From Boston to Rome: Reflections on Returning Antiquities. Gill, D. & Chippindale, C. International Journal of Cultural Property, 13(3):311–331, August, 2006. ![From Boston to Rome: Reflections on Returning Antiquities [link]](https://bibbase.org/img/filetypes/link.svg "link")
Paper doi abstract bibtex The return of 13 classical antiquities from Boston's Museum of Fine Arts (MFA) to Italy provides a glimpse into a major museum’s acquisition patterns from 1971 to 1999. Evidence emerging during the trial of Marion True and Robert E. Hecht Jr. in Rome is allowing the Italian authorities to identify antiquities that have been removed from their archaeological contexts by illicit digging. Key dealers and galleries are identified, and with them other objects that have followed the same route. The fabrication of old collections to hide the recent surfacing of antiquities is also explored.ACKNOWLEDGEMENTS: The authors are grateful to the following for their assistance during the writing of this paper: Malcolm Bell, Ann Copeland (La Trobe University), Tracey Cullen, Colin Hope (Monash University), Andrew Jamieson (University of Melbourne), Ian MacPhee (La Trobe University), Jessica Powers (San Antonio Museum of Art), Sonia Puttock (University of Queensland), Peter Watson, and Karol Wight (The J. Paul Getty Museum).
@article{gill_boston_2006,
title = {From {Boston} to {Rome}: {Reflections} on {Returning} {Antiquities}},
volume = {13},
issn = {1465-7317, 0940-7391},
shorttitle = {From {Boston} to {Rome}},
url = {https://www.cambridge.org/core/journals/international-journal-of-cultural-property/article/from-boston-to-rome-reflections-on-returning-antiquities/CB17D68282651208883CDB2CEE5A6B1D},
doi = {10.1017/S0940739106060206},
abstract = {The return of 13 classical antiquities from Boston's Museum of Fine Arts (MFA) to Italy provides a glimpse into a major museum’s acquisition patterns from 1971 to 1999. Evidence emerging during the trial of Marion True and Robert E. Hecht Jr. in Rome is allowing the Italian authorities to identify antiquities that have been removed from their archaeological contexts by illicit digging. Key dealers and galleries are identified, and with them other objects that have followed the same route. The fabrication of old collections to hide the recent surfacing of antiquities is also explored.ACKNOWLEDGEMENTS: The authors are grateful to the following for their assistance during the writing of this paper: Malcolm Bell, Ann Copeland (La Trobe University), Tracey Cullen, Colin Hope (Monash University), Andrew Jamieson (University of Melbourne), Ian MacPhee (La Trobe University), Jessica Powers (San Antonio Museum of Art), Sonia Puttock (University of Queensland), Peter Watson, and Karol Wight (The J. Paul Getty Museum).},
language = {en},
number = {3},
urldate = {2020-04-03},
journal = {International Journal of Cultural Property},
author = {Gill, David and Chippindale, Christopher},
month = aug,
year = {2006},
pages = {311--331},
}
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