@article{
 title = {Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening},
 type = {article},
 year = {2018},
 id = {9c2d5f12-647c-3d59-8752-73397e3f0bcd},
 created = {2021-04-02T00:03:35.170Z},
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 profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},
 group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},
 last_modified = {2021-04-02T00:03:35.170Z},
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 abstract = {In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.},
 bibtype = {article},
 author = {Myers, Natasha},
 doi = {10.28968/cftt.v3i2.28848},
 journal = {Catalyst: Feminism, Theory, Technoscience}
}

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