Computational Analysis of Musical Structures based on Morphological Filters. Lascabettes, P., Agon, C., Andreatta, M., & Bloch, I. In MCM 2022 - 8th International Conference Mathematics and Computation in Music, Atlanta, USA, 2022.
Paper abstract bibtex This paper deals with the computational analysis of musi- cal structures by focusing on the use of morphological filters. We first propose to generalize the notion of melodic contour to a chord sequence with the chord contour, representing some formal intervallic relations between two given chords. By defining a semi-metric, we compute the self-distance matrix of a chord contour sequence. This method allows gen- erating a self-distance matrix for symbolic music representations. Self- distance matrices are used in the analysis of musical structures because blocks around the diagonal provide structural information on a musical piece. The main contribution of this paper comes from the analysis of these matrices based on mathematical morphology. Morphological filters are used to homogenize and detect regions in the self-distance matri- ces. Specifically, the opening operation has been successfully applied to reveal the blocks around the diagonal because it removes small details such as high local values and reduces all blocks around the diagonal to a zero value. Moreover, by varying the size of the morphological filter, it is possible to detect musical structures at different scales. A large opening filter identifies the main global parts of the piece, while a smaller one finds shorter musical sections. We discuss some examples that demon- strate the usefulness of this approach to detect the structures of a musical piece and its novelty within the field of symbolic music information re- search. Keywords:
@InProceedings{ lascabettes.ea2022-computational,
author = {Lascabettes, Paul and Agon, Carlos and Andreatta, Moreno
and Bloch, Isabelle},
year = {2022},
title = {Computational Analysis of Musical Structures based on
Morphological Filters},
abstract = {This paper deals with the computational analysis of musi-
cal structures by focusing on the use of morphological
filters. We first propose to generalize the notion of
melodic contour to a chord sequence with the chord
contour, representing some formal intervallic relations
between two given chords. By defining a semi-metric, we
compute the self-distance matrix of a chord contour
sequence. This method allows gen- erating a self-distance
matrix for symbolic music representations. Self- distance
matrices are used in the analysis of musical structures
because blocks around the diagonal provide structural
information on a musical piece. The main contribution of
this paper comes from the analysis of these matrices based
on mathematical morphology. Morphological filters are used
to homogenize and detect regions in the self-distance
matri- ces. Specifically, the opening operation has been
successfully applied to reveal the blocks around the
diagonal because it removes small details such as high
local values and reduces all blocks around the diagonal to
a zero value. Moreover, by varying the size of the
morphological filter, it is possible to detect musical
structures at different scales. A large opening filter
identifies the main global parts of the piece, while a
smaller one finds shorter musical sections. We discuss
some examples that demon- strate the usefulness of this
approach to detect the structures of a musical piece and
its novelty within the field of symbolic music information
re- search. Keywords:},
address = {Atlanta, USA},
booktitle = {MCM 2022 - 8th International Conference Mathematics and
Computation in Music},
keywords = {Chord contour,Mathematical morphology,Music
structure,Self-distance matrix,Symbolic Music information
research,music and mathematics},
mendeley-tags= {music and mathematics},
url = {https://hal.archives-ouvertes.fr/hal-03641511/}
}
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We first propose to generalize the notion of melodic contour to a chord sequence with the chord contour, representing some formal intervallic relations between two given chords. By defining a semi-metric, we compute the self-distance matrix of a chord contour sequence. This method allows gen- erating a self-distance matrix for symbolic music representations. Self- distance matrices are used in the analysis of musical structures because blocks around the diagonal provide structural information on a musical piece. The main contribution of this paper comes from the analysis of these matrices based on mathematical morphology. Morphological filters are used to homogenize and detect regions in the self-distance matri- ces. Specifically, the opening operation has been successfully applied to reveal the blocks around the diagonal because it removes small details such as high local values and reduces all blocks around the diagonal to a zero value. Moreover, by varying the size of the morphological filter, it is possible to detect musical structures at different scales. A large opening filter identifies the main global parts of the piece, while a smaller one finds shorter musical sections. We discuss some examples that demon- strate the usefulness of this approach to detect the structures of a musical piece and its novelty within the field of symbolic music information re- search. 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By defining a semi-metric, we\n compute the self-distance matrix of a chord contour\n sequence. This method allows gen- erating a self-distance\n matrix for symbolic music representations. Self- distance\n matrices are used in the analysis of musical structures\n because blocks around the diagonal provide structural\n information on a musical piece. The main contribution of\n this paper comes from the analysis of these matrices based\n on mathematical morphology. Morphological filters are used\n to homogenize and detect regions in the self-distance\n matri- ces. Specifically, the opening operation has been\n successfully applied to reveal the blocks around the\n diagonal because it removes small details such as high\n local values and reduces all blocks around the diagonal to\n a zero value. Moreover, by varying the size of the\n morphological filter, it is possible to detect musical\n structures at different scales. 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