Cultural sustainability in fashion: reflections on craft and sustainable development models. Brown, S. & Vacca, F. doi abstract bibtex The overcoming of outdated values embedded within the system of fashion requires a complete revamping of its very foundation toward a concept of cultural sustainability and preservation of material culture. Discussion about cultural sustainability and heritage preservation requires conservation and regeneration of the cultural beliefs and symbolic meanings embedded within the traditional processes and practices of craft. With meaning tied to place, and the evolution of ideas, attitudes, and practices, local knowledge of traditional handcrafts can be considered as a sustainable repository of culture. The purpose of this study is to interpret the most developed craft-based strategies in the field of fashion to promote positive and sustainable change and to disassociate from the practice of cultural appropriation. Through the presentation of selected case studies in the fields of fashion, design, and craftsmanship, this article provides an interpretative model for cultural sustainability through traditional craft. With a focus on the incorporation and valorization of material practices and knowledge in fashion, the proposition for design to act as a promoter of innovative processes and the nurturing and retaining of craft can ensue. This speculative model is built on case studies on cultural sustainability through traditional craft. It is focused on experimentation, innovation, and sustainability through the design and creative process expressed through cultural heritage strategies. The result is a range of possible outcomes, aligned with existing craft practices, that highlight opportunities for design to support traditional craft through innovative processes while maintaining their embedded codes. 【摘要翻译】克服嵌入在时尚体系中的过时价值,需要将其完全改造为文化可持续性和保存物质文化的概念。关于文化可持续性和遗产保护的讨论需要保护和再生在传统的工艺过程和实践中嵌入的文化信仰和象征意义。凭借与位置相关的意义以及思想,态度和实践的发展,当地对传统手工艺的知识可以被视为文化的可持续存储库。这项研究的目的是解释时尚领域中最发达的基于手工艺的策略,以促进积极和可持续的变化,并与文化占用的实践分离。通过在时尚,设计和工艺领域介绍选定的案例研究,本文通过传统手工艺提供了一种解释性模型。侧重于将物质实践和时尚知识的融合和价值化,设计的命题是创新过程的促进者,并随之而来的是养育和保留工艺。这种投机模型建立在传统手工艺品的文化可持续性案例研究基础上。它通过文化遗产策略表达的设计和创造过程着重于实验,创新和可持续性。结果是一系列可能的结果,与现有的手工艺实践保持一致,这些结果突出了设计的机会,可以通过创新过程来支持传统的手工艺,同时保持其嵌入式代码。
@article{brown_cultural_nodate,
title = {Cultural sustainability in fashion: reflections on craft and sustainable development models},
shorttitle = {时尚的文化可持续性:对手工艺和可持续发展模型的思 考},
doi = {10.1080/15487733.2022.2100102},
abstract = {The overcoming of outdated values embedded within the system of fashion requires a complete revamping of its very foundation toward a concept of cultural sustainability and preservation of material culture. Discussion about cultural sustainability and heritage preservation requires conservation and regeneration of the cultural beliefs and symbolic meanings embedded within the traditional processes and practices of craft. With meaning tied to place, and the evolution of ideas, attitudes, and practices, local knowledge of traditional handcrafts can be considered as a sustainable repository of culture. The purpose of this study is to interpret the most developed craft-based strategies in the field of fashion to promote positive and sustainable change and to disassociate from the practice of cultural appropriation. Through the presentation of selected case studies in the fields of fashion, design, and craftsmanship, this article provides an interpretative model for cultural sustainability through traditional craft. With a focus on the incorporation and valorization of material practices and knowledge in fashion, the proposition for design to act as a promoter of innovative processes and the nurturing and retaining of craft can ensue. This speculative model is built on case studies on cultural sustainability through traditional craft. It is focused on experimentation, innovation, and sustainability through the design and creative process expressed through cultural heritage strategies. The result is a range of possible outcomes, aligned with existing craft practices, that highlight opportunities for design to support traditional craft through innovative processes while maintaining their embedded codes.
【摘要翻译】克服嵌入在时尚体系中的过时价值,需要将其完全改造为文化可持续性和保存物质文化的概念。关于文化可持续性和遗产保护的讨论需要保护和再生在传统的工艺过程和实践中嵌入的文化信仰和象征意义。凭借与位置相关的意义以及思想,态度和实践的发展,当地对传统手工艺的知识可以被视为文化的可持续存储库。这项研究的目的是解释时尚领域中最发达的基于手工艺的策略,以促进积极和可持续的变化,并与文化占用的实践分离。通过在时尚,设计和工艺领域介绍选定的案例研究,本文通过传统手工艺提供了一种解释性模型。侧重于将物质实践和时尚知识的融合和价值化,设计的命题是创新过程的促进者,并随之而来的是养育和保留工艺。这种投机模型建立在传统手工艺品的文化可持续性案例研究基础上。它通过文化遗产策略表达的设计和创造过程着重于实验,创新和可持续性。结果是一系列可能的结果,与现有的手工艺实践保持一致,这些结果突出了设计的机会,可以通过创新过程来支持传统的手工艺,同时保持其嵌入式代码。},
language = {en},
author = {Brown, Sass and Vacca, Federica},
keywords = {/reading},
}
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With meaning tied to place, and the evolution of ideas, attitudes, and practices, local knowledge of traditional handcrafts can be considered as a sustainable repository of culture. The purpose of this study is to interpret the most developed craft-based strategies in the field of fashion to promote positive and sustainable change and to disassociate from the practice of cultural appropriation. Through the presentation of selected case studies in the fields of fashion, design, and craftsmanship, this article provides an interpretative model for cultural sustainability through traditional craft. With a focus on the incorporation and valorization of material practices and knowledge in fashion, the proposition for design to act as a promoter of innovative processes and the nurturing and retaining of craft can ensue. This speculative model is built on case studies on cultural sustainability through traditional craft. It is focused on experimentation, innovation, and sustainability through the design and creative process expressed through cultural heritage strategies. The result is a range of possible outcomes, aligned with existing craft practices, that highlight opportunities for design to support traditional craft through innovative processes while maintaining their embedded codes. 【摘要翻译】克服嵌入在时尚体系中的过时价值,需要将其完全改造为文化可持续性和保存物质文化的概念。关于文化可持续性和遗产保护的讨论需要保护和再生在传统的工艺过程和实践中嵌入的文化信仰和象征意义。凭借与位置相关的意义以及思想,态度和实践的发展,当地对传统手工艺的知识可以被视为文化的可持续存储库。这项研究的目的是解释时尚领域中最发达的基于手工艺的策略,以促进积极和可持续的变化,并与文化占用的实践分离。通过在时尚,设计和工艺领域介绍选定的案例研究,本文通过传统手工艺提供了一种解释性模型。侧重于将物质实践和时尚知识的融合和价值化,设计的命题是创新过程的促进者,并随之而来的是养育和保留工艺。这种投机模型建立在传统手工艺品的文化可持续性案例研究基础上。它通过文化遗产策略表达的设计和创造过程着重于实验,创新和可持续性。结果是一系列可能的结果,与现有的手工艺实践保持一致,这些结果突出了设计的机会,可以通过创新过程来支持传统的手工艺,同时保持其嵌入式代码。","language":"en","author":[{"propositions":[],"lastnames":["Brown"],"firstnames":["Sass"],"suffixes":[]},{"propositions":[],"lastnames":["Vacca"],"firstnames":["Federica"],"suffixes":[]}],"keywords":"/reading","bibtex":"@article{brown_cultural_nodate,\n\ttitle = {Cultural sustainability in fashion: reflections on craft and sustainable development models},\n\tshorttitle = {时尚的文化可持续性:对手工艺和可持续发展模型的思 考},\n\tdoi = {10.1080/15487733.2022.2100102},\n\tabstract = {The overcoming of outdated values embedded within the system of fashion requires a complete revamping of its very foundation toward a concept of cultural sustainability and preservation of material culture. Discussion about cultural sustainability and heritage preservation requires conservation and regeneration of the cultural beliefs and symbolic meanings embedded within the traditional processes and practices of craft. With meaning tied to place, and the evolution of ideas, attitudes, and practices, local knowledge of traditional handcrafts can be considered as a sustainable repository of culture. The purpose of this study is to interpret the most developed craft-based strategies in the field of fashion to promote positive and sustainable change and to disassociate from the practice of cultural appropriation. Through the presentation of selected case studies in the fields of fashion, design, and craftsmanship, this article provides an interpretative model for cultural sustainability through traditional craft. With a focus on the incorporation and valorization of material practices and knowledge in fashion, the proposition for design to act as a promoter of innovative processes and the nurturing and retaining of craft can ensue. This speculative model is built on case studies on cultural sustainability through traditional craft. It is focused on experimentation, innovation, and sustainability through the design and creative process expressed through cultural heritage strategies. 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