@inproceedings{Dubowy_2019,
 abstract = {The \textit{Digital Mozart Edition} (DME) has as its goal the digital presentation of documents and texts related to Mozart's life and oeuvre. The most challenging project within the DME is the digital edition of Mozart's music which is currently being developed. It will eventually make the complete compositional output of Mozart available to the public in critical, MEI based editions. The DME already hosts the \textit{NMA Online}, the representation in digital images of the \textit{Neue Mozart Ausgabe} (NMA) print edition, originally published between 1954 and 2007. While on the one hand, the DME seeks to transform the authoritative musical text of the NMA into digital format, the DME also intends to broaden the philological concept by the publication of new and alternative editions based on individual sources. At the present state of the project, several challenges have been identified, some connected to the publication history and the availability of sources used by the NMA. Others are related to the representation of the \textit{Kritische Berichte} of the NMA within the DME. The paper reports on the development of the conceptual as well as practical model of the DME music edition.},
 author = {Dubowy, Norbert},
 title = {{Encoding the NMA in the Digital Mozart Edition: A Progress Report}},
 pages = {7--13},
 publisher = {{Bavarian State Library (BSB)}},
 editor = {{Di Bacco}, Giuliano and Kepper, Johannes and Roland, Perry},
 booktitle = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
 year = {2019},
 doi = {10.15463/music-1},
 keywords = {mec-proceedings, mec-proceedings-2015},
 displayby = {Contributions from MEC 2015}
}

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