Authenticity and the Myth of the Lyric Subject: The Summons of Olson's Legacy. Bond, B. Kenyon Review, 34(4):156--177, 2012.
Paper abstract bibtex The article discusses the difficulty underlying the problem of representation and how the more reliable models that articulate difference gesture toward continuity. It cites Charles Olson's assertion of a simultaneous continuity and difference that creates contradiction and confusion in his attempt to construct a reliable model of the relationship between self and nature. It notes that a generous focus is what the projective poem and lyric will authenticate as well as music in general.
@article{ bond_authenticity_2012,
title = {Authenticity and the {Myth} of the {Lyric} {Subject}: {The} {Summons} of {Olson}'s {Legacy}},
volume = {34},
issn = {0163075X},
shorttitle = {Authenticity and the {Myth} of the {Lyric} {Subject}},
url = {http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=79933545&site=ehost-live},
abstract = {The article discusses the difficulty underlying the problem of representation and how the more reliable models that articulate difference gesture toward continuity. It cites Charles Olson's assertion of a simultaneous continuity and difference that creates contradiction and confusion in his attempt to construct a reliable model of the relationship between self and nature. It notes that a generous focus is what the projective poem and lyric will authenticate as well as music in general.},
number = {4},
urldate = {2015-09-25TZ},
journal = {Kenyon Review},
author = {Bond, Bruce},
year = {2012},
keywords = {CONFUSION in literature, CONTINUITY, DIFFERENCE (Philosophy) in literature, MIMESIS in literature, NATURE, OLSON, Charles, 1910-1970, POEMS, SELF},
pages = {156--177}
}
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