Visualising the »Un-seen«: Towards Critical Approaches and Strategies of Inclusion in Digital Cultural Heritage Interfaces. Glinka, K., Meier, S., & Dörk, M. In Busch, C. & Sieck, J., editors, Kultur und Informatik: Cross Media, of Multimedia, pages 105–117. vwh Verlag Werner Hülsbusch, Glückstadt, 2015. 🏷️ /unread![Visualising the »Un-seen«: Towards Critical Approaches and Strategies of Inclusion in Digital Cultural Heritage Interfaces [pdf]](https://bibbase.org/img/filetypes/pdf.svg "pdf")
Paper abstract bibtex In recent years, access to cultural heritage has been closely connected to digitisation. We argue the case for recognising this digital shift as an opportunity to create interfaces to cultural heritage that are, first of all, more inviting to the public. Secondly, we want to encourage critical approaches towards the representation of cultural production and allow for alternative or even conflicting narratives and interpretations to surface. We present related work, use cases, and concepts for visualisations and interfaces that invite the reconsideration of modes of categorisation, presentation and clustering. Our intent is to develop ways to scrutinise modes of exclusion, carry out critical evaluations and pursue interventional strategies. We discuss the specific potential of visualisation, annotation and dynamic expansion of digital cultural collections. Building on critical approaches in human-computer interaction, visualisation and cultural theories, we explore how the interface could be a means of reflection, critique and inclusion. 【摘要翻译】近年来，文化遗产的获取与数字化密切相关。我们认为，应认识到这一数字化转变是创造文化遗产界面的契机，首先，这种界面对公众更具吸引力。其次，我们希望鼓励用批判性的方法来表现文化生产，并允许出现其他甚至相互冲突的叙述和解释。我们将介绍相关的工作、使用案例以及可视化和界面的概念，这些都将促使我们重新考虑分类、展示和聚类的模式。我们的目的是开发审查排斥模式的方法，进行批判性评估并采取干预策略。我们讨论了可视化、注释和动态扩展数字文化收藏的具体潜力。在人机交互、可视化和文化理论等批判性方法的基础上，我们探讨了界面如何成为一种反思、批判和包容的手段。
@incollection{glinka2015,
address = {Glückstadt},
series = {Multimedia},
title = {Visualising the »{Un}-seen«: {Towards} {Critical} {Approaches} and {Strategies} of {Inclusion} in {Digital} {Cultural} {Heritage} {Interfaces}},
isbn = {978-3-864880-082-7},
shorttitle = {将 "看不见的 "可视化：实现数字文化遗产界面的批判性方法和包容性战略},
url = {http://uclab.fh-potsdam.de/wp/wp-content/uploads/Visualising_the_Unseen_KuI15.pdf},
abstract = {In recent years, access to cultural heritage has been closely connected to digitisation. We argue the case for recognising this digital shift as an opportunity to create interfaces to cultural heritage that are, first of all, more inviting to the public. Secondly, we want to encourage critical approaches towards the representation of cultural production and allow for alternative or even conflicting narratives and interpretations to surface. We present related work, use cases, and concepts for visualisations and interfaces that invite the reconsideration of modes of categorisation, presentation and clustering. Our intent is to develop ways to scrutinise modes of exclusion, carry out critical evaluations and pursue interventional strategies. We discuss the specific potential of visualisation, annotation and dynamic expansion of digital cultural collections. Building on critical approaches in human-computer interaction, visualisation and cultural theories, we explore how the interface could be a means of reflection, critique and inclusion.
【摘要翻译】近年来，文化遗产的获取与数字化密切相关。我们认为，应认识到这一数字化转变是创造文化遗产界面的契机，首先，这种界面对公众更具吸引力。其次，我们希望鼓励用批判性的方法来表现文化生产，并允许出现其他甚至相互冲突的叙述和解释。我们将介绍相关的工作、使用案例以及可视化和界面的概念，这些都将促使我们重新考虑分类、展示和聚类的模式。我们的目的是开发审查排斥模式的方法，进行批判性评估并采取干预策略。我们讨论了可视化、注释和动态扩展数字文化收藏的具体潜力。在人机交互、可视化和文化理论等批判性方法的基础上，我们探讨了界面如何成为一种反思、批判和包容的手段。},
language = {en},
urldate = {2021-07-13},
booktitle = {Kultur und {Informatik}: {Cross} {Media}},
publisher = {vwh Verlag Werner Hülsbusch},
author = {Glinka, Katrin and Meier, Sebastian and Dörk, Marian},
editor = {Busch, Carsten and Sieck, Jürgen},
year = {2015},
note = {🏷️ /unread},
keywords = {/unread},
pages = {105--117},
}
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Building on critical approaches in human-computer interaction, visualisation and cultural theories, we explore how the interface could be a means of reflection, critique and inclusion. 【摘要翻译】近年来，文化遗产的获取与数字化密切相关。我们认为，应认识到这一数字化转变是创造文化遗产界面的契机，首先，这种界面对公众更具吸引力。其次，我们希望鼓励用批判性的方法来表现文化生产，并允许出现其他甚至相互冲突的叙述和解释。我们将介绍相关的工作、使用案例以及可视化和界面的概念，这些都将促使我们重新考虑分类、展示和聚类的模式。我们的目的是开发审查排斥模式的方法，进行批判性评估并采取干预策略。我们讨论了可视化、注释和动态扩展数字文化收藏的具体潜力。在人机交互、可视化和文化理论等批判性方法的基础上，我们探讨了界面如何成为一种反思、批判和包容的手段。","language":"en","urldate":"2021-07-13","booktitle":"Kultur und Informatik: Cross Media","publisher":"vwh Verlag Werner Hülsbusch","author":[{"propositions":[],"lastnames":["Glinka"],"firstnames":["Katrin"],"suffixes":[]},{"propositions":[],"lastnames":["Meier"],"firstnames":["Sebastian"],"suffixes":[]},{"propositions":[],"lastnames":["Dörk"],"firstnames":["Marian"],"suffixes":[]}],"editor":[{"propositions":[],"lastnames":["Busch"],"firstnames":["Carsten"],"suffixes":[]},{"propositions":[],"lastnames":["Sieck"],"firstnames":["Jürgen"],"suffixes":[]}],"year":"2015","note":"🏷️ /unread","keywords":"/unread","pages":"105–117","bibtex":"@incollection{glinka2015,\n\taddress = {Glückstadt},\n\tseries = {Multimedia},\n\ttitle = {Visualising the »{Un}-seen«: {Towards} {Critical} {Approaches} and {Strategies} of {Inclusion} in {Digital} {Cultural} {Heritage} {Interfaces}},\n\tisbn = {978-3-864880-082-7},\n\tshorttitle = {将 \"看不见的 \"可视化：实现数字文化遗产界面的批判性方法和包容性战略},\n\turl = {http://uclab.fh-potsdam.de/wp/wp-content/uploads/Visualising_the_Unseen_KuI15.pdf},\n\tabstract = {In recent years, access to cultural heritage has been closely connected to digitisation. 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