Scholarly Music Editions as Graph: Semantic Modelling of the Anton Webern Gesamtausgabe. Münnich, S. & Ahrend, T. In Spadini, E., Tomasi, F., & Vogeler, G., editors, Graph Data-Models and Semantic Web Technologies in Scholarly Digital Editing, of Schriftenreihe des Instituts für Dokumentologie und Editorik, pages 155–180. BoD – Books on Demand, Norderstedt, 2021.
abstract   bibtex   
This paper presents a first draft of the ongoing research at the Anton Webern Gesamtausgabe (Basel, CH) to apply RDF-based semantic models for the purpose of a scholarly digital music edition. A brief overview of different historical positions to approach music from a graph-theoretical perspective is followed by a list of music-related and other RDF vocabularies that may support this goal, such as MusicOWL, DoReMus, CIDOC CRMinf, or the NIE-INE ontologies. Using the example of some of Webern's sketches for two drafted Goethe settings (M306 & M307), a preliminary graph-based model for philological knowledge and processes is envisioned, which incorporates existing ontologies from the context of cultural heritage and music. Finally, possible use-cases, and the consequences of such an approach to scholarly music editions, are discussed.
@incollection{Muennich_2021a,
	abstract = {This paper presents a first draft of the ongoing research at the Anton Webern Gesamtausgabe (Basel, CH) to apply RDF-based semantic models for the purpose of a scholarly digital music edition. A brief overview of different historical positions to approach music from a graph-theoretical perspective is followed by a list of music-related and other RDF vocabularies that may support this goal, such as MusicOWL, DoReMus, CIDOC CRMinf, or the NIE-INE ontologies. Using the example of some of Webern's sketches for two drafted Goethe settings (M306 {\&} M307), a preliminary graph-based model for philological knowledge and processes is envisioned, which incorporates existing ontologies from the context of cultural heritage and music. Finally, possible use-cases, and the consequences of such an approach to scholarly music editions, are discussed.},
	author = {Münnich, Stefan and Ahrend, Thomas},
	title = {{Scholarly Music Editions as Graph: Semantic Modelling of the Anton Webern Gesamtausgabe}},
	pages = {155–180},
	publisher = {{BoD – Books on Demand}},
	isbn = {978-3-7543-4369-2},
	series = {{Schriftenreihe des Instituts für Dokumentologie und Editorik}},
	editor = {Spadini, Elena and Tomasi, Francesca and Vogeler, Georg},
	booktitle = {{Graph Data-Models and Semantic Web Technologies in Scholarly Digital Editing}},
	year = {2021},
	address = {Norderstedt}
}

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