@Article{DeWitt1990,
  author   = {L. A. DeWitt and A. G. Samuel},
  journal  = {J Exp Psychol Gen},
  title    = {The role of knowledge-based expectations in music perception: evidence from musical restoration.},
  year     = {1990},
  number   = {2},
  pages    = {123-44},
  volume   = {119},
  abstract = {The perceptual restoration of musical sounds was investigated in 5
	experiments with Samuel's (1981a) discrimination methodology. Restoration
	in familiar melodies was compared to phonemic restoration in Experiment
	1. In the remaining experiments, we examined the effect of expectations
	(generated by familiarity, predictability, and musical schemata)
	on musical restoration. We investigated restoration in melodies by
	comparing familiar and unfamiliar melodies (Experiment 2), as well
	as unfamiliar melodies varying in tonal and rhythmic predictability
	(Experiment 3). Expectations based on both familiarity and predictability
	were found to reduce restoration at the melodic level. Restoration
	at the submelodic level was investigated with scales and chords in
	Experiments 4 and 5. At this level, key-based expectations were found
	to increase restoration. Implications for music perception, as well
	as similarities between restoration in music and speech, are discussed.},
  keywords = {Adult, Attention, Concept Formation, Female, Humans, Male, Music, Phonetics, Pitch Discrimination, Set (Psychology), Speech Perception, 2141351},
}

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