{"_id":"EQgXcZebexR5sncA5","bibbaseid":"neuwirth-josephhaydnswittyplayonhepokoskianddarcyselementsofsonatatheoryjameshepokoskiwarrendarcyelementsofsonatatheorynormstypesanddeformationsinthelateeighteenthcenturysonatanewyorkoxforduniversitypress2006-2011","authorIDs":[],"author_short":["Neuwirth, M."],"bibdata":{"bibtype":"article","type":"article","author":[{"propositions":[],"lastnames":["Neuwirth"],"firstnames":["Markus"],"suffixes":[]}],"year":"2011","title":"Joseph Haydn's “witty” play on Hepokoski and Darcy's Elements of Sonata Theory. James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, New York: Oxford University Press 2006.","abstract":"This paper presents a detailed integration process for XML schemata\\ncalled BInXS. BInXS adopts a global-as-view integration approach\\nthat builds a global schema from a set of heterogeneous XML schemata\\nrelated to a same application domain. This bottom-up approach maps\\nall element and attribute definitions in XML schemata to correspondent\\nconcepts at the global schema, allowing access to all data available\\nat the XML sources. The integration process is semi-automatically\\nperformed over conceptual representations of the XML schemata, which\\nprovides a better understanding of the semantics of the XML data\\nto be unified. A conceptual schema is generated by a set of conversion\\nrules that are applied to a schema definition for XML data. Once\\nthis conceptual schema is the result of a meticulous analysis of\\nthe XML logical model, it is able to abstract the particularities\\nof semistructured and XML data, like elements with mixed contents\\nand elements with alternative representations. Therefore, the furtherνnification of such conceptual schemata implicitly deals with structural\\nconflicts inherent to semistructured and XML data. In addition, BInXS\\nsupports a mapping strategy based on XPath expressions in order to\\nmaintain correspondences among global concepts and data at the XML\\nsources.","doi":"10.31751/586","issn":"1862-6742","journal":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","keywords":"music theory","mendeley-tags":"music theory","number":"1","pages":"199–220","url":"https://www.gmth.de/zeitschrift/artikel/586.aspx","volume":"8","bibtex":"@Article{ neuwirth2011-joseph,\n author = {Neuwirth, Markus},\n year = {2011},\n title = {Joseph Haydn's “witty” play on Hepokoski and Darcy's\n Elements of Sonata Theory. James Hepokoski/Warren Darcy,\n Elements of Sonata Theory: Norms, Types, and Deformations\n in the Late-Eighteenth-Century Sonata, New York: Oxford\n University Press 2006.},\n abstract = {This paper presents a detailed integration process for\n XML schemata\\ncalled BInXS. BInXS adopts a global-as-view\n integration approach\\nthat builds a global schema from a\n set of heterogeneous XML schemata\\nrelated to a same\n application domain. This bottom-up approach maps\\nall\n element and attribute definitions in XML schemata to\n correspondent\\nconcepts at the global schema, allowing\n access to all data available\\nat the XML sources. The\n integration process is semi-automatically\\nperformed over\n conceptual representations of the XML schemata,\n which\\nprovides a better understanding of the semantics of\n the XML data\\nto be unified. A conceptual schema is\n generated by a set of conversion\\nrules that are applied\n to a schema definition for XML data. Once\\nthis conceptual\n schema is the result of a meticulous analysis of\\nthe XML\n logical model, it is able to abstract the\n particularities\\nof semistructured and XML data, like\n elements with mixed contents\\nand elements with\n alternative representations. Therefore, the\n further\\nunification of such conceptual schemata\n implicitly deals with structural\\nconflicts inherent to\n semistructured and XML data. In addition, BInXS\\nsupports\n a mapping strategy based on XPath expressions in order\n to\\nmaintain correspondences among global concepts and\n data at the XML\\nsources.},\n doi = {10.31751/586},\n issn = {1862-6742},\n journal = {Zeitschrift der Gesellschaft f{\\\"{u}}r Musiktheorie\n [Journal of the German-Speaking Society of Music Theory]},\n keywords = {music theory},\n mendeley-tags= {music theory},\n number = {1},\n pages = {199--220},\n url = {https://www.gmth.de/zeitschrift/artikel/586.aspx},\n volume = {8}\n}\n\n","author_short":["Neuwirth, M."],"key":"neuwirth2011-joseph","id":"neuwirth2011-joseph","bibbaseid":"neuwirth-josephhaydnswittyplayonhepokoskianddarcyselementsofsonatatheoryjameshepokoskiwarrendarcyelementsofsonatatheorynormstypesanddeformationsinthelateeighteenthcenturysonatanewyorkoxforduniversitypress2006-2011","role":"author","urls":{"Paper":"https://www.gmth.de/zeitschrift/artikel/586.aspx"},"keyword":["music theory"],"metadata":{"authorlinks":{}},"downloads":0},"bibtype":"article","biburl":"https://hmb.sampaio.me/bibliografia.bib.txt","creationDate":"2019-09-23T23:46:44.406Z","downloads":0,"keywords":["music theory"],"search_terms":["joseph","haydn","witty","play","hepokoski","darcy","elements","sonata","theory","james","hepokoski","warren","darcy","elements","sonata","theory","norms","types","deformations","late","eighteenth","century","sonata","new","york","oxford","university","press","2006","neuwirth"],"title":"Joseph Haydn's “witty” play on Hepokoski and Darcy's Elements of Sonata Theory. James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, New York: Oxford University Press 2006.","year":2011,"dataSources":["n6MFY2CscQLDpJ7nT","RFLDZw5KyJdadDXDm"]}