@article{feld_sweet_2004,
	title = {A sweet lullaby for "world music"},
	volume = {12},
	issn = {19538103},
	doi = {10.4000/lhomme.1445},
	abstract = {How has « world music » moved from remote academic interest to global commercial marketplace? The article first concerns this history of « world music » as a discourse, narrated equally by tropes of « celebration » and « anxiety. » It then considers «world music » as a zone of interactions and contacts, as well as aesthetic and business practices. These are represented in a case study of a traditional lullaby first recorded in Solomon Islands by an ethnomusicologist, then sampled on a multi- million selling CD by a major European pop group, and then re-appropriated by a prominent European jazz musician. Finally, the article questions whether « world music » creates more artistic humiliation for indigenous traditions than true possibilities for new musical resistance or hybridity.},
	number = {171-172},
	journal = {Homme},
	author = {Feld, Steven},
	year = {2004},
	keywords = {Globalization, Mmusical primitivism, Musical exoticism, Schizophonic mimesis, World music},
	pages = {389--408},
}

{"_id":"jfeCzSGok3Tsb952R","bibbaseid":"feld-asweetlullabyforworldmusic-2004","author_short":["Feld, S."],"bibdata":{"bibtype":"article","type":"article","title":"A sweet lullaby for \"world music\"","volume":"12","issn":"19538103","doi":"10.4000/lhomme.1445","abstract":"How has « world music » moved from remote academic interest to global commercial marketplace? The article first concerns this history of « world music » as a discourse, narrated equally by tropes of « celebration » and « anxiety. » It then considers «world music » as a zone of interactions and contacts, as well as aesthetic and business practices. These are represented in a case study of a traditional lullaby first recorded in Solomon Islands by an ethnomusicologist, then sampled on a multi- million selling CD by a major European pop group, and then re-appropriated by a prominent European jazz musician. Finally, the article questions whether « world music » creates more artistic humiliation for indigenous traditions than true possibilities for new musical resistance or hybridity.","number":"171-172","journal":"Homme","author":[{"propositions":[],"lastnames":["Feld"],"firstnames":["Steven"],"suffixes":[]}],"year":"2004","keywords":"Globalization, Mmusical primitivism, Musical exoticism, Schizophonic mimesis, World music","pages":"389–408","bibtex":"@article{feld_sweet_2004,\n\ttitle = {A sweet lullaby for \"world music\"},\n\tvolume = {12},\n\tissn = {19538103},\n\tdoi = {10.4000/lhomme.1445},\n\tabstract = {How has « world music » moved from remote academic interest to global commercial marketplace? The article first concerns this history of « world music » as a discourse, narrated equally by tropes of « celebration » and « anxiety. » It then considers «world music » as a zone of interactions and contacts, as well as aesthetic and business practices. These are represented in a case study of a traditional lullaby first recorded in Solomon Islands by an ethnomusicologist, then sampled on a multi- million selling CD by a major European pop group, and then re-appropriated by a prominent European jazz musician. Finally, the article questions whether « world music » creates more artistic humiliation for indigenous traditions than true possibilities for new musical resistance or hybridity.},\n\tnumber = {171-172},\n\tjournal = {Homme},\n\tauthor = {Feld, Steven},\n\tyear = {2004},\n\tkeywords = {Globalization, Mmusical primitivism, Musical exoticism, Schizophonic mimesis, World music},\n\tpages = {389--408},\n}\n\n","author_short":["Feld, S."],"key":"feld_sweet_2004","id":"feld_sweet_2004","bibbaseid":"feld-asweetlullabyforworldmusic-2004","role":"author","urls":{},"keyword":["Globalization","Mmusical primitivism","Musical exoticism","Schizophonic mimesis","World music"],"metadata":{"authorlinks":{}}},"bibtype":"article","biburl":"https://api.zotero.org/users/12580/collections/IB3XHHVL/items?key=cpmBlNbClkfwejC2f2lRynxn&format=bibtex&limit=100","dataSources":["947QoQHTxCRmbFKg8"],"keywords":["globalization","mmusical primitivism","musical exoticism","schizophonic mimesis","world music"],"search_terms":["sweet","lullaby","world","music","feld"],"title":"A sweet lullaby for \"world music\"","year":2004}