Establishing best practice in asbestos removal: the management of unique Medieval floor tile assemblages. Mellor, M. & Ling, D. abstract bibtex This paper outlines a proactive response by the British Museum to tackle a hazardous substance rather than leave it for a future generation to resolve. A total of 15 tile pavements and panels was removed from the former Medieval tile and pottery room (gallery 43), of which nine had been backed with ‘Asbestolux’ board, an insulation material that contains between 25 and 40% asbestos. These have been decontaminated, with three pavements and three smaller sections having been remounted for display in the new Medieval gallery. All nine are historically very important and unique artefacts, part of a collection of national and international importance; those chosen for redisplay exemplify different aspects and techniques of tile production and design. The technical challenges of ‘remote-control’ conservation through the walls of a protective tent are explored, including the training and monitoring of specialist contractors in conservation skills, while ensuring the safety of the staff. It gives a warning to others of the hazards of past practices, and sets out to show the Museum’s solution to the problem.
@article{mellor_establishing_nodate,
title = {Establishing best practice in asbestos removal: the management of unique {Medieval} floor tile assemblages},
abstract = {This paper outlines a proactive response by the British Museum to tackle a hazardous substance rather than leave it for a future generation to resolve. A total of 15 tile pavements and panels was removed from the former Medieval tile and pottery room (gallery 43), of which nine had been backed with ‘Asbestolux’ board, an insulation material that contains between 25 and 40\% asbestos. These have been decontaminated, with three pavements and three smaller sections having been remounted for display in the new Medieval gallery. All nine are historically very important and unique artefacts, part of a collection of national and international importance; those chosen for redisplay exemplify different aspects and techniques of tile production and design. The technical challenges of ‘remote-control’ conservation through the walls of a protective tent are explored, including the training and monitoring of specialist contractors in conservation skills, while ensuring the safety of the staff. It gives a warning to others of the hazards of past practices, and sets out to show the Museum’s solution to the problem.},
language = {en},
author = {Mellor, Maureen and Ling, Denise},
pages = {10},
}
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