Digital Critical Editions

Digital Critical Editions. Apollon, D., Bélisle, C., & Régnier, P., editors University of Illinois Press, 2014.

Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.

@book{apollon_digital_2014,
	title = {Digital {Critical} {Editions}},
	isbn = {978-0-252-03840-2},
	url = {https://www.jstor.org/stable/10.5406/j.ctt6wr6r8},
	abstract = {Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.},
	urldate = {2020-08-25},
	publisher = {University of Illinois Press},
	editor = {Apollon, Daniel and Bélisle, Claire and Régnier, Philippe},
	year = {2014},
}

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