@article{
 title = {Machaut, Senleches und der anonyme Liedsatz Esperance qui en mon cuer s'embat},
 type = {article},
 year = {1998},
 keywords = {23: Historical musicology (Western music) -- To,Guillaume de Machaut -- works -- Esperance qui m',Jaquemin de -- works -- En attendant esperance,Jean de Meun -- writings -- Le roman de la rose,Senleches,chanson (14th-16th c.) -- texts -- refrain-verse,symbolism -- Renaissance -- courtly love},
 month = {1},
 id = {c4a3a0a6-deb9-3c6d-9361-450c33d5e034},
 created = {2010-10-13T21:12:06.000Z},
 file_attached = {false},
 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:13:46.000Z},
 read = {false},
 starred = {false},
 authored = {false},
 confirmed = {true},
 hidden = {false},
 citation_key = {arlt_machaut_1998},
 source_type = {article},
 abstract = {The relation of refrain and verses is studied using Guillaume de Machaut's ballade Esperance, qui m'asseüre and Jocob de Senleches's En attendant esperance as examples. The anonymous rondeau Esperance qui en mon cuer s'embat is also discussed. Intertextual links are provided by the word 'esperance' (hope), which refers to courtly love as represented in Jean de Meun's Roman de la rose.},
 bibtype = {article},
 author = {Arlt, Wulf (Author)},
 journal = {Machaut, Senleches, and the anonymous song Esperance qui en mon cuer s'embat}
}

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