@article{
 title = {The interplay of language and music in Machaut's virelai Foy porter},
 type = {article},
 year = {1997},
 keywords = {67: Theory,Guillaume de Machaut -- works -- Foy porter,analysis,and composition -- Structural analysis,honneur garder,poetry -- Guillaume de Machaut -- Foy porter,text setting -- Guillaume de Machaut -- Foy porte},
 month = {1},
 id = {d56d99f8-21d3-3d17-b7dc-235e178e67b3},
 created = {2010-10-13T21:12:06.000Z},
 file_attached = {false},
 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:16:33.000Z},
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 citation_key = {brown_interplay_1997},
 source_type = {article},
 abstract = {Foy porter, honneur garder illustrates Machaut's exploitation of both poetic and musical conventions, revealing his virtuosic control and playfulness.},
 bibtype = {article},
 author = {Brown, Phyllis Rugg (Author) and Mahrt, William P (Author)}
}

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