@Misc{             kempfert.ea2018-where,
    author       = {Kempfert, Katherine C. and Wong, Samuel W. K.},
    year         = {2018},
    title        = {Where Does Haydn End and Mozart Begin? Composer
                   Classification of String Quartets},
    abstract     = {For humans and machines, perceiving differences between
                   string quartets by Joseph Haydn and Wolfgang Amadeus
                   Mozart has been a challenging task, because of stylistic
                   and compositional similarities between the composers.
                   Based on the content of music scores, this study
                   identifies and quantifies distinctions between these
                   string quartets using statistical and machine learning
                   techniques. Our approach develops new musically meaningful
                   summary features based on the sonata form structure. Many
                   of these proposed summary features are found to be
                   important for distinguishing between Haydn and Mozart
                   string quartets. Leave-one-out classification accuracy
                   rates exceed 91\%, significantly higher than has been
                   attained for this task in prior work. These results
                   indicate there are identifiable, musically insightful
                   differences between string quartets by Haydn versus
                   Mozart, such as in their low accompanying voices, Cello
                   and Viola. Our quantitative approaches can expand the
                   longstanding dialogue surrounding Haydn and Mozart,
                   offering empirical evidence of claims made by
                   musicologists. Our proposed framework, which interweaves
                   musical scholarship with learning algorithms, can be
                   applied to other composer classification tasks and
                   quantitative studies of classical music in general.},
    archiveprefix= {arXiv},
    arxivid      = {1809.05075},
    booktitle    = {arXiv},
    eprint       = {1809.05075},
    keywords     = {music analysis,music history},
    mendeley-tags= {music analysis,music history},
    month        = {sep},
    pages        = {1--21},
    url          = {http://arxiv.org/abs/1809.05075},
    urldate      = {2018-09-13}
}

{"_id":"JZriFht7PmFrRJuew","bibbaseid":"kempfert-wong-wheredoeshaydnendandmozartbegincomposerclassificationofstringquartets-2018","authorIDs":[],"author_short":["Kempfert, K. C.","Wong, S. W. K."],"bibdata":{"bibtype":"misc","type":"misc","author":[{"propositions":[],"lastnames":["Kempfert"],"firstnames":["Katherine","C."],"suffixes":[]},{"propositions":[],"lastnames":["Wong"],"firstnames":["Samuel","W.","K."],"suffixes":[]}],"year":"2018","title":"Where Does Haydn End and Mozart Begin? Composer Classification of String Quartets","abstract":"For humans and machines, perceiving differences between string quartets by Joseph Haydn and Wolfgang Amadeus Mozart has been a challenging task, because of stylistic and compositional similarities between the composers. Based on the content of music scores, this study identifies and quantifies distinctions between these string quartets using statistical and machine learning techniques. Our approach develops new musically meaningful summary features based on the sonata form structure. Many of these proposed summary features are found to be important for distinguishing between Haydn and Mozart string quartets. Leave-one-out classification accuracy rates exceed 91%, significantly higher than has been attained for this task in prior work. These results indicate there are identifiable, musically insightful differences between string quartets by Haydn versus Mozart, such as in their low accompanying voices, Cello and Viola. Our quantitative approaches can expand the longstanding dialogue surrounding Haydn and Mozart, offering empirical evidence of claims made by musicologists. Our proposed framework, which interweaves musical scholarship with learning algorithms, can be applied to other composer classification tasks and quantitative studies of classical music in general.","archiveprefix":"arXiv","arxivid":"1809.05075","booktitle":"arXiv","eprint":"1809.05075","keywords":"music analysis,music history","mendeley-tags":"music analysis,music history","month":"sep","pages":"1–21","url":"http://arxiv.org/abs/1809.05075","urldate":"2018-09-13","bibtex":"@Misc{ kempfert.ea2018-where,\n author = {Kempfert, Katherine C. and Wong, Samuel W. K.},\n year = {2018},\n title = {Where Does Haydn End and Mozart Begin? Composer\n Classification of String Quartets},\n abstract = {For humans and machines, perceiving differences between\n string quartets by Joseph Haydn and Wolfgang Amadeus\n Mozart has been a challenging task, because of stylistic\n and compositional similarities between the composers.\n Based on the content of music scores, this study\n identifies and quantifies distinctions between these\n string quartets using statistical and machine learning\n techniques. Our approach develops new musically meaningful\n summary features based on the sonata form structure. Many\n of these proposed summary features are found to be\n important for distinguishing between Haydn and Mozart\n string quartets. Leave-one-out classification accuracy\n rates exceed 91\\%, significantly higher than has been\n attained for this task in prior work. These results\n indicate there are identifiable, musically insightful\n differences between string quartets by Haydn versus\n Mozart, such as in their low accompanying voices, Cello\n and Viola. Our quantitative approaches can expand the\n longstanding dialogue surrounding Haydn and Mozart,\n offering empirical evidence of claims made by\n musicologists. Our proposed framework, which interweaves\n musical scholarship with learning algorithms, can be\n applied to other composer classification tasks and\n quantitative studies of classical music in general.},\n archiveprefix= {arXiv},\n arxivid = {1809.05075},\n booktitle = {arXiv},\n eprint = {1809.05075},\n keywords = {music analysis,music history},\n mendeley-tags= {music analysis,music history},\n month = {sep},\n pages = {1--21},\n url = {http://arxiv.org/abs/1809.05075},\n urldate = {2018-09-13}\n}\n\n","author_short":["Kempfert, K. C.","Wong, S. W. K."],"key":"kempfert.ea2018-where","id":"kempfert.ea2018-where","bibbaseid":"kempfert-wong-wheredoeshaydnendandmozartbegincomposerclassificationofstringquartets-2018","role":"author","urls":{"Paper":"http://arxiv.org/abs/1809.05075"},"keyword":["music analysis","music history"],"metadata":{"authorlinks":{}},"downloads":0},"bibtype":"misc","biburl":"https://hmb.sampaio.me/bibliografia.bib.txt","creationDate":"2019-04-22T13:04:36.100Z","downloads":0,"keywords":["music analysis","music history"],"search_terms":["haydn","end","mozart","begin","composer","classification","string","quartets","kempfert","wong"],"title":"Where Does Haydn End and Mozart Begin? Composer Classification of String Quartets","year":2018,"dataSources":["n6MFY2CscQLDpJ7nT","RFLDZw5KyJdadDXDm"]}