@article{
 title = {Textual polyphony in Machaut's motets 8 and 4},
 type = {article},
 year = {1993},
 identifiers = {[object Object]},
 keywords = {78: Music and other arts -- Poetry and other liter,Guillaume de Machaut -- works -- motets,motet -- Guillaume de Machaut -- texts,nos. 4 and 8 -- intertextuality,poetry -- Guillaume de Machaut -- motets},
 pages = {1554},
 volume = {16},
 month = {1},
 id = {b92d9554-586a-3415-8bcf-2538c31a7f1e},
 created = {2010-10-13T21:12:06.000Z},
 file_attached = {false},
 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:13:22.000Z},
 read = {false},
 starred = {false},
 authored = {false},
 confirmed = {true},
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 citation_key = {brownlee_textual_1993},
 source_type = {article},
 abstract = {Three kinds of intertextuality are illustrated through a purely literary consideration of two of Machaut's motets: (1) the dialectic between the triplum and the motetus, (2) the relationship between the triplum/motetus dialectic and an external literary context, and (3) the relationship between the triplum/motetus unit and the tenor. The multiplicity of possible readings that result from these references creates a kind of textual polyphony analogous to the polyphonic texture of the musical setting.},
 bibtype = {article},
 author = {Brownlee, Kevin (Author)},
 journal = {Revista de musicología},
 number = {3}
}

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