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9f3d8ba3-3f65-4b96-bca6-4e38b8819818
(81)
What a Plant Knows: A Field Guide to the Senses of Your Garden and Beyond.
Chamovitz, D.
One World Publications, 2013.
link bibtex
link bibtex
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Floriographie: Die Sprache der Blumen.
Kranz, I.; and Schwan, A.
Wilhelm Fink, 2016.
link bibtex
link bibtex
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Rights of Nature: The Art and Politics of Earth Jurisprudence (Exhibit).
Demos, T.
2015.
link bibtex abstract
link bibtex abstract
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title = {Rights of Nature: The Art and Politics of Earth Jurisprudence (Exhibit)},
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year = {2015},
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abstract = {T.J. Demos’s current work explores the intersection of visual culture, art, environmental and indigenous activism, and the recent biocentric turn in law, particularly as it relates to political ecology in the Americas. His research accompanied the preparation for Rights of Nature: Art and Ecology in the Americas, a 2015 exhibition he co-curated at Nottingham Contemporary in the U.K.},
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T.J. Demos’s current work explores the intersection of visual culture, art, environmental and indigenous activism, and the recent biocentric turn in law, particularly as it relates to political ecology in the Americas. His research accompanied the preparation for Rights of Nature: Art and Ecology in the Americas, a 2015 exhibition he co-curated at Nottingham Contemporary in the U.K.
Das Wuchern der Pflanzen: Ein Florilegium des Wissens.
Bühler, B.; and Rieger, S.
Suhrkamp, 2014.
link bibtex
link bibtex
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The Philosopher's Plant: An Intellectual Herbarium.
Marder, M.; and Roussel, M.
Columbia University Press, 2015.
![The Philosopher's Plant: An Intellectual Herbarium [link]](//bibbase.org/img/filetypes/link.svg "Website")
Website
link
bibtex
abstract
1 download
![The Philosopher's Plant: An Intellectual Herbarium [link]](http://bibbase.org/img/filetypes/link.svg "Website")
Website
link
bibtex
abstract
1 download
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Despite their conceptual allergy to vegetal life, philosophers have used germination, growth, blossoming, fruition, reproduction, and decay as illustrations of abstract concepts; mentioned plants in passing as the natural backdrops for dialogues, letters, and other compositions; spun elaborate allegories out of flowers, trees, and even grass; and recommended appropriate medicinal, dietary, and aesthetic approaches to select species of plants. This book illuminates the vegetal centerpieces and hidden kernels that have powered theoretical discourse for centuries. Choosing twelve botanical specimens that correspond to twelve significant philosophers, it recasts the development of philosophy through the evolution of human and plant relations.
Plant-Thinking: A Philosophy of Vegetal Life.
Marder, M.
Columbia University Press, 2013.
link bibtex abstract
link bibtex abstract
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}
"The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants "after metaphysics," Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his formulation, "plant-thinking" is the non-cognitive, non-ideational, and non-imagistic mode of thinking proper to plants, as much as the process of bringing human thought itself back to its roots and rendering it plantlike."--Publisher's description.
The Green Thread: Dialogues with the Vegetal World.
Vieira, P.; Gagliano, M.; and Ryan, J., C.
Rowman & Littlefield, 2016.
link bibtex
link bibtex
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The Language of Plants: Science, Philosophy, and Literature.
Vieira, P.; Gagliano, M.; and Ryan, J., C.
University of Minnesota Press, 2017.
link bibtex
link bibtex
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title = {The Language of Plants: Science, Philosophy, and Literature},
type = {book},
year = {2017},
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Sprechende Blumen: Ein ABC der Pflanzensprache.
Kranz, I.
Matthes & Seitz, 2014.
link bibtex abstract
link bibtex abstract
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title = {Sprechende Blumen: Ein ABC der Pflanzensprache},
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abstract = {Reihe: Naturkunden},
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author = {Kranz, Isabel}
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Reihe: Naturkunden
The Life of Plants.
Corner, E., J., H.
University of Chicago Press, 2002.
link bibtex
link bibtex
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title = {The Life of Plants},
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Plant Minds: A Philosophical Defense.
Maher, C.
Routledge, 2017.
link bibtex
link bibtex
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How Forests Think: Toward an Anthropology Beyond the Human.
Kohn, E.
University of California Press, 2013.
link bibtex
link bibtex
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The Chernobyl Herbarium: Fragments of an Exploded Consciousness.
Marder, M.; and Tonduer, A.
Open Humanities Press, 2016.
link bibtex
link bibtex
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Secret Cures of Slaves: People, Plants, and Medicine in the Eighteenth-Century Atlantic World.
Schiebinger, L.
Stanford University Press, 2017.
link bibtex
link bibtex
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Unruly Edges: Mushrooms as Companion Species.
Tsing, A.
Environmental Humanities, 1: 141–154. 2012.
link bibtex
link bibtex
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pages = {141–154},
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Vegetal Ecologies.
Cielemecka, O.; and Szczygielska, M.
2016.
Website
link
bibtex
1 download
Website
link
bibtex
1 download
@misc{
title = {Vegetal Ecologies},
type = {misc},
year = {2016},
source = {New Materialist Almanac 2016/2017},
websites = {http://newmaterialism.eu/almanac/v/vegetal-ecologies},
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Brilliant Green: The Surprising History and Science of Plant Intelligence.
Mancuso, S.; and Viola, A.
Island Press, 2015.
link bibtex abstract
link bibtex abstract
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author = {Mancuso, Stefano and Viola, Alessandra}
}
Trans. Joan Benham.
The Aliveness of Plants: the Darwins at the Dawn of Plant Science.
Ayres, P., G.
Pickering & Chatto, 2008.
link bibtex
link bibtex
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Murderous Plants: Victorian Gothic, Darwin, and Modern Insights into Vegetable Carnivory.
Chase, M., W.; and et al.
Botanical Journal of the Linnean Society, 161: 329-356. 2009.
link bibtex
link bibtex
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Monstrous Plants.
Miller, T., S.
In Weinstock, J., editor(s), The Ashgate Encyclopedia of Literary and Cinematic Monsters, pages 470-475, 2014. Ashgate
link bibtex
link bibtex
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title = {Monstrous Plants},
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}
Conversations on Plant Sensing: Notes from the Field.
Myers, N.
NatureCulture, 3: 35-66. 2015.
link bibtex
link bibtex
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Darwin’s Pharmacy: Sex, Plants, and the Evolution of the Noösphere.
Doyle, R.
University of Washington Press, 2011.
link bibtex
link bibtex
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Edenic Apocalypse: A Photo Essay on Singapore's End-of-Time Botanical Tourism.
Myers, N.
In Davis, H.; and Turpin, E., editor(s), Art in the Anthropocene, pages 31-42, 2015. Open Humanities Press
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Website
link
bibtex
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Website
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Moving Plants.
Thorsen, L., M.
Rønnebæksholm, 2017.
link bibtex
link bibtex
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Green Imperialism: Colonial Expansion, Tropical Island Edens and the Origins of Environmentalism, 1600-1860.
Grove, R.
Cambridge University Press, 1995.
link bibtex
link bibtex
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A Culture of Trees: The Politics of Pruning and Felling in Late Eighteenth-Century France.
Pacini, G.
Eighteenth-Century Studies, 41(1): 1-15. 2007.
link bibtex
link bibtex
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Public Parks, Private Gardens: Paris to Provence.
Metropolitan Museum of Art
2018.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {Public Parks, Private Gardens: Paris to Provence},
type = {misc},
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author = {Metropolitan Museum of Art, undefined},
keywords = {art project,exhibit}
}
Thinking Like a Plant: A Living Science for Life.
Holdrege, C.
Lindisfarne, 2013.
link bibtex
link bibtex
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Plant Stories.
Sandilands, C.
Environmental Humanities. 2013.
Website
link
bibtex
Website
link
bibtex
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author = {Sandilands, Catriona},
journal = {Environmental Humanities}
}
A Thousand Plateaus: Capitalism and Schizophrenia.
Deleuze, G.; and Guattari, F.
University of Minnesota Press, 1987.
link bibtex abstract
link bibtex abstract
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abstract = {See 3-25: Introduction: Rhizome
Translated and foreword by Brian Massumi},
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See 3-25: Introduction: Rhizome
Translated and foreword by Brian Massumi
Toward a Theory of Plant Blindness.
Schussler, E., E.; and Wandersee, J., H.
Plant Science Bulletin, 47(1): 2-9. 2001.
Website
link
bibtex
1 download
Website
link
bibtex
1 download
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The Revolutionary Genius of Plants: A New Understanding of Plant Intelligence and Behavior.
Mancuso, S.
Atria Books, 2018.
link bibtex
link bibtex
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The Mental Life of Plants and Worms, Among Others.
Sacks, O.
The New York Review of Books. 4 2014.
Website
link
bibtex
Website
link
bibtex
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The Roots of Plant Intelligence (TED Talk).
Mancuso, S.
Website
link
bibtex
Website
link
bibtex
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The Language of Flowers.
Taussig, M.
Critical Inquiry, 30(1): 98-131. 2003.
link bibtex
link bibtex
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Geschichte der Pflanzenseele: Philosophische und biologische Entwürfe von der Antike bis zur Gegenwart.
Ingensiep, H., W.
Kröner, 2001.
link bibtex
link bibtex
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Colonial Botany: Science, Commerce, and Politics in the Early Modern World.
Schiebinger, L.; and Swan, C.
University of Pennsilvania Press, 2007.
link bibtex
link bibtex
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Queer Gardens: Mary Delany's Flowers and Friendships.
Moore, L., L.
Eighteenth-Century Studies, 39(1): 49-70. 2005.
link bibtex
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Imperial Plants: Modern Science, Plant Classification and European Voyages of Discovery.
O’Donnell, R.
Graduate Journal of Social Science, 7(1): 59-72. 2010.
Website
link
bibtex
1 download
Website
link
bibtex
1 download
@article{
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author = {O’Donnell, Rachel},
journal = {Graduate Journal of Social Science},
number = {1}
}
La vie des plantes: Une métaphysique du mélange.
Coccia, E.
Éditions Rivages, 2016.
link bibtex
link bibtex
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title = {La vie des plantes: Une métaphysique du mélange},
type = {book},
year = {2016},
publisher = {Éditions Rivages},
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}
Type Specimens and Scientific Memory.
Daston, L.
Critical Inquiry, 31(1): 153-182. 2004.
link bibtex
link bibtex
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type = {article},
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bibtype = {article},
author = {Daston, Lorraine},
journal = {Critical Inquiry},
number = {1}
}
Nature’s Body: Gender in the Making of Modern Science.
Schiebinger, L.
Rutgers University Press, 2004.
link bibtex
link bibtex
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}
Plant Parenthood, or the Fear of Vegetal Eroticism.
Jacobs, J.
In Imperceptibly and Slowly Opening, pages 166-173, 2016. The Green Lantern Press
link bibtex
link bibtex
@inproceedings{
title = {Plant Parenthood, or the Fear of Vegetal Eroticism},
type = {inproceedings},
year = {2016},
pages = {166-173},
publisher = {The Green Lantern Press},
city = {Chicago},
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bibtype = {inproceedings},
author = {Jacobs, Joela},
booktitle = {Imperceptibly and Slowly Opening}
}
Eden's Heirs: Biopolitics and Vegetal Affinities in the Gardens of Literature.
Jacobs, J.
In Giovanni Aloi, editor(s), Why Look at Plants? The Botanical Emergence in Contemporary Art, pages 120-123, 2019. Brill/Rodopi
Website
link
bibtex
Website
link
bibtex
@inproceedings{
title = {Eden's Heirs: Biopolitics and Vegetal Affinities in the Gardens of Literature},
type = {inproceedings},
year = {2019},
pages = {120-123},
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publisher = {Brill/Rodopi},
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editor = {Giovanni Aloi, undefined},
booktitle = {Why Look at Plants? The Botanical Emergence in Contemporary Art}
}
Novel Cultivations: Plants in British Literature of the Global Nineteenth Century.
Chang, E., H.
The University of Virginia Press, 2019.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Novel Cultivations: Plants in British Literature of the Global Nineteenth Century},
type = {book},
year = {2019},
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publisher = {The University of Virginia Press},
city = {Charlottesville},
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bibtype = {book},
author = {Chang, Elizabeth Hope}
}
Botanik und Ästhetik.
Kittelmann, J.
Universitätsverlag Göttingen, 2018.
Website
doi
link
bibtex
abstract
Website
doi
link
bibtex
abstract
@book{
title = {Botanik und Ästhetik},
type = {book},
year = {2018},
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publisher = {Universitätsverlag Göttingen},
city = {Göttingen},
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abstract = {Annals of the History and Philosophy of Biology; 22/2017},
bibtype = {book},
author = {Kittelmann, Jana},
doi = {https://doi.org/10.17875/gup2018-1110}
}
Annals of the History and Philosophy of Biology; 22/2017
The Rise of the 'Life Sciences' and the Dismissal of Plant Life in the Late Eighteenth and Early Nineteenth Centuries.
Sprang, F., C.
In Haeckel, R.; and Blackmore, S., editor(s), Discovering the Human. Life Science and the Arts in the Eighteenth and Early Nineteenth Centuries, pages 115-138, 2013. V & R unipress
link bibtex
link bibtex
@inproceedings{
title = {The Rise of the 'Life Sciences' and the Dismissal of Plant Life in the Late Eighteenth and Early Nineteenth Centuries},
type = {inproceedings},
year = {2013},
pages = {115-138},
publisher = {V & R unipress},
city = {Göttingen},
chapter = {II},
id = {c72f78b1-23ec-318d-8716-a0fa4013e283},
created = {2019-01-29T02:34:42.727Z},
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bibtype = {inproceedings},
author = {Sprang, Felix C.H.},
editor = {Haeckel, Ralf and Blackmore, Sabine},
booktitle = {Discovering the Human. Life Science and the Arts in the Eighteenth and Early Nineteenth Centuries}
}
Plants and Empire: Colonial Bioprospecting in the Atlantic World.
Schiebinger, L.
Harvard University Press, 2004.
link bibtex
link bibtex
@book{
title = {Plants and Empire: Colonial Bioprospecting in the Atlantic World},
type = {book},
year = {2004},
publisher = {Harvard University Press},
city = {Cambridge, MA; London},
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bibtype = {book},
author = {Schiebinger, Londa}
}
Von Pflanzen und Menschen: Leben auf dem grünen Planeten.
Meyer, K.; and Weiss, J., E.
Wallstein, 2019.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@book{
title = {Von Pflanzen und Menschen: Leben auf dem grünen Planeten},
type = {book},
year = {2019},
websites = {http://www.zfl-berlin.org/publikationen-detail/items/von-pflanzen-und-menschen.html},
publisher = {Wallstein},
city = {Göttingen},
id = {ab426145-41a6-3f21-b36f-24355facc8ba},
created = {2019-04-20T12:32:21.438Z},
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abstract = {Begleitband zur Ausstellung: Von Pflanzen und Menschen im Deutschen Hygiene-Museum Dresden (19.04.2019–19.04.2020)},
bibtype = {book},
author = {Meyer, Kathrin and Weiss, Judith Elisabeth}
}
Begleitband zur Ausstellung: Von Pflanzen und Menschen im Deutschen Hygiene-Museum Dresden (19.04.2019–19.04.2020)
Thus Spoke The Plant: A Remarkable Journey of Groundbreaking Scientific Discoveries and Personal Encounters with Plants.
Gagliano, M.
North Atlantic Books, 2018.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Thus Spoke The Plant: A Remarkable Journey of Groundbreaking Scientific Discoveries and Personal Encounters with Plants},
type = {book},
year = {2018},
websites = {https://www.penguinrandomhouse.com/books/576914/thus-spoke-the-plant-by-monica-gagliano/},
publisher = {North Atlantic Books},
city = {Berkeley, CA},
id = {d0c3af17-0868-3844-8716-fa5257c9ef79},
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bibtype = {book},
author = {Gagliano, Monica}
}
Plants Learn and Remember: Lets Get Used to it.
Gagliano, M.; Abramson, C., I.; and Depczynski, M.
Oecologia, 186(1): 29-31. 2018.
link bibtex
link bibtex
@article{
title = {Plants Learn and Remember: Lets Get Used to it},
type = {article},
year = {2018},
pages = {29-31},
volume = {186},
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bibtype = {article},
author = {Gagliano, Monica and Abramson, Charles I. and Depczynski, Martial},
journal = {Oecologia},
number = {1}
}
Seeing Green: The Re-discovery of Plants and Nature’s Wisdom.
Gagliano, M.
Societies, Special Issue: Rethinking the Vegetal: Emerging Perspectives on Plants and Society, 3(1): 147-157. 2013.
doi link bibtex
doi link bibtex
@article{
title = {Seeing Green: The Re-discovery of Plants and Nature’s Wisdom},
type = {article},
year = {2013},
pages = {147-157},
volume = {3},
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doi = {https://doi.org/10.3390/soc3010147},
journal = {Societies, Special Issue: Rethinking the Vegetal: Emerging Perspectives on Plants and Society},
number = {1}
}
Breaking the Silence: Language and the Making of Meaning in Plants.
Gagliano, M.; and Grimonprez, M.
Ecopsychology, 7(3): 143-152. 2015.
Website
link
bibtex
Website
link
bibtex
@article{
title = {Breaking the Silence: Language and the Making of Meaning in Plants},
type = {article},
year = {2015},
pages = {143-152},
volume = {7},
websites = {https://www.liebertpub.com/doi/pdfplus/10.1089/eco.2015.0023},
id = {8cfc10d0-1106-3b4e-b331-0a01bcffd3ce},
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bibtype = {article},
author = {Gagliano, Monica and Grimonprez, Mavra},
journal = {Ecopsychology},
number = {3}
}
On the Verge of Respect: Ontological and Phenomenological Investigations into Plant Ethics.
Marder, M.
Epoché: A Journal for the History of Philosophy, 18(1): 247-265. 2013.
doi link bibtex
doi link bibtex
@article{
title = {On the Verge of Respect: Ontological and Phenomenological Investigations into Plant Ethics},
type = {article},
year = {2013},
pages = {247-265},
volume = {18},
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bibtype = {article},
author = {Marder, Michael},
doi = {10.5840/epoche201318126},
journal = {Epoché: A Journal for the History of Philosophy},
number = {1}
}
Should Plants Have Rights?.
Marder, M.
The Philosophers' Magazine, (62): 46-50. 2013.
doi link bibtex
doi link bibtex
@article{
title = {Should Plants Have Rights?},
type = {article},
year = {2013},
pages = {46-50},
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bibtype = {article},
author = {Marder, Michael},
doi = {10.5840/tpm20136293},
journal = {The Philosophers' Magazine},
number = {62}
}
Lists as Research Technologies.
Müller-Wille, S.; and Charmantier, I.
Isis, 103(4): 743-752. 2012.
link bibtex abstract
link bibtex abstract
@article{
title = {Lists as Research Technologies},
type = {article},
year = {2012},
keywords = {Carl ; Botany ; Medical Anthropology ; Classifica,Linnaeus},
pages = {743-752},
volume = {103},
publisher = {The University of Chicago Press},
id = {3f5fbcad-df9d-3f3c-bad3-e9469d5f81ba},
created = {2019-08-08T11:47:31.867Z},
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last_modified = {2020-05-15T22:29:43.939Z},
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citation_key = {Müller-WilleStaffan2012LaRT},
source_type = {article},
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private_publication = {false},
abstract = {The Swedish naturalist Carl Linnaeus (1707–1778) is famous for having turned botany into a systematic discipline, through his classification systems—most notably the sexual system—and his nomenclature. Throughout his life, Linnaeus experimented with various paper technologies designed to display information synoptically. The list took pride of place among these and is also the common element of more complex representations he produced, such as genera descriptions and his “natural system.” Taking clues from the anthropology of writing, this essay seeks to demonstrate that lists can be considered as genuine research technologies. They possess a potential to generate research problems of their own but also pose limitations to inquiries that can be overcome only by the use of new media.},
bibtype = {article},
author = {Müller-Wille, Staffan and Charmantier, Isabelle},
journal = {Isis},
number = {4}
}
The Swedish naturalist Carl Linnaeus (1707–1778) is famous for having turned botany into a systematic discipline, through his classification systems—most notably the sexual system—and his nomenclature. Throughout his life, Linnaeus experimented with various paper technologies designed to display information synoptically. The list took pride of place among these and is also the common element of more complex representations he produced, such as genera descriptions and his “natural system.” Taking clues from the anthropology of writing, this essay seeks to demonstrate that lists can be considered as genuine research technologies. They possess a potential to generate research problems of their own but also pose limitations to inquiries that can be overcome only by the use of new media.
Plant Taxonomy: The Love of Plants.
Müller-Wille, S.
Nature, 446(7133): 268. 2007.
link bibtex
link bibtex
@article{
title = {Plant Taxonomy: The Love of Plants},
type = {article},
year = {2007},
keywords = {Physics,Sciences (General)},
pages = {268},
volume = {446},
publisher = {Nature Publishing Group},
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journal = {Nature},
number = {7133}
}
Korrespondenz, Tausch und Klassifikation in der neuzeitlichen Naturgeschichte.
Müller-Wille, S.
In Kaasch, M.; Kaasch, J.; and Wissemann, V., editor(s), Netzwerke : Beiträge Zur 13. Jahrestagung Der DGGTB in Neuburg an Der Donau 2004 (Verhandlungen zur Geschichte und Theorie der Biologie, 12), pages 117-122, 2006. VWB, Verl. für Wiss. und Bildung
link bibtex
link bibtex
@inproceedings{
title = {Korrespondenz, Tausch und Klassifikation in der neuzeitlichen Naturgeschichte},
type = {inproceedings},
year = {2006},
pages = {117-122},
publisher = {VWB, Verl. für Wiss. und Bildung},
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booktitle = {Netzwerke : Beiträge Zur 13. Jahrestagung Der DGGTB in Neuburg an Der Donau 2004 (Verhandlungen zur Geschichte und Theorie der Biologie, 12)}
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Names and Numbers: 'Data' in Classical Natural History, 1758–1859.
Müller-Wille, S.
Osiris, 32(1): 109-128. 2017.
link bibtex abstract
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abstract = {The late eighteenth and early nineteenth centuries saw the transition from natural history to the history of nature. This essay analyzes institutional, social, and technological changes in natural history associated with this epochal change. Focusing on the many posthumous reeditions of Carl Linnaeus’s Systema Naturae that began to appear throughout Europe and beyond from the 1760s onward, I will argue that Linnaean nomenclature and classification reorganized and enhanced flows of data—a term already used in natural history—among individual naturalists and institutions. Plant and animal species became units that could be “slotted” into collections and publications, reshuffled and exchanged, kept track of in lists and catalogs, and counted and distributed in new ways. On two fronts—biogeography and the search for the “natural system”—this brought to the fore new, intriguing relationships among organisms of diverse kinds. By letting nature speak through the “artificial” means and media of early systematics, I argue, new and powerful visions of an unruly nature emerged that became the object of early evolutionary theories. Natural history was an “information science” that processed growing quantities of data and held the same potential for surprising insights as today’s data-intensive sciences.},
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The late eighteenth and early nineteenth centuries saw the transition from natural history to the history of nature. This essay analyzes institutional, social, and technological changes in natural history associated with this epochal change. Focusing on the many posthumous reeditions of Carl Linnaeus’s Systema Naturae that began to appear throughout Europe and beyond from the 1760s onward, I will argue that Linnaean nomenclature and classification reorganized and enhanced flows of data—a term already used in natural history—among individual naturalists and institutions. Plant and animal species became units that could be “slotted” into collections and publications, reshuffled and exchanged, kept track of in lists and catalogs, and counted and distributed in new ways. On two fronts—biogeography and the search for the “natural system”—this brought to the fore new, intriguing relationships among organisms of diverse kinds. By letting nature speak through the “artificial” means and media of early systematics, I argue, new and powerful visions of an unruly nature emerged that became the object of early evolutionary theories. Natural history was an “information science” that processed growing quantities of data and held the same potential for surprising insights as today’s data-intensive sciences.
Natural History and Information Overload: The Case of Linnaeus.
Müller-Wille, S.; and Charmantier, I.
Studies in History and Philosophy of Biol & Biomed Sci, 43(1): 4-15. 2012.
link bibtex abstract
link bibtex abstract
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title = {Natural History and Information Overload: The Case of Linnaeus},
type = {article},
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abstract = {Natural History can be seen as a discipline paradigmatically engaged in ‘data-driven research.’ Historians of early modern science have begun to emphasize its crucial role in the Scientific Revolution, and some observers of present day genomics see it as engaged in a return to natural history practices. A key concept that was developed to understand the dynamics of early modern natural history is that of ‘information overload.’ Taxonomic systems, rules of nomenclature, and technical terminologies were developed in botany and zoology to catch up with the ever increasing amount of information on hitherto unknown plant and animal species. In our contribution, we want to expand on this concept. After all, the same people who complain about information overload are usually the ones who contribute to it most significantly. In order to understand this complex relationship, we will turn to the annotation practices of the Swedish naturalist Carl Linnaeus (1707–1778). The very tools that Linnaeus developed to contain and reduce information overload, as we aim to demonstrate, facilitated a veritable information explosion that led to the emergence of a new research object in botany: the so-called ‘natural’ system.},
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Natural History can be seen as a discipline paradigmatically engaged in ‘data-driven research.’ Historians of early modern science have begun to emphasize its crucial role in the Scientific Revolution, and some observers of present day genomics see it as engaged in a return to natural history practices. A key concept that was developed to understand the dynamics of early modern natural history is that of ‘information overload.’ Taxonomic systems, rules of nomenclature, and technical terminologies were developed in botany and zoology to catch up with the ever increasing amount of information on hitherto unknown plant and animal species. In our contribution, we want to expand on this concept. After all, the same people who complain about information overload are usually the ones who contribute to it most significantly. In order to understand this complex relationship, we will turn to the annotation practices of the Swedish naturalist Carl Linnaeus (1707–1778). The very tools that Linnaeus developed to contain and reduce information overload, as we aim to demonstrate, facilitated a veritable information explosion that led to the emergence of a new research object in botany: the so-called ‘natural’ system.
Feeding France: New Sciences of Food, 1760-1815.
Spary, E., C.
of Cambridge social and cultural historiesCambridge University Press, 2014.
link bibtex
link bibtex
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Die Idee der Landschaft: Eine Kulturgeschichte von der Aufklärung bis zur Ökologiebewegung.
Trepl, L.
of Edition Kulturwissenschaft; 16transcript Verlag,, 2012.
link bibtex abstract
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abstract = {Landscape itself is an idea: the term does not exist without that of an ideal landscape - as a complex imagination connected to the thought that one should strive for its realization. At the same time, landscape is also connected to ideas, especially political utopias. In this volume, Ludwig Trepl retraces the idea of landscape in its historical development - from the Enlightenment and Romanticist images of landscape via those of classical conservatism and of blood and soil ideology to the »greening« of landscape in the environmental movement - and investigates the different concepts and their respective inner structures and the logic of their opposition and intertwinement.},
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Landscape itself is an idea: the term does not exist without that of an ideal landscape - as a complex imagination connected to the thought that one should strive for its realization. At the same time, landscape is also connected to ideas, especially political utopias. In this volume, Ludwig Trepl retraces the idea of landscape in its historical development - from the Enlightenment and Romanticist images of landscape via those of classical conservatism and of blood and soil ideology to the »greening« of landscape in the environmental movement - and investigates the different concepts and their respective inner structures and the logic of their opposition and intertwinement.
Vieldeutige Natur: Landschaft, Wildnis und Ökosystem als kulturgeschichtliche Phänomene.
Kirchhoff, T.; and Trepl, L.
transcript Verlag, 2009.
Website
link
bibtex
abstract
Website
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abstract = {Natur erleben wir als etwas Gegebenes - und doch ist sie eine Projektion kultureller Ideen und gesellschaftlicher Ideale. So ist sie nicht nur ökologisches System, sondern auch vieldeutiges Symbol: 'locus amoenus' und 'locus terribilis', einerseits Wildnis und andererseits grandiose, heimatliche, heroische, idyllische Landschaft. Facettenreich und inspirierend stellen die Analysen zu verschiedenen Epochen und Kulturen (Deutschland, England, Frankreich, Holland, Italien, Ungarn, USA, China) die "Natur"--Zugänge unterschiedlicher Disziplinen vor. Frontmatter -- INHALT -- Danksagung -- Vorwort / Haber, Wolfgang -- Landschaft, Wildnis, Ökosystem: zur kulturbedingten Vieldeutigkeit ästhetischer, moralischer und theoretischer 9 Naturauffassungen. Einleitender Überblick / Kirchhoff, Thomas ; Trepl, Ludwig -- Bemerkungen zum semantischen Wandel von>Landschaft<seit dem 18. Jahrhundert / Brückner, Domtnik -- Über das Hinsehen und das Absehen von Landschaft / Bohr, Jörn -- Reflexionen über Landschaft und Arbeit / Fischer, Ludwig -- Kulturelle Differenzen der Landschaftswahrnehmung in England, Frankreich, Deutschland und Ungarn / Drexler, Döra -- Bedeutungsaspekte von Natur und Landschaft in der Kultur Venedigs um 1500 / Korbacher, Dagmar -- Das "angenehme Gebirge". Dünenlandschaften in der holländischen Malerei des 17. Jahrhunderts / Volmert, Miriam -- Die Vieldeutigkeit der Bilder im Landschaftsgarten / Siegmund, Andrea -- Landschaftliche Kulturpflege -- die Idee der Landschaft im kulturpolitischen Konzept des Landschaftsverbandes Westfalen-Lippe / Netzer, Katinka -- Positionen und Konzepte zur Bergbaufolgelandschaft. Ansätze einer kulturwissenschaftlichen Analyse des planerisch-gestalterischen Diskurses / Schwarzer, Markus -- Vielfältig und vieldeutig: Natur und Landschaft im Chinesischen / Küchler, Johannes ; Wang, Xinhai -- Die Landschaft der Architekten / Raith, Karin -- Zwischenstadt als Heimat / Vicenzotti, Vera -- Die Erfindung des tropischen Regenwaldes / Hupke, Klaus-Dieter -- Von der schrecklichen Waldwildnis zum bedrohten Waldökosystem-Differenzierung von Wildnisbegriffen in der Geschichte des Bayerischen Waldes / Kangler, Gisela -- Landschaft als Auflösung ihrer selbst -- Die Besiedelung des amerikanischen Westens / Kathke, Torsten -- Der Transzendentalismus als philosophische Basis des 279 amerikanischen Freiheitsmythos vom Pionier in der Wildnis / Hass, Anne -- Vom>züchterischen Blick<zur Kombinationszüchtung. Die landwirtschaftliche Kulturpflanze um 1900 zwischen Geistes- und Naturwissenschaft / Gelinsky, Eva -- Globale Vielzahl oder lokale Vielfalt: zur kulturellen Ambivalenz von>Biodiversität</ Kirchhoff, Thomas ; Haider, Sylvia -- >Wie sie ein Ganzes bilden<- analoge Deutungsmuster in ökologischen Theorien und politischen Philosophien der Vergesellschaftung / Voigt, Annette -- Autorinnen und Autoren -- Backmatter.},
bibtype = {book},
author = {Kirchhoff, Thomas and Trepl, Ludwig}
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Natur erleben wir als etwas Gegebenes - und doch ist sie eine Projektion kultureller Ideen und gesellschaftlicher Ideale. So ist sie nicht nur ökologisches System, sondern auch vieldeutiges Symbol: 'locus amoenus' und 'locus terribilis', einerseits Wildnis und andererseits grandiose, heimatliche, heroische, idyllische Landschaft. Facettenreich und inspirierend stellen die Analysen zu verschiedenen Epochen und Kulturen (Deutschland, England, Frankreich, Holland, Italien, Ungarn, USA, China) die "Natur"--Zugänge unterschiedlicher Disziplinen vor. Frontmatter -- INHALT -- Danksagung -- Vorwort / Haber, Wolfgang -- Landschaft, Wildnis, Ökosystem: zur kulturbedingten Vieldeutigkeit ästhetischer, moralischer und theoretischer 9 Naturauffassungen. Einleitender Überblick / Kirchhoff, Thomas ; Trepl, Ludwig -- Bemerkungen zum semantischen Wandel von>Landschaftzüchterischen BlickBiodiversitätWie sie ein Ganzes bilden<- analoge Deutungsmuster in ökologischen Theorien und politischen Philosophien der Vergesellschaftung / Voigt, Annette -- Autorinnen und Autoren -- Backmatter.
Worlds of Natural History.
Curry, H., A.; Jardine, N.; Secord, J., A.; and Spary, E., C.
Cambridge University Press, 2018.
link bibtex
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Utopia's Garden: French Natural History from Old Regime to Revolution.
Spary, E., C.
Univ. of Chicago Press, 2000.
link bibtex
link bibtex
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title = {Utopia's Garden: French Natural History from Old Regime to Revolution},
type = {book},
year = {2000},
keywords = {Muséum national d'histoire naturelle (France)},
publisher = {Univ. of Chicago Press},
city = {Chicago, Ill. [u.a.]},
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Bibliography of Garden History.
Desmond, R.
Garden History, 18(1): i-xii. 1990.
link bibtex
link bibtex
@article{
title = {Bibliography of Garden History},
type = {article},
year = {1990},
pages = {i-xii},
volume = {18},
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bibtype = {article},
author = {Desmond, Ray},
journal = {Garden History},
number = {1}
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Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening.
Myers, N.
Catalyst: Feminism, Theory, Technoscience. 2018.
doi link bibtex abstract
doi link bibtex abstract
@article{
title = {Ungrid-able Ecologies: Decolonizing the Ecological Sensorium in a 10,000 Year-Old NaturalCultural Happening},
type = {article},
year = {2018},
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abstract = {In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.},
bibtype = {article},
author = {Myers, Natasha},
doi = {10.28968/cftt.v3i2.28848},
journal = {Catalyst: Feminism, Theory, Technoscience}
}
In the photo essay that follows, I share some field notes two years into a long-term research-creation collaboration with award-winning dancer and filmmaker Ayelen Liberona. Becoming Sensor mixes art, ecology, and anthropology in an attempt to do ecology otherwise. Part of a long-term ethnographic research project on an urban park in Toronto, Becoming Sensor speculates on protocols for an ungrid-able ecology of a 10,000 year-old naturalcultural happening. In this project, Ayelen and I engage the expansive mediations of art and the artful attentions of ethnography to remake the naturalist’s notebook. This more-than-natural history of an oak savannah in Toronto’s High Park offers one approach to cultivating a robust mode of knowing grounded in queer, feminist, decolonial politics.
Carl Linnaeus's Botanical Paper Slips (1767–1773).
Charmantier, I.; and Müller-Wille, S.
Intellectual History Review, 24(2): 215-238. 2014.
link bibtex
link bibtex
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title = {Carl Linnaeus's Botanical Paper Slips (1767–1773)},
type = {article},
year = {2014},
keywords = {Botany,Carl,Classifi,Knowledge,Linnaeus,Scientists},
pages = {215-238},
volume = {24},
publisher = {Routledge},
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author = {Charmantier, Isabelle and Müller-Wille, Staffan},
journal = {Intellectual History Review},
number = {2}
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Zum Verhältnis von Taxonomie und Genetik um 1900: Die Zuchtstation des Schwedischen Saatzuchtvereins Svalöf.
Müller-Wille, S.
In Groeben, C.; Kaasch, M.; and Kaasch, J., editor(s), Stätten biologischer Forschung / Places of biological research: Beiträge zur 12. Jahrestagung DGGTB in Neapel 2003 (Verhandlungen zur Geschichte und Theorie der Biologie, 11)., pages 203-216, 2005. VWB Verl. für Wiss. und Bildung
link bibtex
link bibtex
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title = {Zum Verhältnis von Taxonomie und Genetik um 1900: Die Zuchtstation des Schwedischen Saatzuchtvereins Svalöf},
type = {inproceedings},
year = {2005},
pages = {203-216},
publisher = {VWB Verl. für Wiss. und Bildung},
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author = {Müller-Wille, Staffan},
editor = {Groeben, Christiane and Kaasch, Michael and Kaasch, Joachim},
booktitle = {Stätten biologischer Forschung / Places of biological research: Beiträge zur 12. Jahrestagung DGGTB in Neapel 2003 (Verhandlungen zur Geschichte und Theorie der Biologie, 11).}
}
Botanik und weltweiter Handel: Zur Begründung eines natürlichen Systems der Pflanzen durch Carl von Linné (1707 - 78).
Müller-Wille, S.
of Studien zur Theorie der Biologie ; 3VWB, Verl. für Wiss. und Bildung, 1999.
link bibtex
link bibtex
@book{
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year = {1999},
keywords = {1707-1778 ; Pflanzen ; Systematik ; Systemtheorie,Carl von,Linné},
publisher = {VWB, Verl. für Wiss. und Bildung},
city = {Berlin},
series = {Studien zur Theorie der Biologie ; 3},
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Paradies, Akademie, Ökonomie: Zur Transformation botanischer Gärten im 18. Jahrhundert.
Müller-Wille, S.
In Ananieva, A.; and Hoefer, N., N., editor(s), Der Andere Garten : Erinnern Und Erfinden in Gärten Von Institutionen., pages 235-249, 2005. Vandenhoeck & Ruprecht
link bibtex
link bibtex
@inproceedings{
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Carl von Linnés Herbarschrank: Zur epistemischen Funktion eines Sammlungsmöbels.
Müller-Wille, S.
In te Heesen, A.; and Spary, E., C., editor(s), Sammeln als Wissen, pages 22-38, 2001. Wallstein
link bibtex
link bibtex
@inproceedings{
title = {Carl von Linnés Herbarschrank: Zur epistemischen Funktion eines Sammlungsmöbels},
type = {inproceedings},
year = {2001},
pages = {22-38},
publisher = {Wallstein},
city = {Göttingen},
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editor = {te Heesen, Anke and Spary, Emma C.},
booktitle = {Sammeln als Wissen}
}
Cultures of Natural History.
Jardine, N.
Cambridge Univ. Press, 1. publ.. edition, 1996.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@book{
title = {Cultures of Natural History},
type = {book},
year = {1996},
keywords = {Natur | Kultur | Geschichte | Aufsatzsammlung},
pages = {XXI, 501 S., Ill., 25 cm},
websites = {https://ubdata.univie.ac.at/AC01381946},
publisher = {Cambridge Univ. Press},
city = {Cambridge [u.a.]},
edition = {1. publ..},
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abstract = {Literaturangaben},
bibtype = {book},
author = {Jardine, Nicholas}
}
Literaturangaben
Sammeln als Wissen: Das Sammeln und seine wissenschaftsgeschichtliche Bedeutung.
te Heesen, A.; and Spary, E.
of WissenschaftsgeschichteWallstein, 2001.
link bibtex
link bibtex
@book{
title = {Sammeln als Wissen: Das Sammeln und seine wissenschaftsgeschichtliche Bedeutung},
type = {book},
year = {2001},
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series = {Wissenschaftsgeschichte},
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author = {te Heesen, Anke and Spary, Emma}
}
Prinzipien der Pflanzenethik: Die Bewertung pflanzlichen Lebens in Biologie und Philosophie.
Kallhoff, A.
Campus Verlag, 2002.
link bibtex
link bibtex
@book{
title = {Prinzipien der Pflanzenethik: Die Bewertung pflanzlichen Lebens in Biologie und Philosophie},
type = {book},
year = {2002},
publisher = {Campus Verlag},
city = {New York City},
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author = {Kallhoff, Angela}
}
Nature as a Marketplace: The Political Economy of Linnaean Botany.
Müller-Wille, S.
History of Political Economy, 35(5): 154-172. 2003.
Website
link
bibtex
Website
link
bibtex
@article{
title = {Nature as a Marketplace: The Political Economy of Linnaean Botany},
type = {article},
year = {2003},
keywords = {-- 1707-1778,-- 1964-,1707-1778,Botany,Carl Von,Economic -- History,Linné,Linné Carl Von,Müller-Wille,Staffan},
pages = {154-172},
volume = {35},
websites = {https://muse.jhu.edu/journals/history_of_political_economy/v035/35.5muller-wille.html},
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author = {Müller-Wille, Staffan},
journal = {History of Political Economy},
number = {5}
}
Die Pflanzentauschbörsen: Das Austauschkonzept und die Netzwerke des botanischen Wissens im 19. Jahrhundert.
Nicolas, R.
In Kaasch, M.; Kaasch, J.; and Wissemann, V., editor(s), Netzwerke : Beiträge Zur 13. Jahrestagung Der DGGTB in Neuburg an Der Donau 2004 (Verhandlungen zur Geschichte und Theorie der Biologie, 12), pages 123-136, 2006. VWB, Verl. für Wiss. und Bildung
link bibtex
link bibtex
@inproceedings{
title = {Die Pflanzentauschbörsen: Das Austauschkonzept und die Netzwerke des botanischen Wissens im 19. Jahrhundert},
type = {inproceedings},
year = {2006},
pages = {123-136},
publisher = {VWB, Verl. für Wiss. und Bildung},
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editor = {Kaasch, Michael and Kaasch, Joachim and Wissemann, Volker},
booktitle = {Netzwerke : Beiträge Zur 13. Jahrestagung Der DGGTB in Neuburg an Der Donau 2004 (Verhandlungen zur Geschichte und Theorie der Biologie, 12)}
}
Der andere Garten: Erinnern und Erfinden in Gärten von Institutionen.
Ananieva, A.; and Hoefer, N., N.
of Formen der Erinnerung Band 022Vandenhoeck & Ruprecht, 1. Aufl.. edition, 2005.
link bibtex
link bibtex
@book{
title = {Der andere Garten: Erinnern und Erfinden in Gärten von Institutionen},
type = {book},
year = {2005},
publisher = {Vandenhoeck & Ruprecht},
city = {Göttingen},
edition = {1. Aufl..},
series = {Formen der Erinnerung Band 022},
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}
Wissen im Netz: Botanik und Pflanzentransfer in europäischen Korrespondenznetzen des 18. Jahrhunderts.
Dauser, R.; and Böswald-Rid, E.
of Colloquia Augustana ; 24Akad.-Verl., 2008.
link bibtex
link bibtex
@book{
title = {Wissen im Netz: Botanik und Pflanzentransfer in europäischen Korrespondenznetzen des 18. Jahrhunderts},
type = {book},
year = {2008},
keywords = {Aufsatzsammlung,Botanik,Europa,Fachwissen,Forschungsergebnis,Geschichte 1700-1800,Informationsaustausch},
publisher = {Akad.-Verl.},
city = {Berlin},
series = {Colloquia Augustana ; 24},
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author = {Dauser, Regina and Böswald-Rid, Elisabeth}
}
Arts of Living on a Damaged Planet.
Tsing, A., L.; Swanson, H., A.; Gan, E.; and Bubandt, N.
University of Minnesota Press, 2017.
link bibtex abstract
link bibtex abstract
@book{
title = {Arts of Living on a Damaged Planet},
type = {book},
year = {2017},
keywords = {Effect of human beings on Nature},
publisher = {University of Minnesota Press},
city = {Minneapolis London},
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source_type = {book},
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private_publication = {false},
abstract = {volume 1. Ghosts. Introduction: haunted landscapes of the Anthropocene / Elaine Gan, Nils Bubandt, Anna Tsing, and Heather Swanson -- A garden or a grave? : the canyonic landscape of the Tijuana-San Diego region / Lesley Stern -- Marie Curie's fingerprint : nuclear spelunking in the Chernobyl zone / Kate Brown -- Shimmer : when all you love is being trashed / Deborah Bird Rose -- Future megafaunas : a historical perspective on the scope for a wilder Anthropocene / Jens-Christian Svenning -- Ladders, trees, complexity, and other metaphors in evolutionary thinking / Andreas Hejnol -- No small matter : mushroom clouds, ecologies of nothingness, and strange topologies of spacetimemattering / Karen Barad -- Haunted geologies : spirits, stones, and the necropolitics of the Anthropocene / Nils Bubandt -- Ghostly forms and forest histories / Andrew S. Mathews -- Establishing new worlds : the lichens of Petersham / Anne Pringle -- Coda : concept and chronotope / Mary Louise Pratt},
bibtype = {book},
author = {Tsing, Anna Lowenhaupt and Swanson, Heather Anne and Gan, Elaine and Bubandt, Nils}
}
volume 1. Ghosts. Introduction: haunted landscapes of the Anthropocene / Elaine Gan, Nils Bubandt, Anna Tsing, and Heather Swanson -- A garden or a grave? : the canyonic landscape of the Tijuana-San Diego region / Lesley Stern -- Marie Curie's fingerprint : nuclear spelunking in the Chernobyl zone / Kate Brown -- Shimmer : when all you love is being trashed / Deborah Bird Rose -- Future megafaunas : a historical perspective on the scope for a wilder Anthropocene / Jens-Christian Svenning -- Ladders, trees, complexity, and other metaphors in evolutionary thinking / Andreas Hejnol -- No small matter : mushroom clouds, ecologies of nothingness, and strange topologies of spacetimemattering / Karen Barad -- Haunted geologies : spirits, stones, and the necropolitics of the Anthropocene / Nils Bubandt -- Ghostly forms and forest histories / Andrew S. Mathews -- Establishing new worlds : the lichens of Petersham / Anne Pringle -- Coda : concept and chronotope / Mary Louise Pratt
Program Earth: Environmental Sensing Technology and the Making of a Computational Planet.
Gabrys, J.
of Electronic mediations ; 49University of Minnesota Press, 2016.
link bibtex
link bibtex
@book{
title = {Program Earth: Environmental Sensing Technology and the Making of a Computational Planet},
type = {book},
year = {2016},
keywords = {Environmental monitoring},
publisher = {University of Minnesota Press},
city = {Minneapolis London},
series = {Electronic mediations ; 49},
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}
undefined
(429)
Goethe's Citrus, Nietzsche's Figs, and Benn's Olive: Poetic Reverie, Erotic Fantasy, and Botanic Agency.
Kolb, M.
Monatshefte, 106(2): 171-199. 2014.
doi link bibtex abstract
doi link bibtex abstract
@article{
title = {Goethe's Citrus, Nietzsche's Figs, and Benn's Olive: Poetic Reverie, Erotic Fantasy, and Botanic Agency},
type = {article},
year = {2014},
pages = {171-199},
volume = {106},
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abstract = {Against the critical backdrop of recent writings on time-honored human interactions with plants—such as Michael Pollan’s The Botany of Desire and Catherine Howell’s Flora Mirabilis—this article comparatively evaluates an intriguing spectrum of poetic-botanic intersections. With a focus on Goethe’s “Mignon’s Song” and Italian Journey, Nietzsche’s Thus Spoke Zarathustra and Ecce Homo, and Gottfried Benn’s Rönne Prose and “Creative Confession,” this essay traces the cultural history of the respective botanic genus in its relationship with imaginative texts and literary genres. While concentrating on the presence, form, and function of three botanic items in three German poets (Goethe, Nietzsche, and Benn), this article also draws on various representations of these and other plants in biblical and mythical texts, while at the same time making writers such as Dante, Shakespeare, Freud, Rilke, Wolfskehl, Pound, Eliot, Montale, Neruda, and Edna St. Vincent Millay part of a discussion that is not only invested in Mediterranean botany and Italian travel, German culture, and the poetics of yearning, but also in translation and adaptation, etymology and nomenclature, tradition and the individual talent. (MK)},
bibtype = {article},
author = {Kolb, Martina},
doi = {10.1353/mon.2014.0031},
journal = {Monatshefte},
number = {2}
}
Against the critical backdrop of recent writings on time-honored human interactions with plants—such as Michael Pollan’s The Botany of Desire and Catherine Howell’s Flora Mirabilis—this article comparatively evaluates an intriguing spectrum of poetic-botanic intersections. With a focus on Goethe’s “Mignon’s Song” and Italian Journey, Nietzsche’s Thus Spoke Zarathustra and Ecce Homo, and Gottfried Benn’s Rönne Prose and “Creative Confession,” this essay traces the cultural history of the respective botanic genus in its relationship with imaginative texts and literary genres. While concentrating on the presence, form, and function of three botanic items in three German poets (Goethe, Nietzsche, and Benn), this article also draws on various representations of these and other plants in biblical and mythical texts, while at the same time making writers such as Dante, Shakespeare, Freud, Rilke, Wolfskehl, Pound, Eliot, Montale, Neruda, and Edna St. Vincent Millay part of a discussion that is not only invested in Mediterranean botany and Italian travel, German culture, and the poetics of yearning, but also in translation and adaptation, etymology and nomenclature, tradition and the individual talent. (MK)
Why Look at Plants? The Botanical Emergence in Contemporary Art.
Aloi, G.
Brill | Rodopi, 2019.
link bibtex abstract
link bibtex abstract
@book{
title = {Why Look at Plants? The Botanical Emergence in Contemporary Art},
type = {book},
year = {2019},
publisher = {Brill | Rodopi},
city = {Leiden},
id = {ab10d4d5-776b-3ce5-b7e8-a7919b06c196},
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abstract = {Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene.
Plant’s fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers’ pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
Winner of the 2019 Choice Outstanding Academic Title},
bibtype = {book},
author = {Aloi, Giovanni}
}
Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene.
Plant’s fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers’ pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
Winner of the 2019 Choice Outstanding Academic Title
'Verbrechen wider die Natur': Oskar Panizza's First Encounter with Censorship.
Jacobs, J.
In Godela Weiss-Sussex; and Charlotte Woodford, editor(s), Protest and Reform in German Literature and Visual Culture, 1871-1918, pages 125-138, 2015. Iudicum
Website
link
bibtex
Website
link
bibtex
@inproceedings{
title = {'Verbrechen wider die Natur': Oskar Panizza's First Encounter with Censorship},
type = {inproceedings},
year = {2015},
pages = {125-138},
websites = {http://www.iudicium.de/katalog/86205-402.htm},
publisher = {Iudicum},
id = {736abcde-e600-3c88-9362-97c0a4581b2a},
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author = {Jacobs, Joela},
editor = {Godela Weiss-Sussex, undefined and Charlotte Woodford, undefined},
booktitle = {Protest and Reform in German Literature and Visual Culture, 1871-1918}
}
Janet Laurence: The Pharmacy of Plants.
Gibson, P.
NewSouth Books, 2016.
link bibtex abstract
link bibtex abstract
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title = {Janet Laurence: The Pharmacy of Plants},
type = {book},
year = {2016},
publisher = {NewSouth Books},
city = {Moorebank, NSW},
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abstract = {
Well-known for her installations and public art commissions that engage with architectural and biological forms, Janet Laurence is fascinated by the interplay of plant species, animals and people. In her work, represented in all major collections in Australia, Laurence constructs atmospheric spaces that allow for deep reflection on questions of ecology and extinction. Here, Prudence Gibson surveys Laurence's BioArt, and her radical interpretation of humanity's relationship with the world.},
bibtype = {book},
author = {Gibson, Prudence}
}
Well-known for her installations and public art commissions that engage with architectural and biological forms, Janet Laurence is fascinated by the interplay of plant species, animals and people. In her work, represented in all major collections in Australia, Laurence constructs atmospheric spaces that allow for deep reflection on questions of ecology and extinction. Here, Prudence Gibson surveys Laurence's BioArt, and her radical interpretation of humanity's relationship with the world.
The Culture of Flowers.
Goody, J.
Cambridge University Press, 1993.
link bibtex
link bibtex
@book{
title = {The Culture of Flowers},
type = {book},
year = {1993},
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bibtype = {book},
author = {Goody, Jack}
}
Plant Evolution: An Introduction to the History of Life.
Niklas, K., J.
University of Chicago Press, 2016.
link bibtex abstract
link bibtex abstract
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title = {Plant Evolution: An Introduction to the History of Life},
type = {book},
year = {2016},
publisher = {University of Chicago Press},
city = {Chicago},
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abstract = {Although plants comprise more than 90% of all visible life, and land plants and algae collectively make up the most morphologically, physiologically, and ecologically diverse group of organisms on earth, books on evolution instead tend to focus on animals. This organismal bias has led to an incomplete and often erroneous understanding of evolutionary theory. Because plants grow and reproduce differently than animals, they have evolved differently, and generally accepted evolutionary views—as, for example, the standard models of speciation—often fail to hold when applied to them.
Tapping such wide-ranging topics as genetics, gene regulatory networks, phenotype mapping, and multicellularity, as well as paleobotany, Karl J. Niklas’s Plant Evolution offers fresh insight into these differences. Following up on his landmark book The Evolutionary Biology of Plants—in which he drew on cutting-edge computer simulations that used plants as models to illuminate key evolutionary theories—Niklas incorporates data from more than a decade of new research in the flourishing field of molecular biology, conveying not only why the study of evolution is so important, but also why the study of plants is essential to our understanding of evolutionary processes. Niklas shows us that investigating the intricacies of plant development, the diversification of early vascular land plants, and larger patterns in plant evolution is not just a botanical pursuit: it is vital to our comprehension of the history of all life on this green planet.},
bibtype = {book},
author = {Niklas, Karl J.}
}
Although plants comprise more than 90% of all visible life, and land plants and algae collectively make up the most morphologically, physiologically, and ecologically diverse group of organisms on earth, books on evolution instead tend to focus on animals. This organismal bias has led to an incomplete and often erroneous understanding of evolutionary theory. Because plants grow and reproduce differently than animals, they have evolved differently, and generally accepted evolutionary views—as, for example, the standard models of speciation—often fail to hold when applied to them.
Tapping such wide-ranging topics as genetics, gene regulatory networks, phenotype mapping, and multicellularity, as well as paleobotany, Karl J. Niklas’s Plant Evolution offers fresh insight into these differences. Following up on his landmark book The Evolutionary Biology of Plants—in which he drew on cutting-edge computer simulations that used plants as models to illuminate key evolutionary theories—Niklas incorporates data from more than a decade of new research in the flourishing field of molecular biology, conveying not only why the study of evolution is so important, but also why the study of plants is essential to our understanding of evolutionary processes. Niklas shows us that investigating the intricacies of plant development, the diversification of early vascular land plants, and larger patterns in plant evolution is not just a botanical pursuit: it is vital to our comprehension of the history of all life on this green planet.
Imperceptibly and Slowly Opening.
Picard, C.
Green Lantern Press, 2016.
Website
link
bibtex
Website
link
bibtex
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title = {Imperceptibly and Slowly Opening},
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publisher = {Green Lantern Press},
city = {Chicago, IL},
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Deleuze and Critical Plant Studies.
Stark, H.
In Deleuze and the Non/Human, pages 180-196, 2015. Palgrave Macmillan
doi link bibtex
doi link bibtex
@inproceedings{
title = {Deleuze and Critical Plant Studies},
type = {inproceedings},
year = {2015},
pages = {180-196},
publisher = {Palgrave Macmillan},
city = {London},
chapter = {10},
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bibtype = {inproceedings},
author = {Stark, Hannah},
doi = {10.1057/9781137453693_11},
booktitle = {Deleuze and the Non/Human}
}
The Hidden Life of Trees: What They Feel, How They Communicate―Discoveries from a Secret World.
Wohlleben, P.
Greystone Books, 2016.
link bibtex abstract
link bibtex abstract
@book{
title = {The Hidden Life of Trees: What They Feel, How They Communicate―Discoveries from a Secret World},
type = {book},
year = {2016},
publisher = {Greystone Books},
city = {Vancouver},
id = {f4c6102f-147f-3f77-b5c7-f024d5054d70},
created = {2017-10-07T18:20:51.135Z},
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abstract = {Original (Munich: Ludwig, 2015): Das geheime Leben der Bäume: Was sie fühlen, wie sie kommunizieren - die Entdeckung einer verborgenen Welt},
bibtype = {book},
author = {Wohlleben, Peter}
}
Original (Munich: Ludwig, 2015): Das geheime Leben der Bäume: Was sie fühlen, wie sie kommunizieren - die Entdeckung einer verborgenen Welt
Plants as Persons: A Philosophical Botany.
Hall, M.
SUNY Press, 2011.
link bibtex
link bibtex
@book{
title = {Plants as Persons: A Philosophical Botany},
type = {book},
year = {2011},
publisher = {SUNY Press},
city = {Albany, N.Y.},
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}
Through Vegetal Being: Two Philosophical Perspectives.
Irigaray, L.; and Marder, M.
Columbia University Press, 2016.
link bibtex
link bibtex
@book{
title = {Through Vegetal Being: Two Philosophical Perspectives},
type = {book},
year = {2016},
publisher = {Columbia University Press},
city = {New York},
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author = {Irigaray, Luce. and Marder, Michael.}
}
Plant Theory: Biopower and Vegetable Life.
Nealon, J., T.
Stanford University Press, 2016.
link bibtex
link bibtex
@book{
title = {Plant Theory: Biopower and Vegetable Life},
type = {book},
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city = {Stanford, CA},
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author = {Nealon, Jeffrey T}
}
The Long, Long Life of Trees.
Stafford, F., J.
Yale University Press, 2017.
link bibtex abstract
link bibtex abstract
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title = {The Long, Long Life of Trees},
type = {book},
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city = {New Haven, CT},
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abstract = {"Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols. In this beautifully illustrated volume Fiona Stafford offers intimate, detailed explorations of seventeen common trees, from ash and apple to pine, oak, cypress, and willow. The author also pays homage to particular trees, such as the fabled Ankerwyke Yew, under which Henry VIII courted Anne Boleyn, and the spectacular cherry trees of Washington, D.C. Stafford discusses practical uses of wood past and present, tree diseases and environmental threats, and trees' potential contributions toward slowing global climate change. Brimming with unusual topics and intriguing facts, this book celebrates trees and their long, long lives as our inspiring and beloved natural companions"--},
bibtype = {book},
author = {Stafford, Fiona J}
}
"Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols. In this beautifully illustrated volume Fiona Stafford offers intimate, detailed explorations of seventeen common trees, from ash and apple to pine, oak, cypress, and willow. The author also pays homage to particular trees, such as the fabled Ankerwyke Yew, under which Henry VIII courted Anne Boleyn, and the spectacular cherry trees of Washington, D.C. Stafford discusses practical uses of wood past and present, tree diseases and environmental threats, and trees' potential contributions toward slowing global climate change. Brimming with unusual topics and intriguing facts, this book celebrates trees and their long, long lives as our inspiring and beloved natural companions"--
Plants in Contemporary Poetry: Ecocriticism and the Botanical Imagination.
Ryan, J., C.
Routledge, 2018.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@book{
title = {Plants in Contemporary Poetry: Ecocriticism and the Botanical Imagination},
type = {book},
year = {2018},
websites = {https://www.routledge.com/Plants-in-Contemporary-Poetry-Ecocriticism-and-the-Botanical-Imagination/Ryan/p/book/9781138186286},
publisher = {Routledge},
city = {New York, NY},
id = {34de24a4-7955-3f34-b304-0bf505267043},
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abstract = {"Positioned within current ecocritical scholarship, this volume is the first book-length study of the representations of plants in contemporary American, English, and Australian poetry. Through readings of botanically-minded writers including Les Murray, Louise Glück, and Alice Oswald, it addresses the relationship between language and the subjectivity, agency, sentience, consciousness, and intelligence of vegetal life. Scientific, philosophical, and literary frameworks enable the author to develop an interdisciplinary approach to examining the role of plants in poetry. Drawing from recent plant science and contributing to the exciting new field of critical plant studies, the author develops a methodology he calls "botanical criticism" that aims to redress the lack of emphasis on plant life in studies of poetry. As a subset of ecocriticism, botanical criticism investigates how poets engage with plants literally and figuratively, materially and symbolically, in their works. Key themes covered in this volume include plants as invasives and weeds in human settings; as sources of physical and spiritual nourishment; as signifiers of region, home, and identity; as objects of aesthetics and objectivism; and, crucially, as beings with their own perspectives, voices, and modes of dialogue. Ryan demonstrates that poetic imagination is as essential as scientific rationality to elucidating and appreciating the mysteries of plant-being. This book will appeal to a multidisciplinary readership in the fields of ecocriticism, ecopoetry, environmental humanities, and ecocultural studies, and will be of interest to researchers in the emerging area of critical plant studies."--Provided by publisher.},
bibtype = {book},
author = {Ryan, John Charles}
}
"Positioned within current ecocritical scholarship, this volume is the first book-length study of the representations of plants in contemporary American, English, and Australian poetry. Through readings of botanically-minded writers including Les Murray, Louise Glück, and Alice Oswald, it addresses the relationship between language and the subjectivity, agency, sentience, consciousness, and intelligence of vegetal life. Scientific, philosophical, and literary frameworks enable the author to develop an interdisciplinary approach to examining the role of plants in poetry. Drawing from recent plant science and contributing to the exciting new field of critical plant studies, the author develops a methodology he calls "botanical criticism" that aims to redress the lack of emphasis on plant life in studies of poetry. As a subset of ecocriticism, botanical criticism investigates how poets engage with plants literally and figuratively, materially and symbolically, in their works. Key themes covered in this volume include plants as invasives and weeds in human settings; as sources of physical and spiritual nourishment; as signifiers of region, home, and identity; as objects of aesthetics and objectivism; and, crucially, as beings with their own perspectives, voices, and modes of dialogue. Ryan demonstrates that poetic imagination is as essential as scientific rationality to elucidating and appreciating the mysteries of plant-being. This book will appeal to a multidisciplinary readership in the fields of ecocriticism, ecopoetry, environmental humanities, and ecocultural studies, and will be of interest to researchers in the emerging area of critical plant studies."--Provided by publisher.
The Language of Flowers: A History.
Seaton, B.
University of Virginia Press, 1995.
link bibtex
link bibtex
@book{
title = {The Language of Flowers: A History},
type = {book},
year = {1995},
publisher = {University of Virginia Press},
city = {Charlottesville, VA},
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author = {Seaton, Beverly.}
}
In Praise of Plants.
Hallé, F.
Timber Press, 2011.
link bibtex
link bibtex
@book{
title = {In Praise of Plants},
type = {book},
year = {2011},
publisher = {Timber Press},
city = {Portland, OR},
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bibtype = {book},
author = {Hallé, Francis.}
}
Media, Modernity, and Dynamic Plants in Early 20th Century German Culture.
Janzen, J., L.
Brill/Rodopi, 2016.
link bibtex abstract
link bibtex abstract
@book{
title = {Media, Modernity, and Dynamic Plants in Early 20th Century German Culture},
type = {book},
year = {2016},
publisher = {Brill/Rodopi},
city = {Leiden},
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abstract = {"In Media, Modernity and Dynamic Plants, Janet Janzen traces the motif of the "dynamic plant" through film and literature in early 20th century German culture. Often discussed solely as symbols or metaphors of the human experience, plants become here the primary focus and their role in literature and film is extended beyond their symbolic function. Plants have been (and still are) seen as closer to static objects than to living, moving beings. Making use of examples from film and literature, Janet Janzen demonstrates a shift in the perception of plants-as-objects to plants-as-living-beings that can be attributed to new technology and also to the return of Romantic and Vitalistic discourses on nature."--},
bibtype = {book},
author = {Janzen, Janet Lindeblad}
}
"In Media, Modernity and Dynamic Plants, Janet Janzen traces the motif of the "dynamic plant" through film and literature in early 20th century German culture. Often discussed solely as symbols or metaphors of the human experience, plants become here the primary focus and their role in literature and film is extended beyond their symbolic function. Plants have been (and still are) seen as closer to static objects than to living, moving beings. Making use of examples from film and literature, Janet Janzen demonstrates a shift in the perception of plants-as-objects to plants-as-living-beings that can be attributed to new technology and also to the return of Romantic and Vitalistic discourses on nature."--
Flora Mirabilis: How Plants Have Shaped World Knowledge, Health, Wealth, and Beauty.
Howell, C., H.; and Raven, P., H.
National Geographic Society, 2009.
link bibtex
link bibtex
@book{
title = {Flora Mirabilis: How Plants Have Shaped World Knowledge, Health, Wealth, and Beauty},
type = {book},
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author = {Howell, Catherine Herbert. and Raven, Peter Hamilton.}
}
Plants and Literature: Essays in Critical Plant Studies.
Laist, R.
Brill/Rodopi, 2013.
link bibtex abstract
link bibtex abstract
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abstract = {"Myth, art, literature, film, and other discourses are replete with depictions of evil plants, salvific plants, and human-plant hybrids. In various ways, these representations intersect with "deep-rooted" insecurities about the place of human beings in the natural world, the relative viability of animalian motility and heterotrophy as evolutionary strategies, as well as the identity of organic life as such. Plants surprise us by combining the appearance of harmlessness and familiarity with an underlying strangeness. The otherness of vegetal life poses a challenge to our ethical, philosophical, and existential categories and tests the limits of human empathy and imagination. At the same time, the resilience of plants, their adaptability, and their integration with their habitat are a perennial source of inspiration and wisdom. Plants and Literature: Essays in Critical Plant Studies examines the manner in which literary texts and other cultural products express our multifaceted relationship with the vegetable kingdom. The range of perspectives brought to bear on the subject of plant life by the various authors and critics represented in this volume comprise a novel vision of ecological interdependence and stimulate a revitalized sensitivity to the relationships we share with our photosynthetic brethren."--Amazon.com.},
bibtype = {book},
author = {Laist, Randy}
}
"Myth, art, literature, film, and other discourses are replete with depictions of evil plants, salvific plants, and human-plant hybrids. In various ways, these representations intersect with "deep-rooted" insecurities about the place of human beings in the natural world, the relative viability of animalian motility and heterotrophy as evolutionary strategies, as well as the identity of organic life as such. Plants surprise us by combining the appearance of harmlessness and familiarity with an underlying strangeness. The otherness of vegetal life poses a challenge to our ethical, philosophical, and existential categories and tests the limits of human empathy and imagination. At the same time, the resilience of plants, their adaptability, and their integration with their habitat are a perennial source of inspiration and wisdom. Plants and Literature: Essays in Critical Plant Studies examines the manner in which literary texts and other cultural products express our multifaceted relationship with the vegetable kingdom. The range of perspectives brought to bear on the subject of plant life by the various authors and critics represented in this volume comprise a novel vision of ecological interdependence and stimulate a revitalized sensitivity to the relationships we share with our photosynthetic brethren."--Amazon.com.
Gespräche über Bäume: Wurzel- und Pflanzenmetaphern in der Exilliteratur.
Walter A. Berendsohn Forschungsstelle für deutsche Exilliteratur
Exilograph, 25. 2016.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
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type = {article},
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Special issue.
Pernicious Plants: Imitation and Uncanny Ecocritical Thought in Gustav Meyrink's 'Die Pflanzen des Dr. Cinderella'.
Etzler, M.
German Quarterly, 90(4): 459-475. 2017.
link bibtex
link bibtex
@article{
title = {Pernicious Plants: Imitation and Uncanny Ecocritical Thought in Gustav Meyrink's 'Die Pflanzen des Dr. Cinderella'},
type = {article},
year = {2017},
pages = {459-475},
volume = {90},
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author = {Etzler, Melissa},
journal = {German Quarterly},
number = {4}
}
Of Sheep, Oranges, and Yeast: A Multispecies Impression.
Yates, J.
University of Minnesota Press, 2017.
link bibtex
link bibtex
@book{
title = {Of Sheep, Oranges, and Yeast: A Multispecies Impression},
type = {book},
year = {2017},
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}
Arboreal Attachments: Interacting with Trees in Early Nineteenth-Century France.
Pacini, G.
Configurations, 24(2): 173-195. 2016.
link bibtex
link bibtex
@article{
title = {Arboreal Attachments: Interacting with Trees in Early Nineteenth-Century France},
type = {article},
year = {2016},
pages = {173-195},
volume = {24},
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bibtype = {article},
author = {Pacini, Giulia},
journal = {Configurations},
number = {2}
}
Remarkable Plants That Shape Our World.
Bynum, H.; and Bynum, W.
University of Chicago Press, 2014.
link bibtex
link bibtex
@book{
title = {Remarkable Plants That Shape Our World},
type = {book},
year = {2014},
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private_publication = {false},
bibtype = {book},
author = {Bynum, Helen and Bynum, William}
}
The Botany of Desire: A Plants-Eye View of the World.
Pollan, M.
Random House, 2001.
link bibtex
link bibtex
@book{
title = {The Botany of Desire: A Plants-Eye View of the World},
type = {book},
year = {2001},
publisher = {Random House},
city = {New York},
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bibtype = {book},
author = {Pollan, Michael}
}
Der deutsche Wald: Eine Ideengeschichte zwischen Poesie und Ideologie: 1800-1945.
Zechner, J.
Philipp von Zabern Verlag, 2016.
link bibtex
link bibtex
@book{
title = {Der deutsche Wald: Eine Ideengeschichte zwischen Poesie und Ideologie: 1800-1945},
type = {book},
year = {2016},
publisher = {Philipp von Zabern Verlag},
city = {Darmstadt},
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bibtype = {book},
author = {Zechner, Johannes}
}
Plant Sensing and Communication.
Karban, R.
University of Chicago Press, 2015.
link bibtex
link bibtex
@book{
title = {Plant Sensing and Communication},
type = {book},
year = {2015},
publisher = {University of Chicago Press},
city = {Chicago},
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bibtype = {book},
author = {Karban, Richard}
}
Green Desire: Imagining Early Modern English Gardens.
Bushnell, R., W.
Cornell University Press, 2003.
link bibtex
link bibtex
@book{
title = {Green Desire: Imagining Early Modern English Gardens},
type = {book},
year = {2003},
publisher = {Cornell University Press},
city = {Ithaka},
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author = {Bushnell, Rebecca W.}
}
Matter in Motion and the Mysticism of Nature´s Colour.
Schäring, J.
284 Publishers, 2017.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Matter in Motion and the Mysticism of Nature´s Colour},
type = {book},
year = {2017},
websites = {http://www.jeanettescharing.net/matter-in-motion-and-the-mysticism-of-natures-colour/},
publisher = {284 Publishers},
id = {a5f748ef-1639-328c-ae1f-3f80de04cf07},
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author = {Schäring, Jeanette}
}
The Book of Seeds: A Life-Sized Guide to Six Hundred Species from around the World.
Smith, P.
University of Chicago Press, 2018.
Website
link
bibtex
Website
link
bibtex
@book{
title = {The Book of Seeds: A Life-Sized Guide to Six Hundred Species from around the World},
type = {book},
year = {2018},
websites = {http://press.uchicago.edu/ucp/books/book/chicago/B/bo28265826.html},
publisher = {University of Chicago Press},
id = {8a20773c-e4b8-3bc0-9d4e-5092fb1a0f8d},
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private_publication = {false},
bibtype = {book},
author = {Smith, Paul}
}
Black Rice: The African Origins of Rice Cultivation in the Americas.
Carney, J., A.
Harvard University Press, 2001.
link bibtex
link bibtex
@book{
title = {Black Rice: The African Origins of Rice Cultivation in the Americas},
type = {book},
year = {2001},
publisher = {Harvard University Press},
city = {Cambridge, MA},
id = {d8f3e3de-f675-3143-bc13-180252585702},
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hidden = {false},
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bibtype = {book},
author = {Carney, Judith Ann}
}
Orchid: A Cultural History.
Endersby, J.
University of Chicago Press, 2016.
link bibtex
link bibtex
@book{
title = {Orchid: A Cultural History},
type = {book},
year = {2016},
publisher = {University of Chicago Press},
city = {Chicago},
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bibtype = {book},
author = {Endersby, Jim}
}
Decolonizing Patent Law: Postcolonial Technoscience and Indigenous Knowledge in South Africa.
Foster, L., A.
Feminist Formations, 28(3): 148-173. 2016.
link bibtex
link bibtex
@article{
title = {Decolonizing Patent Law: Postcolonial Technoscience and Indigenous Knowledge in South Africa},
type = {article},
year = {2016},
pages = {148-173},
volume = {28},
id = {9760abef-2cad-35a6-a789-edb2c6c4f433},
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bibtype = {article},
author = {Foster, Laura A.},
journal = {Feminist Formations},
number = {3}
}
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants.
Kimmerer, R., W.
Milkweed Editions, 2013.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants},
type = {book},
year = {2013},
websites = {https://milkweed.org/book/braiding-sweetgrass},
publisher = {Milkweed Editions},
city = {Minneapolis},
id = {72d2fb89-11d0-3f6f-8932-78d5d367ba1b},
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bibtype = {book},
author = {Kimmerer, Robin Wall}
}
In the Forest Ruins.
Tavares, P.
e-flux architecture, 76(12). 2016.
Website
link
bibtex
Website
link
bibtex
@article{
title = {In the Forest Ruins},
type = {article},
year = {2016},
volume = {76},
websites = {http://www.e-flux.com/architecture/superhumanity/68688/in-the-forest-ruins/},
id = {2652d823-9e36-3747-a32c-fac9f0868e2c},
created = {2018-01-12T21:58:09.931Z},
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last_modified = {2019-11-16T00:01:32.804Z},
read = {false},
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authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {article},
author = {Tavares, Paulo},
journal = {e-flux architecture},
number = {12}
}
Eve's Herb: A History of Contraception and Abortion in the West.
Riddle, J., M.
Harvard University Press, 1997.
link bibtex
link bibtex
@book{
title = {Eve's Herb: A History of Contraception and Abortion in the West},
type = {book},
year = {1997},
publisher = {Harvard University Press},
city = {Cambridge, MA},
id = {531fd6ec-f2bc-37e5-8a4f-3e4ab0ad9128},
created = {2018-01-12T21:58:57.024Z},
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confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Riddle, John M.}
}
Flora, Not Fauna: GM Culture and Agriculture.
McHugh, S.
Literature and Medicine, 26(1): 25-54. 2007.
link bibtex abstract
link bibtex abstract
@article{
title = {Flora, Not Fauna: GM Culture and Agriculture},
type = {article},
year = {2007},
pages = {25-54},
volume = {26},
id = {86cd609c-b328-38b9-b70c-7976d379a7b3},
created = {2018-02-07T22:45:59.162Z},
file_attached = {false},
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last_modified = {2018-02-08T12:06:04.410Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {Special Issue on "Genomics in Literature, Visual Arts, and Culture," ed. by Priscilla Wald, Jay Clayton, and Karla F. C. Holloway.},
bibtype = {article},
author = {McHugh, Susan},
journal = {Literature and Medicine},
number = {1}
}
Special Issue on "Genomics in Literature, Visual Arts, and Culture," ed. by Priscilla Wald, Jay Clayton, and Karla F. C. Holloway.
The Botanic Garden.
Darwin, E.
1791.
link bibtex abstract
link bibtex abstract
@book{
title = {The Botanic Garden},
type = {book},
year = {1791},
id = {528c8ab7-ebed-3ca9-8ac5-6690891c98d0},
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confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {Reprinted: Routledge, 2017 (ed. Komisaruk, Adam
and Dushane, Allison)},
bibtype = {book},
author = {Darwin, Erasmus},
keywords = {poetry}
}
Reprinted: Routledge, 2017 (ed. Komisaruk, Adam
and Dushane, Allison)
Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film.
Keetley, D.; and Tenga, A.
Palgrave, 2016.
link bibtex abstract
link bibtex abstract
@book{
title = {Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film},
type = {book},
year = {2016},
publisher = {Palgrave},
city = {New York},
id = {94aa4ace-605d-3444-aecd-0fea32af5dab},
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read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {See especially the introduction: Dawn Keetley, "Six Theses on Plant Horror; or, Why Are Plants Horrifying," in Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film (New York: Palgrave, 2016): 1-30.},
bibtype = {book},
author = {Keetley, Dawn and Tenga, Angela}
}
See especially the introduction: Dawn Keetley, "Six Theses on Plant Horror; or, Why Are Plants Horrifying," in Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film (New York: Palgrave, 2016): 1-30.
A War against Weeds: Combating Climate Change with Polycultural Pacifism.
Carruthers, D.
In Wallace, M.; and Carruthers, D., editor(s), Perma/Culture: Imagining Alternatives in the Age of Crisis, pages 133-152, 2017. Routledge
link bibtex
link bibtex
@inproceedings{
title = {A War against Weeds: Combating Climate Change with Polycultural Pacifism},
type = {inproceedings},
year = {2017},
pages = {133-152},
publisher = {Routledge},
id = {59fc53fd-698f-3403-91b4-0f040a4804ac},
created = {2018-02-09T21:06:15.194Z},
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hidden = {false},
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bibtype = {inproceedings},
author = {Carruthers, David},
editor = {Wallace, Molly and Carruthers, David},
booktitle = {Perma/Culture: Imagining Alternatives in the Age of Crisis}
}
Lines of Flight of the Deadly Nightshade: An Enquiry into the Properties of the Magical Plant, its Literature and History.
Carruthers, D.
Mosaic, 48(2): 119-132. 2015.
link bibtex
link bibtex
@article{
title = {Lines of Flight of the Deadly Nightshade: An Enquiry into the Properties of the Magical Plant, its Literature and History},
type = {article},
year = {2015},
pages = {119-132},
volume = {48},
id = {c78d0b58-ad56-37b5-b6d4-b500da1585b1},
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Contexts and Implications of Plant Symbolism in the Early Polish Novel: Maria Wirtemberska's Malvina, or the Heart's Intuition (1816).
Ożarska, M.
European Romantic Review, 27(6): 791-814. 2016.
Website
link
bibtex
Website
link
bibtex
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Wooden Os: Shakespeare's Theatres and England's Trees.
Nardizzi, V.
University of Toronto Press, 2013.
link bibtex
link bibtex
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The Verge.
Glaspell, S.
1921.
Website
link
bibtex
Website
link
bibtex
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keywords = {play}
}
Lives of the Monster Plants: The Revenge of the Vegetable in the Age of Animal Studies.
Miller, T.
Journal of the Fantastic in the Arts, 23(3): 460-479. 2012.
link bibtex abstract
link bibtex abstract
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journal = {Journal of the Fantastic in the Arts},
number = {3}
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Grafts: Writings on Plants.
Marder, M.
Univocal, 2016.
link bibtex
link bibtex
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year = {2016},
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Killer Plants of the Late Nineteenth Century.
Chang, E.
In Claggett, S., R.; and Karpenko, L., P., editor(s), Strange Science: Investigating the Limits of Knowledge in the Victorian Age, pages 81-104, 2017. University of Michigan Press
link bibtex abstract
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}
.
Darwin and His Flowers: The Key to Natural Selection.
Allan, M.
Taplinger Pub. Co., 1977.
link bibtex
link bibtex
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Bizarre Plants: Magical, Monstrous, Mythical.
Emboden Jr., W., A.
Macmillan, 1974.
link bibtex
link bibtex
@book{
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The Genesis of the Triffids.
Ketterer, D.
New York Review of Science Fiction, 16(7): 11-14. 2004.
link bibtex
link bibtex
@article{
title = {The Genesis of the Triffids},
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}
Everything Slipping Away: John Wyndham's The Day of the Triffids.
Manlove, C., N.
Journal of the Fantastic in the Arts, 4(1): 29-53. 1991.
link bibtex
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number = {1}
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From the Century of the Pods to the Century of the Plants: Plant Horror, Politics, and Vegetal Ontology.
Meeker, N.; and Szabari, A.
Discourse, 34(1): 32-58. 2012.
link bibtex
link bibtex
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The Vegetative Soul: From Philosophy of Nature to Subjectivity in the Feminine.
Miller, E., P.
State University of New York Press, 2002.
link bibtex
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Different Shops of Horrors: From Roger Corman's Cult Classic to Frank Oz's Mainstream Musical.
Pharr, M.
In Collins, R., A.; and Latham, R., A., editor(s), Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts, pages 212-229, 1995. Greenwood
link bibtex
link bibtex
@inproceedings{
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}
Vegetable Monsters: Man-Eating Trees in Fin-de-siècle Fiction.
Price, C., B.
Victorian Literature and Culture, 41(2): 311-327. 2013.
link bibtex
link bibtex
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Messrs Wells and Conan Doyle: Purveyors of Horticultural Curiosities and Proto-Triffids.
Price, L.
Wellsian, 21: 35-44. 1998.
link bibtex
link bibtex
@article{
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}
Floral Sensations: Plant Biopolitcs.
Sandilands, C.
In Gabrielson, T., editor(s), The Oxford Handbook of Environmental Political Theory, pages 226-237, 2016. Oxford University Press
link bibtex
link bibtex
@inproceedings{
title = {Floral Sensations: Plant Biopolitcs},
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booktitle = {The Oxford Handbook of Environmental Political Theory}
}
Vegetate.
Sandilands, C.
In Cohen, J., J.; and Duckert, L., editor(s), Veer Ecology: A Companion for Environmental Thinking, 2017. University of Minnesota Press
link bibtex
link bibtex
@inproceedings{
title = {Vegetate},
type = {inproceedings},
year = {2017},
publisher = {University of Minnesota Press},
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booktitle = {Veer Ecology: A Companion for Environmental Thinking}
}
Plants of Life, Plants of Death.
Simoons, F., J.
University of Wisconsin Press, 1998.
link bibtex
link bibtex
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Une Fleur du mal? Swinburne's 'The Sundew' and Darwin's Insectivorous Plants.
Smith, J.
Victorian Poetry, 41(1): 131-150. 2003.
link bibtex
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Botanischer Horror: Vom Woher und Wohin tödlicher Pflanzen in der phantastischen Literatur.
Supper, J.
Quarber Merkur, 109(110): 181-196. 2009.
link bibtex
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Flora Unveiled: The Discovery and Denial of Sex in Plants.
Taiz, L.; and Taiz, L.
Oxford University Press, 2017.
link bibtex
link bibtex
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The Fungus among Us: Zoosemiotics and Fuzzy Bodily Boundaries in Science Fiction Horror Cinema.
Walter, B., S., G.
Trespassing Bodies, 6. 2017.
link bibtex
link bibtex
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Les fleurs du mal.
Baudelaire, C.
1857.
link bibtex
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author = {Baudelaire, Charles},
keywords = {poetry}
}
Versuch die Metamorphose der Pflanzen zu erklären.
Goethe, J., W., v.
1790.
link bibtex
link bibtex
@book{
title = {Versuch die Metamorphose der Pflanzen zu erklären},
type = {book},
year = {1790},
id = {07bc6e88-6f26-3a4c-a18c-79f3c325f4e8},
created = {2018-02-11T21:36:02.892Z},
file_attached = {false},
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group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2019-11-04T22:39:22.435Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Goethe, Johann Wolfgang von}
}
The Picture of Dorian Gray.
Wilde, O.
1890.
link bibtex
link bibtex
@book{
title = {The Picture of Dorian Gray},
type = {book},
year = {1890},
id = {d4906508-a80e-36d1-bc87-6a851d3308a5},
created = {2018-02-11T21:36:49.842Z},
file_attached = {false},
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group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2019-11-04T22:39:22.431Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Wilde, Oscar},
keywords = {novel}
}
Little Shop of Horrors (Film).
Oz, F.
1986.
link bibtex abstract
link bibtex abstract
@misc{
title = {Little Shop of Horrors (Film)},
type = {misc},
year = {1986},
id = {8d16e54d-94f9-349e-bcaf-92cbf896a8ec},
created = {2018-02-11T23:58:02.114Z},
file_attached = {false},
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last_modified = {2019-11-15T23:45:31.284Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {Little Shop of Horrors is a 1986 American rock musical horror comedy film directed by Frank Oz. It is a film adaptation of the off-Broadway musical comedy of the same name by composer Alan Menken and writer Howard Ashman about a geeky florist shop worker who finds out his venus fly trap can speak. Menken and Ashman's Off-Broadway musical was based on the low-budget 1960 film The Little Shop of Horrors, directed by Roger Corman.},
bibtype = {misc},
author = {Oz, Frank},
keywords = {film}
}
Little Shop of Horrors is a 1986 American rock musical horror comedy film directed by Frank Oz. It is a film adaptation of the off-Broadway musical comedy of the same name by composer Alan Menken and writer Howard Ashman about a geeky florist shop worker who finds out his venus fly trap can speak. Menken and Ashman's Off-Broadway musical was based on the low-budget 1960 film The Little Shop of Horrors, directed by Roger Corman.
The Day of the Triffids (Film).
Wyndham, J.
1951.
link bibtex abstract
link bibtex abstract
@book{
title = {The Day of the Triffids (Film)},
type = {book},
year = {1951},
id = {828b8858-7f7b-3cb3-9da6-4e3a1fba5d6c},
created = {2018-02-11T23:59:14.322Z},
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last_modified = {2019-11-15T23:50:10.877Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {The Day of the Triffids is a novel by John Wyndham.
The title may also refer to:
The Day of the Triffids (film), the 1962 film version;
The Day of the Triffids (1981 TV series), the 1981 television version;
The Day of the Triffids (2009 TV series), the 2009 television version;
The Day of the Triffids (radio drama), a number of radio versions.},
bibtype = {book},
author = {Wyndham, John},
keywords = {novel}
}
The Day of the Triffids is a novel by John Wyndham.
The title may also refer to:
The Day of the Triffids (film), the 1962 film version;
The Day of the Triffids (1981 TV series), the 1981 television version;
The Day of the Triffids (2009 TV series), the 2009 television version;
The Day of the Triffids (radio drama), a number of radio versions.
Tree.
Battles, M.
Bloomsbury Academic, 2017.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@book{
title = {Tree},
type = {book},
year = {2017},
websites = {https://www.bloomsbury.com/us/tree-9781628920536/},
publisher = {Bloomsbury Academic},
city = {New York},
id = {2f2e8a53-3573-316f-a4eb-9209693e785c},
created = {2018-02-12T00:05:00.879Z},
file_attached = {false},
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last_modified = {2018-02-12T02:48:48.193Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.
Tree explores the forms, uses, and alliances of this living object's entanglement with humanity, from antiquity to the present. Trees tower over us and yet fade into background. Their lifespan outstrips ours, and yet their wisdom remains inscrutable, treasured up in the heartwood. They serve us in many ways-as keel, lodgepole, and execution site-and yet to become human, we had to come down from their limbs. In this book Matthew Battles follows the tree's branches across art, poetry, and landscape, marking the edges of imagination with wildness and shadow.
Object Lessons is published in partnership with an essay series in the The Atlantic.},
bibtype = {book},
author = {Battles, Matthew}
}
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.
Tree explores the forms, uses, and alliances of this living object's entanglement with humanity, from antiquity to the present. Trees tower over us and yet fade into background. Their lifespan outstrips ours, and yet their wisdom remains inscrutable, treasured up in the heartwood. They serve us in many ways-as keel, lodgepole, and execution site-and yet to become human, we had to come down from their limbs. In this book Matthew Battles follows the tree's branches across art, poetry, and landscape, marking the edges of imagination with wildness and shadow.
Object Lessons is published in partnership with an essay series in the The Atlantic.
Sensing Botanical Sensoria: A Kriya for Cultivating Your Inner Plant.
Myers, N.
2014.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {Sensing Botanical Sensoria: A Kriya for Cultivating Your Inner Plant},
type = {misc},
year = {2014},
source = {Imaginative Ethnography Website},
websites = {http://imaginativeethnography.org/imaginings/affect/sensing-botanical-sensoria/},
id = {a9616471-081e-3ef8-a5bd-22cb6694aed2},
created = {2018-02-12T00:11:42.208Z},
file_attached = {false},
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group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2018-03-12T00:33:04.555Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {misc},
author = {Myers, Natasha}
}
Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters.
Hustak, C.; and Myers, N.
differences: a journal of feminist cultural studies, 23(3): 74-117. 2012.
link bibtex
link bibtex
@article{
title = {Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters},
type = {article},
year = {2012},
pages = {74-117},
volume = {23},
id = {cc0f8971-22fc-3250-a1ff-d95a15ae6537},
created = {2018-02-12T00:14:02.218Z},
file_attached = {false},
profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},
group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2019-11-16T00:02:02.759Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {article},
author = {Hustak, Carla and Myers, Natasha},
journal = {differences: a journal of feminist cultural studies},
number = {3}
}
Photosynthesis.
Myers, N.
2016.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@misc{
title = {Photosynthesis},
type = {misc},
year = {2016},
source = {Lexicon for an Anthropocene Yet Unseen},
websites = {https://culanth.org/fieldsights/photosynthesis},
publisher = {Society for Cultural Anthropology},
id = {6070ede8-71f5-3220-8450-caa9e2e90bd9},
created = {2018-02-12T00:22:33.580Z},
file_attached = {false},
profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},
group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2020-05-17T07:56:53.397Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {Theorizing the Contemporary, Fieldsights.
Fieldsights is a short-form web publication by the Society for Cultural Anthropology, featuring timely interventions across a range of media.},
bibtype = {misc},
author = {Myers, Natasha}
}
Theorizing the Contemporary, Fieldsights.
Fieldsights is a short-form web publication by the Society for Cultural Anthropology, featuring timely interventions across a range of media.
Amplifying the Gaps between Climate Science and Forest Policy: The Write2Know Project and Participatory Dissent.
Myers, N.
Canada Watch,18-21. 2015.
Website
link
bibtex
Website
link
bibtex
@article{
title = {Amplifying the Gaps between Climate Science and Forest Policy: The Write2Know Project and Participatory Dissent},
type = {article},
year = {2015},
pages = {18-21},
websites = {https://politicsofevidence.files.wordpress.com/2014/12/cw_fall2015_final.pdf},
id = {ea658485-08c6-322d-a51a-ad2f4ac2206c},
created = {2018-02-12T00:25:33.895Z},
file_attached = {false},
profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},
group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2018-02-12T00:25:34.797Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {article},
author = {Myers, Natasha},
journal = {Canada Watch}
}
Querying Eco-logics.
Buiani, R.; Caporusso, J.; Cockburn, L.; Hobbs, P.; Ladd, K.; Patrick, D.; and Schrader, A.
2013.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {Querying Eco-logics},
type = {misc},
year = {2013},
source = {Technoscience Research Unit Website},
websites = {https://technoscienceunit.org/2015/07/24/querying-eco-logics/},
id = {0697498e-8443-362e-a263-0d450352f2b9},
created = {2018-02-12T00:28:55.776Z},
file_attached = {false},
profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},
group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2018-02-12T00:28:56.731Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {misc},
author = {Buiani, Roberta and Caporusso, Jessica and Cockburn, Lisa and Hobbs, Peter and Ladd, Kelly and Patrick, Darren and Schrader, Astrid}
}
From the Anthropocene to the Planthroposcene: Designing Gardens for Plant/People Involution.
Myers, N.
History and Anthropology,297-301. 2017.
doi link bibtex
doi link bibtex
@article{
title = {From the Anthropocene to the Planthroposcene: Designing Gardens for Plant/People Involution},
type = {article},
year = {2017},
pages = {297-301},
id = {49602fe8-faf0-31c3-a8b3-bc7b372a0f89},
created = {2018-02-12T00:39:43.901Z},
file_attached = {false},
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group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2018-02-12T00:44:14.988Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {article},
author = {Myers, Natasha},
doi = {https://doi.org/10.1080/02757206.2017.1289934},
journal = {History and Anthropology}
}
Sister Arts: The Erotics of Lesbian Landscapes.
Moore, L., L.
University of Minnesota Press, 2011.
link bibtex
link bibtex
@book{
title = {Sister Arts: The Erotics of Lesbian Landscapes},
type = {book},
year = {2011},
publisher = {University of Minnesota Press},
city = {Minneapolis},
id = {c27a83c9-b7f5-3242-a848-f1904a7daadd},
created = {2018-02-12T01:39:55.934Z},
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last_modified = {2018-02-12T01:39:56.754Z},
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confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Moore, Lisa L.}
}
Invaluable Trees: Cultures of Nature, 1660-1830.
Auricchio, L.; Cook, E.; and Pacini, G.
Voltaire Foundation, 2012.
link bibtex
link bibtex
@book{
title = {Invaluable Trees: Cultures of Nature, 1660-1830},
type = {book},
year = {2012},
publisher = {Voltaire Foundation},
id = {2ea8d07a-cc2a-30b6-a08b-894824b8c8c0},
created = {2018-02-12T01:52:47.892Z},
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last_modified = {2018-02-12T01:52:48.611Z},
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authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Auricchio, Laura and Cook, Elizabeth and Pacini, Giulia}
}
Deforesting the Earth: From Prehistory to Global Crisis, An Abridgment.
Williams, M.
University of Chicago Press, 2006.
link bibtex
link bibtex
@book{
title = {Deforesting the Earth: From Prehistory to Global Crisis, An Abridgment},
type = {book},
year = {2006},
publisher = {University of Chicago Press},
city = {Chicago},
id = {8f24a2a0-01d6-31b7-bb14-2d7c78b33c21},
created = {2018-02-12T01:54:33.243Z},
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confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Williams, Michael}
}
Re-Reading Nature and Otherness in Chateaubriand’s Voyage en Amérique: A Case for the Biophilia Effect.
Smart, A., K.
Studies in Eighteenth-Century Culture, 42: 123-145. 2013.
link bibtex
link bibtex
@article{
title = {Re-Reading Nature and Otherness in Chateaubriand’s Voyage en Amérique: A Case for the Biophilia Effect},
type = {article},
year = {2013},
pages = {123-145},
volume = {42},
id = {0240a25d-05d6-3857-915c-d1dcb6fcc644},
created = {2018-02-12T02:03:44.992Z},
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last_modified = {2018-02-12T02:03:45.862Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {article},
author = {Smart, Annie K.},
journal = {Studies in Eighteenth-Century Culture}
}
Tree Cultures: The Place of Trees and Trees in Their Place.
Cloke, P.; and Jones, O.
Bloomsbury, 2002.
link bibtex
link bibtex
@book{
title = {Tree Cultures: The Place of Trees and Trees in Their Place},
type = {book},
year = {2002},
publisher = {Bloomsbury},
city = {London},
id = {bac0e08f-5f7b-3e59-b1bf-aede8bd9d198},
created = {2018-02-12T02:05:38.391Z},
file_attached = {false},
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last_modified = {2018-02-12T02:05:39.053Z},
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authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Cloke, Paul and Jones, Owain}
}
Should Trees Have Standing? Toward Legal Rights for Natural Objects.
Stone, C., D.
Southern California Law Review,450-501. 1972.
Website
link
bibtex
Website
link
bibtex
@article{
title = {Should Trees Have Standing? Toward Legal Rights for Natural Objects},
type = {article},
year = {1972},
pages = {450-501},
websites = {https://iseethics.files.wordpress.com/2013/02/stone-christopher-d-should-trees-have-standing.pdf},
id = {0d51627b-f079-32d6-bb84-9619df29a370},
created = {2018-02-12T02:07:23.495Z},
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last_modified = {2018-02-12T02:07:24.171Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {article},
author = {Stone, Christopher D.},
journal = {Southern California Law Review}
}
Nature's Second Kingdom: Explorations of Vegetality in the Eighteenth Century.
Delaporte, F.
MIT Press, 1982.
link bibtex abstract
link bibtex abstract
@book{
title = {Nature's Second Kingdom: Explorations of Vegetality in the Eighteenth Century},
type = {book},
year = {1982},
publisher = {MIT Press},
city = {Cambridge, MA},
id = {ccf6d565-cea2-36b6-91f6-492e5be9b070},
created = {2018-02-12T02:14:13.734Z},
file_attached = {false},
profile_id = {222a8927-bfaf-311a-a599-8618b10ce9b9},
group_id = {6b3cbe6f-5954-3478-8b6f-f247bb28d285},
last_modified = {2018-02-12T02:14:14.643Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {Trans. Arthur Goldhammer. },
bibtype = {book},
author = {Delaporte, Francois}
}
Trans. Arthur Goldhammer.
The Politics of Landscape: Rural Scenery and Society in English Poetry, 1630-1660.
Turner, J.
Harvard University Press, 1979.
link bibtex
link bibtex
@book{
title = {The Politics of Landscape: Rural Scenery and Society in English Poetry, 1630-1660},
type = {book},
year = {1979},
publisher = {Harvard University Press},
city = {Cambridge},
id = {6bcf5ef2-4298-3871-a3ce-4ceeb26b37b8},
created = {2018-02-12T02:34:31.590Z},
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authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Turner, James}
}
Man and the Natural World: Changing Attitudes in England, 1500-1800.
Thomas, K.
Oxford University Press, 1983.
link bibtex
link bibtex
@book{
title = {Man and the Natural World: Changing Attitudes in England, 1500-1800},
type = {book},
year = {1983},
publisher = {Oxford University Press},
city = {Oxford},
id = {15b1603c-785c-31e1-a24e-016d174f9439},
created = {2018-02-12T02:35:40.522Z},
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last_modified = {2019-11-15T23:49:32.738Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Thomas, Keith}
}
The Brother Gardeners: Botany, Empire, and the Birth of an Obsession.
Wulf, A.
Vintage Books, 2008.
link bibtex
link bibtex
@book{
title = {The Brother Gardeners: Botany, Empire, and the Birth of an Obsession},
type = {book},
year = {2008},
publisher = {Vintage Books},
city = {New York},
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hidden = {false},
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bibtype = {book},
author = {Wulf, Andrea}
}
The Founding Gardeners: The Revolutionary Generation, Nature, and the Shaping of the American Nation.
Wulf, A.
Knopf, 2011.
link bibtex
link bibtex
@book{
title = {The Founding Gardeners: The Revolutionary Generation, Nature, and the Shaping of the American Nation},
type = {book},
year = {2011},
publisher = {Knopf},
city = {New York},
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Harmonie hydro-végétale et météorologique, ou, Recherches sur les moyens de recréer avec nos forêts la force des températures et la régularité des saisons par des plantations raisonnées.
Rauch, F., A.
1802.
link bibtex
link bibtex
@book{
title = {Harmonie hydro-végétale et météorologique, ou, Recherches sur les moyens de recréer avec nos forêts la force des températures et la régularité des saisons par des plantations raisonnées},
type = {book},
year = {1802},
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}
Régénération de la nature végétale.
Rauch, F., A.
1818.
link bibtex
link bibtex
@book{
title = {Régénération de la nature végétale},
type = {book},
year = {1818},
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}
Big Botany: Conversations with the Plant World.
Goddard, S., H.
University of Kansas Spencer Museum of Art, 2018.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@book{
title = {Big Botany: Conversations with the Plant World},
type = {book},
year = {2018},
websites = {https://indd.adobe.com/view/abf1ec41-5c41-4ce1-9096-757b03b75d66},
publisher = {University of Kansas Spencer Museum of Art},
city = {Lawrence, KS},
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abstract = {This extensive exhibition catalog explores humankind’s deep connections and fascination with the plant kingdom through artworks from the Spencer Museum’s permanent collection, a number of significant loans, and site-specific commissions by four artists-in-residence: Ackroyd & Harvey, Sandy Winters, and Mathias Kessler. The exhibition is organized through several themes: artists' studies of plant forms; historic and contemporary plant lore; ecological sustainability and biomechanical plant hybrids; plants in a post-human world; and works dealing with scientific research on how plants sense the world and communicate. One aim of the exhibition is to cultivate viewers’ empathy for plants by addressing the tendency of humans to dismiss plants as a static backdrop to their fast-paced lives. Themes in Big Botany are explored further through an exhibition catalogue published by the Museum that includes short contributions from a variety of artists, curators, poets, philosophers, ecologists, and more. Additionally, a research symposium coinciding with the exhibition’s opening brought scholars and researchers together to share their work on plant studies.},
bibtype = {book},
author = {Goddard, Stephen H.}
}
This extensive exhibition catalog explores humankind’s deep connections and fascination with the plant kingdom through artworks from the Spencer Museum’s permanent collection, a number of significant loans, and site-specific commissions by four artists-in-residence: Ackroyd & Harvey, Sandy Winters, and Mathias Kessler. The exhibition is organized through several themes: artists' studies of plant forms; historic and contemporary plant lore; ecological sustainability and biomechanical plant hybrids; plants in a post-human world; and works dealing with scientific research on how plants sense the world and communicate. One aim of the exhibition is to cultivate viewers’ empathy for plants by addressing the tendency of humans to dismiss plants as a static backdrop to their fast-paced lives. Themes in Big Botany are explored further through an exhibition catalogue published by the Museum that includes short contributions from a variety of artists, curators, poets, philosophers, ecologists, and more. Additionally, a research symposium coinciding with the exhibition’s opening brought scholars and researchers together to share their work on plant studies.
Cryptogamic Phylogeny: Moss and Family Lineage in Adalbert Stifter’s ‘Der Kuß von Sentze’.
Frederick, S.
In Bies, M.; Franzel, S.; and Oschmann, D., editor(s), Flüchtigkeit der Moderne: Eigenzeiten des Ephemeren im langen 19. Jahrhundert, pages 157-181, 2017. Wehrhahn Verlag
link bibtex
link bibtex
@inproceedings{
title = {Cryptogamic Phylogeny: Moss and Family Lineage in Adalbert Stifter’s ‘Der Kuß von Sentze’},
type = {inproceedings},
year = {2017},
pages = {157-181},
publisher = {Wehrhahn Verlag},
id = {a810b56d-ba28-34aa-a399-ad7b76b1e7d9},
created = {2018-02-15T21:02:27.870Z},
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last_modified = {2018-02-15T21:02:28.597Z},
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starred = {false},
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confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {inproceedings},
author = {Frederick, Samuel},
editor = {Bies, Michael and Franzel, Sean and Oschmann, Dirk},
booktitle = {Flüchtigkeit der Moderne: Eigenzeiten des Ephemeren im langen 19. Jahrhundert}
}
Cultivated Power: Flowers, Culture, and Politics in the Reign of Louis XIV.
Hyde, E.
University of Pennsylvania Press, 2005.
link bibtex
link bibtex
@book{
title = {Cultivated Power: Flowers, Culture, and Politics in the Reign of Louis XIV},
type = {book},
year = {2005},
publisher = {University of Pennsylvania Press},
city = {Philadelphia},
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A Cultural History of Gardens in the Renaissance, 1400-1650.
Hyde, E.
Bloomsbury Publishing, 2013.
link bibtex
link bibtex
@book{
title = {A Cultural History of Gardens in the Renaissance, 1400-1650},
type = {book},
year = {2013},
publisher = {Bloomsbury Publishing},
city = {New York},
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}
Rousseau, Reverie, and the Spectacle of Botany in the Eighteenth-Century French Garden.
Hyde, E.
Site/Lines: A Journal of Place, 12(1): 9-12. 2017.
link bibtex
link bibtex
@article{
title = {Rousseau, Reverie, and the Spectacle of Botany in the Eighteenth-Century French Garden},
type = {article},
year = {2017},
pages = {9-12},
volume = {12},
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bibtype = {article},
author = {Hyde, Elizabeth},
journal = {Site/Lines: A Journal of Place},
number = {1}
}
Sound and Scent in the Garden.
Fairchild Ruggles, D.
Dumbarton Oaks Research Library and Collection, 2017.
link bibtex
link bibtex
@book{
title = {Sound and Scent in the Garden},
type = {book},
year = {2017},
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city = {Washington, D.C.},
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bibtype = {book},
author = {Fairchild Ruggles, D.}
}
Of Monarchical Climates and Republican Soil: French Plants and American Gardens in the Revolutionary Era.
Hyde, E.
In Giannetto, R., F., editor(s), Foreign Trends on American Soil, 2017. University of Virginia Press
link bibtex
link bibtex
@inproceedings{
title = {Of Monarchical Climates and Republican Soil: French Plants and American Gardens in the Revolutionary Era},
type = {inproceedings},
year = {2017},
publisher = {University of Virginia Press},
city = {Charlottesville},
id = {9f127e4c-0d3e-3f07-95fc-59de9f490989},
created = {2018-02-18T23:02:44.883Z},
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last_modified = {2018-02-18T23:02:45.616Z},
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bibtype = {inproceedings},
author = {Hyde, Elizabeth},
editor = {Giannetto, Raffaella Fabiani},
booktitle = {Foreign Trends on American Soil}
}
André Michaux and French Botanical Diplomacy in the Cultural Construction of Natural History in the Atlantic World.
Hyde, E.
In Prince, S., A., editor(s), Of Elephants and Roses: Encounters with French Natural History, 1790-1830, 2013. American Philosophical Society Museum
link bibtex
link bibtex
@inproceedings{
title = {André Michaux and French Botanical Diplomacy in the Cultural Construction of Natural History in the Atlantic World},
type = {inproceedings},
year = {2013},
publisher = {American Philosophical Society Museum},
city = {Philadelphia},
id = {e534c1e0-221d-353d-9a3b-ba53fe40fcc0},
created = {2018-02-18T23:05:31.380Z},
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last_modified = {2018-02-18T23:05:32.118Z},
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bibtype = {inproceedings},
author = {Hyde, Elizabeth},
editor = {Prince, Sue Anne},
booktitle = {Of Elephants and Roses: Encounters with French Natural History, 1790-1830}
}
Tradition and Innovation in the French Garden.
Dixon Hunt, J.; and Conan, M.
University of Pennsylvania Press, 2002.
link bibtex
link bibtex
@book{
title = {Tradition and Innovation in the French Garden},
type = {book},
year = {2002},
publisher = {University of Pennsylvania Press},
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author = {Dixon Hunt, John and Conan, Michael}
}
Bourgeois and Aristocratic Encounters in the Garden.
Conan, M.
Dumbarton Oaks Research Library and Collection, 2002.
link bibtex
link bibtex
@book{
title = {Bourgeois and Aristocratic Encounters in the Garden},
type = {book},
year = {2002},
publisher = {Dumbarton Oaks Research Library and Collection},
city = {Washington, D.C. },
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bibtype = {book},
author = {Conan, Michel}
}
Villas and Gardens in Early Modern Italy and France.
Benes, M.; and Harris, D.,
editors.
Cambridge University Press, 2001.
link bibtex
link bibtex
@book{
title = {Villas and Gardens in Early Modern Italy and France},
type = {book},
year = {2001},
publisher = {Cambridge University Press},
city = {Cambridge},
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editor = {Benes, Mirka and Harris, Diane}
}
French Ecocriticism: From the Early Modern Period to the Twenty-First Century.
Posthumus, S.; and Finch-Race, D.
Peter Lang, 2017.
link bibtex
link bibtex
@book{
title = {French Ecocriticism: From the Early Modern Period to the Twenty-First Century},
type = {book},
year = {2017},
publisher = {Peter Lang},
city = {Frankfurt},
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bibtype = {book},
author = {Posthumus, Stephanie and Finch-Race, Daniel}
}
Animal, Vegetable, Mineral? How Eighteenth-Century Science Disrupted the Natural Order.
Gibson, S.
Oxford University Press, 2015.
link bibtex
link bibtex
@book{
title = {Animal, Vegetable, Mineral? How Eighteenth-Century Science Disrupted the Natural Order},
type = {book},
year = {2015},
publisher = {Oxford University Press},
city = {Oxford},
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author = {Gibson, Susannah}
}
Should Trees Have Standing? 40 Years On.
Grear, A.
Edward Elgar, 2012.
link bibtex
link bibtex
@book{
title = {Should Trees Have Standing? 40 Years On},
type = {book},
year = {2012},
publisher = {Edward Elgar},
city = {Cheltenham},
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author = {Grear, Anna}
}
Animal, Vegetable, Mineral: Ethics as Extension or Becoming? The Case of Becoming-Plant.
Houle, K., L.
Journal for Critical Animal Studies, 9(1-2): 89-116. 2011.
Website
link
bibtex
1 download
Website
link
bibtex
1 download
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title = {Animal, Vegetable, Mineral: Ethics as Extension or Becoming? The Case of Becoming-Plant},
type = {article},
year = {2011},
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volume = {9},
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author = {Houle, Karen L.F.},
journal = {Journal for Critical Animal Studies},
number = {1-2}
}
The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination.
Mabey, R.
Norton, 2016.
link bibtex
link bibtex
@book{
title = {The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination},
type = {book},
year = {2016},
publisher = {Norton},
city = {New York},
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bibtype = {book},
author = {Mabey, Richard}
}
Green Sense: The Aesthetics of Plants, Place and Language.
Ryan, J., C.
TrueHeart Press, 2012.
link bibtex
link bibtex
@book{
title = {Green Sense: The Aesthetics of Plants, Place and Language},
type = {book},
year = {2012},
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city = {Oxford},
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bibtype = {book},
author = {Ryan, John Charles}
}
Posthuman Plants: Rethinking the Vegetal Through Culture, Art, and Poetry.
Ryan, J., C.
Common Ground Publishing, 2015.
link bibtex
link bibtex
@book{
title = {Posthuman Plants: Rethinking the Vegetal Through Culture, Art, and Poetry},
type = {book},
year = {2015},
publisher = {Common Ground Publishing},
city = {Champaign},
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bibtype = {book},
author = {Ryan, John Charles}
}
The Anatomy of Plants: with an Idea of a Philosophical History of Plants.
Grew, N.
1682.
link bibtex
link bibtex
@book{
title = {The Anatomy of Plants: with an Idea of a Philosophical History of Plants},
type = {book},
year = {1682},
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author = {Grew, Nehemiah}
}
Bodily Natures: Science, Environment, and the Material Self.
Alaimo, S.
Indiana University Press, 2010.
link bibtex
link bibtex
@book{
title = {Bodily Natures: Science, Environment, and the Material Self},
type = {book},
year = {2010},
publisher = {Indiana University Press},
city = {Bloomington},
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author = {Alaimo, Stacy}
}
Undomesticated Ground: Recasting Nature as Feminist Space.
Alaimo, S.
Cornell University Press, 2000.
link bibtex
link bibtex
@book{
title = {Undomesticated Ground: Recasting Nature as Feminist Space},
type = {book},
year = {2000},
publisher = {Cornell University Press},
city = {Ithaca},
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The Politics of Flowers.
Armstrong, C.
Blurb, 2011.
link bibtex
link bibtex
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The Plant Hunters; Being a History of the Horticultural Pioneers, Their Quests, and Their Discoveries from the Renaissance to the Twentieth Century.
Coats, A., M.
McGraw Hill, 1970.
link bibtex
link bibtex
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Of Green Leaf, Bird, and Flowers: Artists’ Books and the Natural World.
Fairman, E., R.
Yale University Press, 2014.
link bibtex
link bibtex
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Flower Poetics in Nineteenth-Century France.
Knight, P.
Clarendon Press, 1986.
link bibtex
link bibtex
@book{
title = {Flower Poetics in Nineteenth-Century France},
type = {book},
year = {1986},
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Golden Age of Botanical Art.
Rix, M.
University of Chicago Press, 2013.
link bibtex
link bibtex
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Imagining Flowers: Perceptual Mimesis (Particularly Delphinium).
Scarry, E.
Representations, 57: 90-115. 1997.
Website
link
bibtex
Website
link
bibtex
@article{
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Cultivating Women, Cultivating Science: Flora’s Daughters and Botany in England, 1760-1860.
Shteir, A., B.
Johns Hopkins University Press, 1996.
link bibtex
link bibtex
@book{
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Gardens of Renaissance Europe and the Islamic Empires: Encounters and Confluences.
Gharipour, M.
Pennsylvania State University Press, 2017.
link bibtex
link bibtex
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The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France.
Green, N.
Manchester University Press, 1990.
link bibtex
link bibtex
@book{
title = {The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France},
type = {book},
year = {1990},
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Planning the Greenspaces of Nineteenth-Century Paris.
Hopkins, R., S.
Louisiana State University Press, 2015.
link bibtex
link bibtex
@book{
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Color in the Age of Impressionism: Commerce, Technology, and Art.
Kalba, L., A.
Pennsylvania State University Press, 2017.
link bibtex abstract
link bibtex abstract
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See 43-67: From Blue Roses to Yellow Violets: Flowers and the Cultivation of Color
Cameraless: From Natural Illustrations and Nature Prints to Manual and Photogenic Drawings and Other Botanographs.
Armstrong, C.
In Armstrong, C.; and de Zegher, C., editor(s), Ocean Flowers: Impressions from Nature, pages 87-165, 2004. Princeton University Press
link bibtex
link bibtex
@inproceedings{
title = {Cameraless: From Natural Illustrations and Nature Prints to Manual and Photogenic Drawings and Other Botanographs},
type = {inproceedings},
year = {2004},
pages = {87-165},
publisher = {Princeton University Press},
city = {Princeton},
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author = {Armstrong, Carol},
editor = {Armstrong, Carol and de Zegher, Catherine},
booktitle = {Ocean Flowers: Impressions from Nature}
}
Jean Linden: Explorer, Master of the Orchid.
Ceulemans, N.
Fonds Mercator, 2006.
link bibtex
link bibtex
@book{
title = {Jean Linden: Explorer, Master of the Orchid},
type = {book},
year = {2006},
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Flora: An Illustrated History of the Garden Flower.
Elliott, B.
Firefly Books, 2001.
link bibtex
link bibtex
@book{
title = {Flora: An Illustrated History of the Garden Flower},
type = {book},
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The Sensualization of Flânerie.
Ferguson, P., P.
Dix-Neuf , 16(2): 211-223. 2012.
doi link bibtex
doi link bibtex
@article{
title = {The Sensualization of Flânerie},
type = {article},
year = {2012},
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author = {Ferguson, Priscilla Parkhurst},
doi = {https://doi.org/ 10.1179/dix.2012.16.2.07},
journal = {Dix-Neuf },
number = {2}
}
Glasshouses and Wintergardens of the Nineteenth Century.
Koppelkamm, S.
Rizzoli, 1981.
link bibtex
link bibtex
@book{
title = {Glasshouses and Wintergardens of the Nineteenth Century},
type = {book},
year = {1981},
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The Court of Lilacs, The Studio of Roses, The Garden at Réveillon: Madeleine Lemaire’s Empire of Flowers.
Ringelberg, K.
Marcel Proust Aujourd’hui: Revue Annuelle Bilingue/Annual Bilingual Review, 14: 178-188. 2017.
doi link bibtex
doi link bibtex
@article{
title = {The Court of Lilacs, The Studio of Roses, The Garden at Réveillon: Madeleine Lemaire’s Empire of Flowers},
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journal = {Marcel Proust Aujourd’hui: Revue Annuelle Bilingue/Annual Bilingual Review}
}
Les promenades de Paris.
Alphand, J., A.
1867.
link bibtex
link bibtex
@book{
title = {Les promenades de Paris},
type = {book},
year = {1867},
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L’art des jardins: traité général de la composition des parcs et jardins.
André, É.
G. Masson, 1879.
link bibtex
link bibtex
@book{
title = {L’art des jardins: traité général de la composition des parcs et jardins},
type = {book},
year = {1879},
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De la culture des fleurs dans les appartements, sur les fenêtres et dans les petits jardins...
Courtois-Gérard
Courtois-Gérard, 1859.
link bibtex
link bibtex
@book{
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type = {book},
year = {1859},
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Le jardinier des appartements, des fenêtres, des balcons et des petits jardins.
Cristal, M.
Garnier frères, 1863.
link bibtex
link bibtex
@book{
title = {Le jardinier des appartements, des fenêtres, des balcons et des petits jardins},
type = {book},
year = {1863},
publisher = {Garnier frères},
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}
Plantes de serre chaude et tempérée, constructions des serres, cultures, multiplications, etc.
Delchevalerie, G.
Librairie agricole de la Maison rustique, 1876.
link bibtex
link bibtex
@book{
title = {Plantes de serre chaude et tempérée, constructions des serres, cultures, multiplications, etc.},
type = {book},
year = {1876},
publisher = {Librairie agricole de la Maison rustique},
city = {Paris},
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}
L’art des jardins: parcs, jardins, promenades.
Ernouf, A.
J. Rothschild, 1886.
link bibtex
link bibtex
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Le jardinier des dames, ou l’art de cultiver les plantes d’appartement, dans les salons, sur les balcons, sur les fenêtres et dans le petit jardin.
Fleuriot, C.
T. Lefèvre, 1874.
link bibtex
link bibtex
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type = {book},
year = {1874},
publisher = {T. Lefèvre},
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L’art floral à travers les siècles.
Maumené, A.
Librairie et imprimerie horticole, 1900.
link bibtex
link bibtex
@book{
title = {L’art floral à travers les siècles},
type = {book},
year = {1900},
publisher = {Librairie et imprimerie horticole},
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The Parks and Gardens of Paris, Considered in Relation to the Wants of Other Cities and of the Public and Private Gardens; Being Notes on a Study of Paris Gardens.
Robinson, W.
Macmillan, 1878.
link bibtex abstract
link bibtex abstract
@book{
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author = {Robinson, W}
}
Biodiversity Heritage Library
Le langage des fleurs.
Tour, M., C., d., l.
Garnier frères, 1861.
link bibtex
link bibtex
@book{
title = {Le langage des fleurs},
type = {book},
year = {1861},
publisher = {Garnier frères},
city = {Paris},
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}
Les fleurs à Paris, culture et commerce.
Vilmorin, P., L., d.
J.-B. Baillière et fils, 1892.
link bibtex
link bibtex
@book{
title = {Les fleurs à Paris, culture et commerce},
type = {book},
year = {1892},
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author = {Vilmorin, Philippe Lévêque de}
}
Les plantes potagères, description et culture des principaux légumes des climats tempérés.
Vilmorin-Andrieux
1891.
link bibtex
link bibtex
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title = {Les plantes potagères, description et culture des principaux légumes des climats tempérés},
type = {book},
year = {1891},
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author = {Vilmorin-Andrieux, undefined},
editor = {Vilmorin-Andrieux, undefined}
}
Le jardinier des salons, ou l’art de cultiver les fleurs dans les appartements, sur les croisées et sur les balcons.
Ysabeau, A.
J. Taride, 1875.
link bibtex
link bibtex
@book{
title = {Le jardinier des salons, ou l’art de cultiver les fleurs dans les appartements, sur les croisées et sur les balcons},
type = {book},
year = {1875},
publisher = {J. Taride},
city = {Paris},
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author = {Ysabeau, Alexandre}
}
L’horticulteur.
Karr, A.
1840.
link bibtex
link bibtex
@misc{
title = {L’horticulteur},
type = {misc},
year = {1840},
source = {Les français peints par eux-mêmes: encyclopédie morale du dix-neuvième siècle (vol. 1)},
pages = {123-130},
publisher = {L. Curmer},
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private_publication = {false},
bibtype = {misc},
author = {Karr, Alphonse}
}
La bouquetière.
Waldor, M.
1840.
link bibtex
link bibtex
@misc{
title = {La bouquetière},
type = {misc},
year = {1840},
source = {Les français peints par eux-mêmes: encyclopédie morale du dix-neuvième siècle (vol. 3)},
pages = {148-156},
publisher = {L. Curmer},
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bibtype = {misc},
author = {Waldor, Mélanie}
}
The Creation and Uses of Horticulture in Britain and France in the Nineteenth Century.
Lustig, A., J.
1997.
link bibtex abstract
link bibtex abstract
@book{
title = {The Creation and Uses of Horticulture in Britain and France in the Nineteenth Century},
type = {book},
year = {1997},
institution = {University of California, Berkeley},
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abstract = {PhD Dissertation ProQuest 9827023},
bibtype = {book},
author = {Lustig, Abigail Jane}
}
PhD Dissertation ProQuest 9827023
Ecocriticism: Eine Einführung.
Dürbeck Gabriele; and Stobbe, U.
Boehlau, 2015.
link bibtex
link bibtex
@book{
title = {Ecocriticism: Eine Einführung},
type = {book},
year = {2015},
publisher = {Boehlau},
city = {Vienna},
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bibtype = {book},
author = {Dürbeck Gabriele, undefined and Stobbe, Urte}
}
Ecological Thought in German Literature and Culture.
Dürbeck, G.; Stobbe, U.; Zapf, H.; and Zemanek, E.
Lexington, 2017.
link bibtex
link bibtex
@book{
title = {Ecological Thought in German Literature and Culture},
type = {book},
year = {2017},
publisher = {Lexington},
city = {Lanham},
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author = {Dürbeck, Gabriele and Stobbe, Urte and Zapf, Hubert and Zemanek, Evi}
}
Die Ermordung einer Butterblume.
Döblin, A.
1913.
link bibtex
link bibtex
@book{
title = {Die Ermordung einer Butterblume},
type = {book},
year = {1913},
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author = {Döblin, Alfred}
}
German Ecocriticism in the Anthropocene.
Schaumann, C.; and Sullivan, H.
Palgrave Macmillan, 2017.
link bibtex
link bibtex
@book{
title = {German Ecocriticism in the Anthropocene},
type = {book},
year = {2017},
publisher = {Palgrave Macmillan},
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bibtype = {book},
author = {Schaumann, Caroline and Sullivan, Heather}
}
The Plant Contract: Art's Return to Vegetal Life.
Gibson, P.
Brill, 2018.
link bibtex
link bibtex
@book{
title = {The Plant Contract: Art's Return to Vegetal Life},
type = {book},
year = {2018},
publisher = {Brill},
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author = {Gibson, Prudence}
}
The Songs of Trees: Stories from Nature's Great Connectors.
Haskell, D., G.
Viking, 2017.
link bibtex
link bibtex
@book{
title = {The Songs of Trees: Stories from Nature's Great Connectors},
type = {book},
year = {2017},
publisher = {Viking},
city = {New York},
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bibtype = {book},
author = {Haskell, David George}
}
The Forest Unseen: A Year's Watch in Nature.
Haskell, D., G.
Viking, 2012.
link bibtex
link bibtex
@book{
title = {The Forest Unseen: A Year's Watch in Nature},
type = {book},
year = {2012},
publisher = {Viking},
city = {New York},
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author = {Haskell, David George}
}
Gathering Moss: A Natural and Cultural History of Mosses.
Kimmerer, R., W.
Oregon State University, 2003.
link bibtex
link bibtex
@book{
title = {Gathering Moss: A Natural and Cultural History of Mosses},
type = {book},
year = {2003},
publisher = {Oregon State University},
city = {Corvallis},
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author = {Kimmerer, Robin Wall}
}
Die Pflanze als Lebewesen: Eine Biographie in 200 Aufnahmen.
Fuhrmann, E.
Frankfurter Societäts-Druckerei, 1930.
link bibtex
link bibtex
@book{
title = {Die Pflanze als Lebewesen: Eine Biographie in 200 Aufnahmen},
type = {book},
year = {1930},
publisher = {Frankfurter Societäts-Druckerei},
city = {Frankfurt},
id = {7709e9e8-aecd-343a-8ee7-c9ccb13f1b03},
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bibtype = {book},
author = {Fuhrmann, Ernst}
}
Botanical Art from the Golden Age of Scientific Discovery.
Laurent, A.
University of Chicago Press, 2016.
link bibtex
link bibtex
@book{
title = {Botanical Art from the Golden Age of Scientific Discovery},
type = {book},
year = {2016},
publisher = {University of Chicago Press},
city = {Chicago},
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author = {Laurent, Anna}
}
The Botanical Treasury: Celebrating 40 of the World’s Most Fascinating Plants through Historical Art and Manuscripts.
Mills, C.
André Deutsch, 2016.
link bibtex
link bibtex
@book{
title = {The Botanical Treasury: Celebrating 40 of the World’s Most Fascinating Plants through Historical Art and Manuscripts},
type = {book},
year = {2016},
publisher = {André Deutsch},
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bibtype = {book},
author = {Mills, Christopher}
}
Bark.
Didi-Huberman, G.
MIT Press, 2017.
link bibtex
link bibtex
@book{
title = {Bark},
type = {book},
year = {2017},
publisher = {MIT Press},
city = {Boston},
id = {dce545f4-eba1-3d7e-b604-4dbb2153a0e0},
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bibtype = {book},
author = {Didi-Huberman, Georges}
}
Forests: The Shadow of Civilization.
Harrison, R., P.
University of Chicago Press, 1992.
link bibtex
link bibtex
@book{
title = {Forests: The Shadow of Civilization},
type = {book},
year = {1992},
publisher = {University of Chicago Press},
city = {Chicago},
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bibtype = {book},
author = {Harrison, Robert Pogue}
}
Gardens: An Essay on the Human Condition.
Harrison, R., P.
University of Chicago Press, 2008.
link bibtex
link bibtex
@book{
title = {Gardens: An Essay on the Human Condition},
type = {book},
year = {2008},
publisher = {University of Chicago Press},
city = {Chicago},
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author = {Harrison, Robert Pogue}
}
Smarty Plants (Radiolab Podcast).
Krulwich, R.; Abumrad, J.; and McEwen, A.
2018.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@misc{
title = {Smarty Plants (Radiolab Podcast)},
type = {misc},
year = {2018},
websites = {https://www.wnycstudios.org/story/smarty-plants/},
id = {590c62cc-816d-3e3d-a5b6-21d66f2e3bc7},
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confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {Featuring Monica Gagliano.},
bibtype = {misc},
author = {Krulwich, Robert and Abumrad, Jad and McEwen, Annie}
}
Featuring Monica Gagliano.
Intelligent Plants (Film).
Wohlleben, P., v.; and Simard, S.
2016.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@misc{
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type = {misc},
year = {2016},
websites = {http://intelligenttrees.vhx.tv/},
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With accompanying web series.
Managing Northern Europe’s Forests: Histories from the Age of Improvement to the Age of Ecology.
Oosthoek, K., J.; and Hölzl, R.
Berghahn, 2018.
link bibtex abstract
link bibtex abstract
@book{
title = {Managing Northern Europe’s Forests: Histories from the Age of Improvement to the Age of Ecology},
type = {book},
year = {2018},
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bibtype = {book},
author = {Oosthoek, K. Jan and Hölzl, Richard}
}
A podcast about the topic, featuring the editors, can be found here: https://www.eh-resources.org/podcast-79/
The Minds of Plants.
Ruggles, L.
Aeon. 12 2017.
Website
link
bibtex
Website
link
bibtex
@article{
title = {The Minds of Plants},
type = {article},
year = {2017},
websites = {https://aeon.co/essays/beyond-the-animal-brain-plants-have-cognitive-capacities-too},
month = {12},
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bibtype = {article},
author = {Ruggles, Laura},
journal = {Aeon}
}
The Philosopher's Plant (Channel of the LA Review of Books).
Marder, M.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {The Philosopher's Plant (Channel of the LA Review of Books)},
type = {misc},
source = {Los Angeles Review of Books},
websites = {http://philosoplant.lareviewofbooks.org/},
id = {659571dc-d69e-352b-9450-23d9ebdae1ca},
created = {2018-07-07T21:59:10.338Z},
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confirmed = {false},
hidden = {false},
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bibtype = {misc},
author = {Marder, Michael}
}
The Ruins (Film).
Smith, C.; and Smith, S.
2008.
link bibtex
link bibtex
@misc{
title = {The Ruins (Film)},
type = {misc},
year = {2008},
id = {9cfadd44-0a88-32b0-a272-c8474e425706},
created = {2018-07-08T02:56:39.319Z},
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hidden = {false},
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bibtype = {misc},
author = {Smith, Carter and Smith, Scott}
}
The Happening (Film).
Shyamalan, M., N.
2008.
link bibtex
link bibtex
@misc{
title = {The Happening (Film)},
type = {misc},
year = {2008},
id = {7306d07c-4883-3a5b-bc22-ae4607f1219b},
created = {2018-07-08T02:57:49.659Z},
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hidden = {false},
private_publication = {false},
bibtype = {misc},
author = {Shyamalan, M. Night}
}
Goosebumps: Stay out of the Basement (Season 1, Episode 10/11).
Stine, R.
1996.
link bibtex
link bibtex
@misc{
title = {Goosebumps: Stay out of the Basement (Season 1, Episode 10/11)},
type = {misc},
year = {1996},
id = {5a31460a-25dc-3c22-a903-dd9bbb1d3a78},
created = {2018-07-08T03:07:16.724Z},
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private_publication = {false},
bibtype = {misc},
author = {Stine, R.L.}
}
On Plants: Interview with Emanuele Coccia.
Coccia, E.; and Zahm, O.
Purple. 2017.
Website
link
bibtex
Website
link
bibtex
@article{
title = {On Plants: Interview with Emanuele Coccia},
type = {article},
year = {2017},
websites = {http://purple.fr/magazine/purple-25yrs-anniversary-issue/emanuele-coccia/},
id = {ba9c2d13-1005-30f4-a744-be875025cbb8},
created = {2018-07-14T19:40:18.198Z},
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hidden = {false},
private_publication = {false},
bibtype = {article},
author = {Coccia, Emanuele and Zahm, Olivier},
journal = {Purple}
}
Le langage des fleurs.
Bataille, G.
Documents. 6 1929.
link bibtex
link bibtex
@article{
title = {Le langage des fleurs},
type = {article},
year = {1929},
month = {6},
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bibtype = {article},
author = {Bataille, Georges},
journal = {Documents}
}
The Philosophical Salon (Channel of the LA Review of Books).
Marder, M.; and Viera, P.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {The Philosophical Salon (Channel of the LA Review of Books)},
type = {misc},
source = {Los Angeles Review of Books},
websites = {https://thephilosophicalsalon.com/about/},
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confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {misc},
author = {Marder, Michael and Viera, Patricia}
}
Covert Plants: Vegetal Consciousness and Agency in an Anthropocentric World.
Brits, B.; and Gibson, P.
Punctum/Brainstorm Books, 2018.
link bibtex
link bibtex
@book{
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}
Flowery Porn: Form and Desire in Erasmus Darwin’s 'The Loves of the Plants'.
Connolly, T.
Literature Compass, 13(10): 604-616. 2016.
link bibtex
link bibtex
@article{
title = {Flowery Porn: Form and Desire in Erasmus Darwin’s 'The Loves of the Plants'},
type = {article},
year = {2016},
pages = {604-616},
volume = {13},
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bibtype = {article},
author = {Connolly, Tristanne},
journal = {Literature Compass},
number = {10}
}
Botany in the Breakfast Room: Women and Early Nineteenth-Century British Plant Study.
Shteir, A., B.
In Abir-Ama, P., G.; and Outram, D., editor(s), Uneasy Careers and Intimate Lives: Women in Science, 1789-1979, pages 31-43, 1989. Rutgers University Press
link bibtex
link bibtex
@inproceedings{
title = {Botany in the Breakfast Room: Women and Early Nineteenth-Century British Plant Study},
type = {inproceedings},
year = {1989},
pages = {31-43},
publisher = {Rutgers University Press},
city = {New Brunswick},
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author = {Shteir, Ann B.},
editor = {Abir-Ama, Pnina G. and Outram, Dorinda},
booktitle = {Uneasy Careers and Intimate Lives: Women in Science, 1789-1979}
}
I See My Garden as a Barometer of Climate Change.
Sandilands, C.
7 2018.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {I See My Garden as a Barometer of Climate Change},
type = {misc},
year = {2018},
source = {The Guardian},
websites = {https://www.theguardian.com/commentisfree/2018/jul/09/i-see-my-garden-as-a-barometer-of-climate-change},
month = {7},
day = {9},
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bibtype = {misc},
author = {Sandilands, Catriona}
}
Aeroponic Gardens and Their Magic: Plants/Persons/Ethics in Suspension.
Battaglia, D.
History and Anthropology, 28(3): 263-292. 2017.
link bibtex
link bibtex
@article{
title = {Aeroponic Gardens and Their Magic: Plants/Persons/Ethics in Suspension},
type = {article},
year = {2017},
pages = {263-292},
volume = {28},
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bibtype = {article},
author = {Battaglia, Debbora},
journal = {History and Anthropology},
number = {3}
}
Growing Weed, Producing Knowledge: An Epistemic History of Arabidopsis thaliana.
Leonelli, S.
History and Philosophy of the Life Sciences, 29(2): 193-223. 2007.
link bibtex
link bibtex
@article{
title = {Growing Weed, Producing Knowledge: An Epistemic History of Arabidopsis thaliana},
type = {article},
year = {2007},
pages = {193-223},
volume = {29},
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author = {Leonelli, Sabina},
journal = {History and Philosophy of the Life Sciences},
number = {2}
}
Saving the Gene Pool for the Future: Seed Banks as Archives.
Peres, S.
Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences, 55: 96-104. 2016.
Website
link
bibtex
Website
link
bibtex
@article{
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type = {article},
year = {2016},
pages = {96-104},
volume = {55},
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author = {Peres, Sara},
journal = {Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences}
}
Confronting Introduced Species: A Form of Xenophobia?.
Simberloff, D.
Biological Invasions, 5(3): 179-192. 2003.
link bibtex
link bibtex
@article{
title = {Confronting Introduced Species: A Form of Xenophobia?},
type = {article},
year = {2003},
pages = {179-192},
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author = {Simberloff, Daniel},
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number = {3}
}
Perspectives on the Alien Versus Native Species Debate: A Critique of Concepts, Language and Practice.
Warren, C., R.
Progress in Human Geography, 31(4): 427-446. 2007.
link bibtex
link bibtex
@article{
title = {Perspectives on the Alien Versus Native Species Debate: A Critique of Concepts, Language and Practice},
type = {article},
year = {2007},
pages = {427-446},
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author = {Warren, Charles R.},
journal = {Progress in Human Geography},
number = {4}
}
American Perceptions of Immigrant and Invasive Species: Strangers on the Land.
Coates, P.
University of California Press, 2006.
link bibtex
link bibtex
@book{
title = {American Perceptions of Immigrant and Invasive Species: Strangers on the Land},
type = {book},
year = {2006},
publisher = {University of California Press},
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}
Ideological Aspects of Nature Garden Concepts in Late Twentieth-Century Germany.
Gröning, G.
In Wolschke-Bulmahn, J., editor(s), Nature and Ideology: Natural Garden Design in the Twentieth Century, pages 221-248, 1997. Dumbarton Oaks
link bibtex
link bibtex
@inproceedings{
title = {Ideological Aspects of Nature Garden Concepts in Late Twentieth-Century Germany},
type = {inproceedings},
year = {1997},
pages = {221-248},
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editor = {Wolschke-Bulmahn, Joachim},
booktitle = {Nature and Ideology: Natural Garden Design in the Twentieth Century}
}
The Disappearance of Guam’s Wildlife: New Insights for Herpetology, Evolutionary Ecology, and Conservation.
Rodda, G., H.; Fritts, T., H.; and Chiszar, D.
BioScience, 47(9): 565-574. 1997.
link bibtex
link bibtex
@article{
title = {The Disappearance of Guam’s Wildlife: New Insights for Herpetology, Evolutionary Ecology, and Conservation},
type = {article},
year = {1997},
pages = {565-574},
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journal = {BioScience},
number = {9}
}
Herbarium Verbarium: The Discourse of Flowers.
Sartiliot, C.
University of Nebraska Press, 1993.
link bibtex
link bibtex
@book{
title = {Herbarium Verbarium: The Discourse of Flowers},
type = {book},
year = {1993},
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}
Golden Fruit: A Cultural History of Oranges in Italy.
Mazzoni, C.
University of Toronto Press, 2018.
link bibtex
link bibtex
@book{
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Flora and Femininity: Gender and Botany in Early America.
Branson, S.
Common-Place, 12(2). 2012.
Website
link
bibtex
Website
link
bibtex
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year = {2012},
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author = {Branson, Susan},
journal = {Common-Place},
number = {2}
}
From Feminized Flora to Floral Feminism: Gender Representation and Botany.
McLeod, K.
8 2015.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {From Feminized Flora to Floral Feminism: Gender Representation and Botany},
type = {misc},
year = {2015},
source = {New Mind's Eye},
websites = {https://newmindseye.wordpress.com/2015/08/29/from-feminized-flora-to-floral-feminism-gender-representation-and-botany/},
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bibtype = {misc},
author = {McLeod, Kelly}
}
Linnaeus in Letters and the Cultivation of the Female Mind: 'Botany in an English Dress'.
George, S.
British Journal for Eighteenth Century Studies, 28: 1-18. 2005.
link bibtex
link bibtex
@article{
title = {Linnaeus in Letters and the Cultivation of the Female Mind: 'Botany in an English Dress'},
type = {article},
year = {2005},
pages = {1-18},
volume = {28},
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bibtype = {article},
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journal = {British Journal for Eighteenth Century Studies}
}
'Plants That Perform For You?' From Floral Aesthetics to Floraesthesis in the Southwest of Western Australia.
Ryan, J., C.; and Rooney, M.
Australian Humanities Review, 47: 117-140. 2009.
Website
link
bibtex
Website
link
bibtex
@article{
title = {'Plants That Perform For You?' From Floral Aesthetics to Floraesthesis in the Southwest of Western Australia},
type = {article},
year = {2009},
pages = {117-140},
volume = {47},
websites = {http://australianhumanitiesreview.org/2009/11/01/plants-that-perform-for-you-from-floral-aesthetics-to-floraesthesis-in-the-southwest-of-western-australia/},
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bibtype = {article},
author = {Ryan, John Charles and Rooney, Monique},
journal = {Australian Humanities Review}
}
Les fleurs animées.
Grandville, J., J.
1847.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Les fleurs animées},
type = {book},
year = {1847},
websites = {https://publicdomainreview.org/collections/the-flowers-personified-1847/},
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bibtype = {book},
author = {Grandville, J. J.}
}
The Planthunter (Journal).
Reid Georgina (ed.)
Website
link
bibtex
Website
link
bibtex
@misc{
title = {The Planthunter (Journal)},
type = {misc},
websites = {https://theplanthunter.com.au/},
id = {179eb073-8c54-3b0f-8ff3-2d77cb2a21a4},
created = {2018-08-11T21:46:31.072Z},
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bibtype = {misc},
author = {Reid Georgina (ed.), undefined}
}
Bloom: The Botanical Vernacular in the English Novel.
King, A., M.
Oxford University Press, 2003.
link bibtex
link bibtex
@book{
title = {Bloom: The Botanical Vernacular in the English Novel},
type = {book},
year = {2003},
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bibtype = {book},
author = {King, Amy M.}
}
Clandestine Marriage: Botany and Romantic Culture.
Kelley, T., M.
Johns Hopkins University Press, 2012.
link bibtex
link bibtex
@book{
title = {Clandestine Marriage: Botany and Romantic Culture},
type = {book},
year = {2012},
publisher = {Johns Hopkins University Press},
city = {Baltimore},
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bibtype = {book},
author = {Kelley, Theresa M.}
}
Flower Poems.
Silkin, J.
1964.
link bibtex
link bibtex
@book{
title = {Flower Poems},
type = {book},
year = {1964},
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author = {Silkin, Jon}
}
Contiguous Creatures: Literary Ecology, 'Organic Poetry' and Jon Silkin’s Flower Poems.
Trott, E.
Anglistik, 27(2): 125-145. 2016.
link bibtex
link bibtex
@article{
title = {Contiguous Creatures: Literary Ecology, 'Organic Poetry' and Jon Silkin’s Flower Poems},
type = {article},
year = {2016},
pages = {125-145},
volume = {27},
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bibtype = {article},
author = {Trott, Emma},
journal = {Anglistik},
number = {2}
}
Host-Driven Morphological Variability in Orobanche Crenata (Orobanchaceae).
Domina, G.
Turkish Journal of Botany. 2018.
Paper
Website
doi
link
bibtex
Paper
Website
doi
link
bibtex
@article{
title = {Host-Driven Morphological Variability in Orobanche Crenata (Orobanchaceae)},
type = {article},
year = {2018},
websites = {https://www.researchgate.net/publication/326603292_Host-driven_morphological_variability_in_Orobanche_crenata_Orobanchaceae},
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bibtype = {article},
author = {Domina, Gianniantonio},
doi = {10.3906/bot-1712-25},
journal = {Turkish Journal of Botany}
}
Botanical Speculations: Plants in Contemporary Art.
Aloi, G.
Cambridge Scholars Publishing, 2018.
link bibtex
link bibtex
@book{
title = {Botanical Speculations: Plants in Contemporary Art},
type = {book},
year = {2018},
publisher = {Cambridge Scholars Publishing},
city = {Newcastle upon Tyne},
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bibtype = {book},
author = {Aloi, Giovanni}
}
The Brief Life of Flowers.
Stafford, F.
Hodder & Stoughton, 2018.
link bibtex
link bibtex
@book{
title = {The Brief Life of Flowers},
type = {book},
year = {2018},
publisher = {Hodder & Stoughton},
city = {London},
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bibtype = {book},
author = {Stafford, Fiona}
}
'Leaves and Berries': Agatha Christie and the Herbal Revival.
Carroll, A.
Green Letters, 22(1): 20-30. 2018.
doi link bibtex
doi link bibtex
@article{
title = {'Leaves and Berries': Agatha Christie and the Herbal Revival},
type = {article},
year = {2018},
pages = {20-30},
volume = {22},
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bibtype = {article},
author = {Carroll, Alicia},
doi = {10.1080/14688417.2018.1438303},
journal = {Green Letters},
number = {1}
}
Knowing Plants, Knowing Form: Probing the Poetics of Phyto-Centric Life.
Roxburgh, N.; and Sprang, F.
European Journal of English Studies, 22(3): 224-240. 2018.
doi link bibtex abstract
doi link bibtex abstract
@article{
title = {Knowing Plants, Knowing Form: Probing the Poetics of Phyto-Centric Life},
type = {article},
year = {2018},
pages = {224-240},
volume = {22},
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abstract = {In this paper the authors trace and challenge the legacy of Erasmus Darwin’s conviction that ‘[s]cience is best delivered in prose, as its mode of reasoning is from stricter analogies than metaphors and similes’. Arguing that poetry is an undervalued mode of making knowledge, the authors highlight forays in poetry that address plants as autopoietic organisms with agency, a feature of plants that is marginalised in the Western scientific tradition. Pointing to couplet rhyming as a form of thinking in the eighteenth century, and looking at the form of John Clare’s ‘Evening Primrose’ (1820) as well as Alice Oswald’s ‘Woman in a Mustard Field’ (1996), the authors bring to the fore poetics of botanical knowledge that are centred on particular formal techniques, on sensual experience and on implicit knowledge of plant life: an implicit knowledge which they suggest hinges on experience rather than empirical data. In so doing, they describe how poetic form, such as the dynamic thinking process that couplet rhyming endorses, can address the problem of an anthropocentric cause-and-effect logic that may fall short of capturing the qualities of organic life generally and of plants in particular.},
bibtype = {article},
author = {Roxburgh, Natalie and Sprang, Felix},
doi = {https://doi.org/10.1080/13825577.2018.1513722},
journal = {European Journal of English Studies},
number = {3}
}
In this paper the authors trace and challenge the legacy of Erasmus Darwin’s conviction that ‘[s]cience is best delivered in prose, as its mode of reasoning is from stricter analogies than metaphors and similes’. Arguing that poetry is an undervalued mode of making knowledge, the authors highlight forays in poetry that address plants as autopoietic organisms with agency, a feature of plants that is marginalised in the Western scientific tradition. Pointing to couplet rhyming as a form of thinking in the eighteenth century, and looking at the form of John Clare’s ‘Evening Primrose’ (1820) as well as Alice Oswald’s ‘Woman in a Mustard Field’ (1996), the authors bring to the fore poetics of botanical knowledge that are centred on particular formal techniques, on sensual experience and on implicit knowledge of plant life: an implicit knowledge which they suggest hinges on experience rather than empirical data. In so doing, they describe how poetic form, such as the dynamic thinking process that couplet rhyming endorses, can address the problem of an anthropocentric cause-and-effect logic that may fall short of capturing the qualities of organic life generally and of plants in particular.
'Seh’ ich der Pflanze gleich den Mensch erstehn': Mensch-Pflanze-Analogien und Pflanzenwissen bei Shakespeare.
Sprang, F.
Shakespeare Jahrbuch, 153: 31-55. 2017.
link bibtex
link bibtex
@article{
title = {'Seh’ ich der Pflanze gleich den Mensch erstehn': Mensch-Pflanze-Analogien und Pflanzenwissen bei Shakespeare},
type = {article},
year = {2017},
pages = {31-55},
volume = {153},
id = {b67fba5e-acc6-35cb-a1a3-2f296424b814},
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bibtype = {article},
author = {Sprang, Felix},
journal = {Shakespeare Jahrbuch}
}
Le catalogue de la vie: Etude méthodique sur la taxonomie.
Dagognet, F.
Presses Universitaires de France (PUF), 1970.
link bibtex
link bibtex
@book{
title = {Le catalogue de la vie: Etude méthodique sur la taxonomie},
type = {book},
year = {1970},
publisher = {Presses Universitaires de France (PUF)},
city = {Paris},
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bibtype = {book},
author = {Dagognet, François}
}
Pflanzenlesebuch: Pflanzenstudium—Pflanzennutzung—Pflanzenpoesie: Der Wandel menschlicher Einstellungen zu Pflanzen im Laufe der Geschichte.
Krampen, M.
Olms, 1994.
link bibtex
link bibtex
@book{
title = {Pflanzenlesebuch: Pflanzenstudium—Pflanzennutzung—Pflanzenpoesie: Der Wandel menschlicher Einstellungen zu Pflanzen im Laufe der Geschichte},
type = {book},
year = {1994},
publisher = {Olms},
city = {Hildesheim},
id = {f0596987-2ada-30dc-b768-a3f724c659fe},
created = {2019-01-29T03:15:26.042Z},
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bibtype = {book},
author = {Krampen, Martin}
}
Unter Bäumen: Die Deutschen und der Wald.
Breymayer, U.; and Ulrich, B.
Sandstein Kommunikation, 2011.
link bibtex abstract
link bibtex abstract
@book{
title = {Unter Bäumen: Die Deutschen und der Wald},
type = {book},
year = {2011},
publisher = {Sandstein Kommunikation},
city = {Dresden},
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abstract = {Ausstellungskatalog
Deutsches Historisches Museum, Berlin, 2. Dezember 2011 bis 4. März 2012},
bibtype = {book},
author = {Breymayer, Ursula and Ulrich, Bernd},
editor = {Breymayer, Ursula and Ulrich, Bernd}
}
Ausstellungskatalog
Deutsches Historisches Museum, Berlin, 2. Dezember 2011 bis 4. März 2012
Geschichte des Waldes: Von der Urzeit bis zur Gegenwart.
Küster, H.
C.H. Beck, 1998.
link bibtex
link bibtex
@book{
title = {Geschichte des Waldes: Von der Urzeit bis zur Gegenwart},
type = {book},
year = {1998},
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bibtype = {book},
author = {Küster, Hansjörg}
}
Über allen Wipfeln: Der Baum in der Kulturgeschichte.
Demandt, A.
Böhlau, 2002.
link bibtex
link bibtex
@book{
title = {Über allen Wipfeln: Der Baum in der Kulturgeschichte},
type = {book},
year = {2002},
publisher = {Böhlau},
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bibtype = {book},
author = {Demandt, Alexander}
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Der Baum der Erkenntnis: Die biologischen Wurzeln des menschlichen Erkennens.
Maturana, H.; and Varela, F.
Scherz Verlag, 1987.
link bibtex abstract
link bibtex abstract
@book{
title = {Der Baum der Erkenntnis: Die biologischen Wurzeln des menschlichen Erkennens},
type = {book},
year = {1987},
publisher = {Scherz Verlag},
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Translation by Kurt Ludewig},
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Span. El árbol del conocimiento
Translation by Kurt Ludewig
Das Leben der Mächtigen: Reisen zu alten Bäumen.
Del Buono, Z.
Matthes & Seitz, 2015.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Das Leben der Mächtigen: Reisen zu alten Bäumen},
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year = {2015},
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publisher = {Matthes & Seitz},
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El Árbol del conocimiento: Las bases biológicas del entendimiento humano.
Maturana, H.; and Varela, F.
1984.
link bibtex
link bibtex
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Wildwood: A Journey through Trees.
Deakin, R.
Hamish Hamilton, 2007.
link bibtex
link bibtex
@book{
title = {Wildwood: A Journey through Trees},
type = {book},
year = {2007},
publisher = {Hamish Hamilton},
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}
Bullau: Versuch über Natur.
Maier, A.; and Büchner, C.
Heinrich und Hahn, 2006.
link bibtex
link bibtex
@book{
title = {Bullau: Versuch über Natur},
type = {book},
year = {2006},
publisher = {Heinrich und Hahn},
city = {Frankfurt am Main},
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author = {Maier, Andreas and Büchner, Christine}
}
Abschweifungen über Bäume: Gedichte.
Pech, K.
Hinstorff, VEB, 1976.
link bibtex
link bibtex
@book{
title = {Abschweifungen über Bäume: Gedichte},
type = {book},
year = {1976},
publisher = {Hinstorff, VEB},
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The Overstory.
Powers, R.
W.W. Norton, 2018.
Website
link
bibtex
Website
link
bibtex
@book{
title = {The Overstory},
type = {book},
year = {2018},
websites = {http://www.richardpowers.net/the-overstory/},
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}
Pfaueninsel.
Hettche, T.
Kiepenheuer & Witsch, 2014.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Pfaueninsel},
type = {book},
year = {2014},
websites = {https://www.amazon.de/Pfaueninsel-Roman-Thomas-Hettche/dp/3462045997},
publisher = {Kiepenheuer & Witsch},
city = {Cologne},
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Notes from Walnut Tree Farm.
Deakin, R.
Hamish Hamilton, 2008.
Website
link
bibtex
Website
link
bibtex
@book{
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type = {book},
year = {2008},
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author = {Deakin, Roger},
editor = {Hastie, Alison and Blacker, Terence}
}
Mesquite: An Arboreal Love Affair.
Nabhan, G., P.
Chelsea Green Publishing, 2018.
Website
link
bibtex
Website
link
bibtex
@book{
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city = {Hartford, VT},
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author = {Nabhan, Gary Paul}
}
Bäume: Streifzüge durch eine unbekannte Welt.
Schreier, H.
Rogner & Bernhard, 2004.
link bibtex
link bibtex
@book{
title = {Bäume: Streifzüge durch eine unbekannte Welt},
type = {book},
year = {2004},
publisher = {Rogner & Bernhard},
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author = {Schreier, Helmut}
}
Pflanzenjäger: In fernen Welten auf der Suche nach dem Paradies.
Hielscher, K.; and Hücking, R.
Piper, 2007.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Pflanzenjäger: In fernen Welten auf der Suche nach dem Paradies},
type = {book},
year = {2007},
websites = {https://www.amazon.de/Pflanzenj%C3%A4ger-fernen-Welten-Suche-Paradies/dp/3492241638},
publisher = {Piper},
city = {München},
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author = {Hielscher, Kej and Hücking, Renate}
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Iconographies of Flora: The Goddess of Flowers in the Cultural History of Botany.
Shteir, A., B.
In Shteir, A., B.; and Lightman, B., V., editor(s), Figuring it Out: Science, Gender, and Visual Culture, 2006. Dartmouth College Press: University Press of New England
link bibtex
link bibtex
@inproceedings{
title = {Iconographies of Flora: The Goddess of Flowers in the Cultural History of Botany},
type = {inproceedings},
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city = {Hanover, N.H.},
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booktitle = {Figuring it Out: Science, Gender, and Visual Culture}
}
Inside the Vegetal Mind: On the Cognitive Abilities of Plants.
Gagliano, M.
In Baluska. Frantisek; Gagliano. Monica; and Witzany, G., editor(s), Memory and Learning in Plants, pages 215-220, 2018. Springer
Website
link
bibtex
Website
link
bibtex
@inproceedings{
title = {Inside the Vegetal Mind: On the Cognitive Abilities of Plants},
type = {inproceedings},
year = {2018},
pages = {215-220},
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publisher = {Springer},
city = {Cham},
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}
The Sentience of Plants: Toward a New Regime of Plant Rights, or the Intersection of Animal Rights and Rights of Nature?.
Pelizzon, A.; and Gagliano, M.
AAPLJ, 11: 5-13. 2015.
Website
link
bibtex
Website
link
bibtex
@article{
title = {The Sentience of Plants: Toward a New Regime of Plant Rights, or the Intersection of Animal Rights and Rights of Nature?},
type = {article},
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pages = {5-13},
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Values and Evaluations: Reading for Beauty in John Lindley’s ‘A Sketch of the Vegetation of the Swan River Colony’ (1839–40).
Ryan, J., C.
The New Critic, (13): 1-17. 2010.
Website
link
bibtex
Website
link
bibtex
@article{
title = {Values and Evaluations: Reading for Beauty in John Lindley’s ‘A Sketch of the Vegetation of the Swan River Colony’ (1839–40)},
type = {article},
year = {2010},
pages = {1-17},
websites = {http://www.ias.uwa.edu.au/new-critic/thirteen/ryan},
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Cultural Botany: Towards a Model of Transdisciplinary, Embodied and Poetic Research into Plants.
Ryan, J., C.
Nature and Culture, 6(2): 123–148. 2011.
link bibtex
link bibtex
@article{
title = {Cultural Botany: Towards a Model of Transdisciplinary, Embodied and Poetic Research into Plants},
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Passive Flora? Reconsidering Nature’s Agency through Human-Plant Studies.
Ryan, J., C.
Societies, 2(3): 101–121. 2012.
doi link bibtex
doi link bibtex
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Towards Intimate Relations: Gesture and Contact Between Plants and People.
Ryan, J., C.
PAN: Philosophy, Activism, Nature, 9: 29-36. 2012.
Website
link
bibtex
Website
link
bibtex
@article{
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Stories of Snow and Fire: The Importance of Narrative to a Critically Pluralistic Environmental Aesthetic.
Ryan, J., C.
Humanities, 2(1): 99-118. 2013.
Website
doi
link
bibtex
Website
doi
link
bibtex
@article{
title = {Stories of Snow and Fire: The Importance of Narrative to a Critically Pluralistic Environmental Aesthetic},
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websites = {https://www.mdpi.com/2076-0787/2/1/99},
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doi = {10.3390/h2010099},
journal = {Humanities},
number = {1}
}
A Poetic Mycology of the Senses: Four Poems on Mushrooms.
Ryan, J., C.
PAN: Philosophy, Activism, Nature, 10(1): 55-66. 2013.
link bibtex
link bibtex
@article{
title = {A Poetic Mycology of the Senses: Four Poems on Mushrooms},
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'A Very Striking Parasite': The Cultural History of the Christmas Tree.
Ryan, J., C.
Griffith Review, (47): 191-199. 2015.
Website
link
bibtex
Website
link
bibtex
@article{
title = {'A Very Striking Parasite': The Cultural History of the Christmas Tree},
type = {article},
year = {2015},
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Sacred Ecology of Plants: The Vegetative Soul in the Botanical Poetry of Les Murray.
Ryan, J., C.
Journal for the Study of Religion, Nature and Culture, 10(4): 459–484. 2016.
doi link bibtex
doi link bibtex
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Planting the Eco-Humanities? Climate Change, Poetic Narratives and Botanical Lives.
Ryan, J., C.
Rupkatha Journal on Interdisciplinary Studies in the Humanities, 8(2): 61-70. 2016.
doi link bibtex
doi link bibtex
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On the Death of Plants: John Kinsella’s Radical Pastoralism and the Weight of Botanical Melancholia.
Ryan, J., C.
Ecozon@: European Journal of Literature, Culture and Environment, 7(2): 113-133. 2016.
link bibtex
link bibtex
@article{
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The Feminist Plant: Changing Relations with the Water Lily.
Gibson, P.; and Gagliano, M.
Ethics and the Environment, 22(2): 125-147. 2017.
doi link bibtex
doi link bibtex
@article{
title = {The Feminist Plant: Changing Relations with the Water Lily},
type = {article},
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journal = {Ethics and the Environment},
number = {2}
}
Saint Hildegard’s Vegetal Psycho-Physio-Theology.
Marder, M.
Religions, 9(11): 1-9. 2018.
doi link bibtex
doi link bibtex
@article{
title = {Saint Hildegard’s Vegetal Psycho-Physio-Theology},
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year = {2018},
pages = {1-9},
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author = {Marder, Michael},
doi = {https://doi.org/10.3390/rel9110353},
journal = {Religions},
number = {11},
keywords = {Hildegard von Bingen,Holy Spirit,Jesus,vegetal life}
}
Voiceless Speech, or Vegetal Logos without Logos.
Marder, M.
Qui Parle: Critical Humanities and Social Sciences, 26(2): 367-369. 2017.
link bibtex
link bibtex
@article{
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author = {Marder, Michael},
journal = {Qui Parle: Critical Humanities and Social Sciences},
number = {2}
}
Introduction: Botanising Women: Transmission, Translation and European Exchange.
Martin, A., E.; and George, S.
Journal of Literature and Science, Special Issue: Women and Botany, 4(1): 1-11. 2011.
Website
link
bibtex
Website
link
bibtex
@article{
title = {Introduction: Botanising Women: Transmission, Translation and European Exchange},
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bibtype = {article},
author = {Martin, Alison E. and George, Samantha},
journal = {Journal of Literature and Science, Special Issue: Women and Botany},
number = {1}
}
Epistolary Exchange: the Familiar Letter and the Female Botanist, 1760-1820.
George, S.
Journal of Literature and Science, Special Issue: Women and Botany, 4(1): 12-29. 2011.
Website
link
bibtex
Website
link
bibtex
@article{
title = {Epistolary Exchange: the Familiar Letter and the Female Botanist, 1760-1820},
type = {article},
year = {2011},
pages = {12-29},
volume = {4},
websites = {http://www.literatureandscience.org/volume-4-issue-1/},
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author = {George, Samantha},
journal = {Journal of Literature and Science, Special Issue: Women and Botany},
number = {1}
}
Carl Linnaeus, Erasmus Darwin and Anna Seward: Botanical Poetry and Female Education.
George, S.
Science and Education, 23(3): 673-694. 2014.
doi link bibtex
doi link bibtex
@article{
title = {Carl Linnaeus, Erasmus Darwin and Anna Seward: Botanical Poetry and Female Education},
type = {article},
year = {2014},
pages = {673-694},
volume = {23},
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bibtype = {article},
author = {George, Samantha},
doi = {10.1007/s11191-014-9677-y},
journal = {Science and Education},
number = {3}
}
Restless Romantic Plants: Goethe Meets Hegel.
Kelley, T., M.
European Romantic Review, Special Issue: Romantic Diversity, 20(2): 187-195. 2009.
link bibtex
link bibtex
@article{
title = {Restless Romantic Plants: Goethe Meets Hegel},
type = {article},
year = {2009},
pages = {187-195},
volume = {20},
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bibtype = {article},
author = {Kelley, Theresa M.},
journal = {European Romantic Review, Special Issue: Romantic Diversity},
number = {2}
}
Nelken: Ein Portrait.
Stephan, S.
Matthes & Seitz, 2018.
link bibtex
link bibtex
@book{
title = {Nelken: Ein Portrait},
type = {book},
year = {2018},
publisher = {Matthes & Seitz},
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author = {Stephan, Susanne},
editor = {Schalansky, Judith}
}
Brennnesseln: Ein Portrait.
Fischer, L.
Matthes & Seitz, 2017.
link bibtex
link bibtex
@book{
title = {Brennnesseln: Ein Portrait},
type = {book},
year = {2017},
publisher = {Matthes & Seitz},
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bibtype = {book},
author = {Fischer, Ludwig}
}
Cactaceae.
Zander, J.
Matthes & Seitz, 2014.
link bibtex
link bibtex
@book{
title = {Cactaceae},
type = {book},
year = {2014},
publisher = {Matthes & Seitz},
city = {Berlin},
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bibtype = {book},
author = {Zander, Judith},
editor = {Schalansky, Judith}
}
Pilze.
Fabre, J.
Matthes & Seitz, 2015.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@book{
title = {Pilze},
type = {book},
year = {2015},
websites = {https://www.matthes-seitz-berlin.de/buch/pilze.html},
publisher = {Matthes & Seitz},
city = {Berlin},
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abstract = {Translated from the French by Thomas Schestag},
bibtype = {book},
author = {Fabre, Jean-Henri},
editor = {Schalansky, Judith}
}
Translated from the French by Thomas Schestag
Ein Garten.
l'Aigle, A., d.
Matthes & Seitz, 2019.
link bibtex
link bibtex
@book{
title = {Ein Garten},
type = {book},
year = {2019},
publisher = {Matthes & Seitz},
city = {Berlin},
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bibtype = {book},
author = {l'Aigle, Alma de},
editor = {Schalansky, Judith}
}
Moos: Die nachgelassenen Blätter des Botanikers Lukas Ohlburg.
Modick, K.
Haffmans, 1984.
link bibtex
link bibtex
@book{
title = {Moos: Die nachgelassenen Blätter des Botanikers Lukas Ohlburg},
type = {book},
year = {1984},
publisher = {Haffmans},
city = {Zürich},
id = {ea705f7f-f775-3f1c-a5d3-1f92b4c1eaf1},
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bibtype = {book},
author = {Modick, Klaus}
}
Die Entdeckung der Natur: Etappen einer Erfahrungsgeschichte.
Goldstein, J.
Matthes & Seitz, 2013.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Die Entdeckung der Natur: Etappen einer Erfahrungsgeschichte},
type = {book},
year = {2013},
websites = {https://d-nb.info/1018407413/04},
publisher = {Matthes & Seitz},
city = {Berlin},
id = {24a549a6-96b0-3880-967e-01c058f76b48},
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bibtype = {book},
author = {Goldstein, Jürgen}
}
Symbiosen: Das erstaunliche Miteinander in der Natur.
Reichholf, J., H.
Matthes & Seitz, 2016.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Symbiosen: Das erstaunliche Miteinander in der Natur},
type = {book},
year = {2016},
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city = {Berlin},
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bibtype = {book},
author = {Reichholf, Josef H}
}
Im Grunde ein Bild: Die Darstellung der Naturforschung bei Kant, Goethe und Alexander von Humboldt.
Bies, M.
Wallstein, 2012.
link bibtex
link bibtex
@book{
title = {Im Grunde ein Bild: Die Darstellung der Naturforschung bei Kant, Goethe und Alexander von Humboldt},
type = {book},
year = {2012},
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city = {Göttingen},
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Geburten aus dem Geist der Pfropfung? Zu Kant und Goethe.
Bies, M.
In Wirth, U., editor(s), Impfen, Pfropfen, Transplantieren, pages 101-119, 2011. Kadmos
Website
link
bibtex
Website
link
bibtex
@inproceedings{
title = {Geburten aus dem Geist der Pfropfung? Zu Kant und Goethe},
type = {inproceedings},
year = {2011},
pages = {101-119},
websites = {https://www.kulturverlag-kadmos.de/buch/pfropfen-impfen-transplantieren.html},
publisher = {Kadmos},
city = {Berlin},
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bibtype = {inproceedings},
author = {Bies, Michael},
editor = {Wirth, Uwe},
booktitle = {Impfen, Pfropfen, Transplantieren}
}
Staging the Knowledge of Plants: Goethe’s Elegy 'The Metamorphosis of Plants'.
Bies, M.
In Dupree, M., H.; and Franzel, S., B., editor(s), Performing Knowledge, 1750-1850, pages 247-267, 2015. De Gruyter
Website
link
bibtex
Website
link
bibtex
@inproceedings{
title = {Staging the Knowledge of Plants: Goethe’s Elegy 'The Metamorphosis of Plants'},
type = {inproceedings},
year = {2015},
pages = {247-267},
websites = {https://www.degruyter.com/view/product/447868},
publisher = {De Gruyter},
city = {Berlin, Boston},
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bibtype = {inproceedings},
author = {Bies, Michael},
editor = {Dupree, Mary Helen and Franzel, Sean B.},
booktitle = {Performing Knowledge, 1750-1850}
}
Libertine Botany: Vegetal Sexualities, Vegetal Forms.
Meeker, N.; and Szabari, A.
Postmedieval, 9(4): 478-489. 2018.
link bibtex
link bibtex
@article{
title = {Libertine Botany: Vegetal Sexualities, Vegetal Forms},
type = {article},
year = {2018},
pages = {478-489},
volume = {9},
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bibtype = {article},
author = {Meeker, Natania and Szabari, Antónia},
journal = {Postmedieval},
number = {4}
}
Botany.
Meeker, N.; and Szabari, A.
In Hoogland, R., C., editor(s), Gender: Matter (Macmillan Interdisciplinary Handbooks), pages 153-169, 2017. Macmillan
link bibtex
link bibtex
@inproceedings{
title = {Botany},
type = {inproceedings},
year = {2017},
pages = {153-169},
publisher = {Macmillan},
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Plant Intentionality and the Phenomenological Framework of Plant Intelligence.
Marder, M.
Plant Signaling & Behavior, 7(11): 1365-1372. 2012.
link bibtex
link bibtex
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Beyond 'Second Animals': Making Sense of Plant Ethics.
Pouteau, S.
Journal of Agricultural and Environmental Ethics, 27(1): 1-25. 2014.
link bibtex
link bibtex
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Würde der Kreatur? Die Idee der Würde im Horizont der Bioethik.
Baranzke, H.
Königshausen & Neumann, 2002.
link bibtex
link bibtex
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Die Würde der Pflanze: Ein sinnvolles ethisches Prinzip im Kontext der grünen Gentechnik?.
Odparlik, S.
Karl Alber, 2010.
link bibtex
link bibtex
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title = {Die Würde der Pflanze: Ein sinnvolles ethisches Prinzip im Kontext der grünen Gentechnik?},
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Eine Würde für alle Lebewesen?.
Odparlik, S.; and Kunzmann, P.
UTZ, 2007.
link bibtex
link bibtex
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Wie die Würde gedeiht: Pflanzen in der Bioethik.
Odparlik, S.; Kunzmann, P.; and Knoepffler, N.
UTZ, 2008.
link bibtex
link bibtex
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The Good of Trees.
Attfield, R.
Journal of Value Inquiry, 15(1): 35-54. 1981.
link bibtex
link bibtex
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type = {article},
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Plants in Ethics: Why Flourishing Deserves Moral Respect.
Kallhoff, A.
Environmental Values, 23: 685-700. 2014.
link bibtex
link bibtex
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author = {Kallhoff, Angela},
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}
Applying Virtue Ethics to Our Treatment of the Other Animals.
Hursthouse, R.
In Welchman, J., editor(s), The Practice of Virtue. Classic and Contemporary Readings in Virtue Ethics, pages 136-155, 2006. Hackett Publishing Company
link bibtex
link bibtex
@inproceedings{
title = {Applying Virtue Ethics to Our Treatment of the Other Animals},
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year = {2006},
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Environmental Virtue Ethics.
Hursthouse, R.
In Walker, R., L.; and Ivanhoe, P., J., editor(s), Working Virtue: Virtue Ethics and Contemporary Moral Problems, pages 155-171, 2007. Oxford University Press
link bibtex
link bibtex
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}
Dirty Virtues: The Emergence of Ecological Virtue Ethics.
Wensveen, L., v.
Humanity Books, 2000.
link bibtex
link bibtex
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Character and Environment: A Virtue-Oriented Approach to Environmental Ethics.
Sandler, R., L.
Columbia University Press, 2007.
link bibtex
link bibtex
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A Philosophy of Gardens.
Cooper, D., E.
Oxford University Press, 2006.
link bibtex
link bibtex
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Escaping Eden: Plant Ethics in a Gardener's World.
Hall, M.
In O'Brien, D., editor(s), Gardening: Philosophy for Everyone: Cultivating Wisdom, pages 38-47, 2010. Wiley-Blackwell
link bibtex
link bibtex
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}
Environmental Ethics and Forestry: A Reader.
List, P., C.
Temple University Press, 2000.
link bibtex
link bibtex
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type = {book},
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Ethics in the Woods.
Syse, K.
Ethics, Place and Environment, 4(3): 226-234. 2001.
link bibtex
link bibtex
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number = {3}
}
The Ethics of 'Following Nature' in Forestry.
Klenk, N.
Environmental Ethics, 31(1): 67-84. 2009.
link bibtex
link bibtex
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Eine Ästhetik der Natur.
Seel, M.
Suhrkamp, 1991.
Website
link
bibtex
Website
link
bibtex
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Aesthetics of the Natural Environment.
Brady, E.
Edinburgh University Press, 2003.
link bibtex
link bibtex
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The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature.
Brady, E.
Cambridge University Press, 2013.
link bibtex
link bibtex
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Plant Behaviour and Intelligence.
Trewavas, A.
Oxford University Press, 2014.
link bibtex
link bibtex
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Communication in Plants: Neuronal Aspects of Plant Life.
Baluška, F.; Mancuso, S.; and Volkmann, D.
Springer, 2006.
link bibtex
link bibtex
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Radical Botany: Plants and Speculative Fiction.
Meeker, N.; and Szabari, A.
Fordham University Press, 2019.
Website
link
bibtex
Website
link
bibtex
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Das literarische Leben der Pflanzen: Poetiken des Botanischen.
Jacobs, J.; and Kranz, I.
2019.
Website
link
bibtex
abstract
3 downloads
Website
link
bibtex
abstract
3 downloads
@book{
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type = {book},
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websites = {https://www.peterlang.com/fileasset/Journals/LFL022017_ebook.pdf},
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abstract = {Bilingual special issue of "Literatur für Leser" journal, published as 2/2017 in August 2019.
TOC:
Joela Jacobs & Isabel Kranz,
Einleitung: Das literarische Leben der Pflanzen: Poetiken des Botanischen.
Tove Holmes,
“Beweglich und bildsam”: Goethe, Plants, and Literature.
Helga G. Braunbeck,
Zarte Empirie, Schreiben mit grüner Tinte und die agenziellen Kräfte der Natur: Klaus Modicks Novelle Moos.
Anna-Lisa Baumeister,
Herder’s Kritische Wälder: A Vegetal Topography of Critique.
Johannes Wankhammer,
Anthropomorphism, Trope, and the Hidden Life of Trees: On Peter Wohlleben’s Rhetoric.
Carla Swiderski,
Restaurationsarbeiten im imaginierten Garten in Hilde Domins Das zweite Paradies.
Vera Kaulbarsch,
„Apparent Life“: Botanik, Visualität und Literatur bei Erasmus Darwin.
Barbara Thums,
fleurs: Friederike Mayröckers Blumensprache.},
bibtype = {book},
author = {Jacobs, Joela and Kranz, Isabel}
}
Bilingual special issue of "Literatur für Leser" journal, published as 2/2017 in August 2019.
TOC:
Joela Jacobs & Isabel Kranz,
Einleitung: Das literarische Leben der Pflanzen: Poetiken des Botanischen.
Tove Holmes,
“Beweglich und bildsam”: Goethe, Plants, and Literature.
Helga G. Braunbeck,
Zarte Empirie, Schreiben mit grüner Tinte und die agenziellen Kräfte der Natur: Klaus Modicks Novelle Moos.
Anna-Lisa Baumeister,
Herder’s Kritische Wälder: A Vegetal Topography of Critique.
Johannes Wankhammer,
Anthropomorphism, Trope, and the Hidden Life of Trees: On Peter Wohlleben’s Rhetoric.
Carla Swiderski,
Restaurationsarbeiten im imaginierten Garten in Hilde Domins Das zweite Paradies.
Vera Kaulbarsch,
„Apparent Life“: Botanik, Visualität und Literatur bei Erasmus Darwin.
Barbara Thums,
fleurs: Friederike Mayröckers Blumensprache.
Evil Roots: Killer Tales of the Botanical Gothic.
Butcher, D.
The British Library, 2019.
link bibtex
link bibtex
@book{
title = {Evil Roots: Killer Tales of the Botanical Gothic},
type = {book},
year = {2019},
publisher = {The British Library},
city = {London},
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author = {Butcher, Daisy}
}
Uprooting a Renter's Garden.
Stuchel, D.
2019.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {Uprooting a Renter's Garden},
type = {misc},
year = {2019},
source = {Edge Effects},
websites = {https://edgeeffects.net/gardening-renting-uprooting},
id = {dc4c8315-527c-3040-ad58-c0fe7581da4b},
created = {2019-11-06T00:53:03.231Z},
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hidden = {false},
private_publication = {false},
bibtype = {misc},
author = {Stuchel, Dani}
}
Tribulus Troubles: Wildflowers in the Edward Palmer Papers at the National Anthropological Archives.
Stuchel, D.
2017.
Website
link
bibtex
Website
link
bibtex
@misc{
title = {Tribulus Troubles: Wildflowers in the Edward Palmer Papers at the National Anthropological Archives},
type = {misc},
year = {2017},
source = {Smithsonian Collections Blog},
websites = {http://si-siris.blogspot.com/2017/08/tribulus-troubles-wildflowers-in-edward.html},
id = {5188b7f6-ea08-3165-a713-27ac7f6d548b},
created = {2019-11-06T00:53:03.231Z},
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last_modified = {2019-11-06T00:53:03.295Z},
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private_publication = {false},
bibtype = {misc},
author = {Stuchel, Dani}
}
Material Provocations in the Archives.
Stuchel, D.
Journal of Critical Library & Information Studies, 2(3). 2019.
Paper
link
bibtex
abstract
2 downloads
Paper
link
bibtex
abstract
2 downloads
@article{
title = {Material Provocations in the Archives},
type = {article},
year = {2019},
volume = {2},
id = {133ea074-43a5-35fc-988b-a3d25310bd4d},
created = {2019-11-06T00:53:03.232Z},
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abstract = {As a name, "Anthropocene" would seem to signal that this geologic epoch is both because of humans and about humans. The latter implication draws on pervasive cultural ideas about nature which underlie the Anthropocene and its climatic impacts, namely nature as an extractable, endlessly-renewable resource. While scholars in the environmental humanities, animal studies, and critical plant studies have been quick to both diagnose and propose new directions for our engagements with the material universe, scholarship on archival materiality has continued to focus on the archives as an institution for and about human intellectual endeavors. In other words, the archives continue to be an extractable resource. Within the archives, animal, plant, and abiotic changes which work against projects of human history are seen as failures, infestations, or disasters-they can never be properly archival. This essay offers a potential corrective to anthropocentric archiving, by bringing together Jane Bennett's new materialist project of "vibrant matter," Michael Marder's vegetal philosophy, and Caitlin DeSilvey's curation of decay to suggest avenues of engaging archival materiality as meaningful and provocative. As an analytic schema, this focus on the "vibrant archives" does not aim to save records from planetary changes but to begin the work of rethinking archival materiality (and its destruction) within the context of the Anthropocene. 2 Image 1. Fruit of the Tribulus terrestris plant. Photograph by Steve Hurst.},
bibtype = {article},
author = {Stuchel, Dani},
journal = {Journal of Critical Library & Information Studies},
number = {3}
}
As a name, "Anthropocene" would seem to signal that this geologic epoch is both because of humans and about humans. The latter implication draws on pervasive cultural ideas about nature which underlie the Anthropocene and its climatic impacts, namely nature as an extractable, endlessly-renewable resource. While scholars in the environmental humanities, animal studies, and critical plant studies have been quick to both diagnose and propose new directions for our engagements with the material universe, scholarship on archival materiality has continued to focus on the archives as an institution for and about human intellectual endeavors. In other words, the archives continue to be an extractable resource. Within the archives, animal, plant, and abiotic changes which work against projects of human history are seen as failures, infestations, or disasters-they can never be properly archival. This essay offers a potential corrective to anthropocentric archiving, by bringing together Jane Bennett's new materialist project of "vibrant matter," Michael Marder's vegetal philosophy, and Caitlin DeSilvey's curation of decay to suggest avenues of engaging archival materiality as meaningful and provocative. As an analytic schema, this focus on the "vibrant archives" does not aim to save records from planetary changes but to begin the work of rethinking archival materiality (and its destruction) within the context of the Anthropocene. 2 Image 1. Fruit of the Tribulus terrestris plant. Photograph by Steve Hurst.
Botanical Drift: Protagonists of the Invasive Herbarium.
Carroll, K., v., Z.
Sternberg Press, 2017.
link bibtex abstract
link bibtex abstract
@book{
title = {Botanical Drift: Protagonists of the Invasive Herbarium},
type = {book},
year = {2017},
publisher = {Sternberg Press},
city = {Berlin},
id = {c65212d2-3156-3fd4-82f8-dc2193d1bedf},
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abstract = {Botanical Drift explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection. Contributions by David Edward Allen & Maria Buzhor, Rebecca Anderson, Bergit Arends & Sunoj D, Connie Butler & Hazel Dowling, Caroline Cornish & Mark Nesbitt, Alfred Döblin, Natasha Eaton, Germaine Greer, Kim Berit Heppelmann, Emma Waltraud Howes, Melanie Jackson, Alana Jelinek, Philip Kerrigan, Kay Evelina Lewis-Jones, Claire Loussouarn, Wietske Maas, Natasha Myers, Matteo Pasquinelli, Raqs Media Collective, herman de vries, Khadija von Zinnenburg Carroll.},
bibtype = {book},
author = {Carroll, Khadija von Zinnenburg},
editor = {Carroll, Khadija von Zinnenburg}
}
Botanical Drift explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection. Contributions by David Edward Allen & Maria Buzhor, Rebecca Anderson, Bergit Arends & Sunoj D, Connie Butler & Hazel Dowling, Caroline Cornish & Mark Nesbitt, Alfred Döblin, Natasha Eaton, Germaine Greer, Kim Berit Heppelmann, Emma Waltraud Howes, Melanie Jackson, Alana Jelinek, Philip Kerrigan, Kay Evelina Lewis-Jones, Claire Loussouarn, Wietske Maas, Natasha Myers, Matteo Pasquinelli, Raqs Media Collective, herman de vries, Khadija von Zinnenburg Carroll.
Theatrum Botanicum.
Orlow, U.; Sheikh, S.; Balani, S.; Boehi, M.; Flint, K.; van Marle, K.; von Zinnenburg, K.; Coussonnet, C.; Makhubu, N.; Malcomess, B.; and Irving, J.
Sternberg Press, 2018.
link bibtex abstract
link bibtex abstract
@book{
title = {Theatrum Botanicum},
type = {book},
year = {2018},
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city = {Berlin},
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abstract = {This publication emerges from Uriel Orlow’s Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge—exploring the variety of curative, spiritual, and economic powers of plants. The project addresses “botanical nationalism” and “flower diplomacy” during apartheid; plant migration; the role and legacies of the imperial classification and naming of plants; bioprospecting and biopiracy; and the garden planted by Nelson Mandela and his fellow inmates at Robben Island prison. This publication is made up of two intertwining books: one documents the works of Theatrum Botanicum, including the scripts for two films; the second is a compendium of brief, commissioned essays that aims to offer an accessible snapshot of the complex and multifaceted issues that inform and are raised by the artworks. The independent but interrelated essays, which either speak directly to the artworks or follow lines of inquiry alongside them, cover perspectives from postcolonial cultural studies; art criticism and art history; natural history, botany (including ethnobotany and economic botany), and conservation; jurisprudence and critical legal studies; and critical race studies.},
bibtype = {book},
author = {Orlow, U and Sheikh, S and Balani, S and Boehi, M and Flint, K and van Marle, K and von Zinnenburg, K and Coussonnet, C and Makhubu, N and Malcomess, B and Irving, J},
editor = {Orlow, Uriel and Sheikh, Shela}
}
This publication emerges from Uriel Orlow’s Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge—exploring the variety of curative, spiritual, and economic powers of plants. The project addresses “botanical nationalism” and “flower diplomacy” during apartheid; plant migration; the role and legacies of the imperial classification and naming of plants; bioprospecting and biopiracy; and the garden planted by Nelson Mandela and his fellow inmates at Robben Island prison. This publication is made up of two intertwining books: one documents the works of Theatrum Botanicum, including the scripts for two films; the second is a compendium of brief, commissioned essays that aims to offer an accessible snapshot of the complex and multifaceted issues that inform and are raised by the artworks. The independent but interrelated essays, which either speak directly to the artworks or follow lines of inquiry alongside them, cover perspectives from postcolonial cultural studies; art criticism and art history; natural history, botany (including ethnobotany and economic botany), and conservation; jurisprudence and critical legal studies; and critical race studies.
Waldungen: Die Deutschen und ihr Wald.
Weyergraf, B.; and Hürlimann, A.
Nicolai, 1987.
Website
link
bibtex
Website
link
bibtex
@book{
title = {Waldungen: Die Deutschen und ihr Wald},
type = {book},
year = {1987},
websites = {https://d-nb.info/880421185/04},
publisher = {Nicolai},
city = {Berlin},
id = {91c74c7a-3028-351e-bf2a-7e31f48f784f},
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author = {Weyergraf, Bernd and Hürlimann, Annemarie}
}
A Million Wild Acres: 200 Years of Man and an Australian Forest.
Rolls, E., C.; Murray, L., A.; and Griffiths, T.
GHR Press, 2011.
link bibtex abstract
link bibtex abstract
@book{
title = {A Million Wild Acres: 200 Years of Man and an Australian Forest},
type = {book},
year = {2011},
publisher = {GHR Press},
city = {Willoughby, New South Wales},
id = {04ff8a43-bee7-3c8e-934b-e1a66902bb28},
created = {2020-05-12T20:20:01.687Z},
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abstract = {30th Anniversary Edition: Thirty years ago, a bomb landed in the field of Australian consciousness of itself and its land in the form of Eric Rolls' A MILLION WILD ACRES. The ensuing explosion has caused extensive and heated debate ever since amongst historians, ecologists, environmentalists, poets and writers. Now reprinted in a commemorative 30th Anniversary Edition for a new generation of readers and against the backdrop of renewed and urgent concern about climate change, it includes Tom Griffiths' seminal essay, The Writing of A Million Wild Acres, and a foreword by Les Murray drawn from his work Eric Rolls and the Golden Disobedience. Here is a contentious story of men and their passion for land; of occupation and settlement; of destruction and growth. By following the tracks of these pioneers who crossed the Blue Mountains into northern New South Wales, Eric Rolls - poet, farmer and self-taught naturalist - has written the history of European settlement in Australia. He evokes the ruthlessness and determination of the first settlers who worked the land -- a land they knew little about. Rolls has re-written the history of settlement and destroyed the argument that Australia's present dense eucalypt forests are the remnants of 200 years of energetic clearing. Neither education nor social advantage decided the success of the first settlers, or those squatters, selectors, stockmen and timber getters who helped grow the Pilliga forest. Few men were more violent than John Macarthur, few rogues more vigorous than William Cox, few statesmen more self-seeking than William Wentworth. Rolls' environment teems with wildlife, with plants and trees, with feral pigs; with the marvellous interaction of insects and plants, rare animals and birds. The lovely tangle which is the modern forest comes to life as Rolls reflects on soils, living conditions, breeding and ecology. Winner of the prestigious Age Book of the Year Award, A Million Wild Acres is also an important account of the long-term effect man - both black and white - has had upon the forest.},
bibtype = {book},
author = {Rolls, Eric Charles and Murray, Les A. and Griffiths, Tom}
}
30th Anniversary Edition: Thirty years ago, a bomb landed in the field of Australian consciousness of itself and its land in the form of Eric Rolls' A MILLION WILD ACRES. The ensuing explosion has caused extensive and heated debate ever since amongst historians, ecologists, environmentalists, poets and writers. Now reprinted in a commemorative 30th Anniversary Edition for a new generation of readers and against the backdrop of renewed and urgent concern about climate change, it includes Tom Griffiths' seminal essay, The Writing of A Million Wild Acres, and a foreword by Les Murray drawn from his work Eric Rolls and the Golden Disobedience. Here is a contentious story of men and their passion for land; of occupation and settlement; of destruction and growth. By following the tracks of these pioneers who crossed the Blue Mountains into northern New South Wales, Eric Rolls - poet, farmer and self-taught naturalist - has written the history of European settlement in Australia. He evokes the ruthlessness and determination of the first settlers who worked the land -- a land they knew little about. Rolls has re-written the history of settlement and destroyed the argument that Australia's present dense eucalypt forests are the remnants of 200 years of energetic clearing. Neither education nor social advantage decided the success of the first settlers, or those squatters, selectors, stockmen and timber getters who helped grow the Pilliga forest. Few men were more violent than John Macarthur, few rogues more vigorous than William Cox, few statesmen more self-seeking than William Wentworth. Rolls' environment teems with wildlife, with plants and trees, with feral pigs; with the marvellous interaction of insects and plants, rare animals and birds. The lovely tangle which is the modern forest comes to life as Rolls reflects on soils, living conditions, breeding and ecology. Winner of the prestigious Age Book of the Year Award, A Million Wild Acres is also an important account of the long-term effect man - both black and white - has had upon the forest.
Heartwood: Poems for the Love of Trees.
Strutt, L.
League of Canadian Poets, 2018.
link bibtex abstract
link bibtex abstract
@book{
title = {Heartwood: Poems for the Love of Trees},
type = {book},
year = {2018},
publisher = {League of Canadian Poets},
city = {Toronto},
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abstract = {Heartwood is a Canadian anthology of poems that celebrates trees. Published by the League of Canadian Poets, this anthology features poets from every province and territory celebrating the immeasurable value trees have for the environment and for the soul.Poets wrote about a tree they loved as a child, a park they sat in, or a forest they go to for invigoration and inspiration. The planet needs trees to survive. Poets from across Canada have written poems to ensure that the message is heard. Compiled and edited by Lesley Strutt. Foreword by Diana Beresford-Kroger. Original photographs by Chuck Willemsen.},
bibtype = {book},
author = {Strutt, Lesley},
keywords = {anthology,canada,poetry}
}
Heartwood is a Canadian anthology of poems that celebrates trees. Published by the League of Canadian Poets, this anthology features poets from every province and territory celebrating the immeasurable value trees have for the environment and for the soul.Poets wrote about a tree they loved as a child, a park they sat in, or a forest they go to for invigoration and inspiration. The planet needs trees to survive. Poets from across Canada have written poems to ensure that the message is heard. Compiled and edited by Lesley Strutt. Foreword by Diana Beresford-Kroger. Original photographs by Chuck Willemsen.
Call of the Forest: The Forgotten Wisdom of Trees (Documentary).
Beresford-Kroeger, D.; and McKay, J.
2016.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@misc{
title = {Call of the Forest: The Forgotten Wisdom of Trees (Documentary)},
type = {misc},
year = {2016},
websites = {http://calloftheforest.ca/},
publisher = {Treespeak Films Canada},
id = {99071a73-e0f2-3c56-b3e4-0131f3257321},
created = {2020-05-12T21:05:33.913Z},
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abstract = {A documentary about the ancient forests of the northern hemisphere, deals with the connection between trees and human life.},
bibtype = {misc},
author = {Beresford-Kroeger, Diana and McKay, Jeffrey}
}
A documentary about the ancient forests of the northern hemisphere, deals with the connection between trees and human life.
The Botany of Empire in the Long Eighteenth Century.
Batsaki, Y.; Burke Cahalan, S.; and Tchikine, A.
Harvard University Press, 2017.
link bibtex abstract
link bibtex abstract
@book{
title = {The Botany of Empire in the Long Eighteenth Century},
type = {book},
year = {2017},
publisher = {Harvard University Press},
city = {Cambridge, MA},
id = {792e67b2-5d2b-3e35-bfd3-c834935c1405},
created = {2020-05-12T21:40:21.374Z},
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abstract = {This book brings together an international body of scholars working on eighteenth-century botany within the context of imperial expansion. The eighteenth century saw widespread exploration, a tremendous increase in the traffic in botanical specimens, taxonomic breakthroughs, and horticultural experimentation. The contributors to this volume compare the impact of new developments and discoveries across several regions, broadening the geographical scope of their inquiries to encompass imperial powers that did not have overseas colonial possessions—such as the Russian, Ottoman, and Qing empires and the Tokugawa shogunate—as well as politically borderline regions such as South Africa, Yemen, and New Zealand. The essays in this volume examine the botanical ambitions of eighteenth-century empires; the figure of the botanical explorer; the links between imperial ambition and the impulse to survey, map, and collect botanical specimens in “new” territories; and the relationships among botanical knowledge, self-representation, and material culture.},
bibtype = {book},
author = {Batsaki, Yota and Burke Cahalan, Sarah and Tchikine, Anatole}
}
This book brings together an international body of scholars working on eighteenth-century botany within the context of imperial expansion. The eighteenth century saw widespread exploration, a tremendous increase in the traffic in botanical specimens, taxonomic breakthroughs, and horticultural experimentation. The contributors to this volume compare the impact of new developments and discoveries across several regions, broadening the geographical scope of their inquiries to encompass imperial powers that did not have overseas colonial possessions—such as the Russian, Ottoman, and Qing empires and the Tokugawa shogunate—as well as politically borderline regions such as South Africa, Yemen, and New Zealand. The essays in this volume examine the botanical ambitions of eighteenth-century empires; the figure of the botanical explorer; the links between imperial ambition and the impulse to survey, map, and collect botanical specimens in “new” territories; and the relationships among botanical knowledge, self-representation, and material culture.
Through the Woods.
Bates, H.
Little Toller Books, 2009.
link bibtex abstract
link bibtex abstract
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title = {Through the Woods},
type = {book},
year = {2009},
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city = {Dorset},
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abstract = {H.E. Bates carried a woodland in his imagination. He fell under its spell as a boy growing up in the Midlands, becoming increasingly enchanted each time he stepped below the wooded canopy. Memory magnified its mystery over the years, enriching his stories as he grew successful as a writer.},
bibtype = {book},
author = {Bates, H.E.}
}
H.E. Bates carried a woodland in his imagination. He fell under its spell as a boy growing up in the Midlands, becoming increasingly enchanted each time he stepped below the wooded canopy. Memory magnified its mystery over the years, enriching his stories as he grew successful as a writer.
Living With Trees.
Walter, R.
Little Toller Books, 2020.
link bibtex abstract
link bibtex abstract
@book{
title = {Living With Trees},
type = {book},
year = {2020},
publisher = {Little Toller Books},
city = {Dorset},
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abstract = {Trees and woods offer great potential for rebuilding our wider relationship with nature, reinforcing local identity and sustaining wildlife. Living with Trees is a powerful call for more trees in our lives. It is a cornucopia of artwork, useful information, poetry and new ideas: a book that is both practical and inspirational. It aims to re-engage individuals and communities with their local trees and woods, and demonstrates how caring for trees and woods can enhance local biodiversity alongside community cohesion and well-being. Foreword by Dame Judi Dench.},
bibtype = {book},
author = {Walter, Robin}
}
Trees and woods offer great potential for rebuilding our wider relationship with nature, reinforcing local identity and sustaining wildlife. Living with Trees is a powerful call for more trees in our lives. It is a cornucopia of artwork, useful information, poetry and new ideas: a book that is both practical and inspirational. It aims to re-engage individuals and communities with their local trees and woods, and demonstrates how caring for trees and woods can enhance local biodiversity alongside community cohesion and well-being. Foreword by Dame Judi Dench.
The Ancient Woods of the Helford River.
Rackham, O.
Little Toller Books, Reprint edition, 2020.
link bibtex abstract
link bibtex abstract
@book{
title = {The Ancient Woods of the Helford River},
type = {book},
year = {2020},
publisher = {Little Toller Books},
city = {Dorset},
edition = {Reprint},
id = {0d1b8678-01c2-3fd4-8aa8-c5b424a79bdc},
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abstract = {The Helford River, Cornwall, is one of the very few places in England where ancient woodland meets the sea. It also has a curious industrial and cultural history. Describing the geology, history and flora of twenty-five individual woods, the book explains how these special places have survived the centuries and what the future may hold for them. With this posthumous publication, we explore one of Oliver Rackham’s favourite places to carry out fieldwork in the British Isles and celebrate the life and work.},
bibtype = {book},
author = {Rackham, Oliver}
}
The Helford River, Cornwall, is one of the very few places in England where ancient woodland meets the sea. It also has a curious industrial and cultural history. Describing the geology, history and flora of twenty-five individual woods, the book explains how these special places have survived the centuries and what the future may hold for them. With this posthumous publication, we explore one of Oliver Rackham’s favourite places to carry out fieldwork in the British Isles and celebrate the life and work.
The Tree.
Fowles, J.
Little Toller Books, Reprint edition, 2016.
link bibtex abstract
link bibtex abstract
@book{
title = {The Tree},
type = {book},
year = {2016},
publisher = {Little Toller Books},
city = {Dorset},
edition = {Reprint},
id = {4404ad44-f37d-322c-b27f-8386ff6ea1a1},
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abstract = {The writing life of John Fowles was dominated by trees. From the orchards of his childhood in suburban Essex to the woodlands of wartime-Devon, trees filled his imagination and enriched his many best selling and acclaimed novels. Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, John Fowles’ The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, originally published in 1979.},
bibtype = {book},
author = {Fowles, John}
}
The writing life of John Fowles was dominated by trees. From the orchards of his childhood in suburban Essex to the woodlands of wartime-Devon, trees filled his imagination and enriched his many best selling and acclaimed novels. Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, John Fowles’ The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, originally published in 1979.
Herbaceous.
Evans, P.
Little Toller Books, 2018.
link bibtex abstract
link bibtex abstract
@book{
title = {Herbaceous},
type = {book},
year = {2018},
publisher = {Little Toller Books},
city = {Dorset},
id = {8845d19e-aa78-39d6-ba4f-86d6ec53bd85},
created = {2020-05-12T23:00:04.725Z},
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abstract = {Herbaceous is a journey which follows the colour pulse of plants throughout the year, it is gardening with words.It is a book of audacious botany and poetic vision which asks us to look at anew at our relationship with plants and celebrates their power to nourish the human spirit.},
bibtype = {book},
author = {Evans, Paul}
}
Herbaceous is a journey which follows the colour pulse of plants throughout the year, it is gardening with words.It is a book of audacious botany and poetic vision which asks us to look at anew at our relationship with plants and celebrates their power to nourish the human spirit.
Arboreal: A Collection of Woodland Writing.
Cooper, A.
Little Toller Books, 2017.
link bibtex abstract
link bibtex abstract
@book{
title = {Arboreal: A Collection of Woodland Writing},
type = {book},
year = {2017},
publisher = {Little Toller Books},
city = {Dorset},
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abstract = {A landmark publication of new writing from woodlands across the British Isles. In memory of the great historical ecologist, Oliver Rackham, the book gathers a variety of voices – novelists, teachers, ecologists, poets, artists, architects and foresters – to explore why woods still matter and mean so much.
Contributors: Ali Smith, Simon Armitage, Simon Leatherdale, Alan Garner, Alec Finlay, David Nash, Fiona Stafford, Sara Maitland, George Peterken, Helen Dunmore, Jen Hadfield, Philip Marsden, Nina Lyon, Paul Kingsnorth, Paul Evans, Richard Skelton, Tobias Jones, Germaine Greer, Fiona Reynolds, Jay Griffiths, Richard Mabey, Peter Marren, Philip Hoare, Deborah Wilenski, Jim Crumley, Rob Penn, Neil Sinden, Piers Taylor, Madeleine Bunting, Kathleen Jamie, William Boyd, Tim Dee, Evie Wyld, Will Ashon, Seán Lysaght, Robin Walter.},
bibtype = {book},
author = {Cooper, Adrian}
}
A landmark publication of new writing from woodlands across the British Isles. In memory of the great historical ecologist, Oliver Rackham, the book gathers a variety of voices – novelists, teachers, ecologists, poets, artists, architects and foresters – to explore why woods still matter and mean so much.
Contributors: Ali Smith, Simon Armitage, Simon Leatherdale, Alan Garner, Alec Finlay, David Nash, Fiona Stafford, Sara Maitland, George Peterken, Helen Dunmore, Jen Hadfield, Philip Marsden, Nina Lyon, Paul Kingsnorth, Paul Evans, Richard Skelton, Tobias Jones, Germaine Greer, Fiona Reynolds, Jay Griffiths, Richard Mabey, Peter Marren, Philip Hoare, Deborah Wilenski, Jim Crumley, Rob Penn, Neil Sinden, Piers Taylor, Madeleine Bunting, Kathleen Jamie, William Boyd, Tim Dee, Evie Wyld, Will Ashon, Seán Lysaght, Robin Walter.
The Ash Tree.
Rackham, O.
Little Toller Books, 2014.
link bibtex
link bibtex
@book{
title = {The Ash Tree},
type = {book},
year = {2014},
publisher = {Little Toller Books},
city = {Dorset},
id = {2e41cfd3-c02b-3ed4-bac5-cf1a5e81bdd5},
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bibtype = {book},
author = {Rackham, Oliver}
}
The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins.
Tsing Lowenhaupt, A.
Princeton University Press, 2015.
link bibtex
link bibtex
@book{
title = {The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins},
type = {book},
year = {2015},
publisher = {Princeton University Press},
city = {Princeton; Oxford},
id = {15d33aea-c882-3151-858f-de6b288ca4c2},
created = {2020-05-12T23:24:57.226Z},
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bibtype = {book},
author = {Tsing Lowenhaupt, Anna}
}
The Military Orchid.
Brooke, J.
Little Toller Books, 2011.
link bibtex abstract
link bibtex abstract
@book{
title = {The Military Orchid},
type = {book},
year = {2011},
publisher = {Little Toller Books},
city = {Dorset},
id = {1cd8dcad-ff5e-3104-a36a-c64bf328ec1c},
created = {2020-05-12T23:34:09.135Z},
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hidden = {false},
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abstract = {Jocelyn Brooke’s love affair with wild flowers and home-made fireworks began when he was growing up in Kent. But there was one particular flower, especially rare and beautiful, which became an obsession. Over three decades and through two world wars, in the deserts of Libya and the woodlands of Italy, in the chalk downs of Kent, Sussex and Hampshire, he searched continually for his most beloved and elusive Orchis militaris, the military orchid. Jocelyn Brooke blends memoir, botany and satire to recall this lifelong quest. With an introduction by Horatio Claire, originally published in 1948.},
bibtype = {book},
author = {Brooke, Jocelyn}
}
Jocelyn Brooke’s love affair with wild flowers and home-made fireworks began when he was growing up in Kent. But there was one particular flower, especially rare and beautiful, which became an obsession. Over three decades and through two world wars, in the deserts of Libya and the woodlands of Italy, in the chalk downs of Kent, Sussex and Hampshire, he searched continually for his most beloved and elusive Orchis militaris, the military orchid. Jocelyn Brooke blends memoir, botany and satire to recall this lifelong quest. With an introduction by Horatio Claire, originally published in 1948.
Free Falling: An Arboreal Novel.
Tresselt, A.
Wheatmark, 2014.
link bibtex abstract
link bibtex abstract
@book{
title = {Free Falling: An Arboreal Novel},
type = {book},
year = {2014},
publisher = {Wheatmark},
city = {Tucson, AZ},
id = {d4006bd9-9453-3bfa-911a-ddb4a569ffcd},
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abstract = {A small group of ecoterrorists storms a Pacific Northwest logging site. Equipment is vandalized, buildings broken into, and a surprise discovery is made by one member of the group; one that could solve all his current problems. Day one of the International Tree Climbing Championship winds to a close. Fifty-six men and women climbers have given their best in the preliminaries. The final climber in the work climb event begins his run. A past champion and flamboyant personality, all eyes are watching him. Unexpectedly, his rope parts and he plunges to his death mid-swing ... Mike Duncan, climber, arborist, and former Special Forces solider, watches the climber plummet to earth from his perch high in the tree. Later, after the crowd disperses, Mike, as the event's head technician, ascends the work climb tree. There, high in the canopy, he makes a discovery of his own ... From city parks to the back corners of bars to the primeval old growth forests of the Pacific Northwest, Free Falling takes readers into the intricacies of competitive tree climbers, arborists, and the niche world they inhabit. Simple curiosity, ingrained determination, and an inability to let well enough alone leads Mike Duncan down a path of discovery. A path leading to questions best not asked, with answers that once gained, nobody wants.},
bibtype = {book},
author = {Tresselt, Anthony}
}
A small group of ecoterrorists storms a Pacific Northwest logging site. Equipment is vandalized, buildings broken into, and a surprise discovery is made by one member of the group; one that could solve all his current problems. Day one of the International Tree Climbing Championship winds to a close. Fifty-six men and women climbers have given their best in the preliminaries. The final climber in the work climb event begins his run. A past champion and flamboyant personality, all eyes are watching him. Unexpectedly, his rope parts and he plunges to his death mid-swing ... Mike Duncan, climber, arborist, and former Special Forces solider, watches the climber plummet to earth from his perch high in the tree. Later, after the crowd disperses, Mike, as the event's head technician, ascends the work climb tree. There, high in the canopy, he makes a discovery of his own ... From city parks to the back corners of bars to the primeval old growth forests of the Pacific Northwest, Free Falling takes readers into the intricacies of competitive tree climbers, arborists, and the niche world they inhabit. Simple curiosity, ingrained determination, and an inability to let well enough alone leads Mike Duncan down a path of discovery. A path leading to questions best not asked, with answers that once gained, nobody wants.
Der Diskurs um ›Wildnis‹: Von mythischen Wäldern, malerischen Orten und dynamischer Natur.
Kangler, G.
Transcript, 2018.
link bibtex
link bibtex
@book{
title = {Der Diskurs um ›Wildnis‹: Von mythischen Wäldern, malerischen Orten und dynamischer Natur},
type = {book},
year = {2018},
publisher = {Transcript},
city = {Bielefeld},
id = {0d36ca4c-e467-3d5b-822e-62481608f190},
created = {2020-05-12T23:46:50.423Z},
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author = {Kangler, Gisela}
}
Care of the Species: Races of Corn and the Science of Plant Biodiversity.
Hartigan Jr, J.
University of Minnesota Press, 2017.
link bibtex abstract
link bibtex abstract
@book{
title = {Care of the Species: Races of Corn and the Science of Plant Biodiversity},
type = {book},
year = {2017},
publisher = {University of Minnesota Press},
city = {Minneapolis},
id = {d043b637-eaa6-3a46-b581-a62504e12c7a},
created = {2020-05-13T00:03:23.729Z},
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abstract = { Darwin meets Foucault in this engrossing ethnography of plants, race, and biodiversity
Care of the Species contributes to debates about the concept of species through vivid ethnography, examining infrastructures of care—labs and gardens in Spain and Mexico—where plant scientists grapple with the complexities of evolution and domestication. In tackling the racial dimension of efforts to go “beyond the human,” this book reveals a far greater stratum of sameness than commonly assumed.},
bibtype = {book},
author = {Hartigan Jr, John}
}
Darwin meets Foucault in this engrossing ethnography of plants, race, and biodiversity
Care of the Species contributes to debates about the concept of species through vivid ethnography, examining infrastructures of care—labs and gardens in Spain and Mexico—where plant scientists grapple with the complexities of evolution and domestication. In tackling the racial dimension of efforts to go “beyond the human,” this book reveals a far greater stratum of sameness than commonly assumed.
Hybrid Commodities, Gendered Aesthetics, and the Challenge of Cross‐Cultural Comparison: A Response to Moretti’s ‘The Novel: History and Theory’.
Porter, D.
Literature Compass, 7(9): 900-911. 2007.
link bibtex
link bibtex
@article{
title = {Hybrid Commodities, Gendered Aesthetics, and the Challenge of Cross‐Cultural Comparison: A Response to Moretti’s ‘The Novel: History and Theory’},
type = {article},
year = {2007},
pages = {900-911},
volume = {7},
id = {e8aad435-626a-3516-97b2-9e8ee5f35f48},
created = {2020-05-13T19:20:50.110Z},
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bibtype = {article},
author = {Porter, Dahlia},
journal = {Literature Compass},
number = {9}
}
Scientific Analogy and Literary Taxonomy in Darwin's Loves of the Plants.
Porter, D.
European Romantic Review, 18(2): 213-221. 2007.
doi link bibtex abstract
doi link bibtex abstract
@article{
title = {Scientific Analogy and Literary Taxonomy in Darwin's Loves of the Plants},
type = {article},
year = {2007},
pages = {213-221},
volume = {18},
id = {2818c287-cf97-318f-8576-4ce5641b877b},
created = {2020-05-13T19:35:14.407Z},
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abstract = {This essay situates Eramus Darwin's wildly popular annotated poem Loves of the Plants (1789) alongside Francis Bacon's suggestions for applying inductive method to emotions, Wordsworth's parody of empiricism in “The Thorn,” and the function of footnotes in eighteenth‐century satires and georgics. Within this framework, I show that Darwin's text forges relations through analogy, an empiricist procedure shared by eighteenth‐century natural and moral philosophy. While Darwin exploits this conjunction to create an outlet for his radical analogical science, melding literary and scientific practice threatens to reveal knowledge built on empirical method as, at bottom, the product of rhetorical figures. I argue that the disjunctive format and formal components of Darwin's poem—and mental gymnastics they require of readers—are calculated to forestall the collapse of scientific analogy into its literary counterparts of metaphor and simile.},
bibtype = {article},
author = {Porter, Dahlia},
doi = {10.1080/10509580701297950},
journal = {European Romantic Review},
number = {2}
}
This essay situates Eramus Darwin's wildly popular annotated poem Loves of the Plants (1789) alongside Francis Bacon's suggestions for applying inductive method to emotions, Wordsworth's parody of empiricism in “The Thorn,” and the function of footnotes in eighteenth‐century satires and georgics. Within this framework, I show that Darwin's text forges relations through analogy, an empiricist procedure shared by eighteenth‐century natural and moral philosophy. While Darwin exploits this conjunction to create an outlet for his radical analogical science, melding literary and scientific practice threatens to reveal knowledge built on empirical method as, at bottom, the product of rhetorical figures. I argue that the disjunctive format and formal components of Darwin's poem—and mental gymnastics they require of readers—are calculated to forestall the collapse of scientific analogy into its literary counterparts of metaphor and simile.
Specimen Poetics: Botany, Reanimation, and the Romantic Collection.
Porter, D.
Representations, (139): 60-94. 2017.
link bibtex abstract
link bibtex abstract
@article{
title = {Specimen Poetics: Botany, Reanimation, and the Romantic Collection},
type = {article},
year = {2017},
pages = {60-94},
id = {3d80eb2d-4cf4-320e-bda1-9b656c6ac014},
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abstract = {This essay argues that the modern literary anthology—and specifically its aspiration todelimit both aesthetic merit and historical representativeness—emerged as a response to changes ineighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanicalmetaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, andrepresentational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked,pressed specimens with a new vitality. Erasmus Darwin’s
Botanic Garden
(1789, 1791) translated theaesthetic reanimations of visual art into a collection of poetic specimens, spurring compilations that promote a vitalist standard of literary value. By rejecting aesthetic reanimation as the figurative groundfor poetic collecting, Charlotte Smith and Robert Southey forward an alternative historical model of literary merit, one grounded in the succession and continuity of representative literary types. Thesecompeting metrics for selection and valuation underwrite the anthology as we know it today.},
bibtype = {article},
author = {Porter, Dahlia},
journal = {Representations},
number = {139}
}
This essay argues that the modern literary anthology—and specifically its aspiration todelimit both aesthetic merit and historical representativeness—emerged as a response to changes ineighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanicalmetaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, andrepresentational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked,pressed specimens with a new vitality. Erasmus Darwin’s
Botanic Garden
(1789, 1791) translated theaesthetic reanimations of visual art into a collection of poetic specimens, spurring compilations that promote a vitalist standard of literary value. By rejecting aesthetic reanimation as the figurative groundfor poetic collecting, Charlotte Smith and Robert Southey forward an alternative historical model of literary merit, one grounded in the succession and continuity of representative literary types. Thesecompeting metrics for selection and valuation underwrite the anthology as we know it today.
Epistemic Images and Vital Nature: Darwin's Botanic Garden as Image Text Book.
Porter, D.
European Romantic Review, 29(3): 295-308. 2018.
doi link bibtex abstract
doi link bibtex abstract
@article{
title = {Epistemic Images and Vital Nature: Darwin's Botanic Garden as Image Text Book},
type = {article},
year = {2018},
pages = {295-308},
volume = {29},
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abstract = {This essay considers the function of images in Erasmus Darwin’sBotanic Garden (1789, 1791) by drawing on recent work in the history of science. I argue that the full-page intaglio prints of plants in Darwin’s book function as “epistemic images” by propounding a visual argument about organic life. The epistemic values embedded in the images of plants—specifically, the appearance of life and motion—are the result of artists’ engraving techniques deployed in the service of eighteenth-century aesthetic conventions. These conventions allow the images to align theknowledge claims of Darwin’s allegorical verse with those put forward in the prose notes. In conclusion, I suggest this method of unearthing the epistemic values of images could be productively extended to literary texts less obviously engaged with scientific debates of the time.},
bibtype = {article},
author = {Porter, Dahlia},
doi = {https://doi.org/10.1080/10509585.2018.1465717},
journal = {European Romantic Review},
number = {3}
}
This essay considers the function of images in Erasmus Darwin’sBotanic Garden (1789, 1791) by drawing on recent work in the history of science. I argue that the full-page intaglio prints of plants in Darwin’s book function as “epistemic images” by propounding a visual argument about organic life. The epistemic values embedded in the images of plants—specifically, the appearance of life and motion—are the result of artists’ engraving techniques deployed in the service of eighteenth-century aesthetic conventions. These conventions allow the images to align theknowledge claims of Darwin’s allegorical verse with those put forward in the prose notes. In conclusion, I suggest this method of unearthing the epistemic values of images could be productively extended to literary texts less obviously engaged with scientific debates of the time.
Urban Arboreal: A Modern Glossary of City Trees.
Jordan, M.
White Lion Publishing, 2018.
link bibtex abstract
link bibtex abstract
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title = {Urban Arboreal: A Modern Glossary of City Trees},
type = {book},
year = {2018},
publisher = {White Lion Publishing},
city = {London},
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abstract = {Travel the cities of the world alongside some of their oldest citizens, exploring the trees of Buenos Aires to Berlin, San Francisco to Sydney, in this visually stunning, modern glossary of our city trees. Through finding a Kentucky yellowwood in Hannover, the 1,000-year-old olive trees in Athens or even the world’s tallest trees that line the West Coast of North America, we come to learn the hidden histories of places that are wrapped up in these botanical giants. Brought to life by beautiful artwork, Urban Arboreal is an ode to urban trees and the cherished place they hold in the hearts of city dwellers – not least because they are vital to the very air we breathe.},
bibtype = {book},
author = {Jordan, Michael}
}
Travel the cities of the world alongside some of their oldest citizens, exploring the trees of Buenos Aires to Berlin, San Francisco to Sydney, in this visually stunning, modern glossary of our city trees. Through finding a Kentucky yellowwood in Hannover, the 1,000-year-old olive trees in Athens or even the world’s tallest trees that line the West Coast of North America, we come to learn the hidden histories of places that are wrapped up in these botanical giants. Brought to life by beautiful artwork, Urban Arboreal is an ode to urban trees and the cherished place they hold in the hearts of city dwellers – not least because they are vital to the very air we breathe.
On the Marshes: A Journey into England's Waterlands.
Donalson, C.
Little Toller Books, 2017.
link bibtex abstract
link bibtex abstract
@book{
title = {On the Marshes: A Journey into England's Waterlands},
type = {book},
year = {2017},
publisher = {Little Toller Books},
city = {Dorset},
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abstract = {What would happen if you decided to live simply within your means in a caravan or a cabin in the woods? It’s a question for our times. When Carol Donaldson walked across the marshlands of north Kent, travelling from Gravesend to Whitstable, she was still coming to terms with being evicted from her home and the break-up of a long-term relationship. What begins as a walk away from her troubled past becomes a journey of self-discovery, a pilgrimage in search of people who have chosen to live on the edge of England in this lonely, beautiful waterland. She meets plot-holders, houseboat owners and cabin dwellers who are all drawn to the watery margins by an urge to escape the expectations, comforts and costs of twenty-first-century life.},
bibtype = {book},
author = {Donalson, Carol}
}
What would happen if you decided to live simply within your means in a caravan or a cabin in the woods? It’s a question for our times. When Carol Donaldson walked across the marshlands of north Kent, travelling from Gravesend to Whitstable, she was still coming to terms with being evicted from her home and the break-up of a long-term relationship. What begins as a walk away from her troubled past becomes a journey of self-discovery, a pilgrimage in search of people who have chosen to live on the edge of England in this lonely, beautiful waterland. She meets plot-holders, houseboat owners and cabin dwellers who are all drawn to the watery margins by an urge to escape the expectations, comforts and costs of twenty-first-century life.
Plant Publics: Multispecies Relating in Spanish Botanical Gardens.
Hartigan Jr., J.
Anthropological Quarterly, 88(2): 481-507. 2015.
link bibtex
link bibtex
@article{
title = {Plant Publics: Multispecies Relating in Spanish Botanical Gardens},
type = {article},
year = {2015},
pages = {481-507},
volume = {88},
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number = {2}
}
Plants as Ethnographic Subjects.
Hartigan Jr., J.
Anthropology Today, 35(2): 1-3. 2019.
link bibtex abstract
link bibtex abstract
@article{
title = {Plants as Ethnographic Subjects},
type = {article},
year = {2019},
pages = {1-3},
volume = {35},
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abstract = {Guest Editorial.
Plants can be intriguing, challenging ethnographic subjects. Plants are communicative, agential and social. Engaging them ethnographically possibly expands the scope and relevance of ethnographic methods and theorizing. The phenotypic plasticity of plants makes them strikingly attuned to ethnographic concerns with place and its constitutions; they also actively constitute place through niche construction. There are various intellectual resources available for this kind of engagement through the long‐established disciplines of phytosociology and botany, which, like ethnography, is a field‐based practice.},
bibtype = {article},
author = {Hartigan Jr., John},
journal = {Anthropology Today},
number = {2}
}
Guest Editorial.
Plants can be intriguing, challenging ethnographic subjects. Plants are communicative, agential and social. Engaging them ethnographically possibly expands the scope and relevance of ethnographic methods and theorizing. The phenotypic plasticity of plants makes them strikingly attuned to ethnographic concerns with place and its constitutions; they also actively constitute place through niche construction. There are various intellectual resources available for this kind of engagement through the long‐established disciplines of phytosociology and botany, which, like ethnography, is a field‐based practice.
Cultural Analysis of Microbial Worlds.
Hartigan Jr., J.
In Besky, S.; and Blanchette, A., editor(s), How Nature Works : Rethinking Labor on a Troubled Planet, pages 171-189, 2019. University of New Mexico Press
link bibtex
link bibtex
@inproceedings{
title = {Cultural Analysis of Microbial Worlds},
type = {inproceedings},
year = {2019},
pages = {171-189},
publisher = {University of New Mexico Press},
city = {Albuquerque, NM},
id = {311f76d5-f8e4-3199-a312-2e6e2ca725a8},
created = {2020-05-13T20:39:03.482Z},
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bibtype = {inproceedings},
author = {Hartigan Jr., John},
editor = {Besky, Sarah and Blanchette, Alex},
booktitle = {How Nature Works : Rethinking Labor on a Troubled Planet}
}
Community Orchards Handbook.
Clifford, S.; and King, A.
Little Toller Books, 2008.
link bibtex abstract
link bibtex abstract
@book{
title = {Community Orchards Handbook},
type = {book},
year = {2008},
publisher = {Little Toller Books},
city = {Dorset},
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abstract = {Drawing on more than twenty years of championing orchards and the experiences of many people who have created Community Orchards, the Handbook offers philosophy and practical advice to those inspired to become Community Orchardists.},
bibtype = {book},
author = {Clifford, Sue and King, Angela}
}
Drawing on more than twenty years of championing orchards and the experiences of many people who have created Community Orchards, the Handbook offers philosophy and practical advice to those inspired to become Community Orchardists.
Women and Botany.
George, S.; and Martin, A., E.
Journal of Literature and Science, 4(1). 2011.
link bibtex abstract
link bibtex abstract
@article{
title = {Women and Botany},
type = {article},
year = {2011},
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abstract = {Special Issue},
bibtype = {article},
author = {George, Sam and Martin, Alison E.},
journal = {Journal of Literature and Science},
number = {1}
}
Special Issue
Botany, Sexuality and Women's Writing, 1760–1830: From Modest Shoot to Forward Plant.
George, S.
Manchester University Press, 2007.
link bibtex
link bibtex
@book{
title = {Botany, Sexuality and Women's Writing, 1760–1830: From Modest Shoot to Forward Plant},
type = {book},
year = {2007},
publisher = {Manchester University Press},
city = {Manchester},
id = {12e320f9-dae0-3e1f-a55f-1675e71626e2},
created = {2020-05-13T20:59:01.027Z},
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The Cultivation of the Female Mind: Botanical Analogy in Eighteenth-Century Texts.
George, S.
History of European Ideas, 31: 209–223. 2005.
link bibtex
link bibtex
@article{
title = {The Cultivation of the Female Mind: Botanical Analogy in Eighteenth-Century Texts},
type = {article},
year = {2005},
pages = {209–223},
volume = {31},
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journal = {History of European Ideas}
}
becoming-Botanical.
Armstrong, J.; and Lakind, A.
Objet-a Creative Studio, 2019.
link bibtex abstract
link bibtex abstract
@book{
title = {becoming-Botanical},
type = {book},
year = {2019},
publisher = {Objet-a Creative Studio},
city = {Glasgow},
id = {b7da41af-517e-3379-a4f2-dc65f0ff429e},
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abstract = {becoming-Botanical is a long-term antidisciplinary project aiming to investigate and re-imagine the human/plant relationship with a view towards a sustainable future. We believe that new experiences with and deeper understanding of nonhuman life garners an ecocentric and empathetic perspective crucial to living sustainably in a shifting climate. Central to the first phase of becoming-Botanical is the curation and publication of an herbal encyclopaedia (liber herbalis) which asks contributors and readers to contemplate in what ways we interact and depend on plant-life in a post-modern era and what future interactions and dependencies may be. The book comprises a selection of short provocative entries from practitioners of a myriad of scientific and artistic disciplines, accompanied by found, submitted and illustrated visual imagery to disrupt, contradict, or compliment the entries. It is imagined that this collection of disparate ideas can act as a catalyst for creative thinking and artistic practice in the widening field of sustainability and performance ecologies. The book features 46 entries from over 50 international artists, researchers and practitioners spanning 6 continents–beautifully fusing academia, scientific and ecological research, art, and creative practice. },
bibtype = {book},
author = {Armstrong, Josh and Lakind, Alexandra}
}
becoming-Botanical is a long-term antidisciplinary project aiming to investigate and re-imagine the human/plant relationship with a view towards a sustainable future. We believe that new experiences with and deeper understanding of nonhuman life garners an ecocentric and empathetic perspective crucial to living sustainably in a shifting climate. Central to the first phase of becoming-Botanical is the curation and publication of an herbal encyclopaedia (liber herbalis) which asks contributors and readers to contemplate in what ways we interact and depend on plant-life in a post-modern era and what future interactions and dependencies may be. The book comprises a selection of short provocative entries from practitioners of a myriad of scientific and artistic disciplines, accompanied by found, submitted and illustrated visual imagery to disrupt, contradict, or compliment the entries. It is imagined that this collection of disparate ideas can act as a catalyst for creative thinking and artistic practice in the widening field of sustainability and performance ecologies. The book features 46 entries from over 50 international artists, researchers and practitioners spanning 6 continents–beautifully fusing academia, scientific and ecological research, art, and creative practice.
Wurzeln: Die trügerischen Mythen der Identität.
Bettini, M.
Verlag Antje Kunstmann, 2018.
link bibtex abstract
link bibtex abstract
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title = {Wurzeln: Die trügerischen Mythen der Identität},
type = {book},
year = {2018},
publisher = {Verlag Antje Kunstmann},
city = {Munich},
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abstract = {Translated into the German by Rita Seuß},
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author = {Bettini, Maurizio}
}
Translated into the German by Rita Seuß
Botanophilie: Mensch und Pflanze in der aufklärerisch-bürgerlichen Gesellschaft um 1800.
Ruppel, S.
Böhlau, 2019.
link bibtex
link bibtex
@book{
title = {Botanophilie: Mensch und Pflanze in der aufklärerisch-bürgerlichen Gesellschaft um 1800},
type = {book},
year = {2019},
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city = {Cologne},
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}
Ruderal Ecologies: Rethinking Nature, Migration, and the Urban Landscape in Berlin.
Stoetzer, B.
Cultural Anthropology, 33(2): 295–323. 2018.
doi link bibtex abstract
doi link bibtex abstract
@article{
title = {Ruderal Ecologies: Rethinking Nature, Migration, and the Urban Landscape in Berlin},
type = {article},
year = {2018},
pages = {295–323},
volume = {33},
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abstract = {Engaging with a series of human–plant encounters in Berlin, this article explores possibilities for rethinking the heterogeneity of urban life in the ruins of European nationalism and capitalism. Drawing on ethnographic fieldwork and revisiting Berlin’s postwar history of botanical research, I develop the concept of the ruderal and expand it for an anthropological inquiry of urban life. The term ruderal was originally used by Berlin ecologists after the Second World War to refer to ecologies that spontaneously inhabit disturbed environments: the spaces alongside train tracks or roads, wastelands, or rubble. Exploring Berlin as a ruderal city, I direct attention to the often unnoticed, cosmopolitan, and unruly ways of remaking the urban fabric at a time of increased nationalism and ecological destruction. Tracing human–plant socialities in encounters between scientists and rubble plants, in public culture, and among immigrants and their makeshift urban gardens, the lens of the ruderal directs ethnographic analysis toward the city’s unintended ecologies as these are produced in the context of nation-making, war, xenophobia, migration, environmental change, and contemporary austerity policies. Attending to ruderal worlds, I argue, requires telling stories that do not easily add up but that combine environmental perspectives with the study of migration, race, and social inequality—in the interest of mapping out possibilities for change. This framework thus expands a recent anthropological focus on ruins, infrastructure, and urban landscapes by highlighting questions of social justice that are at stake in emerging urban ecologies and an era of inhospitable environments.},
bibtype = {article},
author = {Stoetzer, Bettina},
doi = {10.14506/ca33.2.09},
journal = {Cultural Anthropology},
number = {2}
}
Engaging with a series of human–plant encounters in Berlin, this article explores possibilities for rethinking the heterogeneity of urban life in the ruins of European nationalism and capitalism. Drawing on ethnographic fieldwork and revisiting Berlin’s postwar history of botanical research, I develop the concept of the ruderal and expand it for an anthropological inquiry of urban life. The term ruderal was originally used by Berlin ecologists after the Second World War to refer to ecologies that spontaneously inhabit disturbed environments: the spaces alongside train tracks or roads, wastelands, or rubble. Exploring Berlin as a ruderal city, I direct attention to the often unnoticed, cosmopolitan, and unruly ways of remaking the urban fabric at a time of increased nationalism and ecological destruction. Tracing human–plant socialities in encounters between scientists and rubble plants, in public culture, and among immigrants and their makeshift urban gardens, the lens of the ruderal directs ethnographic analysis toward the city’s unintended ecologies as these are produced in the context of nation-making, war, xenophobia, migration, environmental change, and contemporary austerity policies. Attending to ruderal worlds, I argue, requires telling stories that do not easily add up but that combine environmental perspectives with the study of migration, race, and social inequality—in the interest of mapping out possibilities for change. This framework thus expands a recent anthropological focus on ruins, infrastructure, and urban landscapes by highlighting questions of social justice that are at stake in emerging urban ecologies and an era of inhospitable environments.
Botanophobia: Fear of Plants in the Atomic Age.
Wald, P.
The Japanese Journal of American Studies, 24: 7-27. 2013.
Website
link
bibtex
Website
link
bibtex
@article{
title = {Botanophobia: Fear of Plants in the Atomic Age},
type = {article},
year = {2013},
pages = {7-27},
volume = {24},
websites = {http://www.jaas.gr.jp/jjas/PDF/2013/01Wald.pdf},
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journal = {The Japanese Journal of American Studies}
}
Strange Science: Investigating the Limits of Knowledge in the Victorian Age.
Karpenko, L.; and Claggett, S.
The University of Michigan Press, 2017.
doi link bibtex abstract
doi link bibtex abstract
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title = {Strange Science: Investigating the Limits of Knowledge in the Victorian Age},
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year = {2017},
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abstract = {The essays in Strange Science examine marginal, fringe, and unconventional forms of scientific inquiry, as well as their cultural representations, in the Victorian period. Although now relegated to the category of the pseudoscientific, fields like mesmerism and psychical research captured the imagination of the Victorian public. Conversely, many branches of science now viewed as uncontroversial, such as physics and botany, were often associated with unorthodox methods of inquiry. Whether ultimately incorporated into mainstream scientific thought or categorized by 21st century historians as pseudo- or even anti-scientific, these sciences generated conversation, enthusiasm, and controversy within Victorian society. To date, scholarship addressing Victorian pseudoscience tends to focus either on a particular popular science within its social context or on how mainstream scientific practice distinguished itself from more contested forms.Strange Science takes a different approach by placing a range of sciences in conversation with one another and examining the similar unconventional methods of inquiry adopted by both now-established scientific fields and their marginalized counterparts during the Victorian period. In doing so, Strange Science reveals the degree to which scientific discourse of this period was radically speculative, frequently attempting to challenge or extend the apparent boundaries of the natural world. This interdisciplinary collection will appeal to scholars in the fields of Victorian literature, cultural studies, the history of the body, and the history of science.},
bibtype = {book},
author = {Karpenko, Lara and Claggett, Shalyn},
doi = {10.2307/j.ctt1qv5ncp}
}
The essays in Strange Science examine marginal, fringe, and unconventional forms of scientific inquiry, as well as their cultural representations, in the Victorian period. Although now relegated to the category of the pseudoscientific, fields like mesmerism and psychical research captured the imagination of the Victorian public. Conversely, many branches of science now viewed as uncontroversial, such as physics and botany, were often associated with unorthodox methods of inquiry. Whether ultimately incorporated into mainstream scientific thought or categorized by 21st century historians as pseudo- or even anti-scientific, these sciences generated conversation, enthusiasm, and controversy within Victorian society. To date, scholarship addressing Victorian pseudoscience tends to focus either on a particular popular science within its social context or on how mainstream scientific practice distinguished itself from more contested forms.Strange Science takes a different approach by placing a range of sciences in conversation with one another and examining the similar unconventional methods of inquiry adopted by both now-established scientific fields and their marginalized counterparts during the Victorian period. In doing so, Strange Science reveals the degree to which scientific discourse of this period was radically speculative, frequently attempting to challenge or extend the apparent boundaries of the natural world. This interdisciplinary collection will appeal to scholars in the fields of Victorian literature, cultural studies, the history of the body, and the history of science.
Seeds of Knowledge: Unveiling Hidden Information through Letters and Gardens in Bologna, Turin and Uppsala.
Managlia, A.; Mossetti, U.; and Dröscher, A.
HoST Journal for History of Science and Technology, 5: 17-29. 2012.
link bibtex abstract
link bibtex abstract
@article{
title = {Seeds of Knowledge: Unveiling Hidden Information through Letters and Gardens in Bologna, Turin and Uppsala},
type = {article},
year = {2012},
pages = {17-29},
volume = {5},
id = {9115da43-ef6d-3bb6-b7c3-fc780c7b21ac},
created = {2020-05-14T21:04:45.188Z},
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abstract = {Travel and exchange of persons, objects, technologies, skills and ideas, though practiced at all times of humankind, are two of the most particular characteristics of the modern Western world. The exchange of seeds and of the information concerning them deserves a special importance in the history of agriculture and botany. On the one hand, seeds were simple and inexpensive to store and to travel, on the other hand they exposed botanists and gardeners to unexpected conceptual and technical challenges. We will first describe some of the particular features of the information contained in seeds, namely their delay in time and space. In the case of Bolognese botanist Ferdinando Bassi (1710-1774) and his extensive correspondence with other botanists like Linnaeus, we highlight how late 18th-century scholars handled the hidden knowledge contained in these plain little objects.},
bibtype = {article},
author = {Managlia, Annalisa and Mossetti, Umberto and Dröscher, Ariane},
journal = {HoST Journal for History of Science and Technology}
}
Travel and exchange of persons, objects, technologies, skills and ideas, though practiced at all times of humankind, are two of the most particular characteristics of the modern Western world. The exchange of seeds and of the information concerning them deserves a special importance in the history of agriculture and botany. On the one hand, seeds were simple and inexpensive to store and to travel, on the other hand they exposed botanists and gardeners to unexpected conceptual and technical challenges. We will first describe some of the particular features of the information contained in seeds, namely their delay in time and space. In the case of Bolognese botanist Ferdinando Bassi (1710-1774) and his extensive correspondence with other botanists like Linnaeus, we highlight how late 18th-century scholars handled the hidden knowledge contained in these plain little objects.
Seeing Trees: A History of Street Trees in New York City and Berlin.
Dümpelmann, S.
Yale University Press, 2019.
link bibtex
link bibtex
@book{
title = {Seeing Trees: A History of Street Trees in New York City and Berlin},
type = {book},
year = {2019},
publisher = {Yale University Press},
city = {New Haven, CT; London},
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About Trees.
Holten, K.
Broken Dimanche Press, 2015.
link bibtex abstract
link bibtex abstract
@book{
title = {About Trees},
type = {book},
year = {2015},
publisher = {Broken Dimanche Press},
city = {Berlin},
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abstract = {In ABOUT TREES, Katie Holten invites us to enter some of these forests. She has created a Tree Alphabet and used it to translate a compendium of well known, loved, lost and new writing. She takes readers on a journey from ‘primeval atoms’ and cave paintings to the death of a 3,500 year-old cypress tree, from Tree Clocks in Mongolia and forest fragments in the Amazon to Emerson’s language of fossil poetry, unearthing a grove of beautiful stories along the way.},
bibtype = {book},
author = {Holten, Katie}
}
In ABOUT TREES, Katie Holten invites us to enter some of these forests. She has created a Tree Alphabet and used it to translate a compendium of well known, loved, lost and new writing. She takes readers on a journey from ‘primeval atoms’ and cave paintings to the death of a 3,500 year-old cypress tree, from Tree Clocks in Mongolia and forest fragments in the Amazon to Emerson’s language of fossil poetry, unearthing a grove of beautiful stories along the way.
Gewächse der Seele: Pflanzenfantasien zwischen Symbolismus und Outsider Art / Floral Fantasies between Symbolism and Outsider Art.
Wilhelm-Hack-Museum Ludwigshafen
Hatje Cantz Verlag, 2019.
link bibtex abstract
link bibtex abstract
@book{
title = {Gewächse der Seele: Pflanzenfantasien zwischen Symbolismus und Outsider Art / Floral Fantasies between Symbolism and Outsider Art},
type = {book},
year = {2019},
publisher = {Hatje Cantz Verlag},
city = {Berlin},
id = {99bd7344-7d7d-3ef8-bc3f-2d8b43ab50e9},
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abstract = {In der »Outsider Art« oder der »Art brut«, die nicht selten auf psychische Ausnahmeerfahrungen zurückgeht, gibt es ein breites Spektrum an Beschäftigungen mit Pflanzen, Pflanzenwesen, beseelten Pflanzen bis hin zu Pflanzen-Tier-Wesen. Die Pflanze als Metapher und Projektionsfläche der Psyche findet sich darüber hinaus auch in der Kunstgeschichte, insbesondere in Symbolismus und Surrealismus. In einem interdisziplinären Projekt mehrerer Institutionen wird die Pflanze in ihren aktuellen künstlerischen Erscheinungsformen der Outsider Art anhand von inklusiven Ausstellungen, Installationen sowie Performance-, Tanz- und Theaterproduktionen ausgewählten Werken des Kunstkanons gegenübergestellt. Zugleich hinterfragt der Band die feste Abgrenzung von In- und Outsider Art und unterstreicht die fließenden Übergänge der Kunstproduktionen unter ganz unterschiedlichen Voraussetzungen.
Wilhelm-Hack-Museum, Ludwigshafen; Sammlung Prinzhorn, Heidelberg; Museum Haus Cajeth, Heidelberg; Galerie Alte Turnhalle, Bad Dürkheim; zeitraumexit, Mannheim, 30.3.–4.8.2019},
bibtype = {book},
author = {Wilhelm-Hack-Museum Ludwigshafen, undefined}
}
In der »Outsider Art« oder der »Art brut«, die nicht selten auf psychische Ausnahmeerfahrungen zurückgeht, gibt es ein breites Spektrum an Beschäftigungen mit Pflanzen, Pflanzenwesen, beseelten Pflanzen bis hin zu Pflanzen-Tier-Wesen. Die Pflanze als Metapher und Projektionsfläche der Psyche findet sich darüber hinaus auch in der Kunstgeschichte, insbesondere in Symbolismus und Surrealismus. In einem interdisziplinären Projekt mehrerer Institutionen wird die Pflanze in ihren aktuellen künstlerischen Erscheinungsformen der Outsider Art anhand von inklusiven Ausstellungen, Installationen sowie Performance-, Tanz- und Theaterproduktionen ausgewählten Werken des Kunstkanons gegenübergestellt. Zugleich hinterfragt der Band die feste Abgrenzung von In- und Outsider Art und unterstreicht die fließenden Übergänge der Kunstproduktionen unter ganz unterschiedlichen Voraussetzungen.
Wilhelm-Hack-Museum, Ludwigshafen; Sammlung Prinzhorn, Heidelberg; Museum Haus Cajeth, Heidelberg; Galerie Alte Turnhalle, Bad Dürkheim; zeitraumexit, Mannheim, 30.3.–4.8.2019
Trees.
Fondation Cartier pour l’art contemporain Paris
2019.
link bibtex abstract
link bibtex abstract
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title = {Trees},
type = {book},
year = {2019},
city = {Paris},
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abstract = {Omnipresent, essential to life, the little-known living organisms that are trees have begun to generate a growing interest on behalf of the public, as evidenced by the international success of several recent books and movies devoted to the subject. Underestimated by biologists for a long time—like the entirety of the plant kingdom—in recent years they have been the subject of scientific discoveries that have allowed us to see these organisms in a new light. Interestingly, some of these are amongst the oldest and largest members of this community of living things. Boasting sensory and motor skills, capable of communication, existing in symbiosis with other species and the climate, trees are equipped with unexpected faculties whose discovery confirms what traditional knowledge has long since incorporated. The veil has been lifted on a fascinating world—the world of ‘plant intelligence’—which could be the answer to many of today’s technological and environmental problems.
The Fondation Cartier is publishing a catalogue allowing readers to discover all of the works presented in the exhibition through almost 500 images, as well as a rich ensemble of scientific and critical texts. Combining the work of painters, photographers, architects, sculptors, philosophers, botanists and climatology specialists, this publication highlights the beauty, ingenuity and biological wealth of trees, plunging the reader into the fascinating world of these heroes of the living world.
Exhibition: July 12th to November 10th, 2019},
bibtype = {book},
author = {Fondation Cartier pour l’art contemporain Paris, undefined}
}
Omnipresent, essential to life, the little-known living organisms that are trees have begun to generate a growing interest on behalf of the public, as evidenced by the international success of several recent books and movies devoted to the subject. Underestimated by biologists for a long time—like the entirety of the plant kingdom—in recent years they have been the subject of scientific discoveries that have allowed us to see these organisms in a new light. Interestingly, some of these are amongst the oldest and largest members of this community of living things. Boasting sensory and motor skills, capable of communication, existing in symbiosis with other species and the climate, trees are equipped with unexpected faculties whose discovery confirms what traditional knowledge has long since incorporated. The veil has been lifted on a fascinating world—the world of ‘plant intelligence’—which could be the answer to many of today’s technological and environmental problems.
The Fondation Cartier is publishing a catalogue allowing readers to discover all of the works presented in the exhibition through almost 500 images, as well as a rich ensemble of scientific and critical texts. Combining the work of painters, photographers, architects, sculptors, philosophers, botanists and climatology specialists, this publication highlights the beauty, ingenuity and biological wealth of trees, plunging the reader into the fascinating world of these heroes of the living world.
Exhibition: July 12th to November 10th, 2019
To Be A Weed.
Lawrence, A.
The Ethnobotanical Assembly, (4). 2019.
Website
link
bibtex
1 download
Website
link
bibtex
1 download
@article{
title = {To Be A Weed},
type = {article},
year = {2019},
websites = {https://www.tea-assembly.com/issues/2019/9/29/to-be-a-weed},
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author = {Lawrence, Anna},
journal = {The Ethnobotanical Assembly},
number = {4}
}
Botanical Inspiration: Nature in Art and Illustration.
Victionary
viction:ary, 2019.
link bibtex abstract
link bibtex abstract
@book{
title = {Botanical Inspiration: Nature in Art and Illustration},
type = {book},
year = {2019},
publisher = {viction:ary},
city = {North Point, Hong Kong},
id = {3c416e95-73cc-3fa5-9a50-60ca0a08c609},
created = {2020-05-14T22:14:34.081Z},
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abstract = {A world without plants is a world without life, both literally and figuratively. Besides forming the very basis of human survival on Earth, they are also an important source of creative inspiration, ingenuity, and expression. From scientific explorers like Sir Joseph Banks who travelled across the globe in search of never-seen-before species to impressionist painters like Édouard Manet who sought to capture the subtle beauty of everyday objects, many artists and illustrators have used flora as a powerful means to convey the essence of our very existence. "Botanical Inspiration" is a timeless collection of artwork and illustrations that feature flora and its many facets through a variety of visual concepts, styles, and techniques. It speaks to lovers of both nature and creativity as a universal language in itself, thoughtfully interpreted by some of today’s most intriguing and interesting talents.},
bibtype = {book},
author = {Victionary, undefined}
}
A world without plants is a world without life, both literally and figuratively. Besides forming the very basis of human survival on Earth, they are also an important source of creative inspiration, ingenuity, and expression. From scientific explorers like Sir Joseph Banks who travelled across the globe in search of never-seen-before species to impressionist painters like Édouard Manet who sought to capture the subtle beauty of everyday objects, many artists and illustrators have used flora as a powerful means to convey the essence of our very existence. "Botanical Inspiration" is a timeless collection of artwork and illustrations that feature flora and its many facets through a variety of visual concepts, styles, and techniques. It speaks to lovers of both nature and creativity as a universal language in itself, thoughtfully interpreted by some of today’s most intriguing and interesting talents.
Linnaeus' Restless System: Translation as Textual Engineering in Eighteenth- Century Botany.
Dietz, B.
Annals of Science, 73(2): 143-156. 2014.
doi link bibtex
doi link bibtex
@article{
title = {Linnaeus' Restless System: Translation as Textual Engineering in Eighteenth- Century Botany},
type = {article},
year = {2014},
pages = {143-156},
volume = {73},
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bibtype = {article},
author = {Dietz, Bettina},
doi = {10.1080/00033790.2014.929742},
journal = {Annals of Science},
number = {2}
}
The Metamorphoses of Ottilie: Goethe's Wahlverwandtschaften and the Botany of the Eighteenth Century.
Zumbusch, C.
European Romantic Review, 28(1): 7-20. 2017.
doi link bibtex
doi link bibtex
@article{
title = {The Metamorphoses of Ottilie: Goethe's Wahlverwandtschaften and the Botany of the Eighteenth Century},
type = {article},
year = {2017},
pages = {7-20},
volume = {28},
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author = {Zumbusch, Cornelia},
doi = {10.1080/10509585.2016.1272846},
journal = {European Romantic Review},
number = {1}
}
Plant Poetics.
Ryan, J., C.
Plumwood Mountain: An Australian Journal of Ecopoetics and Ecopoetry, 7(1). 2020.
Website
link
bibtex
abstract
1 download
Website
link
bibtex
abstract
1 download
@article{
title = {Plant Poetics},
type = {article},
year = {2020},
volume = {7},
websites = {https://plumwoodmountain.com/plumwood-mountain-volume-7-number-1/},
id = {65baa483-3743-3846-b5a1-988a59436135},
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read = {false},
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abstract = {Special Issue},
bibtype = {article},
author = {Ryan, John C.},
journal = {Plumwood Mountain: An Australian Journal of Ecopoetics and Ecopoetry},
number = {1}
}
Special Issue
The Wretched Earth: Botanical Conflicts and Artistic Interventions.
Sheikh, S.; and Gray, R.
Third Text, 32(2-3): 163-175. 2018.
Website
doi
link
bibtex
abstract
Website
doi
link
bibtex
abstract
@article{
title = {The Wretched Earth: Botanical Conflicts and Artistic Interventions},
type = {article},
year = {2018},
pages = {163-175},
volume = {32},
websites = {https://www.tandfonline.com/toc/ctte20/32/2-3?nav=tocList},
id = {50cc5b29-a62b-3365-b8dc-7bebb87ac0d0},
created = {2020-05-14T23:23:31.212Z},
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abstract = {Introduction to the Special Issue},
bibtype = {article},
author = {Sheikh, Shela and Gray, Ros},
doi = {10.1080/09528822.2018.1483881},
journal = {Third Text},
number = {2-3}
}
Introduction to the Special Issue
The Poetics of Entanglement in Zina Saro-Wiwa’s Food Interventions.
Makhubu, N.
Third Text, 32(2-3): 176-199. 2018.
link bibtex
link bibtex
@article{
title = {The Poetics of Entanglement in Zina Saro-Wiwa’s Food Interventions},
type = {article},
year = {2018},
pages = {176-199},
volume = {32},
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number = {2-3}
}
‘Planting Seeds/The Fires of War’: The Geopolitics of Seed Saving in Jumana Manna’s Wild Relatives.
Sheikh, S.
Third Text, 32(2-3): 200-229. 2018.
link bibtex
link bibtex
@article{
title = {‘Planting Seeds/The Fires of War’: The Geopolitics of Seed Saving in Jumana Manna’s Wild Relatives},
type = {article},
year = {2018},
pages = {200-229},
volume = {32},
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}
‘Defoliating the World’: Ecocide, Visual Evidence and ‘Earthly Memory’.
Meszaros Martin, H.
Third Text, 32(2-3): 230-253. 2018.
link bibtex
link bibtex
@article{
title = {‘Defoliating the World’: Ecocide, Visual Evidence and ‘Earthly Memory’},
type = {article},
year = {2018},
pages = {230-253},
volume = {32},
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bibtype = {article},
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journal = {Third Text},
number = {2-3}
}
Meteorisations: Reading Amílcar Cabral’s Agronomy of Liberation.
Fílipa, C.
Third Text, 32(2-3): 254-272. 2018.
link bibtex
link bibtex
@article{
title = {Meteorisations: Reading Amílcar Cabral’s Agronomy of Liberation},
type = {article},
year = {2018},
pages = {254-272},
volume = {32},
id = {f85c6b06-17d9-30cf-8085-3e838d2c9731},
created = {2020-05-14T23:42:58.413Z},
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Borderless Histories: The Botanical Art of Maria Thereza Alves.
Hill, R., W.
Third Text, 32(2-3): 273-289. 2018.
link bibtex
link bibtex
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NonWest by North: Marianne North and William Colenso’s Responses to Plant Life and the Classification of Economic Botany.
Zinnenburg Carroll, K., v.
Third Text, 32(2-3): 290-310. 2018.
link bibtex
link bibtex
@article{
title = {NonWest by North: Marianne North and William Colenso’s Responses to Plant Life and the Classification of Economic Botany},
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}
The Order of Potatoes: On Purity and Variation in Plant Breeding.
Sonjasdotter, Å.
Third Text, 32(2-3): 311-329. 2018.
link bibtex
link bibtex
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title = {The Order of Potatoes: On Purity and Variation in Plant Breeding},
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number = {2-3}
}
Cultivating Colour: Making Mayan Blue from Woad.
Holmwood, S.
Third Text, 32(2-3): 330-349. 2018.
link bibtex
link bibtex
@article{
title = {Cultivating Colour: Making Mayan Blue from Woad},
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author = {Holmwood, Sigrid},
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}
Sensing Lichens: From Ecological Microcosms to Environmental Subjects.
Gabrys, J.
Third Text, 32(2-3): 350-367. 2018.
link bibtex
link bibtex
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author = {Gabrys, Jennifer},
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number = {2-3}
}
Vegetal Haunting: The Gothic Plant in Nineteenth-Century American Fiction.
Sivils, M.
In Keetley, D.; and Sivils, M., editor(s), Ecogothic in Nineteenth-Century American Literature, pages 253-274, 2017. Routledge
link bibtex
link bibtex
@inproceedings{
title = {Vegetal Haunting: The Gothic Plant in Nineteenth-Century American Fiction},
type = {inproceedings},
year = {2017},
pages = {253-274},
publisher = {Routledge},
city = {London; New York City},
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booktitle = {Ecogothic in Nineteenth-Century American Literature}
}
’I hanker for greens’: Gender, Class, and Urban Natural Spaces in Tillie Olsen’s 'Yonnondio'.
Grewe-Volpp, C.
In Lukas, L.; Plath, U.; and Tüür, K., editor(s), Umweltphilosophie und Landschaftsdenken im baltischen Kulturraum/ Environmental Philosophy and Landscape Thinking, pages 336-347, 2011. collegium litterarum
link bibtex
link bibtex
@inproceedings{
title = {’I hanker for greens’: Gender, Class, and Urban Natural Spaces in Tillie Olsen’s 'Yonnondio'},
type = {inproceedings},
year = {2011},
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publisher = {collegium litterarum},
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}
Deceived by Orchids: Sex, Science, Fiction and Darwin.
Endersby, J.
The British Journal for the History of Science, 49(2): 205-229. 2016.
link bibtex abstract
link bibtex abstract
@article{
title = {Deceived by Orchids: Sex, Science, Fiction and Darwin},
type = {article},
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abstract = {Between 1916 and 1927, botanists in several countries independently resolved three problems that had mystified earlier naturalists – including Charles Darwin: how did the many species of orchid that did not produce nectar persuade insects to pollinate them? Why did some orchid flowers seem to mimic insects? And why should a native British orchid suffer ‘attacks’ from a bee? Half a century after Darwin's death, these three mysteries were shown to be aspects of a phenomenon now known as pseudocopulation, whereby male insects are deceived into attempting to mate with the orchid's flowers, which mimic female insects; the males then carry the flower's pollen with them when they move on to try the next deceptive orchid. Early twentieth-century botanists were able to see what their predecessors had not because orchids (along with other plants) had undergone an imaginative re-creation: Darwin's science was appropriated by popular interpreters of science, including the novelist Grant Allen; then H.G. Wells imagined orchids as killers (inspiring a number of imitators), to produce a genre of orchid stories that reflected significant cultural shifts, not least in the presentation of female sexuality. It was only after these changes that scientists were able to see plants as equipped with agency, actively able to pursue their own, cunning reproductive strategies – and to outwit animals in the process. This paper traces the movement of a set of ideas that were created in a context that was recognizably scientific; they then became popular non-fiction, then popular fiction, and then inspired a new science, which in turn inspired a new generation of fiction writers. Long after clear barriers between elite and popular science had supposedly been established in the early twentieth century, they remained porous because a variety of imaginative writers kept destabilizing them. The fluidity of the boundaries between makers, interpreters and publics of scientific knowledge was a highly productive one; it helped biology become a vital part of public culture in the twentieth century and beyond.},
bibtype = {article},
author = {Endersby, Jim},
journal = {The British Journal for the History of Science},
number = {2}
}
Between 1916 and 1927, botanists in several countries independently resolved three problems that had mystified earlier naturalists – including Charles Darwin: how did the many species of orchid that did not produce nectar persuade insects to pollinate them? Why did some orchid flowers seem to mimic insects? And why should a native British orchid suffer ‘attacks’ from a bee? Half a century after Darwin's death, these three mysteries were shown to be aspects of a phenomenon now known as pseudocopulation, whereby male insects are deceived into attempting to mate with the orchid's flowers, which mimic female insects; the males then carry the flower's pollen with them when they move on to try the next deceptive orchid. Early twentieth-century botanists were able to see what their predecessors had not because orchids (along with other plants) had undergone an imaginative re-creation: Darwin's science was appropriated by popular interpreters of science, including the novelist Grant Allen; then H.G. Wells imagined orchids as killers (inspiring a number of imitators), to produce a genre of orchid stories that reflected significant cultural shifts, not least in the presentation of female sexuality. It was only after these changes that scientists were able to see plants as equipped with agency, actively able to pursue their own, cunning reproductive strategies – and to outwit animals in the process. This paper traces the movement of a set of ideas that were created in a context that was recognizably scientific; they then became popular non-fiction, then popular fiction, and then inspired a new science, which in turn inspired a new generation of fiction writers. Long after clear barriers between elite and popular science had supposedly been established in the early twentieth century, they remained porous because a variety of imaginative writers kept destabilizing them. The fluidity of the boundaries between makers, interpreters and publics of scientific knowledge was a highly productive one; it helped biology become a vital part of public culture in the twentieth century and beyond.
‘Keeping is not safe‘: Zur kulturellen Bedeutung von Saatenbanken am Beispiel von Ruth Ozeki’s 'All Over Creation' und Margaret Atwoods 'The Year of the Flood'.
Grewe-Volpp, C.
In Assmann, D., editor(s), Narrative der Deponie: Kulturwissenschaftliche Analysen beseitigter Materialitäten, pages 167-184, 2019. Springer Verlag
link bibtex
link bibtex
@inproceedings{
title = {‘Keeping is not safe‘: Zur kulturellen Bedeutung von Saatenbanken am Beispiel von Ruth Ozeki’s 'All Over Creation' und Margaret Atwoods 'The Year of the Flood'},
type = {inproceedings},
year = {2019},
pages = {167-184},
publisher = {Springer Verlag},
city = {Heidelberg},
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booktitle = {Narrative der Deponie: Kulturwissenschaftliche Analysen beseitigter Materialitäten}
}
The Machine in the Indigenous Garden: Leslie Marmon Silko’s 'Gardens in the Dunes'.
Grewe-Volpp, C.
In Erbacher, E.; Maruo-Schröder, N.; and Sedlmeier, F., editor(s), Rereading the Machine in the Garden: Nature and Technology in American Culture, pages 146-166, 2014. Campus
link bibtex
link bibtex
@inproceedings{
title = {The Machine in the Indigenous Garden: Leslie Marmon Silko’s 'Gardens in the Dunes'},
type = {inproceedings},
year = {2014},
pages = {146-166},
publisher = {Campus},
city = {Frankfurt/New York City},
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author = {Grewe-Volpp, Christa},
editor = {Erbacher, Eric and Maruo-Schröder, Nicole and Sedlmeier, Florian},
booktitle = {Rereading the Machine in the Garden: Nature and Technology in American Culture}
}
The Aesthetics of Classification and the Politics of Taxonomy: Blandowski’s Encyclopedia as Theater, 1849 – 1859.
Zinnenburg Carroll, K., v.
In Kockelkorn, A.; and Zschocke, N., editor(s), Productive Universals, Specific Situations: Critical Engagements in Art, Architecture, and Urbanism, pages 40-69, 2019. Sternberg Press
link bibtex
link bibtex
@inproceedings{
title = {The Aesthetics of Classification and the Politics of Taxonomy: Blandowski’s Encyclopedia as Theater, 1849 – 1859},
type = {inproceedings},
year = {2019},
pages = {40-69},
publisher = {Sternberg Press},
city = {Berlin},
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author = {Zinnenburg Carroll, Khadija von},
editor = {Kockelkorn, Anne and Zschocke, Nina},
booktitle = {Productive Universals, Specific Situations: Critical Engagements in Art, Architecture, and Urbanism}
}
From the South Seas to Soho Square: Joseph Banks's Library, Collection and Kingdom of Natural History.
Rose, E., D.
Notes and Records: The Royal Society Journal of the History of Science, 73: 499-526. 2019.
doi link bibtex
doi link bibtex
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title = {From the South Seas to Soho Square: Joseph Banks's Library, Collection and Kingdom of Natural History},
type = {article},
year = {2019},
pages = {499-526},
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author = {Rose, Edwin D.},
doi = {10.1098 / rsnr.2018.0059},
journal = {Notes and Records: The Royal Society Journal of the History of Science}
}
Echoes of Empire: Redefining the Botanical Garden in Eighteenth-Century Tuscany.
Tchikine, A.
In Batsaki, Y.; Burke, S.; and Tchikine, A., editor(s), The Botany of Empire in the Long Eighteenth Century, pages 93-130, 2016. Dumbarton Oaks
link bibtex
link bibtex
@inproceedings{
title = {Echoes of Empire: Redefining the Botanical Garden in Eighteenth-Century Tuscany},
type = {inproceedings},
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pages = {93-130},
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city = {Washington D.C.},
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author = {Tchikine, Anatole},
editor = {Batsaki, Yota and Burke, Sarah and Tchikine, Anatole},
booktitle = {The Botany of Empire in the Long Eighteenth Century}
}
Two Trees Make a Forest: Travels Among Taiwan’s Mountains and Coasts in Search of My Family’s Past.
Lee, J., J.
catapult, 2020.
link bibtex abstract
link bibtex abstract
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title = {Two Trees Make a Forest: Travels Among Taiwan’s Mountains and Coasts in Search of My Family’s Past},
type = {book},
year = {2020},
publisher = {catapult},
city = {Portland;New York City},
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abstract = {An exhilarating, anti-colonial reclamation of nature writing and memoir, rooted in the forests and flatlands of Taiwan, perfect for fans of Margaret Renkl's Late Migrations and William Finnegan's Barbarian Days.
forthcoming in August 2020},
bibtype = {book},
author = {Lee, Jessica J.}
}
An exhilarating, anti-colonial reclamation of nature writing and memoir, rooted in the forests and flatlands of Taiwan, perfect for fans of Margaret Renkl's Late Migrations and William Finnegan's Barbarian Days.
forthcoming in August 2020
Linnaeus and the Love Lives of Plants.
Müller-Wille, S.
In Hopwood, N.; Fleming, R.; and Kassell, L., editor(s), Reproduction: Antiquity to the Present Day, 2018. Cambridge University Press
link bibtex
link bibtex
@inproceedings{
title = {Linnaeus and the Love Lives of Plants},
type = {inproceedings},
year = {2018},
publisher = {Cambridge University Press},
city = {Cambridge},
id = {c27a9f09-7ac2-39c7-8cd6-a5cf87b3c41b},
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bibtype = {inproceedings},
author = {Müller-Wille, Staffan},
editor = {Hopwood, Nick and Fleming, Rebecca and Kassell, Lauren},
booktitle = {Reproduction: Antiquity to the Present Day}
}
A Cultural History of Heredity.
Müller-Wille, S.; and Rheinberger, H.
University of Chicago Press, 2012.
link bibtex abstract
link bibtex abstract
@book{
title = {A Cultural History of Heredity},
type = {book},
year = {2012},
publisher = {University of Chicago Press},
city = {Chicago},
id = {2f7981c7-d009-3121-8fc6-1f507cc0c4ce},
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abstract = {It was only around 1800 that heredity began to enter debates among physicians, breeders, and naturalists. Soon thereafter it evolved into one of the most fundamental concepts of biology. Here Staffan Müller-Wille and Hans-Jörg Rheinberger offer a succinct cultural history of the scientific concept of heredity. They outline the dramatic changes the idea has undergone since the early modern period and describe the political and technological developments that brought about these changes. Müller-Wille and Rheinberger begin with an account of premodern theories of generation, showing that these were concerned with the procreation of individuals rather than with hereditary transmission. The authors reveal that when hereditarian thinking first emerged, it did so in a variety of cultural domains, such as politics and law, medicine, natural history, breeding, and anthropology. Müller-Wille and Rheinberger then track theories of heredity from the late nineteenth century—when leading biologists considered it in light of growing societal concerns with race and eugenics—through the rise of classical and molecular genetics in the twentieth century, to today, as researchers apply sophisticated information technologies to understand heredity. What readers come to see from this exquisite history is why it took such a long time for heredity to become a prominent concept in the life sciences and why it gained such overwhelming importance in those sciences and the broader culture over the last two centuries.},
bibtype = {book},
author = {Müller-Wille, Staffan and Rheinberger, Hans-Jörg}
}
It was only around 1800 that heredity began to enter debates among physicians, breeders, and naturalists. Soon thereafter it evolved into one of the most fundamental concepts of biology. Here Staffan Müller-Wille and Hans-Jörg Rheinberger offer a succinct cultural history of the scientific concept of heredity. They outline the dramatic changes the idea has undergone since the early modern period and describe the political and technological developments that brought about these changes. Müller-Wille and Rheinberger begin with an account of premodern theories of generation, showing that these were concerned with the procreation of individuals rather than with hereditary transmission. The authors reveal that when hereditarian thinking first emerged, it did so in a variety of cultural domains, such as politics and law, medicine, natural history, breeding, and anthropology. Müller-Wille and Rheinberger then track theories of heredity from the late nineteenth century—when leading biologists considered it in light of growing societal concerns with race and eugenics—through the rise of classical and molecular genetics in the twentieth century, to today, as researchers apply sophisticated information technologies to understand heredity. What readers come to see from this exquisite history is why it took such a long time for heredity to become a prominent concept in the life sciences and why it gained such overwhelming importance in those sciences and the broader culture over the last two centuries.
Gregor Mendel and the History of Heredity.
Müller-Wille, S.
In Dietrich, M.; Borrello, M.; and Harman, O., editor(s), Handbook of the Historiography of Biology: Historiography of Science, Vol. 1, pages 1-22, 2018. Springer
link bibtex
link bibtex
@inproceedings{
title = {Gregor Mendel and the History of Heredity},
type = {inproceedings},
year = {2018},
pages = {1-22},
publisher = {Springer},
city = {Cham},
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booktitle = {Handbook of the Historiography of Biology: Historiography of Science, Vol. 1}
}
Heredity Produced: At the Crossroads of Biology, Politics, and Culture, 1500-1870.
Müller-Wille, S.; and Rheinberger, H.
MIT Press, 2007.
link bibtex abstract
link bibtex abstract
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title = {Heredity Produced: At the Crossroads of Biology, Politics, and Culture, 1500-1870},
type = {book},
year = {2007},
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city = {Cambridge, Mass},
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abstract = {The cultural history of heredity: scholars from a range of disciplines discuss the evolution of the concept of heredity, from the Early Modern understanding of the act of "generation" to its later nineteenth-century definition as the transmission of characteristics across generations. Until the middle of the eighteenth century, the biological makeup of an organism was ascribed to an individual instance of "generation"--involving conception, pregnancy, embryonic development, parturition, lactation, and even astral influences and maternal mood--rather than the biological transmission of traits and characteristics. Discussions of heredity and inheritance took place largely in the legal and political sphere. In Heredity Produced, scholars from a broad range of disciplines explore the development of the concept of heredity from the early modern period to the era of Darwin and Mendel. The contributors examine the evolution of the concept in disparate cultural realms--including law, medicine, and natural history--and show that it did not coalesce into a more general understanding of heredity until the mid-nineteenth century. They consider inheritance and kinship in a legal context; the classification of certain diseases as hereditary; the study of botany; animal and plant breeding and hybridization for desirable characteristics; theories of generation and evolution; and anthropology and its study of physical differences among humans, particularly skin color. The editors argue that only when people, animals, and plants became more mobile--and were separated from their natural habitats through exploration, colonialism, and other causes--could scientists distinguish between inherited and environmentally induced traits and develop a coherent theory of heredity. Contributors David Sabean, Silvia De Renzi, Ulrike Vedder, Carlos López Beltrán, Phillip K. Wilson, Laure Cartron, Staffan Müller-Wille, Marc J. Ratcliff, Roger Wood, Mary Terrall, Peter McLaughlin, François Duchesneau, Ohad Parnes, Renato Mazzolini, Paul White, Nicolas Pethes, Stefan Willer, Helmuth Müller-Sievers},
bibtype = {book},
author = {Müller-Wille, Staffan and Rheinberger, Hans-Jörg}
}
The cultural history of heredity: scholars from a range of disciplines discuss the evolution of the concept of heredity, from the Early Modern understanding of the act of "generation" to its later nineteenth-century definition as the transmission of characteristics across generations. Until the middle of the eighteenth century, the biological makeup of an organism was ascribed to an individual instance of "generation"--involving conception, pregnancy, embryonic development, parturition, lactation, and even astral influences and maternal mood--rather than the biological transmission of traits and characteristics. Discussions of heredity and inheritance took place largely in the legal and political sphere. In Heredity Produced, scholars from a broad range of disciplines explore the development of the concept of heredity from the early modern period to the era of Darwin and Mendel. The contributors examine the evolution of the concept in disparate cultural realms--including law, medicine, and natural history--and show that it did not coalesce into a more general understanding of heredity until the mid-nineteenth century. They consider inheritance and kinship in a legal context; the classification of certain diseases as hereditary; the study of botany; animal and plant breeding and hybridization for desirable characteristics; theories of generation and evolution; and anthropology and its study of physical differences among humans, particularly skin color. The editors argue that only when people, animals, and plants became more mobile--and were separated from their natural habitats through exploration, colonialism, and other causes--could scientists distinguish between inherited and environmentally induced traits and develop a coherent theory of heredity. Contributors David Sabean, Silvia De Renzi, Ulrike Vedder, Carlos López Beltrán, Phillip K. Wilson, Laure Cartron, Staffan Müller-Wille, Marc J. Ratcliff, Roger Wood, Mary Terrall, Peter McLaughlin, François Duchesneau, Ohad Parnes, Renato Mazzolini, Paul White, Nicolas Pethes, Stefan Willer, Helmuth Müller-Sievers
Heredity Explored: Between Public Domain and Experimental Science, 1850–1930.
Müller-Wille, S.; and Brandt, C.
MIT Press, 2016.
link bibtex
link bibtex
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title = {Heredity Explored: Between Public Domain and Experimental Science, 1850–1930},
type = {book},
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Plantsex.
Dimitrova, M.; Pietroiusti, L.; Ramos, F.; and Stasinopoulos, K.
In Dimitrova, M.; Pietroiusti, L.; Ramos, F.; and Stasinopoulos, K., editor(s), Mal a Journal of Sexuality and Erotics, 2019. Serpentine Galleries
link bibtex abstract
link bibtex abstract
@inproceedings{
title = {Plantsex},
type = {inproceedings},
year = {2019},
issue = {3},
publisher = {Serpentine Galleries},
city = {London},
id = {d83bedcb-0ec6-36a2-a3bc-5c49727e82be},
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abstract = {Mal Journal Issue 3: PLANTSEX focuses on the complex intersections of plant life and sex life, from anthropomorphised sacred trees to 18th century botanical classification and pornography. This issue brings together many of these contemporary and ancient strands, from gardening as an act of active looking and queer disruption to botanical nursery rhymes moulded on the structure of medieval song. PLANTSEX features an essay by novelist Chloe Aridjis on Mexican flora and its foreigners, a sequence of floral poems by Bhanu Kapil, an essay on the sex lives of plants by author of The Life of Plants Emanuele Coccia, a personal exploration of the queerness of gardening by Julia Bell, an essay on queer botanics by film critic Teresa Castro, a sequence of botanical nursery rhymes and artworks by artist, poet and gardener Alex Cecchetti, a new poem (and somatic poetry ritual) by CAConrad, and an essay by writer and poet Daisy Lafarge asking ‘Can you be a revolutionary & still love flowers?’ Included in the issue are also three excerpts from antiquity – Sumerian poetry, the Song of Songs and Ovid’s Fasti V and Metamorphoses. The issue features original illustrations by Australian artist Yi Xiao Chen.
It can be purchased here: https://serpentine-galleries.myshopify.com/products/mal-journal-plantsex},
bibtype = {inproceedings},
author = {Dimitrova, Maria and Pietroiusti, Lucia and Ramos, Filipa and Stasinopoulos, Kostas},
editor = {Dimitrova, Maria and Pietroiusti, Lucia and Ramos, Filipa and Stasinopoulos, Kostas},
booktitle = {Mal a Journal of Sexuality and Erotics}
}
Mal Journal Issue 3: PLANTSEX focuses on the complex intersections of plant life and sex life, from anthropomorphised sacred trees to 18th century botanical classification and pornography. This issue brings together many of these contemporary and ancient strands, from gardening as an act of active looking and queer disruption to botanical nursery rhymes moulded on the structure of medieval song. PLANTSEX features an essay by novelist Chloe Aridjis on Mexican flora and its foreigners, a sequence of floral poems by Bhanu Kapil, an essay on the sex lives of plants by author of The Life of Plants Emanuele Coccia, a personal exploration of the queerness of gardening by Julia Bell, an essay on queer botanics by film critic Teresa Castro, a sequence of botanical nursery rhymes and artworks by artist, poet and gardener Alex Cecchetti, a new poem (and somatic poetry ritual) by CAConrad, and an essay by writer and poet Daisy Lafarge asking ‘Can you be a revolutionary & still love flowers?’ Included in the issue are also three excerpts from antiquity – Sumerian poetry, the Song of Songs and Ovid’s Fasti V and Metamorphoses. The issue features original illustrations by Australian artist Yi Xiao Chen.
It can be purchased here: https://serpentine-galleries.myshopify.com/products/mal-journal-plantsex
The Natural History of Colonial Science: Joseph-François Lafitau's Discovery of Ginseng and Its Afterlives.
Parsons, C., M.
The William and Mary Quarterly, 73(1): 37-72. 2016.
doi link bibtex
doi link bibtex
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title = {The Natural History of Colonial Science: Joseph-François Lafitau's Discovery of Ginseng and Its Afterlives},
type = {article},
year = {2016},
pages = {37-72},
volume = {73},
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author = {Parsons, Christopher M.},
doi = {10.5309/willmaryquar.73.1.0037},
journal = {The William and Mary Quarterly},
number = {1}
}
Weeds: The Story of Outlaw Plants.
Mabey, R.
Profile Books, 2012.
link bibtex
link bibtex
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title = {Weeds: The Story of Outlaw Plants},
type = {book},
year = {2012},
publisher = {Profile Books},
city = {London},
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author = {Mabey, Richard}
}
'Impressions of Plants Themselves': Materializing Eco-Archival Practices with Anna Atkins’s 'Photographs of British Algae'.
Garascia, A.
Victorian Literature and Culture, 47(2): 267-303. 2019.
link bibtex abstract
link bibtex abstract
@article{
title = {'Impressions of Plants Themselves': Materializing Eco-Archival Practices with Anna Atkins’s 'Photographs of British Algae'},
type = {article},
year = {2019},
pages = {267-303},
volume = {47},
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abstract = {2020 Emerging Scholars Award from The Nineteenth Century Studies Association},
bibtype = {article},
author = {Garascia, Ann},
journal = {Victorian Literature and Culture},
number = {2}
}
2020 Emerging Scholars Award from The Nineteenth Century Studies Association
Baum und Text: Neue Perspektiven auf verzweigte Beziehungen.
Heimgartner, S.; Nitzke, S.; and Sauer-Kretschmer, S.
Ch. A. Bachmann Verlag, 2020.
link bibtex abstract
link bibtex abstract
@book{
title = {Baum und Text: Neue Perspektiven auf verzweigte Beziehungen},
type = {book},
year = {2020},
publisher = {Ch. A. Bachmann Verlag},
city = {Berlin},
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abstract = {forthcoming.
Bäume und Texte sind so eng miteinander verwandt, dass sie manchmal kaum zu unterscheiden sind. Nicht nur, weil Bäume nach wie vor die Rohstoffe für die Papierproduktion liefern, sondern auch, weil sie zu
Modellen, Anlass und Akteuren in Texten werden. Bäume regen zum Schreiben an; sie sind den Menschen gerade ähnlich genug, dass diese sich in jenen wieder erkennen können und doch so fremd, dass sie sich der Vereinnahmung widersetzen. In der Folge werden sie zu heiligen Wesen überhöht, vermenschlicht, kapitalisiert, zum Symbol erhoben und in zunehmendem Maße zerstört. Verfügbar werden sie trotzdem nicht, sie bleiben eigensinnig. Die Aufsätze dieses Bandes gehen den verzweigten Beziehungen zwischen Menschen und Bäumen anhand der Texte nach, die diese Verhältnisse ermöglichen und strukturieren. Ihre komparatistische Herangehensweise ermöglicht neue Perspektiven jenseits der Vereinnahmung und lädt dazu ein, die Beziehungsgeschichte von Bäumen und Menschen neu zu schreiben. Claudia Klodt, Monika Schmitz-Emans, Jana Kittelmann, Klara Schubenz, Stephanie Heimgartner, Simone Sauer-Kretschmer und Solvejg Nitzke erkunden in ihren Beiträgen Baumtexte, die von römischen Gärten, über Realismus, Romantik und zukünftige Wälder bis in die innersten Räume der (Familien-)Psyche der Menschen führen.},
bibtype = {book},
author = {Heimgartner, Stephanie and Nitzke, Solvejg and Sauer-Kretschmer, Simone}
}
forthcoming.
Bäume und Texte sind so eng miteinander verwandt, dass sie manchmal kaum zu unterscheiden sind. Nicht nur, weil Bäume nach wie vor die Rohstoffe für die Papierproduktion liefern, sondern auch, weil sie zu
Modellen, Anlass und Akteuren in Texten werden. Bäume regen zum Schreiben an; sie sind den Menschen gerade ähnlich genug, dass diese sich in jenen wieder erkennen können und doch so fremd, dass sie sich der Vereinnahmung widersetzen. In der Folge werden sie zu heiligen Wesen überhöht, vermenschlicht, kapitalisiert, zum Symbol erhoben und in zunehmendem Maße zerstört. Verfügbar werden sie trotzdem nicht, sie bleiben eigensinnig. Die Aufsätze dieses Bandes gehen den verzweigten Beziehungen zwischen Menschen und Bäumen anhand der Texte nach, die diese Verhältnisse ermöglichen und strukturieren. Ihre komparatistische Herangehensweise ermöglicht neue Perspektiven jenseits der Vereinnahmung und lädt dazu ein, die Beziehungsgeschichte von Bäumen und Menschen neu zu schreiben. Claudia Klodt, Monika Schmitz-Emans, Jana Kittelmann, Klara Schubenz, Stephanie Heimgartner, Simone Sauer-Kretschmer und Solvejg Nitzke erkunden in ihren Beiträgen Baumtexte, die von römischen Gärten, über Realismus, Romantik und zukünftige Wälder bis in die innersten Räume der (Familien-)Psyche der Menschen führen.
‘Farewel my bok’: Paying Attention to Flowers in Chaucer’s Prologues to 'The Legend of Good Women'.
Rudd, G.
postmedieval: a journal of medieval cultural studies, 9(4): 410–419. 2018.
link bibtex
link bibtex
@article{
title = {‘Farewel my bok’: Paying Attention to Flowers in Chaucer’s Prologues to 'The Legend of Good Women'},
type = {article},
year = {2018},
pages = {410–419},
volume = {9},
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author = {Rudd, Gilian},
journal = {postmedieval: a journal of medieval cultural studies},
number = {4}
}
Vegetal Continuity and the Naming of Species.
Farina, L.
Postmedieval: a journal of medieval cultural studies, 9(4): 420–431. 2018.
link bibtex
link bibtex
@article{
title = {Vegetal Continuity and the Naming of Species},
type = {article},
year = {2018},
pages = {420–431},
volume = {9},
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author = {Farina, Lara},
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number = {4}
}
The Sacrificial Herb: Gathering Prayers in Medieval Pharmacy.
Richey, S.
postmedieval: a journal of medieval cultural studies, 9(4): 432–443. 2018.
link bibtex
link bibtex
@article{
title = {The Sacrificial Herb: Gathering Prayers in Medieval Pharmacy},
type = {article},
year = {2018},
pages = {432–443},
volume = {9},
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author = {Richey, Sara},
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number = {4}
}
Written in Trees.
White, T.
postmedieval: a journal of medieval cultural studies, 9(4): 444-454. 2018.
link bibtex
link bibtex
@article{
title = {Written in Trees},
type = {article},
year = {2018},
pages = {444-454},
volume = {9},
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bibtype = {article},
author = {White, Tom},
journal = {postmedieval: a journal of medieval cultural studies},
number = {4}
}
Fruit and Rot: Vegetal Theology in Perceforest.
Findley, B., H.
postmedieval: a journal of medieval cultural studies, 9(4): 455-466. 2018.
link bibtex
link bibtex
@article{
title = {Fruit and Rot: Vegetal Theology in Perceforest},
type = {article},
year = {2018},
pages = {455-466},
volume = {9},
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author = {Findley, Brooke Heidenreich},
journal = {postmedieval: a journal of medieval cultural studies},
number = {4}
}
Before and After Plants.
Rosenberg, J.
Postmedieval, 9(4): 467–477. 2018.
link bibtex abstract
link bibtex abstract
@article{
title = {Before and After Plants},
type = {article},
year = {2018},
pages = {467–477},
volume = {9},
id = {3c43d150-98cb-32be-8230-0788dc7add05},
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abstract = {This essay explores how early modern English gardening books train their readers to encounter the future. These works are plotted with the rhetoric of anticipation, teaching planting in an environment of risk, promise, disappointment, and decay, and folding readers and gardeners into the inhuman rhythms of plant time. Through an investigation of ideas about lifespan, memory, and survival in the works of orchardists William Lawson and Ralph Austen, I show how these practical engagements with planting imagine a version of time that depends as much on the recursive attachments of touch as the linear progress of sequence.},
bibtype = {article},
author = {Rosenberg, Jessica},
journal = {Postmedieval},
number = {4}
}
This essay explores how early modern English gardening books train their readers to encounter the future. These works are plotted with the rhetoric of anticipation, teaching planting in an environment of risk, promise, disappointment, and decay, and folding readers and gardeners into the inhuman rhythms of plant time. Through an investigation of ideas about lifespan, memory, and survival in the works of orchardists William Lawson and Ralph Austen, I show how these practical engagements with planting imagine a version of time that depends as much on the recursive attachments of touch as the linear progress of sequence.
Phytopoetics: Upending the Passive Paradigm with Vegetal Violence and Eroticism.
Jacobs, J.
Catalyst: Feminism, Theory, Technoscience, 5(2): 1-18. 2019.
link bibtex abstract
link bibtex abstract
@article{
title = {Phytopoetics: Upending the Passive Paradigm with Vegetal Violence and Eroticism},
type = {article},
year = {2019},
pages = {1-18},
volume = {5},
id = {8fcf5f4d-b434-3465-a7e4-419b0189e7a9},
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abstract = {This article develops the notion of phytopoetics, which describes the role of plant agency in literary creations and the cultural imaginary. In order to show how plants prompt poetic productions, the article engages with narratives by modernist German authors Oskar Panizza, Hanns Heinz Ewers, and Alfred Döblin that feature vegetal eroticism and violence. By close reading these texts and their contexts, the article maps the role of plant agency in the co-constitution of a cultural imaginary of the vegetal that results in literary works as well as societal consequences.},
bibtype = {article},
author = {Jacobs, Joela},
journal = {Catalyst: Feminism, Theory, Technoscience},
number = {2}
}
This article develops the notion of phytopoetics, which describes the role of plant agency in literary creations and the cultural imaginary. In order to show how plants prompt poetic productions, the article engages with narratives by modernist German authors Oskar Panizza, Hanns Heinz Ewers, and Alfred Döblin that feature vegetal eroticism and violence. By close reading these texts and their contexts, the article maps the role of plant agency in the co-constitution of a cultural imaginary of the vegetal that results in literary works as well as societal consequences.
Introduction to Special Section: Plantarium: Human–Vegetal Ecologies.
Szczygielska, M.; and Cielemęcka, O.
Catalyst: Feminism, Theory, Technoscience, 5(2): 1-12. 2019.
link bibtex
link bibtex
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title = {Introduction to Special Section: Plantarium: Human–Vegetal Ecologies},
type = {article},
year = {2019},
pages = {1-12},
volume = {5},
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journal = {Catalyst: Feminism, Theory, Technoscience},
number = {2}
}
Thinking the Feminist Vegetal Turn in the Shadow of Douglas-firs: An Interview with Catriona Sandilands.
Cielemęcka, O.; and Szczygielska, M.
Catalyst: Feminism, Theory, Technoscience, 5(2): 1-19. 2019.
link bibtex
link bibtex
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title = {Thinking the Feminist Vegetal Turn in the Shadow of Douglas-firs: An Interview with Catriona Sandilands},
type = {article},
year = {2019},
pages = {1-19},
volume = {5},
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number = {2}
}
Critical Perspectives on Plants, Race, and Colonialism: An Introduction.
Foster, L., A.
Catalyst: Feminism, Theory, Technoscience, 5(2): 1-6. 2019.
link bibtex
link bibtex
@article{
title = {Critical Perspectives on Plants, Race, and Colonialism: An Introduction},
type = {article},
year = {2019},
pages = {1-6},
volume = {5},
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author = {Foster, Laura A.},
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number = {2}
}
'More-than-Human' and 'Less-than-Human': Race, Botany, and the Challenge of Multispecies Ethnography.
Ives, S.
Catalyst: Feminism, Theory, Technoscience, 5(2): 1-5. 2019.
link bibtex
link bibtex
@article{
title = {'More-than-Human' and 'Less-than-Human': Race, Botany, and the Challenge of Multispecies Ethnography},
type = {article},
year = {2019},
pages = {1-5},
volume = {5},
id = {1f896583-0df2-367a-951d-3307df172a2f},
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bibtype = {article},
author = {Ives, Sarah},
journal = {Catalyst: Feminism, Theory, Technoscience},
number = {2}
}
A Tree Walks through the Forest: Milkwoods and other Botanical Witnesses.
Ellis, W.
Catalyst: Feminism, Theory, Technoscience, 5(2): 1-4. 2019.
link bibtex
link bibtex
@article{
title = {A Tree Walks through the Forest: Milkwoods and other Botanical Witnesses},
type = {article},
year = {2019},
pages = {1-4},
volume = {5},
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bibtype = {article},
author = {Ellis, William},
journal = {Catalyst: Feminism, Theory, Technoscience},
number = {2}
}
Specimens of the Plants and Fruits of the Island of Cuba.
Wollstonecraft, A., K.
Cornell University Library, Division of Rare and Manuscript Collections, 1826.
link bibtex abstract
link bibtex abstract
@book{
title = {Specimens of the Plants and Fruits of the Island of Cuba},
type = {book},
year = {1826},
publisher = {Cornell University Library, Division of Rare and Manuscript Collections},
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abstract = {Full Text View HathiTrust digital library: https://babel.hathitrust.org/cgi/ls?field1=ocr;q1=%22Specimens%20of%20the%20Plants%20and%20Fruits%20of%20the%20Island%20of%20Cuba%22;a=srchls;lmt=ft
Carey, Jonathan: "A Forgotten Botanist’s Stunning 19th-Century Manuscript Is Now Online", Atlas Obscura, February 5, 2019. URL: https://www.atlasobscura.com/articles/cuba-botanical-illustration?utm_source=Atlas+Obscura+Daily+Newsletter&utm_campaign=b22abf6d5f-EMAIL_CAMPAIGN_2019_02_07&utm_medium=email&utm_term=0_f36db9c480-b22abf6d5f-63156265&ct=t(EMAIL_CAMPAIGN_02_07_2019)&mc_cid=b22abf6d5f&mc_eid=50f6036d3a},
bibtype = {book},
author = {Wollstonecraft, Anne Kingsbury}
}
Full Text View HathiTrust digital library: https://babel.hathitrust.org/cgi/ls?field1=ocr;q1=%22Specimens%20of%20the%20Plants%20and%20Fruits%20of%20the%20Island%20of%20Cuba%22;a=srchls;lmt=ft
Carey, Jonathan: "A Forgotten Botanist’s Stunning 19th-Century Manuscript Is Now Online", Atlas Obscura, February 5, 2019. URL: https://www.atlasobscura.com/articles/cuba-botanical-illustration?utm_source=Atlas+Obscura+Daily+Newsletter&utm_campaign=b22abf6d5f-EMAIL_CAMPAIGN_2019_02_07&utm_medium=email&utm_term=0_f36db9c480-b22abf6d5f-63156265&ct=t(EMAIL_CAMPAIGN_02_07_2019)&mc_cid=b22abf6d5f&mc_eid=50f6036d3a
Plants.
Babin, S.
esse arts + opinions, 2020.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@book{
title = {Plants},
type = {book},
year = {2020},
websites = {https://esse.ca/en/plants},
publisher = {esse arts + opinions},
city = {Montréal},
id = {df2506a5-ed01-329c-b499-d8cab7535ab2},
created = {2020-05-17T07:24:31.399Z},
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abstract = {As science demystifies the complex universe of plants, we become more open to their sensitivity, intelligence, and agency. This issue appeals to interdisciplinarity more than ever before, taking its references from the fields of science, anthropology, and botany. Inevitably, environmental concerns and the impact of human intervention on plant biodiversity have a significant presence in the topics covered. As for the artworks, by closely observing the non-individualistic behaviour of plants, they propose, without moralizing, various ways of communicating with nature. Generally solicited for what they are, but also for their metaphorical meanings, the flowers, stalks, roots, fruit, and leaves that appear in these pages sometimes evoke human exploitation, domination, and the collapse of ecosystems, but also, more optimistically, resistance, solidarity, collaboration, and hope for renewal.},
bibtype = {book},
author = {Babin, Sylvette},
editor = {Babin, Sylvette}
}
As science demystifies the complex universe of plants, we become more open to their sensitivity, intelligence, and agency. This issue appeals to interdisciplinarity more than ever before, taking its references from the fields of science, anthropology, and botany. Inevitably, environmental concerns and the impact of human intervention on plant biodiversity have a significant presence in the topics covered. As for the artworks, by closely observing the non-individualistic behaviour of plants, they propose, without moralizing, various ways of communicating with nature. Generally solicited for what they are, but also for their metaphorical meanings, the flowers, stalks, roots, fruit, and leaves that appear in these pages sometimes evoke human exploitation, domination, and the collapse of ecosystems, but also, more optimistically, resistance, solidarity, collaboration, and hope for renewal.
Trees (VR Magazine).
Vaughan-Lee, E.; Quinn, S., Q.; and Ritz, B.
2020.
Website
link
bibtex
abstract
Website
link
bibtex
abstract
@misc{
title = {Trees (VR Magazine)},
type = {misc},
year = {2020},
websites = {https://emergencemagazine.org/issue/trees/},
publisher = {Emergence Magazine},
city = {Inverness, CA},
id = {b89e1ba5-4ec4-35ff-980e-932466d8aa35},
created = {2020-05-17T07:30:20.772Z},
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abstract = {Emergence Magazine: Issue 7–Trees: Contents:
"The Atomic Tree" by Adam Loften & Emmanuel Vaughan-Lee is a virtual reality journey into the memories of a 400-year-old Japanese white pine bonsai that survived the atomic blast in Hiroshima.
Essay: "One Hundred and Eleven Trees" by Chelsea Steinauer-Scudder
Essay: "Dead Wood" by Nick Hunt
Essay: "Woods Work "by William Bryant Logan
Podcast: "Kinship, Community, and Consciousness: An Interview with Richard Powers"
"The Church Forests of Ethiopia" A Mystical Geography Film by Jeremy Seifert, Essay by Fred Bahnson
Essay: "On Survival: the Dead, the Sapling, and the Ancients" by Lauren E. Oakes
Essay: "Eleven Ways of Smelling a Tree" by David G. Haskell
Poem: "The Mostly Everything That Everyone Is" by Brenda Hillmann
Essay: "Among the Trees" by Carl Phillips
Essay: "Felling Light" by Amaud Jamaul Johnson
"Forest" by Forrest Gander & Katie Holten
"meristem" by Alisha Anderson
Essay: "East to Eden" by Roger Deakin, with Robert Macfarlane
Essay: "The Poet and the Palm Tree" by Chelsea Steinauer-Scudder
Practice No.7 by David G. Haskell: "The Aromas of Trees: Five Practices"},
bibtype = {misc},
author = {Vaughan-Lee, Emmanuel and Quinn, Seana Quinn and Ritz, Bethany}
}
Emergence Magazine: Issue 7–Trees: Contents:
"The Atomic Tree" by Adam Loften & Emmanuel Vaughan-Lee is a virtual reality journey into the memories of a 400-year-old Japanese white pine bonsai that survived the atomic blast in Hiroshima.
Essay: "One Hundred and Eleven Trees" by Chelsea Steinauer-Scudder
Essay: "Dead Wood" by Nick Hunt
Essay: "Woods Work "by William Bryant Logan
Podcast: "Kinship, Community, and Consciousness: An Interview with Richard Powers"
"The Church Forests of Ethiopia" A Mystical Geography Film by Jeremy Seifert, Essay by Fred Bahnson
Essay: "On Survival: the Dead, the Sapling, and the Ancients" by Lauren E. Oakes
Essay: "Eleven Ways of Smelling a Tree" by David G. Haskell
Poem: "The Mostly Everything That Everyone Is" by Brenda Hillmann
Essay: "Among the Trees" by Carl Phillips
Essay: "Felling Light" by Amaud Jamaul Johnson
"Forest" by Forrest Gander & Katie Holten
"meristem" by Alisha Anderson
Essay: "East to Eden" by Roger Deakin, with Robert Macfarlane
Essay: "The Poet and the Palm Tree" by Chelsea Steinauer-Scudder
Practice No.7 by David G. Haskell: "The Aromas of Trees: Five Practices"
Imaginäre Gärten.
Steinlechner, G.
In Storch, U.; and Doppler, E., editor(s), Garten Kunst: Bilder und Texte von Gärten und Parks, pages 152-154, 2002. Historisches Museum der Stadt Wien
link bibtex abstract
link bibtex abstract
@inproceedings{
title = {Imaginäre Gärten},
type = {inproceedings},
year = {2002},
pages = {152-154},
publisher = {Historisches Museum der Stadt Wien},
city = {Wien},
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abstract = {Ausstellungskatalog},
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author = {Steinlechner, Gisela},
editor = {Storch, Ursula and Doppler, Elke},
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}
Ausstellungskatalog
Der Garten als Schauplatz des Begehrens.
Steinlechner, G.
In Storch, U.; and Doppler, E., editor(s), Garten Kunst: Bilder und Texte von Gärten und Parks, pages 204-206, 2002. Historisches Museum der Stadt Wien
link bibtex abstract
link bibtex abstract
@inproceedings{
title = {Der Garten als Schauplatz des Begehrens},
type = {inproceedings},
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publisher = {Historisches Museum der Stadt Wien},
city = {Wien},
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Ausstellungskatalog
Plant-Human Hybridity in the Story World of Kubbe.
Guanio-Uluru, L.
In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 125-140, 2018. Palgrave Macmillan
link bibtex
link bibtex
@inproceedings{
title = {Plant-Human Hybridity in the Story World of Kubbe},
type = {inproceedings},
year = {2018},
pages = {125-140},
publisher = {Palgrave Macmillan},
city = {Basingstoke},
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author = {Guanio-Uluru, Lykke},
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booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}
}
Children’s Literature as an Exercise in Ecological Thinking.
Goga, N.
In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 57-71, 2018. Palgrave Macmillan
link bibtex
link bibtex
@inproceedings{
title = {Children’s Literature as an Exercise in Ecological Thinking},
type = {inproceedings},
year = {2018},
pages = {57-71},
publisher = {Palgrave Macmillan},
city = {Basingstoke},
id = {58eaa191-109e-3b25-84ab-746df4d65aab},
created = {2020-05-17T23:52:46.899Z},
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last_modified = {2020-05-18T00:18:19.166Z},
read = {false},
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confirmed = {false},
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bibtype = {inproceedings},
author = {Goga, Nina},
editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},
booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}
}
Poetic Constructions of Nature: The Forest in Recent Visual Poetry for Children.
Skyggebjerg, A., K.
In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 141-155, 2018. Palgrave Macmillan
link bibtex
link bibtex
@inproceedings{
title = {Poetic Constructions of Nature: The Forest in Recent Visual Poetry for Children},
type = {inproceedings},
year = {2018},
pages = {141-155},
publisher = {Palgrave Macmillan},
city = {Basingstoke},
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bibtype = {inproceedings},
author = {Skyggebjerg, Anna Karlskov},
editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},
booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}
}
The Wilderness Children: Arctic Adventures, Gender and Ecocultural Criticism.
Gurholt, K., P.
In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 241-257, 2018. Palgrave Macmillan
link bibtex
link bibtex
@inproceedings{
title = {The Wilderness Children: Arctic Adventures, Gender and Ecocultural Criticism},
type = {inproceedings},
year = {2018},
pages = {241-257},
publisher = {Palgrave Macmillan},
city = {Basingstoke},
id = {ddc78292-ecd9-3d21-962a-cbac60959d7b},
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last_modified = {2020-05-18T00:17:59.902Z},
read = {false},
starred = {false},
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confirmed = {false},
hidden = {false},
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bibtype = {inproceedings},
author = {Gurholt, Kirsti Pedersen},
editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},
booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}
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'We Are All Nature'—Young Children’s Statements About Nature.
Hallås, B., O.; and Presthus Heggen, M.
In Goga, N.; Guanio-Uluru, L.; Hallås, B., O.; and Nyrnes, A., editor(s), Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues, pages 259-275, 2018. Palgrave Macmillan
link bibtex
link bibtex
@inproceedings{
title = {'We Are All Nature'—Young Children’s Statements About Nature},
type = {inproceedings},
year = {2018},
pages = {259-275},
publisher = {Palgrave Macmillan},
city = {Basingstoke},
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last_modified = {2020-05-19T01:26:36.068Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {inproceedings},
author = {Hallås, Bjørg Oddrun and Presthus Heggen, Marianne},
editor = {Goga, Nina and Guanio-Uluru, Lykke and Hallås, Bjørg Oddrun and Nyrnes, Aslaug},
booktitle = {Ecocritical Perspectives on Children's Texts and Cultures: Nordic Dialogues}
}
Posthuman Power: The Magic of Hybridity in the Harry Potter Series.
Harrison, J.
Children's Literature Association Quarterly, 43(3): 325-343. 2018.
link bibtex
link bibtex
@article{
title = {Posthuman Power: The Magic of Hybridity in the Harry Potter Series},
type = {article},
year = {2018},
pages = {325-343},
volume = {43},
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author = {Harrison, Jen},
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}
Imagining Climate Change: The Representation of Plants in Three Nordic Climate Fictions for Young Adults.
Guanio-Uluru, L.
Children's Literature in Education. 2019.
doi link bibtex abstract
doi link bibtex abstract
@article{
title = {Imagining Climate Change: The Representation of Plants in Three Nordic Climate Fictions for Young Adults},
type = {article},
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abstract = {This article analyses the role of plants in three well publicised Nordic climate fictions for young adults: Memories of Water by Emmi Itäranta, originally published in 2012, The World According to Anna (2013) by Jostein Gaarder, and Bouvetøya 2052 (2015) by Lars Mæhle. Departing from the wider scholarly field of ecocritical theory, the study draws on the developing field of cultural plant studies to examine the role allocated to plants in these fictional depictions of climate change. The analysis is based on a quantitative counting and sorting of all references to plants in the analysed fictions. The aim of this exercise is to contribute to theoretical reflections on climate fiction (cli-fi) as a literary form and to say something about the kind of literary thinking with, and about, plants that currently informs (Nordic) climate fiction for young adults, given that plants are highly important to the global climate. While broadening the discussion of climate change fiction to include a consideration of plants, the article further contributes to theoretical reflection on cli-fi through its Nordic perspective. In dialogue with Adam Trexler’s work on Anglo-American climate change fiction, the Nordic fictions examined here display both similar and diverging patterns of engagement with climate change, something that highlights the importance of reflecting on the genre with reference to a wide spectrum of local literatures.},
bibtype = {article},
author = {Guanio-Uluru, Lykke},
doi = {https://doi.org/10.1007/s10583-019-09387-4},
journal = {Children's Literature in Education}
}
This article analyses the role of plants in three well publicised Nordic climate fictions for young adults: Memories of Water by Emmi Itäranta, originally published in 2012, The World According to Anna (2013) by Jostein Gaarder, and Bouvetøya 2052 (2015) by Lars Mæhle. Departing from the wider scholarly field of ecocritical theory, the study draws on the developing field of cultural plant studies to examine the role allocated to plants in these fictional depictions of climate change. The analysis is based on a quantitative counting and sorting of all references to plants in the analysed fictions. The aim of this exercise is to contribute to theoretical reflections on climate fiction (cli-fi) as a literary form and to say something about the kind of literary thinking with, and about, plants that currently informs (Nordic) climate fiction for young adults, given that plants are highly important to the global climate. While broadening the discussion of climate change fiction to include a consideration of plants, the article further contributes to theoretical reflection on cli-fi through its Nordic perspective. In dialogue with Adam Trexler’s work on Anglo-American climate change fiction, the Nordic fictions examined here display both similar and diverging patterns of engagement with climate change, something that highlights the importance of reflecting on the genre with reference to a wide spectrum of local literatures.
Ethics and Form in Fantasy Literature: Tolkien, Rowling and Meyer.
Guanio-Uluru, L.
Palgrave Macmillan, 2015.
link bibtex
link bibtex
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title = {Ethics and Form in Fantasy Literature: Tolkien, Rowling and Meyer},
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Yew.
Hageneder, F.
Reaktion Books, 2013.
link bibtex abstract
link bibtex abstract
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type = {book},
year = {2013},
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city = {London},
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abstract = {Botanists around the world marvel at the unique characteristics of the yew, Europe’s most ancient species of tree. It is a ‘conifer’ without resin or cones but with juicy scarlet fruits that feed many birds and animals; it has foliage that is poisonous to livestock but which wild animals can eat; and though it has an extraordinarily low rate of photosynthesis, it can grow where other tree seedlings and plants just wither and die. The yew’s lower branches can root themselves, and it can also produce ‘interior roots’ inside a hollowing trunk, renewing itself from the inside out. It was in the Palaeolithic Era that humans were first struck by the yew’s regenerative powers and began to associate it with concepts of life and death, the afterlife and eternity. Yew trees can be found at the sacred sites of Native Americans and Buddhists, and Shinto shrines in Japan, as well as in Christian churchyards, where they became a symbol of the Resurrection. This comprehensive, richly illustrated cultural and natural history includes the latest scientific discoveries about this remarkable tree.},
bibtype = {book},
author = {Hageneder, Fred}
}
Botanists around the world marvel at the unique characteristics of the yew, Europe’s most ancient species of tree. It is a ‘conifer’ without resin or cones but with juicy scarlet fruits that feed many birds and animals; it has foliage that is poisonous to livestock but which wild animals can eat; and though it has an extraordinarily low rate of photosynthesis, it can grow where other tree seedlings and plants just wither and die. The yew’s lower branches can root themselves, and it can also produce ‘interior roots’ inside a hollowing trunk, renewing itself from the inside out. It was in the Palaeolithic Era that humans were first struck by the yew’s regenerative powers and began to associate it with concepts of life and death, the afterlife and eternity. Yew trees can be found at the sacred sites of Native Americans and Buddhists, and Shinto shrines in Japan, as well as in Christian churchyards, where they became a symbol of the Resurrection. This comprehensive, richly illustrated cultural and natural history includes the latest scientific discoveries about this remarkable tree.
Willow.
Syme, A.
Reaktion Books, 2014.
link bibtex abstract
link bibtex abstract
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year = {2014},
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abstract = {Haunters of waterways and hedgerow guardians; jewels of the garden and common companions in the fields: willows are at once the most poetic and practical of plants. For millennia they have played a key role in cultures across the northern hemisphere, forming baskets, furniture, fences and walls; treating illnesses; and appearing in Monet’s paintings, Shakespeare’s tragedies and The Lord of the Rings. The genus Salix is now increasingly used for soil stabilization and biofuel, highlighting willows’ continued importance in the present day. Willow tells the rich tale of this many-sided plant, exploring its presence in literature, art and human history. Linked with life and death, grief and joy, toil and play, necessity and ornament, the willow has, in different times and places, functioned as a mirror of and participant in almost every facet of human existence. Although willows have been put to manifold practical uses, we must also heed their poetic lessons: willows have much to teach us about living, dying, loving, hybridizing and enriching our world, and protecting the environment.
This well-illustrated book leads us from Monet’s willows to Tang poetry, and from uses in medicine to environmental protection, in a seamless account of the special place these trees hold in world culture. Willow will appeal to anyone interested in gardens, the environment or the cultural history of plants.},
bibtype = {book},
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}
Haunters of waterways and hedgerow guardians; jewels of the garden and common companions in the fields: willows are at once the most poetic and practical of plants. For millennia they have played a key role in cultures across the northern hemisphere, forming baskets, furniture, fences and walls; treating illnesses; and appearing in Monet’s paintings, Shakespeare’s tragedies and The Lord of the Rings. The genus Salix is now increasingly used for soil stabilization and biofuel, highlighting willows’ continued importance in the present day. Willow tells the rich tale of this many-sided plant, exploring its presence in literature, art and human history. Linked with life and death, grief and joy, toil and play, necessity and ornament, the willow has, in different times and places, functioned as a mirror of and participant in almost every facet of human existence. Although willows have been put to manifold practical uses, we must also heed their poetic lessons: willows have much to teach us about living, dying, loving, hybridizing and enriching our world, and protecting the environment.
This well-illustrated book leads us from Monet’s willows to Tang poetry, and from uses in medicine to environmental protection, in a seamless account of the special place these trees hold in world culture. Willow will appeal to anyone interested in gardens, the environment or the cultural history of plants.
A Touch of Blossom: John Singer Sargent and the Queer Flora of Fin-de-siècle Art.
Syme, A.
Penn State Press, 2010.
link bibtex abstract
link bibtex abstract
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title = {A Touch of Blossom: John Singer Sargent and the Queer Flora of Fin-de-siècle Art},
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abstract = {"A Touch of Blossom" considers John Singer Sargent in the context of nineteenth-century botany, gynecology, literature, and visual culture and argues that the artist mobilized ideas of cross-fertilization and the hermaphroditic sexuality of flowers in his work to “naturalize” sexual inversion. In conceiving of his painting as an act of hand-pollination, Sargent was elaborating both a period poetics of homosexuality and a new sense of subjectivity, anticipating certain aspects of artistic modernism. Assembling evidence from diverse realms—visual culture (cartoons, greeting cards, costume design), medicine and botany (treatises and their illustrations), literature, letters, lexicography, and the visual arts—this book situates the metaphors that structure Sargent’s paintings in a broad cultural context. It offers in-depth readings of particular paintings and analyzes related projects undertaken by Sargent&’s friends in the field of painting and in other disciplines, such as gynecology and literature.},
bibtype = {book},
author = {Syme, Alison}
}
"A Touch of Blossom" considers John Singer Sargent in the context of nineteenth-century botany, gynecology, literature, and visual culture and argues that the artist mobilized ideas of cross-fertilization and the hermaphroditic sexuality of flowers in his work to “naturalize” sexual inversion. In conceiving of his painting as an act of hand-pollination, Sargent was elaborating both a period poetics of homosexuality and a new sense of subjectivity, anticipating certain aspects of artistic modernism. Assembling evidence from diverse realms—visual culture (cartoons, greeting cards, costume design), medicine and botany (treatises and their illustrations), literature, letters, lexicography, and the visual arts—this book situates the metaphors that structure Sargent’s paintings in a broad cultural context. It offers in-depth readings of particular paintings and analyzes related projects undertaken by Sargent&’s friends in the field of painting and in other disciplines, such as gynecology and literature.
Weeds.
Edwards, N.
Reaktion Books, 2015.
link bibtex abstract
link bibtex abstract
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abstract = {We spray them, pluck them and bury them under mulch, and we curse their resilience when they spring back into place. To most of us, weeds can seem nothing more than intruders in gardens, farms and city streets. They spring up unwanted and are hastily removed without a second thought. Superweeds are characterized as malevolent trespassers, intent on destroying humanity’s carefully cultivated allotments and trails. But the idea of the weed is a slippery one, constantly changing according to different needs, fashions and contexts. In a well-ordered field of corn, a scarlet poppy is a bright red intruder, but in other parts of the world it is an important cultural symbol, a potent and lucrative pharmaceutical source, or simply a beautiful ornament. Fat hen, which today we consider a pest, was in Neolithic times a staple crop, its seeds an important source of nutrition. Weeds sketches the history of the fashions and attitudes that have shaped our fields and gardens, showing that what we keep out of them is just as fascinating as what we put in.},
bibtype = {book},
author = {Edwards, Nina}
}
We spray them, pluck them and bury them under mulch, and we curse their resilience when they spring back into place. To most of us, weeds can seem nothing more than intruders in gardens, farms and city streets. They spring up unwanted and are hastily removed without a second thought. Superweeds are characterized as malevolent trespassers, intent on destroying humanity’s carefully cultivated allotments and trails. But the idea of the weed is a slippery one, constantly changing according to different needs, fashions and contexts. In a well-ordered field of corn, a scarlet poppy is a bright red intruder, but in other parts of the world it is an important cultural symbol, a potent and lucrative pharmaceutical source, or simply a beautiful ornament. Fat hen, which today we consider a pest, was in Neolithic times a staple crop, its seeds an important source of nutrition. Weeds sketches the history of the fashions and attitudes that have shaped our fields and gardens, showing that what we keep out of them is just as fascinating as what we put in.
Tulip.
Fisher, C.
Reaktion Books, 2017.
link bibtex abstract
link bibtex abstract
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city = {London},
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abstract = {Wild tulips originally grew across Asia, often on the slopes of remote mountain ranges; the malleable genes of these progenitors gave rise to tulips’ unrivalled variety of colour and form. In Tulip, Celia Fisher traces the story of this important and highly popular plant, from its mountain beginnings to its cultivation in the gardens of Mughal, Persian and Ottoman potentates, and its migration from East to West along the silk trading routes. Cultivated oriental hybrids reached European gardens in the sixteenth century, and their unique, intensely saturated petal colour, combined with their rarity, meant that they rapidly became a coveted luxury item in the Netherlands. Tulips in fact inspired such a frenzy among aristocratic collectors that they caused the first economic bubble, which peaked in 1637 and became known as ‘tulipomania’. The book explores the art and literature that tulips have inspired through history, from Dutch Masters, to Alexandre Dumas’ novel The Black Tulip, to the contemporary artist Gordon Cheung setting exotically streaked tulips alongside the Financial Times. Fisher also describes the tulip’s botanical characteristics, as well as the main, and most intriguing, species (which are still being counted, and well over a hundred have been named). Tulips may yet have the last laugh, however, because recent genetic studies have raised questions about their origins and classification. Tulip is a stunningly illustrated botanical and cultural history of the much-loved bloom, and will appeal to all who admire and grow this beautiful flower.},
bibtype = {book},
author = {Fisher, Celia}
}
Wild tulips originally grew across Asia, often on the slopes of remote mountain ranges; the malleable genes of these progenitors gave rise to tulips’ unrivalled variety of colour and form. In Tulip, Celia Fisher traces the story of this important and highly popular plant, from its mountain beginnings to its cultivation in the gardens of Mughal, Persian and Ottoman potentates, and its migration from East to West along the silk trading routes. Cultivated oriental hybrids reached European gardens in the sixteenth century, and their unique, intensely saturated petal colour, combined with their rarity, meant that they rapidly became a coveted luxury item in the Netherlands. Tulips in fact inspired such a frenzy among aristocratic collectors that they caused the first economic bubble, which peaked in 1637 and became known as ‘tulipomania’. The book explores the art and literature that tulips have inspired through history, from Dutch Masters, to Alexandre Dumas’ novel The Black Tulip, to the contemporary artist Gordon Cheung setting exotically streaked tulips alongside the Financial Times. Fisher also describes the tulip’s botanical characteristics, as well as the main, and most intriguing, species (which are still being counted, and well over a hundred have been named). Tulips may yet have the last laugh, however, because recent genetic studies have raised questions about their origins and classification. Tulip is a stunningly illustrated botanical and cultural history of the much-loved bloom, and will appeal to all who admire and grow this beautiful flower.
Sunflowers.
Harris, S., A.
Reaktion Books, 2018.
link bibtex abstract
link bibtex abstract
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abstract = {"Sunflowers" are the most recognizable members of the world’s largest family of plants, Asteraceae, which includes lettuce, chrysanthemums, asters, dahlias and weeds. The sunflower family is found in almost all habitats, from the driest deserts through grasslands and the tallest mountains to urban wastelands, and includes more than 32,000 species. The family has become a part of our literary and visual cultures, inspiring artists such as Vincent van Gogh, and is used by advertisers to promote countless products. It produces hugely popular and economically valuable ornamental flowers, as well as familiar flavourings such as tarragon and artemisia, and sunflowers are also used in the production of antimalarial drugs, artificial sweeteners, insecticides and fish poisons. "Sunflowers" unravels the interplay between the biology of sunflowers and human cultures over the last 6,000 years. It explores our fascination with the family and how our uses of the plants have changed over millennia. Illustrated with many rarely seen images of the sunflower family, this beautiful volume will appeal to those looking for a new, surprising perspective on familiar flowers.},
bibtype = {book},
author = {Harris, Stephen A.}
}
"Sunflowers" are the most recognizable members of the world’s largest family of plants, Asteraceae, which includes lettuce, chrysanthemums, asters, dahlias and weeds. The sunflower family is found in almost all habitats, from the driest deserts through grasslands and the tallest mountains to urban wastelands, and includes more than 32,000 species. The family has become a part of our literary and visual cultures, inspiring artists such as Vincent van Gogh, and is used by advertisers to promote countless products. It produces hugely popular and economically valuable ornamental flowers, as well as familiar flavourings such as tarragon and artemisia, and sunflowers are also used in the production of antimalarial drugs, artificial sweeteners, insecticides and fish poisons. "Sunflowers" unravels the interplay between the biology of sunflowers and human cultures over the last 6,000 years. It explores our fascination with the family and how our uses of the plants have changed over millennia. Illustrated with many rarely seen images of the sunflower family, this beautiful volume will appeal to those looking for a new, surprising perspective on familiar flowers.
Snowdrop.
Harland, G.
Reaktion, 2016.
link bibtex abstract
link bibtex abstract
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title = {Snowdrop},
type = {book},
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city = {London},
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abstract = {Quietly elegant flowers dressed in simple white and green, snowdrops look too fragile to cope with wintery weather. They are however very resilient and are treasured by gardeners for their ability to flower early in the horticultural year. In Snowdrop Gail Harland explores how they have been used by non-gardeners too, as symbols of purity and of hope and consolation. In Victorian Britain snowdrop bands encouraged chastity among young women; today snowdrops are used as the symbols of several charities. Snowdrops are commonly found in flower paintings from the sixteenth century onwards and frequently appear in poetry and prose. Medicinally they are a source of galantamine, used in the treatment of Alzheimer’s disease. The gentle beauty of the snowdrop may have attracted the attention of poets and artists for centuries but today snowdrops are more popular than ever before, with record-breaking sums being reached for individual bulbs. The rise of snowdrop enthusiasts, known as galanthophiles, has been much commented on and an expanding number of snowdrop events draw fans from around the world to discuss, admire and buy specimens of these enchanting plants.},
bibtype = {book},
author = {Harland, Gail}
}
Quietly elegant flowers dressed in simple white and green, snowdrops look too fragile to cope with wintery weather. They are however very resilient and are treasured by gardeners for their ability to flower early in the horticultural year. In Snowdrop Gail Harland explores how they have been used by non-gardeners too, as symbols of purity and of hope and consolation. In Victorian Britain snowdrop bands encouraged chastity among young women; today snowdrops are used as the symbols of several charities. Snowdrops are commonly found in flower paintings from the sixteenth century onwards and frequently appear in poetry and prose. Medicinally they are a source of galantamine, used in the treatment of Alzheimer’s disease. The gentle beauty of the snowdrop may have attracted the attention of poets and artists for centuries but today snowdrops are more popular than ever before, with record-breaking sums being reached for individual bulbs. The rise of snowdrop enthusiasts, known as galanthophiles, has been much commented on and an expanding number of snowdrop events draw fans from around the world to discuss, admire and buy specimens of these enchanting plants.
Rose.
Horwood, C.
Reaktion Books, 2018.
link bibtex abstract
link bibtex abstract
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title = {Rose},
type = {book},
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city = {London},
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abstract = {The rose is the world’s favourite flower – and always has been. It is the greatest floral symbol of love and romance the world over, and touches people’s hearts at many points in their lives as the flower most often chosen to celebrate significant milestones – weddings, anniversaries, births and deaths. This book traces the journey of the rose across the centuries, from battles to bouquets, charting its botanical, religious, literary and artistic history. From Cleopatra’s rose-petal-filled bed to Nijinsky’s Spectre de la rose, from the highly prized attar of rose oil so beloved by the ancient Persians to top-brand perfume labels today, and from Shakespearean myths about the Wars of the Roses to the significance of Queen Elizabeth i’s embroidered dresses, Rose encapsulates the story of what makes this botanical family so loved. Using historical, literary and botanical sources from the world’s major rose-growing nations, with vibrant illustrations from across the centuries and tales of medieval best-sellers, nurserymen’s rivalries and changing tastes in the flower bed, Rose will be a delight to read for both the gardener and non-gardener alike.},
bibtype = {book},
author = {Horwood, Catherine}
}
The rose is the world’s favourite flower – and always has been. It is the greatest floral symbol of love and romance the world over, and touches people’s hearts at many points in their lives as the flower most often chosen to celebrate significant milestones – weddings, anniversaries, births and deaths. This book traces the journey of the rose across the centuries, from battles to bouquets, charting its botanical, religious, literary and artistic history. From Cleopatra’s rose-petal-filled bed to Nijinsky’s Spectre de la rose, from the highly prized attar of rose oil so beloved by the ancient Persians to top-brand perfume labels today, and from Shakespearean myths about the Wars of the Roses to the significance of Queen Elizabeth i’s embroidered dresses, Rose encapsulates the story of what makes this botanical family so loved. Using historical, literary and botanical sources from the world’s major rose-growing nations, with vibrant illustrations from across the centuries and tales of medieval best-sellers, nurserymen’s rivalries and changing tastes in the flower bed, Rose will be a delight to read for both the gardener and non-gardener alike.
Rhododendron.
Milne, R.
Reaktion Books, 2017.
link bibtex abstract
link bibtex abstract
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abstract = {Has a group of plants ever inspired such love in some, and hatred in others, as rhododendrons? Their propensity towards sexual infidelity makes them popular with horticultural breeders, and early plant collectors faced mortal peril to bring stunning new species back to life. They can clothe whole hillsides or gardens with colour. But there is a darker side to these plants. Numerous Chinese folk tales link them with tragedy and death. They can poison livestock and intoxicate humans, and their narcotic honey has been used as a weapon of war. Rhododendron ponticum has run riot across the British countryside, but the full story of this implacable invader contains many surprises. Richard Milne explores the many ways in which rhododendrons have influenced human societies, relating this to the extraordinary story of the plants’ evolution. Tales are told of mythical figures, intrepid collectors and eccentric plant breeders. Over a thousand species exist, ranging from rugged trees on Himalayan slopes to rock-hugging alpines. However much you know about rhododendrons, this book will tell you something new.},
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Has a group of plants ever inspired such love in some, and hatred in others, as rhododendrons? Their propensity towards sexual infidelity makes them popular with horticultural breeders, and early plant collectors faced mortal peril to bring stunning new species back to life. They can clothe whole hillsides or gardens with colour. But there is a darker side to these plants. Numerous Chinese folk tales link them with tragedy and death. They can poison livestock and intoxicate humans, and their narcotic honey has been used as a weapon of war. Rhododendron ponticum has run riot across the British countryside, but the full story of this implacable invader contains many surprises. Richard Milne explores the many ways in which rhododendrons have influenced human societies, relating this to the extraordinary story of the plants’ evolution. Tales are told of mythical figures, intrepid collectors and eccentric plant breeders. Over a thousand species exist, ranging from rugged trees on Himalayan slopes to rock-hugging alpines. However much you know about rhododendrons, this book will tell you something new.
Primrose.
Lawson, E.
Reaktion Books, 2019.
link bibtex abstract
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abstract = {For centuries the common primrose has spread breathtaking carpets of pale lemon yellow across the globe. They are flowers of the field, hedgerow and meadow, and one of the most important garden flowers. Abundant, edible and beneficial for many ailments, they have supported civilization’s social and cultural foundations. As harbingers of spring, they have captured the attention of gardeners, plant breeders and scientists, while artists and poets have found them essential as both subject matter and muse; William Shakespeare introduced us to the ‘the primrose path’, a pleasurable but destructive route, in several of his plays, and Charles Darwin spent over 30 years working with primroses to solve an elegant evolutionary mystery. This is the story of how primroses became so successful, circling the Earth, adapting to human civilization, and yet holding their own on inaccessible craggy summits where they may never be seen. Bringing together stories, facts and folklore from around the world, this is a delightful guide to this hugely popular flower.},
bibtype = {book},
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For centuries the common primrose has spread breathtaking carpets of pale lemon yellow across the globe. They are flowers of the field, hedgerow and meadow, and one of the most important garden flowers. Abundant, edible and beneficial for many ailments, they have supported civilization’s social and cultural foundations. As harbingers of spring, they have captured the attention of gardeners, plant breeders and scientists, while artists and poets have found them essential as both subject matter and muse; William Shakespeare introduced us to the ‘the primrose path’, a pleasurable but destructive route, in several of his plays, and Charles Darwin spent over 30 years working with primroses to solve an elegant evolutionary mystery. This is the story of how primroses became so successful, circling the Earth, adapting to human civilization, and yet holding their own on inaccessible craggy summits where they may never be seen. Bringing together stories, facts and folklore from around the world, this is a delightful guide to this hugely popular flower.
Poppy.
Lack, A.
Reaktion Books, 2016.
link bibtex abstract
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abstract = {The poppy is the classic cornfield plant. Throughout history it has been one of the most successful of all agricultural weeds. Its brilliant colour has made it one of our best-known plants – it is beloved of artists and poets, though often hated by farmers. But its origins are obscure; it seems entirely confined to agricultural and marginal land, wherever it is found. Where was it before the inception of agriculture? And how is it that it is almost unique in its colour among the flowers of northern Europe? In "Poppy" Andrew Lack explores all aspects of one of our most familiar but declining flowers, combining history and biology with symbolic associations and connections with the arts. He describes why the poppy is so intimately associated with war and remembrance, and tells remarkable stories about the different varieties: the opium poppy, one of the oldest of narcotics, has had a profound influence on human history; the phrase ‘tall poppy syndrome’ is now used to describe envy of the success of a peer; and in many countries the poppy has come to symbolize weddings or death.},
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The poppy is the classic cornfield plant. Throughout history it has been one of the most successful of all agricultural weeds. Its brilliant colour has made it one of our best-known plants – it is beloved of artists and poets, though often hated by farmers. But its origins are obscure; it seems entirely confined to agricultural and marginal land, wherever it is found. Where was it before the inception of agriculture? And how is it that it is almost unique in its colour among the flowers of northern Europe? In "Poppy" Andrew Lack explores all aspects of one of our most familiar but declining flowers, combining history and biology with symbolic associations and connections with the arts. He describes why the poppy is so intimately associated with war and remembrance, and tells remarkable stories about the different varieties: the opium poppy, one of the oldest of narcotics, has had a profound influence on human history; the phrase ‘tall poppy syndrome’ is now used to describe envy of the success of a peer; and in many countries the poppy has come to symbolize weddings or death.
Pine.
Mason, L.
Reaktion Books, 2013.
link bibtex abstract
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abstract = {Resilient and tenacious, pine trees deserve our admiration. They have been the subjects of artists for centuries, particularly in China and Japan, where they symbolize wisdom and longevity. Pine symbolism runs deep in many cultures from East to West, from antiquity to the present: pine-cone staffs were carried by the worshippers of Bacchus in the classical world, and photographs of the majestic pine trees in the Yosemite Valley inspired the movement to establish national parks in nineteenth-century North America. The natural history of pine trees underlines their ability to survive in difficult environments, and their botany still puzzles and intrigues scientists. Their resin provided adhesives, waterproofing agents and medicines before oil derivatives and modern pharmaceuticals were developed. Their wood is ubiquitous, incorporated into buildings, furniture and paper pulp, and their cones fascinate with their complex shapes and provide pine nuts for animals and humans. Pine trees have inspired artists, writers, film-makers and photographers throughout history.},
bibtype = {book},
author = {Mason, Laura}
}
Resilient and tenacious, pine trees deserve our admiration. They have been the subjects of artists for centuries, particularly in China and Japan, where they symbolize wisdom and longevity. Pine symbolism runs deep in many cultures from East to West, from antiquity to the present: pine-cone staffs were carried by the worshippers of Bacchus in the classical world, and photographs of the majestic pine trees in the Yosemite Valley inspired the movement to establish national parks in nineteenth-century North America. The natural history of pine trees underlines their ability to survive in difficult environments, and their botany still puzzles and intrigues scientists. Their resin provided adhesives, waterproofing agents and medicines before oil derivatives and modern pharmaceuticals were developed. Their wood is ubiquitous, incorporated into buildings, furniture and paper pulp, and their cones fascinate with their complex shapes and provide pine nuts for animals and humans. Pine trees have inspired artists, writers, film-makers and photographers throughout history.
Palm.
Gray, F.
Reaktion Books, 2018.
link bibtex abstract
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abstract = {The extraordinary palm: diverse, prolific, essential, symbolic and often sacred, exotic – and at times erotic – exploited and controversial. The signature plant of the tropics and subtropics, these record-breaking botanicals produce the world’s biggest and heaviest seed, the longest leaf and the longest stem. Over thousands of years, palms sustained rainforest communities and were bound up with the development of ancient civilizations. They gained mystical and religious meanings and became a plant of abstractions and fantasies, a symbol of being at leisure, away from civilization and closer to nature – and at times of danger and devastation. In the nineteenth century capitalism used palm products to lubricate industry and cleanse empires. Iconic palm houses put on show this exceptional vegetative performer. Far from its natural homelands, it nowadays clothes and glamorizes an astonishing diversity of landscapes. Today oils from palms are consumed daily by millions of people worldwide. The plant is embedded in modern consumer societies, but mired in environmental controversy over the destruction of rainforests. },
bibtype = {book},
author = {Gray, Fred}
}
The extraordinary palm: diverse, prolific, essential, symbolic and often sacred, exotic – and at times erotic – exploited and controversial. The signature plant of the tropics and subtropics, these record-breaking botanicals produce the world’s biggest and heaviest seed, the longest leaf and the longest stem. Over thousands of years, palms sustained rainforest communities and were bound up with the development of ancient civilizations. They gained mystical and religious meanings and became a plant of abstractions and fantasies, a symbol of being at leisure, away from civilization and closer to nature – and at times of danger and devastation. In the nineteenth century capitalism used palm products to lubricate industry and cleanse empires. Iconic palm houses put on show this exceptional vegetative performer. Far from its natural homelands, it nowadays clothes and glamorizes an astonishing diversity of landscapes. Today oils from palms are consumed daily by millions of people worldwide. The plant is embedded in modern consumer societies, but mired in environmental controversy over the destruction of rainforests.
Oak.
Young, P.
Reaktion Books, 2012.
link bibtex abstract
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abstract = {The reputation of the oak is based not on superlatives but on personality. In human terms, it is not a celebrity, but a reliable citizen. Its enduring legacy is evident in place- and surnames, in landmarks and buildings and as a sturdy staple of engineering material. More than any other tree, the oak has been a symbol of strength and durability. Venerated in pagan societies, elements of its worship were absorbed by other religions: Celtic mythology, for example, where it is believed to be a gateway between worlds; or Norse, where it is sacred to Thor, god of thunder, as the tree most often struck by lightning. The oak has been adopted by many countries as a national symbol, particularly in western Europe and the United States. Several individual oaks are of great historical importance, such as the Royal Oak within which King Charles II of England hid to escape the Roundheads, and the Charter Oak in Hartford, Connecticut, which became a symbol of American independence.},
bibtype = {book},
author = {Young, Peter}
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The reputation of the oak is based not on superlatives but on personality. In human terms, it is not a celebrity, but a reliable citizen. Its enduring legacy is evident in place- and surnames, in landmarks and buildings and as a sturdy staple of engineering material. More than any other tree, the oak has been a symbol of strength and durability. Venerated in pagan societies, elements of its worship were absorbed by other religions: Celtic mythology, for example, where it is believed to be a gateway between worlds; or Norse, where it is sacred to Thor, god of thunder, as the tree most often struck by lightning. The oak has been adopted by many countries as a national symbol, particularly in western Europe and the United States. Several individual oaks are of great historical importance, such as the Royal Oak within which King Charles II of England hid to escape the Roundheads, and the Charter Oak in Hartford, Connecticut, which became a symbol of American independence.
Mulberry.
Coles, P.
Reaktion Books, 2019.
link bibtex abstract
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title = {Mulberry},
type = {book},
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abstract = {Since Antiquity few trees have had a greater impact on the world’s culture and economy than the mulberry. The sole food of the silkworm, the leaves of the mulberry brought prosperity not only to ancient China, but to all nations that learned the art of silk production. Mulberry bark was used to make the first paper and the succulent, blood-red fruit of the Black Mulberry has inspired poets from Ovid to Shakespeare. The medicinal properties of all parts of the tree have been known for millennia, making it a tree of choice for medieval monastery gardens, while its anti-diabetic effects are opening exciting avenues of research today. This sumptuously illustrated book tells the remarkable story of the mulberry tree and its migrations from China and Central Asia to almost every continent of the globe. It will appeal to all who wish to know more of the rich history of this emblematic tree.},
bibtype = {book},
author = {Coles, Peter}
}
Since Antiquity few trees have had a greater impact on the world’s culture and economy than the mulberry. The sole food of the silkworm, the leaves of the mulberry brought prosperity not only to ancient China, but to all nations that learned the art of silk production. Mulberry bark was used to make the first paper and the succulent, blood-red fruit of the Black Mulberry has inspired poets from Ovid to Shakespeare. The medicinal properties of all parts of the tree have been known for millennia, making it a tree of choice for medieval monastery gardens, while its anti-diabetic effects are opening exciting avenues of research today. This sumptuously illustrated book tells the remarkable story of the mulberry tree and its migrations from China and Central Asia to almost every continent of the globe. It will appeal to all who wish to know more of the rich history of this emblematic tree.
Lily.
Reis, M.
Reaktion Books, 2013.
link bibtex abstract
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abstract = {The lily is a flower of contradictions: it represents both life and death, appearing at weddings as well as funerals. In their pure white form, lilies are a symbol of innocence, chastity and purity of heart, but the highly fragrant and intensely coloured lilies symbolize passion. In Lily, Marcia Reiss explores these paradoxes, tracing the flower’s cultural significance in art, literature, religion and popular culture throughout history. From the tomb carvings of ancient Egypt to the paintings of Claude Monet, Georgia O’Keeffe and Salvador Dalí, the lily has been an object of fascination and obsession around the world. An exotic luxury in Western horticulture, for centuries lilies have also been a source of food and medicine in China. Whether true lilies, or the wide variety of flowers popularly known as lilies – including daylilies, lilies of the valley, water lilies and calla lilies – these flowers have featured in some of the greatest gardens in the world, from the earthly paradises of Islam to the ordered perfection of Versailles and the naturalistic fantasies of vast English estates.},
bibtype = {book},
author = {Reis, Marcia}
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The lily is a flower of contradictions: it represents both life and death, appearing at weddings as well as funerals. In their pure white form, lilies are a symbol of innocence, chastity and purity of heart, but the highly fragrant and intensely coloured lilies symbolize passion. In Lily, Marcia Reiss explores these paradoxes, tracing the flower’s cultural significance in art, literature, religion and popular culture throughout history. From the tomb carvings of ancient Egypt to the paintings of Claude Monet, Georgia O’Keeffe and Salvador Dalí, the lily has been an object of fascination and obsession around the world. An exotic luxury in Western horticulture, for centuries lilies have also been a source of food and medicine in China. Whether true lilies, or the wide variety of flowers popularly known as lilies – including daylilies, lilies of the valley, water lilies and calla lilies – these flowers have featured in some of the greatest gardens in the world, from the earthly paradises of Islam to the ordered perfection of Versailles and the naturalistic fantasies of vast English estates.
Grasses.
Harris, S., A.
Reaktion Books, 2014.
link bibtex abstract
link bibtex abstract
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title = {Grasses},
type = {book},
year = {2014},
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abstract = {"Grasses" cover approximately one-quarter of the planet’s land surface; four species – wheat, rice, maize and sugar – provide 60 per cent of human calorie intake. Almost all of us at some point play on, relax on, plant, tend or harvest grasses for our own pleasure or sustenance, yet for all that their importance to us is not commonly understood. It is predicted that by 2050 the world’s population will be approximately 9 billion, and 90 per cent of the planet’s land area will be affected by human activities. To feed ourselves we will be more dependent on grasses than ever before. "Grasses" explains the history of our relationship with these humble yet vital plants from the end of the last Ice Age to the present day. Perhaps more than any other plant, grasses show the effects of human influence: farmed on a massive scale, they are the ultimate staple crop. In turn we are also influenced by grasses, often fighting to preserve our ‘green space’ and public parks. Stephen Harris describes this relationship against the background of our heightened awareness of climate change: in the future we will have to balance our needs of grass as food, grass as living space and potentially even grass as fuel. Mixing biology, sociology and cultural history, "Grasses" provides us with arguably the fullest exploration yet of what grasses mean and have meant: their profound importance to our survival but also to our pleasure, our diets and our minds. Featuring numerous botanical images as well as many fine examples from art and popular culture, "Grasses" is a must-have for gardeners, food lovers and environmentalists alike.},
bibtype = {book},
author = {Harris, Stephen A.}
}
"Grasses" cover approximately one-quarter of the planet’s land surface; four species – wheat, rice, maize and sugar – provide 60 per cent of human calorie intake. Almost all of us at some point play on, relax on, plant, tend or harvest grasses for our own pleasure or sustenance, yet for all that their importance to us is not commonly understood. It is predicted that by 2050 the world’s population will be approximately 9 billion, and 90 per cent of the planet’s land area will be affected by human activities. To feed ourselves we will be more dependent on grasses than ever before. "Grasses" explains the history of our relationship with these humble yet vital plants from the end of the last Ice Age to the present day. Perhaps more than any other plant, grasses show the effects of human influence: farmed on a massive scale, they are the ultimate staple crop. In turn we are also influenced by grasses, often fighting to preserve our ‘green space’ and public parks. Stephen Harris describes this relationship against the background of our heightened awareness of climate change: in the future we will have to balance our needs of grass as food, grass as living space and potentially even grass as fuel. Mixing biology, sociology and cultural history, "Grasses" provides us with arguably the fullest exploration yet of what grasses mean and have meant: their profound importance to our survival but also to our pleasure, our diets and our minds. Featuring numerous botanical images as well as many fine examples from art and popular culture, "Grasses" is a must-have for gardeners, food lovers and environmentalists alike.
Geranium.
Boddy, K.
Reaktion Books, 2012.
link bibtex abstract
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abstract = {Reaktion’s new ‘Botanical’ series is the first of its kind, integrating horticultural and botanical writing with a broader account of the cultural and social impact of plants. In that sense, the South African geranium (the enduring, if confusing, common name for the genus Pelargonium) is perhaps the perfect plant to inaugurate the series. The story of the geranium’s inexorable rise encompasses many other historical narratives: from plant hunting to commercial cultivation; from the role of plants in alternative medicine and the philanthropic imagination to changing styles in horticultural fashion. Geraniums were first collected by seventeenth-century Dutch plant hunters on the sandy flats near present-day Cape Town, and before long wealthy collectors and enterprising nurserymen were competing for this latest rarity to grace their hothouses. But the geranium was not destined to be a fashionable exotic for long: scarlet hybrids were soon to be found on every cottage windowsill and in every park bedding display, and the horticultural backlash began. Today geraniums can be found throughout the world, their widespread use in food and perfume manufacture as well as floral display exemplifying the global industrialization of plant production.},
bibtype = {book},
author = {Boddy, Kasia}
}
Reaktion’s new ‘Botanical’ series is the first of its kind, integrating horticultural and botanical writing with a broader account of the cultural and social impact of plants. In that sense, the South African geranium (the enduring, if confusing, common name for the genus Pelargonium) is perhaps the perfect plant to inaugurate the series. The story of the geranium’s inexorable rise encompasses many other historical narratives: from plant hunting to commercial cultivation; from the role of plants in alternative medicine and the philanthropic imagination to changing styles in horticultural fashion. Geraniums were first collected by seventeenth-century Dutch plant hunters on the sandy flats near present-day Cape Town, and before long wealthy collectors and enterprising nurserymen were competing for this latest rarity to grace their hothouses. But the geranium was not destined to be a fashionable exotic for long: scarlet hybrids were soon to be found on every cottage windowsill and in every park bedding display, and the horticultural backlash began. Today geraniums can be found throughout the world, their widespread use in food and perfume manufacture as well as floral display exemplifying the global industrialization of plant production.
Chrysanthemum.
Way, T.
Reaktion Books, 2020.
link bibtex abstract
link bibtex abstract
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type = {book},
year = {2020},
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abstract = {Forthcoming.
Drawing its allure from the gold of the sun and the rule of emperors, the chrysanthemum winds its way through ancient Chinese culture into the gardens of French Impressionist painters and onto the pages of American novels. The flower signifies both life and death, as parts of Europe associate it with mourning while others celebrate it for its golden rays that light the autumnal gloom. In this fascinating book, Twigs Way follows the fortunes of the flower through philosophy, art, literature and death, recounting the stories of the men and women who became captivated by it. With a range of vibrant illustrations, including works by Hiroshige, Monet and Mondrian, it will appeal to lovers of art, flowers, history and culture.},
bibtype = {book},
author = {Way, Twigs}
}
Forthcoming.
Drawing its allure from the gold of the sun and the rule of emperors, the chrysanthemum winds its way through ancient Chinese culture into the gardens of French Impressionist painters and onto the pages of American novels. The flower signifies both life and death, as parts of Europe associate it with mourning while others celebrate it for its golden rays that light the autumnal gloom. In this fascinating book, Twigs Way follows the fortunes of the flower through philosophy, art, literature and death, recounting the stories of the men and women who became captivated by it. With a range of vibrant illustrations, including works by Hiroshige, Monet and Mondrian, it will appeal to lovers of art, flowers, history and culture.
Carnivorous Plants.
Torre, D.
Reaktion Books, 2019.
link bibtex abstract
link bibtex abstract
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abstract = {Carnivorous plants are a unique group, possessing modified leaves to trap, kill and consume small creatures. As a result they are often depicted as killers in films and literature, yet others regard them as exotic and beautiful specimens to collect and display. In this abundantly illustrated and highly entertaining book, Dan Torre describes the evolution, structure and scientific background of carnivorous plants. He also shows how they have inspired our imagination, examining their cultural and social history, and how they have been represented in art, literature, cinema, animation and popular culture.},
bibtype = {book},
author = {Torre, Dan}
}
Carnivorous plants are a unique group, possessing modified leaves to trap, kill and consume small creatures. As a result they are often depicted as killers in films and literature, yet others regard them as exotic and beautiful specimens to collect and display. In this abundantly illustrated and highly entertaining book, Dan Torre describes the evolution, structure and scientific background of carnivorous plants. He also shows how they have inspired our imagination, examining their cultural and social history, and how they have been represented in art, literature, cinema, animation and popular culture.
Carnation.
Way, T.
Reaktion Books, 2016.
link bibtex abstract
link bibtex abstract
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abstract = {Carnations permeate our culture from the wedding bed to the funeral wreath. Derided in Shakespeare as ‘nature’s bastards’, they challenged the tulip as the florist’s favourite flower, and went on to give their blessing to both a military coup and a Soho night club. Spanning the world from the gardens of the Ottoman Empire to the Mothers’ Day traditions of America via Chinese medicines and French empresses, Carnation is the first book to tell the cultural history of this hugely important flower. Twigs Way traces the trials and tribulations of early breeders, the florists’ fascination with striped and spotted varieties, delightful names such as the ‘Lustie Gallant’ and the ‘Bleeding Swain’, and the symbolism of the red, white and even the green carnation, which was made famous by Oscar Wilde. Those who appreciate the carnation’s glorious scent, both sensuous and soothing, will delight in the knowledge that the carnation can heal body and mind, used by herbalists in Europe and China. As it ranges from the traditions of the medieval marriage bed to Renaissance paintings of the Madonna and Child, this lavishly illustrated book will entertain anyone with an interest in history, art or culture. It is full of unexpected delights that will charm the mind and invigorate the senses – just like the carnation itself.},
bibtype = {book},
author = {Way, Twigs}
}
Carnations permeate our culture from the wedding bed to the funeral wreath. Derided in Shakespeare as ‘nature’s bastards’, they challenged the tulip as the florist’s favourite flower, and went on to give their blessing to both a military coup and a Soho night club. Spanning the world from the gardens of the Ottoman Empire to the Mothers’ Day traditions of America via Chinese medicines and French empresses, Carnation is the first book to tell the cultural history of this hugely important flower. Twigs Way traces the trials and tribulations of early breeders, the florists’ fascination with striped and spotted varieties, delightful names such as the ‘Lustie Gallant’ and the ‘Bleeding Swain’, and the symbolism of the red, white and even the green carnation, which was made famous by Oscar Wilde. Those who appreciate the carnation’s glorious scent, both sensuous and soothing, will delight in the knowledge that the carnation can heal body and mind, used by herbalists in Europe and China. As it ranges from the traditions of the medieval marriage bed to Renaissance paintings of the Madonna and Child, this lavishly illustrated book will entertain anyone with an interest in history, art or culture. It is full of unexpected delights that will charm the mind and invigorate the senses – just like the carnation itself.
Cannabis.
Duvall, C.
Reaktion Books, 2014.
link bibtex abstract
link bibtex abstract
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abstract = {Cannabis, one of humanity’s first domesticated plants, has been utilized for spiritual, therapeutic, recreational and even punitive reasons for thousands of years. Humans have excellent practical knowledge of the uses of cannabis, yet limited understanding of its sociocultural consequences, past or present, due to its widespread prohibition. In "Cannabis" Chris Duvall explores the cultural history and geography of humanity’s most widely distributed crop, which supplies both hemp and marijuana. This book focuses on the plant’s currently most valuable product, the psychoactive drug marijuana, and at the same time provides a global view of the plant, with coverage of little-studied regions including Africa and Australia. "Cannabis" also covers the history of hemp and its use as a fibre source for ropes and textiles, as a source of edible hempseeds and as a source of industrial oil for paints and fuel. This book does not advocate either the prohibition or legalization of the drug but challenges received wisdom on both sides of the debate. Cannabis explores and analyses a wide range of sources to provide a better understanding of its current prohibition, as well as of the diversity of human–cannabis relationships across the globe. This, the author argues, is necessary to redress the oversimplistic portrayals of marijuana and hemp that have dominated discourse on the subject, and ultimately to improve how the crop is managed worldwide. This highly accessible, richly illustrated volume is an essential read given rapidly evolving debates about legality and in light of changes in the criminalization of marijuana in Uruguay, some U.S. states and other jurisdictions worldwide.},
bibtype = {book},
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Cannabis, one of humanity’s first domesticated plants, has been utilized for spiritual, therapeutic, recreational and even punitive reasons for thousands of years. Humans have excellent practical knowledge of the uses of cannabis, yet limited understanding of its sociocultural consequences, past or present, due to its widespread prohibition. In "Cannabis" Chris Duvall explores the cultural history and geography of humanity’s most widely distributed crop, which supplies both hemp and marijuana. This book focuses on the plant’s currently most valuable product, the psychoactive drug marijuana, and at the same time provides a global view of the plant, with coverage of little-studied regions including Africa and Australia. "Cannabis" also covers the history of hemp and its use as a fibre source for ropes and textiles, as a source of edible hempseeds and as a source of industrial oil for paints and fuel. This book does not advocate either the prohibition or legalization of the drug but challenges received wisdom on both sides of the debate. Cannabis explores and analyses a wide range of sources to provide a better understanding of its current prohibition, as well as of the diversity of human–cannabis relationships across the globe. This, the author argues, is necessary to redress the oversimplistic portrayals of marijuana and hemp that have dominated discourse on the subject, and ultimately to improve how the crop is managed worldwide. This highly accessible, richly illustrated volume is an essential read given rapidly evolving debates about legality and in light of changes in the criminalization of marijuana in Uruguay, some U.S. states and other jurisdictions worldwide.
Cactus.
Torre, D.
Reaktion Books, 2017.
link bibtex abstract
link bibtex abstract
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abstract = {Cacti are full of contradictions. They can be found in some of the harshest, driest and most barren environments on earth, yet some are delicate tropical plants that grow high among the branches of the rainforest canopy. Many cacti bristle with ferocious-looking spines, while others are completely bare. Nearly all exhibit remarkable floral displays – some having flowers that are even larger than the plant itself. Cacti have played a prominent role in human history for thousands of years. Some species were revered by ancient civilizations, playing a part in their religious ceremonies; other varieties have been heavily cultivated for food or for the production of the bright red dye cochineal – which is actually derived from a parasitic insect that feeds on the prickly pear cactus. Native to the American continents, cacti have spread worldwide and have become an important feature in many gardens and collections. Although not often in the culinary forefront of people’s minds, a number of varieties of cacti are delicious to eat – ‘dragon fruit’, produced by the cactus species Hylocereus undatus, is fast becoming one of the world’s most popular tropical treats.},
bibtype = {book},
author = {Torre, Dan}
}
Cacti are full of contradictions. They can be found in some of the harshest, driest and most barren environments on earth, yet some are delicate tropical plants that grow high among the branches of the rainforest canopy. Many cacti bristle with ferocious-looking spines, while others are completely bare. Nearly all exhibit remarkable floral displays – some having flowers that are even larger than the plant itself. Cacti have played a prominent role in human history for thousands of years. Some species were revered by ancient civilizations, playing a part in their religious ceremonies; other varieties have been heavily cultivated for food or for the production of the bright red dye cochineal – which is actually derived from a parasitic insect that feeds on the prickly pear cactus. Native to the American continents, cacti have spread worldwide and have become an important feature in many gardens and collections. Although not often in the culinary forefront of people’s minds, a number of varieties of cacti are delicious to eat – ‘dragon fruit’, produced by the cactus species Hylocereus undatus, is fast becoming one of the world’s most popular tropical treats.
Birch.
Lewington, A.
Reaktion Books, 2018.
link bibtex abstract
link bibtex abstract
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year = {2018},
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abstract = {Elegant and beautiful, rich in history and supremely useful, birches have played an extraordinary yet largely unrecognized part in shaping both our natural environment and the material culture and beliefs of millions of people around the world. For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to housing and transport, musical instruments and medicines, as well as a means to communicate and record sacred beliefs: some of our most ancient Buddhist texts and other historic documents are written on birch bark. Birches have not only shaped regional cultures – creating, for example, the Native American wigwam and the birch bark canoe – but continue to supply raw materials of global economic importance today.},
bibtype = {book},
author = {Lewington, Anna}
}
Elegant and beautiful, rich in history and supremely useful, birches have played an extraordinary yet largely unrecognized part in shaping both our natural environment and the material culture and beliefs of millions of people around the world. For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to housing and transport, musical instruments and medicines, as well as a means to communicate and record sacred beliefs: some of our most ancient Buddhist texts and other historic documents are written on birch bark. Birches have not only shaped regional cultures – creating, for example, the Native American wigwam and the birch bark canoe – but continue to supply raw materials of global economic importance today.
Berries.
Dickenson, V.
Reaktion Books, 2020.
link bibtex abstract
link bibtex abstract
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abstract = {Forthcoming.
What is it about the small fruits of field and wood that encourages rapture? These gifts of the earth – flagrant in hedgerows, carpeting the forest floor or colouring the uplands – are so ubiquitous as to be commonplace and so extraordinary that we have woven them into our folklore, fables and art. Strawberries, brambles, blueberries and raspberries were painted in the frescoes of Pompeii, twined into the borders of medieval miniatures and embroidered on silks and linens. Today the huge demand for these nutrient-rich fruits is pushing berry cultivation into new territories, from South America to Scandinavia, and changing the nature of our relationship with these much-loved fruits. In this delightful, surprising and occasionally juicy exploration, Victoria Dickenson traces the humble berry’s journey across cultures and through centuries with humour and passion.},
bibtype = {book},
author = {Dickenson, Victoria}
}
Forthcoming.
What is it about the small fruits of field and wood that encourages rapture? These gifts of the earth – flagrant in hedgerows, carpeting the forest floor or colouring the uplands – are so ubiquitous as to be commonplace and so extraordinary that we have woven them into our folklore, fables and art. Strawberries, brambles, blueberries and raspberries were painted in the frescoes of Pompeii, twined into the borders of medieval miniatures and embroidered on silks and linens. Today the huge demand for these nutrient-rich fruits is pushing berry cultivation into new territories, from South America to Scandinavia, and changing the nature of our relationship with these much-loved fruits. In this delightful, surprising and occasionally juicy exploration, Victoria Dickenson traces the humble berry’s journey across cultures and through centuries with humour and passion.
Bamboo.
Lucas, S.
Reaktion Books, 2013.
link bibtex abstract
link bibtex abstract
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abstract = {Bamboo has an unparalleled history; it is very old, and at the same time very new. Numerous species of bamboo are distributed widely throughout the world, and bamboo is utilized by hundreds of millions of people in a great number of ways. As well as being used in food, clothing and shelter, it is believed that the first books were written on bamboo, and there is evidence that more than 5,000 years ago it was shaped by humans into musical instruments as well as the framework of housing. Bamboo also occurs in the creation beliefs of cultures across the globe. Bamboo plays a vital role in the survival of many animals and ecosystems as well as having unique characteristics that offer potential solutions to modern ecological dilemmas – it grows extremely quickly, for example, making it an easily renewable resource. With the advent of modern research and technologies, the use of bamboo has increased dramatically – it competes with hardwoods as home flooring and can be found in the skins of aircraft and concrete reinforcements. This book draws on a vast array of sources to build a complete picture of bamboo in both history and our modern world.},
bibtype = {book},
author = {Lucas, Susanne}
}
Bamboo has an unparalleled history; it is very old, and at the same time very new. Numerous species of bamboo are distributed widely throughout the world, and bamboo is utilized by hundreds of millions of people in a great number of ways. As well as being used in food, clothing and shelter, it is believed that the first books were written on bamboo, and there is evidence that more than 5,000 years ago it was shaped by humans into musical instruments as well as the framework of housing. Bamboo also occurs in the creation beliefs of cultures across the globe. Bamboo plays a vital role in the survival of many animals and ecosystems as well as having unique characteristics that offer potential solutions to modern ecological dilemmas – it grows extremely quickly, for example, making it an easily renewable resource. With the advent of modern research and technologies, the use of bamboo has increased dramatically – it competes with hardwoods as home flooring and can be found in the skins of aircraft and concrete reinforcements. This book draws on a vast array of sources to build a complete picture of bamboo in both history and our modern world.
Apple.
Reiss, M.
Reaktion Books, 2014.
link bibtex abstract
link bibtex abstract
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type = {book},
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abstract = {Apples have sustained, delighted and intoxicated people throughout history. This ubiquitous fruit has always been more than something to eat or drink; it is planted deep within the myths, religion and art of almost every culture. Icon of beauty, desire and sin, of wholesome country harvests, healthy eating and hidden poison, the apple is a symbol, recognized as readily as a brand of computers and a record label as it is on supermarket shelves. One of the most widely distributed fruits on the planet, spread by man, beast and bug over millions of years, today’s apples originated in the mountains of Central Asia and journeyed along the Silk Road to Europe and the New World. From the days of Charlemagne to Johnny Appleseed and the colonization of South Africa, settlers were required to plant apple orchards, leading to the development of new towns. The fruit figured in the politics of expansion and the displacement of Native Americans on the American frontier; once a seasonal fixture of every small farm, the apple is now a global commodity, produced, packaged and distributed as a mass-market item.},
bibtype = {book},
author = {Reiss, Marcia}
}
Apples have sustained, delighted and intoxicated people throughout history. This ubiquitous fruit has always been more than something to eat or drink; it is planted deep within the myths, religion and art of almost every culture. Icon of beauty, desire and sin, of wholesome country harvests, healthy eating and hidden poison, the apple is a symbol, recognized as readily as a brand of computers and a record label as it is on supermarket shelves. One of the most widely distributed fruits on the planet, spread by man, beast and bug over millions of years, today’s apples originated in the mountains of Central Asia and journeyed along the Silk Road to Europe and the New World. From the days of Charlemagne to Johnny Appleseed and the colonization of South Africa, settlers were required to plant apple orchards, leading to the development of new towns. The fruit figured in the politics of expansion and the displacement of Native Americans on the American frontier; once a seasonal fixture of every small farm, the apple is now a global commodity, produced, packaged and distributed as a mass-market item.
In the Mind of Plants (Documentary).
Mitsch, J.
2008.
Website
link
bibtex
Website
link
bibtex
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type = {misc},
year = {2008},
websites = {https://topdocumentaryfilms.com/mind-plants/},
publisher = {K Production / Gedeon Programmes},
id = {252ff3d3-d20d-35e2-a92f-5db2501c3136},
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country = {France/Germany/Japan/South Africa},
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bibtype = {misc},
author = {Mitsch, Jacques}
}
How I Became a Tree.
Roy, S.
Aleph Book Company, 2017.
Website
link
bibtex
Website
link
bibtex
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type = {book},
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city = {New Delhi},
id = {d7f1ed76-c90d-3161-be08-d76f67986921},
created = {2021-01-06T10:40:29.596Z},
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bibtype = {book},
author = {Roy, Sumana}
}
Should (Bleeding) Trees have Standing?.
Campana, J.
In Curran, K., editor(s), Renaissance Personhood: Materiality, Taxonomy, Process, pages 87-116, 2020. Edinburgh University Press
link bibtex
link bibtex
@inproceedings{
title = {Should (Bleeding) Trees have Standing?},
type = {inproceedings},
year = {2020},
pages = {87-116},
publisher = {Edinburgh University Press},
city = {Edinburgh},
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bibtype = {inproceedings},
author = {Campana, Joseph},
editor = {Curran, Kevin},
booktitle = {Renaissance Personhood: Materiality, Taxonomy, Process}
}
Becoming Botanical: Entanglements of Plant Life and Human Subjectivity in Modern Japan.
Pitt, J.
Dissertation Thesis, University of California, Berkeley, 2019.
Website
link
bibtex
abstract
2 downloads
Website
link
bibtex
abstract
2 downloads
@book{
title = {Becoming Botanical: Entanglements of Plant Life and Human Subjectivity in Modern Japan},
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year = {2019},
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publisher = {Dissertation Thesis, University of California, Berkeley},
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abstract = {URL: https://digitalassets.lib.berkeley.edu/etd/ucb/text/Pitt_berkeley_0028E_19271.pdf
This dissertation argues that plant life offered a number of modern Japanese writers and filmmakers a model through which to rethink human subjectivity in response to turbulent historical events. Informed by the adaptability and resilience of vegetal life (so-called phenotypic plasticity, in which plants change in response to changes in their environments), the authors and
directors I discuss posit a form of destructive plasticity available to humans in the face of crises brought on by war, colonial violence, natural disaster, and economic depression. Across genres and media—in poetry, novels, scientific writing, and films—subjectivity is reconfigured beyond the confines of the human body, beyond conventional sense perception, and beyond human
temporality. Drawing from Gilles Deleuze and Félix Guattari in A Thousand Plateaus, I call the reconfiguration of subjectivity in cultural texts inspired by plant life “becoming botanical.” },
bibtype = {book},
author = {Pitt, Jon}
}
URL: https://digitalassets.lib.berkeley.edu/etd/ucb/text/Pitt_berkeley_0028E_19271.pdf
This dissertation argues that plant life offered a number of modern Japanese writers and filmmakers a model through which to rethink human subjectivity in response to turbulent historical events. Informed by the adaptability and resilience of vegetal life (so-called phenotypic plasticity, in which plants change in response to changes in their environments), the authors and
directors I discuss posit a form of destructive plasticity available to humans in the face of crises brought on by war, colonial violence, natural disaster, and economic depression. Across genres and media—in poetry, novels, scientific writing, and films—subjectivity is reconfigured beyond the confines of the human body, beyond conventional sense perception, and beyond human
temporality. Drawing from Gilles Deleuze and Félix Guattari in A Thousand Plateaus, I call the reconfiguration of subjectivity in cultural texts inspired by plant life “becoming botanical.”
Decolonizing Nature: Contemporary Art and the Politics of Ecology.
Demos, T.
Sternberg Press, 2016.
link bibtex
link bibtex
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type = {book},
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author = {Demos, T.J.}
}
Ness.
MacFarlane, R.; and Donwood, S.
Penguin Books Ltd., 2019.
link bibtex
link bibtex
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title = {Ness},
type = {book},
year = {2019},
publisher = {Penguin Books Ltd.},
city = {London},
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author = {MacFarlane, Robert and Donwood, Stanley}
}
The Good Gardener?: Nature, Humanity and the Garden.
Giesecke, A.; and Jacobs, N.,
editors.
Artifice Press, 2015.
link bibtex abstract
link bibtex abstract
@book{
title = {The Good Gardener?: Nature, Humanity and the Garden},
type = {book},
year = {2015},
publisher = {Artifice Press},
city = {London},
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abstract = {"The Good Gardener? Nature, Humanity, and the Garden" illuminates both the foundations and after-effects of humanity's deep-rooted impulse to manipulate the natural environment and create garden spaces of diverse kinds. Gardens range from subsistence plots to sites of philosophical speculation, refuge, and self-expression. Gardens may serve as projections of personal or national identity. They may result from individual or collective enterprises. They may shape the fabric of the dwelling house or city. They may be real or imagined, literary constructs or visions of paradise rendered in paint. Some result from a delicate negotiation between creator and medium. Others, in turn, readily reveal the underlying paradox of every garden's creation: the garden, so often viewed as a kinder, gentler, 'second nature,' results from violence done to what was once wilderness. Designed as a companion volume to Earth Perfect? Nature, Utopia, and the Garden, this richly illustrated collection of provocative essays is edited by Annette Giesecke, Professor of Classics at the University of Delaware, and Naomi Jacobs, Professor of English at the University of Maine. Contributors to this wide-ranging volume include photographer Margaret Morton, landscape ethicist Rick Darke, philosopher David Cooper, environmental journalist Emma Marris, and food historian William Rubel.},
bibtype = {book},
author = {},
editor = {Giesecke, Annette and Jacobs, Naomi}
}
"The Good Gardener? Nature, Humanity, and the Garden" illuminates both the foundations and after-effects of humanity's deep-rooted impulse to manipulate the natural environment and create garden spaces of diverse kinds. Gardens range from subsistence plots to sites of philosophical speculation, refuge, and self-expression. Gardens may serve as projections of personal or national identity. They may result from individual or collective enterprises. They may shape the fabric of the dwelling house or city. They may be real or imagined, literary constructs or visions of paradise rendered in paint. Some result from a delicate negotiation between creator and medium. Others, in turn, readily reveal the underlying paradox of every garden's creation: the garden, so often viewed as a kinder, gentler, 'second nature,' results from violence done to what was once wilderness. Designed as a companion volume to Earth Perfect? Nature, Utopia, and the Garden, this richly illustrated collection of provocative essays is edited by Annette Giesecke, Professor of Classics at the University of Delaware, and Naomi Jacobs, Professor of English at the University of Maine. Contributors to this wide-ranging volume include photographer Margaret Morton, landscape ethicist Rick Darke, philosopher David Cooper, environmental journalist Emma Marris, and food historian William Rubel.
Earth Perfect?: Nature, Utopia and the Garden.
Giesecke, A.; and Jacobs, N.,
editors.
Artifice Press, 2012.
link bibtex abstract
link bibtex abstract
@book{
title = {Earth Perfect?: Nature, Utopia and the Garden},
type = {book},
year = {2012},
publisher = {Artifice Press},
city = {London},
id = {986e3637-f6a5-3ab6-9465-7636a06fe85c},
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abstract = {Earth Perfect? Nature, Utopia and the Garden is an eclectic, yet rigorous reflection on the relationship--historical, present and future--between humanity and the garden. Through the lens of Utopian Studies--the interdisciplinary field that encompasses fictions all the way through to actual political projects, and urban ideals; in a nutshell, addressing the human natural drive towards the ideal--Earth Perfect? brings together a selection of inspiring essays, each contributed by foremost writers from the fields of architecture, history of art, classics, cultural studies, farming, geography, horticulture, landscape architecture, law, literature, philosophy, urban planning and the natural sciences.
Through these joined voices, the garden emerges as a site of contestation and a repository for symbolic, spiritual, social, political and ecological meaning. Questions such as: "what is the role of the garden in defining humanity's ideal relationship with nature?" and "how should we garden in the face of catastrophic ecological decline?" are addressed through wideranging case studies, including ancient Roman Gardens in Pompeii, Hieronymus Bosch's Garden of Earthly Delights, the Gardens of Versailles, organic farming in New England and Bohemia's secret gardens, as well as landscape in contemporary architecture.
Issues relating to the utopian garden are explored thematically rather than chronologically, and organised in six chapters: "Being in nature", "inscribing the garden", "green/house", "The garden politic", "economies of the garden" and "how then shall we garden?". each essay is both individual in scope and part of the wider discourse of the book as a whole, and each is lusciously illustrated, bringing to life the subject with diverse visual material ranging from photography to historical documents, maps and artworks.},
bibtype = {book},
author = {},
editor = {Giesecke, Annette and Jacobs, Naomi}
}
Earth Perfect? Nature, Utopia and the Garden is an eclectic, yet rigorous reflection on the relationship--historical, present and future--between humanity and the garden. Through the lens of Utopian Studies--the interdisciplinary field that encompasses fictions all the way through to actual political projects, and urban ideals; in a nutshell, addressing the human natural drive towards the ideal--Earth Perfect? brings together a selection of inspiring essays, each contributed by foremost writers from the fields of architecture, history of art, classics, cultural studies, farming, geography, horticulture, landscape architecture, law, literature, philosophy, urban planning and the natural sciences.
Through these joined voices, the garden emerges as a site of contestation and a repository for symbolic, spiritual, social, political and ecological meaning. Questions such as: "what is the role of the garden in defining humanity's ideal relationship with nature?" and "how should we garden in the face of catastrophic ecological decline?" are addressed through wideranging case studies, including ancient Roman Gardens in Pompeii, Hieronymus Bosch's Garden of Earthly Delights, the Gardens of Versailles, organic farming in New England and Bohemia's secret gardens, as well as landscape in contemporary architecture.
Issues relating to the utopian garden are explored thematically rather than chronologically, and organised in six chapters: "Being in nature", "inscribing the garden", "green/house", "The garden politic", "economies of the garden" and "how then shall we garden?". each essay is both individual in scope and part of the wider discourse of the book as a whole, and each is lusciously illustrated, bringing to life the subject with diverse visual material ranging from photography to historical documents, maps and artworks.
The Mythology of Plants: Botanical Lore from Ancient Greece and Rome.
Giesecke, A.
Getty Trust Publications, 2014.
link bibtex abstract
link bibtex abstract
@book{
title = {The Mythology of Plants: Botanical Lore from Ancient Greece and Rome},
type = {book},
year = {2014},
publisher = {Getty Trust Publications},
city = {Los Angeles},
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abstract = {This engaging book focuses on the perennially fascinating topic of plants in Greek and Roman myth. The author, an authority on the gardens, art, and literature of the classical world, introduces the book’s main themes with a discussion of gods and heroes in ancient Greek and Roman gardens. The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; pomegranate and apple , which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity’s most colorful mythographer.
The volume’s interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts. With an original translation of selections from Ovid’s Metamorphoses, an extensive bibliography, a useful glossary of names and places, and a rich selection of images including exquisite botanical illustrations, this book is unparalleled in scope and realization.},
bibtype = {book},
author = {Giesecke, Annette}
}
This engaging book focuses on the perennially fascinating topic of plants in Greek and Roman myth. The author, an authority on the gardens, art, and literature of the classical world, introduces the book’s main themes with a discussion of gods and heroes in ancient Greek and Roman gardens. The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; pomegranate and apple , which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity’s most colorful mythographer.
The volume’s interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts. With an original translation of selections from Ovid’s Metamorphoses, an extensive bibliography, a useful glossary of names and places, and a rich selection of images including exquisite botanical illustrations, this book is unparalleled in scope and realization.
Disziplinierung der Pflanzen: Bildvorlagen zwischen Ästhetik und Zweck.
Weiss, J., E.
Deutscher Kunstverlag, 2020.
link bibtex abstract
link bibtex abstract
@book{
title = {Disziplinierung der Pflanzen: Bildvorlagen zwischen Ästhetik und Zweck},
type = {book},
year = {2020},
publisher = {Deutscher Kunstverlag},
city = {Berlin},
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abstract = {ISBN: 978-3-422-98293-2
Content: https://www.zfl-berlin.org/files/zfl/downloads/publikationen/buecher/Disziplinierung%20der%20Pflanzen/Inhaltsverzeichnis.pdf},
bibtype = {book},
author = {Weiss, Judith Elisabeth}
}
ISBN: 978-3-422-98293-2
Content: https://www.zfl-berlin.org/files/zfl/downloads/publikationen/buecher/Disziplinierung%20der%20Pflanzen/Inhaltsverzeichnis.pdf
Ein blumiger Tod: Alfred Doeblins vegetative Poetik des Todes in "Die Ermordung einer Butterblume".
Bartelmus, M.
Expressionismus, 12(Fall): 79-90. 2020.
link bibtex abstract
link bibtex abstract
@article{
title = {Ein blumiger Tod: Alfred Doeblins vegetative Poetik des Todes in "Die Ermordung einer Butterblume"},
type = {article},
year = {2020},
pages = {79-90},
volume = {12},
id = {30c40fd1-477d-39e5-9d64-b6aef8a68422},
created = {2021-01-06T10:40:32.089Z},
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abstract = {Issue titled: Tod
Edited by Kristin Eichhorn / Johannes S. Lorenzen
URL: https://neofelis-verlag.de/verlagsprogramm/wissenschaft/kunst-fotografie/1017/tod?c=340},
bibtype = {article},
author = {Bartelmus, Martin},
journal = {Expressionismus},
number = {Fall}
}
Issue titled: Tod
Edited by Kristin Eichhorn / Johannes S. Lorenzen
URL: https://neofelis-verlag.de/verlagsprogramm/wissenschaft/kunst-fotografie/1017/tod?c=340
Nach dem Kollaps: Pflanzliches Aufbegehren in Frauke Bergers Grün.
Becher, C.
Closure: Kieler e-Journal für Comicforschung, 7: 66-89. 11 2020.
link bibtex abstract
link bibtex abstract
@article{
title = {Nach dem Kollaps: Pflanzliches Aufbegehren in Frauke Bergers Grün},
type = {article},
year = {2020},
pages = {66-89},
volume = {7},
month = {11},
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abstract = {Open Access Publication: https://www.closure.uni-kiel.de/data/pdf/closure7/closure7_becher.pdf},
bibtype = {article},
author = {Becher, Christina},
journal = {Closure: Kieler e-Journal für Comicforschung}
}
Open Access Publication: https://www.closure.uni-kiel.de/data/pdf/closure7/closure7_becher.pdf
The Mediated Plant.
Castro, T.
e-flux Journal, 102. 9 2019.
Website
link
bibtex
Website
link
bibtex
@article{
title = {The Mediated Plant},
type = {article},
year = {2019},
volume = {102},
websites = {https://www.e-flux.com/journal/102/283819/the-mediated-plant/},
month = {9},
id = {d8eddf76-c4e6-35d3-94a6-dfd51b3ff3c7},
created = {2021-01-07T17:40:24.137Z},
accessed = {2021-01-06},
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last_modified = {2021-01-07T17:40:24.137Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {article},
author = {Castro, Teresa},
journal = {e-flux Journal}
}
Die Kunden von den Bäumen.
Hilbig, W.
Sisyphos Presse / Faber & Faber, 1992.
link bibtex
link bibtex
@book{
title = {Die Kunden von den Bäumen},
type = {book},
year = {1992},
publisher = {Sisyphos Presse / Faber & Faber},
city = {Berlin},
id = {e567c8e2-27d6-3b74-a262-822b3c567cad},
created = {2021-01-07T17:40:24.409Z},
file_attached = {false},
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last_modified = {2021-01-07T17:40:24.409Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
bibtype = {book},
author = {Hilbig, Wolfgang}
}
The Language of Flowers and the (Re)productive Female Body in Hedwig Dohm's "Werde, die Du bist!".
Nossett, L.; and Pixner, L.
Feminist German Studies, 36(1): 144-165. 2020.
doi link bibtex abstract
doi link bibtex abstract
@article{
title = {The Language of Flowers and the (Re)productive Female Body in Hedwig Dohm's "Werde, die Du bist!"},
type = {article},
year = {2020},
pages = {144-165},
volume = {36},
id = {3802acb4-c598-319e-a40d-93047924de09},
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abstract = {In this article, we examine the popularity of nineteenth-century language-of-flower books and floral symbols alongside contemporary discourses that align women with flowers and ascribe significance to a woman's reproductive years while devaluing the life and contributions of the old woman. Through an examination of the natural world in Hedwig Dohm's Werde, die Du bist! (1894), we argue that Dohm repurposes the female sexual metaphor of the flower to emphasize the elements needed for a mature woman to continue her development after her reproductive years.},
bibtype = {article},
author = {Nossett, Lauren and Pixner, Luca},
doi = {10.5250/femigermstud.36.1.0144},
journal = {Feminist German Studies},
number = {1}
}
In this article, we examine the popularity of nineteenth-century language-of-flower books and floral symbols alongside contemporary discourses that align women with flowers and ascribe significance to a woman's reproductive years while devaluing the life and contributions of the old woman. Through an examination of the natural world in Hedwig Dohm's Werde, die Du bist! (1894), we argue that Dohm repurposes the female sexual metaphor of the flower to emphasize the elements needed for a mature woman to continue her development after her reproductive years.
Gardenland: Nature, Fantasy, and Everyday Practice.
Wren Atkinson, J.
University of Georgia Press, 2018.
link bibtex abstract
link bibtex abstract
@book{
title = {Gardenland: Nature, Fantasy, and Everyday Practice},
type = {book},
year = {2018},
publisher = {University of Georgia Press},
city = {Atlanta},
id = {549d876e-ad7c-396a-b28f-09b95d6ccd83},
created = {2021-01-07T17:40:24.978Z},
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abstract = {Garden writing is not just a place to find advice about roses and rutabagas; it also contains hidden histories of desire, hope, and frustration and tells a story about how Americans have invested grand fantasies in the common soil of everyday life. Gardenland chronicles the development of this genre across key moments in American literature and history, from nineteenth-century industrialization and urbanization to the twentieth-century rise of factory farming and environmental advocacy to contemporary debates about public space and social justice―even to the consideration of the future of humanity’s place on earth.
In exploring the hidden landscape of desire in American gardens, Gardenland examines literary fiction, horticultural publications, and environmental writing, including works by Charles Dudley Warner, Henry David Thoreau, Willa Cather, Jamaica Kincaid, John McPhee, and Leslie Marmon Silko. Ultimately, Gardenland asks what the past century and a half of garden writing might tell us about our current social and ecological moment, and it offers surprising insight into our changing views about the natural world, along with realms that may otherwise seem remote from the world of leeks and hollyhocks.},
bibtype = {book},
author = {Wren Atkinson, Jennifer}
}
Garden writing is not just a place to find advice about roses and rutabagas; it also contains hidden histories of desire, hope, and frustration and tells a story about how Americans have invested grand fantasies in the common soil of everyday life. Gardenland chronicles the development of this genre across key moments in American literature and history, from nineteenth-century industrialization and urbanization to the twentieth-century rise of factory farming and environmental advocacy to contemporary debates about public space and social justice―even to the consideration of the future of humanity’s place on earth.
In exploring the hidden landscape of desire in American gardens, Gardenland examines literary fiction, horticultural publications, and environmental writing, including works by Charles Dudley Warner, Henry David Thoreau, Willa Cather, Jamaica Kincaid, John McPhee, and Leslie Marmon Silko. Ultimately, Gardenland asks what the past century and a half of garden writing might tell us about our current social and ecological moment, and it offers surprising insight into our changing views about the natural world, along with realms that may otherwise seem remote from the world of leeks and hollyhocks.
All Flesh is Grass.
Simak, C., D.
Doubleday, 1965.
link bibtex
link bibtex
@book{
title = {All Flesh is Grass},
type = {book},
year = {1965},
publisher = {Doubleday},
city = {Garden City, NY},
id = {98a2898d-47b2-3f7e-abd8-a6c0dc8f6bac},
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bibtype = {book},
author = {Simak, Clifford D.}
}
Biotechnics. Plants and Animals as Inventors.
Steadman, P.
In Steadman, P., editor(s), The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts, pages 153-162, 2008. Routledge
link bibtex abstract
link bibtex abstract
@inproceedings{
title = {Biotechnics. Plants and Animals as Inventors},
type = {inproceedings},
year = {2008},
pages = {153-162},
publisher = {Routledge},
city = {Axon},
id = {e0d39993-98ba-32e8-8c65-15b59ed157e1},
created = {2021-01-07T17:40:25.512Z},
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last_modified = {2021-01-07T17:40:25.512Z},
read = {false},
starred = {false},
authored = {false},
confirmed = {false},
hidden = {false},
private_publication = {false},
abstract = {First Edition published in 1979.},
bibtype = {inproceedings},
author = {Steadman, Philip},
editor = {Steadman, Philip},
booktitle = {The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts}
}
First Edition published in 1979.
Suburban Herbarium.
Arnold, W.
Uniformbooks, 2020.
link bibtex abstract
link bibtex abstract
@book{
title = {Suburban Herbarium},
type = {book},
year = {2020},
publisher = {Uniformbooks},
city = {Devon},
id = {cf1754c3-005f-39f1-bc40-d27135f302f2},
created = {2021-01-07T17:40:25.778Z},
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last_modified = {2021-01-07T17:40:25.778Z},
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hidden = {false},
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abstract = {This collection of plant portraits is not bounded by an ecologist’s quadrat, but by what has been gathered during the length of a regular lunchtime walk. The one hundred photographic specimens form a homage to Victorian botany from “the rear-garden cut-through, waste-ground, marshes and still rural in character back-lanes of the City of Truro’s rural-urban fringe”.
With a foreword by nature writer Mark Cocker, and an essay by Val Williams placing the work within the historical context of botanical photography.},
bibtype = {book},
author = {Arnold, William}
}
This collection of plant portraits is not bounded by an ecologist’s quadrat, but by what has been gathered during the length of a regular lunchtime walk. The one hundred photographic specimens form a homage to Victorian botany from “the rear-garden cut-through, waste-ground, marshes and still rural in character back-lanes of the City of Truro’s rural-urban fringe”.
With a foreword by nature writer Mark Cocker, and an essay by Val Williams placing the work within the historical context of botanical photography.
Rootedness: The Ramifications of a Metaphor.
Wampole, C.
University of Chicago Press, 2016.
link bibtex abstract
link bibtex abstract
@book{
title = {Rootedness: The Ramifications of a Metaphor},
type = {book},
year = {2016},
publisher = {University of Chicago Press},
city = {Chicago},
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created = {2021-01-07T17:40:26.048Z},
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abstract = {People have long imagined themselves as rooted creatures, bound to the earth—and nations—from which they came. In Rootedness, Christy Wampole looks toward philosophy, ecology, literature, history, and politics to demonstrate how the metaphor of the root—surfacing often in an unexpected variety of places, from the family tree to folk etymology to the language of exile—developed in twentieth-century Europe.
Wampole examines both the philosophical implications of this metaphor and its political evolution. From the root as home to the root as genealogical origin to the root as the past itself, rootedness has survived in part through its ability to subsume other compelling metaphors, such as the foundation, the source, and the seed. With a focus on this concept’s history in France and Germany, Wampole traces its influence in diverse areas such as the search for the mystical origins of words, land worship, and nationalist rhetoric, including the disturbing portrayal of the Jews as an unrooted, and thus unrighteous, people. Exploring the works of Martin Heidegger, Simone Weil, Jean-Paul Sartre, Paul Celan, and many more, Rootedness is a groundbreaking study of a figure of speech that has had wide-reaching—and at times dire—political and social consequences.},
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People have long imagined themselves as rooted creatures, bound to the earth—and nations—from which they came. In Rootedness, Christy Wampole looks toward philosophy, ecology, literature, history, and politics to demonstrate how the metaphor of the root—surfacing often in an unexpected variety of places, from the family tree to folk etymology to the language of exile—developed in twentieth-century Europe.
Wampole examines both the philosophical implications of this metaphor and its political evolution. From the root as home to the root as genealogical origin to the root as the past itself, rootedness has survived in part through its ability to subsume other compelling metaphors, such as the foundation, the source, and the seed. With a focus on this concept’s history in France and Germany, Wampole traces its influence in diverse areas such as the search for the mystical origins of words, land worship, and nationalist rhetoric, including the disturbing portrayal of the Jews as an unrooted, and thus unrighteous, people. Exploring the works of Martin Heidegger, Simone Weil, Jean-Paul Sartre, Paul Celan, and many more, Rootedness is a groundbreaking study of a figure of speech that has had wide-reaching—and at times dire—political and social consequences.
Quand l’esprit vient aux plantes: Botanique sensible et subversion libertine (XVIe-XVIIe siècles).
Brancher, D.
Librairie Droz, 2015.
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Flower: Exploring the World in Bloom.
Aloi, G.
Phaidon, 2020.
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abstract = {A comprehensive and sumptuous survey that celebrates the beauty and appeal of flowers throughout art, history, and culture The latest installment in the bestselling Explorer Series takes readers on a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. Showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media ― from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles ― and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them.},
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A comprehensive and sumptuous survey that celebrates the beauty and appeal of flowers throughout art, history, and culture The latest installment in the bestselling Explorer Series takes readers on a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. Showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media ― from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles ― and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them.
Public Parks, Private Gardens: Paris to Provence.
Ives, C.
The Metropolitan Museum, 2018.
link bibtex abstract
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abstract = {The spectacular transformation of Paris during the 19th century into a city of tree-lined boulevards and public parks both redesigned the capital and inspired the era’s great Impressionist artists. The renewed landscape gave crowded, displaced urban dwellers green spaces to enjoy, while suburbanites and country-dwellers began cultivating their own flower gardens. As public engagement with gardening grew, artists increasingly featured flowers and parks in their work.
Public Parks, Private Gardens includes masterworks by artists such as Bonnard, Cassatt, Cézanne, Corot, Daumier, Van Gogh, Manet, Matisse, Monet, and Seurat. Many of these artists were themselves avid gardeners, and they painted parks and gardens as the distinctive scenery of contemporary life. Writing from the perspective of both a distinguished art historian and a trained landscape designer, Colta Ives provides new insights not only into these essential works, but also into this extraordinarily creative period in France’s history.},
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The spectacular transformation of Paris during the 19th century into a city of tree-lined boulevards and public parks both redesigned the capital and inspired the era’s great Impressionist artists. The renewed landscape gave crowded, displaced urban dwellers green spaces to enjoy, while suburbanites and country-dwellers began cultivating their own flower gardens. As public engagement with gardening grew, artists increasingly featured flowers and parks in their work.
Public Parks, Private Gardens includes masterworks by artists such as Bonnard, Cassatt, Cézanne, Corot, Daumier, Van Gogh, Manet, Matisse, Monet, and Seurat. Many of these artists were themselves avid gardeners, and they painted parks and gardens as the distinctive scenery of contemporary life. Writing from the perspective of both a distinguished art historian and a trained landscape designer, Colta Ives provides new insights not only into these essential works, but also into this extraordinarily creative period in France’s history.
The Wardian Case: How a Simple Box Moved Plants and Changed the World.
Keogh, L.
University of Chicago Press, 2020.
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Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures.
Sheldrake, M.
Bodley Head, 2020.
link bibtex
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