@article{
 title = {Cuestiones de notación consideradas en la ballade De Fortune (nº 23) by Guillaume de Machaut},
 type = {article},
 year = {1991},
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 keywords = {55: Performance practice and notation -- Notation,Guillaume de Machaut -- works -- De Fortune me do,ars nova -- France -- relation to Guillaume de Ma,form -- Guillaume de Machaut -- De Fortune me doy,interpretation -- Guillaume de Machaut -- De Fort,modality -- church modes -- use in Guillaume de M,notation and paleography -- Guillaume de Machaut,rhythm and meter -- Guillaume de Machaut -- De Fo,solmization -- France -- 14th c. -- relation to G},
 pages = {5},
 volume = {46},
 month = {1},
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 created = {2010-10-13T21:12:06.000Z},
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 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:21:10.000Z},
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 citation_key = {bofill_i_soliguer_cuestiones_1991},
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 abstract = {An examination of the notation of Guillaume de Machaut's De Fortune me doy pleindre permits conclusions on the general problems of French ars nova music and notation, in particular rhythm notation, accidentals, solmization, church modes, form, and performance practice.},
 bibtype = {article},
 author = {i Soliguer, Joan (Author) Bofill},
 journal = {Anuario musical: Revista de musicología del C.S.I.C.}
}

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