@Article{          couprie2020-quelques,
    author       = {Couprie, Pierre},
    year         = {2020},
    title        = {Quelques propos sur les outils et les méthodes
                   audionumériques en musicologie. {L}'interdisciplinarité
                   comme rupture épistémologique},
    volume       = {6},
    issn         = {2368-7061},
    url          = {http://id.erudit.org/iderudit/ 1068384ar},
    doi          = {10.7202/1068384ar},
    abstract     = {From the first uses of databases in the 1970s to recent
                   research on the analysis of audio files, musicologists
                   have progressively integrated digital technologies into
                   their working methods. However, while some software such
                   as iAnalyse offers interfaces adapted to the human
                   sciences, it has been observed that these technologies are
                   still difficult to manipulate without a solid knowledge of
                   computer science or acoustics. In this article, the author
                   presents an interdisciplinary practice of research at the
                   heart of digital musicology that covers a very wide field
                   of activities ranging from the use of software to improve
                   existing methods to the development of new methods that
                   are necessary to study specific corpus. In this case, the
                   deep transformation of the nature of musicological
                   practice itself, the move towards a hybrid discipline and
                   the change of perspective on a complex musical object
                   highlight a real epistemological rupture.},
    language     = {fr},
    number       = {2},
    urldate      = {2023-04-12},
    journal      = {Revue musicale OICRM},
    month        = mar,
    pages        = {25--44}
}

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