@article{mihaly_szoveg_2021,
	title = {A szöveg az anyag fogságában, avagy mi a szövegváltozat},
	volume = {47},
	issn = {0133-2368},
	url = {https://ojs.mtak.hu/index.php/literatura/article/view/5792},
	abstract = {The Text in the Capture of Material or What is a Text Variant
This paper tries to circle the following issues intended to initiate a discussion. What is a text variant? Are there any text variations at all or just texts? Can text variations exist without a ‘main’ text? What criteria do we use to separate versions of a text? Why do we cling so much to text carriers? How is the concept of a text variant changing in the digital world? According to the author’s assumption, the concept of the text, and consequently, the variation of the text is still too much grasped at the material level, and because of this, the term text variant and text source is completely blurred. Analyzing a specific example, the paper concludes that the level of material text cannot be used to examine text variants, because the latter is a virtual concept. Instead, we should move at the level of real text to get to the correct use of the concept of a version of a text and its adequate representation in the digital environment.},
	number = {1},
	journal = {Literatura},
	author = {Mihály, Eszter},
	month = may,
	year = {2021},
	pages = {51--70.},
}

The Text in the Capture of Material or What is a Text Variant This paper tries to circle the following issues intended to initiate a discussion. What is a text variant? Are there any text variations at all or just texts? Can text variations exist without a ‘main’ text? What criteria do we use to separate versions of a text? Why do we cling so much to text carriers? How is the concept of a text variant changing in the digital world? According to the author’s assumption, the concept of the text, and consequently, the variation of the text is still too much grasped at the material level, and because of this, the term text variant and text source is completely blurred. Analyzing a specific example, the paper concludes that the level of material text cannot be used to examine text variants, because the latter is a virtual concept. Instead, we should move at the level of real text to get to the correct use of the concept of a version of a text and its adequate representation in the digital environment.

@article{casenave_positionnement_2019,
	title = {Le positionnement éditorial dans l’édition critique numérique},
	volume = {9},
	copyright = {Authors who publish with this journal agree to the following terms:    Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a  Creative Commons Attribution License  that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.  Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.  Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See  The Effect of Open Access ).  All third-party images reproduced on this journal are shared under Educational Fair Use. For more information on  Educational Fair Use , please see  this useful checklist prepared by Columbia University Libraries .   All copyright  of third-party content posted here for research purposes belongs to its original owners.  Unless otherwise stated all references to characters and comic art presented on this journal are ©, ® or ™ of their respective owners. No challenge to any owner’s rights is intended or should be inferred.},
	issn = {1918-3666},
	url = {http://www.digitalstudies.org/articles/10.16995/dscn.348/},
	doi = {10.16995/dscn.348},
	abstract = {Article: Le positionnement éditorial dans l’édition critique numérique},
	language = {fr},
	number = {1},
	urldate = {2020-08-25},
	journal = {Digital Studies/Le champ numérique},
	author = {Casenave, Joana},
	month = sep,
	year = {2019},
	note = {Number: 1
Publisher: Open Library of Humanities},
	pages = {16},
}

Article: Le positionnement éditorial dans l’édition critique numérique

@article{del_turco_designing_2019,
	title = {Designing an advanced software tool for {Digital} {Scholarly} {Editions}: {The} inception and development of {EVT} ({Edition} {Visualization} {Technology})},
	volume = {12},
	issn = {1559-2936},
	shorttitle = {Designing an advanced software tool for {Digital} {Scholarly} {Editions}},
	url = {https://www.jstor.org/stable/26821538},
	doi = {10.2307/26821538},
	abstract = {The increasing dissemination of Digital Scholarly Editions has highlighted not only the great potential of this method of publication, but also a good number of theoretical problems that affect both the DSEs as editorial products, and the impact of tools and methods of computer science on the methodology of textual criticism. On the one hand, the editions published so far are an evolution of the practice of ecdotics and represent not only a collection of interesting experiments, but also innovative and effective research tools. On the other hand, however, the limits within which an author of digital editions is forced to operate and the most appropriate strategies to minimize their impact have not yet been thoroughly investigated. The adoption of IT tools and methods, in fact, provides many answers to the requests of digital philologists, but the very nature of these tools imposes very strict modes of action, sometimes perceived as too rigid by the scholar. This article presents and describes a software tool that comes at the end of the process of creating a digital edition, to be used in that crucial phase when the edition is prepared for publication on the Web. The aim is not to show the more technical aspects of this tool, even if its fundamental characteristics will be introduced to better understand the terms of the issue, but to describe its genesis and development, and to highlight how visualization software represents a crucial element of the whole editorial process.},
	number = {2},
	urldate = {2020-08-25},
	journal = {Textual Cultures},
	author = {Del Turco, Roberto Rosselli},
	year = {2019},
	note = {Publisher: [Society for Textual Scholarship, Indiana University Press]},
	pages = {91--111},
}

The increasing dissemination of Digital Scholarly Editions has highlighted not only the great potential of this method of publication, but also a good number of theoretical problems that affect both the DSEs as editorial products, and the impact of tools and methods of computer science on the methodology of textual criticism. On the one hand, the editions published so far are an evolution of the practice of ecdotics and represent not only a collection of interesting experiments, but also innovative and effective research tools. On the other hand, however, the limits within which an author of digital editions is forced to operate and the most appropriate strategies to minimize their impact have not yet been thoroughly investigated. The adoption of IT tools and methods, in fact, provides many answers to the requests of digital philologists, but the very nature of these tools imposes very strict modes of action, sometimes perceived as too rigid by the scholar. This article presents and describes a software tool that comes at the end of the process of creating a digital edition, to be used in that crucial phase when the edition is prepared for publication on the Web. The aim is not to show the more technical aspects of this tool, even if its fundamental characteristics will be introduced to better understand the terms of the issue, but to describe its genesis and development, and to highlight how visualization software represents a crucial element of the whole editorial process.

@book{pierazzo_eds_digital_2016,
	title = {Digital {Scholarly} {Editing}: {Theories} and {Practices}},
	isbn = {978-1-78374-238-7},
	shorttitle = {Digital {Scholarly} {Editing}},
	url = {https://www.openbookpublishers.com/reader/483},
	urldate = {2020-08-25},
	publisher = {Open Book Publishers},
	author = {Pierazzo (eds.), Matthew James Driscoll {and} Elena},
	year = {2016},
	doi = {10.11647/OBP.0095},
}

@incollection{sahle_what_2016,
	edition = {1},
	series = {Theories and {Practices}},
	title = {What is a {Scholarly} {Digital} {Edition}?},
	volume = {4},
	isbn = {978-1-78374-238-7},
	url = {https://www.jstor.org/stable/j.ctt1fzhh6v.6},
	abstract = {Humanities research is focused on cultural artefacts such as texts, images or physical objects. Usually they are kept in libraries, archives and museums and are thus not encountered as original material objects; rather, scholars work with surrogates of them created especially to make them more accessible and to facilitate research. Over the last centuries, the desire to uncover the cultural treasures of the past and to reconstitute important documents, texts and works in the most reliable way possible has led to the development of the concept of the critical edition in the modern sense. This implies the application of wide},
	urldate = {2020-08-25},
	booktitle = {Digital {Scholarly} {Editing}},
	publisher = {Open Book Publishers},
	author = {Sahle, Patrick},
	editor = {Driscoll, Matthew James and Pierazzo, Elena},
	year = {2016},
	pages = {19--40},
}

Humanities research is focused on cultural artefacts such as texts, images or physical objects. Usually they are kept in libraries, archives and museums and are thus not encountered as original material objects; rather, scholars work with surrogates of them created especially to make them more accessible and to facilitate research. Over the last centuries, the desire to uncover the cultural treasures of the past and to reconstitute important documents, texts and works in the most reliable way possible has led to the development of the concept of the critical edition in the modern sense. This implies the application of wide

@misc{noauthor_walden_2016,
	title = {Walden: {A} {Fluid} {Text} {Edition}},
	shorttitle = {Walden},
	url = {https://digitalthoreau.org/fluid-text-toc/},
	abstract = {Walden: A Fluid-Text Edition Click headings to reveal content beneath.},
	language = {en-US},
	urldate = {2020-10-14},
	journal = {Digital Thoreau},
	month = apr,
	year = {2016},
}

Walden: A Fluid-Text Edition Click headings to reveal content beneath.

@incollection{mcgann_marking_2015,
	title = {Marking {Texts} of {Many} {Dimensions}},
	isbn = {978-1-118-68060-5},
	url = {https://onlinelibrary.wiley.com/doi/abs/10.1002/9781118680605.ch25},
	abstract = {Because traditional textual objects are coded for redundancy, standard digital simulations of traditional texts do not supply optimal models for their representation (their primary condition of interpretation). A proposal is made for a six-dimensional model that draws upon the work of Maturana and Varela with autopoietic systems and the work of René Thom with morphogenetic (catastrophic) forms. The model's advantage is not simply that it is dynamic and interoperable, but that its logs – the history of its uses – are fed back into its dimensional self-conception and hence its ongoing historical emergence.},
	language = {en},
	urldate = {2020-08-28},
	booktitle = {A {New} {Companion} to {Digital} {Humanities}},
	publisher = {John Wiley \& Sons, Ltd},
	author = {McGann, Jerome},
	year = {2015},
	doi = {10.1002/9781118680605.ch25},
	note = {Section: 25
\_eprint: https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118680605.ch25},
	keywords = {autopoietics, dynamic modeling, human/computer interaction, literary interpretation, markup, text and documents, textual codependence, textual dimensions, topological models},
	pages = {358--376},
}

Because traditional textual objects are coded for redundancy, standard digital simulations of traditional texts do not supply optimal models for their representation (their primary condition of interpretation). A proposal is made for a six-dimensional model that draws upon the work of Maturana and Varela with autopoietic systems and the work of René Thom with morphogenetic (catastrophic) forms. The model's advantage is not simply that it is dynamic and interoperable, but that its logs – the history of its uses – are fed back into its dimensional self-conception and hence its ongoing historical emergence.

@book{earhart_traces_2015,
	title = {Traces of the {Old}, {Uses} of the {New}: {The} {Emergence} of {Digital} {Literary} {Studies}},
	isbn = {978-0-472-07278-1 978-0-472-05278-3 978-0-472-12131-1 978-0-472-90068-8},
	shorttitle = {Traces of the {Old}, {Uses} of the {New}},
	url = {https://quod.lib.umich.edu/cgi/t/text/idx/e/etlc/13455322.0001.001/1:3/--traces-of-the-old-uses-of-the-new-the-emergence-of-digital?g=dculture;rgn=div1;view=fulltext;xc=1},
	language = {en},
	urldate = {2020-08-25},
	publisher = {University of Michigan Press},
	author = {Earhart, Amy E.},
	year = {2015},
	doi = {10.3998/etlc.13455322.0001.001},
}

@book{apollon_digital_2014,
	title = {Digital {Critical} {Editions}},
	isbn = {978-0-252-03840-2},
	url = {https://www.jstor.org/stable/10.5406/j.ctt6wr6r8},
	abstract = {Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.},
	urldate = {2020-08-25},
	publisher = {University of Illinois Press},
	editor = {Apollon, Daniel and Bélisle, Claire and Régnier, Philippe},
	year = {2014},
}

Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.

@misc{noauthor_jane_nodate,
	title = {Jane {Austen} {Fiction} {Manuscripts}: {Introduction} to the {Edition}},
	url = {https://janeausten.ac.uk/edition/intro.html},
	urldate = {2021-06-17},
}

@misc{noauthor_franz_nodate,
	title = {Franz {Kafka}},
	url = {https://www.nli.org.il/en/discover/literature-and-poetry/authors/franz-kafka},
	abstract = {Franz Kafka is considered a key figure in the annals of modern world literature. Much of his original work is preserved today at the National Library of Israel.},
	language = {en},
	urldate = {2021-06-17},
}

Franz Kafka is considered a key figure in the annals of modern world literature. Much of his original work is preserved today at the National Library of Israel.

@misc{noauthor_zotero_nodate,
	title = {Zotero {\textbar} {Groups} {\textgreater} {Encoding} {Correspondence}},
	url = {https://www.zotero.org/groups/2248469/encoding_correspondence/},
	urldate = {2020-12-01},
}

@misc{noauthor_scholarly_nodate,
	title = {Scholarly {Digital} {Editions}},
	url = {http://www.sd-editions.com/},
	urldate = {2020-10-14},
}

@misc{noauthor_vercelli_nodate,
	title = {The {Vercelli} {Book}: a digital edition},
	shorttitle = {The {Vercelli} {Book}},
	url = {http://vbd.humnet.unipi.it/beta/index.html#104v},
	language = {en-US},
	urldate = {2020-10-14},
}

@misc{noauthor_online_nodate,
	title = {The {Online} {Froissart}},
	url = {https://www.dhi.ac.uk/onlinefroissart/},
	urldate = {2020-10-14},
}

@misc{noauthor_chartes_nodate,
	title = {Chartes de l’abbaye de {Saint}-{Denis} — {Le} cartulaire blanc : l’édition électronique},
	url = {http://saint-denis.enc.sorbonne.fr/les-textes/cartulaire-blanc/parcourir.html},
	urldate = {2020-10-14},
}

@misc{noauthor_william_nodate,
	title = {William {Godwin}'s {Diary} {Reconstructing} a {Social} and {Political} {Culture} 1788-1836},
	url = {http://godwindiary.bodleian.ox.ac.uk/index2.html},
	urldate = {2020-10-14},
}

@misc{noauthor_gascon_nodate,
	title = {The {Gascon} {Rolls} {Project}},
	url = {http://www.gasconrolls.org/fr/},
	urldate = {2020-08-28},
}

@misc{noauthor_formulaire_nodate,
	title = {Le formulaire d'{Odart} {Morchesne}},
	url = {http://elec.enc.sorbonne.fr/morchesne/},
	urldate = {2020-08-28},
}

@misc{noauthor_thomas_nodate,
	title = {Thomas {Gray} {Archive} : {Home}},
	url = {https://www.thomasgray.org/},
	urldate = {2020-10-14},
}

@misc{noauthor_homer_nodate,
	title = {The {Homer} {Multitext} blog},
	url = {http://www.homermultitext.org/},
	language = {en},
	urldate = {2020-10-14},
	journal = {The Homer Multitext project},
}

@misc{noauthor_projet_nodate,
	title = {Le {Projet} des registres de la {Comédie}-{Française} - {Comédie} {Française} {Registers} {Project}},
	url = {https://www.cfregisters.org/fr/},
	urldate = {2020-10-14},
}

@misc{noauthor_edition_nodate,
	title = {Édition critique des carnets de prison et de la correspondance privée d’{Henri} {Delescluze} à {Belle}-Île (1851-1853) : accueil},
	url = {http://elec.enc.sorbonne.fr/delescluze/},
	urldate = {2020-10-14},
}

@misc{noauthor_rossetti_nodate,
	title = {Rossetti {Archive}},
	url = {http://www.rossettiarchive.org/index.html},
	urldate = {2020-08-28},
}