@article{
 title = {Zusammenklang und Aufbau in den motetten Machauts},
 type = {article},
 year = {1975},
 identifiers = {[object Object]},
 keywords = {23: Historical musicology (Western music) -- To,Guillaume de Machaut -- style -- motets,motet -- Guillaume de Machaut,tonality -- Guillaume de Machaut -- motets},
 pages = {62},
 volume = {28},
 month = {1},
 id = {975ba1f8-3b50-3099-97a9-4f173385938e},
 created = {2010-10-13T21:12:06.000Z},
 file_attached = {false},
 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:16:42.000Z},
 read = {false},
 starred = {false},
 authored = {false},
 confirmed = {true},
 hidden = {false},
 citation_key = {pelinski_zusammenklang_1975},
 source_type = {article},
 abstract = {Discusses the significance of the points of tonal stability (Ruheklänge) for Machaut's compositional technique.},
 bibtype = {article},
 author = {Pelinski, Ramón (Author)},
 journal = {Die Musikforschung},
 number = {1}
}