Corpus COFLA: A Research Corpus for the Computational Study of Flamenco Music. Kroher, N., Díaz-Báñez, J., Mora, J., & Gómez, E. Journal on Computing and Cultural Heritage, 9(2):1–21, may, 2016.
Paper doi abstract bibtex Flamenco is a music tradition from Southern Spain that attracts a growing community of enthusiasts around the world. Its unique melodic and rhythmic elements, the typically spontaneous and improvised interpretation, and its diversity regarding styles make this still largely undocumented art form a particularly interesting material for musicological studies. In prior works, it has already been demonstrated that research on computational analysis of flamenco music, despite it being a relatively new field, can provide powerful tools for the discovery and diffusion of this genre. In this article, we present corpusCOFLA, a data framework for the development of such computational tools. The proposed collection of audio recordings and metadata serves as a pool for creating annotated subsets that can be used in development and evaluation of algorithms for specific music information retrieval tasks. First, we describe the design criteria for the corpus creation and then provide various examples of subsets drawn from the corpus. We showcase possible research applications in the context of computational study of flamenco music and give perspectives regarding further development of the corpus.
@Article{ kroher.ea2016-corpus,
author = {Kroher, Nadine and D{\'{i}}az-B{\'{a}}{\~{n}}ez,
Jos{\'{e}}-Miguel and Mora, Joaquin and G{\'{o}}mez, Emilia},
year = {2016},
title = {Corpus COFLA: A Research Corpus for the Computational
Study of Flamenco Music},
abstract = {Flamenco is a music tradition from Southern Spain that
attracts a growing community of enthusiasts around the
world. Its unique melodic and rhythmic elements, the
typically spontaneous and improvised interpretation, and
its diversity regarding styles make this still largely
undocumented art form a particularly interesting material
for musicological studies. In prior works, it has already
been demonstrated that research on computational analysis
of flamenco music, despite it being a relatively new
field, can provide powerful tools for the discovery and
diffusion of this genre. In this article, we present
corpusCOFLA, a data framework for the development of such
computational tools. The proposed collection of audio
recordings and metadata serves as a pool for creating
annotated subsets that can be used in development and
evaluation of algorithms for specific music information
retrieval tasks. First, we describe the design criteria
for the corpus creation and then provide various examples
of subsets drawn from the corpus. We showcase possible
research applications in the context of computational
study of flamenco music and give perspectives regarding
further development of the corpus.},
archiveprefix= {arXiv},
arxivid = {1510.04029},
doi = {10.1145/2875428},
eprint = {1510.04029},
issn = {1556-4673},
journal = {Journal on Computing and Cultural Heritage},
keywords = {Computational ethnomusicology,Flamenco,Research
corpus,computational musicology},
mendeley-tags= {computational musicology},
month = {may},
number = {2},
pages = {1--21},
url = {https://dl.acm.org/doi/10.1145/2875428},
volume = {9}
}
Downloads: 0
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