Looking Back: Versions of the Post-Apocalypse in Contemporary North-American Cinema. Moya, A. L. Film Criticism, February, 2017. 00000Paper doi abstract bibtex This paper discusses the role of borderlands in I Am Legend (2007), The Road (2009) and The Book of Eli (2010), and the ways in which these dystopic post-apocalyptic films may be understood through the concept of the border, analyzing the negotiations of meaning and representation that take place.
@article{moya_looking_2017,
title = {Looking {Back}: {Versions} of the {Post}-{Apocalypse} in {Contemporary} {North}-{American} {Cinema}},
volume = {41},
issn = {2471-4364},
shorttitle = {Looking {Back}},
url = {http://hdl.handle.net/2027/spo.13761232.0041.102},
doi = {http://dx.doi.org/10.3998/fc.13761232.0041.102},
abstract = {This paper discusses the role of borderlands in I Am Legend (2007), The Road (2009) and The Book of Eli (2010), and the ways in which these dystopic post-apocalyptic films may be understood through the concept of the border, analyzing the negotiations of meaning and representation that take place.},
number = {1},
journal = {Film Criticism},
author = {Moya, Ana; López},
month = feb,
year = {2017},
note = {00000},
keywords = {collapse, sociology, storytelling},
file = {Moya - 2017 - Looking Back Versions of the Post-Apocalypse in C.pdf:C\:\\Users\\rsrs\\Documents\\Zotero Database\\storage\\EFZTT8B4\\Moya - 2017 - Looking Back Versions of the Post-Apocalypse in C.pdf:application/pdf}
}
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