@incollection{marin_17_1999,
	address = {San Diego},
	series = {Cognition and {Perception}},
	title = {17 - {Neurological} {Aspects} of {Music} {Perception} and {Performance}},
	isbn = {978-0-12-213564-4},
	url = {https://www.sciencedirect.com/science/article/pii/B9780122135644500184},
	abstract = {This chapter explores the musical aspects of music perception and performance. The chapter suggests that any article dealing with the neurology and neuropsychology of music should include two levels of inquiry: (1) description of the clinical deficits in music perception or performance resulting from localized or diffuse damage to the nervous system; (2) analysis of normal and abnormal psychological and physiological functions. The aim is to determine the principles and modes by which the human brain processes, codifies, stores, and produces music. The resulting hypotheses, part of the domain now called cognitive neuroscience, can best guide the empirical investigation and analysis of clinical deficits in music perception and performance, and the investigation of anatomical-functional correlations via noninvasive brain imaging methods in humans. The clinical characteristics of disorders of musical function are described. Despite the awareness, progress in the field of the neurology of music has been slow..},
	language = {en},
	urldate = {2021-11-10},
	booktitle = {The {Psychology} of {Music} ({Second} {Edition})},
	publisher = {Academic Press},
	author = {Marin, Oscar S. M. and Perry, David W.},
	editor = {Deutsch, Diana},
	month = jan,
	year = {1999},
	doi = {10.1016/B978-012213564-4/50018-4},
	pages = {653--724},
}

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