@article{
 title = {The well-formed virelai},
 type = {article},
 year = {1996},
 keywords = {64: Theory,Guillaume de Machaut -- works -- virelais,analysis,and composition -- Form and genre,virelai -- Guillaume de Machaut},
 month = {1},
 id = {10379de6-4ecf-348d-9b84-44c2e827919f},
 created = {2010-10-13T21:12:06.000Z},
 file_attached = {false},
 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:16:20.000Z},
 read = {false},
 starred = {false},
 authored = {false},
 confirmed = {true},
 hidden = {false},
 citation_key = {leech-wilkinson_well-formed_1996},
 source_type = {article},
 abstract = {Examines some of the most interesting changes in Guillaume de Machaut's musical language as seen through his virelais: Dou mal qui m'a longuement; Comment qu'a moy lonteinne; He, dame de valour que j'aim; Aymi, dame de valour; Dame a qui m'ottri; J'aim sans penser laidure; Dieus, biaute, douceur; Je vivroie liement; Foy porter, honneur garder; Dame, a vous sans retollir; Helas, et comment aroie; Se d'amer me repentoie; and Liement me deport par samblant.},
 bibtype = {article},
 author = {Leech-Wilkinson, Daniel J (Author)}
}

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