Paper: Expert Viewers' Preferences for Higher Frame Rate 3D Film. Allison, R. S., Wilcox, L. M., Anthony, R. C., Helliker, J., & Dunk, B. In IS&T International Symposium on Electronic Imaging 2017, Stereoscopic Displays and Applications XXVIII (Reprinted from Journal of Imaging Science and Technology), volume 2017, pages 20–28, 01, 2017. ![Paper: Expert Viewers' Preferences for Higher Frame Rate 3D Film [link]](https://bibbase.org/img/filetypes/link.svg "link")
Paper -1 -2 doi abstract bibtex Recently the movie industry has been advocating the use of frame rates significantly higher than the traditional 24 frames per second. This higher frame rate theoretically improves the quality of motion portrayed in movies, and helps avoid motion blur, judder and other undesirable artifacts. Previously we reported that young adult audiences showed a clear preference for higher frame rates, particularly when contrasting 24 fps with 48 or 60 fps. We found little impact of shutter angle (frame exposure time) on viewers' choices. In the current study we replicated this experiment with an audience composed of imaging professionals who work in the film and display industry who assess image quality as an aspect of their everyday occupation. These viewers were also on average older and thus could be expected to have attachments to the film ``look'' both through experience and training. We used stereoscopic 3D content, filmed and projected at multiple frame rates (24, 48 and 60 fps), with shutter angles ranging from $90^{∘}$ to $358^{∘}$, to evaluate viewer preferences. In paired-comparison experiments we assessed preferences along a set of five attributes (realism, motion smoothness, blur/clarity, quality of depth and overall preference). As with the young adults in the earlier study, the expert viewers showed a clear preference for higher frame rates, particularly when contrasting 24 fps with 48 or 60 fps. We found little impact of shutter angle on viewers' choices, with the exception of one clip at 48 fps where there was a preference for larger shutter angle. However, this preference was found for the most dynamic ``warrior'' clip in the experts but in the slower moving ``picnic'' clip for the na\:ive viewers. These data confirm the advantages afforded by high-frame rate capture and presentation in a cinema context in both naı̈ve audiences and experienced film professionals.
@inproceedings{allison_paper:_2017,
abstract = {Recently the movie industry has been advocating the use of frame rates significantly higher than the traditional 24 frames per second. This higher frame rate theoretically improves the quality of motion portrayed in movies, and helps avoid motion blur, judder and other undesirable artifacts.
Previously we reported that young adult audiences showed a clear preference for higher frame rates, particularly when contrasting 24 fps with 48 or 60 fps. We found little impact of shutter angle (frame exposure time) on viewers' choices. In the current study we replicated this experiment
with an audience composed of imaging professionals who work in the film and display industry who assess image quality as an aspect of their everyday occupation. These viewers were also on average older and thus could be expected to have attachments to the film ``look'' both through experience
and training. We used stereoscopic 3D content, filmed and projected at multiple frame rates (24, 48 and 60 fps), with shutter angles ranging from $90^{\circ}$ to $358^{\circ}$, to evaluate viewer preferences. In paired-comparison experiments we assessed preferences along a set of five attributes (realism,
motion smoothness, blur/clarity, quality of depth and overall preference). As with the young adults in the earlier study, the expert viewers showed a clear preference for higher frame rates, particularly when contrasting 24 fps with 48 or 60 fps. We found little impact of shutter angle on
viewers' choices, with the exception of one clip at 48 fps where there was a preference for larger shutter angle. However, this preference was found for the most dynamic ``warrior'' clip in the experts but in the slower moving ``picnic'' clip for the na{\:i}ve viewers. These data confirm the
advantages afforded by high-frame rate capture and presentation in a cinema context in both na{\"\i}ve audiences and experienced film professionals. },
annote = {
Stereoscopic Dsiplays and Applications 2017},
author = {Allison, Robert S. and Wilcox, Laurie M. and Anthony, Roy C. and Helliker, John and Dunk, Bert},
booktitle = {{IS\&T} International Symposium on Electronic Imaging 2017, Stereoscopic Displays and Applications XXVIII (Reprinted from Journal of Imaging Science and Technology)},
date-added = {2017-07-26 18:30:36 +0000},
date-modified = {2019-02-03 09:38:13 -0500},
doi = {10.2352/ISSN.2470-1173.2017.5.SD&A-353},
journal = {Electronic Imaging (Reprinted from Journal of Imaging Science and Technology)},
keywords = {Stereopsis},
month = 01,
number = {5},
pages = {20--28},
title = {Paper: {Expert} {Viewers}' {Preferences} for {Higher} {Frame} {Rate} 3D {Film}},
url = {http://www.ingentaconnect.com/content/ist/ei/2017/00002017/00000005/art00003},
url-1 = {http://www.ingentaconnect.com/content/ist/ei/2017/00002017/00000005/art00003},
url-2 = {http://dx.doi.org/10.2352/ISSN.2470-1173.2017.5.SD&A-353},
volume = {2017},
year = {2017},
url-1 = {http://www.ingentaconnect.com/content/ist/ei/2017/00002017/00000005/art00003},
url-2 = {https://doi.org/10.2352/ISSN.2470-1173.2017.5.SD&A-353}}
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This higher frame rate theoretically improves the quality of motion portrayed in movies, and helps avoid motion blur, judder and other undesirable artifacts.\nPreviously we reported that young adult audiences showed a clear preference for higher frame rates, particularly when contrasting 24 fps with 48 or 60 fps. We found little impact of shutter angle (frame exposure time) on viewers' choices. In the current study we replicated this experiment\nwith an audience composed of imaging professionals who work in the film and display industry who assess image quality as an aspect of their everyday occupation. These viewers were also on average older and thus could be expected to have attachments to the film ``look'' both through experience\nand training. We used stereoscopic 3D content, filmed and projected at multiple frame rates (24, 48 and 60 fps), with shutter angles ranging from $90^{\\circ}$ to $358^{\\circ}$, to evaluate viewer preferences. 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