from the project of redevelopment of the <i>Thesaurus Musicarum Latinarum</i> (TML), the online searchable archive of early music treatises in Latin. Over 25 years after the project's inception, work is in progress to enrich the large corpus of plain-text files by encoding them with TEI, to improve the resource's fruition and the discoverability of the text. Over that background, a quite more difficult challenge emerges: to make also discoverable the large quantity of notated examples found interleaved with the verbal text of the treatises. It was not in the original intent to make music notation systematically searchable, but attempts were made to capture some facets of mensura notation through a code specifically designed for the project. The aim of this paper is both to discuss these earlier encoding attempts, with their shortcomings, and to propose our customization of MEI as a possible starting point to expand the current specifications. This is proving useful in the present state of the project: more work will be necessary to take care of other mensural features and flavors, and of course of chant and non-mensural notations, but MEI is proving apt to the job. The TML provides an ideal benchmark for developing a more specialized model of markup that will be useful for many other scholarly purposes. (The transcript below reflects the status of the TML project and of MEI at the time of the conference.)\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"title\":\"MEI for Mensural Notation in the Thesaurus Musicarum Latinarum\",\"pages\":\"25–35\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2015\",\"displayby\":\"Contributions from MEC 2015\",\"bibtex\":\"@inproceedings{DiBacco_2019c,\\n abstract = {This paper stems from the project of redevelopment of the \\\\textit{Thesaurus Musicarum Latinarum} (TML), the online searchable archive of early music treatises in Latin. Over 25 years after the project's inception, work is in progress to enrich the large corpus of plain-text files by encoding them with TEI, to improve the resource's fruition and the discoverability of the text. Over that background, a quite more difficult challenge emerges: to make also discoverable the large quantity of notated examples found interleaved with the verbal text of the treatises. It was not in the original intent to make music notation systematically searchable, but attempts were made to capture some facets of mensura notation through a code specifically designed for the project. The aim of this paper is both to discuss these earlier encoding attempts, with their shortcomings, and to propose our customization of MEI as a possible starting point to expand the current specifications. This is proving useful in the present state of the project: more work will be necessary to take care of other mensural features and flavors, and of course of chant and non-mensural notations, but MEI is proving apt to the job. The TML provides an ideal benchmark for developing a more specialized model of markup that will be useful for many other scholarly purposes. (The transcript below reflects the status of the TML project and of MEI at the time of the conference.)},\\n author = {{Di Bacco}, Giuliano and Roland, Perry},\\n title = {{MEI for Mensural Notation in the Thesaurus Musicarum Latinarum}},\\n pages = {25--35},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2015},\\n displayby = {Contributions from MEC 2015}\\n}\\n\\n\",\"author_short\":[\"Di Bacco, G.\",\"Roland, P.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"DiBacco_2019c\",\"id\":\"DiBacco_2019c\",\"bibbaseid\":\"dibacco-roland-meiformensuralnotationinthethesaurusmusicarumlatinarum-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2015\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"This paper describes a model for genetic criticism in MEI, which takes slightly different approaches than the corresponding module in TEI.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Sänger\"],\"firstnames\":[\"Richard\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]}],\"title\":\"Encoding Genetical Processes\",\"pages\":\"37–44\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2015\",\"displayby\":\"Contributions from MEC 2015\",\"bibtex\":\"@inproceedings{Saenger_2019,\\n abstract = {This paper describes a model for genetic criticism in MEI, which takes slightly different approaches than the corresponding module in TEI.},\\n author = {S{\\\\\\\"a}nger, Richard and Kepper, Johannes},\\n title = {{Encoding Genetical Processes}},\\n pages = {37--44},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2015},\\n displayby = {Contributions from MEC 2015}\\n}\\n\\n\",\"author_short\":[\"Sänger, R.\",\"Kepper, J.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Saenger_2019\",\"id\":\"Saenger_2019\",\"bibbaseid\":\"snger-kepper-encodinggeneticalprocesses-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2015\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":1,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"This paper presents a web-based XML editor tailored for use with MEI. This editor provides an interface for synchronizing text edits with changes from a graphical editor. While initially developed to facilitate editing the results of optical music recognition, the editor is built to interface with other graphical editors. Various features such as loading multiple files at the same time, saving to the user's computer, and validation are also built in.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Horwitz\"],\"firstnames\":[\"Andrew\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Hankinson\"],\"firstnames\":[\"Andrew\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Fujinaga\"],\"firstnames\":[\"Ichiro\"],\"suffixes\":[]}],\"title\":\"A Browser-Based MEI Editor\",\"pages\":\"45–46\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2015\",\"displayby\":\"Contributions from MEC 2015\",\"bibtex\":\"@inproceedings{Horwitz_2019,\\n abstract = {This paper presents a web-based XML editor tailored for use with MEI. This editor provides an interface for synchronizing text edits with changes from a graphical editor. While initially developed to facilitate editing the results of optical music recognition, the editor is built to interface with other graphical editors. Various features such as loading multiple files at the same time, saving to the user's computer, and validation are also built in.},\\n author = {Horwitz, Andrew and Hankinson, Andrew and Fujinaga, Ichiro},\\n title = {{A Browser-Based MEI Editor}},\\n pages = {45--46},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2015},\\n displayby = {Contributions from MEC 2015}\\n}\\n\\n\",\"author_short\":[\"Horwitz, A.\",\"Hankinson, A.\",\"Fujinaga, I.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Horwitz_2019\",\"id\":\"Horwitz_2019\",\"bibbaseid\":\"horwitz-hankinson-fujinaga-abrowserbasedmeieditor-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2015\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"Enhancing Music Notation Addressability (EMA) is a one-year project that investigates methods for addressing arbitrary portions of encoded music notation on the web. By \\\"addressing\\\" we mean being able to refer to, or cite, a passage of music in order to make a statement about it. This could be considered a virtual equivalent of \\\"circling\\\" some music notation on a printed score. The technical specification created by the EMA project are described below. The specification aims at defining a scheme for addressing a selection of music notation regardless of its representation. The expression is based on simple units that are commonly represented by music notation systems for common Western music notation, such as measure, staff, and beat. The expression is formulated as a URL, which makes it possible to target resources on the web.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Viglianti\"],\"firstnames\":[\"Raffaele\"],\"suffixes\":[]}],\"title\":\"A Specification for Addressing Encoded Music on the Web\",\"pages\":\"47–49\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2015\",\"displayby\":\"Contributions from MEC 2015\",\"bibtex\":\"@inproceedings{Viglianti_2019,\\n abstract = {Enhancing Music Notation Addressability (EMA) is a one-year project that investigates methods for addressing arbitrary portions of encoded music notation on the web. By \\\"addressing\\\" we mean being able to refer to, or cite, a passage of music in order to make a statement about it. This could be considered a virtual equivalent of \\\"circling\\\" some music notation on a printed score. The technical specification created by the EMA project are described below. The specification aims at defining a scheme for addressing a selection of music notation regardless of its representation. The expression is based on simple units that are commonly represented by music notation systems for common Western music notation, such as measure, staff, and beat. The expression is formulated as a URL, which makes it possible to target resources on the web.},\\n author = {Viglianti, Raffaele},\\n title = {{A Specification for Addressing Encoded Music on the Web}},\\n pages = {47--49},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2015},\\n displayby = {Contributions from MEC 2015}\\n}\\n\\n%%% ----------------------------------------------------------------\\n%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2016\\n\\n\",\"author_short\":[\"Viglianti, R.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Viglianti_2019\",\"id\":\"Viglianti_2019\",\"bibbaseid\":\"viglianti-aspecificationforaddressingencodedmusicontheweb-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2015\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":1,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"Computational Music Analysis Platforms (or CMAPs for short) in general parse music data and transcode the data to an internal format in order to process the acquired data. We call the internal format an intermediate format, because it acts within a software architecture as an intermediary between input and output of a given CMAP's workflow. The paper examines three different types of intermediate formats, one historical, and two currently in use, as they occur in CMAPs, and posits how these intermediate formats influence the analytical process and thought.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Krämer\"],\"firstnames\":[\"Reiner\"],\"suffixes\":[]}],\"title\":\"On Intermediate Formats\",\"pages\":\"53–61\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2016\",\"displayby\":\"Contributions from MEC 2016\",\"bibtex\":\"@inproceedings{Kraemer_2019,\\n abstract = {Computational Music Analysis Platforms (or CMAPs for short) in general parse music data and transcode the data to an internal format in order to process the acquired data. We call the internal format an intermediate format, because it acts within a software architecture as an intermediary between input and output of a given CMAP's workflow. The paper examines three different types of intermediate formats, one historical, and two currently in use, as they occur in CMAPs, and posits how these intermediate formats influence the analytical process and thought.},\\n author = {Kr{\\\\\\\"a}mer, Reiner},\\n title = {{On Intermediate Formats}},\\n pages = {53--61},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2016},\\n displayby = {Contributions from MEC 2016}\\n}\\n\\n\",\"author_short\":[\"Krämer, R.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Kraemer_2019\",\"id\":\"Kraemer_2019\",\"bibbaseid\":\"krmer-onintermediateformats-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2016\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":2,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"The <i>Wolfenbüttel Lute Tablature</i> (c. 1460) consists of two fragmented folios with intabulations for five secular songs and is the only extant source of a notation system described theoretically in <i>Kassel Lautenkragen</i>. The notation, named the Kassel-Wolfenbüttel Tablature System (KWTS) by Marc Lewon, combines a quasi- mensural notation, which closely resembles the upper voice of organ tablature, and an alphabetic notation, parallel to organ tablature. Because of its connections to both tablature and mensural notations, in order to encode KWTS, one must combine the encoding systems for both tablature and mensural notation. In this paper, I examine some of the problems inherent in encoding KWTS; suggest possible solutions; and define a musicological application for the project. As the earliest lute-specific notation, KWTS contains valuable information on the changing lute performance practices of the mid-fifteenth century, despite the sources' brevity. Developing an encoding system for this notation will enable further exploration of fifteenth-century lute repertoire, including that prior to lute-specific notation.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Shaw\"],\"firstnames\":[\"Rebecca\",\"A.\"],\"suffixes\":[]}],\"title\":\"The Kassel-Wolfenbüttel Tablature System: A Convergence of Lute Tablature and Mensural Notation\",\"pages\":\"63–71\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2016\",\"displayby\":\"Contributions from MEC 2016\",\"bibtex\":\"@inproceedings{Shaw_2019,\\n abstract = {The \\\\textit{Wolfenb{\\\\\\\"u}ttel Lute Tablature} (c. 1460) consists of two fragmented folios with intabulations for five secular songs and is the only extant source of a notation system described theoretically in \\\\textit{Kassel Lautenkragen}. The notation, named the Kassel-Wolfenb{\\\\\\\"u}ttel Tablature System (KWTS) by Marc Lewon, combines a quasi- mensural notation, which closely resembles the upper voice of organ tablature, and an alphabetic notation, parallel to organ tablature. Because of its connections to both tablature and mensural notations, in order to encode KWTS, one must combine the encoding systems for both tablature and mensural notation. In this paper, I examine some of the problems inherent in encoding KWTS; suggest possible solutions; and define a musicological application for the project. As the earliest lute-specific notation, KWTS contains valuable information on the changing lute performance practices of the mid-fifteenth century, despite the sources' brevity. Developing an encoding system for this notation will enable further exploration of fifteenth-century lute repertoire, including that prior to lute-specific notation.},\\n author = {Shaw, Rebecca A.},\\n title = {{The Kassel-Wolfenb{\\\\\\\"u}ttel Tablature System: A Convergence of Lute Tablature and Mensural Notation}},\\n pages = {63--71},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2016},\\n displayby = {Contributions from MEC 2016}\\n}\\n\\n\",\"author_short\":[\"Shaw, R. A.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Shaw_2019\",\"id\":\"Shaw_2019\",\"bibbaseid\":\"shaw-thekasselwolfenbtteltablaturesystemaconvergenceoflutetablatureandmensuralnotation-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2016\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"Entering metadata for medieval chants in the Cantus Database often poses challenges for the indexer. Although many of the chants follow the standard, expected forms, some items are difficult to classify. For example, certain melodies do not conform to the standard modes and some chants are unique in their usage for a particular day or service within the liturgical year. Although it is easy to create new classification tags, the prudent database manager exercises caution, as the modern need to categorize does not always conform to medieval custom. By focusing on chants from Holy Week including the <i>Exsultet</i>, <i>Improperia</i> and <i>Trisagion</i>, this paper addresses the various criteria used to create two new genre codes, \\\"Varia\\\" (Va) and \\\"Holy Week Varia\\\" (VaHW). Although these classifiers provide less specificity than other possible options, they avoid over-interpretation, are easy-to-use by novice indexers, and usefully differentiate the unique chants of Holy Week from other chant miscellany.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Swanson\"],\"firstnames\":[\"Barbara\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Lacoste\"],\"firstnames\":[\"Debra\"],\"suffixes\":[]}],\"title\":\"Chants That Defy Classification: Implications of Categorization in the Cantus Database\",\"pages\":\"73–78\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2016\",\"displayby\":\"Contributions from MEC 2016\",\"bibtex\":\"@inproceedings{Swanson_2019,\\n abstract = {Entering metadata for medieval chants in the Cantus Database often poses challenges for the indexer. Although many of the chants follow the standard, expected forms, some items are difficult to classify. For example, certain melodies do not conform to the standard modes and some chants are unique in their usage for a particular day or service within the liturgical year. Although it is easy to create new classification tags, the prudent database manager exercises caution, as the modern need to categorize does not always conform to medieval custom. By focusing on chants from Holy Week including the \\\\textit{Exsultet}, \\\\textit{Improperia} and \\\\textit{Trisagion}, this paper addresses the various criteria used to create two new genre codes, \\\"Varia\\\" (Va) and \\\"Holy Week Varia\\\" (VaHW). Although these classifiers provide less specificity than other possible options, they avoid over-interpretation, are easy-to-use by novice indexers, and usefully differentiate the unique chants of Holy Week from other chant miscellany.},\\n author = {Swanson, Barbara and Lacoste, Debra},\\n title = {{Chants That Defy Classification: Implications of Categorization in the Cantus Database}},\\n pages = {73--78},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2016},\\n displayby = {Contributions from MEC 2016}\\n}\\n\\n\",\"author_short\":[\"Swanson, B.\",\"Lacoste, D.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Swanson_2019\",\"id\":\"Swanson_2019\",\"bibbaseid\":\"swanson-lacoste-chantsthatdefyclassificationimplicationsofcategorizationinthecantusdatabase-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2016\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"The first performance of Weber's <i>Freischütz</i> in Vienna took place November 3rd, 1822. A manuscript copy was bought from Weber, which closely followed the composer's autograph. But a close look to the manuscript reveals a great number of performance-related modifications of both the musical and textual content. These transformations have mostly been major ones, like deletions of whole measures or text passages, and insertions of new pages. On the basis of the BMBF-sponsored project \\\"Freischütz Digital\\\" (Digital edition of the <i>Freischütz</i>, hereafter \\\"FreiDi\\\"), this paper tries to develop a way to describe the textual and physical modifications of the manuscript not only verbally but in a semantic, i.e. logic, encoding, based on MEI. For this, the paper explores possible modifications of MEI elements, or the creation of new elements and attributes for the special problems. It will explore the usefulness of markup from other projects, most importantly the <i>Beethoven Werkstatt</i> project with its genetic encodings. It will also discuss the possibilities, problems and limitations of the different solutions.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Seipelt\"],\"firstnames\":[\"Agnes\"],\"suffixes\":[]}],\"title\":\"The Freischütz Performance in Vienna: Encoded Representation of Performance-Related Modifications of the Score\",\"pages\":\"79–90\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2016\",\"displayby\":\"Contributions from MEC 2016\",\"bibtex\":\"@inproceedings{Seipelt_2019,\\n abstract = {The first performance of Weber's \\\\textit{Freisch{\\\\\\\"u}tz} in Vienna took place November 3rd, 1822. A manuscript copy was bought from Weber, which closely followed the composer's autograph. But a close look to the manuscript reveals a great number of performance-related modifications of both the musical and textual content. These transformations have mostly been major ones, like deletions of whole measures or text passages, and insertions of new pages. On the basis of the BMBF-sponsored project \\\"Freisch{\\\\\\\"u}tz Digital\\\" (Digital edition of the \\\\textit{Freisch{\\\\\\\"u}tz}, hereafter \\\"FreiDi\\\"), this paper tries to develop a way to describe the textual and physical modifications of the manuscript not only verbally but in a semantic, i.e. logic, encoding, based on MEI. For this, the paper explores possible modifications of MEI elements, or the creation of new elements and attributes for the special problems. It will explore the usefulness of markup from other projects, most importantly the \\\\textit{Beethoven Werkstatt} project with its genetic encodings. It will also discuss the possibilities, problems and limitations of the different solutions.},\\n author = {Seipelt, Agnes},\\n title = {{The Freisch{\\\\\\\"u}tz Performance in Vienna: Encoded Representation of Performance-Related Modifications of the Score}},\\n pages = {79--90},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2016},\\n displayby = {Contributions from MEC 2016}\\n}\\n\\n\",\"author_short\":[\"Seipelt, A.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Seipelt_2019\",\"id\":\"Seipelt_2019\",\"bibbaseid\":\"seipelt-thefreischtzperformanceinviennaencodedrepresentationofperformancerelatedmodificationsofthescore-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2016\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"This paper introduces the Music Performance Markup format for encoding expressive performance parameters. The main focus is the general data organization in global vs. local data and header vs. dated data, illustrated by some musical examples. Moreover future work and use cases are envisioned.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Berndt\"],\"firstnames\":[\"Axel\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Bohl\"],\"firstnames\":[\"Benjamin\",\"W.\"],\"suffixes\":[]}],\"title\":\"XML Music Performance Description: Reflections on and Future Developments of the Music Performance Markup Format\",\"pages\":\"91–94\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2016\",\"displayby\":\"Contributions from MEC 2016\",\"bibtex\":\"@inproceedings{Berndt_2019,\\n abstract = {This paper introduces the Music Performance Markup format for encoding expressive performance parameters. The main focus is the general data organization in global vs. local data and header vs. dated data, illustrated by some musical examples. Moreover future work and use cases are envisioned.},\\n author = {Berndt, Axel and Bohl, Benjamin W.},\\n title = {{XML Music Performance Description: Reflections on and Future Developments of the Music Performance Markup Format}},\\n pages = {91--94},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2016},\\n displayby = {Contributions from MEC 2016}\\n}\\n\\n\",\"author_short\":[\"Berndt, A.\",\"Bohl, B. W.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Berndt_2019\",\"id\":\"Berndt_2019\",\"bibbaseid\":\"berndt-bohl-xmlmusicperformancedescriptionreflectionsonandfuturedevelopmentsofthemusicperformancemarkupformat-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2016\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"The Freischütz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]}],\"title\":\"<i>Wie? Was? Entsetzen!</i> Lessons Learned from the Freischütz Digital Project\",\"pages\":\"95–105\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2016\",\"displayby\":\"Contributions from MEC 2016\",\"bibtex\":\"@inproceedings{Kepper_2019,\\n abstract = {The Freisch{\\\\\\\"u}tz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project.},\\n author = {Kepper, Johannes},\\n title = {{\\\\textit{Wie? Was? Entsetzen!} Lessons Learned from the Freisch{\\\\\\\"u}tz Digital Project}},\\n pages = {95--105},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2016},\\n displayby = {Contributions from MEC 2016}\\n}\\n\\n\",\"author_short\":[\"Kepper, J.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Kepper_2019\",\"id\":\"Kepper_2019\",\"bibbaseid\":\"kepper-iwiewasentsetzenilessonslearnedfromthefreischtzdigitalproject-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2016\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":1,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"Our heritage of music scores need to be delivered in 21st century packaging: the symbolic, digital score, instead of the paper-printed book. This will enable better music-making, but also new tools for using digital scores. The digital score plus the new tools will enable dramatically better music-making. Thus it is important to create a corpus of digital scores for the works in our musical heritage. A gap analysis shows that what is missing is an organization which mobilises participation and produces results, and which provides content in symbolic, digital score form, and freely licensed. Such an organization has recently begun operations: the Keyboard Philharmonic project.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"DeLaHunt\"],\"firstnames\":[\"Jim\"],\"suffixes\":[]}],\"title\":\"All Classical Music, Freely Available As Revisable Digital Scores, Via Crowdsourcing\",\"pages\":\"107–110\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2016\",\"displayby\":\"Contributions from MEC 2016\",\"bibtex\":\"@inproceedings{DeLaHunt_2019,\\n abstract = {Our heritage of music scores need to be delivered in 21st century packaging: the symbolic, digital score, instead of the paper-printed book. This will enable better music-making, but also new tools for using digital scores. The digital score plus the new tools will enable dramatically better music-making. Thus it is important to create a corpus of digital scores for the works in our musical heritage. A gap analysis shows that what is missing is an organization which mobilises participation and produces results, and which provides content in symbolic, digital score form, and freely licensed. Such an organization has recently begun operations: the Keyboard Philharmonic project.},\\n author = {DeLaHunt, Jim},\\n title = {{All Classical Music, Freely Available As Revisable Digital Scores, Via Crowdsourcing}},\\n pages = {107--110},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2016},\\n displayby = {Contributions from MEC 2016}\\n}\\n\\n%%% ----------------------------------------------------------------\\n%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2017\\n\\n\",\"author_short\":[\"DeLaHunt, J.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"DeLaHunt_2019\",\"id\":\"DeLaHunt_2019\",\"bibbaseid\":\"delahunt-allclassicalmusicfreelyavailableasrevisabledigitalscoresviacrowdsourcing-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2016\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"As the number of music corpora published online increases, with many of these containing symbolic music encodings, the importance of search activities is also growing. Although it is seldom explicitly recognised as such, the act of querying these corpora is a form of research activity. Despite this, no common standards have emerged for preserving and disseminating these activities, or their results and provenance. In this paper, we discuss two examples of current search tasks – each with a musicological motivation – and consider what information might be preserved and communicated, and why. Capturing the method of a search, the timing of the query and the motivation for the investigation may be as important as preserving results. We show a preliminary Linked Data implementation, and consider how it can support visualisation of the results and evaluation of the methods\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Lewis\"],\"firstnames\":[\"David\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Page\"],\"firstnames\":[\"Kevin\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Hankinson\"],\"firstnames\":[\"Andrew\"],\"suffixes\":[]}],\"title\":\"Capturing Context and Provenance of Musicology Research\",\"pages\":\"113–118\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2017\",\"displayby\":\"Contributions from MEC 2017\",\"bibtex\":\"@inproceedings{Lewis_2019,\\n abstract = {As the number of music corpora published online increases, with many of these containing symbolic music encodings, the importance of search activities is also growing. Although it is seldom explicitly recognised as such, the act of querying these corpora is a form of research activity. Despite this, no common standards have emerged for preserving and disseminating these activities, or their results and provenance. In this paper, we discuss two examples of current search tasks -- each with a musicological motivation -- and consider what information might be preserved and communicated, and why. Capturing the method of a search, the timing of the query and the motivation for the investigation may be as important as preserving results. We show a preliminary Linked Data implementation, and consider how it can support visualisation of the results and evaluation of the methods},\\n author = {Lewis, David and Page, Kevin and Hankinson, Andrew},\\n title = {{Capturing Context and Provenance of Musicology Research}},\\n pages = {113--118},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2017},\\n displayby = {Contributions from MEC 2017}\\n}\\n\\n\",\"author_short\":[\"Lewis, D.\",\"Page, K.\",\"Hankinson, A.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Lewis_2019\",\"id\":\"Lewis_2019\",\"bibbaseid\":\"lewis-page-hankinson-capturingcontextandprovenanceofmusicologyresearch-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2017\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":1,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"This paper outlines an encoding workflow for a critical edition of Ottoman music manuscripts based on the MEI schema. The encoding workflow is one aspect of a larger digital edition project entitled Corpus Musicae Ottomanicae (CMO). The paper gives a brief introduction to CMO, its scholarly goals and digital infrastructure. It offers some basic information on Ottoman music, focusing on the scholarly transcription into staff notation of manuscript sources written in Hampartsum notation. We discuss the modelling of metadata according to FRBR and MEI, and the challenges involved in adapting the source material to schema that were developed with different musical concepts and practices as their model. We describe the workarounds, tools and procedures we developed to encode Ottoman music in a way that meets both visual and semantic demands, and reflects musical as well as philological aspects of the sources. These solutions are offered as a possible first step towards integrating non-Western musical repertoires and sources into the MEI schema.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Plaksin\"],\"firstnames\":[\"Anna\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Olley\"],\"firstnames\":[\"Jacob\"],\"suffixes\":[]}],\"title\":\"Creating an Encoding Workflow for a Critical Edition of Ottoman Music Manuscripts: Challenges and Solutions\",\"pages\":\"119–130\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2017\",\"displayby\":\"Contributions from MEC 2017\",\"bibtex\":\"@inproceedings{Plaksin_2019,\\n abstract = {This paper outlines an encoding workflow for a critical edition of Ottoman music manuscripts based on the MEI schema. The encoding workflow is one aspect of a larger digital edition project entitled Corpus Musicae Ottomanicae (CMO). The paper gives a brief introduction to CMO, its scholarly goals and digital infrastructure. It offers some basic information on Ottoman music, focusing on the scholarly transcription into staff notation of manuscript sources written in Hampartsum notation. We discuss the modelling of metadata according to FRBR and MEI, and the challenges involved in adapting the source material to schema that were developed with different musical concepts and practices as their model. We describe the workarounds, tools and procedures we developed to encode Ottoman music in a way that meets both visual and semantic demands, and reflects musical as well as philological aspects of the sources. These solutions are offered as a possible first step towards integrating non-Western musical repertoires and sources into the MEI schema.},\\n author = {Plaksin, Anna and Olley, Jacob},\\n title = {{Creating an Encoding Workflow for a Critical Edition of Ottoman Music Manuscripts: Challenges and Solutions}},\\n pages = {119--130},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2017},\\n displayby = {Contributions from MEC 2017}\\n}\\n\\n\",\"author_short\":[\"Plaksin, A.\",\"Olley, J.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Plaksin_2019\",\"id\":\"Plaksin_2019\",\"bibbaseid\":\"plaksin-olley-creatinganencodingworkflowforacriticaleditionofottomanmusicmanuscriptschallengesandsolutions-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2017\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":1,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"This paper summarizes the development of computing technology from the 1940s through the 1980s and draws parallels to its influence on the development of music encoding and music-analytical methods. The emphasis on how the developments of computing and computers influenced the development of computer-assisted music analysis (and, thus, various representations) is related to the fact that this knowledge is often absent in contemporary discussions of music encoding and of computer applications in music analysis.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Schüler\"],\"firstnames\":[\"Nico\"],\"suffixes\":[]}],\"title\":\"The Development of Computing Technology and Its Influence on Music-Analytical Methods and Encoding: 1940s through 1980s\",\"pages\":\"131–133\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2017\",\"displayby\":\"Contributions from MEC 2017\",\"bibtex\":\"@inproceedings{Schueler_2019,\\n abstract = {This paper summarizes the development of computing technology from the 1940s through the 1980s and draws parallels to its influence on the development of music encoding and music-analytical methods. The emphasis on how the developments of computing and computers influenced the development of computer-assisted music analysis (and, thus, various representations) is related to the fact that this knowledge is often absent in contemporary discussions of music encoding and of computer applications in music analysis.},\\n author = {Sch{\\\\\\\"u}ler, Nico},\\n title = {{The Development of Computing Technology and Its Influence on Music-Analytical Methods and Encoding: 1940s through 1980s}},\\n pages = {131--133},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2017},\\n displayby = {Contributions from MEC 2017}\\n}\\n\\n\",\"author_short\":[\"Schüler, N.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Schueler_2019\",\"id\":\"Schueler_2019\",\"bibbaseid\":\"schler-thedevelopmentofcomputingtechnologyanditsinfluenceonmusicanalyticalmethodsandencoding1940sthrough1980s-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2017\"],\"metadata\":{\"authorlinks\":{}},\"downloads\":1,\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"This paper discusses the implementation of an infrastructure for LilyPond that allows import and export of different file formats, to connect LilyPond with the rest of the music-engraving world and make it a valuable chain link in a multi format environment.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Voigt\"],\"firstnames\":[\"Jan-Peter\"],\"suffixes\":[]}],\"title\":\"Creating an Import and Export Infrastructure for LilyPond\",\"pages\":\"135–141\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2017\",\"displayby\":\"Contributions from MEC 2017\",\"bibtex\":\"@inproceedings{Voigt_2019,\\n abstract = {This paper discusses the implementation of an infrastructure for LilyPond that allows import and export of different file formats, to connect LilyPond with the rest of the music-engraving world and make it a valuable chain link in a multi format environment.},\\n author = {Voigt, Jan-Peter},\\n title = {{Creating an Import and Export Infrastructure for LilyPond}},\\n pages = {135--141},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2017},\\n displayby = {Contributions from MEC 2017}\\n}\\n\\n\",\"author_short\":[\"Voigt, J.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Voigt_2019\",\"id\":\"Voigt_2019\",\"bibbaseid\":\"voigt-creatinganimportandexportinfrastructureforlilypond-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2017\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"In this paper we offer a new corpus and a new method for how to consider musical style from a sociological perspective, by looking at the phenomenon of <i>debussysme</i> in early 20th-century France. We focused on the solo piano scores of the \\\"Apaches\\\" subset of potential <i>debussystes</i>, comparing them to a randomly selected control group of their peers. Due to the challenge of manually correcting these complex scores, we experimented with leaving the errors generated during the OMR process uncorrected in our MEI files, planning to correct them progressively in later stages of hypothesis testing. We then validated the error level and successfully analyzed nearly all of the scores for parallel 5ths and meter changes using customized MEI search programs. Even when taking the estimated error levels into account, a statistically significant difference was discovered between the Apaches and control groups. In addition to presenting these initial findings, our description of the methodological challenges of encoding and analyzing these complex scores might serve as a model for how to deploy a multi-hypothesis corpus study involving difficult scores over several, more manageable steps.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Harrison\"],\"firstnames\":[\"Jane\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Khalid\"],\"firstnames\":[\"Farhan\"],\"suffixes\":[]}],\"title\":\"Introducing a Corpus of French Compositions for Exploring Social Interaction and Musical Change\",\"pages\":\"143–150\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2017\",\"displayby\":\"Contributions from MEC 2017\",\"bibtex\":\"@inproceedings{Harrison_2019,\\n abstract = {In this paper we offer a new corpus and a new method for how to consider musical style from a sociological perspective, by looking at the phenomenon of \\\\textit{debussysme} in early 20th-century France. We focused on the solo piano scores of the \\\"Apaches\\\" subset of potential \\\\textit{debussystes}, comparing them to a randomly selected control group of their peers. Due to the challenge of manually correcting these complex scores, we experimented with leaving the errors generated during the OMR process uncorrected in our MEI files, planning to correct them progressively in later stages of hypothesis testing. We then validated the error level and successfully analyzed nearly all of the scores for parallel 5ths and meter changes using customized MEI search programs. Even when taking the estimated error levels into account, a statistically significant difference was discovered between the Apaches and control groups. In addition to presenting these initial findings, our description of the methodological challenges of encoding and analyzing these complex scores might serve as a model for how to deploy a multi-hypothesis corpus study involving difficult scores over several, more manageable steps.},\\n author = {Harrison, Jane and Khalid, Farhan},\\n title = {{Introducing a Corpus of French Compositions for Exploring Social Interaction and Musical Change}},\\n pages = {143--150},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2017},\\n displayby = {Contributions from MEC 2017}\\n}\\n\\n\",\"author_short\":[\"Harrison, J.\",\"Khalid, F.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Harrison_2019\",\"id\":\"Harrison_2019\",\"bibbaseid\":\"harrison-khalid-introducingacorpusoffrenchcompositionsforexploringsocialinteractionandmusicalchange-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2017\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"},{\"bibtype\":\"inproceedings\",\"type\":\"inproceedings\",\"abstract\":\"We wish to introduce a toolbox that transforms handwritten mensural notation as found in 16th-century music manuscripts into modern music notation. To the best of our knowledge, this is the first such toolbox that can deal with the whole pipeline from symbol recognition to transcription. Along with the toolbox, we present our solution to the problem of ligature recognition, transcription, and encoding, which has remained an obstacle in previous mensural Optical Music Recognition (OMR) systems. We propose a visual encoding method as a reference to recognize and describe ligatures, then transform them to modern notation according to the time signature. Given an image as input, our toolbox recognizes the contents, transcribes them into modern musical notation, and encodes the result in a MusicXML file, with MEI support under development. Availability of the encoding enables further processing with third party tools.\",\"author\":[{\"propositions\":[],\"lastnames\":[\"Chen\"],\"firstnames\":[\"Xuanli\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Huang\"],\"firstnames\":[\"Yu-Hui\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Beck\"],\"firstnames\":[\"Serafina\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Timofte\"],\"firstnames\":[\"Radu\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Burn\"],\"firstnames\":[\"David\"],\"suffixes\":[]},{\"propositions\":[\"van Gool\"],\"lastnames\":[],\"firstnames\":[\"Luc\"],\"suffixes\":[]}],\"title\":\"TAMIR: A Toolbox for Recognition and Transcription of Music Manuscripts in Mensural Notation\",\"pages\":\"151–152\",\"publisher\":\"Bavarian State Library (BSB)\",\"editor\":[{\"propositions\":[],\"lastnames\":[\"Di Bacco\"],\"firstnames\":[\"Giuliano\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Kepper\"],\"firstnames\":[\"Johannes\"],\"suffixes\":[]},{\"propositions\":[],\"lastnames\":[\"Roland\"],\"firstnames\":[\"Perry\"],\"suffixes\":[]}],\"booktitle\":\"Music Encoding Conference Proceedings 2015, 2016 and 2017\",\"year\":\"2019\",\"doi\":\"10.15463/music-1\",\"keywords\":\"mec-proceedings, mec-proceedings-2017\",\"displayby\":\"Contributions from MEC 2017\",\"bibtex\":\"@inproceedings{Chen_2019,\\n abstract = {We wish to introduce a toolbox that transforms handwritten mensural notation as found in 16th-century music manuscripts into modern music notation. To the best of our knowledge, this is the first such toolbox that can deal with the whole pipeline from symbol recognition to transcription. Along with the toolbox, we present our solution to the problem of ligature recognition, transcription, and encoding, which has remained an obstacle in previous mensural Optical Music Recognition (OMR) systems. We propose a visual encoding method as a reference to recognize and describe ligatures, then transform them to modern notation according to the time signature. Given an image as input, our toolbox recognizes the contents, transcribes them into modern musical notation, and encodes the result in a MusicXML file, with MEI support under development. Availability of the encoding enables further processing with third party tools.},\\n author = {Chen, Xuanli and Huang, Yu-Hui and Beck, Serafina and Timofte, Radu and Burn, David and {van Gool}, Luc},\\n title = {{TAMIR: A Toolbox for Recognition and Transcription of Music Manuscripts in Mensural Notation}},\\n pages = {151--152},\\n publisher = {{Bavarian State Library (BSB)}},\\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\\n year = {2019},\\n doi = {10.15463/music-1},\\n keywords = {mec-proceedings, mec-proceedings-2017},\\n displayby = {Contributions from MEC 2017}\\n}\\n\\n%%% -------------------------------------\\n%%% MEC 2020 Proceedings: Full volume\\n\\n\",\"author_short\":[\"Chen, X.\",\"Huang, Y.\",\"Beck, S.\",\"Timofte, R.\",\"Burn, D.\",\"van Gool , L.\"],\"editor_short\":[\"Di Bacco, G.\",\"Kepper, J.\",\"Roland, P.\"],\"key\":\"Chen_2019\",\"id\":\"Chen_2019\",\"bibbaseid\":\"chen-huang-beck-timofte-burn-vangool-tamiratoolboxforrecognitionandtranscriptionofmusicmanuscriptsinmensuralnotation-2019\",\"role\":\"author\",\"urls\":{},\"keyword\":[\"mec-proceedings\",\"mec-proceedings-2017\"],\"metadata\":{\"authorlinks\":{}},\"html\":\"\"}],\n      metadata: {\"authorlinks\":{}},\n      ownerID: undefined\n    };\n  </script>\n\n  <script type=\"text/javascript\">\n  var site$;\n  if (typeof $ != 'undefined') {\n    console.log('existing jquery: storing and then restoring');\n    site$ = $;\n    $ = null;\n  }\n  </script>\n\n  <script src=\"https://ajax.googleapis.com/ajax/libs/jquery/2.2.4/jquery.min.js\">\n  </script>\n  <script type=\"text/javascript\">\n  if (site$) {\n    console.log('existing jquery: avoiding conflict and restoring');\n    bb$ = $.noConflict(true);\n    $ = site$;\n  } else {\n    bb$ = $;\n  }\n  </script>\n\n  <script src=\"//bibbase.org/js/bibbase.min.js\"\n          type=\"text/javascript\">\n  </script>\n\n  <script type=\"text/javascript\"\n          src=\"https://cdnjs.cloudflare.com/ajax/libs/mathjax/2.7.1/MathJax.js?config=TeX-AMS-MML_HTMLorMML\">\n  </script>\n  <script type=\"text/x-mathjax-config\">\n    MathJax.Hub.Config({tex2jax: {inlineMath: [['$','$'], ['\\\\(','\\\\)']]},\n                        skipTags: [\"body\"],\n                        processClass: \"bibbase_paper\"});\n  </script>\n\n  <style>\n  @media print {\n    .dontprint {\n        display: none !important;\n    }\n\n  .bibbase_group {\n    background-color: #E0E0E0;\n    font-style: italic;\n    font-size: larger;\n    text-shadow: 0px 0px 3px #FFFFFF;\n    border-radius: 4px 4px 4px 4px;\n    -moz-border-radius: 4px 4px 4px 4px;\n    -webkit-border-radius: 4px;\n    padding: 5px 40px 5px;\n    margin-top: 10px;\n    margin-bottom: 5px;\n    cursor: pointer;\n  }\n\n  .bibbase_paper {\n    margin-bottom: 5px;\n  }\n\n  }\n  </style>\n\n  \n  <div style=\"float: right; margin-right: 10px; margin-top: 10px; text-align: right; font-size: 12px\">\n    generated by\n    <a href=\"//bibbase.org\"\n       onclick=\"trackOutboundLink('bibbase', 'logo clicked', window.location.href, '//bibbase.org'); return false;\">\n      <img src=\"//bibbase.org/img/logo.svg\"\n           style=\"vertical-align: middle; margin-left: 3px; height: 16px;\"/\n           alt=\"bibbase.org\"\n           title=\"BibBase – The easiest way to maintain your publications page.\"\n        ></a>\n    \n  </div>\n  \n\n  <div id=\"bibbase_header\" class=\"dontprint\" style=\"\">\n\n    <ul class=\"nav nav-pills\" style=\"margin: 0px;\">\n\n      <li class=\"dropdown\" id=\"groupby_dropdown\">\n      <a class=\"dropdown-toggle\"\n         data-toggle=\"dropdown\"\n         href=\"#\">\n          Group by\n          <b class=\"caret\"></b>\n      </a>\n      <ul class=\"dropdown-menu\">\n        <li class=\"groupby year\"><a onclick=\"groupby('year')\">\n            Year</a>\n        </li>\n        <li class=\"groupby author\"><a onclick=\"groupby('author_short')\">\n            Author</a>\n        </li>\n        <li class=\"groupby type\"><a onclick=\"groupby('type')\">\n            Type</a>\n        </li>\n        <li class=\"groupby keyword\"><a onclick=\"groupby('keyword')\">\n            Keyword</a>\n        </li>\n        <li class=\"groupby downloads\"><a onclick=\"groupby('downloads')\">\n            Downloads</a>\n        </li>\n      </ul>\n      </li>\n\n\n      <li class=\"dropdown\" id=\"menu_dropdown\">\n      <a class=\"dropdown-toggle\"\n         data-toggle=\"dropdown\"\n         href=\"#\" alt=\"controls\">\n          <i class=\"fa fa-reorder\" alt=\"controls\"></i>\n          <b class=\"caret\"></b>\n      </a>\n      <ul class=\"dropdown-menu\">\n        <li>\n          <a onclick=\"toggleAll()\">\n            <i class=\"fa fa-chevron-down fa-fw\"></i> Expand/Collapse All\n          </a>\n        </li>\n        <li>\n          <a download=\"mec_proceedings.bib\" href=\"data:text/bibtex;base64,@proceedings{DiBacco_2019a,
 abstract = {Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco},
 year = {2019},
 title = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 url = {https://www.musiconn.de/metaopac/search?id=BV045900855&View=mus},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 doi = {10.15463/music-1},
 bibbase_note = {<span style="color: green; font-weight: bold">Full volume.</span>},
 keywords = {mec-proceedings, mec-proceedings-2015, mec-proceedings-2016, mec-proceedings-2017},
 displayby = {Common part MEC 2015--2017}
}

%%% -------------------------------------------------
%%% MEC 2015, 2016 and 2017 Proceedings: Introduction



@inproceedings{DiBacco_2019b,
 abstract = {Introduction of the Music Encoding Conference 2015, 2016 and 2017 proceedings.},
 author = {{Di Bacco}, Giuliano},
 title = {{Introduction}},
 pages = {1--3},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2015, mec-proceedings-2016, mec-proceedings-2017},
 displayby = {Common part MEC 2015--2017}
}

%%% ---------------------------------------------------------------
%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2015



@inproceedings{Dubowy_2019,
 abstract = {The \textit{Digital Mozart Edition} (DME) has as its goal the digital presentation of documents and texts related to Mozart's life and oeuvre. The most challenging project within the DME is the digital edition of Mozart's music which is currently being developed. It will eventually make the complete compositional output of Mozart available to the public in critical, MEI based editions. The DME already hosts the \textit{NMA Online}, the representation in digital images of the \textit{Neue Mozart Ausgabe} (NMA) print edition, originally published between 1954 and 2007. While on the one hand, the DME seeks to transform the authoritative musical text of the NMA into digital format, the DME also intends to broaden the philological concept by the publication of new and alternative editions based on individual sources. At the present state of the project, several challenges have been identified, some connected to the publication history and the availability of sources used by the NMA. Others are related to the representation of the \textit{Kritische Berichte} of the NMA within the DME. The paper reports on the development of the conceptual as well as practical model of the DME music edition.},
 author = {Dubowy, Norbert},
 title = {{Encoding the NMA in the Digital Mozart Edition: A Progress Report}},
 pages = {7--13},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2015},
 displayby = {Contributions from MEC 2015}
}



@inproceedings{Stinson_2019,
 abstract = {This paper illustrates opportunities for revising the current Chant and Mensural modules of the Music Encoding Initiative for encoding music notation from before c.1500. Repurposing data collected over the last three decades in Scribe music encoding software required a bespoke MEI module, which we have called NeoScribe. The Scribe project has benefited from the long-term investigation and implementation of methods for the efficient encoding of late medieval music notation. With Scribe, users are able to represent every meaningful scribal mark on the written page, something that is not currently possible in the current MEI Chant and Mensural modules. In converting Scribe data to a MEI-compliant XML, we recognised the need to retain Scribe's nuance-rich encoding of medieval musical notation. For zero dataloss, new elements and data types were added to MEI for encoding late medieval chant and mensural notation. We demonstrate some of NeoScribe's enhanced features for encoding 14th-century repertoires. We conclude by discussing some of the benefits of revising the MEI Chant and Mensural modules for projects investigating music from before c.1500.},
 author = {Stinson, John A. and Stoessel, Jason},
 title = {{Revising MEI for Research on late Medieval Manuscripts}},
 pages = {15--24},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2015},
 displayby = {Contributions from MEC 2015}
}



@inproceedings{DiBacco_2019c,
 abstract = {This paper stems from the project of redevelopment of the \textit{Thesaurus Musicarum Latinarum} (TML), the online searchable archive of early music treatises in Latin. Over 25 years after the project's inception, work is in progress to enrich the large corpus of plain-text files by encoding them with TEI, to improve the resource's fruition and the discoverability of the text. Over that background, a quite more difficult challenge emerges: to make also discoverable the large quantity of notated examples found interleaved with the verbal text of the treatises. It was not in the original intent to make music notation systematically searchable, but attempts were made to capture some facets of mensura notation through a code specifically designed for the project. The aim of this paper is both to discuss these earlier encoding attempts, with their shortcomings, and to propose our customization of MEI as a possible starting point to expand the current specifications. This is proving useful in the present state of the project: more work will be necessary to take care of other mensural features and flavors, and of course of chant and non-mensural notations, but MEI is proving apt to the job. The TML provides an ideal benchmark for developing a more specialized model of markup that will be useful for many other scholarly purposes. (The transcript below reflects the status of the TML project and of MEI at the time of the conference.)},
 author = {{Di Bacco}, Giuliano and Roland, Perry},
 title = {{MEI for Mensural Notation in the Thesaurus Musicarum Latinarum}},
 pages = {25--35},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2015},
 displayby = {Contributions from MEC 2015}
}



@inproceedings{Saenger_2019,
 abstract = {This paper describes a model for genetic criticism in MEI, which takes slightly different approaches than the corresponding module in TEI.},
 author = {S{\"a}nger, Richard and Kepper, Johannes},
 title = {{Encoding Genetical Processes}},
 pages = {37--44},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2015},
 displayby = {Contributions from MEC 2015}
}



@inproceedings{Horwitz_2019,
 abstract = {This paper presents a web-based XML editor tailored for use with MEI. This editor provides an interface for synchronizing text edits with changes from a graphical editor. While initially developed to facilitate editing the results of optical music recognition, the editor is built to interface with other graphical editors. Various features such as loading multiple files at the same time, saving to the user's computer, and validation are also built in.},
 author = {Horwitz, Andrew and Hankinson, Andrew and Fujinaga, Ichiro},
 title = {{A Browser-Based MEI Editor}},
 pages = {45--46},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2015},
 displayby = {Contributions from MEC 2015}
}



@inproceedings{Viglianti_2019,
 abstract = {Enhancing Music Notation Addressability (EMA) is a one-year project that investigates methods for addressing arbitrary portions of encoded music notation on the web. By "addressing" we mean being able to refer to, or cite, a passage of music in order to make a statement about it. This could be considered a virtual equivalent of "circling" some music notation on a printed score. The technical specification created by the EMA project are described below. The specification aims at defining a scheme for addressing a selection of music notation regardless of its representation. The expression is based on simple units that are commonly represented by music notation systems for common Western music notation, such as measure, staff, and beat. The expression is formulated as a URL, which makes it possible to target resources on the web.},
 author = {Viglianti, Raffaele},
 title = {{A Specification for Addressing Encoded Music on the Web}},
 pages = {47--49},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2015},
 displayby = {Contributions from MEC 2015}
}

%%% ----------------------------------------------------------------
%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2016



@inproceedings{Kraemer_2019,
 abstract = {Computational Music Analysis Platforms (or CMAPs for short) in general parse music data and transcode the data to an internal format in order to process the acquired data. We call the internal format an intermediate format, because it acts within a software architecture as an intermediary between input and output of a given CMAP's workflow. The paper examines three different types of intermediate formats, one historical, and two currently in use, as they occur in CMAPs, and posits how these intermediate formats influence the analytical process and thought.},
 author = {Kr{\"a}mer, Reiner},
 title = {{On Intermediate Formats}},
 pages = {53--61},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2016},
 displayby = {Contributions from MEC 2016}
}



@inproceedings{Shaw_2019,
 abstract = {The \textit{Wolfenb{\"u}ttel Lute Tablature} (c. 1460) consists of two fragmented folios with intabulations for five secular songs and is the only extant source of a notation system described theoretically in \textit{Kassel Lautenkragen}. The notation, named the Kassel-Wolfenb{\"u}ttel Tablature System (KWTS) by Marc Lewon, combines a quasi- mensural notation, which closely resembles the upper voice of organ tablature, and an alphabetic notation, parallel to organ tablature. Because of its connections to both tablature and mensural notations, in order to encode KWTS, one must combine the encoding systems for both tablature and mensural notation. In this paper, I examine some of the problems inherent in encoding KWTS; suggest possible solutions; and define a musicological application for the project. As the earliest lute-specific notation, KWTS contains valuable information on the changing lute performance practices of the mid-fifteenth century, despite the sources' brevity. Developing an encoding system for this notation will enable further exploration of fifteenth-century lute repertoire, including that prior to lute-specific notation.},
 author = {Shaw, Rebecca A.},
 title = {{The Kassel-Wolfenb{\"u}ttel Tablature System: A Convergence of Lute Tablature and Mensural Notation}},
 pages = {63--71},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2016},
 displayby = {Contributions from MEC 2016}
}



@inproceedings{Swanson_2019,
 abstract = {Entering metadata for medieval chants in the Cantus Database often poses challenges for the indexer. Although many of the chants follow the standard, expected forms, some items are difficult to classify. For example, certain melodies do not conform to the standard modes and some chants are unique in their usage for a particular day or service within the liturgical year. Although it is easy to create new classification tags, the prudent database manager exercises caution, as the modern need to categorize does not always conform to medieval custom. By focusing on chants from Holy Week including the \textit{Exsultet}, \textit{Improperia} and \textit{Trisagion}, this paper addresses the various criteria used to create two new genre codes, "Varia" (Va) and "Holy Week Varia" (VaHW). Although these classifiers provide less specificity than other possible options, they avoid over-interpretation, are easy-to-use by novice indexers, and usefully differentiate the unique chants of Holy Week from other chant miscellany.},
 author = {Swanson, Barbara and Lacoste, Debra},
 title = {{Chants That Defy Classification: Implications of Categorization in the Cantus Database}},
 pages = {73--78},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2016},
 displayby = {Contributions from MEC 2016}
}



@inproceedings{Seipelt_2019,
 abstract = {The first performance of Weber's \textit{Freisch{\"u}tz} in Vienna took place November 3rd, 1822. A manuscript copy was bought from Weber, which closely followed the composer's autograph. But a close look to the manuscript reveals a great number of performance-related modifications of both the musical and textual content. These transformations have mostly been major ones, like deletions of whole measures or text passages, and insertions of new pages. On the basis of the BMBF-sponsored project "Freisch{\"u}tz Digital" (Digital edition of the \textit{Freisch{\"u}tz}, hereafter "FreiDi"), this paper tries to develop a way to describe the textual and physical modifications of the manuscript not only verbally but in a semantic, i.e. logic, encoding, based on MEI. For this, the paper explores possible modifications of MEI elements, or the creation of new elements and attributes for the special problems. It will explore the usefulness of markup from other projects, most importantly the \textit{Beethoven Werkstatt} project with its genetic encodings. It will also discuss the possibilities, problems and limitations of the different solutions.},
 author = {Seipelt, Agnes},
 title = {{The Freisch{\"u}tz Performance in Vienna: Encoded Representation of Performance-Related Modifications of the Score}},
 pages = {79--90},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2016},
 displayby = {Contributions from MEC 2016}
}



@inproceedings{Berndt_2019,
 abstract = {This paper introduces the Music Performance Markup format for encoding expressive performance parameters. The main focus is the general data organization in global vs. local data and header vs. dated data, illustrated by some musical examples. Moreover future work and use cases are envisioned.},
 author = {Berndt, Axel and Bohl, Benjamin W.},
 title = {{XML Music Performance Description: Reflections on and Future Developments of the Music Performance Markup Format}},
 pages = {91--94},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2016},
 displayby = {Contributions from MEC 2016}
}



@inproceedings{Kepper_2019,
 abstract = {The Freisch{\"u}tz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project.},
 author = {Kepper, Johannes},
 title = {{\textit{Wie? Was? Entsetzen!} Lessons Learned from the Freisch{\"u}tz Digital Project}},
 pages = {95--105},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2016},
 displayby = {Contributions from MEC 2016}
}



@inproceedings{DeLaHunt_2019,
 abstract = {Our heritage of music scores need to be delivered in 21st century packaging: the symbolic, digital score, instead of the paper-printed book. This will enable better music-making, but also new tools for using digital scores. The digital score plus the new tools will enable dramatically better music-making. Thus it is important to create a corpus of digital scores for the works in our musical heritage. A gap analysis shows that what is missing is an organization which mobilises participation and produces results, and which provides content in symbolic, digital score form, and freely licensed. Such an organization has recently begun operations: the Keyboard Philharmonic project.},
 author = {DeLaHunt, Jim},
 title = {{All Classical Music, Freely Available As Revisable Digital Scores, Via Crowdsourcing}},
 pages = {107--110},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2016},
 displayby = {Contributions from MEC 2016}
}

%%% ----------------------------------------------------------------
%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2017



@inproceedings{Lewis_2019,
 abstract = {As the number of music corpora published online increases, with many of these containing symbolic music encodings, the importance of search activities is also growing. Although it is seldom explicitly recognised as such, the act of querying these corpora is a form of research activity. Despite this, no common standards have emerged for preserving and disseminating these activities, or their results and provenance. In this paper, we discuss two examples of current search tasks -- each with a musicological motivation -- and consider what information might be preserved and communicated, and why. Capturing the method of a search, the timing of the query and the motivation for the investigation may be as important as preserving results. We show a preliminary Linked Data implementation, and consider how it can support visualisation of the results and evaluation of the methods},
 author = {Lewis, David and Page, Kevin and Hankinson, Andrew},
 title = {{Capturing Context and Provenance of Musicology Research}},
 pages = {113--118},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2017},
 displayby = {Contributions from MEC 2017}
}



@inproceedings{Plaksin_2019,
 abstract = {This paper outlines an encoding workflow for a critical edition of Ottoman music manuscripts based on the MEI schema. The encoding workflow is one aspect of a larger digital edition project entitled Corpus Musicae Ottomanicae (CMO). The paper gives a brief introduction to CMO, its scholarly goals and digital infrastructure. It offers some basic information on Ottoman music, focusing on the scholarly transcription into staff notation of manuscript sources written in Hampartsum notation. We discuss the modelling of metadata according to FRBR and MEI, and the challenges involved in adapting the source material to schema that were developed with different musical concepts and practices as their model. We describe the workarounds, tools and procedures we developed to encode Ottoman music in a way that meets both visual and semantic demands, and reflects musical as well as philological aspects of the sources. These solutions are offered as a possible first step towards integrating non-Western musical repertoires and sources into the MEI schema.},
 author = {Plaksin, Anna and Olley, Jacob},
 title = {{Creating an Encoding Workflow for a Critical Edition of Ottoman Music Manuscripts: Challenges and Solutions}},
 pages = {119--130},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2017},
 displayby = {Contributions from MEC 2017}
}



@inproceedings{Schueler_2019,
 abstract = {This paper summarizes the development of computing technology from the 1940s through the 1980s and draws parallels to its influence on the development of music encoding and music-analytical methods. The emphasis on how the developments of computing and computers influenced the development of computer-assisted music analysis (and, thus, various representations) is related to the fact that this knowledge is often absent in contemporary discussions of music encoding and of computer applications in music analysis.},
 author = {Sch{\"u}ler, Nico},
 title = {{The Development of Computing Technology and Its Influence on Music-Analytical Methods and Encoding: 1940s through 1980s}},
 pages = {131--133},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2017},
 displayby = {Contributions from MEC 2017}
}



@inproceedings{Voigt_2019,
 abstract = {This paper discusses the implementation of an infrastructure for LilyPond that allows import and export of different file formats, to connect LilyPond with the rest of the music-engraving world and make it a valuable chain link in a multi format environment.},
 author = {Voigt, Jan-Peter},
 title = {{Creating an Import and Export Infrastructure for LilyPond}},
 pages = {135--141},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2017},
 displayby = {Contributions from MEC 2017}
}



@inproceedings{Harrison_2019,
 abstract = {In this paper we offer a new corpus and a new method for how to consider musical style from a sociological perspective, by looking at the phenomenon of \textit{debussysme} in early 20th-century France. We focused on the solo piano scores of the "Apaches" subset of potential \textit{debussystes}, comparing them to a randomly selected control group of their peers. Due to the challenge of manually correcting these complex scores, we experimented with leaving the errors generated during the OMR process uncorrected in our MEI files, planning to correct them progressively in later stages of hypothesis testing. We then validated the error level and successfully analyzed nearly all of the scores for parallel 5ths and meter changes using customized MEI search programs. Even when taking the estimated error levels into account, a statistically significant difference was discovered between the Apaches and control groups. In addition to presenting these initial findings, our description of the methodological challenges of encoding and analyzing these complex scores might serve as a model for how to deploy a multi-hypothesis corpus study involving difficult scores over several, more manageable steps.},
 author = {Harrison, Jane and Khalid, Farhan},
 title = {{Introducing a Corpus of French Compositions for Exploring Social Interaction and Musical Change}},
 pages = {143--150},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2017},
 displayby = {Contributions from MEC 2017}
}



@inproceedings{Chen_2019,
 abstract = {We wish to introduce a toolbox that transforms handwritten mensural notation as found in 16th-century music manuscripts into modern music notation. To the best of our knowledge, this is the first such toolbox that can deal with the whole pipeline from symbol recognition to transcription. Along with the toolbox, we present our solution to the problem of ligature recognition, transcription, and encoding, which has remained an obstacle in previous mensural Optical Music Recognition (OMR) systems. We propose a visual encoding method as a reference to recognize and describe ligatures, then transform them to modern notation according to the time signature. Given an image as input, our toolbox recognizes the contents, transcribes them into modern musical notation, and encodes the result in a MusicXML file, with MEI support under development. Availability of the encoding enables further processing with third party tools.},
 author = {Chen, Xuanli and Huang, Yu-Hui and Beck, Serafina and Timofte, Radu and Burn, David and {van Gool}, Luc},
 title = {{TAMIR: A Toolbox for Recognition and Transcription of Music Manuscripts in Mensural Notation}},
 pages = {151--152},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2017},
 displayby = {Contributions from MEC 2017}
}

%%% -------------------------------------
%%% MEC 2020 Proceedings: Full volume

\">\n            <i class=\"fa fa-download fa-fw\"></i> Download BibTeX\n          </a>\n        </li>\n        <li>\n          <a href=\"//bibbase.org/rss?bib=https://raw.githubusercontent.com/music-encoding/music-encoding.github.io/main/conference/mec_proceedings.bib\">\n            <i class=\"fa fa-rss fa-fw\"></i> RSS Feed\n          </a>\n          </li>\n      </ul>\n      </li>\n\n      \n\n\n      \n    </ul>\n\n\n    <div class=\"alert alert-success bibbase_msg\" id=\"bibbase_msg_embed\"\n         style=\"display: none;\">\n\n      Excellent! Next you can\n      <a href=\"/network/register?next=/network/newSiteFromTemplate%3Fbiburl=https://raw.githubusercontent.com/music-encoding/music-encoding.github.io/main/conference/mec_proceedings.bib\"\n      >create a new website with this list</a>, or\n      embed it in an existing web page by copying &amp; pasting\n      any of the following snippets.\n\n      <div style=\"text-align: left; margin-top: 1em;\">\n        <strong>JavaScript</strong>\n        <span class=\"comment recommended\">(easiest)</span>\n        <div class=\"well well-small\">\n          <code>\n            &lt;script src=\"https://bibbase.org/show?bib=https%3A%2F%2Fraw.githubusercontent.com%2Fmusic-encoding%2Fmusic-encoding.github.io%2Fmain%2Fconference%2Fmec_proceedings.bib&amp;jsonp=1&amp;theme=simple&amp;nocache=1&amp;authorFirst=1&amp;filter=keywords:mec-proceedings-(2015%7C2016%7C2017)&amp;group0=displayby&amp;jsonp=1\"&gt;&lt;/script&gt;\n          </code>\n        </div>\n\n        <strong>PHP</strong>\n        <div class=\"well well-small\">\n          <code>\n            &lt;?php\n            $contents = file_get_contents(\"https://bibbase.org/show?bib=https%3A%2F%2Fraw.githubusercontent.com%2Fmusic-encoding%2Fmusic-encoding.github.io%2Fmain%2Fconference%2Fmec_proceedings.bib&amp;jsonp=1&amp;theme=simple&amp;nocache=1&amp;authorFirst=1&amp;filter=keywords:mec-proceedings-(2015%7C2016%7C2017)&amp;group0=displayby\");\n            print_r($contents);\n            ?&gt;\n          </code>\n        </div>\n\n        <strong>iFrame</strong>\n        <span class=\"comment\">(not recommended)</span>\n        <div class=\"well well-small\">\n          <code>\n            &lt;iframe src=\"https://bibbase.org/show?bib=https%3A%2F%2Fraw.githubusercontent.com%2Fmusic-encoding%2Fmusic-encoding.github.io%2Fmain%2Fconference%2Fmec_proceedings.bib&amp;jsonp=1&amp;theme=simple&amp;nocache=1&amp;authorFirst=1&amp;filter=keywords:mec-proceedings-(2015%7C2016%7C2017)&amp;group0=displayby\"&gt;&lt;/iframe&gt;\n          </code>\n        </div>\n\n        <p>\n          For more details see the <a href=\"//bibbase.org/help\">documention</a>.\n        </p>\n      </div>\n    </div>\n\n    <div class=\"alert alert-success bibbase_msg\" id=\"bibbase_msg_preview\"\n         style=\"display: none;\">\n\n      This is a preview! To use this list on your own web site\n      or create a new web site from it,\n      <a href=\"/network/register?next=/network/newAccountWithFile%3FfileId=\"\n      >create a free account</a>. The file will be added\n      and you will be able to edit it in the File Manager.\n      We will show you instructions once you've created your account.\n    </div>\n\n    <div class=\"alert alert-warning bibbase_msg\" id=\"bibbase_msg_mendeley1\"\n         style=\"display: none;\">\n\n      <p>To the site owner:</p>\n\n      <p><strong>Action required!</strong> Mendeley is changing its\n        API. In order to keep using Mendeley with BibBase past April\n        14th, you need to:\n        <ol>\n          <li>renew the authorization for BibBase on Mendeley, and</li>\n          <li>update the BibBase URL\n            in your page the same way you did when you initially set up\n            this page.\n          </li>\n        </ol>\n      </p>\n\n      <p>\n        <a href=\"http://bibbase.org/cgi-bin/mendeley2/get.py\">\n          <i class=\"fa fa-angle-double-right\"></i>\n          Fix it now</a>\n      </p>\n    </div>\n\n  </div>\n\n\n  <div id=\"bibbase_body\">\n    \n  \n  <div class=\"bibbase_group_whole\" id=\"group_Common_part_MEC_2015_2017\">\n    <div class=\"bibbase_group\"\n      onclick=\"toggleGroup('group_Common_part_MEC_2015_2017')\"\n      onkeypress=\"toggleGroup('group_Common_part_MEC_2015_2017')\"\n      tabindex=\"0\">\n      <i class=\"fa fa-angle-down bibbase_group_head_icon\"></i>&nbsp;\n      <span>Common part MEC 2015–2017</span>\n      <span class=\"bibbase_group_count\">\n        \n        (2)\n        \n      </span>\n    </div>\n    <div class=\"bibbase_group_body\">\n      \n  \n  <div class=\"bibbase_paper\" id=\"dibacco-kepper-roland-musicencodingconferenceproceedings20152016and2017-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Di Bacco, G.; Kepper, J.;  and Roland, P.,\n  editors.\n  \n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  <a href=\"https://www.musiconn.de/metaopac/search?id=BV045900855&amp;View=mus\"\n     onclick=\"return trackOutboundLink('publications', 'click', 'dibacco-kepper-roland-musicencodingconferenceproceedings20152016and2017-2019', 'https://www.musiconn.de/metaopac/search?id=BV045900855&amp;View=mus', event);\">\n    Music Encoding Conference Proceedings 2015, 2016 and 2017.\n  </a>\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  Bavarian State Library (BSB).  2019.\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"><span style=\"color: green; font-weight: bold\">Full volume.</span></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n  <a href=\"https://www.musiconn.de/metaopac/search?id=BV045900855&amp;View=mus\"\n     onclick=\"log_download('dibacco-kepper-roland-musicencodingconferenceproceedings20152016and2017-2019', 'https://www.musiconn.de/metaopac/search?id=BV045900855&amp;View=mus', event.ctrlKey, event)\">\n    <img src=\"//bibbase.org/img/filetypes/link.svg\"\n\t     alt=\"Music Encoding Conference Proceedings 2015, 2016 and 2017 [link]\"\n       title=\"Paper\"\n\t     class=\"bibbase_icon\"\n         ><span class=\"bibbase_icon_text\">Paper</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('dibacco-kepper-roland-musicencodingconferenceproceedings20152016and2017-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/dibacco-kepper-roland-musicencodingconferenceproceedings20152016and2017-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>14 downloads</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('dibacco-kepper-roland-musicencodingconferenceproceedings20152016and2017-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@proceedings{DiBacco_2019a,\n abstract = {Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco},\n year = {2019},\n title = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n url = {https://www.musiconn.de/metaopac/search?id=BV045900855&amp;View=mus},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n doi = {10.15463/music-1},\n bibbase_note = {&lt;span style=&quot;color: green; font-weight: bold&quot;&gt;Full volume.&lt;/span&gt;},\n keywords = {mec-proceedings, mec-proceedings-2015, mec-proceedings-2016, mec-proceedings-2017},\n displayby = {Common part MEC 2015--2017}\n}\n\n%%% -------------------------------------------------\n%%% MEC 2015, 2016 and 2017 Proceedings: Introduction\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"dibacco-introduction-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Di Bacco, G.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Introduction.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 1–3,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('dibacco-introduction-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/dibacco-introduction-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>1 download</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('dibacco-introduction-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{DiBacco_2019b,\n abstract = {Introduction of the Music Encoding Conference 2015, 2016 and 2017 proceedings.},\n author = {{Di Bacco}, Giuliano},\n title = {{Introduction}},\n pages = {1--3},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2015, mec-proceedings-2016, mec-proceedings-2017},\n displayby = {Common part MEC 2015--2017}\n}\n\n%%% ---------------------------------------------------------------\n%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2015\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  Introduction of the Music Encoding Conference 2015, 2016 and 2017 proceedings.\n</div>\n\n\n</div>\n\n\n\n\n\n    </div>\n  </div>\n\n  <div class=\"bibbase_group_whole\" id=\"group_Contributions_from_MEC_2015\">\n    <div class=\"bibbase_group\"\n      onclick=\"toggleGroup('group_Contributions_from_MEC_2015')\"\n      onkeypress=\"toggleGroup('group_Contributions_from_MEC_2015')\"\n      tabindex=\"0\">\n      <i class=\"fa fa-angle-down bibbase_group_head_icon\"></i>&nbsp;\n      <span>Contributions from MEC 2015</span>\n      <span class=\"bibbase_group_count\">\n        \n        (6)\n        \n      </span>\n    </div>\n    <div class=\"bibbase_group_body\">\n      \n  \n  <div class=\"bibbase_paper\" id=\"dubowy-encodingthenmainthedigitalmozarteditionaprogressreport-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Dubowy, N.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Encoding the NMA in the Digital Mozart Edition: A Progress Report.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 7–13,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('dubowy-encodingthenmainthedigitalmozarteditionaprogressreport-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/dubowy-encodingthenmainthedigitalmozarteditionaprogressreport-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('dubowy-encodingthenmainthedigitalmozarteditionaprogressreport-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Dubowy_2019,\n abstract = {The \\textit{Digital Mozart Edition} (DME) has as its goal the digital presentation of documents and texts related to Mozart&#x27;s life and oeuvre. The most challenging project within the DME is the digital edition of Mozart&#x27;s music which is currently being developed. It will eventually make the complete compositional output of Mozart available to the public in critical, MEI based editions. The DME already hosts the \\textit{NMA Online}, the representation in digital images of the \\textit{Neue Mozart Ausgabe} (NMA) print edition, originally published between 1954 and 2007. While on the one hand, the DME seeks to transform the authoritative musical text of the NMA into digital format, the DME also intends to broaden the philological concept by the publication of new and alternative editions based on individual sources. At the present state of the project, several challenges have been identified, some connected to the publication history and the availability of sources used by the NMA. Others are related to the representation of the \\textit{Kritische Berichte} of the NMA within the DME. The paper reports on the development of the conceptual as well as practical model of the DME music edition.},\n author = {Dubowy, Norbert},\n title = {{Encoding the NMA in the Digital Mozart Edition: A Progress Report}},\n pages = {7--13},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2015},\n displayby = {Contributions from MEC 2015}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  The <i>Digital Mozart Edition</i> (DME) has as its goal the digital presentation of documents and texts related to Mozart's life and oeuvre. The most challenging project within the DME is the digital edition of Mozart's music which is currently being developed. It will eventually make the complete compositional output of Mozart available to the public in critical, MEI based editions. The DME already hosts the <i>NMA Online</i>, the representation in digital images of the <i>Neue Mozart Ausgabe</i> (NMA) print edition, originally published between 1954 and 2007. While on the one hand, the DME seeks to transform the authoritative musical text of the NMA into digital format, the DME also intends to broaden the philological concept by the publication of new and alternative editions based on individual sources. At the present state of the project, several challenges have been identified, some connected to the publication history and the availability of sources used by the NMA. Others are related to the representation of the <i>Kritische Berichte</i> of the NMA within the DME. The paper reports on the development of the conceptual as well as practical model of the DME music edition.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"stinson-stoessel-revisingmeiforresearchonlatemedievalmanuscripts-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Stinson, J. A.;  and Stoessel, J.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Revising MEI for Research on late Medieval Manuscripts.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 15–24,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('stinson-stoessel-revisingmeiforresearchonlatemedievalmanuscripts-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/stinson-stoessel-revisingmeiforresearchonlatemedievalmanuscripts-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>4 downloads</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('stinson-stoessel-revisingmeiforresearchonlatemedievalmanuscripts-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Stinson_2019,\n abstract = {This paper illustrates opportunities for revising the current Chant and Mensural modules of the Music Encoding Initiative for encoding music notation from before c.1500. Repurposing data collected over the last three decades in Scribe music encoding software required a bespoke MEI module, which we have called NeoScribe. The Scribe project has benefited from the long-term investigation and implementation of methods for the efficient encoding of late medieval music notation. With Scribe, users are able to represent every meaningful scribal mark on the written page, something that is not currently possible in the current MEI Chant and Mensural modules. In converting Scribe data to a MEI-compliant XML, we recognised the need to retain Scribe&#x27;s nuance-rich encoding of medieval musical notation. For zero dataloss, new elements and data types were added to MEI for encoding late medieval chant and mensural notation. We demonstrate some of NeoScribe&#x27;s enhanced features for encoding 14th-century repertoires. We conclude by discussing some of the benefits of revising the MEI Chant and Mensural modules for projects investigating music from before c.1500.},\n author = {Stinson, John A. and Stoessel, Jason},\n title = {{Revising MEI for Research on late Medieval Manuscripts}},\n pages = {15--24},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2015},\n displayby = {Contributions from MEC 2015}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  This paper illustrates opportunities for revising the current Chant and Mensural modules of the Music Encoding Initiative for encoding music notation from before c.1500. Repurposing data collected over the last three decades in Scribe music encoding software required a bespoke MEI module, which we have called NeoScribe. The Scribe project has benefited from the long-term investigation and implementation of methods for the efficient encoding of late medieval music notation. With Scribe, users are able to represent every meaningful scribal mark on the written page, something that is not currently possible in the current MEI Chant and Mensural modules. In converting Scribe data to a MEI-compliant XML, we recognised the need to retain Scribe's nuance-rich encoding of medieval musical notation. For zero dataloss, new elements and data types were added to MEI for encoding late medieval chant and mensural notation. We demonstrate some of NeoScribe's enhanced features for encoding 14th-century repertoires. We conclude by discussing some of the benefits of revising the MEI Chant and Mensural modules for projects investigating music from before c.1500.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"dibacco-roland-meiformensuralnotationinthethesaurusmusicarumlatinarum-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Di Bacco, G.;  and Roland, P.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  MEI for Mensural Notation in the Thesaurus Musicarum Latinarum.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 25–35,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('dibacco-roland-meiformensuralnotationinthethesaurusmusicarumlatinarum-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/dibacco-roland-meiformensuralnotationinthethesaurusmusicarumlatinarum-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('dibacco-roland-meiformensuralnotationinthethesaurusmusicarumlatinarum-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{DiBacco_2019c,\n abstract = {This paper stems from the project of redevelopment of the \\textit{Thesaurus Musicarum Latinarum} (TML), the online searchable archive of early music treatises in Latin. Over 25 years after the project&#x27;s inception, work is in progress to enrich the large corpus of plain-text files by encoding them with TEI, to improve the resource&#x27;s fruition and the discoverability of the text. Over that background, a quite more difficult challenge emerges: to make also discoverable the large quantity of notated examples found interleaved with the verbal text of the treatises. It was not in the original intent to make music notation systematically searchable, but attempts were made to capture some facets of mensura notation through a code specifically designed for the project. The aim of this paper is both to discuss these earlier encoding attempts, with their shortcomings, and to propose our customization of MEI as a possible starting point to expand the current specifications. This is proving useful in the present state of the project: more work will be necessary to take care of other mensural features and flavors, and of course of chant and non-mensural notations, but MEI is proving apt to the job. The TML provides an ideal benchmark for developing a more specialized model of markup that will be useful for many other scholarly purposes. (The transcript below reflects the status of the TML project and of MEI at the time of the conference.)},\n author = {{Di Bacco}, Giuliano and Roland, Perry},\n title = {{MEI for Mensural Notation in the Thesaurus Musicarum Latinarum}},\n pages = {25--35},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2015},\n displayby = {Contributions from MEC 2015}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  This paper stems from the project of redevelopment of the <i>Thesaurus Musicarum Latinarum</i> (TML), the online searchable archive of early music treatises in Latin. Over 25 years after the project's inception, work is in progress to enrich the large corpus of plain-text files by encoding them with TEI, to improve the resource's fruition and the discoverability of the text. Over that background, a quite more difficult challenge emerges: to make also discoverable the large quantity of notated examples found interleaved with the verbal text of the treatises. It was not in the original intent to make music notation systematically searchable, but attempts were made to capture some facets of mensura notation through a code specifically designed for the project. The aim of this paper is both to discuss these earlier encoding attempts, with their shortcomings, and to propose our customization of MEI as a possible starting point to expand the current specifications. This is proving useful in the present state of the project: more work will be necessary to take care of other mensural features and flavors, and of course of chant and non-mensural notations, but MEI is proving apt to the job. The TML provides an ideal benchmark for developing a more specialized model of markup that will be useful for many other scholarly purposes. (The transcript below reflects the status of the TML project and of MEI at the time of the conference.)\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"snger-kepper-encodinggeneticalprocesses-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Sänger, R.;  and Kepper, J.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Encoding Genetical Processes.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 37–44,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('snger-kepper-encodinggeneticalprocesses-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/snger-kepper-encodinggeneticalprocesses-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>1 download</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('snger-kepper-encodinggeneticalprocesses-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Saenger_2019,\n abstract = {This paper describes a model for genetic criticism in MEI, which takes slightly different approaches than the corresponding module in TEI.},\n author = {S{\\&quot;a}nger, Richard and Kepper, Johannes},\n title = {{Encoding Genetical Processes}},\n pages = {37--44},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2015},\n displayby = {Contributions from MEC 2015}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  This paper describes a model for genetic criticism in MEI, which takes slightly different approaches than the corresponding module in TEI.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"horwitz-hankinson-fujinaga-abrowserbasedmeieditor-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Horwitz, A.; Hankinson, A.;  and Fujinaga, I.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  A Browser-Based MEI Editor.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 45–46,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('horwitz-hankinson-fujinaga-abrowserbasedmeieditor-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/horwitz-hankinson-fujinaga-abrowserbasedmeieditor-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('horwitz-hankinson-fujinaga-abrowserbasedmeieditor-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Horwitz_2019,\n abstract = {This paper presents a web-based XML editor tailored for use with MEI. This editor provides an interface for synchronizing text edits with changes from a graphical editor. While initially developed to facilitate editing the results of optical music recognition, the editor is built to interface with other graphical editors. Various features such as loading multiple files at the same time, saving to the user&#x27;s computer, and validation are also built in.},\n author = {Horwitz, Andrew and Hankinson, Andrew and Fujinaga, Ichiro},\n title = {{A Browser-Based MEI Editor}},\n pages = {45--46},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2015},\n displayby = {Contributions from MEC 2015}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  This paper presents a web-based XML editor tailored for use with MEI. This editor provides an interface for synchronizing text edits with changes from a graphical editor. While initially developed to facilitate editing the results of optical music recognition, the editor is built to interface with other graphical editors. Various features such as loading multiple files at the same time, saving to the user's computer, and validation are also built in.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"viglianti-aspecificationforaddressingencodedmusicontheweb-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Viglianti, R.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  A Specification for Addressing Encoded Music on the Web.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 47–49,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('viglianti-aspecificationforaddressingencodedmusicontheweb-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/viglianti-aspecificationforaddressingencodedmusicontheweb-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>1 download</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('viglianti-aspecificationforaddressingencodedmusicontheweb-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Viglianti_2019,\n abstract = {Enhancing Music Notation Addressability (EMA) is a one-year project that investigates methods for addressing arbitrary portions of encoded music notation on the web. By &quot;addressing&quot; we mean being able to refer to, or cite, a passage of music in order to make a statement about it. This could be considered a virtual equivalent of &quot;circling&quot; some music notation on a printed score. The technical specification created by the EMA project are described below. The specification aims at defining a scheme for addressing a selection of music notation regardless of its representation. The expression is based on simple units that are commonly represented by music notation systems for common Western music notation, such as measure, staff, and beat. The expression is formulated as a URL, which makes it possible to target resources on the web.},\n author = {Viglianti, Raffaele},\n title = {{A Specification for Addressing Encoded Music on the Web}},\n pages = {47--49},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2015},\n displayby = {Contributions from MEC 2015}\n}\n\n%%% ----------------------------------------------------------------\n%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2016\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  Enhancing Music Notation Addressability (EMA) is a one-year project that investigates methods for addressing arbitrary portions of encoded music notation on the web. By \"addressing\" we mean being able to refer to, or cite, a passage of music in order to make a statement about it. This could be considered a virtual equivalent of \"circling\" some music notation on a printed score. The technical specification created by the EMA project are described below. The specification aims at defining a scheme for addressing a selection of music notation regardless of its representation. The expression is based on simple units that are commonly represented by music notation systems for common Western music notation, such as measure, staff, and beat. The expression is formulated as a URL, which makes it possible to target resources on the web.\n</div>\n\n\n</div>\n\n\n\n\n\n    </div>\n  </div>\n\n  <div class=\"bibbase_group_whole\" id=\"group_Contributions_from_MEC_2016\">\n    <div class=\"bibbase_group\"\n      onclick=\"toggleGroup('group_Contributions_from_MEC_2016')\"\n      onkeypress=\"toggleGroup('group_Contributions_from_MEC_2016')\"\n      tabindex=\"0\">\n      <i class=\"fa fa-angle-down bibbase_group_head_icon\"></i>&nbsp;\n      <span>Contributions from MEC 2016</span>\n      <span class=\"bibbase_group_count\">\n        \n        (7)\n        \n      </span>\n    </div>\n    <div class=\"bibbase_group_body\">\n      \n  \n  <div class=\"bibbase_paper\" id=\"krmer-onintermediateformats-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Krämer, R.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  On Intermediate Formats.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 53–61,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('krmer-onintermediateformats-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/krmer-onintermediateformats-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>2 downloads</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('krmer-onintermediateformats-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Kraemer_2019,\n abstract = {Computational Music Analysis Platforms (or CMAPs for short) in general parse music data and transcode the data to an internal format in order to process the acquired data. We call the internal format an intermediate format, because it acts within a software architecture as an intermediary between input and output of a given CMAP&#x27;s workflow. The paper examines three different types of intermediate formats, one historical, and two currently in use, as they occur in CMAPs, and posits how these intermediate formats influence the analytical process and thought.},\n author = {Kr{\\&quot;a}mer, Reiner},\n title = {{On Intermediate Formats}},\n pages = {53--61},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2016},\n displayby = {Contributions from MEC 2016}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  Computational Music Analysis Platforms (or CMAPs for short) in general parse music data and transcode the data to an internal format in order to process the acquired data. We call the internal format an intermediate format, because it acts within a software architecture as an intermediary between input and output of a given CMAP's workflow. The paper examines three different types of intermediate formats, one historical, and two currently in use, as they occur in CMAPs, and posits how these intermediate formats influence the analytical process and thought.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"shaw-thekasselwolfenbtteltablaturesystemaconvergenceoflutetablatureandmensuralnotation-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Shaw, R. A.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  The Kassel-Wolfenbüttel Tablature System: A Convergence of Lute Tablature and Mensural Notation.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 63–71,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('shaw-thekasselwolfenbtteltablaturesystemaconvergenceoflutetablatureandmensuralnotation-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/shaw-thekasselwolfenbtteltablaturesystemaconvergenceoflutetablatureandmensuralnotation-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('shaw-thekasselwolfenbtteltablaturesystemaconvergenceoflutetablatureandmensuralnotation-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Shaw_2019,\n abstract = {The \\textit{Wolfenb{\\&quot;u}ttel Lute Tablature} (c. 1460) consists of two fragmented folios with intabulations for five secular songs and is the only extant source of a notation system described theoretically in \\textit{Kassel Lautenkragen}. The notation, named the Kassel-Wolfenb{\\&quot;u}ttel Tablature System (KWTS) by Marc Lewon, combines a quasi- mensural notation, which closely resembles the upper voice of organ tablature, and an alphabetic notation, parallel to organ tablature. Because of its connections to both tablature and mensural notations, in order to encode KWTS, one must combine the encoding systems for both tablature and mensural notation. In this paper, I examine some of the problems inherent in encoding KWTS; suggest possible solutions; and define a musicological application for the project. As the earliest lute-specific notation, KWTS contains valuable information on the changing lute performance practices of the mid-fifteenth century, despite the sources&#x27; brevity. Developing an encoding system for this notation will enable further exploration of fifteenth-century lute repertoire, including that prior to lute-specific notation.},\n author = {Shaw, Rebecca A.},\n title = {{The Kassel-Wolfenb{\\&quot;u}ttel Tablature System: A Convergence of Lute Tablature and Mensural Notation}},\n pages = {63--71},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2016},\n displayby = {Contributions from MEC 2016}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  The <i>Wolfenbüttel Lute Tablature</i> (c. 1460) consists of two fragmented folios with intabulations for five secular songs and is the only extant source of a notation system described theoretically in <i>Kassel Lautenkragen</i>. The notation, named the Kassel-Wolfenbüttel Tablature System (KWTS) by Marc Lewon, combines a quasi- mensural notation, which closely resembles the upper voice of organ tablature, and an alphabetic notation, parallel to organ tablature. Because of its connections to both tablature and mensural notations, in order to encode KWTS, one must combine the encoding systems for both tablature and mensural notation. In this paper, I examine some of the problems inherent in encoding KWTS; suggest possible solutions; and define a musicological application for the project. As the earliest lute-specific notation, KWTS contains valuable information on the changing lute performance practices of the mid-fifteenth century, despite the sources' brevity. Developing an encoding system for this notation will enable further exploration of fifteenth-century lute repertoire, including that prior to lute-specific notation.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"swanson-lacoste-chantsthatdefyclassificationimplicationsofcategorizationinthecantusdatabase-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Swanson, B.;  and Lacoste, D.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Chants That Defy Classification: Implications of Categorization in the Cantus Database.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 73–78,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('swanson-lacoste-chantsthatdefyclassificationimplicationsofcategorizationinthecantusdatabase-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/swanson-lacoste-chantsthatdefyclassificationimplicationsofcategorizationinthecantusdatabase-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('swanson-lacoste-chantsthatdefyclassificationimplicationsofcategorizationinthecantusdatabase-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Swanson_2019,\n abstract = {Entering metadata for medieval chants in the Cantus Database often poses challenges for the indexer. Although many of the chants follow the standard, expected forms, some items are difficult to classify. For example, certain melodies do not conform to the standard modes and some chants are unique in their usage for a particular day or service within the liturgical year. Although it is easy to create new classification tags, the prudent database manager exercises caution, as the modern need to categorize does not always conform to medieval custom. By focusing on chants from Holy Week including the \\textit{Exsultet}, \\textit{Improperia} and \\textit{Trisagion}, this paper addresses the various criteria used to create two new genre codes, &quot;Varia&quot; (Va) and &quot;Holy Week Varia&quot; (VaHW). Although these classifiers provide less specificity than other possible options, they avoid over-interpretation, are easy-to-use by novice indexers, and usefully differentiate the unique chants of Holy Week from other chant miscellany.},\n author = {Swanson, Barbara and Lacoste, Debra},\n title = {{Chants That Defy Classification: Implications of Categorization in the Cantus Database}},\n pages = {73--78},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2016},\n displayby = {Contributions from MEC 2016}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  Entering metadata for medieval chants in the Cantus Database often poses challenges for the indexer. Although many of the chants follow the standard, expected forms, some items are difficult to classify. For example, certain melodies do not conform to the standard modes and some chants are unique in their usage for a particular day or service within the liturgical year. Although it is easy to create new classification tags, the prudent database manager exercises caution, as the modern need to categorize does not always conform to medieval custom. By focusing on chants from Holy Week including the <i>Exsultet</i>, <i>Improperia</i> and <i>Trisagion</i>, this paper addresses the various criteria used to create two new genre codes, \"Varia\" (Va) and \"Holy Week Varia\" (VaHW). Although these classifiers provide less specificity than other possible options, they avoid over-interpretation, are easy-to-use by novice indexers, and usefully differentiate the unique chants of Holy Week from other chant miscellany.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"seipelt-thefreischtzperformanceinviennaencodedrepresentationofperformancerelatedmodificationsofthescore-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Seipelt, A.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  The Freischütz Performance in Vienna: Encoded Representation of Performance-Related Modifications of the Score.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 79–90,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('seipelt-thefreischtzperformanceinviennaencodedrepresentationofperformancerelatedmodificationsofthescore-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/seipelt-thefreischtzperformanceinviennaencodedrepresentationofperformancerelatedmodificationsofthescore-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('seipelt-thefreischtzperformanceinviennaencodedrepresentationofperformancerelatedmodificationsofthescore-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Seipelt_2019,\n abstract = {The first performance of Weber&#x27;s \\textit{Freisch{\\&quot;u}tz} in Vienna took place November 3rd, 1822. A manuscript copy was bought from Weber, which closely followed the composer&#x27;s autograph. But a close look to the manuscript reveals a great number of performance-related modifications of both the musical and textual content. These transformations have mostly been major ones, like deletions of whole measures or text passages, and insertions of new pages. On the basis of the BMBF-sponsored project &quot;Freisch{\\&quot;u}tz Digital&quot; (Digital edition of the \\textit{Freisch{\\&quot;u}tz}, hereafter &quot;FreiDi&quot;), this paper tries to develop a way to describe the textual and physical modifications of the manuscript not only verbally but in a semantic, i.e. logic, encoding, based on MEI. For this, the paper explores possible modifications of MEI elements, or the creation of new elements and attributes for the special problems. It will explore the usefulness of markup from other projects, most importantly the \\textit{Beethoven Werkstatt} project with its genetic encodings. It will also discuss the possibilities, problems and limitations of the different solutions.},\n author = {Seipelt, Agnes},\n title = {{The Freisch{\\&quot;u}tz Performance in Vienna: Encoded Representation of Performance-Related Modifications of the Score}},\n pages = {79--90},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2016},\n displayby = {Contributions from MEC 2016}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  The first performance of Weber's <i>Freischütz</i> in Vienna took place November 3rd, 1822. A manuscript copy was bought from Weber, which closely followed the composer's autograph. But a close look to the manuscript reveals a great number of performance-related modifications of both the musical and textual content. These transformations have mostly been major ones, like deletions of whole measures or text passages, and insertions of new pages. On the basis of the BMBF-sponsored project \"Freischütz Digital\" (Digital edition of the <i>Freischütz</i>, hereafter \"FreiDi\"), this paper tries to develop a way to describe the textual and physical modifications of the manuscript not only verbally but in a semantic, i.e. logic, encoding, based on MEI. For this, the paper explores possible modifications of MEI elements, or the creation of new elements and attributes for the special problems. It will explore the usefulness of markup from other projects, most importantly the <i>Beethoven Werkstatt</i> project with its genetic encodings. It will also discuss the possibilities, problems and limitations of the different solutions.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"berndt-bohl-xmlmusicperformancedescriptionreflectionsonandfuturedevelopmentsofthemusicperformancemarkupformat-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Berndt, A.;  and Bohl, B. W.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  XML Music Performance Description: Reflections on and Future Developments of the Music Performance Markup Format.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 91–94,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('berndt-bohl-xmlmusicperformancedescriptionreflectionsonandfuturedevelopmentsofthemusicperformancemarkupformat-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/berndt-bohl-xmlmusicperformancedescriptionreflectionsonandfuturedevelopmentsofthemusicperformancemarkupformat-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('berndt-bohl-xmlmusicperformancedescriptionreflectionsonandfuturedevelopmentsofthemusicperformancemarkupformat-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Berndt_2019,\n abstract = {This paper introduces the Music Performance Markup format for encoding expressive performance parameters. The main focus is the general data organization in global vs. local data and header vs. dated data, illustrated by some musical examples. Moreover future work and use cases are envisioned.},\n author = {Berndt, Axel and Bohl, Benjamin W.},\n title = {{XML Music Performance Description: Reflections on and Future Developments of the Music Performance Markup Format}},\n pages = {91--94},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2016},\n displayby = {Contributions from MEC 2016}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  This paper introduces the Music Performance Markup format for encoding expressive performance parameters. The main focus is the general data organization in global vs. local data and header vs. dated data, illustrated by some musical examples. Moreover future work and use cases are envisioned.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"kepper-iwiewasentsetzenilessonslearnedfromthefreischtzdigitalproject-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Kepper, J.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  <i>Wie? Was? Entsetzen!</i> Lessons Learned from the Freischütz Digital Project.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 95–105,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('kepper-iwiewasentsetzenilessonslearnedfromthefreischtzdigitalproject-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/kepper-iwiewasentsetzenilessonslearnedfromthefreischtzdigitalproject-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>1 download</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('kepper-iwiewasentsetzenilessonslearnedfromthefreischtzdigitalproject-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Kepper_2019,\n abstract = {The Freisch{\\&quot;u}tz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project.},\n author = {Kepper, Johannes},\n title = {{\\textit{Wie? Was? Entsetzen!} Lessons Learned from the Freisch{\\&quot;u}tz Digital Project}},\n pages = {95--105},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2016},\n displayby = {Contributions from MEC 2016}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  The Freischütz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"delahunt-allclassicalmusicfreelyavailableasrevisabledigitalscoresviacrowdsourcing-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  DeLaHunt, J.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  All Classical Music, Freely Available As Revisable Digital Scores, Via Crowdsourcing.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 107–110,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('delahunt-allclassicalmusicfreelyavailableasrevisabledigitalscoresviacrowdsourcing-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/delahunt-allclassicalmusicfreelyavailableasrevisabledigitalscoresviacrowdsourcing-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('delahunt-allclassicalmusicfreelyavailableasrevisabledigitalscoresviacrowdsourcing-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{DeLaHunt_2019,\n abstract = {Our heritage of music scores need to be delivered in 21st century packaging: the symbolic, digital score, instead of the paper-printed book. This will enable better music-making, but also new tools for using digital scores. The digital score plus the new tools will enable dramatically better music-making. Thus it is important to create a corpus of digital scores for the works in our musical heritage. A gap analysis shows that what is missing is an organization which mobilises participation and produces results, and which provides content in symbolic, digital score form, and freely licensed. Such an organization has recently begun operations: the Keyboard Philharmonic project.},\n author = {DeLaHunt, Jim},\n title = {{All Classical Music, Freely Available As Revisable Digital Scores, Via Crowdsourcing}},\n pages = {107--110},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2016},\n displayby = {Contributions from MEC 2016}\n}\n\n%%% ----------------------------------------------------------------\n%%% MEC 2015, 2016 and 2017 Proceedings: Contributions from MEC 2017\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  Our heritage of music scores need to be delivered in 21st century packaging: the symbolic, digital score, instead of the paper-printed book. This will enable better music-making, but also new tools for using digital scores. The digital score plus the new tools will enable dramatically better music-making. Thus it is important to create a corpus of digital scores for the works in our musical heritage. A gap analysis shows that what is missing is an organization which mobilises participation and produces results, and which provides content in symbolic, digital score form, and freely licensed. Such an organization has recently begun operations: the Keyboard Philharmonic project.\n</div>\n\n\n</div>\n\n\n\n\n\n    </div>\n  </div>\n\n  <div class=\"bibbase_group_whole\" id=\"group_Contributions_from_MEC_2017\">\n    <div class=\"bibbase_group\"\n      onclick=\"toggleGroup('group_Contributions_from_MEC_2017')\"\n      onkeypress=\"toggleGroup('group_Contributions_from_MEC_2017')\"\n      tabindex=\"0\">\n      <i class=\"fa fa-angle-down bibbase_group_head_icon\"></i>&nbsp;\n      <span>Contributions from MEC 2017</span>\n      <span class=\"bibbase_group_count\">\n        \n        (6)\n        \n      </span>\n    </div>\n    <div class=\"bibbase_group_body\">\n      \n  \n  <div class=\"bibbase_paper\" id=\"lewis-page-hankinson-capturingcontextandprovenanceofmusicologyresearch-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Lewis, D.; Page, K.;  and Hankinson, A.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Capturing Context and Provenance of Musicology Research.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 113–118,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('lewis-page-hankinson-capturingcontextandprovenanceofmusicologyresearch-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/lewis-page-hankinson-capturingcontextandprovenanceofmusicologyresearch-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>1 download</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('lewis-page-hankinson-capturingcontextandprovenanceofmusicologyresearch-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Lewis_2019,\n abstract = {As the number of music corpora published online increases, with many of these containing symbolic music encodings, the importance of search activities is also growing. Although it is seldom explicitly recognised as such, the act of querying these corpora is a form of research activity. Despite this, no common standards have emerged for preserving and disseminating these activities, or their results and provenance. In this paper, we discuss two examples of current search tasks -- each with a musicological motivation -- and consider what information might be preserved and communicated, and why. Capturing the method of a search, the timing of the query and the motivation for the investigation may be as important as preserving results. We show a preliminary Linked Data implementation, and consider how it can support visualisation of the results and evaluation of the methods},\n author = {Lewis, David and Page, Kevin and Hankinson, Andrew},\n title = {{Capturing Context and Provenance of Musicology Research}},\n pages = {113--118},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2017},\n displayby = {Contributions from MEC 2017}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  As the number of music corpora published online increases, with many of these containing symbolic music encodings, the importance of search activities is also growing. Although it is seldom explicitly recognised as such, the act of querying these corpora is a form of research activity. Despite this, no common standards have emerged for preserving and disseminating these activities, or their results and provenance. In this paper, we discuss two examples of current search tasks – each with a musicological motivation – and consider what information might be preserved and communicated, and why. Capturing the method of a search, the timing of the query and the motivation for the investigation may be as important as preserving results. We show a preliminary Linked Data implementation, and consider how it can support visualisation of the results and evaluation of the methods\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"plaksin-olley-creatinganencodingworkflowforacriticaleditionofottomanmusicmanuscriptschallengesandsolutions-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Plaksin, A.;  and Olley, J.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Creating an Encoding Workflow for a Critical Edition of Ottoman Music Manuscripts: Challenges and Solutions.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 119–130,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('plaksin-olley-creatinganencodingworkflowforacriticaleditionofottomanmusicmanuscriptschallengesandsolutions-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/plaksin-olley-creatinganencodingworkflowforacriticaleditionofottomanmusicmanuscriptschallengesandsolutions-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>1 download</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('plaksin-olley-creatinganencodingworkflowforacriticaleditionofottomanmusicmanuscriptschallengesandsolutions-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Plaksin_2019,\n abstract = {This paper outlines an encoding workflow for a critical edition of Ottoman music manuscripts based on the MEI schema. The encoding workflow is one aspect of a larger digital edition project entitled Corpus Musicae Ottomanicae (CMO). The paper gives a brief introduction to CMO, its scholarly goals and digital infrastructure. It offers some basic information on Ottoman music, focusing on the scholarly transcription into staff notation of manuscript sources written in Hampartsum notation. We discuss the modelling of metadata according to FRBR and MEI, and the challenges involved in adapting the source material to schema that were developed with different musical concepts and practices as their model. We describe the workarounds, tools and procedures we developed to encode Ottoman music in a way that meets both visual and semantic demands, and reflects musical as well as philological aspects of the sources. These solutions are offered as a possible first step towards integrating non-Western musical repertoires and sources into the MEI schema.},\n author = {Plaksin, Anna and Olley, Jacob},\n title = {{Creating an Encoding Workflow for a Critical Edition of Ottoman Music Manuscripts: Challenges and Solutions}},\n pages = {119--130},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2017},\n displayby = {Contributions from MEC 2017}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  This paper outlines an encoding workflow for a critical edition of Ottoman music manuscripts based on the MEI schema. The encoding workflow is one aspect of a larger digital edition project entitled Corpus Musicae Ottomanicae (CMO). The paper gives a brief introduction to CMO, its scholarly goals and digital infrastructure. It offers some basic information on Ottoman music, focusing on the scholarly transcription into staff notation of manuscript sources written in Hampartsum notation. We discuss the modelling of metadata according to FRBR and MEI, and the challenges involved in adapting the source material to schema that were developed with different musical concepts and practices as their model. We describe the workarounds, tools and procedures we developed to encode Ottoman music in a way that meets both visual and semantic demands, and reflects musical as well as philological aspects of the sources. These solutions are offered as a possible first step towards integrating non-Western musical repertoires and sources into the MEI schema.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"schler-thedevelopmentofcomputingtechnologyanditsinfluenceonmusicanalyticalmethodsandencoding1940sthrough1980s-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Schüler, N.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  The Development of Computing Technology and Its Influence on Music-Analytical Methods and Encoding: 1940s through 1980s.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 131–133,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('schler-thedevelopmentofcomputingtechnologyanditsinfluenceonmusicanalyticalmethodsandencoding1940sthrough1980s-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/schler-thedevelopmentofcomputingtechnologyanditsinfluenceonmusicanalyticalmethodsandencoding1940sthrough1980s-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n  &nbsp;\n  <span class=\"bibbase_stats_paper\" style=\"color: #777;\">\n    <span>1 download</span>\n  </span>\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('schler-thedevelopmentofcomputingtechnologyanditsinfluenceonmusicanalyticalmethodsandencoding1940sthrough1980s-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Schueler_2019,\n abstract = {This paper summarizes the development of computing technology from the 1940s through the 1980s and draws parallels to its influence on the development of music encoding and music-analytical methods. The emphasis on how the developments of computing and computers influenced the development of computer-assisted music analysis (and, thus, various representations) is related to the fact that this knowledge is often absent in contemporary discussions of music encoding and of computer applications in music analysis.},\n author = {Sch{\\&quot;u}ler, Nico},\n title = {{The Development of Computing Technology and Its Influence on Music-Analytical Methods and Encoding: 1940s through 1980s}},\n pages = {131--133},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2017},\n displayby = {Contributions from MEC 2017}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  This paper summarizes the development of computing technology from the 1940s through the 1980s and draws parallels to its influence on the development of music encoding and music-analytical methods. The emphasis on how the developments of computing and computers influenced the development of computer-assisted music analysis (and, thus, various representations) is related to the fact that this knowledge is often absent in contemporary discussions of music encoding and of computer applications in music analysis.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"voigt-creatinganimportandexportinfrastructureforlilypond-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Voigt, J.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Creating an Import and Export Infrastructure for LilyPond.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 135–141,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('voigt-creatinganimportandexportinfrastructureforlilypond-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/voigt-creatinganimportandexportinfrastructureforlilypond-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('voigt-creatinganimportandexportinfrastructureforlilypond-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Voigt_2019,\n abstract = {This paper discusses the implementation of an infrastructure for LilyPond that allows import and export of different file formats, to connect LilyPond with the rest of the music-engraving world and make it a valuable chain link in a multi format environment.},\n author = {Voigt, Jan-Peter},\n title = {{Creating an Import and Export Infrastructure for LilyPond}},\n pages = {135--141},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2017},\n displayby = {Contributions from MEC 2017}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  This paper discusses the implementation of an infrastructure for LilyPond that allows import and export of different file formats, to connect LilyPond with the rest of the music-engraving world and make it a valuable chain link in a multi format environment.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"harrison-khalid-introducingacorpusoffrenchcompositionsforexploringsocialinteractionandmusicalchange-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Harrison, J.;  and Khalid, F.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  Introducing a Corpus of French Compositions for Exploring Social Interaction and Musical Change.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 143–150,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('harrison-khalid-introducingacorpusoffrenchcompositionsforexploringsocialinteractionandmusicalchange-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/harrison-khalid-introducingacorpusoffrenchcompositionsforexploringsocialinteractionandmusicalchange-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('harrison-khalid-introducingacorpusoffrenchcompositionsforexploringsocialinteractionandmusicalchange-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Harrison_2019,\n abstract = {In this paper we offer a new corpus and a new method for how to consider musical style from a sociological perspective, by looking at the phenomenon of \\textit{debussysme} in early 20th-century France. We focused on the solo piano scores of the &quot;Apaches&quot; subset of potential \\textit{debussystes}, comparing them to a randomly selected control group of their peers. Due to the challenge of manually correcting these complex scores, we experimented with leaving the errors generated during the OMR process uncorrected in our MEI files, planning to correct them progressively in later stages of hypothesis testing. We then validated the error level and successfully analyzed nearly all of the scores for parallel 5ths and meter changes using customized MEI search programs. Even when taking the estimated error levels into account, a statistically significant difference was discovered between the Apaches and control groups. In addition to presenting these initial findings, our description of the methodological challenges of encoding and analyzing these complex scores might serve as a model for how to deploy a multi-hypothesis corpus study involving difficult scores over several, more manageable steps.},\n author = {Harrison, Jane and Khalid, Farhan},\n title = {{Introducing a Corpus of French Compositions for Exploring Social Interaction and Musical Change}},\n pages = {143--150},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2017},\n displayby = {Contributions from MEC 2017}\n}\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  In this paper we offer a new corpus and a new method for how to consider musical style from a sociological perspective, by looking at the phenomenon of <i>debussysme</i> in early 20th-century France. We focused on the solo piano scores of the \"Apaches\" subset of potential <i>debussystes</i>, comparing them to a randomly selected control group of their peers. Due to the challenge of manually correcting these complex scores, we experimented with leaving the errors generated during the OMR process uncorrected in our MEI files, planning to correct them progressively in later stages of hypothesis testing. We then validated the error level and successfully analyzed nearly all of the scores for parallel 5ths and meter changes using customized MEI search programs. Even when taking the estimated error levels into account, a statistically significant difference was discovered between the Apaches and control groups. In addition to presenting these initial findings, our description of the methodological challenges of encoding and analyzing these complex scores might serve as a model for how to deploy a multi-hypothesis corpus study involving difficult scores over several, more manageable steps.\n</div>\n\n\n</div>\n\n\n  <div class=\"bibbase_paper\" id=\"chen-huang-beck-timofte-burn-vangool-tamiratoolboxforrecognitionandtranscriptionofmusicmanuscriptsinmensuralnotation-2019\">\n  <span class=\"bibbase_paper_titleauthoryear\">\n\n  \n  <span class=\"bibbase_paper_author\">\n  Chen, X.; Huang, Y.; Beck, S.; Timofte, R.; Burn, D.;  and van Gool , L.\n</span>\n\n  <span class=\"bibbase_paper_title\">\n  \n  \n  \n  TAMIR: A Toolbox for Recognition and Transcription of Music Manuscripts in Mensural Notation.\n  \n  \n  \n</span>\n\n  \n\n</span>\n\n  In Di Bacco, G.; Kepper, J.;  and Roland, P., editor(s), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, pages 151–152,  2019. Bavarian State Library (BSB)\n  <span class=\"note\"></span>\n\n<span class=\"bibbase_note\"></span>\n\n<br class=\"bibbase_paper_content\"/>\n\n<span class=\"bibbase_paper_content dontprint\">\n\n  \n\n  \n  <a href=\"http://doi.org/10.15463/music-1\"\n     onclick=\"log_download('chen-huang-beck-timofte-burn-vangool-tamiratoolboxforrecognitionandtranscriptionofmusicmanuscriptsinmensuralnotation-2019', 'http://doi.org/10.15463/music-1', event.ctrlKey)\"\n     class=\"bibbase doi link\">\n    <span>doi</span></a>\n  &nbsp;\n  \n\n  \n  <a href=\"//bibbase.org/network/publication/chen-huang-beck-timofte-burn-vangool-tamiratoolboxforrecognitionandtranscriptionofmusicmanuscriptsinmensuralnotation-2019\"\n     class=\"bibbase bibbase_page link\">link</a>\n  &nbsp;\n  \n\n  <a href=\"#\"\n     onclick=\"showBib(event); return false;\"\n     class=\"bibbase bibtex link\">bibtex\n    <i class=\"fa fa-caret-down\"></i></a>\n\n  \n  &nbsp;\n  <a class=\"bibbase_abstract_link bibbase link\"\n     href=\"#\"\n     onclick=\"showAbstract(event); return false;\">\n    abstract <i class=\"fa fa-caret-down\"></i></a>\n  \n\n  \n\n  <!-- <a class=\"bibbase read link hidden\" -->\n  <!--    href=\"javascript:toggleRead('chen-huang-beck-timofte-burn-vangool-tamiratoolboxforrecognitionandtranscriptionofmusicmanuscriptsinmensuralnotation-2019')\" -->\n  <!--    title=\"Marking this paper as read adds it to your library on BibBase.\" -->\n  <!--    > -->\n  <!--   <i class=\"fa fa-check\"></i>&nbsp; -->\n  <!--   <span>mark as read</span> -->\n  <!-- </a> -->\n\n  &nbsp;\n  \n  \n  \n  \n  \n  \n\n</span>\n\n<div class=\"well well-small bibbase\" data-type=\"bibtex\"\n     style=\"display:none\">\n  <pre style=\"white-space: pre-wrap;\">@inproceedings{Chen_2019,\n abstract = {We wish to introduce a toolbox that transforms handwritten mensural notation as found in 16th-century music manuscripts into modern music notation. To the best of our knowledge, this is the first such toolbox that can deal with the whole pipeline from symbol recognition to transcription. Along with the toolbox, we present our solution to the problem of ligature recognition, transcription, and encoding, which has remained an obstacle in previous mensural Optical Music Recognition (OMR) systems. We propose a visual encoding method as a reference to recognize and describe ligatures, then transform them to modern notation according to the time signature. Given an image as input, our toolbox recognizes the contents, transcribes them into modern musical notation, and encodes the result in a MusicXML file, with MEI support under development. Availability of the encoding enables further processing with third party tools.},\n author = {Chen, Xuanli and Huang, Yu-Hui and Beck, Serafina and Timofte, Radu and Burn, David and {van Gool}, Luc},\n title = {{TAMIR: A Toolbox for Recognition and Transcription of Music Manuscripts in Mensural Notation}},\n pages = {151--152},\n publisher = {{Bavarian State Library (BSB)}},\n editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},\n booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},\n year = {2019},\n doi = {10.15463/music-1},\n keywords = {mec-proceedings, mec-proceedings-2017},\n displayby = {Contributions from MEC 2017}\n}\n\n%%% -------------------------------------\n%%% MEC 2020 Proceedings: Full volume\n\n</pre>\n</div>\n\n\n<div class=\"well well-small bibbase\" data-type=\"abstract\"\n     style=\"display:none\">\n  We wish to introduce a toolbox that transforms handwritten mensural notation as found in 16th-century music manuscripts into modern music notation. To the best of our knowledge, this is the first such toolbox that can deal with the whole pipeline from symbol recognition to transcription. Along with the toolbox, we present our solution to the problem of ligature recognition, transcription, and encoding, which has remained an obstacle in previous mensural Optical Music Recognition (OMR) systems. We propose a visual encoding method as a reference to recognize and describe ligatures, then transform them to modern notation according to the time signature. Given an image as input, our toolbox recognizes the contents, transcribes them into modern musical notation, and encodes the result in a MusicXML file, with MEI support under development. Availability of the encoding enables further processing with third party tools.\n</div>\n\n\n</div>\n\n\n\n\n\n    </div>\n  </div>\n\n\n\n\n  </div>\n\n\n  <!-- Modal -->\n\n  <!-- <iframe id=\"bibbase_network_frame\" -->\n  <!--         src=\"//bibbase.org/network/control\" -->\n  <!--         style=\"display: none;\"> -->\n  <!-- </iframe> -->\n\n</div>\n"}; document.write(bibbase_data.data);