Aristoxenus' Harmonics and Aristotle's Theory of Science. Barker, A. In Science and Philosophy in Classical Greece, pages 188–226. New York, 1991. abstract bibtex Aristoxenus Harm. elm. shows that Aristoxenus drew directly on APo when discussing the methods by which his subject is to be investigated. Aristoxenus departes from Aristotle in the question of the existence of two harmonics, one empirical, one mathematic (the fromer being subordinate to the latter for Aristotle) but tries to establish the principles of his science as intrinsic to the domain of musical perception, i.e. not mathematical or quantitiave. Aristoxenus embraces the metabasis-prohibition, [i.e. Aristoxenus tries to use Aristotle again Aristotle because he thinks that the division of harmonics into empirical and mathematical and the subordination of the former to the latter is a metabasis, as the essence of the sound is not in the quantitative.]
@incollection{bowen_aristoxenus_1991,
address = {New York},
title = {Aristoxenus' {Harmonics} and {Aristotle}'s {Theory} of {Science}},
abstract = {Aristoxenus Harm. elm. shows that Aristoxenus drew directly on APo when discussing the methods by which his subject is to be investigated. Aristoxenus departes from Aristotle in the question of the existence of two harmonics, one empirical, one mathematic (the fromer being subordinate to the latter for Aristotle) but tries to establish the principles of his science as intrinsic to the domain of musical perception, i.e. not mathematical or quantitiave.
Aristoxenus embraces the metabasis-prohibition, [i.e. Aristoxenus tries to use Aristotle again Aristotle because he thinks that the division of harmonics into empirical and mathematical and the subordination of the former to the latter is a metabasis, as the essence of the sound is not in the quantitative.]},
booktitle = {Science and {Philosophy} in {Classical} {Greece}},
author = {Barker, Andrew},
editor = {Bowen, A.},
year = {1991},
keywords = {ARISTOTLE, ARISTOXENUS, MUSIC, SCIENCE},
pages = {188--226}
}
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