@article{
 title = {The conflict of word and tone (July 1954)},
 type = {article},
 year = {1991},
 identifiers = {[object Object]},
 keywords = {23: Historical musicology (Western music) -- To,24: Historical musicology (Western music) -- To,Guillaume -- style -- text setting,Guillaume de Machaut -- style -- text setting,Niccolò da Perugia -- style -- text setting,lauda -- text setting,madrigal -- text setting,motet -- text setting,sequence (genre) -- text setting,text setting -- word-tone conflict,chant—Christian (Western) -- Gregorian-Frank, Dufay, ballade (medieval) -- text setting},
 pages = {158},
 volume = {75},
 month = {1},
 id = {aeb05ac9-3c25-3209-84bf-fff38e80155c},
 created = {2010-10-13T21:12:06.000Z},
 file_attached = {false},
 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:13:19.000Z},
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 starred = {false},
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 confirmed = {true},
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 citation_key = {einstein_conflict_1991},
 source_type = {article},
 abstract = {The relationship between words and music and their tenuous union in Gregorian chant, sequences, motets, laude, ballades, and madrigals are discussed. The music of Guillaume de Machaut, Dufay, and Niccolò da Perugia are considered. (First appeared in The musical quarterly in July 1954.)},
 bibtype = {article},
 author = {Einstein, Alfred (Author)},
 journal = {The musical quarterly},
 number = {4}
}

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