Local music scenes in France : definitions, stakes, particularities. Guibert, G. In Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain, pages 223–238. Ashgate, Londres, 2010. abstract bibtex With the increased dematerialization of commercial practices ans uses related to sound recordings, it is now commonplace to say that the economic and creative potential of music depends on more than just the CD sector. For some, it is the internet which is the leading influence, whilst many other suggests that it is primarily on music scene (what is often referred to in France as "live performance") that study should be focused.
@incollection{guibert_local_2010,
address = {Londres},
title = {Local music scenes in {France} : definitions, stakes, particularities},
abstract = {With the increased dematerialization of commercial practices ans uses related to sound recordings, it is now commonplace to say that the economic and creative potential of music depends on more than just the CD sector. For some, it is the internet which is the leading influence, whilst many other suggests that it is primarily on music scene (what is often referred to in France as "live performance") that study should be focused.},
booktitle = {Stereo: {Comparative} {Perspectives} on the {Sociological} {Study} of {Popular} {Music} in {France} and {Britain}},
publisher = {Ashgate},
author = {Guibert, Gérôme},
collaborator = {Le Guern, P and Dauncey, H},
year = {2010},
keywords = {5. Scènes, musique},
pages = {223--238},
}
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