Designing Web APIs: Building APIs That Developers Love.
Jin, B.; Sahni, S.; and Shevat, A.
O'Reilly Media, 2018.
Paper
link
bibtex
@book{jin_designing_2018,
title = {Designing {Web} {APIs}: {Building} {APIs} {That} {Developers} {Love}},
isbn = {978-1-4920-2687-7},
url = {https://books.google.hu/books?id=Dg1rDwAAQBAJ},
publisher = {O'Reilly Media},
author = {Jin, B. and Sahni, S. and Shevat, A.},
year = {2018},
}
The future of email archives: a report from the Task Force on Technical Approaches for Email Archives, August 2018.
Andrew W. Mellon Foundation; and Digital Preservation Coalition,
editors.
of CLIR publicationCouncil on Library and Information Resources, Washington, DC, 2018.
OCLC: on1049574908
Paper
link
bibtex
@book{andrew_w_mellon_foundation_future_2018,
address = {Washington, DC},
series = {{CLIR} publication},
title = {The future of email archives: a report from the {Task} {Force} on {Technical} {Approaches} for {Email} {Archives}, {August} 2018},
isbn = {978-1-932326-59-8},
shorttitle = {The future of email archives},
url = {https://clir.wordpress.clir.org/wp-content/uploads/sites/6/2018/08/CLIR-pub175.pdf},
number = {no. 175},
publisher = {Council on Library and Information Resources},
editor = {{Andrew W. Mellon Foundation} and {Digital Preservation Coalition}},
year = {2018},
note = {OCLC: on1049574908},
keywords = {Digital preservation, Electronic mail messages, Electronic records},
}
Cambridge University Libraries Digital Preservation Policy.
Langley, S.
Technical Report Apollo - University of Cambridge Repository, November 2018.
Paper
doi
link
bibtex
abstract
@techreport{langley_cambridge_2018,
title = {Cambridge {University} {Libraries} {Digital} {Preservation} {Policy}},
copyright = {Attribution-NonCommercial 4.0 International, Attribution-NonCommercial 4.0 International, Attribution-NonCommercial 4.0 International, Creative Commons Attribution Non Commercial 4.0 International, Creative Commons Attribution Non Commercial 4.0 International, Creative Commons Attribution Non Commercial 4.0 International},
url = {https://www.repository.cam.ac.uk/handle/1810/285707},
abstract = {The Digital Preservation Policy (the Policy) sets out the duties and responsibilities for Cambridge University Libraries’ (CUL) stewardship of digital content. This Policy applies to the main University Library as well as affiliate and dependent libraries. The Policy provides the overarching framework for supporting the management of digital content (encompassing born-digital and digitised content).},
urldate = {2020-08-03},
institution = {Apollo - University of Cambridge Repository},
author = {Langley, Somaya},
collaborator = {Apollo-University Of Cambridge Repository and Apollo-University Of Cambridge Repository},
month = nov,
year = {2018},
doi = {10.17863/CAM.32927},
keywords = {Cambridge University Libraries, Cambridge University Library, DPOC, Digital Preservation Policy, Digital Preservation at Oxford and Cambridge, digital preservation, policy},
}
The Digital Preservation Policy (the Policy) sets out the duties and responsibilities for Cambridge University Libraries’ (CUL) stewardship of digital content. This Policy applies to the main University Library as well as affiliate and dependent libraries. The Policy provides the overarching framework for supporting the management of digital content (encompassing born-digital and digitised content).
Digital Preservation Should Be More Holistic: A Digital Stewardship Approach.
Langley, S.
In . Apollo - University of Cambridge Repository, December 2018.
Paper
doi
link
bibtex
abstract
@incollection{langley_digital_2018,
title = {Digital {Preservation} {Should} {Be} {More} {Holistic}: {A} {Digital} {Stewardship} {Approach}},
shorttitle = {Digital {Preservation} {Should} {Be} {More} {Holistic}},
url = {https://www.repository.cam.ac.uk/handle/1810/287006},
abstract = {A considerable amount of creative, cultural, and research output is expressed in digital form. It is imperative that the memory sector rapidly improve its capability and capacity for handling digital content in all forms, including complex data. It took gallery, library, archive, and museum (GLAM) sector institutions somewhere between decades and centuries to implement systems for managing physical collections. Those who work with digital content are acutely aware that the same time frames are not afforded when it comes to saving our digital cultural heritage. The “fragility” of content produced from computing environments — thanks to the rapid churn of technological innovation and obsolescence — means that even acquiring, preserving, and providing sustained access to a seemingly “simple” stand-alone file can take considerable effort. The interdependencies and limitations of the computing platforms, software, hardware, and other peripherals (whether mass-manufactured or custom-developed) bring a level of complexity that is typically not experienced with physical collections.},
urldate = {2021-06-15},
publisher = {Apollo - University of Cambridge Repository},
author = {Langley, Somaya},
collaborator = {Apollo-University Of Cambridge Repository and Apollo-University Of Cambridge Repository and Myntti, J and Zoom, J},
month = dec,
year = {2018},
doi = {10.17863/CAM.34317},
keywords = {Digital Stewardship End-to-End Workflow Model, Digital Streams Matrix, born-digital, digital content, digital curation, digital preservation, digital stewardship, digital workflows},
}
A considerable amount of creative, cultural, and research output is expressed in digital form. It is imperative that the memory sector rapidly improve its capability and capacity for handling digital content in all forms, including complex data. It took gallery, library, archive, and museum (GLAM) sector institutions somewhere between decades and centuries to implement systems for managing physical collections. Those who work with digital content are acutely aware that the same time frames are not afforded when it comes to saving our digital cultural heritage. The “fragility” of content produced from computing environments — thanks to the rapid churn of technological innovation and obsolescence — means that even acquiring, preserving, and providing sustained access to a seemingly “simple” stand-alone file can take considerable effort. The interdependencies and limitations of the computing platforms, software, hardware, and other peripherals (whether mass-manufactured or custom-developed) bring a level of complexity that is typically not experienced with physical collections.
Protecting Privacy in the Archives: Supervised Machine Learning and Born-Digital Records.
Hutchinson, T.
In
2018 IEEE International Conference on Big Data (Big Data), pages 2696–2701, 2018.
doi
link
bibtex
@inproceedings{hutchinson_protecting_2018,
title = {Protecting {Privacy} in the {Archives}: {Supervised} {Machine} {Learning} and {Born}-{Digital} {Records}},
doi = {10.1109/BigData.2018.8621929},
booktitle = {2018 {IEEE} {International} {Conference} on {Big} {Data} ({Big} {Data})},
author = {Hutchinson, Tim},
year = {2018},
pages = {2696--2701},
}
What Does “Born Digital” Mean?.
Muhanna, E.
International Journal of Middle East Studies, 50(1): 110–112. February 2018.
Paper
doi
link
bibtex
abstract
@article{muhanna_what_2018,
title = {What {Does} “{Born} {Digital}” {Mean}?},
volume = {50},
issn = {0020-7438, 1471-6380},
url = {https://www.cambridge.org/core/product/identifier/S0020743817000976/type/journal_article},
doi = {10.1017/S0020743817000976},
abstract = {When asked for a definition of the digital humanities, I often fall back on a crisp formula. Digital humanists use computation to generate, organize, publish, or interpret humanistic data. This covers most of the bases, but it's also a bit abstract. “What sort of computation?” a colleague sometimes asks. “I use a computer at work; why aren't I a digital humanist?” To this, I agree; there isn't much daylight between digital and analogue scholarship. Less interesting than what separates the two domains is the question of what unites them. In my view, the most significant shared ingredient is technology.},
language = {en},
number = {1},
urldate = {2020-09-10},
journal = {International Journal of Middle East Studies},
author = {Muhanna, Elias},
month = feb,
year = {2018},
pages = {110--112},
}
When asked for a definition of the digital humanities, I often fall back on a crisp formula. Digital humanists use computation to generate, organize, publish, or interpret humanistic data. This covers most of the bases, but it's also a bit abstract. “What sort of computation?” a colleague sometimes asks. “I use a computer at work; why aren't I a digital humanist?” To this, I agree; there isn't much daylight between digital and analogue scholarship. Less interesting than what separates the two domains is the question of what unites them. In my view, the most significant shared ingredient is technology.
UC Guidelines for Born-Digital Archival Description.
Group, U. o. C. B. C. C. K.
2018.
Paper
link
bibtex
@book{group_uc_2018,
title = {{UC} {Guidelines} for {Born}-{Digital} {Archival} {Description}},
shorttitle = {uc-guidelines},
url = {https://github.com/uc-borndigital-ckg/uc-guidelines},
author = {Group, University of California Born-Digital Content Common Knowledge},
year = {2018},
keywords = {descriptive-standard, digital-archives, library-special-collections, metadata, university-of-california},
}