Musical Form, Forms & Formenlehre: Three Methodological Reflections. Caplin, W. E., Hepokoski, J. A., & Webster, J. Leuven University Press, Leuven, Belgium, 2 edition, 2010.
Paper abstract bibtex In Musical Form, Forms, and Formenlehre, three eminent music theorists reflect on the fundamentals of "musical form." They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts andc oncerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First and Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture).The volume is divided into three parts, focusing on Caplin's "theory of formal functions," Hepokoski's concept of "dialogic form," and Webster's method of "multivalent analysis" respectively. Each part begins with a basic essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to reply to the comments, and to further refine his own fundamental ideas on musical form.
@Book{ caplin.ea2010-musical,
author = {Caplin, William Earl and Hepokoski, James A. and Webster,
James},
year = {2010},
title = {Musical Form, Forms \& Formenlehre: Three Methodological
Reflections},
abstract = {In Musical Form, Forms, and Formenlehre, three eminent
music theorists reflect on the fundamentals of "musical
form." They discuss how to analyze form in music and
question the relevance of analytical theories and methods
in general. They illustrate their basic concepts andc
oncerns by offering some concrete analyses of works by
Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven
(First and Pastoral Symphony, Egmont Overture, and Die
Ruinen von Athen Overture).The volume is divided into
three parts, focusing on Caplin's "theory of formal
functions," Hepokoski's concept of "dialogic form," and
Webster's method of "multivalent analysis" respectively.
Each part begins with a basic essay by one of the three
authors. Subsequently, the two opposing authors comment on
issues and analyses they consider to be problematic or
underdeveloped, in a style that ranges from the gently
critical to the overtly polemical. Finally, the author of
the initial essay is given the opportunity to reply to the
comments, and to further refine his own fundamental ideas
on musical form.},
address = {Leuven, Belgium},
edition = {2},
isbn = {9789058678225},
keywords = {music theory},
mendeley-tags= {music theory},
pages = {179},
publisher = {Leuven University Press},
url = {https://books.google.com/books?id=YhAgAJDAK9sC&pgis=1}
}
Downloads: 0
{"_id":"EfqTNmTgNPTNJ7mTm","bibbaseid":"caplin-hepokoski-webster-musicalformformsformenlehrethreemethodologicalreflections-2010","author_short":["Caplin, W. E.","Hepokoski, J. A.","Webster, J."],"bibdata":{"bibtype":"book","type":"book","author":[{"propositions":[],"lastnames":["Caplin"],"firstnames":["William","Earl"],"suffixes":[]},{"propositions":[],"lastnames":["Hepokoski"],"firstnames":["James","A."],"suffixes":[]},{"propositions":[],"lastnames":["Webster"],"firstnames":["James"],"suffixes":[]}],"year":"2010","title":"Musical Form, Forms & Formenlehre: Three Methodological Reflections","abstract":"In Musical Form, Forms, and Formenlehre, three eminent music theorists reflect on the fundamentals of \"musical form.\" They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts andc oncerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First and Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture).The volume is divided into three parts, focusing on Caplin's \"theory of formal functions,\" Hepokoski's concept of \"dialogic form,\" and Webster's method of \"multivalent analysis\" respectively. Each part begins with a basic essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to reply to the comments, and to further refine his own fundamental ideas on musical form.","address":"Leuven, Belgium","edition":"2","isbn":"9789058678225","keywords":"music theory","mendeley-tags":"music theory","pages":"179","publisher":"Leuven University Press","url":"https://books.google.com/books?id=YhAgAJDAK9sC&pgis=1","bibtex":"@Book{ caplin.ea2010-musical,\n author = {Caplin, William Earl and Hepokoski, James A. and Webster,\n James},\n year = {2010},\n title = {Musical Form, Forms \\& Formenlehre: Three Methodological\n Reflections},\n abstract = {In Musical Form, Forms, and Formenlehre, three eminent\n music theorists reflect on the fundamentals of \"musical\n form.\" They discuss how to analyze form in music and\n question the relevance of analytical theories and methods\n in general. They illustrate their basic concepts andc\n oncerns by offering some concrete analyses of works by\n Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven\n (First and Pastoral Symphony, Egmont Overture, and Die\n Ruinen von Athen Overture).The volume is divided into\n three parts, focusing on Caplin's \"theory of formal\n functions,\" Hepokoski's concept of \"dialogic form,\" and\n Webster's method of \"multivalent analysis\" respectively.\n Each part begins with a basic essay by one of the three\n authors. Subsequently, the two opposing authors comment on\n issues and analyses they consider to be problematic or\n underdeveloped, in a style that ranges from the gently\n critical to the overtly polemical. Finally, the author of\n the initial essay is given the opportunity to reply to the\n comments, and to further refine his own fundamental ideas\n on musical form.},\n address = {Leuven, Belgium},\n edition = {2},\n isbn = {9789058678225},\n keywords = {music theory},\n mendeley-tags= {music theory},\n pages = {179},\n publisher = {Leuven University Press},\n url = {https://books.google.com/books?id=YhAgAJDAK9sC&pgis=1}\n}\n\n","author_short":["Caplin, W. E.","Hepokoski, J. A.","Webster, J."],"key":"caplin.ea2010-musical","id":"caplin.ea2010-musical","bibbaseid":"caplin-hepokoski-webster-musicalformformsformenlehrethreemethodologicalreflections-2010","role":"author","urls":{"Paper":"https://books.google.com/books?id=YhAgAJDAK9sC&pgis=1"},"keyword":["music theory"],"metadata":{"authorlinks":{}}},"bibtype":"book","biburl":"https://hmb.sampaio.me/bibliografia.bib.txt","dataSources":["n6MFY2CscQLDpJ7nT"],"keywords":["music theory"],"search_terms":["musical","form","forms","formenlehre","three","methodological","reflections","caplin","hepokoski","webster"],"title":"Musical Form, Forms & Formenlehre: Three Methodological Reflections","year":2010}