@Article{          gentil-nunes2017-nestings,
    author       = {Gentil-Nunes, Pauxy},
    year         = {2017},
    title        = {Nestings and {Intersections} between {Partitional}
                   {Complexes}},
    volume       = {I},
    url          = {https://musmat.org/wp-content/uploads/2018/06/09-Pauxy.pdf},
    abstract     = {The formalization of musical texture is the main
                   objective of Partitional Analysis. Each integer partition
                   corresponds to a specific textural configuration and is
                   used as a tool to organize and systematize the work with
                   textures through the compositional process. Partitional
                   complexes, on the other hand, are sets of partitions,
                   observed in the analysis of musical excerpts, that work in
                   tune to create stable temporal domains where a referential
                   partition projects, extends or presents itself as
                   dominant. The number of partitions and complexes for a
                   certain instrumental, vocal or electronic medium is finite
                   and implies nestings and intersections that can provide
                   important information about textural possibilities
                   available to the composer. In the present work, the
                   relationships establishedbetween distinct partitional
                   complexes are discussed, as well as the characterization
                   of an hierarchy related to the number of total choices
                   that each complex offers to the composer.},
    language     = {English},
    number       = {2},
    journal      = {MusMat - Brazilian Journal of Music and Mathematics},
    keywords     = {Rhythmic partitioning},
    pages        = {93--108}
}

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