@article{
 title = {Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening},
 type = {article},
 year = {2018},
 id = {9c2d5f12-647c-3d59-8752-73397e3f0bcd},
 created = {2021-04-02T00:03:35.170Z},
 file_attached = {false},
 profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},
 group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},
 last_modified = {2021-04-02T00:03:35.170Z},
 read = {false},
 starred = {false},
 authored = {false},
 confirmed = {true},
 hidden = {false},
 private_publication = {false},
 abstract = {In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.},
 bibtype = {article},
 author = {Myers, Natasha},
 doi = {10.28968/cftt.v3i2.28848},
 journal = {Catalyst: Feminism, Theory, Technoscience}
}

{"_id":"6F8xzoxzNRB26PDXj","bibbaseid":"myers-ungridableecologiesdecolonizingtheecologicalsensoriumina10000yearoldnaturalculturalhappening-2018","authorIDs":[],"author_short":["Myers, N."],"bibdata":{"title":"Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening","type":"article","year":"2018","id":"9c2d5f12-647c-3d59-8752-73397e3f0bcd","created":"2021-04-02T00:03:35.170Z","file_attached":false,"profile_id":"222a8927-bfaf-311a-a599-8618b10ce9b9","group_id":"13fd89de-a5a1-39e8-9a56-55cf0978428e","last_modified":"2021-04-02T00:03:35.170Z","read":false,"starred":false,"authored":false,"confirmed":"true","hidden":false,"private_publication":false,"abstract":"In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.","bibtype":"article","author":"Myers, Natasha","doi":"10.28968/cftt.v3i2.28848","journal":"Catalyst: Feminism, Theory, Technoscience","bibtex":"@article{\n title = {Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening},\n type = {article},\n year = {2018},\n id = {9c2d5f12-647c-3d59-8752-73397e3f0bcd},\n created = {2021-04-02T00:03:35.170Z},\n file_attached = {false},\n profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},\n group_id = {13fd89de-a5a1-39e8-9a56-55cf0978428e},\n last_modified = {2021-04-02T00:03:35.170Z},\n read = {false},\n starred = {false},\n authored = {false},\n confirmed = {true},\n hidden = {false},\n private_publication = {false},\n abstract = {In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.},\n bibtype = {article},\n author = {Myers, Natasha},\n doi = {10.28968/cftt.v3i2.28848},\n journal = {Catalyst: Feminism, Theory, Technoscience}\n}","author_short":["Myers, N."],"biburl":"https://bibbase.org/service/mendeley/222a8927-bfaf-311a-a599-8618b10ce9b9","bibbaseid":"myers-ungridableecologiesdecolonizingtheecologicalsensoriumina10000yearoldnaturalculturalhappening-2018","role":"author","urls":{},"metadata":{"authorlinks":{}},"downloads":0},"bibtype":"article","creationDate":"2019-08-08T23:33:41.112Z","downloads":0,"keywords":[],"search_terms":["ungrid","ecologies","decolonizing","ecological","sensorium","000","year","old","naturalcultural","happening","myers"],"title":"Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening","year":2018,"biburl":"https://bibbase.org/service/mendeley/222a8927-bfaf-311a-a599-8618b10ce9b9","dataSources":["YssFew7zLAoPSpLnW","ya2CyA73rpZseyrZ8","2252seNhipfTmjEBQ"]}