@Article{          oliveira.ea2025-composicao,
    author       = {Oliveira, Sidnei Marques and Sampaio, Marcos da Silva},
    year         = {2025},
    title        = {Composição musical a partir da {Modelagem} {Sistêmica}
                   dos contornos texturais do início do {Quarteto} de cordas
                   nº 17 de {Heitor} {Villa}-{Lobos}},
    volume       = {10},
    issn         = {2525-5304},
    url          = {https://revistas.udesc.br/index.php/orfeu/article/view/25515},
    doi          = {https://doi.org/10.5965/2525530410012025e0203},
    abstract     = {Although Daniel Moreira and co-authors (2021) have
                   already addressed the systemic modeling of musical
                   texture, the modeling of certain aspects of this
                   dimension, such as the contour of the complexity levels of
                   rhythmic partitioning and density-compression, remains
                   unexplored. Systemic Modeling is a pre-compositional
                   methodology that examines the structure of a musical work
                   by employing specific parameters to generate a new
                   composition, using its abstract relationships as a
                   foundation. In this study, we describe and discuss the
                   process of systemic modeling of texture contour from the
                   perspective of complexity levels in rhythmic partitioning
                   and densitycompression in the first movement of String
                   Quartet No. 17 by Heitor Villa-Lobos, with the aim of
                   generating the piece Devaneios 5. We conclude that
                   systemic modeling, from the perspective of texture
                   contours, has the potential to foster new creative
                   compositional approaches.},
    language     = {pt},
    number       = {1},
    journal      = {Orfeu},
    pages        = {1--37}
}

{"_id":"9f4fpta8KjWj8QnEr","bibbaseid":"oliveira-sampaio-composiomusicalapartirdamodelagemsistmicadoscontornostexturaisdoinciodoquartetodecordasn17deheitorvillalobos-2025","author_short":["Oliveira, S. M.","Sampaio, M. d. S."],"bibdata":{"bibtype":"article","type":"article","author":[{"propositions":[],"lastnames":["Oliveira"],"firstnames":["Sidnei","Marques"],"suffixes":[]},{"propositions":[],"lastnames":["Sampaio"],"firstnames":["Marcos","da","Silva"],"suffixes":[]}],"year":"2025","title":"Composição musical a partir da Modelagem Sistêmica dos contornos texturais do início do Quarteto de cordas nº 17 de Heitor Villa-Lobos","volume":"10","issn":"2525-5304","url":"https://revistas.udesc.br/index.php/orfeu/article/view/25515","doi":"https://doi.org/10.5965/2525530410012025e0203","abstract":"Although Daniel Moreira and co-authors (2021) have already addressed the systemic modeling of musical texture, the modeling of certain aspects of this dimension, such as the contour of the complexity levels of rhythmic partitioning and density-compression, remains unexplored. Systemic Modeling is a pre-compositional methodology that examines the structure of a musical work by employing specific parameters to generate a new composition, using its abstract relationships as a foundation. In this study, we describe and discuss the process of systemic modeling of texture contour from the perspective of complexity levels in rhythmic partitioning and densitycompression in the first movement of String Quartet No. 17 by Heitor Villa-Lobos, with the aim of generating the piece Devaneios 5. We conclude that systemic modeling, from the perspective of texture contours, has the potential to foster new creative compositional approaches.","language":"pt","number":"1","journal":"Orfeu","pages":"1–37","bibtex":"@Article{ oliveira.ea2025-composicao,\n author = {Oliveira, Sidnei Marques and Sampaio, Marcos da Silva},\n year = {2025},\n title = {Composição musical a partir da {Modelagem} {Sistêmica}\n dos contornos texturais do início do {Quarteto} de cordas\n nº 17 de {Heitor} {Villa}-{Lobos}},\n volume = {10},\n issn = {2525-5304},\n url = {https://revistas.udesc.br/index.php/orfeu/article/view/25515},\n doi = {https://doi.org/10.5965/2525530410012025e0203},\n abstract = {Although Daniel Moreira and co-authors (2021) have\n already addressed the systemic modeling of musical\n texture, the modeling of certain aspects of this\n dimension, such as the contour of the complexity levels of\n rhythmic partitioning and density-compression, remains\n unexplored. Systemic Modeling is a pre-compositional\n methodology that examines the structure of a musical work\n by employing specific parameters to generate a new\n composition, using its abstract relationships as a\n foundation. In this study, we describe and discuss the\n process of systemic modeling of texture contour from the\n perspective of complexity levels in rhythmic partitioning\n and densitycompression in the first movement of String\n Quartet No. 17 by Heitor Villa-Lobos, with the aim of\n generating the piece Devaneios 5. We conclude that\n systemic modeling, from the perspective of texture\n contours, has the potential to foster new creative\n compositional approaches.},\n language = {pt},\n number = {1},\n journal = {Orfeu},\n pages = {1--37}\n}\n\n","author_short":["Oliveira, S. M.","Sampaio, M. d. S."],"key":"oliveira.ea2025-composicao","id":"oliveira.ea2025-composicao","bibbaseid":"oliveira-sampaio-composiomusicalapartirdamodelagemsistmicadoscontornostexturaisdoinciodoquartetodecordasn17deheitorvillalobos-2025","role":"author","urls":{"Paper":"https://revistas.udesc.br/index.php/orfeu/article/view/25515"},"metadata":{"authorlinks":{}},"downloads":0},"bibtype":"article","biburl":"https://marcos.sampaio.me/files/publicacoes.bib","dataSources":["y5a846t8Z5zqyBbdj"],"keywords":[],"search_terms":["composi","musical","partir","modelagem","sist","mica","dos","contornos","texturais","cio","quarteto","cordas","heitor","villa","lobos","oliveira","sampaio"],"title":"Composição musical a partir da Modelagem Sistêmica dos contornos texturais do início do Quarteto de cordas nº 17 de Heitor Villa-Lobos","year":2025}