Guillaume de Machaut, Motette Nr. 22. Kühn, H., (. 1, 1983.
abstract   bibtex   
Stresses the coherence achieved through the isorhythmic ordering of all parameters (pitch, duration, texture, poetry) and the principle of alternation between perfection and imperfection.
@article{
 title = {Guillaume de Machaut, Motette Nr. 22},
 type = {article},
 year = {1983},
 keywords = {67: Theory,Guillaume de Machaut -- style -- motets -- tu qui,analysis,and composition -- Structural analysis,isorhythm -- Guillaume de Machaut -- tu qui grege,rhythm and meter -- Guillaume de Machaut -- tu qu},
 month = {1},
 id = {bc928137-0159-3906-a4ab-84d478726e75},
 created = {2010-10-13T21:12:06.000Z},
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 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
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 last_modified = {2010-10-13T21:13:41.000Z},
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 citation_key = {kuehn_guillaume_1983},
 source_type = {article},
 abstract = {Stresses the coherence achieved through the isorhythmic ordering of all parameters (pitch, duration, texture, poetry) and the principle of alternation between perfection and imperfection.},
 bibtype = {article},
 author = {Kühn, Hellmut (Author)}
}

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