Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music. Harrison, L. & Loui, P. Frontiers in Psychology, 2014.
Paper doi abstract bibtex Music has a unique power to elicit moments of intense emotional and psychophysiological response. These moments – termed “chills,” “thrills”, “frissons,” etc. – are subjects of introspection and philosophical debate, as well as scientific study in music perception and cognition. The present article integrates the existing multidisciplinary literature in an attempt to define a comprehensive, testable, and ecologically valid model of transcendent psychophysiological moments in music.
@article{harrison_thrills_2014,
title = {Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music},
volume = {5},
issn = {1664-1078},
shorttitle = {Thrills, chills, frissons, and skin orgasms},
url = {http://journal.frontiersin.org/article/10.3389/fpsyg.2014.00790/full},
doi = {10.3389/fpsyg.2014.00790},
abstract = {Music has a unique power to elicit moments of intense emotional and psychophysiological response. These moments – termed “chills,” “thrills”, “frissons,” etc. – are subjects of introspection and philosophical debate, as well as scientific study in music perception and cognition. The present article integrates the existing multidisciplinary literature in an attempt to define a comprehensive, testable, and ecologically valid model of transcendent psychophysiological moments in music.},
language = {English},
urldate = {2017-05-29TZ},
journal = {Frontiers in Psychology},
author = {Harrison, Luke and Loui, Psyche},
year = {2014}
}
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