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  2028 (1)
Context Matters: Horse Trading: Museum Exhibitions and Cultural Property. Gill, D. W. J. Journal of Art Crime,63–70. 2028.
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  2025 (1)
Herakles a Rhegion: un frammento di cratere del Pittore della Furia Nera. Bottini, A.; Costanzo, D.; Denoyelle, M.; and Silvestrelli, F. In Giudice, E.; and Giudice, G., editor(s), Studi miscellanei di ceramografia greca IX, pages 19–46. EDIARCH, Catane, 2025.
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  2024 (6)
Magnific Magnification at Locri Epizephyrii: An Insight into the Surface of Western Red-figured Vases. Elia, D.; Davit, P.; and Gulmini, M. In Elia, D.; Hasaki, E.; and Serino, M., editor(s), Technology, Crafting and Artisanal Networks in the Greek and Roman World. Interdisciplinary Approaches in the Study of Ceramics, pages 157–172. De Gruyter, Boston-Berlin, 2024.
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Tecnologia artigianale e processi produttivi nella botteghe di ceramica a figure rosse in Magna Grecia e Sicilia: un dialogo (possibile) tra archeologia sperimentale, computational imaging e archeometria. Serino, M. Archeologie Sperimentali. Teorie, metodi, ricerche, 5: forthcoming. 2024.
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Potters’Tools at the Kerameikos of Selinous. Adorno, L. In Elia, D.; Hasaki, E.; and Serino, M., editor(s), Technology, Crafting and Artisanal Networks in the Greek and Roman World. Interdisciplinary Approaches in the Study of Ceramics, pages 125–132. De Gruyter, Boston-Berlin, 2024.
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From Micro to Macro and Vice Versa. Technology Studies and Network Analysis on Red-Figure Vase Production between Sicily and Campania. Serino, M. In Elia, D.; Hasaki, E.; and Serino, M., editor(s), Technology, Crafting and Artisanal Networks in the Greek and Roman World. Interdisciplinary Approaches in the Study of Ceramics, pages 223–240. De Gruyter, Boston-Berlin, 2024.
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The A.G.A.T.H.O.C.L.E.S. Project and Beyond. Archaeology of Gesture and Material Consciousness in Ceramic Studies. Serino, M.; Elia, D.; and Hasaki, E. In Elia, D.; Hasaki, E.; and Serino, M., editor(s), Technology, Crafting and Artisanal Networks in the Greek and Roman World. Interdisciplinary Approaches in the Study of Ceramics, pages 223–240. De Gruyter, Boston-Berlin, 2024.
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Potters in South Italian Red-Figured Workshops: An Overview. Silvestrelli, F. In Elia, D.; Hasaki, E.; and Serino, M., editor(s), Technology, Crafting and Artisanal Networks in the Greek and Roman World. Interdisciplinary Approaches in the Study of Ceramics, pages 35–48. De Gruyter, Boston-Berlin, 2024.
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  2023 (3)
Per una rilettura del Gruppo di Maron e delle «tendenze apulizzanti» della ceramica siceliota. Spigo, U. Mare Internum. Archeologia e culture del Mediterraneo, 15: 31–62. 2023.
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Il Gruppo "A" del Pittore di Lipari e la polichroma per una definizione dei rapporti con la grande pittura e con la ceramica attica e di Kerc. Mastelloni, M. A. In Panvini, R.; and Nicotra, A., editor(s), La ceramica in Sicilia dalla Preistoria all'Età Contemporanea. Atti del III Convegno Internazionale, pages 95–115. Quasar, Rome, 2023.
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Digital Data and Recontextualization: The Case of South Italian Pottery. Norskov, V.; and Van de Ven, M. H. In Raja, R., editor(s), Shaping Archaeological Archives: Dialogues between Fieldwork, Museum Collection, and Private Archives, of Archive Archaeology. Brepols Publishers, Turnhout, 2023.
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  2022 (3)
Potters and Mobility in Southern Italy. Robinson, T. In Production, Trade, and Connectivity in Pre-Roman Italy, pages 82–98. Routledge, London-New York, 2022.
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Some New Perspectives on the Study of Craftspeople’s Mobility in the Red-figure Pottery Production of Magna Graecia and Sicily. Serino, M. In Mauro, C. M.; Chapinal-Heras, D.; and Valdés Guía, M., editor(s), People on the Move Across the Greek World, of Estudios Helénicos, pages 91–107. Universidad de Sevilla, Editorial Universidad de Sevilla, Sevilla, 2022.
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The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE. Piqueux, A. Oxford University Press, New York, 2022.
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  2021 (6)
Vasen und Wände. Zur kommunikativen Funktion der Paestaner Keramik. Junker, K. In Corpus Vasorum Antiquorum, Österreich. Griechische Vasen als Medium für Kommunikation Ausgewählte Aspekte, of Beiheft, pages 219–236. 2021.
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Purposeful Polysemy: Cross-Cultural Reception in South Italian Vase-Painting. Heuer, K. E. In Corpus Vasorum Antiquorum, Österreich. Griechische Vasen als Medium für Kommunikation Ausgewählte Aspekte, of Beiheft, pages 391–404. 2021.
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Céramiques de Grande Grèce et autres antiquités. Pierre Sciclounoff collectionneur et mécène 1926-1997. Chamay, J. of Hellas et RomaÉditions Slatkine, Genève, 2021.
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The Decoration and Firing of Ancient Greek Pottery: A Review of Recent Investigations. Jones, R. Advances in Archaeomaterials, 2: 67–127. 2021.
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Mégara Hyblaea. Études des productions céramiques d’époque classique et hellénistique. Munzi, P.; Pouzadoux, C.; and Enríquez de Salamanca Alcón, M. Bulletin archéologique des Écoles françaises à l’étranger, Italie. 2021.
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Interaction and Identity Sicily and South Italy from the Iron Age to Late Antiquity. Shepherd, G., editor. Astrom Editions, Nicosia, 2021.
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  2020 (2)
Heterogenitäten, Inkongruenzen, Widersprüche – tragödien- und komödienbezogene Vasenbilder aus Unteritalien und deren Bilderzählung. Günther, E. In Bracker, J., editor(s), HOMO PICTOR Image Studies and Archaeology in Dialogue, of Freiburgen Studien zur Archaölogie ud Visuellen Kultur, pages 77–105. Propylaeum, Heidelberg, 2020.
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Espelho ou tímpano? reflexões em torno da identificação de um objeto circular na iconografia de vasos Áticos e Italiotas. Vergara Cerqueira, F. Revista de Arqueologia, 33(2): 92–117. 2020.
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  2018 (5)
The Ackland Cup, the Chequer Painter and the Spinelli Painter. McPhee, I. In Bernabò Brea, M.; Cultraro, M.; Gras, M.; Martinelli, M. C.; Pouzadoux, C.; and Spigo, U., editor(s), A Madeleine Cavalier, of Collection du Centre Jean Bérard, pages 295–303. Centre Jean Bérard, Naples, 2018.
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La ceramica italiota a figure rosse ad Eraclea. Silvestrelli, F. In Kästner, U.; and Schmidt, S., editor(s), Inszenierung von identitäten. Unteritalische Vasenmalerei zwischen Griechen und Indigenen, pages 39–51. Verlag der Bayerischen Akademie der Wissenschaften, München, 2018.
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Mobilità dei pittori e identità delle produzioni. Denoyelle, M.; Pouzadoux, C.; and Silvestrelli, F., editors. of Cahier du Centre Jean BérardCentre Jean Bérard, Naples, 2018.
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Tra Etruria e Magna Grecia. Aristocrazie Lucane nella valle del Sauro (PZ). Catalogo della mostra San Gimignano (SI), Chiesa di San Lorenzo al Ponte 16 dicembre 2018-31 marzo 2019. Cinquantaquattro, T. E.; and Tarlano, F. Potenza, 2018.
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Les couleurs du visible et de l’invisible dans la peinture grecque et étrusque (Ve-IVe s. av. J.-C.). Rouveret, A. In Jockey, P., editor(s), Les arts de la couleur en Grèce ancienne… et ailleurs, pages 185–210. Ecole française d'Athènes, Athènes, 2018.
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  2017 (1)
Textile Terminologies. Gaspa, S.; Michel, C.; and Nosch, M. Zea Books. May 2017.
Textile Terminologies [link]Paper   doi   link   bibtex  
  2015 (2)
A Red-figure Bell-Krater in Dundee: A Campanian Vase-Painter of the Late 5th Century?. McPhee, I. Numismatica e Antichità Classiche – Quaderni Ticinesi, 44: 33–49. 2015.
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Tradition. Transmission of Culture in the Ancient World. Rathje, A.; Moltesen, M.; and Fejfer, J. Volume 14 Museum Tusculanul Press, Copenhague, 2015.
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  2014 (6)
La signature de Lasimos: falsifiée ou authentique ?. Pocetti, P. In Denoyelle, M.; and Bourgeois, B., editor(s), L'Europe du vase antique Collectionneurs, savants, restaurateurs aux XVIIIe et XIXe siècles, pages 305–315. Presses universitaires de Rennes, Rennes, 2014.
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Le "vase de Lasimos": étude scientifique de l'inscription. Bourgeois, B. In Denoyelle, M.; and Bourgeois, B., editor(s), L'Europe du vase antique Collectionneurs, savants, restaurateurs aux XVIIIe et XIXe siècles, pages 293–303. Presses universitaires de Rennes, Rennes, 2014.
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Le "vase de Lasimos" : de l'histoire à l'interrogation de l'oeuvre. Pour un parcours méthodologique. Masci, M. E. In Denoyelle, M.; and Bourgeois, B., editor(s), L'Europe du vase antique Collectionneurs, savants, restaurateurs aux XVIIIe et XIXe siècles, pages 277–292. Presses universitaires de Rennes, Rennes, 2014.
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Le "vase de Lasimos" et son inscription : exception, illusion, falsification ?. Denoyelle, M. In Denoyelle, M.; and Bourgeois, B., editor(s), L'Europe du vase antique Collectionneurs, savants, restaurateurs aux XVIIIe et XIXe siècles, pages 271–275. Presses universitaires de Rennes, Rennes, 2014.
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L'Europe du vase antique Collectionneurs, savants, restaurateurs aux XVIIIe et XIXe siècles. Denoyelle, M.; and Bourgeois, B., editors. Presses universitaires de Rennes, Rennes, 2014.
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Patterns of Use in Early Metapontine Red-figure Pottery: Distribution, Shapes and Iconography. Schierup, S. In Schierup, S.; and Sabetai, V., editor(s), The regional production of red-figure pottery: Greece, Magna Graecia and Etruria, of Gösta Enbom Monographs, pages 191–216. Aarhus University press, Aarhus, 2014.
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  2013 (3)
Götter als Jenseitsbegleiter Ein Guttus mit Medaillon (Kat.-Nr. 29). Christidis, M. In Christidis, M.; and Trinkl, E., editor(s), Bilder für die Ewigkeit Italische Gefäße in einer burgenländischen Privatsammlung,. Uni-Press Graz Verlag GmbH, Graz, 2013.
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Im Garten der Götter Pflanzendarstellungen auf griechischen Vasen. Koiner, G. In Christidis, M.; and Trinkl, E., editor(s), Bilder für die Ewigkeit Italische Gefäße in einer burgenländischen Privatsammlung,, pages 33–37. Uni-Press Graz Verlag GmbH, Graz, 2013.
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Katalog. Christidis, M. In Christidis, M.; and Trinkl, E., editor(s), Bilder für die Ewigkeit Italische Gefäße in einer burgenländischen Privatsammlung,. Uni-Press Graz Verlag GmbH, Graz, 2013.
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  2012 (2)
La ceramica a figure rosse della Magna Grecia e della Sicilia. Todisco, L., editor. L'Erma di Bretschneider, Roma, 2012.
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Perspectives on looting, The illicit antiquities trade, art and heritage. Lundén, S. Art Antiquity and Law, XVII(2): 109–134. 2012.
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  2010 (1)
Collecting Histories and the Market for Classical Antiquities. Gill, D. W. J. Journal of Art Crime, 3(1): 3–10. 2010.
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  2008 (1)
Théâtre et céramique d’Italie méridionale et de Sicile : de nouvelles perspectives. Piqueux, A. Perspective [En ligne], (1): 67–72. 2008.
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  2006 (2)
Vasi su vasi. Nestorides e crateri a colonnette in Magna Grecia. Sisto, M. In Iconografia 2005. Immagini e immaginari dall'antichità classica al mondo moderno. Atti del Convegno internazionale (Venezia, Istituto veneto di scienze lettere e arti, 26-28 gennaio 2005), of Antenor Quaderni, pages 411–417. Quasar, Roma, 2006.
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From Boston to Rome: Reflections on Returning Antiquities. Gill, D. W. J.; and Chippindale, C. International Journal of Cultural Property, 13: 311–331. 2006.
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  2005 (1)
Une archéologie du goût. Alexandre-Bidon, D.; and This, H. of Espaces MediévauxPicard, Paris, 2005.
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  2003 (1)
Comedy in Paestan Vase-Painting. Hughes, A. Oxford Journal of Archaeology, 22: 281–301. 2003.
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  1986 (1)
Ancient Vases from Magna Graecia. Catalog of an exhibition held at the André Emmerich Gallery May 1-30, 1986. André Emmerich Gallery, New York, 1986.
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  1985 (1)
BARRAFRANCA. Bejor, G. Bibliografia topografica della colonizzazione greca in Italia e nelle Isole Tirreniche, 4(1): 1–4. 1985.
BARRAFRANCA [link]Paper   link   bibtex  
  1983 (1)
Il Museo Archeologico di Bari. 1. De Juliis, E. M, editor. Adriatica, Bari, 1983.
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  1976 (1)
Die Zeichentechnik in der rotfigurigen Vasenmalerei: Das Rätsel der Relieflinien. Seiterle, G. Antike Welt, 7: 2–10. 1976.
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  1964 (1)
Immagini di vasi apuli. Paribeni, E. Milan, 1964.
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