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\n  \n 2022\n \n \n (1)\n \n \n
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\n \n\n \n \n Armitage, J., & Eerola, T.\n\n\n \n \n \n \n \n Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?.\n \n \n \n \n\n\n \n\n\n\n Auditory Perception & Cognition, 5(3-4): 192-210. 2022.\n \n\n\n\n
\n\n\n\n \n \n \"Cross-modalPaper\n  \n \n\n \n \n doi\n  \n \n\n \n link\n  \n \n\n bibtex\n \n\n \n\n \n  \n \n 1 download\n \n \n\n \n \n \n \n \n \n \n\n  \n \n \n \n \n \n \n\n\n\n
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@article{armitage2021,\n\tauthor = {Armitage, J. and Eerola, T.},\n\tdate-added = {2022-09-08 14:31:48 +0100},\n\tdate-modified = {2023-11-21 20:10:56 +0000},\n\tdoi = {https://doi.org/10.1080/25742442.2022.2087451},\n\tjournal = {Auditory Perception \\& Cognition},\n\tkeywords = {Music & emotion, preregistered},\n\tnumber = {3-4},\n\tpages = {192-210},\n\ttitle = {Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?},\n\turl = {https://doi.org/10.1080/25742442.2022.2087451},\n\tvolume = {5},\n\tyear = {2022},\n\tbdsk-url-1 = {https://doi.org/10.1080/25742442.2022.2087451}}\n\n
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\n  \n 2021\n \n \n (1)\n \n \n
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\n \n\n \n \n Eerola, T., & Lahdelma, I.\n\n\n \n \n \n \n \n Register Impacts Perceptual Consonance through Roughness and Sharpness.\n \n \n \n \n\n\n \n\n\n\n Psychonomic Bulletin and Review, 29: 800-808. 2021.\n \n\n\n\n
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@article{eerola_lahdelma2021c,\n\tauthor = {Eerola, T. and Lahdelma, I.},\n\tdate-modified = {2023-11-21 20:11:20 +0000},\n\tdoi = {10.3758/s13423-021-02033-5},\n\tjournal = {Psychonomic Bulletin and Review},\n\tkeywords = {Consonance/dissonance, preregistered},\n\tpages = {800-808},\n\ttitle = {Register Impacts Perceptual Consonance through Roughness and Sharpness},\n\turl = {https://doi.org/10.3758/s13423-021-02033-5},\n\tvolume = {29},\n\tyear = {2021},\n\tbdsk-url-1 = {https://doi.org/10.3758/s13423-021-02033-5}}\n\n
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