Digital Critical Editions

Digital Critical Editions. Apollon, D., Bélisle, C., & Régnier, P., editors University of Illinois Press, 2014.

Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.

@book{apollon_digital_2014,
	title = {Digital {Critical} {Editions}},
	isbn = {978-0-252-03840-2},
	url = {https://www.jstor.org/stable/10.5406/j.ctt6wr6r8},
	abstract = {Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.},
	urldate = {2020-08-25},
	publisher = {University of Illinois Press},
	editor = {Apollon, Daniel and Bélisle, Claire and Régnier, Philippe},
	year = {2014},
}

Downloads: 0

{"_id":"eL7kzFZbp4fcWbz2e","bibbaseid":"apollon-blisle-rgnier-digitalcriticaleditions-2014","authorIDs":[],"bibdata":{"bibtype":"book","type":"book","title":"Digital Critical Editions","isbn":"978-0-252-03840-2","url":"https://www.jstor.org/stable/10.5406/j.ctt6wr6r8","abstract":"Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.","urldate":"2020-08-25","publisher":"University of Illinois Press","editor":[{"propositions":[],"lastnames":["Apollon"],"firstnames":["Daniel"],"suffixes":[]},{"propositions":[],"lastnames":["Bélisle"],"firstnames":["Claire"],"suffixes":[]},{"propositions":[],"lastnames":["Régnier"],"firstnames":["Philippe"],"suffixes":[]}],"year":"2014","bibtex":"@book{apollon_digital_2014,\n\ttitle = {Digital {Critical} {Editions}},\n\tisbn = {978-0-252-03840-2},\n\turl = {https://www.jstor.org/stable/10.5406/j.ctt6wr6r8},\n\tabstract = {Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.},\n\turldate = {2020-08-25},\n\tpublisher = {University of Illinois Press},\n\teditor = {Apollon, Daniel and Bélisle, Claire and Régnier, Philippe},\n\tyear = {2014},\n}\n\n","editor_short":["Apollon, D.","Bélisle, C.","Régnier, P."],"key":"apollon_digital_2014","id":"apollon_digital_2014","bibbaseid":"apollon-blisle-rgnier-digitalcriticaleditions-2014","role":"editor","urls":{"Paper":"https://www.jstor.org/stable/10.5406/j.ctt6wr6r8"},"metadata":{"authorlinks":{}},"downloads":0},"bibtype":"book","biburl":"https://api.zotero.org/groups/2808061/items?key=3gRHj8hfOfGJBww9EhlzpL4j&format=bibtex&limit=100'","creationDate":"2021-03-02T13:16:08.444Z","downloads":0,"keywords":[],"search_terms":["digital","critical","editions"],"title":"Digital Critical Editions","year":2014,"dataSources":["2wxbuvvuq9rBNu8Qj","YzSgJYQGaC5XSYLWe"]}