@article{
 title = {Guillaume de Machaut, Motette Nr. 22},
 type = {article},
 year = {1983},
 keywords = {67: Theory,Guillaume de Machaut -- style -- motets -- tu qui,analysis,and composition -- Structural analysis,isorhythm -- Guillaume de Machaut -- tu qui grege,rhythm and meter -- Guillaume de Machaut -- tu qu},
 month = {1},
 id = {bc928137-0159-3906-a4ab-84d478726e75},
 created = {2010-10-13T21:12:06.000Z},
 file_attached = {false},
 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:13:41.000Z},
 read = {false},
 starred = {false},
 authored = {false},
 confirmed = {true},
 hidden = {false},
 citation_key = {kuehn_guillaume_1983},
 source_type = {article},
 abstract = {Stresses the coherence achieved through the isorhythmic ordering of all parameters (pitch, duration, texture, poetry) and the principle of alternation between perfection and imperfection.},
 bibtype = {article},
 author = {Kühn, Hellmut (Author)}
}

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