@book{sharpe_ordinary_2023,
	address = {New York},
	edition = {First American edition},
	title = {Ordinary notes},
	isbn = {978-0-374-60448-6},
	language = {English},
	publisher = {Farrar, Straus and Giroux},
	author = {Sharpe, Christina Elizabeth},
	year = {2023},
	note = {Section: 379 pages : illustrations (chiefly color) ; 23 cm},
}

@article{ksenia_soil_2023,
	title = {Soil {Within} {Us}: {An} {Autopedology} of {Migrant} {Family} {History} and {Mourning} through the {Medium} of {Soil}},
	volume = {6},
	shorttitle = {Soil {Within} {Us}},
	url = {http://dx.doi.org/10.24135/ee.v6i2.265},
	doi = {10.24135/ee.v6i2.265},
	number = {2},
	urldate = {2024-04-15},
	journal = {Ethnographic Edge},
	author = {Ksenia, Golovina},
	year = {2023},
	pages = {63--81},
}

@book{abbas_river_2023,
	address = {Toronto, Ontario},
	edition = {First edition},
	title = {River in an ocean: essays on translation},
	isbn = {978-1-77525-674-8},
	shorttitle = {River in an ocean},
	language = {English},
	publisher = {Trace},
	author = {Abbas, Nuzhat},
	year = {2023},
	note = {Section: xv, 223 pages : illustrations ; 22 cm},
}

@book{rivera_garza_lilianas_2023,
	address = {New York},
	title = {Liliana's {Invincible} {Summer} {A} {Sister}'s {Search} for {Justice}},
	isbn = {978-0-593-24410-4},
	url = {https://public.ebookcentral.proquest.com/choice/PublicFullRecord.aspx?p=7192070},
	language = {English},
	urldate = {2024-04-15},
	publisher = {Random House Publishing Group},
	author = {Rivera Garza, Cristina},
	year = {2023},
}

@book{prakash_body_2023,
	title = {Body on the {Barricades}: {Life}, {Art} and {Resistance} in {Contemporary} {India}},
	isbn = {978-93-92018-10-7},
	shorttitle = {Body on the {Barricades}},
	abstract = {Body on the Barricades is about thinking about life and freedom from the points of confinement. It is about the act of breathing from the point of breathlessness. It is the ultimate resolution of the body to cross the barbed wires. It is the situation in which we cannot breathe but we breathe. As the authoritarian regime pushes its boundaries, curtails our life and freedom, we have no option but to walk. The situation gives birth to a new politics, a new resistance, new resolution, a new realization. Breathing — a natural and unconscious act — becomes a conscious act. What was physiological becomes political. The right to breathe becomes a new assertion, name of a bare minimum that one asks for.},
	author = {Prakash, Brahma},
	month = may,
	year = {2023},
}

Body on the Barricades is about thinking about life and freedom from the points of confinement. It is about the act of breathing from the point of breathlessness. It is the ultimate resolution of the body to cross the barbed wires. It is the situation in which we cannot breathe but we breathe. As the authoritarian regime pushes its boundaries, curtails our life and freedom, we have no option but to walk. The situation gives birth to a new politics, a new resistance, new resolution, a new realization. Breathing — a natural and unconscious act — becomes a conscious act. What was physiological becomes political. The right to breathe becomes a new assertion, name of a bare minimum that one asks for.

@book{whitney_daddy_2023,
	address = {San Francisco},
	title = {Daddy boy},
	isbn = {978-1-952119-53-8},
	url = {https://www.overdrive.com/search?q=5D8F8EFA-78D2-4FE4-B8DF-4C5BCDDB1E61},
	language = {English},
	urldate = {2023-10-03},
	publisher = {McSweeney's},
	author = {Whitney, Emerson},
	year = {2023},
}

@book{wark_raving_2023,
	address = {Durham, NC},
	series = {Practices},
	title = {Raving},
	isbn = {978-1-4780-1938-1},
	abstract = {What is an art of life for what feels like the end of a world? In Raving McKenzie Wark takes readers into the undisclosed locations of New York’s thriving underground queer and trans rave scene. Techno, first and always a Black music, invites fresh sonic and temporal possibilities for this era of diminishing futures. Raving to techno is an art and a technique at which queer and trans bodies might be particularly adept but which is for anyone who lets the beat seduce them. Extending the rave’s sensations, situations, fog, lasers, drugs, and pounding sound systems onto the page, Wark invokes a trans practice of raving as a timely aesthetic for dancing in the ruins of this collapsing capital.},
	publisher = {Duke University Press},
	author = {Wark, McKenzie},
	year = {2023},
}

What is an art of life for what feels like the end of a world? In Raving McKenzie Wark takes readers into the undisclosed locations of New York’s thriving underground queer and trans rave scene. Techno, first and always a Black music, invites fresh sonic and temporal possibilities for this era of diminishing futures. Raving to techno is an art and a technique at which queer and trans bodies might be particularly adept but which is for anyone who lets the beat seduce them. Extending the rave’s sensations, situations, fog, lasers, drugs, and pounding sound systems onto the page, Wark invokes a trans practice of raving as a timely aesthetic for dancing in the ruins of this collapsing capital.

@book{birnie_my_2022,
	title = {My {People}’s {Songs}: {How} an {Indigenous} {Family} {Survived} {Colonial} {Australia}},
	url = {https://publishing.monash.edu/product/my-peoples-songs/},
	abstract = {Tarenootairer (c.1806–58) was still a child when a band of white sealers bound her and forced her onto a boat. From there unfolded a life of immense cruelty inflicted by her colonial captors. As with so many Indigenous women of her time, even today the historical record of her life remains a scant thread embroidered with half-truths and pro-colonial propaganda.

But Joel Stephen Birnie grew up hearing the true stories about Tarenootairer, his earliest known ancestral grandmother, and he was keen to tell his family’s history without the colonial lens. Tarenootairer had a fierce determination to survive that had a profound effect on the course of Tasmanian history. Her daughters, Mary Ann Arthur (c.1820–71) and Fanny Cochrane Smith (c.1832–1905), shared her activism: Mary Ann’s fight for autonomy influenced contemporary Indigenous politics, while Fanny famously challenged the false declaration of Indigenous Tasmanian extinction.

Together, these three extraordinary women fought for the Indigenous communities they founded and sparked a tradition of social justice that continues in Birnie’s family today.

From the early Bass Strait sealing industries to George Augustus Robinson’s ‘conciliation’ missions, to Aboriginal internment on Flinders Island and at Oyster Cove, My People’s Songs is both a constellation of the damage wrought by colonisation and a testament to the power of family. Revelatory, intimate and illuminating, it does more than assert these women’s place in our nation’s story – it restores to them a voice and a cultural context.},
	urldate = {2023-10-03},
	publisher = {Monash University Publishing},
	author = {Birnie, Joel Stephen},
	year = {2022},
}

Tarenootairer (c.1806–58) was still a child when a band of white sealers bound her and forced her onto a boat. From there unfolded a life of immense cruelty inflicted by her colonial captors. As with so many Indigenous women of her time, even today the historical record of her life remains a scant thread embroidered with half-truths and pro-colonial propaganda. But Joel Stephen Birnie grew up hearing the true stories about Tarenootairer, his earliest known ancestral grandmother, and he was keen to tell his family’s history without the colonial lens. Tarenootairer had a fierce determination to survive that had a profound effect on the course of Tasmanian history. Her daughters, Mary Ann Arthur (c.1820–71) and Fanny Cochrane Smith (c.1832–1905), shared her activism: Mary Ann’s fight for autonomy influenced contemporary Indigenous politics, while Fanny famously challenged the false declaration of Indigenous Tasmanian extinction. Together, these three extraordinary women fought for the Indigenous communities they founded and sparked a tradition of social justice that continues in Birnie’s family today. From the early Bass Strait sealing industries to George Augustus Robinson’s ‘conciliation’ missions, to Aboriginal internment on Flinders Island and at Oyster Cove, My People’s Songs is both a constellation of the damage wrought by colonisation and a testament to the power of family. Revelatory, intimate and illuminating, it does more than assert these women’s place in our nation’s story – it restores to them a voice and a cultural context.

@book{naga_if_2022,
	address = {Minneapolis, Minnesota},
	title = {If an {Egyptian} cannot speak {English}},
	isbn = {978-1-64445-081-9},
	abstract = {In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a café in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants "returning" to a country she's never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire--for one another, for the selves they want to become through the other--takes a violent turn that neither of them expected.},
	language = {English},
	publisher = {Graywolf Press},
	author = {Naga, Noor},
	year = {2022},
	note = {Section: 186 pages ; 21 cm},
}

In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a café in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants "returning" to a country she's never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire–for one another, for the selves they want to become through the other–takes a violent turn that neither of them expected.

@book{bergman_special_2021,
	address = {Vancouver},
	title = {Special topics in being a human: a queer and tender guide to things {I}'ve learned the hard way about caring for people, including myself},
	isbn = {978-1-55152-854-0},
	shorttitle = {Special topics in being a human},
	language = {English},
	publisher = {Arsenal Pulp Press},
	author = {Bergman, S. Bear and Freedman-Lawson, Saul},
	year = {2021},
	note = {Section: 271 pages : chiefly color illustrations ; 26 cm},
}

@book{singh_breaks_2021,
	address = {Toronto},
	edition = {First Canadian edition},
	title = {The breaks},
	isbn = {978-1-77056-694-1 978-1-77056-695-8},
	url = {https://www.deslibris.ca/ID/481170},
	language = {English},
	urldate = {2024-04-15},
	publisher = {Coach House Books},
	author = {Singh, Julietta},
	year = {2021},
}

@book{liboiron_pollution_2021,
	address = {Durham},
	title = {Pollution {Is} {Colonialism}},
	isbn = {978-1-4780-2144-5},
	url = {https://muse.jhu.edu/pub/4/monograph/book/82993},
	abstract = {In Pollution Is Colonialism Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR)—an anticolonial science laboratory in Newfoundland, Canada—to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.},
	urldate = {2023-09-05},
	publisher = {Duke University Press},
	author = {Liboiron, Max},
	year = {2021},
}

In Pollution Is Colonialism Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR)—an anticolonial science laboratory in Newfoundland, Canada—to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.

@book{abdul_hadi_take_2020,
	address = {Brooklyn, NY},
	title = {Take care of your self: the art and cultures of care and liberation},
	isbn = {978-1-942173-40-3},
	shorttitle = {Take care of your self},
	url = {https://rbdigital.rbdigital.com},
	language = {English},
	urldate = {2024-04-16},
	publisher = {Common Notions},
	author = {Abdul Hadi, Sundus},
	year = {2020},
}

@book{hong_minor_2020,
	address = {New York},
	edition = {First edition},
	title = {Minor feelings: an {Asian} {American} reckoning},
	isbn = {978-1-984820-36-5 978-1-984820-38-9},
	shorttitle = {Minor feelings},
	abstract = {Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity. In the popular imagination, Asian Americans are all high-achieving professionals. But in reality, this is the most economically divided group in the country, a tenuous alliance of people with roots from South Asia to East Asia to the Pacific Islands, from tech millionaires to service industry laborers. How do we speak honestly about the Asian American condition--if such a thing exists? Poet and essayist Cathy Park Hong fearlessly and provocatively confronts this thorny subject, blending memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. Binding these essays together is Hong's theory of "minor feelings." As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality--when you believe the lies you're told about your own racial identity. With sly humor and a poet's searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and artmaking, and to family and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche--and of a writer's search to both uncover and speak the truth"--Provided by publisher.A ruthlessly honest, emotionally charged, and utterly original exploration of Asian American consciousness and the struggle to be human. Hong blends memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. She believes that "minor feelings" occur when American optimism contradicts your own reality-- when you believe the lies you're told about your own racial identity--Adapted from jacketAs the daughter of Korean immigrants, poet and essayist Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality -- when you believe the lies you're told about your own racial identity. Minor feelings are not small, they're dissonant -- and in their tension Hong finds the key to the questions that haunt her. Part memoir and part cultural criticism, this book traces Hong's relationship to the English language, to depression, to poetry and female friendship. A radically honest work of art, Minor Feelings is an utterly original exploration of Asian American consciousness},
	language = {English},
	publisher = {One World},
	author = {Hong, Cathy Park},
	year = {2020},
	note = {Section: 206 pages ; 22 cm},
}

Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity. In the popular imagination, Asian Americans are all high-achieving professionals. But in reality, this is the most economically divided group in the country, a tenuous alliance of people with roots from South Asia to East Asia to the Pacific Islands, from tech millionaires to service industry laborers. How do we speak honestly about the Asian American condition–if such a thing exists? Poet and essayist Cathy Park Hong fearlessly and provocatively confronts this thorny subject, blending memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. Binding these essays together is Hong's theory of "minor feelings." As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality–when you believe the lies you're told about your own racial identity. With sly humor and a poet's searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and artmaking, and to family and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche–and of a writer's search to both uncover and speak the truth"–Provided by publisher.A ruthlessly honest, emotionally charged, and utterly original exploration of Asian American consciousness and the struggle to be human. Hong blends memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. She believes that "minor feelings" occur when American optimism contradicts your own reality– when you believe the lies you're told about your own racial identity–Adapted from jacketAs the daughter of Korean immigrants, poet and essayist Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality – when you believe the lies you're told about your own racial identity. Minor feelings are not small, they're dissonant – and in their tension Hong finds the key to the questions that haunt her. Part memoir and part cultural criticism, this book traces Hong's relationship to the English language, to depression, to poetry and female friendship. A radically honest work of art, Minor Feelings is an utterly original exploration of Asian American consciousness

@misc{choi_soft_2020,
	title = {Soft {Science}},
	url = {https://oceanofpdf.com/authors/franny-choi/pdf-epub-soft-science-download/},
	abstract = {Download Book "Soft Science" by Author "Franny Choi" in [PDF] [EPUB]. Original Title ISBN "9781938584992" published on "2019-4-2" in Edition Language: "  English". Get Full eBook File name "Soft\_Science\_-\_Choi\_Franny.pdf .epub" Format Complete Free. Genres: "Adult, Contemporary, Feminism, Fiction, GLBT, LGBT, Poetry, Queer, Queer Lit, Race, Science Fiction".},
	language = {en-US},
	urldate = {2023-09-05},
	journal = {OceanofPDF},
	author = {Choi, Franny},
	month = oct,
	year = {2020},
}

Download Book "Soft Science" by Author "Franny Choi" in [PDF] [EPUB]. Original Title ISBN "9781938584992" published on "2019-4-2" in Edition Language: " English". Get Full eBook File name "Soft_Science_-_Choi_Franny.pdf .epub" Format Complete Free. Genres: "Adult, Contemporary, Feminism, Fiction, GLBT, LGBT, Poetry, Queer, Queer Lit, Race, Science Fiction".

@book{loveless_how_2019,
	address = {Durham},
	title = {How to make art at the end of the world: a manifesto for research-creation},
	isbn = {978-1-4780-0464-6},
	shorttitle = {How to make art at the end of the world},
	url = {https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2270703},
	language = {English},
	urldate = {2024-04-16},
	publisher = {Duke University Press},
	author = {Loveless, Natalie},
	year = {2019},
}

@book{stone_kill_2019,
	address = {North Adams, Massachusetts},
	edition = {First edition},
	title = {Kill class: poems},
	isbn = {978-1-946482-19-8},
	shorttitle = {Kill class},
	language = {English},
	publisher = {Tupelo Press},
	author = {Stone, Nomi},
	year = {2019},
	note = {Section: x, 87 pages ; 23 cm},
}

@book{singh_unthinking_2018,
	address = {Durham},
	title = {Unthinking mastery: dehumanism and decolonial entanglements},
	isbn = {978-0-8223-7236-3 978-0-8223-6922-6},
	shorttitle = {Unthinking mastery},
	url = {http://bibpurl.oclc.org/web/86198},
	language = {English},
	urldate = {2024-04-15},
	publisher = {Duke University Press},
	author = {Singh, Julietta},
	year = {2018},
}

@book{hooks_all_2018,
	address = {New York, NY},
	edition = {First William Morrow paperback edition},
	title = {All about love: new visions},
	isbn = {978-0-06-095947-0},
	shorttitle = {All about love},
	abstract = {Presenting radical new ways to think about love, the author examines the role of love in our personal and professional lives and how it can be used to end struggles between individuals, communities, and societies.},
	language = {English},
	publisher = {William Morrow, an imprint of HarperCollins Publishers},
	author = {hooks, bell},
	year = {2018},
	note = {Section: xxix, 238 pages ; 21 cm},
}

Presenting radical new ways to think about love, the author examines the role of love in our personal and professional lives and how it can be used to end struggles between individuals, communities, and societies.

@incollection{gumbs_m_2018,
	title = {M {Archive}: {After} the {End} of the {World}},
	copyright = {De Gruyter expressly reserves the right to use all content for commercial text and data mining within the meaning of Section 44b of the German Copyright Act.},
	isbn = {978-0-8223-7187-8},
	shorttitle = {M {Archive}},
	url = {https://www.degruyter.com/document/doi/10.1515/9780822371878/html},
	abstract = {Engaging with the work of M. Jacqui Alexander and Black feminist thought more generally, Alexis Pauline Gumbs's M Archive is a series of prose poems that speculatively documents the survival of Black people following a worldwide cataclysm while examining the possibilities of being that exceed the human.},
	language = {en},
	urldate = {2023-10-03},
	booktitle = {M {Archive}},
	publisher = {Duke University Press},
	author = {Gumbs, Alexis Pauline},
	month = mar,
	year = {2018},
	doi = {10.1515/9780822371878},
}

Engaging with the work of M. Jacqui Alexander and Black feminist thought more generally, Alexis Pauline Gumbs's M Archive is a series of prose poems that speculatively documents the survival of Black people following a worldwide cataclysm while examining the possibilities of being that exceed the human.

@book{stryker_transgender_2017,
	address = {New York, NY},
	edition = {Second edition. Revised edition},
	title = {Transgender history: the roots of today's revolution},
	isbn = {978-1-58005-689-2},
	shorttitle = {Transgender history},
	abstract = {A timely second edition of the classic text on transgender history, with a new introduction and updated material throughout. Covering American transgender history from the mid-twentieth century to today, Transgender History takes a chronological approach to the subject of transgender history, with each chapter covering major movements, writings, and events. Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-'70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the '90s and '00s. Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture.},
	language = {English},
	publisher = {Seal Press},
	author = {Stryker, Susan},
	year = {2017},
	note = {Section: xiii, 303 pages : illustrations, portraits ; 22 cm},
}

A timely second edition of the classic text on transgender history, with a new introduction and updated material throughout. Covering American transgender history from the mid-twentieth century to today, Transgender History takes a chronological approach to the subject of transgender history, with each chapter covering major movements, writings, and events. Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-'70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the '90s and '00s. Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture.

@book{shotwell_against_2016,
	address = {Minneapolis},
	title = {Against purity: living ethically in compromised times},
	isbn = {978-1-4529-5305-2 978-1-4529-5304-5},
	shorttitle = {Against purity},
	url = {http://site.ebrary.com/id/11297299},
	language = {English},
	urldate = {2024-04-15},
	publisher = {University of Minnesota Press},
	author = {Shotwell, Alexis},
	year = {2016},
}

@book{pino_popurri_2015,
	address = {Argentina},
	title = {Popurri {Sudakuir}},
	publisher = {Colectivo Sudakuir Editorial},
	author = {Pino, Tatiana and Rodriguez, Adriana and Bevilacqua, Fabián},
	year = {2015},
}

@book{hooks_teaching_2014,
	address = {New York},
	title = {Teaching {To} {Transgress}},
	isbn = {978-0-203-70028-0},
	abstract = {In Teaching to Transgress, bell hooks-writer, teacher, and insur­gent black intellectual-writes about a new kind of education, edu­cation as the practice of freedom. Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for hooks, the teacher's most important goal. 
bell hooks speaks to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom? 
Full of passion and politics, Teaching to Transgress combines a practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise critical questions about eras and rage, grief and reconciliation, and the future of teaching itself. "To educate as the practice of freedom", writes bell hooks, "is a way of teaching that anyone can learn." Teaching to Transgress is the record of one gifted teacher's struggle to make classrooms work.},
	publisher = {Routledge},
	author = {hooks, bell},
	month = mar,
	year = {2014},
	doi = {10.4324/9780203700280},
}

In Teaching to Transgress, bell hooks-writer, teacher, and insur­gent black intellectual-writes about a new kind of education, edu­cation as the practice of freedom. Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for hooks, the teacher's most important goal. bell hooks speaks to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom? Full of passion and politics, Teaching to Transgress combines a practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise critical questions about eras and rage, grief and reconciliation, and the future of teaching itself. "To educate as the practice of freedom", writes bell hooks, "is a way of teaching that anyone can learn." Teaching to Transgress is the record of one gifted teacher's struggle to make classrooms work.

@article{rivera_cusicanqui_chixinakax_2012,
	title = {\textit{{Ch}'ixinakax utxiwa} : {A} {Reflection} on the {Practices} and {Discourses} of {Decolonization}},
	volume = {111},
	issn = {0038-2876, 1527-8026},
	shorttitle = {\textit{{Ch}'ixinakax utxiwa}},
	url = {https://read.dukeupress.edu/south-atlantic-quarterly/article/111/1/95/3568/Ch-ixinakax-utxiwa-A-Reflection-on-the-Practices},
	doi = {10.1215/00382876-1472612},
	abstract = {Silvia Rivera Cusicanqui explores the possibilities for decolonization through an analysis of the “multicultural” state as an ongoing practice of coloniality that recognizes and incorporates indigenous people but only as static, archaic figures defined by a continuous relationship to an idealized past. As Cusicanqui demonstrates, this truncated recognition subordinates indigenous people, depriving them of their contemporaneity, complexity, and dynamism and, therefore, of their potential to challenge the given order. Coloniality and its relations of domination, she claims, are also reproduced in the knowledge production of academic scholars of decoloniality, primarily from the global North. These academics, she argues, appropriate the language and ideas of indigenous scholars without grappling with the relations of force that define their relationships to them, thus decontextualizing and depoliticizing these concepts and marginalizing indigenous scholars from their own debates. Counterposing the Aymara concept of ch'ixi—a parallel coexistence of difference—to multiculturalism and hybridity, which incorporates and flattens or distorts difference, Cusicanqui shows that decolonization must be not only a discourse but also an affirmative practice.},
	language = {en},
	number = {1},
	urldate = {2023-10-03},
	journal = {South Atlantic Quarterly},
	author = {Rivera Cusicanqui, Silvia},
	month = jan,
	year = {2012},
	pages = {95--109},
}

Silvia Rivera Cusicanqui explores the possibilities for decolonization through an analysis of the “multicultural” state as an ongoing practice of coloniality that recognizes and incorporates indigenous people but only as static, archaic figures defined by a continuous relationship to an idealized past. As Cusicanqui demonstrates, this truncated recognition subordinates indigenous people, depriving them of their contemporaneity, complexity, and dynamism and, therefore, of their potential to challenge the given order. Coloniality and its relations of domination, she claims, are also reproduced in the knowledge production of academic scholars of decoloniality, primarily from the global North. These academics, she argues, appropriate the language and ideas of indigenous scholars without grappling with the relations of force that define their relationships to them, thus decontextualizing and depoliticizing these concepts and marginalizing indigenous scholars from their own debates. Counterposing the Aymara concept of ch'ixi—a parallel coexistence of difference—to multiculturalism and hybridity, which incorporates and flattens or distorts difference, Cusicanqui shows that decolonization must be not only a discourse but also an affirmative practice.

@book{isbell_finding_2009,
	address = {Urbana},
	series = {Interpretations of culture in the new millennium},
	title = {Finding {Cholita}},
	isbn = {9780252091551 9786613060006},
	url = {http://site.ebrary.com/id/10532397},
	language = {English},
	urldate = {2024-04-16},
	publisher = {University of Illinois Press},
	author = {Isbell, Billie Jean},
	year = {2009},
}

@book{stewart_ordinary_2007,
	address = {Durham, NC},
	title = {Ordinary affects},
	isbn = {978-0-8223-4088-1 978-0-8223-4107-9},
	url = {http://read.dukeupress.edu/content/ordinary-affects},
	language = {English},
	urldate = {2023-10-03},
	publisher = {Duke University Press},
	author = {Stewart, Kathleen},
	year = {2007},
	note = {Section: x, 133 pages ; 23 cm},
}

@article{bal_autotopography_2002,
	title = {Autotopography: {Louise} {Bourgeois} as {Builder}},
	volume = {25},
	shorttitle = {Autotopography},
	number = {1},
	journal = {Biography},
	author = {Bal, Mieke},
	year = {2002},
	pages = {180--202},
}

@misc{the_hye-phen_collective_gatherings_nodate,
	title = {{GATHERINGS} {\textbar} {The} {Hye}-{Phen}},
	url = {https://www.thehyephenmag.com/gatherings/},
	urldate = {2024-04-16},
	author = {The Hye-Phen Collective},
}

@misc{noauthor_dysphoria_nodate,
	title = {Dysphoria mundi {Par} {Paul} {B}. {Preciado} {\textbar} {Essais} {\textbar} {Sciences} sociales {\textbar} leslibraires.ca {\textbar} {Acheter} des livres papier et numériques en ligne},
	url = {https://www.leslibraires.ca/livres/dysphoria-mundi-paul-b-preciado-9782246830641.html},
	abstract = {Malade de la Covid et enfermé dans son appartement, le philosophe livre la chronique d'un processus de mutation planétaire en cours marquant le début de la fin du réalisme capitaliste. Il pr...},
	language = {fr},
	urldate = {2023-12-06},
	journal = {leslibraires.ca},
}

Malade de la Covid et enfermé dans son appartement, le philosophe livre la chronique d'un processus de mutation planétaire en cours marquant le début de la fin du réalisme capitaliste. Il pr...